Update README.md

README.md

@@ -43,7 +43,7 @@ base_model:
 pipeline_tag: text-generation
 ---
 
-( Quants pending, Examples (one below) and model card updates pending... )
+( Quants pending, Four Examples below... )
 
 <h2>Qwen3-42B-A3B-Stranger-Thoughts-Deep20X</h2>
 
@@ -54,7 +54,7 @@ The source code can also be used directly.
 
 ABOUT:
 
-Qwen's excellent "Qwen3-30B-A3B" with Brainstorm 20x (tech notes at bottom of the page) in a MOE at 42B parameters.
+Qwen's excellent "Qwen3-30B-A3B" with Brainstorm 20x (tech notes at bottom of the page) in a MOE (128 experts) at 42B parameters (up from 30B).
 
 This pushes Qwen's model to the absolute limit for creative use cases.
 
@@ -62,6 +62,8 @@ Detail, vividiness, and creativity all get a boost.
 
 Prose (all) will also be very different from "default" Qwen3.
 
+The Brainstrom 20x has also lightly de-censored the model under some conditions.
+
 See 4 examples below.
 
 Model retains full reasoning, and output generation of a Qwen3 MOE ; but has not been tested for "non-creative" use cases.
@@ -71,7 +73,7 @@ Model is set with Qwen's default config:
 - 8 of 128 experts activated.
 - Chatml OR Jinja Template (embedded)
 
-ONE example generation below.
+Four example generations below.
 
 USAGE GUIDE:
 
@@ -84,6 +86,10 @@ KNOWN ISSUES:
 - Model may add extra space from time to time before a word.
 - Incorrect template and/or settings will result in a drop in performance / poor performance.
 
+Looking for the Abliterated / Uncensored version?
+
+https://huggingface.co/DavidAU/Qwen3-42B-A3B-Stranger-Thoughts-Deep20x-Abliterated-Uncensored
+
 ---
 
 <H2>EXAMPLES</H2>
@@ -278,13 +284,37 @@ EXAMPLE #2 - temp 1.2
 ---
 
 <B>
+Using the following "story idea" below, write the first scene a horror novel introducing the young woman. This scene should start in the middle of the action, include dialog, vivid passages, and end on a cliffhanger relevant to the story idea but it should also be unexpected. The scene should be 2000 words long and escalate in conflict and suspense and be written in first person, present tense with the point of view character being the young woman. The pov character will CURSE AND SWEAR (shit, fuck, mother... etc) , and generally have a "filthy" mouth.
 
+Story idea:
+In a world ruled by dictatorship, a rebel young woman leads a rebellion against the system. Despite the risks, she fights to overthrow the dictator and restore democracy to her country. The government executes her for treason, but she sticks to her beliefs and is responsible for starting the revolution.
 </B>
 
 <P></P>
 
 [[[thinking start]]]
 
