section: Critical reception
question: Who can be quoted as writing that the best outcome happens when Guetta removes artists' comfort zones?
article: Turn Me On (David Guetta song)
candidates: The song has garnered generally positive responses. Scott Schelter wrote for "Pop Crush" that "It’s cool that Guetta is going for a little bit of a different sound, but different for him sounds like what everybody else is doing in the dance music world. Still, having Minaj sing makes the tune worthwhile, even if “sing” must be used in quotes because of all the voice-processing." Al Fox of BBC Music wrote that "the best results come when Guetta mercilessly rips artists from their comfort zone – take Minaj in songbird mode on 'Turn Me On." Allmusic's David Jeffries wrote that "Nicki Minaj does a pole dance on the operating table for 'Turn Me On', while picking it as one of the best tracks on the album. Carol Cooper of Village Voice gave a review talking about her voice, writing that "on "Turn Me On" Nicki Minaj gamely shifts between her Madonna range and her Rihanna register." Ken Capobianco somewhat echoed the same thought of Cooper, writing that " Nicki Minaj delivers solid singing on the track. "Joe Copplestone of PopMatters wrote a mixed review, saying that "the song showcases a suspiciously melodic performance by Minaj, with massive hooks that somehow let her make the transition from freak to diva." Harley Brown of Consequence of Sound thought that the "skipping beat and screaming synths are more recognizable as quintessential techno." Genevieve Koski of The A.V. Club was more negative, writing that on the song Minaj is a "faceless-disco-diva." Another negative review came from Idolator's Becky Bain, who dismissed "Guetta’s decision to take one of the most exciting rapper’s today and not only have her not rap, but drown her in Auto-Tune."