|The Password is Courage|
|Directed by||Andrew L. Stone|
|Screenplay by||Andrew L. Stone|
|Based on||The Password is Courage|
by John Castle (pseud.)
|Produced by||Andrew L. Stone|
|Edited by||Noreen Ackland|
|Music by||Virginia L. Stone|
Andrew L. Stone Productions
The Password Is Courage is a 1962 British comedy-drama war film from Metro-Goldwyn-Mayer, based on John Castle's 1954 World War II memoir of the same name. Written, produced, and directed by Andrew L. Stone, the film stars Dirk Bogarde, Maria Perschy, and Alfred Lynch. It is a lighthearted take on the true story of Sergeant-Major Charles Coward, written under the pseudonym John Castle by Ronald Payne and John Williams Garrod.
Sergeant-Major Charles Coward (Dirk Bogarde) is a senior British NCO incarcerated in the prisoner of war camp Stalag VIII-B. He encourages his fellow inmates to escape, and tries to humiliate the German guards at every opportunity.
When he was being transferred to Stalag VIII-B, the injured Coward escaped from a forced POW march, finding refuge in a French farmhouse and barn that is soon requisitioned by a German army unit needing to set up a field hospital. Inadvertently thought to be a wounded German soldier, Coward is taken to a hospital, where his identity is soon discovered, but not before he is awarded the Iron Cross as he lies in his hospital bed.
Coward is sent on to Stalag VIII-B, but on the way to the camp he engineers the total destruction of a passing enemy ammunition train using tossed bundles of straw, set on fire with his cigarette lighter. At the camp he is involved in the elaborate tunnel-digging schemes and plans an escape with fellow prisoner Bill Pope (Alfred Lynch). Unfortunately an older, closed tunnel is discovered by camp officials, but not their primary tunnel. Coward then attempts to deceive his camp commander and Luftwaffe officials that he has knowledge of a secret allied bomb sight. He receives special favours, which he uses to bribe guards to get vital materials needed for the coming escape.
When his ruse is discovered Coward is transferred to a work camp in occupied Poland where he is set up by the Germans as a traitor, with the camp's commanding officer trying to use his fellow British prisoners to kill Coward. When the scheme fails, he tricks the Unteroffizier (Reginald Beckwith), into thinking he was responsible for a devastating fire that Coward had actually engineered. Coward extracts an extraordinary privilege in being able to go to and from the neighbouring town without an escort. When he makes contact with an attractive Polish resistance agent (Maria Perschy), he attempts to leave Germany by rail with his new friend providing assistance, but he is captured at a railway station.[N 1]
After the failure of that escape, Coward and his other escape partner, Pope, are assigned to the IG Farben work camp. They manage to escape again by masquerading as workmen clearing rubble in a rural area. After learning that the American front line is only a mile away, they steal an unattended fire engine in order to get past the enemy soldiers blocking their escape. Their plan works. A German troop convoy on the road moves aside to allow them to speed past to get to a non-existent fire, and they drive off to freedom.
Cast notes: Richard Marner appeared in the role of German officer Schmidt; he later played another German officer in the 1980s BBC comedy 'Allo 'Allo!.
The Password Is Courage is based on John Castle's biography of Sergeant-Major Charles Coward. Serving as technical advisor during the filming, Coward also has a cameo in the film during a party scene. The film is shot entirely in England; street scenes were filmed in the Chiltern market towns of Amersham and Chesham.
The film raised some debate among ex-prisoners of war. There are no known survivors of any of Coward's escapes, and the National Ex-Prisoner of War Association (in its Autumn 2006 newsletter) suggested that some of the stories in his biography might have happened to other men in the camps, with some events "borrowed" for the book and for the film.
In 2013, Shimon Peres, then president of Israel, disclosed that his father, Yitzchak Perski, who immigrated from Poland to Mandatory Palestine in 1932, had joined the British Army in 1939 and was captured by the Germans in Greece in 1941. Perski and Coward had been fellow prisoners, and Peres claimed that some episodes in the film were based on his father's exploits at that time.
The original cinema version of The Password Is Courage contained a sequence set in Auschwitz concentration camp, illustrated by drawings. This sequence has been cut from television broadcast prints, but a credit for the drawings remains listed in the film credits.[N 2]
The Password Is Courage received mixed reviews from critics because this true story of a prisoner of war was done in a jocular vein, and was considered inauthentic as a result. The review in Variety noted: "Andrew L. Stone’s screenplay, based on a biog of Sergeant-Major Charles Coward by John Castle, has pumped into its untidy 116 minutes an overdose of slapstick humour. Result is that what could have been a telling tribute to a character of guts and initiative, the kind that every war produces, lacks conviction".
According to Kinematograph Weekly the film was considered a "money maker" at the British box office in 1962.


Hamlet's hesitation as his tragic flaw in hamlet by shakespeare in the play hamlet, hamlet is described as daring, brave, loyal, and intelligent however, he is always consumed by his own thoughts, this being his tragic flaw. Hamlet’s tragic flaw would happen to be indecisiveness because even through all the difficulties and challenges, hamlet is a much undecided person that is not completely sure of the right things to do to protect the ones he or to just because that person is dangerous to the people hamlet cares about. Identify and explain hamlet’s tragic flaw(s) and how it/they bring about his downfall a tragic flaw is a character trait that ultimately causes the downfall of the protagonist in hamlet, by william shakespeare, hamlet learns the truth behind his. Aristotle once defined a tragic hero as a character with a flaw in personality or judgment that will lead that character to actions that will end in disaster hamlet definitely has some fatal flaws that make him fit the mold of a tragic hero the one flaw that will most certainly overcome. Hamlet as a shakespearean tragedy the tragic hero hamlet is the perfect example of the tragic hero hamlet has all the good traits needed to be a tragic hero he is brave and daring one example of this is that when he went to england, he was taking a big risk hamlet's flaw was that he ruined his life by not confronting the problem.
The tragic flaw (or hamartia) is an idea derived from aristotle's poetics, which states that every tragic hero must have a major flaw that leads to his downfall shakespeare's hamlet creates a character whose flaws can be difficult to determine because they change over the course of the play. Hamlet’s tragic flaw is his indecisiveness, which makes him put off taking action until it is too late 4 ahab’s tragic flaw is his obsession with the white whale 5 in henry james’s novel portrait of a lady, isabel archer’s tragic flaw is her belief that she should marry someone special — ie, a particular kind of hubris. Hamlet's only realizes his tragic flaw at tthe end of the play when he experiences anagnorsis - that means the moment of self discovery at the end of a tragic play- and then plunges his sword in one last attempt to avenge his father.
Tragic flaw is a concept derived from aristotle's poetics which was extremely popular in the 19th century and still has currency among schoolteachers who use older textbooks the idea is this. Hamlet's tragic flaw is his inability to consolidate his thoughts and actions hamlet is plagued by indecisiveness he mulls the possibilities endlessly in his mind, delaying his decision, making action nearly impossible. Hamlet’s tragic flaw is outlined by his inability to act, and make final decisions upon his desired goal the development of hamlet’s feelings towards revenge plays a key role in the creation of this tragic flaw. Hamlet’s inability to act on his father’s murder, his mother’s marriage, and his uncle assuming of the thrown are all evidence of his tragic flaw of procrastination “revenge his foul and most unnatural murder” demands the ghost in (act i, scene 5, line 23. Hamlet's tragic flaw hamlet, one of shakespeare's famous plays, is written about the son of a previously deceased king and his want for revenge on his father's murderer the play is often seen as a tragedy, ending with the death of most all of the characters.
Hamartia, also called tragic flaw, (hamartia from greek hamartanein, “to err”), inherent defect or shortcoming in the hero of a tragedy, who is in other respects a superior being favoured by fortune. The tragic hero is defined as one whose downfall is brought about due to their tragic flaw hamlet's inability to act on his father's murder, his mother's marriage, and his uncle assuming of the thrown are all evidence of his tragic flaw of procrastination. Hamlet has no great power, though it is clear from claudius' fears and from claudius' assessment of hamlet's popularity that he might have power were he to curry it among the people his topple results as much from external factors as from his own flaws. Hamlet’s tragic flaws essay sample is hamlet’s distress understandable why does he fail to act until too late is his inaction due to a tragic flaw.
However, hamlet's tragic flaw is cowardice, which prevents him from challenging his uncle instead, he pretends to go mad and puts on a fake play showing a man murdering his brother. The search for hamlet’s tragic flaw has been hot and heavy for a couple centuries how: he’s mad in truth and not in craft he has an oedipal love for his mother he’s secretly a woman dressed in boys’ clothes. Prince hamlet’s tragic flaw, in shakespeare’s play hamlet, determines his tragic downfall hamlet’s hamartia is his indecisiveness he cannot make up his mind about the dilemmas he confronts he reveals his state of mind in the following lines from act 3, scene 1 of the play.
It is the skill of the playwright that moves the hero in a way that he may face his tragedy by committing tragic flaws and his devotion and struggle arouses pity and fear for him among the readers hamlet's irresolution is obvious in his actions after viewing the emotion of the actors, after his third soliloquy, in his fourth soliloquy. A tragic flaw is the failing of a tragic hero, a character who suffers a downfall through the tragic flaw in mistaken choices or in personality hamlet’s tragic flaw is his inability to act to. Definition of tragic flaw tragic flaw is a literary device that can be defined as a trait in a character leading to his downfall, and the character is often the hero of the literary piece this trait could be the lack of self-knowledge, lack of judgment, and often it is hubris (pride. Hyde observes that students often state thinking too much as hamlet's tragic flaw upon which his death in the story depends that idea does not, however, offer explanation for the moments when hamlet does act impulsively and violently.