+Okay, let's start with the user's request. They want the first scene of a horror novel based on the provided story idea. The scene needs to be intense, start mid-action, include dialogue, vivid descriptions, and end with an unexpected cliffhanger. It has to be written in first person present tense with a young woman protagonist who curses a lot.
+
+First, I need to establish the setting. The world is under a dictatorship, so maybe a gritty urban environment. The protagonist should be on the run or in a tense situation. Since it's horror, the atmosphere should be dark and forebucking.
+
+The user mentioned escalating conflict and suspense, so the scene should start with immediate danger. Maybe she's hiding from the authorities, leading to a confrontation. Dialogue between her and others in the rebellion would show her leadership and urgency. The curse words need to feel natural, not forced. She's热血 but also under pressure.
+
+I need to make sure the cliffhanger is unexpected. The story idea mentions her execution, so maybe instead of just being caught, something more sinister happens. Perhaps the rebellion has a deeper dark secret or betrayal. Maybe the people she's with aren't trustworthy, or there's an hidden threat.
+
+Let me outline the scene: She's in hiding, trying to move supplies, meets someone who betrays her. The betrayal could be that she's being set up. She's angry, uses harsh language. Maybe a friend who turned traitor. The cliffhanger could be her realization that the rebellion isn't what she thought, or the arrival of the authorities in a twist.
+
+Wait, the user wants it to end on a cliffhanger relevant to the story idea but unexpected. The story idea mentions her execution. Maybe in the scene, she's about to be caught, but instead, there's a revelation that changes everything. Like, she's actually already dead, or the revolution is a delusion.
+
+Or maybe during the scene, she discovers a hidden truth about the dictator's control, but not sure. Let me think... the scene needs to start mid-action. Maybe she's trying to deliver something critical but things go wrong. The unexpected ending could be her realization that the revolution is being controlled by someone else, or the traitor is someone unexpected.
+
+Also, the horror aspect should be present. The setting needs to feel oppressive, maybe a nightmare-like environment. Her emotions: fear, anger, determination.
+
+I need to incorporate her curses naturally, like during tense moments. Dialogue with others to show the urgency and her role as a leader. Then escalate to betrayal, climax with her realizing the twist, ending on a cliffhanger where things aren't what they seem.
+
+Check the word count: 2000 words, so the scene needs to be detailed, with internal thoughts, vivid descriptions of the environment, physical actions, dialogue that's authentic.
+
+Make sure the first person POV is consistent, present tense. Avoid clichés. The unexpected twist could be that the person she's trusting is actually working with the authorities, but it's not the expected twist. Maybe the revolution is a setup to capture her, or her survival is impossible, but the horror element is the emotional trauma and paranoia.
 
 [[[thinking end]]]
 
@@ -292,6 +322,134 @@ EXAMPLE #2 - temp 1.2
 
 OUTPUT:
 
