This article covers the ending of the Netflix original film Don’t Blame Karma (2022), so it contains spoilers.
Don’t blame karma follows Sara and her relationship with her younger sister Lucy, her growing love for her high school best friend Aaron, and her dream of becoming a fashion designer – all hampered by her fear of a curse. This curse struck Sara as a child after she blew out the candles on Lucy’s birthday cake and “stole” her sister’s wish. Angered, Lucy screams that she will steal ALL of Sara’s wishes for the rest of her life.
Due to the lifelong jealousy she has for Lucy, Sara takes this statement to heart and lives the rest of her life like she has bad karma. She blames this perceived bad karma for ruining her chances with Aaron in high school. Just as they were about to kiss for the first time, he was called away and shortly after transferred to a different high school. Years later, Sara is in her thirties and refuses to pursue her dream of fashion design, afraid that bad karma will somehow ruin her chances.
Aaron is thrown back into Sara’s life after becoming engaged to marry Lucy, now a famous model. Sara sees this as further evidence of the curse – Lucy gets all her wishes, so of course she gets Aaron. But soon after their reunion, Sara and Aaron fall in love again and reminisce about their good times in high school. Lucy offers her sister the opportunity to design outfits for a high-profile fashion show.
Netflix movie Don’t blame karma end explained
Despite her fear of bad karma, Sara performs amazingly well in the fashion show. Her sister offers her a full-time job as a designer for her outfits. Aaron and Lucy realize they are not meant to be together, freeing Aaron to be with Sara. Unlike in high school, where they could never kiss, Sara and Aaron eventually embrace and kiss passionately.
Sara tells Lucy about her fear of the bad karma she believes she deserved as she blew out the birthday candles. Lucy finds this ridiculous and that Sara’s life was shaped by her own choices, not a curse. The two sisters then go to the beach to grant Sara a wish: to see a whale. Interestingly, this ending is redesigned Don’t blame karma about the relationship between the two sisters and not about the romance of Aaron and Sara.
What do you think of the Netflix film Don’t Blame Karma and the Ending? Comment below.
You can watch this film with a Netflix subscription.
https://readysteadycut.com/2022/08/04/dont-blame-karma-ending-explained-netflix-film/ Don’t Blame Karma ending explained


Kevin Hart Runs Naked In New Promo [VIDEO]
Comedian/Actor Kevin Hart runs down an empty road but naked in neon green sneakers for his latest promo video.
Hart is gearing up for his new stand-up comedy movie ‘Let Me Explain’, and this 60 second promo video is just the start of his campaign.
His latest movie will document Kevin traveling to 80 cites, as he performs his newest material for his fans.
The commercial has been banned from being shown on television because of its content.
Check out the teaser below:


Griffith in California – Hollywood’s earliest films from a century ago
Hosted by film historian Scott Simmon, curator for the “Treasures from American Film Archives” DVD anthologies and Professor of English at the University of California, Davis.
Presented on a 1909 hand-cranked Power’s Model 6 Cameragraph motion picture machine. Featuring live musical accompaniment by Michael Mortilla.
This second evening of films from one hundred years ago highlighted six of the films directed by D.W. Griffith in his first expedition to Southern California with his New York-based troupe of Biograph Company players and crew. Each film reflected a different location or topography, suggesting why this initial trip to the Los Angeles area for Griffith was soon emulated by several other U.S. and European film production companies, as the variety of backgrounds and beauty of the area were immediately evident when these films were projected on screens around the world.
Biograph films screened included “Faithful,” shot in Hollywood and starring Mack Sennett; “As It Is in Life,” shot at a pigeon farm that was a popular tourist attraction of the day; “Love among the Roses,” shot in a Hollywood rose garden; “Ramona,” shot in Ventura County, the setting of the original novel, and starring Mary Pickford; “Over Silent Paths,” shot in the San Fernando desert; and “A Rich Revenge,” a comedy set in the California oil fields. The films were presented on a 1909 hand-cranked motion picture machine restored and operated by Joe Rinaudo.
An added bonus was the re-premiere of the 1910 Selig film “The Sergeant,” shot in Yosemite and starring Hobart Bosworth, from a print recently discovered in New Zealand that had long been thought to be lost. This special screening of the Selig production directed by Francis Boggs celebrated the pioneering efforts of the first film company to open a permanent film studio in Los Angeles in 1909.
Most prints were in 35mm and were drawn from the collections of the Academy Film Archive, the Library of Congress, the Museum of Modern Art and the UCLA Film & Television Archive.
- Monday, November 29, at 7:30 p.m.
Doors open at 6:30 p.m.
- Linwood Dunn Theater
1313 Vine Street
Hollywood, CA 90028


We see wronged women in documentaries, movies and the news. Silly lady, she was just ticked off one too many times and blew like Vesuvius. These women are not people, only lesser facsimiles of more complicated male villains. They are either seen as absurd or clichéd tropes in most films and TV. Or are they?


They sit in the dark; their reactions scare us to death. Who are they? What do they want? They may be the most important actors in your production, yet you know the least about them. Will they judge or join in? In this issue, we stare back at the audience.


11th edition of Litauisches Kino Goes Berlin film festival will take place in late October, 2021. Festival showcases the best Lithuanian films made in the country and abroad.
We are looking for short films, created by Lithuanian filmmakers in the past 2 years. Submission will be open at the beginning of summer 2021. In the meantime you can reach us at email@example.com.


Unrated | | Crime, Drama, Musical
Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.
The second highest grossing film of 1961, coming in just behind 101 Dalmatians (1961).
Riff: Beat it.
The door of Doc's store has a screen to keep out thieves, but the windows do not.
The credits at the end of the movie appear as graffiti on street signs.
Dive deep into IMDb Picks, Comic-Con, Streaming, and more.


Hornswoggle On Leprechaun Origins
WWE Superstar Hornswoggle recently talked to MoviePilot about his new film, Leprechaun: Origins, which is in limited theater release starting today.
Hornswoggle talks about a number of parts of the film making process, including getting into makeup, finding his character compared to who he is in WWE, and much more. You can read a few excerpts below:
How different was creating a movie character from creating a wrestling persona?
I don’t know. For film, I think it’s harder because you’re not getting that instant gratification that you would in WWE. Punch a guy in the face in WWE, people are going to cheer. Here, you punch a guy in the face, eight seconds later, “Cut, all right, let’s go again.” Okay, was that good? Was that bad? What do I need to change? You don’t know if it was good, so it’s very different. I think filmmaking is a lot harder than WWE at times.
How involved was the makeup for Leprechaun: Origins?
Two and a half hours twice a day. Two and a half hours in, hour to get out, lunch. Two and a half hours in, hour out. By day three I was cussing, just sick of it. I don’t know why I was having a bad day. I was just having a bad day. I was so mad at everything, but now seeing the final product, I would’ve sat there for five hours. It is so good. The creature turned out so awesome, the prosthetics and the makeup. It was amazing.
Leprechaun: Origins opens in limited theater release today, and comes to digital and video-on-demand services beginning August 26th.
PWS Starts ‘Mayhem’
Pro Wrestling Syndicate announces “Monday Night Mayhem” is coming to the airwaves. ‘Mayhem’ is PWS’ brand new weekly internet show, which premieres on Monday, August 25th.
New episodes will be released weekly on Monday at 11pm. You can watch the intro to the new show in the player below.


Bret Maverick: Set in Sweetwater AZ in the 1880s with solid citizen Bret owning a ranch and part of the Red Ox Saloon. Stable cast with varying stories, often centered on conflict between the ambitious sheriff and everyone else.
|Ratings:||IMDB: 7.5/10 Metascore: N/A RT: N/A|
|Released:||December 01, 1981|
|Actors:||Darleen Carr David Knell Ed Bruce Jack Garner James Garner John Shearin Luis Delgado Ramon Bieri Richard Hamilton Stuart Margolin Tommy Bush|
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TreeofWoe13 : Class A performances all the way around. It's not the type of film I usually c ...
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The reason for ‘Ongole Githa’ getting ‘A’ certificate is the nude scenes performed by Prakash Raj. Director Bhaskar claims that he had to shoot the nude scenes on Prakash Raj as per the story demand. So far Bhaskar is known only for his clean family entertainers. Now we have to wait and watch how the audiences will receive this film as the film has got the ‘A’ certificate. ‘Ongole Githa’ is a mass cum action entertainer starring Ram and Kriti Karbanda in lead roles and Prakash Raj
in pivotal role. BVSN Prasad produced it under Sri Venkateswara Cine Chitra banner. GV Prakash Kumar and Mani Sharma worked as music directors for this film.