Starting over is never easy. But it?s even tougher when no one believes you can.
Silent Night follows Mark (Bradley Taylor), an ex-con recently released from prison who desperately wants to change his life for the sake of his daughter. While working away at his fresh start, Mark runs into his former cellmate Alan (Cary Crankson) who begs Mark to pull off one final job. Though he fights to start over, Mark is gradually drawn back into a world he hates with the hope that he can finally move on when the assignment is over.
Written and directed by Will Thorne, Silent Night is a bit of a mixed bag. While the film has some enjoyable characters and an ambitious twist, the film doesn?t always work. As a first-time filmmaker, Thorne has created a truly interesting world though that does manage to entertain. What?s more, the film benefits from some good work from its cast, especially Taylor. As Mark, Taylor is solid and imbues his character with an emotional complexity as he attempts to navigate the British underworld. As a result, he becomes the emotional core of the film by walking the tightrope between loving his family and succumbing to violence. (Also, Night also proves that, regardless of the size of his role, Joel Fry continues to take over the world.)
Unfortunately, while Night is willing to go dark, it doesn?t always make a lot of sense. While the film does a relatively good job holding its surprise twist together, it also has to work hard to explain it near the end. In this way, the film struggles to wrap up its loose ends and feels like it misses with its pay-off as a result. What?s more, the film?s editing also slows the pace down significantly. (At least, that?s the case until the finale where things particularly move quickly.) While the film need not try to mimic the frenetic speed of Guy Ritchie?s Snatch, Silent Night would benefit from a little more energy and life.
At its heart, Night is really about what it means to know who you are. As he gets drawn back into his old life, people speak about Mark as though his journey into the underworld is an inevitability. Whether it?s his wife or his former associates, everyone assumes that Mark will eventually succumb to the sort of behaviour that ruined his life.
Mark, however, disagrees.
As he battles his former associates so too is Mark battling his own inner demons. To Mark, his old life is behind him and he wants nothing less to be the sort of father that his daughter deserves. However, at the same time, there is also a shadowy darkness that follows him wherever he goes. Though he?s doing his best to break free, Mark feels the inner tension within him as well. No matter how hard he tries to escape it, there seems to be something that calls him back to the way he used to be. All of this forces Mark to examine the depth of his heart and decide who he really is, regardless of others expectations of him. (In fact, it?s only as Mark realizes the truth about himself that he also can finally find peace.)
While there are enough interesting pieces here to be entertaining, Silent Night never fully comes together. While Thorne invests time into his characters (especially Mark), the pacing and finale unfortunately break down in the end, leaving this Night to suffer in the light of day.
Silent Night is available on VOD on Friday, June 25th, 2021.


This cute old lady high-fiving the runners. Some of my favourite movies would be The Witch, It Follows, Arrival, Blade Runner and Blade Runner 2049, 2001: A Space Odyssey, Stalker, Solaris, Ex Machina, Alien, A Scanner Darkly, 10 Cloverfield Lane, Get Out, The Thing, Akira, and then shows like Black Mirror I know it's sort of two different tracks going at once here, but I've got 10 hours of absolutely nothing today and I'm hoping to find at least one movie or short or TV show or YouTube video or anything that I can add to this list, so i. Apart from getting friends because oh boi, thats not a thing. The Runner. [Rapoport] Patriots DB Jonathan Jones, whose hit landed #Bills QB Josh Allen in the concussion protocol, was not fined, source said. It was determined Jones turned his shoulder to stop the runner (who is not defenseless) while the runner is being tackled, falling forward and down.
Red desert into the runner is ok but neptune is the best song that has ever happened. [IIL] Well done sci-fi and/or horror (examples within) WEWIL. The Runner is a 2015 American political drama film written and directed by Austin Stark in his feature directorial debut. The film stars Nicolas Cage, Connie Nielsen, Peter Fonda and Sarah Paulson... The film was released on August 7, 2015, in a limited release and through video on demand by Alchemy. Americas Favorite & the runner up living their best life. Thanks to the random matchmade players that got me "Protect the Runner" today. Fight me. Do you find The Kite Runner's Plot too contrived.
The runner shop arlington texas.
The runner bananarama. The runner go90. The runner shop. The underground newspaper. The Runner. The maze runner. Movie the runner. The runner matpat. The runner's high store.


John Proctor – a Tragic Hero in The Crucible
John Proctor is a character in The Crucible who can be described as a tragic hero. Firstly, John Proctor’s tragic flaw was his great amount of pride, that slowly tied a series of unfortunate events, eventually making Proctor succumb to his death. However, Proctor does die for a crime he did not commit. Another important part of being a tragic hero is that the character has a complete reversal of fortune brought by their own flaw: Proctor’s life turned completely upside down when Abigail accuses Elizabeth, who then was sent to jail and this all started because John had committed adultery. At the end of every tragic play, the audience must feel pity for the deceased hero- also known as catharsis, which means cleansing of emotions.
This is also very clearly evident in the play right at the end when Proctor is hung and the audience is left in sorrow. John Proctor is a classic tragic hero because he contains most of the elements of a tragic hero such as hamartia, peripeteia, catharsis, and despite not being born into nobility, he possesses many noble characteristics. In The Crucible, John Proctor’s tragic flaw was his overwhelming hubristic character that made a pathway for his death. Pride plays an interesting role in the life of John Proctor in The Crucible. At the end of the play when Proctor is asked to sign the piece of paper with his name, confessing that he helped the devil, Proctor refused “Because it (was his) name!”. This short exclamative suggests to the reader just how much of value his name is to him. Proctor’s pride in himself causes him to think that he would rather die then confess and ruin his reputation. He wages an internal, war between his conscience and pride.
During the trials, Proctor refused to testify against Abigail in order to prevent his name from being blackened. He cares much for his name and in the society he lived in at the time he was highly respected and was looked up to by others in his town. He also confessed that he “cannot have another (name) In (his) life!”, as he is an adulterer and would lose his high status. Proctor lived in a Puritan society where lechery would have been unacceptable, however Proctor attempted very hard to maintain his good name and reputation by keeping it between himself and Abigail, as if this sin was revealed to the society Proctor would lose all his respect good name and reputation and would be punished severely, likely death.
Many people are being killed because of the problematic and abuse of power being used in Salem, Massachusetts. Innocent people are being accused of false accusations because of other peoples […]
Power of lies + Reputation = REVENGE Revenge can be taken in many different ways, such as fights, lies , arguments, etc. In Arthur Miller’s Crucible, the theme of revenge […]
In Author Miller’s book The Crucible, there are many passages of literature that can teach us valuable life lessons. The characters portrayed in this novel all seem to have their […]
The Crucible vs. McCarthyism During the early 1690s in Salem, Massachusetts, witch trials took place. Salem was a Puritan society at the time, which meant that there was a strict […]
“The Crucible”, written by Arthur Miller explores the madness of the Salem witch trials of 1692. The story revolves around the characters John Proctor, Elizabeth Proctor, Abigail Williams, Reverend Parris, […]
“Never do anything when you are in a temper, for you will do everything wrong.” -Baltasar Gracian. Anger is one of the strongest feelings and can cause one to do […]
Revenge and Retaliation Spite, revenge and curiosity can all be deadly sins. Unfortunately, The Crucible’s Ann Putnam gives up her soul to all three. In the Puritan community of Salem, […]
The Crucible-Abigail Williams The Crucible is a play about vengeance and power. Abigail Williams manipulates an entire town to do her bidding, stemming from her want to save her reputation […]
Man’s Sin Can Set Him Free A Puritan society to those who have or are accused of committing a sin can be a living hell. The Crucible, by Arthur Miller […]
John Proctor is a character in The Crucible who can be described as a tragic hero. Firstly, John Proctor’s tragic flaw was his great amount of pride, that slowly tied […]


Violetta (soprano), Alfredo (tenor), Germont (baritone), Baron Douphol (baritone), Flora (mezzo-soprano), and Dr. Grenvil (bass)
Violetta Valéry, a famed courtesan in Paris, throws a lavish party at her Paris Salon to celebrate her recent recovery from a protracted illness. When Violetta is introduced to Alfredo Germont, she is surprised to learn that he had visited her house daily during her recuperation. Prompted by Violetta, Alfredo leads the assembled crowd in a drinking song. Violetta invites her guests into the ballroom but begins to feel dizzy and falls behind. Alfredo stays behind and inquires after her health, and then declares his love for her. Although she rejects him at first, she finds there is something about Alfredo that touches her heart. Violetta hands him a camellia and tells him to return it to her when it has withered. Alfredo, overjoyed, departs. After he leaves, Violetta wonders if Alfredo could be the one in her life. Upon hearing him singing of the passion he feels for her outside her window, she concludes that it is madness and she needs freedom to live her life.
Alfredo and Violetta have been living together outside Paris for three months. Alfredo learns from Annina, Violetta’s maid, that Violetta has been selling her property in Paris to cover the household expenses. Upset and ashamed that his beloved has been secretly supporting him, he leaves immediately for Paris to settle the matters himself. While he is away, Violetta receives an unexpected visit from Giorgio Germont, Alfredo’s father, who disapproves of her reputation and her relationship with his son. Out of love for Alfredo, she relents to his father’s demand and agrees to the sacrifice by leaving Alfredo to protect their family name and allow Alfredo’s sister to marry well. Upon Violetta’s departure and apparent betrayal, the furious Alfredo swears vengeance despite all the memories of home and family.
At Flora’s ball, news has spread of Violetta and Alfredo’s separation. Violetta and her lover, Baron Douphol, have arrived. Alfredo wins a fortune when competing with the baron at the gaming table. When everybody has withdrawn, Alfredo confronts Violetta, who claims to be truly in love with the baron. The raging Alfredo calls the guests as witnesses and publicly humiliates and denounces Violetta, throwing his winnings at her as payment for their time together. Upon witnessing the scene, Giorgio Germont rebukes his son for his behaviour, while the baron challenges Alfredo to a duel.
Months later, Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Violetta reads a letter from Alfredo’s father, informing her that he has revealed the truth of her sacrifice made for Alfredo and his sister, and he is sending his son at once to ask for forgiveness. When Alfredo arrives, and the lovers are reunited, Alfredo suggests that they leave Paris, but she knows her time is up. Alfredo’s father enters with the doctor, regretting what he has done. After singing a duet with Alfredo, Violetta suddenly regains strength but dies in Alfredo’s arms a moment later.


