section: Related works
question: What damaged the painting in 1723?
article: The Anatomy Lesson of Dr. Nicolaes Tulp
candidates: "The anatomy lesson of Joan Deyman" (or "Jan Deijman")[http://commons.wikimedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_008.jpg] painted by Rembrandt in 1656, was intended to be displayed in the Anatomical Hall in Amsterdam alongside "The anatomy lesson of Tulp. Deijman was Tulp's immediate successor in the post of praelector chirugic et anatomie. The painting was damaged by fire in 1723, and only a central fragment survives. Around 1856 Édouard Manet visited The Hague and made a small oil on panel copy of "The Anatomy Lesson". Broadly painted in a limited palette, Manet gave the painting to his physician, Dr. Siredey. A less detailed copy of The Anatomy Lesson of Dr Nicolaes Tulp by an unknown artist hangs in Edinburgh as part of The University of Edinburgh Fine Art Collection"The Gross Clinic" of 1875 and "The Agnew Clinic" of 1889 are paintings by the American artist Thomas Eakins which treat a similar subject, operations on live patients in the presence of medical students. In 2010, Yiull Damaso created a parody of the painting depicting prominent South Africans. Nelson Mandela was the cadaver, Nkosi Johnson was the instructor, and the students were Desmond Tutu, F. W. de Klerk, Thabo Mbeki, Jacob Zuma, Cyril Ramaphosa, Trevor Manuel, and Helen Zille. The African National Congress condemned the work as disrespectful to Mandela, racist, and culturally insensitive to African taboos on depiction of living people as dead. The 2011 video game "" references the painting in both in-game portraits that can be found on the wall and in a certain cinematic trailer, featuring the main protagonist Adam Jensen as the cadaver as Dr. Nicolaes and his students study his charred and ruined arms, which in the actual story become amputated and replaced with mechanical limbs. The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in "The Goldfinch", a 2013 novel by Donna Tartt. In the 2012 German film Barbara, there is a scene in which Dr. Andre offers his interpretation of the painting to Dr. Barbara when she points out the inaccuracy of Arendt's left hand.