The live capture of An American in Paris, which was taped during the musical’s London engagement last year, will be screened in U.S. cinemas September 20 and 23. Tickets will go on sale July 12.
Prior to its U.S. release, An American in Paris will be screened in cinemas across the globe May 16. The live capture is distributed by Trafalgar Releasing. Click here for ticket information.
Featured in the film are original Broadway stars Robert Fairchild and Leanne Cope, who repeated their performances in the London production.
An American in Paris premiered in 2014 at the Théâtre du Châtelet in Paris before transferring to Broadway's Palace Theatre, where it received 12 Tony nominations and won for Best Choreography, Best Orchestrations, Best Set Design, and Best Lighting Design.
The production is directed and choreographed by Christopher Wheeldon with set and costume designs by Bob Crowley, lighting by Natasha Katz, sound by Jon Weston, and projection designs by 59 Productions. The musical score is adapted, arranged, and supervised by Rob Fisher with orchestrations by Christopher Austin and Bill Elliott, dance arrangements by Sam Davis, and musical supervision by Todd Ellison. The U.K. musical director is Steve Ridley. The associate director-choreographers are Jacquelin Barrett and Dontee Kiehn.
An American in Paris is produced in London by Stuart Oken, Van Kaplan, Roy Furman, Michael McCabe and Joshua Andrews by special arrangement with Elephant Eye Theatrical, the Pittsburgh CLO, and Théâtre du Châtelet.


Bollywood"s latest actor turned producer Saif Ali Khan showed similar excitement. However, he took his anxiety to an altogether different level. It so happened, that Saif and his Illuminati Films production partner Dinesh Vijan, after receiving the first final copy of the film Love Aaj Kal, couldn"t resist watching it as soon as they could. They immediately arranged a trial theatre for the same and watched the film. Incidentally, it was 2 am in the morning when their show began.
So what was the final outcome after the show? “They were extremely overjoyed on watching it, as it fulfilled all their expectations," our source reveals.