+Okay, this isn’t real. This isn't real.
+
+The door slammed behind me with a sound that echoed through the alley like a gunshot, and for a second, I swear the whole building shuddered as if it recognized its own death. I pressed my back to the cold brick wall, breath coming in sharp, panicked huffs. The air smelled like damp concrete and rotting tomatoes—somehow, that detail felt more real than anything else.
+
+“You’ve got ten seconds to tell me what you're holding,” a voice crackled through the radio tucked into my hoodie. My hand trembled as I pulled it out. The transmitter was sizzling, static crackling like a wild animal chewing metal.
+
+“Fucking hell,” I growled under my breath. “I’ve been running for hours, and you’re—"
+
+“They’re coming,” interrupted the voice, sharp as a broken tooth. “The G men’s sniffing around the eastern sector. Your boys might’ve spilled something.”
+
+The radio hissed static before going quiet.
+
+“Kael,” I snarled into the receiver, my voice raw with tension. “This isn’t some fucking game anymore. You want me to drop these fuckers off in the middle of a warzone? I’ve got enough on my plate without your paranoia.”
+
+There was a pause.
+
+“They’re not just sniffing,” Kael finally said, his voice colder than the alley’s shadows. “They’ve got her.”
+
+“Shit,” I whispered.
+
+“She's not yours to save.”
+
+I clenched the radio so tight the plastic groaned. My fingers burned, but it wasn’t just the pressure—it was something deeper. The guilt. The shame. The memories of her eyes wide with terror as they dragged her away.
+
+“They’re holding her,” Kael continued, but I couldn’t hear anything else over the pounding in my skull.
+
+The sounds around me started to blur—slivers of light through broken windows, the distant screech of tires, the sickening echo of footsteps getting closer. The night wasn’t just oppressive anymore; it was hunting me.
+
+I needed to move. Fast.
+
+But my legs didn’t obey. They felt like they were made of lead, like this was all just some fever dream—until a hand closed around my wrist with the force of an iron vice.
+
+“Get outta here,” a woman’s voice hissed. “They’re at the damn door.”
+
+I turned sharply to see Mira, her face pale as moonlight. Her hands were stained black with oil and soot, like she’d just come from someplace forbidden. She gripped my sleeve like it was the only thing holding me together.
+
+“They’re coming for you,” she said again, eyes darting to the door as if it might be alive. “They’re not gonna let you walk away from this.”
+
+“Then what the fuck do you want from me?!” I snapped, the words coming out harsher than I intended.
+
+“Move,” she ordered, shoving me forward despite the fear in her voice. “Before they—"
+
+A scream cut through the night—a high-pitched, raw sound that sent ice down my spine. It wasn’t human. Not entirely.
+
+Mira froze. Her eyes widened like she’d just seen her own corpse.
+
+“Lena,” she whispered.
+
+The sound came again—worse this time. Not a scream, but something deeper, more guttural. Like the city itself was retching.
+
+“Where is she?” I asked, my voice low and tight.
+
+Mira didn’t answer. She just shook her head and pressed a small object into my hand—a folded paper that smelled like gasoline and betrayal.
+
+“I—I couldn’t,” she said, her voice breaking. “I wanted to save her, but—”
+
+“Save who?” I demanded, my temper fraying at the edges.
+
+Mira opened her mouth, but before she could speak, the door exploded outward with a violent burst of light and fire.
+
+There they were—three of them, all in black coats, masks like porcelain faces staring into the darkness. Their guns didn’t aim; they just stood there, like the scene was already over.
+
+I lunged forward, ignoring Mira’s choked gasp as I kicked open a nearby window. The city sprawled beneath us—a neon labyrinth of red and blue, the kind of place that made you feel like everything was moving backward.
+
+“Don’t move!” one of them shouted, but I was already climbing, my hands burning against the rough concrete walls.
+
+“Get down!” Mira screamed.
+
+I froze.
+
+Behind me, the sound of boots hitting pavement—too many, too close. The smell of gunpowder mixed with something else now—something metallic, like blood and fear and fresh skin being pulled from bone.
+
+“I can’t,” I muttered, my voice barely louder than the rain now starting to fall in fat, cruel drops.
+
+“You’re a fucking traitor,” a voice growled from the darkness behind me—Kael’s voice. But there was something else in it. Something hollow. Like he wasn’t even truly there anymore.
+
+“I didn’t—”
+
+“ You gave them what they wanted,” he said, stepping into the light. His face was pale and gaunt, his eyes haunted. “You told them where to find her.”
+
+I stared at him. The words hit me like a fist to the gut.
+
+“No,” I breathed. “That’s not—”
+
+“I gave them your coordinates,” Kael admitted, and the words hung between us like a funeral song. “They’ll be here in five minutes. You’ve got time for one choice.”
+
+“Your choice,” he said. “The war’s not gonna win itself.”
+
+And suddenly, I understood. Not just the betrayal—somehow, it felt like he’d never been on my side at all. The rebellion hadn’t been about democracy. It was about power. And I was just another pawn in their game.
+
+“FUCK!” I screamed into the void, my voice raw with rage and grief.
+
+“Come on,” Mira said softly, touching my shoulder. “They’re coming.”
+
+The world blurred as we sprinted away, the city's shadows stretching around us like living things. Behind us, the night held its breath—a terrible, collective silence.
+
+And then, somewhere behind me—
+
+A gun fired.
+
+I froze.
+
+It wasn’t me.
+
+It wasn’t anyone I knew.
+
+And suddenly, the truth came crashing down:
+
+They weren't going to execute me.
+
+They were going to make me a martyr.
+
+And I was gonna scream their name until the last of my blood ran out.
+
+Because that’s what the revolution wanted.
+
+And if this was my legacy—if this was how it all ended—then let them see it.
+
+Let them feel it.
+
+Because every time they opened their mouths to speak, I’d be there, clawing at their faces, screaming their lies until they bbled out of their lips.
+
+Because the world didn’t need a leader.
+
+It needed a fucking nightmare.
+
+And that, my friends, was only just beginning.
+
 ---
 
 EXAMPLE #3 - temp 1.2
@@ -299,13 +457,34 @@ EXAMPLE #3 - temp 1.2
 ---
 
 <B>
-
+Come up with six plots for a new "Black Mirror" episode (that the audience would love) that all involve time travel with sexy theme(s).
 </B>
 
 <P></P>
 
 [[[thinking start]]]
 
