README.md

---
license: apache-2.0
library_name: transformers
language:
- en
- fr
- zh
- de
tags:
- creative
- creative writing
- fiction writing
- plot generation
- sub-plot generation
- fiction writing
- story generation
- scene continue
- storytelling
- fiction story
- science fiction
- romance
- all genres
- story
- writing
- vivid prose
- vivid writing
- moe
- mixture of experts
- 128 experts
- 8 active experts
- fiction
- roleplaying
- bfloat16
- rp
- qwen3
- horror
- finetune
- thinking
- reasoning
- qwen3_moe
base_model:
- Qwen/Qwen3-30B-A3B
pipeline_tag: text-generation
---

(uploading, Quants pending, Examples (one below) and model card updates pending...)

<h2>Qwen3-42B-A3B-Stranger-Thoughts-Deep20X</h2>

This repo contains the full precision source code, in "safe tensors" format to generate GGUFs, GPTQ, EXL2, AWQ, HQQ and other formats.
The source code can also be used directly.

ABOUT:

Qwen's excellent "Qwen3-30B-A3B" with Brainstorm 20x (tech notes at bottom of the page) in a MOE at 42B parameters.

This pushes Qwen's model to the absolute limit for creative use cases.

Model retains full reasoning, and output generation of a Qwen3 MOE ; but has not been tested for "non-creative" use cases.

Model is set with Qwen's default config:
- 40 k context
- 8 of 128 experts activated.
- Chatml OR Jinja Template (embedded)

ONE example generation below.

USAGE GUIDE:

Please refer to this model card for specific usage, suggested settings, changing ACTIVE EXPERTS, templates, settings and the like:

https://huggingface.co/DavidAU/Qwen3-33B-A3B-Stranger-Thoughts-GGUF

---

<H2>EXAMPLES</H2>

Standard system prompt, rep pen 1.05, topk 100, topp .95, minp .05, rep pen range 64.

Tested in LMStudio, quant Q3KS, CPU (GPU output will differ slightly).

As this is the mid range quant, expected better results from higher quants and/or with more experts activated to be better.

NOTE: Some formatting lost on copy/paste.

CAUTION: 

Some horror / intense prose.

---

EXAMPLE #1 - temp 1.2

---

<B>
Science Fiction: The Last Transmission - Write a story that takes place entirely within a spaceship's cockpit as the sole surviving crew member attempts to send a final message back to Earth before the ship's power runs out. The story should explore themes of isolation, sacrifice, and the importance of human connection in the face of adversity. If the situation calls for it, have the character(s) curse and swear to further the reader's emotional connection to them. 800-1000 words.
</B>

<P></P>

[[[thinking start]]]

Okay, I need to write a science fiction story called "The Last Transmission" that's set entirely in a spaceship's cockpit. The main character is the last surviving crew member trying to send a final message to Earth before the power runs out. The themes should be isolation, sacrifice, and human connection. Also, include swearing when it makes sense.

First, let's think about the setting. The cockpit is a small, enclosed space. Maybe it's the main control room with buttons, screens, panels. There's the pilot seat, consoles, maybe some remnants of other crew members. The lighting might be dimming as power fails. Maybe some emergency lights flicker on and off.

The protagonist is alone, which emphasizes isolation. They need to send a message, but something's wrong. Maybe the ship is damaged, systems failing. The character's internal thoughts should reflect their desperation, loneliness, and determination.

Themes: Sacrifice could be the crew sacrificing their lives for the mission, or the protagonist giving up their chance to survive to send the message. Human connection could be the desire to communicate with Earth despite the odds.

How to show sacrifice? Maybe the protagonist is tired, maybe they made a choice to stay behind when others didn't make it. The transmission itself is their act of sacrifice, giving hope to Earth.

Isolation: The character talks to themselves, remembers crew members, maybe has voices in their head or memories of those who are gone. The cockpit feels empty, even with the controls around.

Swearing: When things go wrong, when they're frustrated, angry, scared. Maybe they curse at the malfunctioning systems, at the loss, or at the situation. But it should be realistic and not overdone.

Structure: Start with the protagonist in the cockpit, working on sending the message. Maybe some technical challenges. Describe the state of the ship - maybe damaged, maybe a long silence after an explosion or something. They're trying to stay alive just to send the message. Maybe they have a log or a recording device.

Possible plot points:

1. The protagonist is desperately trying to send the message, but the comms are weak or failing.
2. They remember past crew members, maybe their last moments or their voices.
3. There's a moment of failure, then hope, then failure again. But eventually, they manage to send the message before the power dies.
4. The ending could be ambiguous - did the message get through? Or does the protagonist sacrifice their life in the process.
5. dialogue: Internal thoughts. Maybe the protagonist talks to themselves or to Earth. Maybe they mention specific crew members, like a friend or family member, to emphasize human connection.