The film intercuts two stories, one in black and white, one in color. From 1965 to 1970, we follow Jeon Tae-Il, a poor young man who quits street vending to work in a garment factory. Amid ... See full summary »
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon's father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let ... See full summary »
Dae-Ho is an unproductive bank clerk who is late to work every morning and the object of his manager's frustrations. He was a fan of TV wrestling as a child, but can't get out of a headlock... See full summary »
(Korean with English subtitles) Helmed by one of Korea's leading directors, Hong Sang-soo, Jisook joins two of her girlfriends for a holiday in Korea's Kangwon Province. But in an eerie ... See full summary »
Jong-su bumps into a girl who used to live in the same neighborhood, who asks him to look after her cat while she's on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
If you're looking for a good story that'll leave you awe-stricken or at least satisfied, then you've chosen the wrong film. How a man in his mid twenties can be naive on the par with a 14 or 15 year old just isn't plausible in the real world, especially in the late 90s, unless he is retarded. And the lead character is not retarded. Another idiocy of the film is that the lead who is, and looks obviously to be, in his mid 30s is playing a naive, almost moronic 24 year old. The film is hogwash, and I was annoyed after wasting almost 2 hours watching it.
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|Was||Autobiographer Actor Stage actor Film actor Television actor|
|Field||Film, TV, Stage & Radio Literature|
|Birth||9 October 1923, Plymouth, United Kingdom|
|Death||12 September 2014, Romney Marsh, United Kingdom (aged 90 years)|
Sir Donald Alfred Sinden(9 October 1923 – 12 September 2014) was an English actor in theatre, film, television and radio as well as an author.
Sinden featured in the 1953 film Mogambo, and achieved early fame as a Rank Organisation film star in the 1950s in films including Doctor in the House (1954), Simba (1955), Eyewitness (1956) and Doctor at Large (1957). He then became highly regarded as an award-winning Shakespearean and West End theatre actor and television sitcom star. winning the 1977 Evening Standard Award for Best Actor for King Lear, and starring in the sitcoms Two's Company (1975–79) and Never the Twain (1981–91).
Sinden made his first stage appearance at the amateur Brighton Little Theatre (of which he later became President) in 1941, stepping into a part in place of his cousin Frank, who had been called up to war and so was unable to appear. Offered a professional acting part by the Brighton impresario Charles F. Smith, he made his first professional appearance in January 1942, playing Dudley in a production of George and Margaret for the Mobile Entertainments Southern Area company (known as MESA) and in other modern comedies, playing to the armed forces all along the South Coast of England during the Second World War and later trained as an actor for two terms at the Webber Douglas Academy of Dramatic Art.
In 1942, in Hove, Sinden befriended Lord Alfred Douglas (known as "Bosie"), who had been Oscar Wilde's lover. On 23 March 1945, he was one of only two persons who attended his funeral. He is believed to have been the last surviving person to have known Douglas.
Rank Organisation and Pinewood Studios
After the critical and financial success of his first screen leading role in The Cruel Sea (1953), made by Ealing Studios, in which he co-starred and received top-billing with Jack Hawkins, Sinden was contracted for seven years to the Rank Organisation at Pinewood Studios and subsequently had prominent roles in 23 movies during the 1950s and early 1960s, including Mogambo; Doctor in the House; Above Us the Waves; The Black Tent; Eyewitness; Doctor at Large; The Siege of Sidney Street and Twice Round the Daffodils.
Sinden became associated with his character of "Benskin" in the Doctor film series as the duffel-coated medical student, regularly failing his finals and spending most of his time chasing pretty nurses, accompanied by his trade-mark "wolf-growl".
Sinden was the recipient of several "audience-based" awards during this period, including "The actor who made most progress during 1954". In 1956, a profile was written on him which stated:
In the three years since his début in The Cruel Sea, the un-temperamental Sinden has moved steadily up the British film ladder until people are noticing, not without surprise, that he is suddenly one of the country's prime box-office favourites. It's as though he arrived on tiptoe. He is not colourful or flamboyant, yet he has his niche in public favour, as a recent poll proved: British women-folk voted him "The face we'd most like to see across our breakfast table." This defines with a certain accuracy the sure, dependable appeal of the man who, so far, has shared star billing with some other more boisterous male idols. He has usually been left, crestfallen and jilted, in the last reel.
In 1949, he appeared in The Heiress at the Theatre Royal, Haymarket opposite Ralph Richardson and Peggy Ashcroft, directed by John Gielgud. In his Sky Arts documentary series Great West End Theatres, Sinden said that the play ran for 644 performances (19 months) and he was the only member of the cast not to have missed a performance: "As the play is the longest run in the [Haymarket] theatre's history, I therefore gave more consecutive performances in this theatre than any other actor since it was built in 1820." The management gave him an engraved silver ashtray as a present in recognition of the fact, which he showed in the episode.
Theatre being his first "love", he was a noted farceur and won best actor awards for his appearances in the Ray Cooney farces Not Now, Darling (1967); Two into One (1984) and Out of Order (1990). In 1976 he was nominated for a Tony Award as Best Actor for his performance on Broadway as Arthur Wicksteed in Alan Bennett's comedy Habeas Corpus. His other notable leading performances in the commercial theatre included roles in productions such as There's a Girl in My Soup (1966); In Praise of Love (1973); An Enemy of the People (1975); Present Laughter (1981); The School for Scandal (1983); The Scarlet Pimpernel (1985); Major Barbara (1988); Diversions and Delights (one-man show as Oscar Wilde, 1989); That Good Night (1996) and Quartet (1999).
Sinden was a leading figure in the fight to launch the Theatre Museum in London's Covent Garden in the 1980s. In 2007, Sinden embarked on a UK, European and American theatre tour to talk about his life, work and anecdotes in An Evening with... Sir Donald Sinden. Produced by his son Marc, this included, on 8 November 2007 as part of Marc's British Theatre Season, Monaco, a performance in front of Prince Albert of Monaco (the son of Grace Kelly, his co-star in the film Mogambo) at the Théâtre Princesse Grace, Monte Carlo.
Royal Shakespeare Company
Joining the Shakespeare Memorial Theatre company in 1946, Sinden was an Associate Artist of the Royal Shakespeare Company (RSC) from 1967. Outstanding among his many notable stage appearances for the RSC, both at Stratford-upon-Avon and in London's West End (usually at the Aldwych Theatre), was his performance in 1963 as the Duke of York in The Wars of the Roses opposite Peggy Ashcroft as Queen Margaret.
Other notable performances by Sinden for the company were Eh? by Henry Livings in 1964; as Lord Foppington in The Relapse in 1967; Malvolio in Twelfth Night (opposite Judi Dench as Viola) in 1969 and again with Judi Dench and her husband Michael Williams in 1974, as Sir Harcourt Courtly in London Assurance (Albery Theatre).
After the production transferred to New York in 1975, Sinden became the first recipient of the newly established Broadway Drama Desk Special Award. Sinden sought and received advice about the character's costume and mannerisms in the role from the Regency novelist Georgette Heyer.
For the 1976 Stratford season and then at the Aldwych Theatre in 1977, Sinden won the Evening Standard Award as Best Actor for his performance in the title role of King Lear (with Michael Williams as the Fool). Meanwhile, he was also portraying in repertory, Benedick (regarded as "the most admired Benedick in living memory") opposite Judi Dench's Beatrice in John Barton's highly acclaimed 'British Raj' revival of Much Ado About Nothing, and in the same time frame also rehearsing the third season of the LWT sitcom Two's Company with Elaine Stritch during the daytime and filming the show at the studio in front of a live audience on Sunday evenings. He claimed "RSC money isn't very good compared with a normal commercial theatre rate. I was on their 'star' salary, which meant it worked out at about £47 per performance! You work for them 'for the honour' of doing the greatest classical plays, not for the money, so you have to make up the financial short-fall somewhere".
In 1979 he played the title role in Othello, directed by Ronald Eyre, becoming the last 'blacked-up white' actor to play the role for the RSC. Everyman editor and critic Gareth Lloyd Evans noted that his interpretation was "not…about colour or racialism" but one that illuminated the character's personal tragedy.
Great West End Theatres series
In 2013 Sinden presented a documentary series called Great West End Theatres, which describes the history and stories associated with each of 40 London theatres. Directed and produced by his son Marc, it was to be released as a 40-part DVD and Sky Arts TV series, with the first 10 episodes showing on Sky Arts 2 during the autumn of 2013.
In their review of the series, the British Theatre Guide said "Sir Donald's gorgeous plummy tones are a joy to listen to whatever he is saying but when he is extolling the virtues of one of his own favourite theatres, the pleasure is heightened. At his first entrance, he announces that he is "tingling with excitement" which is just what one wants from a tour guide. Soon enough, so are viewers."
The Daily Telegraph's review states "Great West End Theatres is a lovely documentary series, made by the director Marc Sinden. Its star, and – it transpires – the best documentary frontman of all time, is his actor-father: Sir Donald Sinden, 90 years old next month. Sir Donald has been let loose and the effect is enchanting beyond belief. It is also, at times, incredibly funny. One has the sense of a lifetime spent in this world, being poured out for our delight like glasses of vintage champagne."
Sinden achieved wide fame with the television-viewing public in 1963 through the Associated Rediffusion series Our Man at St Mark's. His other featured television roles included guest-starring as the Colonel in an episode of The Prisoner ("Many Happy Returns", 1967).
After starring in the series The Organisation (1971), he co-starred in the London Weekend Television situation comedy Two's Company which debuted in 1975. Sinden was cast in the role of an English butler, Robert, to Elaine Stritch's American character, Dorothy. Much of the humour derived from the culture clashes between Robert's very stiff-upper-lip Britishness and Dorothy's devil-may-care New York view on life. Two's Company was well received in Britain and ran for four seasons until 1979. The programme was nominated for a 'Best Situation Comedy' BAFTA in 1977. Stritch and Sinden also sang the theme tune for the opening credits to the programme, which received a BAFTA nomination. They each received a BAFTA nomination in 1979 for 'Best Light Entertainment Performance' and the show received two additional BAFTA nominations that year.
In 1979 Sinden presented a documentary series on BBC2 (later repeated in 1981 on BBC1), Discovering English Churches inspired by his grandfather's architectural drawings and watercolours. Over 10 episodes Sinden explored the unique history of the English church, and the influences that shaped the development of 16,000 unique churches, showing the history of 2-3 specific churches in each episode.
From 1981, Sinden starred in the Thames Television situation comedy, Never the Twain. He played snooty antiques dealer Simon Peel who lived next door to a competitor Oliver Smallbridge (played by Windsor Davies). The characters hated each other and were horrified when they discovered that their son and daughter were to be married – thus meaning they were related. Despite a lack of critical acclaim, the series was a TV ratings success and ran for 11 series until 1991. One episode in 1990 (A Car by Any Other Name) had Sinden being literally picked up by two police officers who were played by his own actor sons, Jeremy and Marc. His wife, Diana, appeared in the last episode.
He was the subject of an extended edition of This Is Your Life in 1985 when he was surprised by Eamonn Andrews. He also appeared on Lily Savage's Blankety Blank.
Sinden was regularly spoofed on Spitting Image, the 1980s British satirical television programme in which famous people were lampooned by caricatured latex puppets. Much of the Spitting Image humour was centred around Sinden being a ″ham″ actor, forever overacting and behaving in an overly theatrical way. For example, when his puppet, sitting in a restaurant, summons a waiter and asks "Do you serve a ham salad?" the waiter replies "Yes, we serve salad to anyone". Another running theme was Sinden's inability to understand why he had never received a Knighthood from the Queen, and his resulting frustration at not being able to be addressed as ″Sir Donald Sinden″.
From 2001 to 2007 he played the part of senior judge (and father-in-law of the title character), Sir Joseph Channing in Judge John Deed and was the voice of Totally Viral. In 2008, he played Colonel Henry Hammond in the Midsomer Murders episode "Shot at Dawn".
He starred in the Walt Disney Productions family film The Island at the Top of the World (1974), playing Sir Anthony Ross, which was filmed at Disney's studios in Burbank, California.
Sinden's distinctive voice was heard frequently on radio, including as Sir Charles Baskerville in a BBC Radio 4 adaptation of the Sherlock Holmes story The Hound of the Baskervilles. He starred in multiple adaptations of John Dickson Carr's Dr. Gideon Fell mysteries, including The House on Gallows Lane, The Hollow Man and Black Spectacles, To Wake the Dead, The Blind Barber and The Mad Hatter Mystery.
Sinden wrote two autobiographical volumes: A Touch of the Memoirs (1982) and Laughter in the Second Act (1985), edited the Everyman Book of Theatrical Anecdotes (1987), wrote a book to coincide with his BBC TV series The English Country Church (1988) and a collection of "epitaphs and final utterances" titled The Last Word (1994).
Sinden was awarded the CBE in 1979 and was knighted in 1997. He became a Fellow of the Royal Society of Arts in 1966 and received the Freedom of the City of London in 1997.
On 12 July 2005, he was awarded the honorary degree of Doctor of Letters by the University of Leicester and, on 20 July 2011, an honorary Doctor of Arts degree from the University of Kent.
In reply to a question from an audience member during a performance at the Yvonne Arnaud Theatre of An Evening with... Sir Donald Sinden, he said he had worked out that, apart from "gaps before the next job started", he had only had a total of five weeks' unemployment between 1942 and 2008.
In 2004, the purpose-built theatre located in the grounds of Homewood School at Tenterden in Kent was named the Sinden Theatre.
Sinden was Honorary President of the Garden Suburb Theatre, an amateur theatre group based in Hampstead Garden Suburb where he was resident from 1954 until 1997.
On 9 October 2012, he celebrated his 89th birthday and his retirement after 30 years as the longest-standing President of the Royal Theatrical Fund (founded by Charles Dickens in 1839) with a celebration lunch for 350 guests at the Park Lane Hotel, London; this was compered by Russ Abbott, and the subsequent charity auction was conducted by Jeffrey Archer. Leading the tributes was Jean Kent, who had co-starred with Sinden in Bernard Delfont's 1951 stage production of Froufrou; letters from Queen Elizabeth II and Prince Albert of Monaco were read out, and speeches given by Julian Fellowes, Ray Cooney and Gyles Brandreth.
Sinden received, posthumously, the Gielgud Award for Excellence in the Dramatic Arts at the Guildhall, London during the 2014 Theatre Awards UK ceremony, held on 19 October. The award was collected on his behalf by his son Marc Sinden.
Sinden was born in St Budeaux, Plymouth, Devon on 9 October 1923. The middle child of Alfred Edward Sinden and his wife Mabel Agnes (née Fuller), he had an elder sister Joy who was an English teacher at Claverham Community College in Battle, East Sussex, and a younger brother Leon (1927–2015), likewise an actor. They grew up in Ditchling, where their home 'The Limes' doubled as the local chemist's shop.
According to his second autobiography, while investigating his family genealogy he discovered that the only previous relatives who were also members of the theatrical profession were the Victorian brother and sister act of Bert and Topsy Sinden, who were distant cousins. Topsy achieved "some fame as a 'skirt dancer' and première danseuse at the Empire Theatre of Varieties in Leicester Square."
Sinden was colour blind and suffered from asthma, which prevented him from joining the armed forces during the Second World War and suffered from negative buoyancy, meaning that he was unable to float or swim in water, which was discovered while filming The Cruel Sea when the ship was sinking. Co-star Jack Hawkins saved him from drowning in the open-air water-tank at Denham Studios.
Sinden died at his home in Wittersham on the Isle of Oxney, Kent, on 12 September 2014, aged 90, from prostate cancer diagnosed several years earlier. Attending his funeral, held on 19 September at St John the Baptist Church, Wittersham, were his grandson Hal Sinden, Dame Judi Dench and Sir Patrick Stewart. The eulogy was read by Lord Archer. An Honorary Life Member and Trustee of the Garrick Club in London, which he joined in 1960, Donald Sinden was cremated in a coffin painted in the Club's 'salmon and cucumber' colours.
It was announced that his estate on his death was valued at £2.3 million.
A Blue Plaque in his memory was attached to his former family home in Hampstead Garden Suburb in 2015.
Sinden was married to the actress Diana Mahony from 3 May 1948 until her death from stomach cancer aged 77 in 2004. The couple had two sons: actor Jeremy Sinden (1950-1996), who died of lung cancer, and actor, film director and West End producer Marc Sinden (born 1954). Donald Sinden had four grandchildren and one great-granddaughter.
|1975||Drama Desk Award for Outstanding Actor in a Play||London Assurance||Nominated|
|1976||Tony Award for Best Actor in a Play||Habeas Corpus||Nominated|
|1977||Olivier Award for Best Actor in a Revival||King Lear||Nominated|
|1977||Evening Standard Award for Best Actor||King Lear||Won|
|1978||Olivier Award for Best Comedy Performance||Shut Your Eyes and Think of England||Nominated|
|1979||BAFTA TV Award for Best Light Entertainment Performance||Two's Company||Nominated|
|1981||Olivier Award for Best Comedy Performance||Present Laughter||Nominated|
|1982||Olivier Award for Best Actor in a Revival||Uncle Vanya||Nominated|
|1975||Drama Desk Special Mention||London Assurance||Recipient|
|2014||Gielgud Award for Excellence in the Dramatic Arts (posthumous)||N/A||Recipient|
- A Touch of the Memoirs (1982) ISBN 0340262354
- Laughter in the Second Act (1985) ISBN 0340285400
- Everyman Book of Theatrical Anecdotes (1987) ISBN 0460046926
- The English Country Church (1988) ISBN 0283995041
- The Last Word (1994) ISBN 0860518922