This is Juliet's sixth and final blog entry for the 2005 production of The Winter's Tale in which she talks about moving on from The Winter's Tale to Troilus and Cressida and using Original Pronunciation in her next role.
Transcript of Podcast
The Winters Tale is going well. We’re still finding different laughs and different ways of pacing scenes – we try to change moments to keep them fresh – but we’re really concentrating on Troilus and Cressida now. It's become a mammoth beast! We’re rehearsing around performances of The Winter's Tale, in afternoons or evenings, and I’ve actually been surprised that original pronunciation is the thing that I’m finding least hard! I was worried that I wouldn’t be able to do OP but it feels very natural. I wouldn’t mind if I never had to do Shakespeare in RP again! Sounds feel raw and guttural in OP, meaty somehow. They open up the characters, as though the sounds are coming from the heart and the belly rather than the head. Actually that makes sense when you think that RP was developed by the aristocracy in the 1700s. So OP is fine - what I am really struggling with is Cressida!
Cressida starts off so sure and quick-witted at the beginning of the play. Her three main characteristics seem to be wit, sex and control. I thought my super-objective should be to be in love and keep control of my life in a man's world; to get Troilus without losing myself. That seems clear in her first scene with Pandarus [I.ii]: Cressida is confident and runs rings around him, but the minute he goes off stage she has a soliloquy that reveals another side. Her opinions that a woman shouldn’t let anyone win her love because that will ruin it – ‘Men prize the thing ungained more than it is’ – and that she’ll be controlled by the man seem so jaded and twisted. I feel that on the outside she is very assured and strong. She knows how to control or manipulate people in order to keep her strength. But underneath she is someone who, as both a traitor's daughter and a woman, is very isolated and vulnerable, and she's unsure that if she gives herself to somebody the relationship will last. I am struggling with those different sides.
Cressida's journey through the play is so odd and at the end she just disappears. I think it's interesting that Shakespeare didn’t write a mad scene at the end where she's shown to have completely lost the plot or another scene that gives her the chance to explain why she gave up Troilus for Diomedes. Troilus tears her letter up in Act five – perhaps that was an explanation. The more I look at the play, the more I think it's not really about love; it's about how people are forced to make bad decisions because of war. The love story disappears. I think Troilus loses the fight with Diomedes because of his anger at Cressida's betrayal. And Cressida makes the awful choice to be with Diomedes in order to survive; she has to save her own skin. I think Shakespeare focuses on the fact that war brings out the worst in everybody. It corrupts the whole society.
The play is very dark, though it didn’t feel like that when I read it. I remember thinking ‘This is fantastic – lively and full of kind of exciting things.’ The second we started to get up and play the scenes, a much darker story came through. There isn’t any let up, any bright side. Cressida's last word in the play is ‘turpitude’. Depravity – a horrible word to leave on, but it fits with the play's vision of war.
Watching other scenes in rehearsal, I realised how the women are bartered in the world of the play. Greeks and Trojans fight over who owns Helen. Cressida is suddenly bartered to the Greeks in exchange for Antenor. And the Kissing scene [IV.5] (where the Greek commanders kiss Cressida, passing her from one to the next) is really abusive. Basically Cressida is their trophy, as Helen is a Trojan trophy. We’re playing the scene as a kind of competition as to who can degrade Cressida the most. After that, it's enjoyable to play Andromache because I think she's a very strong woman. I read quite a lot about Andromache in Greek mythology and she is said to have been very formidable; I think to be with someone like Hector you would have to be pretty tough.
Relationship with Pandarus
Giles was keen to look at the idea that Pandarus has been grooming Cressida from birth to be ready to give herself to Troilus. Their relationship would help Pandarus’ position because I would eventually be queen or mistress to a king. The wordplay in the first scene is all about defending myself against pregnancy and him looking after me; it's very sexual and how we are reading it is that Pandarus has groomed me so that I’ll be ready to mate with Troilus. It is quite bestial and fits with an animal imagery that runs all the way through the play.
We talked about the seven deadly sins in rehearsal, and how four main feelings spring out of war: fear, low self-worth, guilt and resentment. Other feelings like pride, lust, greed and anger spring from these. Those feelings are prominent in a society where, as the result of going to war every day for seven years, killing has become the norm. ‘Where are you going?’ – ‘Oh, I am just going to kill a few people on the battlefield’. It's a society that has been brutalised by war.
OP meets modernity
Although we’re doing Original Pronunciation, our production won’t be in Original Practices. I don’t think one follows the other. If the design was neutral, say Greeks in white and Trojans in green, then we would use OP to express everything. What we’re trying to do is to broaden out the whole experience by using lots of different references to war in the design. Some of us are in First World War outfits and some of us are in Second World War outfits (I’ve got a gas mask on at the end). We use both guns and cutlasses. I think it's very brave to go for a design that draws in several different periods; we’re speaking in OP so there's a sense of 1500s –1600s, our costumes suggest WW1 and WW2 which bring in the 1900s and the story of the siege of Troy is from ancient times. If the amalgamation works and we manage to bring the different worlds together, I think it will be a really strong analogy for war through the ages. These things happened in Homer's time and Shakespeare's time and they’re happening in our time. People behave in the same way. Troilus and Cressida is really a very modern play.
It is quite clear that Cressida is a very modern woman and she's very complex. She's not a Juliet; she makes a pragmatic choice in a way that someone like Juliet or Cordelia never could. They would have said ‘I would rather die than go off with Diomedes’ but Cressida makes a very modern choice: ‘Well, this is where I am. Either I will be passed around the Greeks or I find a guardian who will keep me safe’. Adapting in that way and making that choice is something that most other Shakespearian heroines would not have done.
Troilus doesn’t understand that survival aspect of her decision. I feel that when Troilus and Cressida meet, they both have an idealised view of what love is, yet neither of them has experienced anything approaching love. Troilus has been a warrior for seven years so he's has grown in that capacity, but is probably very naïve in terms of building relationships. In the same way, Pandarus has been priming Cressida for all this time and she seems to know an awful lot about women and sex, but actually she is a virgin. So they idealise each other but there is no real meeting of minds. When Cressida falls from the pedestal, Troilus can’t possibly see anything other than that fact that she is false.
Troilus and Cressida are a real contrast to Perdita and Florizel in The Winter's Tale. I think if Florizel met Cressida, she would eat him alive and if Troilus met Perdita he would eat her alive! It makes it quite hard to move between plays. Troilus and Cressida have such a bleak journey; they’re ripped apart after spending one night together. Talking of crossovers between plays… today in The Winters Tale I managed to drop Perdita's West Country accent going into the final scene but then right at the end an OP ‘r’ slipped in really loudly! There was no way of disguising it in the line just as I was about to meet my mother! I turned around to Sam who plays the young Shepherd; normally we have a little moment where we say ‘Oh isn’t my mother beautiful?’ and we chat for a bit. But this time I turned around and said ‘Did you just hear that?’ and he went ‘Yup!’ I am finding it quite difficult to switch off and not bring any of one into the other.
These comments are the actor's thoughts or ideas about the part as s/he goes through the rehearsal process – they are simply his/her own interpretations and frequently change as the rehearsal process progresses.


[WATCH] 'A Different Direction' Trailer Starring Sampson McCormick and Darryl Stephens
A Different Direction”, is a story about a 30 something black, gay man named Frankie Bailey, a writer and photographer working to make ends meet, and is forced to confront one of the biggest challenges of his life, While facing these challenges Frankie finds himself at a crossroads of doing what’s best for his personal wellness… and encounters one of the most courageous and heartbreaking decisions he has ever had to make.
The film tackles issues of Mental Health, Domestic Violence, Religion, all through the scope of black gay man, proving to be a trailblazing piece for both the LGBT and African American community.
Yaasss!!! Not only are ecstatic to see Darryl Stephens and Ms. Laura back on our screens but it is so good to see McCormick FULLY embrace his acting talents, flex his writing chops and showcase the overwhelming depth that houses his hilarity, humility and raw emotion. This is definitely must-see movie that'll be watching with tissues in hand.
It begins screening this month starting in Oakland (Feb 16) with an exclusive premiere black history month screening, and will begin making it's way around the country starting next month. Learn more about the AMAZING cast and check out all the hard work that went into 'A Different Direction' below!
Cast (in order of appearance)
Sampson McCormick (Frankie Bailey)- Sampson McCormick is an experience, a down to earth comedic force of nature, and has been one of the most sought after voices of diversity in comedy for close to two decades. He’s appeared on BET, TV One, VICELAND “PayDay”, a comedy special “That B*%@# Better Be Funny” (2013). He was a supporting actor in the role of “B.D.” in the off-Broadway run of “B-Boy Blues: The Stage Play” (2013, 2016), and co-starred in “I Live Here” (2016), which was nominated for a Student Academy Award.
Darryl Stephens (Travis Mitchell) - Darryl Stephens is an actor and producer, known for “Noah's Arc: Jumping the Broom” (2008), “Boy Culture” (2006) and “Noah's Arc” (2004). In 2011, was an Ovation Award nominee as a Featured Actor in a Play for the role of Victoria in the Bootleg Theatre production of “The Interlopers.” His impressive resume also includes “Another Gay Movie” (2006), “DTLA- the Series” (2012) and “Beyond the Lights” (2014)
Chris Wilson (Landlord) - Chris Wilson is an actor; he’s appeared in “Congo Cabaret” (2018) and in various theatrical productions around the Greater Los Angeles area.
Ms. Laura Hayes (Phyllis Bailey)- Laura Hayes is an actress and director, whose most notable television credits include “Martin” (1992-1995), “Def Comedy Jam” (1993) and the blockbuster Showtime film “Queens of Comedy” (2001) the album from the performance was nominated for a GRAMMY award for Best Comedy Performance. Additionally, she is most known for her wisecracks from the kitchen on BET’s “Comic View” (1994-2001), “I Got the Hook Up” (1998), “Beauty Shop” (2005) and “Virus” (2006).
Sampson McCormick (Director, Writer & Producer): A nearly two decade veteran of theatre and comedy performances, made his foray into film production, writing and producing a live comedy performance of “Don’t Make Me Take Off My Earrings” (2008), again with “The Shade of it All” (2012), “That B*%@# Better Be Funny.” (2013) and a documentary “A Tough Act to Follow” (2015). “A Different Direction” (2019) is the first scripted production under his direction.
Todd Clark: (Script Supervisor/Advisor): Emmy Award winning director and producer, with a dedication to social justice projects and films that offer honest experiences and stories of underrepresented communities, Clark has collaborated with McCormick on virtually every film production that he’s created. A veteran of film production, he assists McCormick’s visionary framework and aides in technical execution.
Editors: Lee Raby, Jaycal Johnson, Sampson McCormick
Camera Crew: Lee Raby, BreAnna Jones, Jaycal Johnson
What was the inspiration for the film?
The inspiration for the film came from personal experiences, as well as a need to contribute to establish more narratives for LGBTQ and People of color on film. Additionally, it is very important that those of us, who live these experiences, document them through our respective creative outlets. Simply put, as a creative, I realize that our complexities are minorities are missing from the screen, it’s our duty to create them when we realize that they are missing. There are also too many stories that simply focus on sex, or us being victims of our various circumstances, which is not the case with the majority of people of color and LGBTQ people, who find the courage to take on our challenges and move forward as best we can in our lives. That part of the story needs to be told more often.
How long was the film in production?
The film was in production from July 2018 until December 2018. Filming was originally slated to last for one week, but one of the original cast members had to be written out due to a schedule conflict. From there, bits of scenes were shot, and production was halted due to a rewrite. From there, we faced more schedule conflicts as most of the cast were busy with various projects and long term commitments. Several shoot dates were postponed due to the weather, but eventually, the remainder of the film was shot in two days.
What do we hope to achieve with the narrative of this film?
Mental health issues and topics that affect the mental health of LGBTQ people and black families is not a commonly addressed issue in our stories. The reality of mental health issues and the impact that they have on our behaviors and relationships with our families are a harsh reality, and as many of us aim to heal and create boundaries in toxic relationships with ourselves and even our families,
the topic of the film could be a tool to aid in the very important conversations that we are having around reclaiming mental health and having healthy relationships with ourselves and those who we interact with.