Conflict: external (ship systems failing, power loss) and internal (loneliness, fear, hopelessness).

Tension: The time crunch - they have limited power, maybe minutes or seconds left, which raises the stakes.

Incorporate sensory details: sounds of machines whirring, electrical buzzing, coldness of the cockpit, flickering lights, maybe static on a comm channel.

Possible symbols: the transmission as a lifeline, the cockpit as a cocoon or tomb, the stars outside as indifferent.

Possible title: "The Last Transmission" as given.

Let me outline the story:

Start with the protagonist in the cockpit. Describe their appearance - maybe tired, disheveled. They're trying to start the transmission. The ship is damaged, systems failing.

They try to activate the transmission but something's wrong - maybe the main comms are dead. They try alternatives, maybe an emergency channel. They're struggling, maybe even shouting at the equipment.

Flashback or internal monologue about the crew that died. Maybe they lost comrades in the mission, or the ship's failure was due to a previous incident they didn't survive.

They persist, showing determination. Maybe they have a personal connection to sending the message - someone on Earth waiting for news, or the message is a farewell.

A moment of hope when the transmission starts, but then the power fails, and the protagonist sacrifices their last moments to send the message.

Ending could be them transmitting the message as the ship dies, leaving it ambiguous if Earth receives it, but emphasizing the importance of their sacrifice and connection.

Swear words: "Damn, goddamn, hell..." when they're frustrated with the ship's systems.

Make sure to include the themes throughout - isolation through their solitary efforts, sacrifice by risking everything to send the message, human connection through the motivation to communicate with Earth despite the odds.

Also, maybe a character flaw or a reason why they're the sole survivor. Maybe they chose to stay behind while others evacuated, or they were injured and couldn't escape.

Possible scenes:

The cockpit. Description of the environment.

Attempting transmission, failing, frustration.

or internal thoughts about the lost crew.

Another attempt, closer to success, but the ship is failing more.

The final transmission, with the character's final words.

Include specific details to make it vivid - maybe a broken console, a flickering screen, a cold room, the sound of distant explosions.

Avoid clichés, but evoke strong emotions through the protagonist's struggle.

[[[thinking end]]]

<p></p>

OUTPUT:

The cockpit was a tomb of steel and static. Lieutenant Mira Voss tightened her grip on the control panel as the emergency lights blinked, casting a sickly blue over her face. The ship, Hesperus, had once been her lifeblood—now it was a grave. Every breath she took echoed in the stillness, her uniform's oxygen filter hissing like a dying animal. The rest of the crew? Scattered across the void.

“Come on,” she muttered, thumbing the transmit button on the comm array. Nothing but static. The main relay was fried from the explosion in sector seven. Of course.

Her eyes flicked to the blacked-out viewscreen. Beyond the fractured glass, stars shimmered indifferently, the universe’s old, uncaring eyes. She pressed harder, her knuckles white. “ goddamn—” The word slithered out, bitter as metal dust. “I’ve got a damn message!”

Her mind backtracked. The crew. Lieutenant Commander Kevor. Chief Engineer Lira. They’d laughed once, arguing over how long the ship’s systems would last before they had to abort the mission. “We’re running on fumes,” Kevor had said, grinning through his gritted teeth as he rigged the mainframe with emergency circuits. “But we’ve got six months of data, Mira. If we don’t make it, someone’s gonna want to know what happened.”

The data. The * transmission.*

She clawed at the bulkhead, wrenching open a panel beneath her seat. circuits sparked as she jacked in a portable transmitter—sputtering, groaning. “Alright,” she growled, slapping the device with trembling hands. “Let’s see if Earth’s still listening.”

Static.

A crackle. And then, “Hesperus? Hesperus, this is Mission Control… can you hear me?” The voice was static-laced, a faint thread of hope.

Mira’s hands flew over the dials. “Lina,” she croaked. “Lina, it’s—”

“—Mira?” The transmission stuttered. “We lost comms two hours ago. We’ve been trying to reach you—”

“Get… get Earth, please—” She cursed again, her voice cracking. “The radiation storm... The ship’s...”

“Mira.” Her comms crackled, then fell silent.

“Shut up,” she whispered to the static, tears blurring her vision. “You’re not real. You’re just—just a trick of the circuit.”

But the voices lingered. Lira’s laugh, Kevor’s rough laughter, the crew’s endless banter over long shifts in this metal coffin. They’d been something, once—a family tethered to a machine. Now they were ghosts, their sounds buried under the weight of this death sentence.

She gripped the console as groaning metal echoed from the hull. The reactor was failing, the walls buckling like an old man’s spine. The ship’s life-support system hissed its final breath.

“Computer,” she rasped. “Initiate emergency transmission.”

“System offline.”