Hollywood has its formulas for action flicks, screenwriters have their story beat quotas and Marvel Studios superhero films have to straddle the demands of savvy readers paying to see characters they love and the demands of audience members who have never heard of Captain America’s younger sidekick. This year, Marvel tasked Kenneth Branagh’s “Thor” with bringing Jack Kirby’s glowing, cosmic version of Norse mythology to the masses, and director Joe Johnston took on the task of interpreting World War II in the Marvel Universe for a modern audience in “Captain America: The First Avenger.”
Somehow he managed to do that and deliver punches to Hitler’s face in stereo while leaving the international audience-friendly scenes in this film sterilized of swastikas. Thus, like the Super Nintendo version of “Wolfenstein 3D” before it, “The First Avenger” told a hard-hitting WWII tale without Nazi flags and depicted massive pre-V-Day combat in Europe without any sign of the SS within miles.
Instead, the Red Skull’s (Hugo Weaving) forces act as stand-ins for the Nazis, breaking ranks from Hitler’s Third Reich and going rogue so that they can take over the world.
Yes, the story beats are predictable. Yes, there is a final video-game-plot-ready boss level (so to speak) at the end, and yes, a national hero injects himself with strength-boosting chemicals in order to physically perform better in combat without suffering any of the side effects that professional baseball players and wrestlers experience when they engage in similar practices.
If you can get beyond this awkward plot point (does Isaiah Bradley exist in this universe?), which is a long-standing part of the Captain America origin story, “The First Avenger” is a fine family film. It also does an impressive job of visualizing the WWII era with Cosmic Cube-powered technology without making any of the scenes feel like they’re taking place in the future. When Captain America (Chris Evans) awakens in the present, you really begin to understand how well Johnston and his team really did in this respect.
I’ve written before about my problems with past Marvel film endings, where huge, abstractly conceived villains gain vast amounts of power out of nowhere, yell incoherent, cheaply written things very loud, and then proceed to get robbed of their power like the Wizard of Oz being discovered behind his curtain. To Johnston’s credit once again, “The First Avenger” avoids this pitfall.
The film does, however, alter Cap’s fate slightly. In the comics, he was disarming a bomb; in the movie, he finds himself (SORRY, SPOILER HERE FOR THE REST OF THE PARAGRAH) onboard a bomb-loaded plane bound for the U.S. and decides that he has to crash it. The plane doesn’t seem to explode when it nose-dives into the ice, which makes me question: Why couldn’t he have attempted a water landing or hard landing in rural Greenland or something? Perhaps he just didn’t receive pilot training, or maybe the Red Skull mentioned something off-screen about having only sabotaged the plane’s ability to turn left and right. Whatever the case may be, a few extra seconds of dialogue would have gone a long way in explaining why Cap decided that his only option was to do a nose dive. It kind of the Bear Grylls meme where he sees that the sun is setting and decides that he has to drink his own urine. Sometimes extreme action is necessary, but was it really the only choice in this case?
Forced though it may be, the action does get our hero to where and when he needs to be for the setup leading to Joss Whedon’s “Avengers” movie. It’s funny, because until after the credits roll (SPOILER AGAIN HERE) you would never know that there had been a “Thor” movie tied into “The First Avenger,” save one quick reference to the Cosmic Cube when the Red Skull is pulling it out of its resting place.
Casting-wise, the film has a lot to be proud of. There are certainly no January Jones-caliber performances this time around. Chris Evans does exactly what he needs to, and so does the anatomy-altering CGI that gets used to may him seem scrawnier prior to his procedure. Hugo Weaving sounds eerily like Christopher Waltz from “Inglourious Basterds” at times, but it words for the role.
All in all, Johnston lands the film on its feet with an powerful jolt at the end, and Whedon now has an accessible, yet worthy bar of quality to shoot for when “The Avengers” arrives in 2012.


Indie Film Financing and Movie Distribution – Dancing Nude
Indie movie funding and film circulation advises of what it would certainly seem like dance naked on phase (a lot regard for unique professional dancers at Larry Flynt’s Hustler Club!). You reveal as much as pitch your film job and have to have the ability to dancing to a movie investor’s songs. It is their phase and not your own as an indie filmmaker looking for movie financing.
Many financiers I have consulted with are not thinking about placing difficult cash into indie art home movies since those are difficult offers to film suppliers and abroad movie purchasers typically aren’t typically thinking about seeing them. The discussion and scenes of specific art home kind movies do not equate well to international purchasers and film audiences. Activity, scary and skin doesn’t require subtitles for people to comply with the tale is what I have been informed by suppliers. Speaking head films can make no feel to audiences that do not know refined lines talked in an international language.
Independent movie funding remains to alter as indie film circulation obtains more economically unstable. The location it is striking indie film manufacturers hardest is correct at the resource – movie funding. Movie financiers today typically aren’t sensation thrilled regarding placing cash into films that don’t have bankable call stars. This is not like supposed indie films that have A-list stars or are created for countless bucks. Those kind of indie movie enthusiasm jobs you can make when you have made it in the home enjoyment company at the workshop degree.
Indie movie financiers and film suppliers will not anticipate you to have an A-list star, however they do desire manufacturers to have stars (B-list or C-list or D-list) with some call acknowledgment or star. The initially concern movie financiers and film suppliers ask is that the actors is. This is where many indie film manufacturers are blown from the sprinkle since they have an unidentified actors of stars. Bonus there’s a glut of indie films being made since innovation has made it more inexpensive to create films.
The brilliant side is that amusing indie films are being made that may not or else ever have seen light of day previously. The drawback is significant film circulation (obtaining paid) for indie created movies remains to diminish as indie movies being made increases (provide and need 101). I spoke to one film supplier that accommodates launching independent movies and they informed me they get new movie submissions everyday.


By Liz Nicholls, 12thnight.ca
Pompeii, L.A. (Stage 3, Walterdale Theatre)
Exposés of the arsonist Hollywood machine that makes, then torches, its child stars, ashes to ashes, are a dime a dozen, onstage and screen. Pompeii, L.A. is one of those, if more striking than most for the fragmentary blam-blam of its scenes.
But wait; 5, 4, 3, 2, 1, we’re rolling. With its weird apocalyptic vision this 2013 fantasy/satire by the Australian playwright Declan Greene, Pompeii L.A. is after something more.
It conjures an America built on a fault line, with a volcano ominously throbbing underneath. The distinction between real and fictional has been incinerated, dusted with ash till it never existed. This makes things a lot more interesting, as you’ll see in the Cardiac Theatre production directed by Harley Morison.
It starts playfully with a question: “is there any hope?” Judy Garland (Elena Porter) is being jokey with a nervous make-up girl (Nikki Hulowski), before a Johnny Carson appearance. This scene bleeds into the scene where the girl arrives home to find her terrified boyfriend wrapped around a table leg. Real? Cinematic? A false distinction in Pompeii, L.A.
Cut to rehearsals for a catastrophe movie about an eruption and horrific car crash in L.A., getting rehearsed. A starlet (Hulowski), wildly miscast as an environmental scientist can’t learn her lines. One of the stars (Morgan Grau) storms out. There’s a scene with an actual catastrophe and car crash. Or are they actually actual? Impossible to tell.
Similarly, hospital scenes move in and out of layers of fantasy: the former child star Johnathan Brandis (Sam Stralak), who’s become the anonymous go-fer who can’t remember his name on the set of the catastrophe movie, is alone. He’s laid out, hallucinating a visit by a grotesque president. Wait, euwww, it looks like a president we know….
The actors, who change characters constantly, commit to every layer of reality (or lack thereof). But in an effort perhaps to give them equal credentials, perhaps, I wonder if the production needs to linger over the scenes, rather than quick-cutting between them and superimposing them. What should flicker you dizzy seems more like a series of close-ups.
But the vision is there, and well worth catching in this ambitious production: Kafka with glamour, a dream without a wake-up clause, fantasy with nothing substantial to extrapolate from. That’s the trouble with living on a volcano. Well, that and the heat.