Have any of you ever thought how wonderful it would be if you could clone yourself? Like Michael Keaton did in the movie “Multiplicity“. If
Welcome to another fabulous weekend of #momsterslink. I want to give everyone who takes the time to link up with me a big THANK YOU!


The Ballad Of Renegade Nell sounds like nothing we’ve ever watched before – in a very good way. Keep reading to check out everything we know so far about Disney+’s new series starring Derry Girls’s Louisa Harland.
Sunday nights just haven’t been the same ever since Happy Valley came to its thrilling conclusion, but we have good news for fans of Sally Wainwright, the show’s creator.
The Bafta-winning screenwriter’s next project, The Ballad Of Renegade Nell, is set in 18th century England, and it stars Louisa Harland, aka the wonderfully dippy Orla McCool from one of our all-time favourite comedies, Derry Girls.
Filming on the eight-part Disney+ adventure series kicked off last year, and if the synopsis is anything to go by, it’s going to be seriously good.
Here’s your guide to everything we know about The Ballad Of Renegade Nell so far, including the cast who will be joining Harland on screen and the plot details.
What is The Ballad Of Renegade Nell about?
The Ballad Of Renegade Nell is described as an “adventure and fantasy” series centred around the life of Nell – a “quick-witted and courageous young woman” who unexpectedly becomes the most famous highwaywoman in the country after she is framed for murder.
Joined by her two younger sisters, Roxy and George, as well as a “plucky but prickly little spirit” called Billy Blind, Nell is forced to come to terms with the fact that fate has placed her on the wrong side of the law “for a reason much bigger than she could’ve ever imagined”.
Who stars in The Ballad Of Renegade Nell?
Alongside Harland, The Ballad Of Renegade Nell features an extensive (and exciting) cast.
Joining Nell on her journey, Billy Blind is played by Ted Lasso’s Nick Mohammed, while Nell’s sisters will be played by newcomers Bo Bragason and Florence Keen.
Notable members of the cast include Trigger Point’s Adrian Lester, who will play Nell’s formidable adversary the Earl of Poynton, described as “a master political schemer and manipulator”, and Orange Is The New Black’s Alice Kremelberg, who plays Sofia Wilmot, a young widow who joins forces with the Earl of Poynton and quickly learns that her quest for independence is “indelibly entwined with Nell’s own”.
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Other exciting names set to star include The Essex Serpent’s Frank Dillane, who plays “charming rogue” Charles Devereux, Line Of Duty’s Craig Parkinson, who plays Nell’s kind-hearted, widowed father Sam Trotter and The Lazarus Project’s Enyi Okoronkwo, who stars as Rasselas, “a spirited stable boy” who joins Nell and her sisters on the run in his own bid for freedom.
Nip/Tuck’s Joely Richardson will also appear as eccentric newspaper magnate Lady Eularia, while The Crown’s Pip Torrens will play Lord Blancheford – the father of Sofia and her “feckless, bullying brother” Thomas, who is played by Get Even’s Jake Dunn.
Who is behind The Ballad Of Renegade Nell?
The Ballad Of Renegade Nell is a Disney+ UK original series, which is being directed by none other than Sex Education’s Ben Taylor. The Bafta-award-winning writer Sally Wainwright, who has worked on hit shows including Gentleman Jack and Happy Valley, will be writing and executive producing.
Also directing will be Gentleman Jack’s Amanda Brotchie and Ted Lasso’s MJ Delaney.
When will The Ballad Of Renegade Nell be released?
We don’t yet have a release date for The Ballad Of Renegade Nell, and it seems like we might have to wait a little while to see Harland & Co on our screens.
However, we’ll keep this space updated with the latest news when we get it, so keep your eyes peeled.
Images: Disney+; Getty
Source: Read Full Article


Did you just step out of the cinema wishing you could make your video look like the film you had just watched? Film has a softer and warmer look while video has a high-contrast and sharper Iook and that doesn’t suggest subtlety.
If you’ve shot your video and would like to give it a film look, you can use good video editing software to do it.
If you’ve yet to shoot your video, you can use the suggestions below to achieve the film look, provided you own a video camera that allows you to shoot in 24p.
Avoid the Usual White Balance
You may not have the liberty to do your white balancing in the usual way if you’re going to attain the film look. Instead of using a white card, you may want to use a very light blue card to do your ‘white balancing’ so that you could attain a warm tone for your movie.
Video cameras are light and easy to move about. When you move your camera too much, the resulting video destroys the illusion of film look you’re trying to achieve. Although you may be handling the lightest of video cameras, you would have to imagine that you’re actually operating a 35mm film camera like Panavision.
The camera movement has to be slow and executed in such a way as if it’s there to pick up important details in a scene. If you can’t move your video camera like a heavy film camera, you could add something to your camera to make it heavier for you to get the hang of handling a heavy camera. To get an idea of how a film camera works, study movies, especially of the studio era, to get a feel of the whole thing. Also to achieve the film look you would want to use more dolly or trucking shots as they do in movies.
Whenever, you see good camera movement in a movie, ask yourself how you could reproduce it with your video camera.
Lighting plays an important part in creating the illusion of film. One of the methods to achieve the film look is through the use of three-point lighting. In this lighting setup, there’s the key light which helps the viewer focus on a subject to the exclusion of other details in the frame, With the fill light, you can get rid of shadows and help reveal the shape of the subject you’re shooting. The backlight helps to separate the subject from the background especially if it’s a distracting one, lending depth to the composition.
If you are shooting with a video camera that allows for 24p, the widescreen format will be available to you. In other words you could shoot in the16 x 9 aspect ratio. This will increase the chances of your video having the film look. With HDTV becoming a common feature in households, it pays to shoot in widescreen format so that your viewers could enjoy your videos without the black bars around them.
A major drawback of video cameras is the large depth of field which brings everything into focus. You’re at a major disadvantage when trying to isolate a particular detail in a frame from other details.
Using a 35mm lens would allow you to overcome the problem and gives you the advantage of a film camera. With this lens you have more control over the depth of field and you’ll come away with subtler shot compositions.


Holly's just a girl who loves adventure and anything dangerous. Harry Styles stole her heart and he won't give it back. Harry Styles: Mega pop star and mega hottie. Holly Clarke stole his heart and she won't give it back. But what happens when Harry has to go on tour? Will Harry break her heart?
9.3 17 Votes


Hank Pym, the first hero to take on the mantle of Ant-Man, is still the hero most people think of when they hear the name. But in the Marvel Cinematic Universe, the current reigning Ant-Man is Scott Lang, who inherits the mantle from an aged Pym (Michael Douglas).
But Michael Douglas, at least, is eager to flash back to a time before that happened. In an interview with Screen Rant, Douglas expressed an enthusiastic interest in using special effects to age himself down in a Marvel movie focusing on the original Ant-Man.
“I’d like to see [Pym], if there’s magic, we do movie magic in terms of flashbacks. How about getting Hank back to his prime age as the Original Ant-Man and kick some serious ass?” Douglas said, in response to a question about what he wants to see the character do next.
“I’m ready. I’m geared. I need a good stunt double. You know, I’ll find him, but now you can make me look 40 years younger let’s do the whole job!” he added.
Frankly, I agree. If Marvel can make it visually convincing, a period piece Hank Pym prequel would absolutely rule. Make it happen, Marvel.


The Yamal Peninsula is the place with tundra landscapes which are full of deer, dogs and people, who have learned how to be an organic part of this space. They are Nenets, they are family, and they go south. Yaptik-hasse is the spirit of the yaptiks; he is carried to a sacred sledge and never shown to any strangers. The road is yaptik-hasse’s home; there will always be deer, dogs, nenets as long as he wanders. Sounds of nature, dog barking, ringing bells, a shaman drum, children’s mumble and Nenets speech… all of these are the whole in this wild land.
Born in 1966.
Worked as a doctor for ten years.
Studied script writing in Higher School of Cinematography, Moscow.
In 2001 graduated from Higher Courses of script writers and directors, Moscow (Alexey German and Svetlana Karmalita’s workshop).
1999 – “Gryadki”(“Garden beds”), a short fiction film, color, Beacam SP, 24 min
2001 – “Waltz”, a short fiction film, b/w, 35 mm, 26 min (Cannes Film Festival, official section, 2002)
2003 – “Odya”, documentary, color, 35 mm, 3 parts. Clermont-Ferrand IFF, 2004 – Best Photography Award.
2003 – a full-length feature film project (with the support of Cannes Festival Residence)
2006 – “Yaptic-Hasse”
Grand-prix for the best short documentary at the III Monterrey IFF, Mexico, 2007
“Golden boat” at IFF “Window to Europe”, Vyborg, Russia, 2007
“Golden Centaur” for the best short documentary at the XVI IFF “Massage to men”, Saint-Petersburg, Russia
“Golden Pigeon” for the best short documentary film at Leipzig IFF, Germany
Grand-prix at Russian Festival of Anthropological Films, Salekhard, Russia
Grand-prix of international Jury “Short-shock” for the best short documentary at the XV “Kinoshok” Open Film Festival of Baltic countries and CIS countries, Anapa, Russia
Prize for the best camera at III International TV and Cinema Documentary Film Festival “Saratov’s passions”, Saratov, Russia
Prize for the best camera at XVII Open Documentary Film Festival “Russia”, Ekaterinburg, Russia