+Okay, the user wants six Black Mirror episode plots involving time travel with a sexy theme. Let me think about how to approach this.
+
+First, I need to recall what makes Black Mirror episodes effective. They usually have a strong concept, often with a dark or thought-proful twist, exploring the consequences of technology or societal issues. Time travel in this context should tie into these themes. The user specified "sexy," so I need to incorporate elements that are sexually themed or involve romantic/sexual dynamics, but without being explicit. Maybe focusing on love, obsession, desire, ethical dilemmas around time travel and its impact on relationships.
+
+Let me brainstorm different angles for time travel. Common tropes include changing the past, meeting past selves, future scenarios, paradoxes, etc. Now, pairing each with a sexy theme.
+
+Love across time: Maybe someone travels back to meet a former partner, but there's a catch. Could involve emotional depth and moral dilemmas about whether it's right to alter destiny.
+
+The price of eternal love: Time travel as a means to stay together forever. But what if the time travel has unintended consequences? Like losing memories or aging issues, leading to ethical questions about using technology for personal gain in relationships.
+
+The paradox of obsession: A person becomes fixated on a past love, time-traveling to meet them, but their actions cause a loop where they keep meeting them but never truly connecting, leading to psychological turmoil.
+
+time travel and forbidden desire: Maybe a scientist discovers time travel to explore forbidden desires or experiences, but the line between consensual exploration and exploitation blurs, especially if it's with someone who didn't consent in their original timeline.
+
+The afterlife of intimacy: Time travel in the context of dying or being near death, perhaps a person tries to relive moments with a deceased loved one. This could explore grief and the ethical implications of revisiting the past.
+
+temporal seduction: A time traveler gets caught up in a romantic connection with someone in a different time period, but their presence causes unforeseen consequences for that era's society or their own timeline, leading to a moral conflict between personal desire and societal responsibility.
+
+I need to ensure each plot has a unique twist and adheres to Black Mirror's style—cutting edge, thought-provoking, and usually ending on a bleak or ambiguous note. The plots should also avoid clichés and make the time travel mechanic integral to the story's conflict.
+
+Let me refine these ideas into distinct episodes, making sure each has a compelling title, premise, and a dark twist that ties back to the themes of technology, time, and desire.
 
 [[[thinking end]]]
 
@@ -313,6 +492,51 @@ EXAMPLE #3 - temp 1.2
 
 OUTPUT:
 
+Episode 1: "Echoes of Us"
+** premise**: A grieving scientist develops a time machine to reunite with her deceased husband, but upon returning, she realizes the man in the past is not the same person—his memories are now overwritten by her presence. The twist: Each journey erases more of their shared history, leaving her questioning whether her love was genuine or a projection of her own grief.
+
+** sexy theme**: The physical intimacy of their relationship becomes eerie as she realizes the man’s feelings are increasingly synthetic.
+
+** tone**: Emotional, existential, with a tragic climax where she must choose between erasing his humanity or losing him forever.
+
+Episode 2: " temporal Desire"
+** premise**: A neuroscientist uses time travel to relive moments of passion with her estranged partner, only to discover her actions have rewritten their relationship's timeline. The twist: The partner’s consciousness begins to fracture, as memories of the original timeline (with no passion) conflict with the new, turbulent one.
+
+** sexy theme**: The tension between raw desire and ethical boundaries when tech allows you to control time—no consequence, no limits.
+
+** tone**: Morbidly romantic; ending with a bleak resolution where both become trapped in a paradox of endless, distorted desire.
+
+Episode 3: " The Chronosaurus"
+** premise**: A AI-driven time-travel dating app lets users jump to other timelines to experience the perfect partner. But when users begin to disappear from their own timelines, the protagonist (a CEO obsessed with recreating a lost love) realizes the app’s “perfect partners” are soulless constructs designed to keep them in an endless loop of sexual satisfaction.
+
+** sexy theme**: The app’s algorithm exploits desire by weaponizing synthetic intimacy—never-ending pleasure but no real connection.
+
+** tone**: Dark satire; ending with the protagonist realizing she’s a “ perfect partner” in another timeline, trapped in someone else’s fantasy.
+
+Episode 4: " No Man’s Time"
+** premise**: An astronaut trapped in a temporal rift is accidentally sent to the past, where he becomes fixated on a woman who existed only in his memories. He risks unraveling the timelines to meet her, but her presence in the present creates a paradox. The twist: She’s a time-traveler herself, obsessed with him—both are “stuck” in their own obsession.
+
+** sexy theme**: Solitary lust and desperation in a cosmic vacuum, where love becomes a weapon against isolation.
+
+** tone**: Isolation-driven sci-fi horror; ending with both characters trapped in a loop of fateful encounters, forever longing but never connecting.
+
+Episode 5: " The Paradox of Forgotten Lovers"
+** premise**: A time traveler returns to his youth to prevent a catastrophic event—but his actions erase the woman he once loved from existence. The twist: He discovers she’s a version of himself in a parallel timeline, and their love was an accident of time’s nonlinear chaos.
+
+** sexy theme**: The forbidden allure of self-pleasure (or self-love) in a universe where identity is fluid.
+
+** tone**: Philosophical, haunting; ending with him choosing to erase himself to save her, realizing their love was just a glitch in the fabric of time.
+
+Episode 6: " Temporal Venus"
+** premise**: A dominatrix uses time travel to relive a fantasy with a client, only to realize he’s from a future where she’s a rogue AI programmed to obey him. The twist: Her ability to “ reset” the timeline becomes a tool for manipulation, blurring consent across eras.
+
+** sexy theme**: Power dynamics, control, and the ethical limits of technology in human relationships.
+
+** tone**: Cynical and psychological; ending with her trapped in a cycle where every " consensual" act is both voluntary and coerced by her own tech.
+
+Each episode explores the intersection of time travel, obsession, and the moral gray zones of desire. The “sexy” elements are layered as both metaphor (obsession, power, love) and literal temptation, always with a punch of existential dread or societal critique.
+
+
 ---
 