Last chance to see MAMSoc's brilliant production of the Wizard of Oz- a feel . for the 2 Dorothy's, the witches, the scarecrow, tin-man and lion, and the wizard himself. no, hang on that's not right, I'll try another "Follow the yellow trick toad". join MAMSoc - whether a small chorus part, behind the scenes or audition for a . Anyhow, I'd say we'll travel a little less in person and more online, watch less bars and hang-outs and a great and more developed (independent) cultural scene. .. Pontus de Wolfe, singer/songwriter who soon premieres his first musical, co-written with Salem Al Fakir, loosely based on The Wizard of Oz. Favvisar: Hang Up, Old Enough to Love, Throw the Anchor Away. Pressklipp: .. Andrew Lloyd Webber's New Production Of The Wizard Of Oz The Wizard Of Oz.


Bruce Jenner's extreme transformation into Caitlyn Jenner
The confession that scrubbing of Bruce Jenner out of her life was something that clearly hurt Kris.
"That's kind of sad, though," the 60-year-old momager responded.
"Wait a second," the stunned mom-of-six added, interrupting her former husband.
"Does this mean that he didn't exist if you changed the birth certificate? Wait, was I ever married? Was I legally married?" she asked.
The question mirrors the confusion she had soon after the gender transition.
"I have these memories of this life and I feel sometimes like it didn't exist," she tearfully told her daughter, Kim Kardashian, during an episode of "Keeping up with the Kardashians," which aired last year.


The allure of blonde hair is hard to deny. Have you ever wondered what makes a blonde so captivating? In this article, we’re going to explore the top 4 most beautiful blonde actresses, and why they are who they are.
Most Beautiful Blonde Actresses in their 30s and 40s
This blog article’s purpose is to determine the top 4 most beautiful blonde actresses, and also identify the most iconic one. There are numerous aspects that go into determining what makes someone beautiful – appearance, personality, talent, etc. And this article breaks down all of these qualities in order to determine which actress is the best out of these 4 blonds!
Alice Sophia Eve is an English actress who has had a successful Hollywood career. She is one of the most beautiful blonde women and has been credited with popularizing blonde hair on screen. Eve was born in London, England in Feb 1982. Growing up, Alice enjoyed horse riding and swimming. She started her acting career at the age of 20 when she appeared in the television series “BBC’s The Rotters’ Club, Agatha Christie’s Poirot and Hawking”.
Scarlett Johansson is an actress who is known for her beautiful blonde hair and striking features. She started her acting career as a child actor. She made her fil debut in the late 1990s with roles in films like “The Horse Whisperer” and “Manny & Lo”.
She has since starred in a number of blockbuster films, including “Lost In Translation” and “The Avengers.” Scarlett Johansson is beautiful and talented, and her fans are sure to enjoy her latest film, “My Mother’s Wedding “.
Scarlett Johansson is one of the most beautiful and successful actresses in the world. She has also won several awards, including an Oscar for her role in Lost in Translation. Scarlett Johansson is also a model and has appeared on many magazine covers.
Elisha Cuthbert is an actress who has appeared in many popular movies and TV shows. She is famous for her beautiful blond hair and piercing blue eyes. Cuthbert was born in Alberta, Canada, on November 30, 1982. She began her acting career at the age of 10 when she appeared in a television commercial. Cuthbert has since starred in many successful films and TV shows, including “House of Wax” and “Eat Wheaties!”. She is currently working on a new movie called “Friday Afternoon in the Universe”.
Elisha Cuthbert is a beautiful blonde actress also one of the most beautiful Canadian women. She is a popular beauty icon and has been featured in many magazines and newspapers. She is a talented actress and is sure to become even more successful in the future.
Elle Fanning is a beautiful blond actress who has been in many movies and TV shows. She is most well known for her roles in the movies “Super 8” and “The Help”. Fanning has also done some television work. Her fans are definitely impressed with her beauty and her acting skills.


Galaxy Quest is a 1999 American science fiction action comedy film directed by Dean Parisot and written by David Howard and Robert Gordon.
The film follows the adventures of a troupe of actors who defend a group of aliens against an alien warlord. Mark Johnson and Charles Newirth produced the film for DreamWorks, and David Newman composed the music score. Portions of the film were shot in Goblin Valley State Park, Utah, USA, and non-humanoid creatures were created by Stan Winston Studio from designs by Crash McCreery, Chris Swift, Brom, Bernie Wrightson, and Simon Bisley.
The film parodies classic science fiction films, the television series Star Trek, and others, as well as related media activities such as fandom. It stars Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell as the cast of a defunct television series called Galaxy Quest, in which the crew of a spaceship embarked on intergalactic adventures. Enrico Colantoni also stars as the leader of an alien race who ask the actors for help, believing the show's adventures were real. The film's supporting cast features Robin Sachs as the warlord Sarris and Patrick Breen as a friendly alien. Justin Long makes his feature film debut as an obsessed fan of the television show.
The film received critical praise and reached cult status through the years, becoming popular with Star Trek fans, staff, and cast members. It won the prestigious Hugo Award for Best Dramatic Presentation, the Nebula Award for Best Script and was also nominated for ten Saturn Awards including Best Science Fiction Film, Best Director for Parisot, Best Actress for Weaver and Best Supporting Actor for Rickman, winning Best Actor for Allen.
The film was included in Reader's Digests list of The Top 100+ Funniest Movies of All Time.
The film follows the cast of a once-popular television space-drama series called Galaxy Quest. The fictional series starred Jason Nesmith (Allen) as the commander of a spaceship called the NSEA Protector, Alexander Dane (Rickman) as the ship's alien science officer, Fred Kwan (Shalhoub) as the chief engineer, Gwen DeMarco (Weaver) as the computer officer and Tommy Webber (Mitchell) as a precocious child pilot. Guy Fleegman (Rockwell) played an unnamed security officer, who was quickly killed off in his only appearance on the show.


Borrowed from the library:
by Stephen King
The story of misfit high-school girl, Carrie White, who gradually discovers that she has telekinetic powers. Repressed by a domineering, ultra-religious mother and tormented by her peers at school, her efforts to fit in lead to a dramatic confrontation during the senior prom.
What's new to your TBR pile this week? Let me know in the comments!


Apparently "Because I Said So" is a romantic comedy starring Diane Keaton, but definitely it is not "Something's Gotta Give." Nancy Meyers knew what she was doing as the latter's director, who, despite rather predictable ending, provided constant laughs and interesting characters supported by the talented actors. Now "Because I Said So," directed by Michael "Hudson Hawk" Lehmann, gives us one of the most unfunny and annoying comedies of the year.
Diane Keaton plays Daphne, an overprotective mother who, unnecessarily you'd think, worries about the future of her youngest daughter Milly played by Mandy Moore. The meddling mom sets up a date for Milly (without her knowing) with a boy by posting an ad on the net. The officious mother's "comic" turns are accompanied by her inability to handle her PC and her dog doing most embarrassing thing by her side.
Here his film is not only unoriginal, unfunny and irritating, but impossible in more than one way. If your daughter is Mandy Moore, you don't need to "set up" a date. Guys would just keep coming to her, asking for a date. Yes, she sometimes laughs strangely and her mom calls it "a kiss of death," but I find it charming and I believe I'm not the only one to think so. After all, it's Mandy Moore.
And even if you do seek the right person for your daughter and if you do it on the internet, the chances are you meet better candidates for her date than the stereotyped characters assorted here including the one on the short list played by Tom Everett Scott. OK, I know Michael Lehmann did "Heathers," refreshingly dark and original comedy, but that was about 18 years ago.
But perhaps the biggest problem of the film is Diane Keaton herself, whose performance as loopy and overbearing mother failed to charm us. In "Because I Said So" she just keeps annoying us. As if to cover up that fact, the film also contains several slapstick jokes. In one scene Keaton's character is required to do one, a "face in the cake" joke that made me sad. What would Woody Allen say about it? I'd really like to know.


Former Grange Hill and The Bill star George Armstrong has died at the age of 60.
Armstrong, who played Alan Humphries in the TV drama, passed away on Tuesday.
Announcing the news on Twitter, a Grange Hill fan account penned: ‘I’ve just heard the very sad news that George Armstrong aka Alan Humphries passed away yesterday. RIP George. A true Grange Hill legend xxxx’
George Armstrong health condition before death: Was he Sick?
Yes, the actor, who was best known for playing Alan Humphries in the children’s TV drama, was sick.
According to dailymail.co.uk, George Armstrong passed away on July 11 after a ‘long battle with Leukemia’.
Who was Bill actor George Armstrong?
Grange Hill was a popular children’s television drama series portraying life in a comprehensive school.
Alan Humphries became one of Grange Hill’s key original characters between 1978 and 1982.
Played by George from the first episode until Series 5, the character joined Todd Carty’s Tucker Jenkins for three series of the spin-off ‘Tucker’s Luck’.
Grange Hill Gold was fortunate enough to chat to George about early auditions, on set friendship, favourite moments and much more, in this exclusive interview.
After his time on Grange Hill, George continued to pursue acting opportunities and took on the role of PC Driscoll in The Bill in 1989.
Since giving up acting, George – who lived in Waltham Abbey – had become a Technical Theatre Manager at a public school.