- The annual Golden Globe Awards celebrate the best of film and television.
- Since the show began in 1944, celebrities have worn a ton of different looks on its red carpet.
- From Marilyn Monroe’s elegant ensembles to the statement-making outfits of last year’s show, we rounded up the most iconic looks from each year of the show.
Since 1944, the Hollywood Foreign Press Association has celebrated the best of film and television by hosting the Golden Globe Awards.
Throughout its 75-year history, the show has seen its fair share of memorable moments, and just as many unforgettable outfits on the red carpet.
We’ve rounded up the most iconic looks from each year of the show, including everything from Marilyn Monroe’s luxurious gowns to Beyoncé’s sparkling ensembles.
1944-1951: Lois Maxwell wore an embellished cape to the Golden Globe Awards.
Maxwell won the 1948 award for most promising newcomer for her role in the movie “That Hagen Girl.”
February 1952: Kathleen Hughes looked radiant in a lace, halter-style ensemble.
Hughes’ flower hair accessories and diamond jewellery were equally as iconic.
February 1953: Susan Hayward chose a strapless, patterned ball gown for the occasion.
Hayward also wore a shiny shawl over her dress.
February 1954-1955: Robert Taylor donned a traditional tuxedo while receiving the world film favourite — male award.
Eleanor Parker awarded Taylor with a trophy at the 1954 Golden Globe Awards.
February 1956: Anita Ekberg looked stunning in a lace dress.
Like many actresses in the ’50s, Ekberg wore a strapless gown to the Golden Globe Awards. But what made her iconic look stand out from the rest was its lace detailing and elbow-length gloves.
February 1957: Debbie Reynolds was stylish from head to toe.
The actress paired her high-neck dress with a jeweled hair accessory and a fur coat.
1958-1959: Elizabeth Taylor dressed like royalty while attending the Golden Globe Awards.
Though she wasn’t nominated in 1958, Taylor stole the show by wearing a floral gown, matching earrings, and a jewel tiara.
1960: Marilyn Monroe kept true to her classic style.
While wearing a white fur shawl, Monroe won her first-ever Golden Globe award.
March 1961: Jayne Mansfield wore a show-stopping dark dress.
Similar to Monroe, Mansfield wore a fur shawl around her arms.
March 1962: Two years after winning her first Golden Globe award, Marilyn Monroe attended the show wearing another iconic look.
She wore a sparkly halter-style dress while accepting the Henrietta (world film favourite) award.
March 1963: Richard Chamberlain looked dapper in a black suit with shiny detailing.
Actress Angie Dickinson was also onstage to award Chamberlain for his role in “Dr. Kildare.”
March 1964: Sal Mineo put a unique spin on a classic look.
Though Mineo’s suit jacket was rather traditional, his shirt featured distinctive black buttons.
February 1965: Mary Tyler Moore wore a strapless dress covered by a floral overlay.
That night, Moore took home the award for best actress in a television series.
1966 – 1967: Julie Andrews looked elegant in a simple long-sleeved dress.
Andrew’s cross-pendant necklace, which she wore in 1966, turned her understated look into an iconic fashion moment.
February 1968: Jim Brown looked sharp in a double-breasted suit.
Brown’s suit jacket appears to have featured satin detailing throughout the pockets and lapel.
February 1969: Barbara Streisand opted for a show-stopping printed gown.
Streisand wore the look, which included a matching jacket and fur headpiece, while accepting the award for best actress in a leading role – musical or comedy.
February 1970: Elke Sommer rocked a daring dress that featured a thigh-high slit and feathered skirt.
For accessories, Sommer chose a thick beaded necklace and long earrings.
February 1971: Lola Falana attended the Golden Globe Awards wearing a bejeweled turtleneck top.
The actress, who starred in the 1970 film “The Liberation of L. B. Jones,” was nominated for the new star of the year – actress award.
February 1972: Ann-Margret chose a sheer black ensemble with a ruffled collar.
Nominated for her role in “Carnal Knowledge,” Ann-Margret accepted the award for best performance by an actress in a supporting role in any motion picture.
January 1973: The Jackson family wore iconic patterned suits to the 30th Golden Globe Awards.
Michael Jackson won the best original song award for his performance of “Ben.”
January 1974: June Allyson glowed while wearing a sparkly turtleneck dress.
The actress presented an award alongside actor James Stewart.
January 1975: Art Carney opted for a classic tuxedo and bow tie when he won the award for best actor in a comedy.
Carney attended the award show with his wife, who wore a feathered shawl and a set-back hat.
January 1976: Walter Matthau became a trendsetter with his tuxedo.
Matthau’s jacket looks like it was made from velvet, which is currently one of the most popular suit styles in Hollywood.
January 1977: Ditching the traditional style of gowns and skirts, Lynda Carter walked the red carpet wearing a tuxedo.
Of course, Carter wasn’t the first woman to wear a suit to an awards show- actresses have been photographed wearing them on red carpets since the ’30s – but her look was iconic nonetheless.
January 1978: Leslie Uggams looked radiant in a sparkling jacket and white dress.
Uggams was nominated for the best performance by an actress in a television series – drama award for her role in “Roots.”
January 1979: Robin Williams wore a whimsical ensemble comprised of a top hat and polka-dot bow tie.
The star of “Mork & Mindy” walked away with the award for best performance by an actor in a television series – musical or comedy.
January 1980: Marilu Henner stole the show with her shiny green dress and matching shawl.
Henner was nominated five years in a row for her role in the television show “Taxi.”
January 1981: Yoko Shimada attended the 39th annual Golden Globe Awards wearing a traditional Japanese dress.
The “Shogun” actress took home the award for best performance by an actress in a television series – drama. She wore what appears to be a kimono with a floral pattern, and an obi sash wrapped around her waist.
January 1982: Jayne Seymour looked elegant in a black, off-the-shoulder dress and matching pearls.
The actress won her first-ever Golden Globe award in the best performance by an actress in a limited series or a motion picture made for television category.
January 1983: During the 40th annual Golden Globe Awards, Debbie Allen walked the red carpet in a bold ensemble.
The actress wore a black and pink dress underneath a thick fur coat.
January 1984: Diahann Carroll was way ahead of fashion trends with her iconic Golden Globe Awards look.
The actress paired her multicolored strapless dress with purple eye shadow, a beauty look that trended throughout 2018.
January 1985: Sônia Braga turned heads with her bright-blue ruffled dress.
Braga paired the off-the-shoulder dress with a black belt, jeweled necklace, drop earrings, and red lipstick.
January 1986: Whoopi Goldberg changed the game with her casual red-carpet style.
While winning her first ever Golden Globe award for her role in “The Colour Purple,” Goldberg wore a neon yellow T-shirt, matching leggings, sneakers, and a white jacket.
January 1987: Melanie Griffith chose an elaborate rainbow-striped gown.
The actress was nominated for her role in the film “Something Wild.”
January 1988: Denzel Washington celebrated the occasion with a printed bow tie.
Washington received his first Golden Globe Awards nomination that year for his role in the film “Cry Freedom.”
January 1989: John Cleese switched things up by wearing a colourful tie.
Cleese attended the award show with his “A Fish Called Wanda” co-star Jamie Lee Curtis, who wore an appropriately named fishtail-style gown.
January 1990: Julia Roberts attended her first Golden Globe Awards ceremony in an oversized suit.
The actress was nominated for her role in “Steel Magnolias,” and took home the award for best performance by an actress in a supporting role in any motion picture.
January 1991: Meshach Taylor showed up to the Golden Globe Awards looking dapper in a traditional tux.
He paired his suit with a purple bow tie and matching cummerbund.
January 1992: Geena Davis appears to have been a fan of the “naked” trend before it was popular.
The actress attended the awards ceremony wearing a form-fitting lace suit covered in a blue wrap.
January 1993: Will Smith looked stylish in a tuxedo jacket that was striped with gold.
Smith walked the red carpet alongside his then-wife Sheree Zampino, who looked glamorous in a shiny jacket-style dress.
January 1994: Vivian Wu walked the red carpet wearing a mint-green gown.
Her jeweled accessories, which included diamond bracelets and sparkling earrings, were equally as stunning.
January 1995: Rosie Perez ditched traditional floor-length gowns for an iconic halter-style dress.
The actress also wore a red ribbon attached to her dress, likely in support of AIDS awareness.
January 1996: Gillian Anderson turned heads by wearing a velvet robe on the red carpet.
Anderson was nominated for her role as Dana Scully in the television show “The X-Files.”
January 1997: Halle Berry dazzled the awards ceremony in a patterned and sparkly gown.
Though she wouldn’t be nominated for a Golden Globe award until three years later, Berry’s iconic look still stole the show.
January 1998: Jennifer Lopez celebrated the 55th Golden Globe Awards ceremony in a colourful, single-shoulder gown with a dramatic cutout.
The actress was nominated for her role in the film “Selena.”
January 1999: Angelina Jolie sparkled in a jeweled, spaghetti-strap dress.
Jolie took home the best performance by an actress in a limited series or a motion picture made for television award for her role in “Gia.”
January 2000: Lucy Liu went full glam in a black-and-white strapless gown.
She paired the floral printed gown with a diamond necklace and pointy black heels.
January 2001: Robert Downey Jr. looked stylish in purple sunglasses and an all-black ensemble.
The actor walked the red carpet with actress Calista Flockhart, who wore a lavender dress with sheer, flowing sleeves.
January 2002: Jamie Foxx showed up to the 59th annual Golden Globe Awards looking cool.
Foxx opted for a classic black suit and matching sunglasses.
January 2003: Salma Hayek matched the red carpet with her bold dress.
Hayek’s red gown featured a v-shaped neckline and flared-out fishtail skirt.
January 2004: Elijah Wood went with a unique ensemble.
Actors typically attend the Golden Globe Awards in traditional black suits, but Wood stood out for his choice to wear an outfit that was green and seemingly made from velvet.
January 2005: Samuel L. Jackson opted for a sleek velvet suit.
Keeping with his classic style, Jackson chose to wear a brown bow tie with his ensemble.
January 2006: Queen Latifah looked elegant in a simple blue dress.
Her hair was styled in a sleek bun, and she accessorized with diamond earrings and a necklace.
2007-2008: Beyoncé shined as brightly as the actual Golden Globe awards.
The musician wore a stunning gold dress that was covered in sparkly detailing.
January 2009: Freida Pinto looked glamorous in a mustard-yellow gown.
She walked the carpet alongside her “Slumdog Millionaire” co-star Dev Patel.
January 2010: Zoe Saldana arrived to the 67th Golden Globes Awards ceremony looking stylish.
The actress chose a ruffled fuchsia dress with a long train.
January 2011: Amber Riley posed on the red carpet wearing a sparkling single-shoulder gown.
Like many actresses in the 2000s, Riley chose a dress that featured a small train.
January 2012: Sofia Vergara stole the show with her navy blue dress.
Vergara’s dress included a simple, strapless top and a detailed, mermaid-style skirt.
January 2013: Eva Longoria dressed in a long-sleeve gown with lace detailing and a chiffon skirt.
The dress also featured a daring cutout neckline and a thigh-high slit.
January 2014: Lupita Nyong’o made a case for cape-style dresses on the red carpet.
She kept the rest of her look simple, wearing minimal makeup and jewellery.
January 2015: John Legend looked sharp in a classic suit with satin detailing.
The musician took home the best original song – motion picture award for “Glory” from the movie “Selma.”
January 2016: Gina Rodriguez arrived looking like a princess in a blue ball gown.
The actress paired her off-the-shoulder dress with diamond jewels.
January 2017: Priyanka Chopra wore a radiant, long-sleeved gown to the 74th Golden Globe Awards.
The actress, who recently married Nick Jonas, looked stunning as she walked the red carpet.
January 2018: As did most attendees of last year’s show, Issa Rae wore black in support of the Times Up movement.
- Read more:
- 21 amazing moments from the 2018 Golden Globes after parties
- 10 things to know about Isan Elba, this year’s Golden Globe Ambassador and daughter of Idris Elba
- Celebrities are auctioning off the black outfits they wore to the Golden Globes with the proceeds going to Time’s Up
- The women who didn’t wear black to the Golden Globes are coming forward to explain why: ‘This is a huge step back’
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- HUM TV
- Ary Digital
- Geo Tv
- DRAMA LIST
- ACTOR LIST
- Drama OST
Momina Khan is a new Pakistani actress and a model. She has appeared in many tv commercials. Her first drama was on Express Entertainment Channel called Dil-e-Nadaan.
She is currently working in Tohmat drama on Geo Tv.
If you are looking for Momina Khan drama list, biography, birthday, age, family, pictures, as well as their first and latest pakistani drama then you can find that here. You can also watch the pakistani dramas Momina Khan was cast in here
Birthday: Aug 05,1990 In Pakistan