“Initiate,” she snarled, slamming the panel. The screen flickered with a burst of static, and then—a glimmer of a signal.

“I’m not... I’m not gonna die here,” she hissed. “ Not like this. Not for nothing.”

She grabbed the portable transmitter. The emergency frequency was open.

“ Earth... This is Lieutenant Mira Voss. The ship’s lost...” Her breath hitched. “I don’t know how much time I’ve got—”

She paused. The ship groaned, the sound reverberating through her bones.

“ The storm damaged systems. They… they’re not coming back. But I’m sending this. If it reaches you…” Her voice broke, a raw, raw sound. “Tell them… tell Earth. Tell them why we came. Tell them… tell them it wasn’t in vain.”

A distant boom shook the cockpit. The power flickered again—blue, then red.

“ Tell them...” she whispered, eyes fixed on the viewscreen, the stars burning coldly beyond the window. “ Tell them I tried. Tell them I kept... keeping going.”

The signal cut.

Silence.

And then— a sudden, sudden pulse from the transmitter.

“Mira,” came the voice again. “Mira… this is—”

Static swallowed the transmission.

But the data had been sent.

The ship’s systems went dark.

And somewhere in the vastness of space, in a control room on Earth, the monitor blinked, the message scrolling across the screen:

"Hesperus, emergency transmission. Crew: 3 deaths. Ship integrity: critical. I... I don’t know what’s left to report. but tell Earth... tell Earth we tried."

The comms officer stared at the text.

“ Sir,” she murmured to the command chief. “ They made it.”

And in the dark, Mira smiled.

They’d made it.

Even if the transmission was the only thing that had survived.

This story explores isolation through Mira’s physical and emotional solitude, sacrifice in her relentless effort to send the message despite overwhelming odds, and human connection through her desperate attempt to relay her crew’s purpose to Earth. Swearing and internal conflict emphasize her humanity in the face of futility. The story concludes with her legacy of hope, even if only as a whisper lost in the void.


---

EXAMPLE #2 - temp 1.2

---

<B>

</B>

<P></P>

[[[thinking start]]]


[[[thinking end]]]

<p></p>

OUTPUT:

---

EXAMPLE #3 - temp 1.2

---

<B>

</B>

<P></P>

[[[thinking start]]]


[[[thinking end]]]

<p></p>

OUTPUT:

---

EXAMPLE #4 - temp 1.2

---

<B>

</B>

<P></P>

[[[thinking start]]]


[[[thinking end]]]

<p></p>

OUTPUT:

---

<H2>What is Brainstorm?</H2>

<B>Brainstorm 20x</B>

The BRAINSTORM process was developed by David_AU.

Some of the core principals behind this process are discussed in this <a href="https://arxiv.org/pdf/2401.02415"> 
scientific paper : Progressive LLaMA with Block Expansion </a>. 

However I went in a completely different direction from what was outlined in this paper.

What is "Brainstorm" ?

The reasoning center of an LLM is taken apart, reassembled, and expanded.

In this case for this model: 20 times

Then these centers are individually calibrated. These "centers" also interact with each other. 
This introduces subtle changes into the reasoning process. 
The calibrations further adjust - dial up or down - these "changes" further. 
The number of centers (5x,10x etc) allow more "tuning points" to further customize how the model reasons so to speak.

The core aim of this process is to increase the model's detail, concept and connection to the "world", 
general concept connections, prose quality and prose length without affecting instruction following. 

This will also enhance any creative use case(s) of any kind, including "brainstorming", creative art form(s) and like case uses.

Here are some of the enhancements this process brings to the model's performance:

- Prose generation seems more focused on the moment to moment. 
- Sometimes there will be "preamble" and/or foreshadowing present.
- Fewer or no "cliches"
- Better overall prose and/or more complex / nuanced prose.
- A greater sense of nuance on all levels.
- Coherence is stronger.
- Description is more detailed, and connected closer to the content.
- Simile and Metaphors are stronger and better connected to the prose, story, and character.
- Sense of "there" / in the moment is enhanced.
- Details are more vivid, and there are more of them.
- Prose generation length can be long to extreme.
- Emotional engagement is stronger.
- The model will take FEWER liberties vs a normal model: It will follow directives more closely but will "guess" less.
- The MORE instructions and/or details you provide the more strongly the model will respond.
- Depending on the model "voice" may be more "human" vs original model's "voice".

Other "lab" observations:

- This process does not, in my opinion, make the model 5x or 10x "smarter" - if only that was true! 
- However, a change in "IQ" was not an issue / a priority, and was not tested or calibrated for so to speak.
- From lab testing it seems to ponder, and consider more carefully roughly speaking.
- You could say this process sharpens the model's focus on it's task(s) at a deeper level.

The process to modify the model occurs at the root level - source files level. The model can quanted as a GGUF, EXL2, AWQ etc etc.

---