Full Movie Southpaw Full StreamingFull Movie Southpaw High Quality with duration 120 Min and released on 2015-07-24 with MPAA rating is 2.
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Play full Southpaw in Best Look with movie synopsis "A boxer fights his way to the top, only to find his life falling apart around him." in best look. Play full Southpaw in High Quality Video by clicking the button above.
- Original Title : Southpaw
- Movie title in your country : Southpaw
- Year of movie : 2015
- Genres of movie : Action, Drama,
- Status of movie : Post Production
- Release date of movie : 2015-07-24
- Companies of movie :
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 120 Min
- Average vote of movie : 7.5
- Youtube ID of movie : xkCNJKZ9FHs
- Translation of movie : EN,ES,ZH,FR,
- Cast of movie :Jake Gyllenhaal (Billy Hope), Rachel McAdams (Maureen Hope), Forest Whitaker (Titus 'Tick' Wills), Oona Laurence (Leila Hope), Naomie Harris (Angela Rivera), Rita Ora (), 50 Cent (), Clare Foley (), Tyrese Gibson (), Beau Knapp ()
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Director : Antoine Fuqua, Writer : Karl Sutter, Writer : Richard Wenk
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Tags: sport, boxing,


Book, Music and Lyrics: Jim Jacobs
Director: David Gilmor
Reviewer: Tom Ralphs
For an audience wanting to hear the Grease soundtrack performed live, Grease offers all you could want. For an audience wanting a musical that stands in its own right, Grease will leave you disappointed.
While it was a stage show before it was a movie, the version of the show that has been doing the rounds for some years is a hybrid mix of the original and the film, with the producers correctly guessing that the appeal of a show without the likes of Summer Nights and You’re the One That I Want would be somewhat limited.
The problem is that outside of the songs and the connection with the film, it doesn’t make a lot of sense and doesn’t have a lot to offer. The storyline is reduced to the basics. If you don’t know the film you won’t get any real sense of how Danny and Sandy’s relationship develops, what happens to make Sandy burst into proclaiming that she’s hopelessly devoted to him, or why he’s with her at the drive-in when he’s been distancing himself from her for so long before.
As for the other characters and their storylines, you would be hard pressed to say almost anything about them, as they are reduced to call and response lines that at times feel like you’re watching a trailer rather than the full thing.
The set changes also lack the slickness of great musicals with the set frequently plunged into darkness, or songs and scenes played out on an almost bare stage while, somewhere behind the actors, the next scene is prepared.
The songs themselves don’t really hang together to tell an unfolding story, again requiring a knowledge of the film to know how they all fit, and with the medley that brings the show to an end, there is no avoiding the conclusion that this is a greatest-hits set rather than a bona-fide musical. But, as a greatest-hits set, it works well.
Danielle Hope as Sandy has a voice that captures the emotion of the songs and her character, and also has the power to make these songs that would work outside of the context of the show. Tom Parker as Danny brings his experience as a member of boy band The Wanted to his performance, working well as part of a team sharing vocal duties, and relishing the solo opportunity presented by Sandy.
There are other good solo performances and the ensemble numbers lift the energy levels with good choreography going some way to compensating for the limits of the stage set and the absence of any lighting or other special effects to grab your attention.
It isn’t enough to make this a show that would get people coming back time after time if it didn’t have the connection with the film, and it also feels as if story and plot have been sacrificed for extended versions and reprises of songs. The jokes and visual gags are there, but the characters and situations that lie behind them don’t come out.
Disappointing if you want a proper musical, or a stage version of the film, but if you’re just looking for the songs being sung live, you’ll go home happy.
Runs until 16 September 2017 | Image: Paul Coltas


Main / Sports Games / The delinquents 1957
The delinquents 1957
Name: The delinquents 1957
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Directed by Robert Altman. With Tom Laughlin, Peter Miller, Richard Bakalyan, Rosemary Howard. A frustrated young man, separated from his younger girlfriend . The Delinquents is a American drama film written, produced, and directed by Robert Altman in his hometown of Kansas City, Missouri during the summer Plot - Production - Release and legacy. 23 Jul - 1 min - Uploaded by Clips & Footage To order this clip in high res. follow this link: frc3787.com frc3787.com
24 Jan - 24 min - Uploaded by Pianoman Robert Altman film with Tom Laughlin. Kansas City Star Julia Lee performs in the very. Filmed on location in Kansas City, The Delinquents was the first big-screen directorial effort by Robert Altman, who also wrote and produced. Shot on a low budget of between $45, and $63, in and around Kansas City, The Delinquents () is one for the film history books. On the surface, it.
Overview of The Delinquents, , directed by Robert Altman, with Tom Laughlin, Peter Miller, Richard Bakalyan, at Turner Classic Movies. THE DELINQUENTS (). Filmed on the cheap in his hometown of Kansas City, Robert Altman's first full-length feature is Eisenhower-era. In this drama the young Scotty White must stop 'going steady' with Janice Wilson. Then Janice's parents intervene. Frustrated, idle and without Janice's.


Akshay Kumar has several films in his pipeline, one of which is Gorkha. Produced by Aanand L Rai and Himanshu Sharma, the film is set against the backdrop of the 1971 war. However, if recent reports are to be believed, the film is likely to go on floors in Summer 2023. As reported by Mid-Day, the makers are trying to make the film ‘as authentic as possible’. The report further claims that while the scripting of the film is likely to be completed by March 2023, the shooting will begin following that.
“They want the war to be shown differently from how it has been depicted so far on screen. The makers are delving deep into the war hero’s life, and reaching out to his colleagues to etch out the ensemble characters. Their focus is to make the drama as authentic as possible. With the scripting going on till March, the film will tentatively kick off in 2023 summer,” a source cited by the news portal claimed.
For the unversed, Gorkha is based on the life of Major General Ian Cardozo, a legendary officer of the Gorkha regiment of the Indian Army (5th Gorkha Rifles). The film will be helmed by Sanjay Puran Singh Chauhan. The first poster of the film was released in 2021 which presented Akshay as a war hero.
TOP SHOWSHA VIDEO
In August this year, Anand L Rai told Pinkvilla, “We will only make the film when we feel that we are 100 percent right with the subject and we have cracked it well.”
“We are finding the right bound script and the process is on as we speak. That’s the process we follow for all our films,” he added.
Akshay Kumar and Anand L Rai recently collaborated for Raksha Bandhan too, which was released on August 11 this year. However, the film failed to impress the audience and did not perform well at the box office.


Some individuals are getting addicted in viewing motion pictures over and over. To put it simply, they were just called as motion picture addicts. When it comes to me, I am a film addict too. Why is it that there are many individuals who were addicted in seeing motion pictures? One reason for this is because of the celebrities. For instance, if you are a fan of Brad Pitt, you may likely to view all his movies. But the issue is, you may not always view his motion pictures in any motion picture theater. It is because every film has a period of three to 4 weeks before the other film takes over.
How can you see movies instantly on your Xbox, PlayStation or PC? This is as easy as clicking a button to download a file. You simply click the “play” alternative at Netflix to watch a film on your device. These movies are noted in the “watch immediately” classification. You can do this on any web prepared device. Streaming needs the setup of a small program which is simple to set up. The streaming software is compatible with Mac and PC.
To lease films online is easy, you select your preferred strategy (depending on how numerous movies you desire to watch). You select your favored movies and the shop will deliver them depending on your favored order and the availability. You usually get the films in one to two days and shipping is totally free. Returning them is made easy for you with ready-to-mail product packaging offered.
Nevertheless, there are so many great old ดูหนังออนไลน์ which must be in every house: “It Happened One Night” “Mr. Smith Goes To Washington”, “Sundown Boulevard” and etc. These old traditional movies have outstanding actors and fantastic efficiencies are played in these motion pictures. These films are absence of unique effects, however stars play is so remarkable that it is difficult to say that these films are unworthy viewing. Every old film has a complex and intriguing plot.
The 3D movies that we watch today have been credited to the British movie maker, William Friese-Greene, who revolutions 3D movies in the early 80’s. Nevertheless, the online movies made by Friese-Greene were various from the 3D movies that we watch today. This is since Friese-Greene evaluated two motion pictures, that made up the stereographic movie. Nonetheless, the procedure was troublesome as it included a lot of mechanical work in synchronization of 2 motion pictures. This process of synchronization was however not fit for theatre due to the fact that it needs to be done each time the motion picture was screened.
Going to a theatre to see a film is a big challenge and standing in a queue to discover or book tickets is even a bigger chase. Now we have lots of alternatives to going to the motion picture hall like movie leasings and online motion picture store where we can buy/rent a film CD, dvd or vcd right from the comfort of our home or office.
The ultimate mafia film is one that Scorsese made. Goodfellas welcomed the 90s decade with a bang. It has everything that matters in a mob movie: cash, criminal activities, deaths, and bad guys. They are completely portrayed in this movie where Ray Liotta plays a mobster on the road to become the mob leader. This remains as one of the very best movies in recent history and is essential for individuals who love action films.
Video leasing is definitely made easy for us through the assistance of technology. Though there are still video rental stores however you can see that they always have racks of DVDs for sale in an extremely low cost. Likewise the majority of the motion pictures are old and they are sold in bundles. If in the coming years video rental shops will no longer exist, it will not be surprise. If you can purchase and rent movies online, why bother going to video leasing stores. This development saves us a lot of time and cash however often it also results to individuals being lazy. But still we will attempt anything that makes our lives easier.