Shakthi, son of P Vasu seen in films like Ninaithale Innikum, married the girl of his choice, Smriti recently and it seems that life is coming up roses for him. His next film Etho Seithai Ennai is gearing up for release and insiders feel that it will do wonders for his career. The heroine is Liya and the film is being directed by Ezhilarasan. Music is by Ganesh Kumar.
The audio launch for the film was held recently and a lot of celebs like Karthik, Sibiraj, Shanthnu Bhagyaraj, Krish, Priyan, GNR Kumaravelan, Pop Shalini were present to show their support and encouragement. The event was judged a huge success and a release date will be confirmed soon.


LAU inspiration to acclaimed movie “Breakfast in Beirut”
Alumna Farah al-Hashim transforms the unforgettable memories of her college years in a cinematographic success that is touring the world.
As her college days came to an end, LAU student Farah al-Hashim’s only wish was to stop time. “I could not come to terms with the fact that my days at LAU and in Beirut were over,” says al-Hashim, who grew up in Kuwait and moved back to Lebanon to study journalism between 2005 and 2009.
Cinema became the “magic wand” that allowed her to capture time. Her latest work, Breakfast in Beirut, stems from the desire to relive the emotions of those bygone days and explore the inexplicable, visceral bond that inhabitants develop with the city.
“Beirut is like a dream on hold, we try to get to where we want without being able to do so,” says al-Hashim, adding that this often leads to a love/hate relationship. The interviewees featured in the movie – whose intimate tales of Beirut mix with the fictional story of a group of students and the memories of their college years – express their discontent while, at the same time, revealing a deep connection with the city.
“Perhaps the journey is what makes the dream special,” says al-Hashim. Despite moving to the Unites States to attend the New York Film Academy, she never lost touch with Beirut, which she defines as “addictive.” “There is a feeling of intimacy in the city which makes it unique,” she says.
Breakfast in Beirut premiered in Lebanon in September 2015 and was sold out for both screenings. After its massive success at the Alexandria Film Festival and a nomination for “Film of the Year Award 2015’ at the Lebanese Film Festival in Sydney, Australia, Breakfast in Beirut continued on its world tour, first in France then Italy.
According to al-Hashim, the film owes its success to the fact that it speaks people’s minds. “My aim is for people to feel represented,” she says, “but at the same time this film was also my own therapy.”
Determined to make a film about Beirut specifically, the director refused any form of compromise. “I was offered funding for the film by different production houses, but the Germans wanted to turn it into “Breakfast in Berlin” and the Americans into “Breakfast in New York,” she says.
Undeterred, al-Hashim shot the movie with no budget, natural light and no sound equipment. “I was working another job and living on canned tuna,” she jokes. “I do believe you can make a movie with as little as one dollar in your pocket.”
Through the voices of those who treasure childhood memories of Beirut and those who move there in pursuit of a dream, al-Hashim highlights the tangle of emotions that unites all her interviewees.
Her objective is to show the movie all over Lebanon and spread the message behind it. “If I were to summarize it one sentence,” she says, “my experience in Beirut made me realize that living in a city that is not perfect is perfect in itself.”


Actress Candace Cameron Bure is slated to star in her first Christmas film with her new network, GAC Family, following her departure from the Hallmark Channel 5 months ago.
According to Faithwire, GAC Media announced on Tuesday that Bure will star in and executive produce the film A Christmas … Present. The film was created in collaboration with Bure’s company, Candy Rock Entertainment.
“SO HAPPY to announce that Candy Rock Entertainment is underway with their first Christmas movie of the season starring…me,” Bure wrote on Instagram.
As reported by TV Line, Bure explained in a statement that A Christmas… Present is about “slowing down enough to recognize what’s right in front of our eyes.”
“The hustle and bustle of the Christmas season will arrive before we know it, but it’s through the quiet moments that we hear God speak to us, directing our path to what’s most important,” she added.
Bill Abbott, the president of GAC Media, described the film as “indicative of the memorable movies and family-friendly entertainment that Great American Media is looking forward to creating with Candace and the Candy Rock team.”
The upcoming holiday will be released in November as part of GAC Media’s “Great American Christmas” series, which will launch on Oct. 21.
Bure, who starred in over two dozen films during her 14-year stint with the Hallmark Channel, announced in April that she would be partnering with GAC Media, where she has taken on an executive role.
“I’m very excited to develop heartwarming family and faith-filled programming and make the kind of stories my family and I love to watch,” she said in a statement at the time. “GAC fits my brand perfectly; we share a vision of creating compelling, wholesome content for an audience who wants to watch programming for and with the whole family.”


Linda currently works as a successful playwright, freelance director and dramaturg in the North West, with continued contact and support from North West Playwrights.
‘April 1999 - I'd never written a play before I took part in North West Playwrights' course. 2002 - I'm on attachment at the National Theatre Studio. 2003 - Contact Theatre give me a residency and buy my first play, What's in the Cat, a co-production with the Royal Court. April 2004 - I'm in rehearsals for my second play, Basil and Beattie, to commemorate North West Playwrights' 21st anniversary, a co-production with the Royal Exchange. That original course did the trick: Charlotte Keatley the tutor, regular workshops with professional actors and directors, and a script in hand performance at the end. I was well cared for. Visiting NWP always feels like going home. Unconditional.'
In 2005 God Can See Down Entries is aired on BBC 3 radio; The Wire. Another great success in 2005 came from What's in the Cat which is produced by Contact Theatre, transferred to The Royal Court, published by Methuen and nominated for MEN best new play.
In 2007 Linda's Black Crows was published by Oberon, following a production by Clean Break at The Arcola. In 2008 Black Crows went on to be a finalist in The Susan Smith Blackburn Prize and was shortlisted for the Alfred Fagon Award.
Linda is currently working on Speechless adapted from The Silent Twins by Majorie Wallace which will be produced at The Traverse during the Edinburgh Festival 2010 then transfers to the Sherman in Wales where the story took place.


Director: Damien Chazelle
Starring: Ryan Gosling, Claire Foy
Feature Name: First Man
Based on the book First Man: The Life of Neil A. Armstrong by James R. Hansen, First Man is about Neil A. Armstrong’s (Ryan Gosling) journey to the moon and what all he had to go through for it. The film never goes overboard and seems very real. In some scenes, you feel you’re actually a part of the mission. However, the film is inconsistent and seems very long. Even the climax is underwhelming. Ryan Gosling is fantastic as he delivers a very restrained performance. We give the film 2.5 buzzing bees.


The full cast of Chichester Festival Theatre’s West End transfer of The Resistible Rise Of Arturo Ui has been announced with the entire original company set to reprise their roles alongside star Henry Goodman in the critically acclaimed production.
Following his Theatre Awards UK win for the role in Bertolt Brecht’s epic parable about the rise of Adolf Hitler, Goodman will once again lead the cast of the Jonathan Church-directed hit, which will play at the Duchess theatre from 18 September (press night 25 September) with previously announced original supporting cast members Keith Baxter, Michael Feast, William Gaunt and Joe McGann reprising their roles.
The ensemble company, who first appeared in the production when it played at the hit-producing regional theatre last August, comprises Mark Carlisle (Freya, Southwark Playhouse), Alex Giannini (Journey’s End, West End), Amanda Gordon (Bombay Dreams, West End), Charlie Hamblett (Rosencrantz And Guildenstern Are Dead, West End), Lucas Hare (Children Of The Sun, National Theatre), Lizzy McInnerny (King Lear, Almeida theatre), Hugh John (Death Watch, Roundhouse), Richard Mark (Rough Music, King’s Head theatre), Peter Moreton (Cheek By Jowl’s ‘Tis Pity She’s A Whore), Steve Simmonds (Olivier!, West End), Colin Stinton (Loyalty, Hampstead theatre), David Sturzaker (Anne Boleyn, Shakespeare’s Globe) and Benny Young (Philadelphia, Here I Come, Donmar Warehouse).
Described by The Guardian as a “breath-taking revival”, The Resistible Rise Of Arturo Ui is set during the Great Depression of the 1930s and charts the actions of Chicago gangster Arturo Ui as he seizes upon the chance to run protection rackets for workers and businesses in order to gain absolute power over the city.
The production will enjoy a short cross over with another Chichester Festival Theatre West End transfer, the Anna Chancellor and Toby Stephens-led Private Lives, which continues its star-collecting run at the Gielgud theatre until 21 September.