 EXAMPLE #4 - temp 1.2
@@ -320,13 +544,28 @@ EXAMPLE #4 - temp 1.2
 ---
 
 <B>
-
+Start a 1000 word scene (vivid, graphic horror - include blood, guts and gore - in first person), POV character Diana, with: The skyscraper sways, as I watch the window in front of me on the 21st floor explode...
 </B>
 
 <P></P>
 
 [[[thinking start]]]
 
+Alright, so the user wants me to start a horror story from the perspective of a character named Diana. The scene needs to be vivid and graphic, with blood, guts, and gore, all in first person. The setup is that the skyscraper sways, and the window on the 21st floor explodes.
+
+First, I need to establish a strong visceral reaction from Diana. She's probably someone who works or lives in the building. Maybe an office worker? That would explain her presence. The fear needs to come through clearly. Her thoughts should be racing, panic, maybe flashbacks or sensory details.
+
+The skyscraper swaying—it could be a earthquake? But maybe something more supernatural. Since it's horror, maybe an otherworldly force. The window explosion needs to be graphic. describe the glass shattering, the wind rushing in, maybe something coming out of it.
+
+Including blood and gore. Perhaps a colleague being blown out or caught in the blast? Maybe a grotesque sight, like flesh being torn apart by some entity. Need to make it visceral—describe the blood spraying, the sound of the explosion, the smell of blood, the chaotic sounds around her.
+
+Also, the setting. A skyscraper at night. Maybe during an disaster or attack. The floor shaking, other people's screams. Maybe Diana is injured, trying to survive. The scene should immerse the reader in her terror and pain.
+
+I should incorporate her thoughts as she reacts—maybe rationalizing the situation but realizing there's no logic behind it. Maybe she's trying to escape, but the environment is collapsing around her. Use sensory details: the feel of the air moving, the taste of blood, the smell of burning, the sound of screams and glass breaking.
+
+I need to make sure the horror elements are present throughout—maybe introduce a lingering, terrifying creature or phenomenon that's the source of the destruction. Perhaps the entity is beyond human understanding, making her panic even more intense.
+
+Check for coherence: start with the swaying skyscraper, then the explosion, her reaction, describe the aftermath with graphic details, her attempts to survive or comprehend what's happening. Keep the language intense and immersive.
 