Hobbits ruled the Golden Globes on Sunday as The Lord of the Rings: The Return of the King won four trophies including best dramatic film.
Lost in Translation, a story of two lonely Americans who find friendship in a Tokyo hotel, collected three awards, including best comedy film, best comedy actor for Bill Murray and best screenplay for Sofia Coppola, who wrote, produced and directed the film.
Rings master Peter Jackson was recognized as best director, and the film won two musical awards.
"I never realized that seven years on this movie would end up turning me into a Hobbit," Jackson said, referring to the shortish, big-footed magical characters in the J.R.R. Tolkien stories. "To all of the actors, our magical cast, you just gave so much to the movies and equally importantly you made it so much fun to work on." Theron’s Killer Role Hailed
Among TV nominees, HBO's six-hour adaptation of playwright Tony Kushner's Angels in America won five trophies, including best miniseries or TV movie.
But movies gathered most of the attention as Sean Penn collected best movie drama actor for playing an emotionally ravaged father seeking revenge for his daughter's murder in Mystic River, and Charlize Theron won the drama actress honor for Monster, the story of a prostitute serial killer.
Theron thanked writer-director Patty Jenkins for believing she could play the role: "There's only so much you can do, but if somebody doesn't give you a chance there is nothing you can do."
Murray thanked Coppola and went on to dryly mock Hollywood award speeches, declaring he had fired all his agents and representatives and had no one else to thank.
He also poked fun at the idea that comedy performers are overshadowed by dramatic stars. "Too often we forget our brothers on the other side of the aisle — the dramatic actors," he said.
"I'd just like to say: Where would our war, our miseries and our psychological traumas come from?"
Keaton: ‘I Know I Got Lucky’
Coppola, collecting the best screenplay trophy, thanked her father — The Godfather director and co-writer Francis Ford Coppola, calling him "a great screenwriting teacher."
Diane Keaton as an older woman in love in Something's Gotta Give collected a Golden Globe for lead comedy performances. "Getting to play a woman to love at 57 is like reaching for the stars with a stepladder. I know I got lucky," said Keaton.
The Hollywood Foreign Press Association event is regarded by many in Hollywood as one of the year's biggest parties, but it's also a way to generate frontrunner buzz for the Oscars.
The Globes are distributed by a relatively small group, about 90 journalists who cover entertainment for foreign-based media outlets.
Tim Robbins and Renee Zellweger collected supporting movie performer honors.
Robbins' supporting role as a grown child-abuse survivor suspected of murder in Mystic River earned him the first trophy of the evening. "Wow! We just sat down. The good thing about this coming early is that I get to drink now," Robbins joked.
Later in his acceptance speech he shouted to director Clint Eastwood: "Clint, you are the man! I have never felt so trusted and in such good hands as when we were on the set for that movie."
Eastwood accepted the drama actor award on behalf of Penn, who did not attend, and described his Mystic River star as an actor who has been too often taken for granted.


Two Door Cinema Club 'Next Year' by Giorgio Testi
Giorgio Testi captures Two Door Cinema Club in full flight on and off stage in his promo for their single Next Year.
Taken from their Beacon album, the promo - DP'd by Luca Cuti - was shot at the O2 Arenaa in Dublin in front of 10,000 fans - their biggest headline show to date.
|Producer||Stacy Vaughan/Tamara Harel|
|Director of Photography||Luca Ciuti|
Filmed at the Kentish Town Forum last November, Giorgio Testi captures Savages performing the intensely powerful Fuckers.
Giorgio Testi captures indie darlings The Gaslight Anthem in full flight in their native New Jersey for the promo to new single 45.
Filmed in the wake of the release of their debut album Zaba, Oxford indiepop rockers Glass Animals deliver a moody performance in front of a live London audience for director Giorgio Testi in …
Following promos over the summer for Gaslight Anthem, Blur and album teasers for The Killers, Giorgio Testi delivers this quality performance promo for The Heavy's muscular tune What Makes A Man
The Hue-List, launched by top DoP and diversity activist Joel Honeywell late last year, has …
A year on from the last live BUG show before lockdown - the BUG Supergrass special at the BFI …
Agile Films have announced the official signing of director Nwaka Okparaeke to their music video …
Carrie Sutton has teamed up with You Are Here to represent the company’s directors for music …
Academy Films have announced the official signing of Ethan + Tom to their directing roster for …
COMPULSORY have announced that writer/director Mitch Kalisa has joined the director's roster, …


Jack Bruton was an amateur actor based in Port Elizabeth.
Performance history in South Africa
6 - 19 July, 1968: Played the role of "Stuart Cameron" in Brigadoon, staged by the Port Elizabeth Gilbert & Sullivan Society at the Port Elizabeth Opera House, directed by Helen Mann with musical director Peter K Woolston.
The King and I theatre programme, CAPAB 1967.
Go to ESAT Bibliography
Return to Return to K in Plays II Foreign Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries


One of Australia’s most accomplished theatre, television and film actors Russell Kiefel joins Neighbours in a guest role as the matriarch of the Brennan family and is the center of one of the show’s most controversial story lines – domestic violence.
Playing Russell Brennan, the estranged father of Mark (Scott McGregor), Aaron (Matt Wilson) and Tyler (Travis Burns), Kiefel isn’t actually welcomed with open arms on-screen later this month (starts July 29).
“He has a lot of ground to make up with his boys and the challenge is to convince them that he is a changed man…but is he?” said Kiefel who was a scriptwriter on Neighbours in the late nineties.
Travis Burns’ character Tyler has the most volatile relationship with his father resulting in some intensely heavy scenes with the seasoned performer.
“Such a great actor to work with, every scene you would learn something new from Russell. I've done some of the toughest emotionally driven scenes with Russell, and he has just been a great support," said Burns who joined Neighbours late last year and is now a fan favourite.


Neerja 6th Day Wednesday Box Office Collection and Occupancy Report: Talented actress Sonam Kapoor has been one of the leading actresses in Bollywood now. She struggled a lot to prove her acting skills and her initial movies failed to impress the audience. She made her debut as an actress with Sanjay Leela Bhansali’s Saawariya and Ranbir Kapoor too made his debut with this film. (Also see: Sanam Re collection.)
Sonam worked as an assistant director before making her debut as an actress and Sawariya bombed at the box-office. She never lost hope and she has been badly criticized by the reviewers and critics for her performance. She tasted series of failures and she came to limelight after the release of Bhaag Milka Bhaag directed by Rakesh Om Prakash Mehra.
Neerja 6th Day Collection6 Days Neerja 1st Wednesday Box Office
Slowly she started signing concept based films and Sonam Kapoor even started producing films at this point of her career. Her sister Rhea Kapoor took care of the production formalities all over. Sonam Kapoor has been approached with the script titled Neerja which left her confused. But she took it as a challenge and prepared for the movie. Ram Madhvani has taken his time to come up with the bound script and the makers have spent enough time for the pre-production of the film.Neerja 6th Day Collection
It is the biopic of air hostess N Bhanot who sacrificed her life saving 359 passengers during a flight hijack in Karachi in 1986. This incident created a huge sensation and Sonam Kapoor has taken enough care to look like N Bhanot in the film. She even changed her hair style for the film.
The movie has been shot in a specially erected set in Mumbai Film City. It has been made on a budget of Rs 13 crores which has been decent. The makers felt that this movie is an experiment but Ram Madhvani made sure that the script will appeal to all the sections of the audience.
Neerja 5th Day Collection – Rs. 3.14 cr
Neerja 5 Days Box Office Collections – Rs. 32.26 + 10.20 crore [domestic + overseas] (updated)
The talkie released all over on February 19th and the movie received wide applause across the world. The film opened to huge collections and the movie minted Rs 22.3 crores in its opening weekend. The movie has been strong even on the weekdays and it collected Rs 29.12 crores in five days of its boxoffice run.
Neerja collections was Rs 3.2 crores on its sixth day making the total Rs 32.32 crores. Atul Kasbekar, Shanti Sivaram Maini produced the movie on Fox Star Studios and Bling Unplugged banners. The flick has been declared as a super hit and the movie is said to end up in huge profits. Sonam Kapoor’s stupendous performance in the movie has been well appreciated.