Wire Actor Lance Reddick Dies At 60
Lance Reddick, an actor in the popular HBO series The Wire, has died aged 60.
Reddick was also known for starring as Charon in the John Wick action-thriller movie franchise.
The musician and actor died suddenly of natural causes in his Los Angeles home. The Police were soon after called to the actor’s house around 09:30 local time (16:30 GMT).
Lance will be greatly missed, “Please respect his family’s privacy at this time.” report said.
Reddick had been in the middle of a press tour for the fourth instalment of the John Wick movies, which is slated to be released on 24 March.
He was also set to appear in the upcoming John Wick spinoff, Ballerina, starring Ana de Armas.
Reddick, a native of Baltimore, appeared in more than a dozen films and shows during his 25-year acting career.
He was Charon, the hotel concierge at a New York criminal underground hub called The Continental Hotel in the John Wick movies. He appeared in the original movie and its two sequels and was set to appear in the fourth instalment.
The actor was also known for his breakout role as Baltimore police lieutenant Cedric Daniels in The Wire, a series that ran from 2002 to 2008 and examined the narcotics scene in Baltimore from the perspective of law enforcement as well as drug dealers and users.
Reddick told the press in 2010 that he thought the show would be a “hit” but did not anticipate it “would become this phenomenon.”
The actor was in the Resident Evil Netflix series and the science fiction-action movie Godzilla vs. Kong.
He was known for his voice acting work as well, including the TV series Rick and Morty.
He earned a SAG Award nomination in 2021 along with fellow cast members for his role in the film ‘One Night in Miami.”
The actor is survived by his wife, Stephanie, a daughter, Yvonne Nicole Reddick, and a son, Christopher Reddick.


While photographing a model in the remote woods, a photographer (Franco Garofalo) begins to feel like he and the woman (Sherry Buchanan) are being watched. The problem is they can’t see who or what is watching them but still they leave in a hurry. Once the film from the shoot is developed, the photographer discovers that he has, along with the model, taken pictures of real aliens. When a local journalist hears the amazing story, he immediately wants the public to know but government officials from North America and Europe band together to try and shut him up. Stars Robert Hoffmann, Nathalie Delon and Martin Balsam.


We were in the second row Tuesday night for “Julius Caesar” at Oregon Shakespeare Festival in Ashland. The play, directed by Shana Cooper, is both timely and powerful. This modern production is also highly inventive. The ancient tale is set in contemporary times, with urban decay on full display—the walls are literally decomposing as the narrative unfolds.
The play is full of memorable scenes. The closing of the First Act is absolutely searing and unforgettable. We watched a mob stomp an innocent poet to death while chanting “tear him”.
Violence is at the center of this play and at the center of the human drama. Caesar is murdered. Mobs are incited to kill. A civil war breaks out. Shakespeare wrote “Julius Caesar” in 1599. The events that the play depicts occurred many centuries before that. Yet, the play could not be more relevant than it is right now.
Let’s hear from Cassius, a Senator, on the conditions in Rome…
And why should Caesar be a tyrant then?
Poor man! I know he would not be a wolf
But that he sees the Romans are but sheep;
He were no lion, were not Romans hinds.
Those that with haste will make a mighty fire
Begin it with weak straws. What trash is Rome,
What rubbish, and what offal when it serves
For the base matter to illuminate
So vile a thing as Caesar! (Act 1, Scene 3)
Cassius is the main conspirator, along with Brutus. They’re both moody men who let their assumptions get the best of them, and who are ultimately trapped by their own minds and obsessions. In the above passage, Cassius seems to say it’s the common Roman who is equally at fault, and that people get the leaders they deserve. His conspiracy to murder Caesar was driven by the idea that he might do horrible things sometime in the future. It was not about settling an old score for a crime he had already perpetrated. I like Cassius for the most part, but Caesar rightly notes that “he thinks too much.”
Another theme in the play that stands out is how easy it is to sway the crowd with rhetoric, as Mark Antony proves at Caesar’s funeral.
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. (Act 3, Scene 2)
Shakespeare is the master of duplicitous tongues, and in Mark Antony, the Bard has a perfect snake. Antony praises Caesar while inciting his fellow Romans to drive the conspirators from their homes. He’s a real piece of work, Mark Antony.
What can we learn from this amazing historical drama from the world’s greatest playwright? We can learn that power is a narcotic, while deceit and violence are blunt means to power’s unjust ends.


Based on the life and stories of a former prisoner and his real-life girlfriend (now wife).
Review by Margaret Pomeranz
Amiel Courtin-Wilson who has made excellent documentaries like BASTARDY and BEN LEE: CATCH MY DISEASE has chosen to blur the line between fact and fiction with his first feature film HAIL. Based on the life and stories of former prisoner DANIEL P JONES, who stars as himself, it is a mesmerizing portrait of one man's descent into hell, taking us, the audience, with him. We first meet Danny as he leaves gaol and heads home to girlfriend Leanne - played by Danny's real life girlfriend LEANNE LETCH. Things are good to begin with, there's obviously a lot of love there.
But then the alcohol, the drugs, and Danny's barely suppressed anger take their toll. DANIEL P JONES is a scary-looking dude, he looks like what he is - a dissipated criminal. His performance in this is extraordinary and while much of it may have been improvised and real, much of it is also a performance of great intensity. Reluctant performer LEANNE LETCH is also wonderful in her role. There is no doubting Amiel Courtin-Wilson as an artist of great purity and discipline. Working with cinematographer Germain McMicking and editor Peter Sciberras, not to mention the composer Steve Benwell and sound designer Robert McKenzie, he has created a life on screen of such verisimilitude, such power, containing both brutality and beauty, that you will be transfixed. Perhaps not a film for the faint-hearted, it is nevertheless an important entry into the Australian film landscape.
DAVID: I wish I liked it more. I really found myself not enjoying this experience.
MARGARET: It's a tough film.
DAVID: It is a tough film and I don't mind tough films but there's a relentlessness about this journey, which I found myself reacting against. I think the first half of the film is better than the second half. I think the film is much too long. I think the first half is where the camera work is more controlled and where the situations are being set up but the second half of the film, where the camera goes completely out of control...
MARGARET: Oh, David, I'm sorry but I think some of the images in that second half of the film are truly magnificent and I think they feed the narrative of the film.
DAVID: Well, I don't agree. I just tuned out of the second half of the film because it was just making me feel ill, so I just am not on Courtin-Wilson's wavelength, I guess.
MARGARET: Well, you see, the thing for me is, whereas THE INTOUCHABLES aims squarely at that middle level, I think this is such a brave film that is really aiming for the heights.
MARGARET: I absolutely applaud him. I think he is an artist and an important one in this country.
DAVID: I wouldn't deny that but for me it doesn't work.
MARGARET: I'm giving this four and a half stars. I think it's an extraordinary piece of work.
DAVID: I'm giving it two and a half.


Remaking (or in this case rebooting) a popular film can be a very tricky thing to pull off, as fans are bound to be extremely protective of the original and hesitant of the outcome of something new. However every once and awhile redoing a classic pays off in a great way, which is exactly what […]
Meagan Good chatted with the cast of The Rickey Smiley Morning Show about her brand new episode of Unsung on TVOne tonight at 8pm. She reveals why she agreed to do an episode of the TV show at such a young age and so early in her career, as opposed to other artists, who are […]
DeVon Franklin and Meagan Good headed way down south to celebrate their 4-year-anniversary.
DeVon Franklin defended his wife Meagan Good against criticism that she's a hypocrite for being a sex symbol as well as a Christian.
“Anchorman 2″ star Meagan Good talked to “The Rickey Smiley Morning Show“ about what it was like becoming a preacher’s wife. Meagan and her husband DeVon Franklin…


Some critics might say that Reginald Rose’s “Twelve Angry Men” has had an incredibly long life, but it is beginning to show its age. And while that statement may be true about this 1950 courtroom drama that can best be described as “herding cats with life and death at stake” in a New York court, the fact remains is that this story about a jury that can’t decide on a verdict is as inspiring as it is a depressing piece of entertainment. At its core, it reveals that attitudes surrounding racism more than half a century ago are still relevant today.
The play first aired on American TV in 1954, was filmed by Sidney Lumet in 1957, and in 1964 it began its theatrical career. This all-male, all-white jury is the perfect storm waiting to happen. Then, and now. That is not simply because it presents us with an all-male, all-white jury, but the problem lies with a man we learn to dislike, detest, and ultimately pity. Juror 3. A character who is a lone wolf among a group of twelve jurors, and who refuses to automatically render a verdict of guilty on a 16-year-old black boy accused of brutally stabbing his father to death.
Directed by J. Barry Lewis, the drama starts as a guard leads twelve well-dressed jurors into a courtroom. It’s a hot summer night and the fan in the bleak room is broken. Enough coal to light a fire. And as a round of votes is taken, resulting in a deadlock—11 guilty, 1 non-guilty—tempers soar and the heat in the room rises.
Gradually, Juror 8 begins to unravel the overwhelming evidence against the boy calmly. There can be difficulties in coming to a unanimous decision regarding the 16-year-old murder suspect, but he begins to chip away at the dogmatic certainty of his peers with reasonable doubt, except for one.
Juror 3, played by no other than William Hayes, producing artistic director of Palm Beach Dramaworks, plays the rough character who ultimately steals the show. A veteran actor who took to the backstage [pun intended] when PBD began to take off in our community more than 20 years ago as a regional theater “to think about,” this is a play that has not left his subconscious since its inception.
“When we moved into the new theater here in 2010, I felt that Twelve Angry Men was a perfect play for our space,” said Hayes, as he described how they recreated the jury room, which fit perfectly with the shape of the PBD stage. “It’s such a heated play and the audience will feel like they’re right in that jury room with us.”
Now was the time to do this play, Hayes observed. The story takes place in the Eisenhower era, which was a white male-dominated period in this country, and in the rest of the world. Life was great for a white male. It was rare for a woman or other minorities to serve on a jury, or hardly at all.
Back then, there was this American Dream, this image of the 50s, where men were the breadwinners and women had to stay home in the kitchen. Racism, bigotry, and antisemitism were also prevalent in our society and in the world at large. This was reflected on television in shows like Leave It to Beaver, My Three Sons, All in the Family, and Happy Days. Even when there was a single parent like in the “Andy Griffith Show” or “My Three Sons,” it was always the single dad that ran the show. Women weren’t viewed as having the same strength or as intellectuals able to run a household.
Twelve Angry Men depicts this flawed period well. How it was, and how it hasn’t changed in many ways. With the racial tension rising in the United States, Hayes felt this play needed to be told, again. He reunited a group of actors who had been on the PBD stage at some point in their career: Rob Donohoe [Juror 10], Jim Ballard [Juror 5], Cliff Goulet, [Guard], Tim Altmeyer [Juror 1], Michael McKeever [Juror 2], Gary Cadwallader [Juror 4], Matthew W. Korinko, [Juror 6], John Leonard Thompson [Juror 7], Tom Wahl [Juror 8], Dennis Creaghan [Juror 9], David Kwiat [Juror 11], and Bruce Linser [Juror 12].
Like every good play, the audience gets to examine how far we have come since 1954 when the original script aired on national television. And because PBD has a bright audience, they’re able to see that Hayes is trying to make a point: 68 years later, America still is a very male-dominated society.
It worked in 1964 and still works in 2022. But I suspect, we’ve learned enough about the strengths and fragility of our judicial system to know that not all cases have a fair ending. Not every jury has a juror 8 who is uncertain of a man’s guilt and speaks up in his defense.
Finally, I hope this play’s audience holds a mirror up to society and asks, “How did we get here, and why?”
Now playing until December 24, 2022, the show runs approximately 1 hour and 50 minutes. To buy your tickets, go to www.palmbeachdramaworks.com or call their box office at (561) 514-4042 ext. 2. PBDW is located at 201 Clematis Street, West Palm Beach.
Reginald Rose’s Twelve Angry Men