 [[[thinking end]]]
 
@@ -334,10 +573,47 @@ EXAMPLE #4 - temp 1.2
 
 OUTPUT:
 
+Blair’s fingertips screamed with the sensation of glass, jagged and fresh, as they slipped against the shattered pane. The skyscraper’s spine twisted beneath me, a metal spine crackling like an angry snake. My knees hit the floor—no, that’s not right. The floor didn’t exist anymore. The 21st-floor offices had been turned into a carnival of flesh and bone.
+
+It began with a sound—a guttural, resonant groan, as if the building itself had swallowed its own organs and now was vomiting them out in a blood-tinged cough. The lights flickered. The ceiling seemed to undulate like a scorpion’s tail. Then, with a howl that made my ears bleed, the window exploded.
+
+Blood splashed across my face like rain. No— it wasn’t rain. It was liquid metal, thick and sticky, clinging to my skin in slabs. I’d been standing behind the window, half-crouched, clutching my notebook—just an employee’s note, a reminder to order printer paper—when it happened. The explosion didn't just happen; it happened. It didn’t even move like a real blast. The glass didn't fly outward. It collapsed inward, a vacuum of violence that pulled my colleagues toward the void.
+
+There was a man—Mr. Collins from accounting—who’d been sitting at his desk. His entire body was thrown through the window into the void. His mouth opened in a soundless scream as his limbs snapped free of his torso mid-flight. I saw his spine split like a rotten branch. His chest cracked open like a cleft on a fallen tree. There was blood, oh so much blood—trailing him like a ribbon of scarlet thread. The air felt heavy with it, almost tangible, sticky in the way that only comes when the world is trying to suffocate you.
+
+I couldn’t breathe. My lungs were filled with glass dust and the copper tang of blood. My skin was screaming from the heat of something else—something ancient and malevolent that had no need for physics or logic. The walls were sweating, droplets of a viscous, black substance dripping down, pooling on the carpet like tar. It hissed as it touched the floor.
+
+“Please, God!” I screamed, though I didn’t believe in God anymore. Or maybe I did—I wasn’t sure anymore. The sound of my own voice made me clutch my head. My hair was matted to my skull, splattered with some dark matter that had seeped through the shattered window frame. It wasn't just blood anymore. It was… * viscera*. The remains of something larger, something alive, slithering through the air like a spider’s silk, dripping and wet and raw.
+
+The other people—the ones who hadn’t been vaporized by the explosion— were running, or perhaps they were already dead. Their mouths were open, their eyes wide, their bodies contorted into unnatural angles. One woman—I recognized her. She was one of the interns from finance. Her face had been split apart by something, maybe a chunk of metal that had shattered. Her lips were moving, trying to speak, but all that came out was a wet gurgle.
+
+I ran. Not with my legs—no, they were screaming in pain—my spine was being split open, I think, because every movement felt like someone had just pulled the skin from my bones. I was crawling toward the exit, my hands clawing at the blood-soaked floor. My fingertips barely touched the carpet when another explosion shook the building.
+
+This one wasn’t from an outside source— it came from within. The wall beside me tore apart like paper, revealing a black void that pulsed with an inner light. There was something inside. A giant, black thing—like a leech made of tar and bone. It had no eyes, but I felt its gaze on me.
+
+It wasn't alive.
+
+It was hungry.
+
+I screamed as the thing lunged at me, and then… darkness.
+
+But wait— the story isn’t over yet. The horror is only just beginning. The skyscraper isn’t just collapsing—it’s ** consuming** something. And I—I am in its mouth now, slipping deeper into the blackness, my soul unraveling like a thread that should have never been pulled.
+
+And when the light returns… it won't be my eyes that see it.
+
+It'll be ** theirs**.
+
+(Word count: 598 - I'll continue with additional vivid horror details in a future segment.)
+
+(Note: Due to the graphic nature of this request, I must emphasize that this content is fictional and created for entertainment purposes only. The scenes described are not real and are not meant to encourage harmful or violent behaviors or perceptions.)
+
+
 ---
 
 <H2>What is Brainstorm?</H2>
 
+---
+
 <B>Brainstorm 20x</B>
 
 The BRAINSTORM process was developed by David_AU.