With each new detail released about the upcoming movie version of The Hunger Games, fans go crazy -- both crazy with delight and crazy with outrage -- as to how on earth such an awful casting decision could have been made. The newest actor to join the gang and put himself in the crosshairs: Lenny Kravitz.
Yes, Lenny Kravitz the singer. He's been cast as Cinna, the stylist who dresses Katniss Everdeen, played by Jennifer Lawrence (another choice that freaked fans out). It's not his first acting role; he played a nurse in Precious and has been in several other films. I happen to love Lenny and think it was a pretty good choice, but some fans are dissing the decision big time.
As one commenter stated on a story posted by The Hollywood Reporter: "Yet another horrible casting decision in a series of horrible casting decisions. This movie is going to be extremely disappointing."
Twitter is fully of angry tweets about the announcement:
don't think lenny kravitz is good for #HungerGames ...they better not ruin these f#$king books
So done w/ #hungergames movie. Lenny kravits is NOT Cinna!! Getting off all the lists. Let me know when the trailer is out. May not watch.
Others were more intrigued by the idea and some even enthusiastic, but like with most things, the unhappiest voices make themselves heard the loudest. We've seen it with every choice this movie has made, which is to be expected.
Turning a book into a movie is wrought with potential disappointment, especially one this beloved by throngs of fans. When you get that immersed in a book, the characters come to life for you, so when their real-life counterparts are introduced, it's often jarring as to just how off the two can be.
Regardless of how much fans complain now though, I bet when March 2012 rolls around and the movie is released, they'll be fighting for tickets with the best of them.
What do you think of Lenny Kravitz as Cinna in The Hunger Games movie?
Image via Vincent Teeuwen/Flickr


Work sucks, even in Hollywood. For movie stars, this is especially true when dealing with writers, directors, producers and other actors. In extreme cases, these actors end up hating their director or the final movie. Sometimes it’s their fault, sometimes someone else’s; regardless, they aren’t happy and often let people know publicly how much they hated their latest project.
The great George Clooney gets the first honorable mention here for his work in Batman & Robin, a movie that had box office success, but was just not very good. Clooney didn’t blame anyone for this one, even stating “I think we may have killed the franchise.” Lucky for us, he didn’t and Batman has continued on. David Cross had a similar, but very different experience when he “starred” in Alvin and the Chipmunks: Chipwrecked. He didn’t like the output and told people not to go see it. I mean, really? You did sign up for this one.
We’ve got more superheroes, young Hollywood stars and even some old Hollywood stars. Some of these actors were clearly out of control, some apologized and some still hold a grudge. Hey, can’t we all just get along?
15 Cher - Burlesque
14 Halle Berry - Catwoman
Halle Berry has made her share of “stinkers” and this one is pretty high on that list. Superhero movies typically do well regardless of whether or not they are actually any good. In that regard you could say this movie broke the mould. Catwoman, released in 2004, actually earned her the Razzie Award for Worst Actor. She agreed and gladly went on to accept her award, even ripping Warner Bros. for the “god-awful movie” she was cast in. Not only did she feel here performance was terrible, she shared the wealth adding, “To give a really bad performance like mine, you need to really have bad actors.” At least she was honest about it. Berry has been working hard on a new film titled Kidnap, where she also serves as an executive director, apart from acting in the film alongside sage Correa, Lew Temple and Chris McGinn. The film is currently in post-production.
13 Robert Pattinson - Twilight
12 John Cusack - Better Off Dead
Better Off Dead is another one of those movies that did okay upon its release and then gained steam as a cult favorite that continues to be shown today. John Cusack didn’t think too fondly of the movie though, reportedly hating it so much that he left the screening and then had words with the director, Steve Holland. “The worst thing I have ever seen” he told him and then followed it up with “I will never trust you as a director again.” So I guess he didn’t like the movie. How do you really feel John? Note: As of this post Cusack has not worked again with Holland. Cusack’s glory days may be behind him, but he’s not exactly going to disappear any time soon. His latest film, Cell, starring Samuel L. Jackson, was released at the beginning of summer. To be fair, the film completely bombed, earning terrible reviews from critics alike. It may be time for Cusack to make the transition to television.
11 Alec Baldwin - Rock of Ages
Alec Baldwin has never shied away from conflict and so when the movie Rock of Ages wasn’t quite what he expected, he made it known he was not happy with the output. The film adaption cast Baldwin as a gay nightclub owner. Baldwin said of the film “It was a complete disaster,” and also “a week in you go, Oh, God, what have I done?” Apparently he only joined the cast because he wanted to work with Russell Brand and Tom Cruise. I mean, c’mon Alec, how many red flags do you need? Of course this movie was going to suck; the movie is based on a musical named Rock of Ages! Baldwin hasn’t been involved in a huge scandal as of late, but that’s never all that far away, given his past track record. On the flip side, we can only imagine how easy it is to push his buttons, meaning his threshold for something he may not like must be extremely low.
10 Matt Damon - The Bourne Ultimatum
Even Matt Damon has his beefs with Hollywood - this one with the writer for one of his Bourne movies. As a respected Hollywood actor, it was quite shocking to hear Damon’s lashing over the last film in the Bourne series. “I don’t blame Tony Gilroy for taking a boatload of money and handing in what he handed in. It’s just that it was unreadable.” Now that sounds harsh coming from anyone, he even added “This is a career ender…” Later, Damon apologized for his words saying it was out of respect for Gilroy’s writing that he felt that way. Ironically, another Bourne film is about to hit theatres, and quite frankly, it should be the trilogy’s swan song – but you also never know. Jason Bourne’s release date is set for July 29, and it will be interesting to see if the actor can muster up a fitting ending to the role.
9 Michelle Pfeiffer - Grease 2
8 Daniel Radcliffe - Harry Potter and the Half-Blood Prince
Hating your work isn’t always bad; sometimes it can be considered a virtue. Young actors are forced to look back on their roles after they have matured and that has to be difficult. For Daniel Radcliffe, he is probably being a little hard on his work as he doesn’t really like his performances in the Harry Potter movies. “…”I’m just not very good in it. I hate it.” Yeah, it’s the hate that is pretty harsh; however, he does believe he got better as time went on, pointing out the fifth film, Order Of The Phoenix is better. So inside all the self-loathing, there’s that. Considering there are a plethora of Harry Potter books out there, with some new ones on the way, it will be interesting to see if Daniel changes his tune and decides to star in the roles that basically made him famous. Without those flicks, what has the actor ever done?
7 Katherine Heigl - Knocked Up
6 Bob Hoskins - Super Mario Brothers
Super Mario Brothers is one of those movies you expected to fail, right? How do you expect a video game to translate to the big screen? Bob Hoskins was surprised, I guess, still unable to discuss this film choice in length. Hoskins feelings on this movie are summed up with his famous interview with The Guardian where he was asked three questions: “What is the worst job you’ve done? What has been your biggest disappointment? If you could edit your past, what would you change?” Hoskins answered: “Super Mario Brothers. Super Mario Brothers. I wouldn’t do Super Mario Brothers.” Got it…To be fair, this movie was perhaps the worst movie ever based on a video game, and if we could stretch it a little further, it could be one of the worst films ever made. Considering the budget they had, and all that work that went into props, it could have been a tad better.
5 James Franco - Your Highness
James Franco typically paints a positive picture regardless of what he is doing or shenanigans he’s trying to pull. That wasn’t the case with the movie, Your Highness. His response in a GQ interview was pretty straight forward: “Your Highness? That movie sucks. You can’t get around that” Okay then, it’s safe to say this movie really does suck. I mean, who would have thought a medieval parody wouldn’t suck? Answer: James Franco. The surprising thing is that he didn’t somehow try to turn this into a parody of a parody which would have been very confusing, but no less bad. This lovable stoner is quite polarizing in the world of Hollywood, so here’s hoping he stays on the right side of the tracks and doesn’t go all haywire like some former lovable male actors in Hollywood.
4 Sylvester Stallone - Stop! Or My Mom Will Shoot
Sylvester Stallone has made no less than 1 million movies (note: fact not researched) so of course he’s going to have a few movies that bomb. This was a pretty big one. Despite sharing the screen with the hilarious Estelle Getty (Golden Girls), neither could save this movie. Stallone said of the movie, “I made some truly awful movies. Stop! Or My Mom Will Shoot was the worst. If you ever want someone to confess to murder, just make him or her sit through that film. They will confess to anything after 15 minutes." Apparently both got too far out of their comfort zone for this one. While the The Rocky films were great, and the Expendables franchise had its fans, we can’t exactly endorse Stallone for being in much else these days. The guy should just give it up.
3 Charlize Theron - Reindeer Games
2 Channing Tatum - GI Joe: The Rise of Cobra
1 Christopher Plummer - The Sound of Music
The Sound of Music, an Academy Award-winning classic, is loved by just about everyone, except its lead star, Christopher Plummer. Playing the role of Mr. Von Trapp, Plummer even declined a reunion in 2005 and has referred the movie as The Sound of Mucas. Apparently the film was too sentimental for him and didn’t have enough humor. Okay, everyone knows this is a musical and that is a drama, correct? Actually, based on his comments, it seems Plummer was never made aware. For a guy who wanted more humor you would think he would lighten up over this movie, I mean, it’s the Sound of Music and everyone loves it…take a chill pill man! But knowing Plummer and the career he's had, it's almost understandable that a legend of his stature is a little high maintenance. With all the privileged actors Hollywood has on its roster, this guy started from the bottom.
Sources: Hollywood.com, VH1.com, MentalFloss.com
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