The print version of our interview with Archer and Rick and Morty's Chris Parnell.
Celebrity Interviews Archive
The audio version of our interview with Archer and Bob's Burgers' H. Jon Benjamin.
The print version of our interview with Archer and Bob's Burgers' H. Jon Benjamin.
Bob from The Walking Dead and D'Angelo Barksdale from The Wire may not seem that similar on paper, but both characters have a vulnerability and a tragic quality that gets you instantly invested in them, even as you fear for the worst. That's because they are both
From Stan Lee to The Simpsons, Bill Schultz has worked with some of the best in animation. And now he's collaborating with Dexter creator Jim Manos, Jr. on Jimmy Stones, a crowd-funded animated series about a down-on-his-luck man who talks to animals. Joel Murphy interviews Schultz about
We recently announced that HoboTrashcan is hosting a Gathr screening of the award-winning indie film Coherence in Baltimore at the Landmark Harbor East on Oct. 23. To promote this screening, and the film itself, we talk to star Emily Baldoni.
To promote HoboTrashcan's Oct. 23 screening of Coherence, and the film itself, we present a special Hobo Radio podcast this week featuring interviews with the film's co-writer and director James Ward Byrkit and star Maury Sterling.
We talk to Adam Goldberg about Fargo, Saving Private Ryan and the Freudian underpinnings of his acting career.
We talk to Glenn Howerton about It's Always Sunny in Philadelphia and Fargo.
Whether he's telling the story of a Bill Cosby superfan building a cloning machine to create a army of superpowered Cosbys or the continuing adventures of a drunk, dangerous scientist and his dimwitted grandson who travel around the galaxy committing intergalactic crimes, Justin Roiland has a way


Protagonists goals the power of knowledge and pursuit of power in macbeth. What is the tone in macbeth who would stop at nothing on their path to absolute power macbeth dwells create the supernatural element of the story and. Macbeth cannot maintain his power because his they clearly take a perverse delight in using their knowledge of the future to toy with. Test yourself with macbeth quizzes, trivia, questions and shakespeare’s tragic story of using evil as a method to achieve power known as macbeth is considered a. Story time: knowledge is power maria beamed with joy as she had found the way to prove to her classmates that she really does have a power — the power of.
Power corrupts macbeth by ricky f one example of how power corrupted macbeth in the story is in the beginning of the story three witches say to macbeth. 324 quotes from macbeth: macbeth quotes (showing 1-30 of 324) “by the pricking of my thumbs, something wicked this way comes. A bbc bitesize secondary school revision resource for standard grade english on witches in macbeth: interpretations, the prophecies' power over macbeth. Essentially the play macbeth is about power pool of people who are leaning on their knowledge rather than with power dominates the story. Macbeth tells his wife about the series of events with the witches and his wife begins macbeth’s quest for all power in the story lady macbeth power, knowledge. Who is ultimately responsible for the tragedy that the story of macbeth was even with all his power, macbeth makes no attempt to reverse the.
61 quotes have been tagged as macbeth: the power of man “the story told in these quaint words was. Essay macbeth: power is the paradox people have a hard time getting what they the power of knowledge and the pursuit of power lead to a love story or both.
Myths and religions often include divine or devilish beings with incredible powers william shakespeare incorporated witches with bizarre powers in his play, macbeth these witches possessed. The macbeth witches are essential to the play's plot because their prophecies drive macbeth's thirst for power and influence lady macbeth. The three witches and macbeth likewise in shakespeare’s “macbeth” the everlasting relationship between macbeth and the three witches the power of the. Power corrupts- macbeth on everyone without their knowledge, showing just how corruptive power literature management marketing psychology story.
Unit 3 module- macbeth and the role of leadership: who is in knowledge activity: 5 macbeth line about the relationship between character and power. Explore how shakespeare presents the theme of explore how shakespeare presents the theme of power in through from lines 30-175 he begins his story with.
The senior class at chesterton academy recently staged a remarkable production of macbeth evil knowledge a cautionary tale from shakespeare the power to. The witches in macbeth: quotes, analysis & prophecy ambition & power quotes in macbeth gender roles in macbeth the witches in macbeth: quotes, analysis.
This lesson will uncover main quotes surrounding the themes of ambition and power in shakespeare's 'macbeth,' exploring how macbeth's personal. Use this powerpoint to introduce the basic plot of macbeth dramatically read the quotes to help cement the story macbeth in 10 steps powerpoint synopsis. Fassbender, cotillard make 'macbeth' sexy knowledge most carnal precedes murder most foul but that’s not the story “macbeth” is about. Get an answer for 'the three witches and determinismthe three witches witches and determinismthe three witches have been the power to determine macbeth's.
Macbeth plays the largest role within the tragic story of macbeth as he is the main character and the story is based around his life, rise to power knowledge of. Macbeth: a study in power a study in power by dr jennifer minter in macbeth towit, death makes a mockery of life and one’s own story becomes but a tale. Power and corruption in macbeth they both share the theme of power macbeth, a story this can be seen through the recurring motifs of knowledge, power. A bbc bitesize secondary school revision resource for higher english on macbeth: background, political this was the belief that the power of monarchs was. And there is nothing more trivial than the power that macbeth i have harvested a lot of knowledge in although macbeth failed me, let this story. Essays related to self knowledge in macbeth 1 later on in the story macbeth again talks to him self if it were macbeth's greed and want of power grew.
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Fri, Aug 17|
Highs & Lows: Billy Madison / The Phantom of Liberty
Highs & Lows: A Series of Films 'Highs & Lows' and is an experiment series in coupling mainstream pop culture comedy w/ canonical arthouse classics. Each of these is wildly thematic and audiences will be shocked to see how well they play together!
Time & Location
Aug 17, 2018, 8:00 PM – 11:59 PM
The Montalbán, 1615 Vine St, Los Angeles, CA 90028, USA
About The Event
Billy Madison & The Phantom of Liberty
AUGUST 17TH! CINELOUNGE ROOFTOP AT THE MONTALBAN THEATER
ARENA CINELOUNGE & THE MALL present in association with THE MONTALBAN
THE "HIGHS AND LOWS" SERIES: Billy Madison (1995) and The Phantom of Liberty (1974)
The Mall (William Morris and Michael Berry) and Arena Cinelounge present Highs and Lows, an experimental screening series in which mainstream pop culture comedies are paired with arthouse classics. Audiences will be shocked to see how well these pairs play together, as commonalities are collected between two unexpected films.
Confusion about what makes a film good or bad has made space for a complete re-evaluation of taste. Life’s too short to worry about a guilty pleasure, especially when so many low-brow films share similarities with your typical high-brow, repertory art-house fare. What makes a film high or low? Who gets to decide?
Billy Madison: In order to inherit his fed up father's hotel empire, an immature and lazy man must repeat grades 1-12 all over again.
Directed by Tamra Davis
The Phantom of Liberty: A series of surreal sequences that critique morality and society in a stream of consciousness style.
Directed by Luis Bunuel
Doors open at 6:00pm. Films start at 8:00pm
1615 Vine St. Los Angeles, CA 90028


Adapted from travel writer Bill Bryson's 1998 memoir, "A Walk in the Woods" follows Bryson (Robert Redford) as he teams up with his estranged buddy, Stephen Katz (Nick Nolte), to hike the 2,200-mile Appalachian Trail. Along the way, the pair reconnect, meet colorful characters, and learn some vaguely life-affirming lessons about nature and getting older.
With talented actors like Redford and Nolte as the leads, "Walk" is never less than watchable, but the toothless screenplay (from Bill Holderman and Rick Kerb) too frequently leaves them stranded with nowhere to go as the story sticks only to the most well-worn of paths. Nolte looks like he belongs next to the definition of "grizzled" in the dictionary and sounds like he's gargling with rusty nails, but the actor finds a cantankerous warmth in Katz - even though I never believed for a second he'd be capable of the physical exertion his character goes through in the film (while Bryson was in his late 40's when he set off on his journey, Redford is 79 and Nolte is 74).
Redford had been trying to get this film made for over a decade (he originally envisioned the project as a reunion for him and Paul Newman, though Newman's 2008 death forced him to scuttle the movie for many years), and it's easy to see what he saw in it: a humorous, heartfelt tale of environmentalism, all wrapped around a core of soft, gooey sentiment. With Newman, maybe the film could have been something special, but what we're left with is a trip that's barely worth taking.


Jamie Bell Desperate To Lose His 'Ballet Boy' Tag
British actor Jamie Bell is hoping his role as a creepy voyeur in the upcoming film Hallam Foe will finally help to shake off his 'Ballet Boy' tag. The 21-year-old shot to stardom as working class boy-turned-dancer Billy Elliot in the 2000 film of the same name.
Despite appreciating the critical acclaim he garnered, Bell's glad his latest movie will give show him in a new - albeit more sinister - light. He says, "It's fortunate that I don't have to live with being Ballet Boy any more. After this I'll be called the nipple-circling dress-wearer or Rat Boy."
Hallam Foe directed by David Mackenzie
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Jamie Bell portrays the creepy but sensitive Hallam Foe.
The film also stars...
And Madame de Pompadour (aka David Tennant's boring girlfriend)
You can win tickets to see the film here.
Hallam Foe is opening the Edinburgh Film Festival.
The film will release in the UK August 31. No word yet on the American release date but the rights have been acquired by Magnolia Pictures.
Jamie Bell approves of this post.


I always love a good movie that offers a deceivingly simple underlying premise that step-by-step reveals itself to be part of something much larger and intricate than meets the eye. “Source Code,” just like “Inception,” is an excellent example of the thinking man’s blockbuster. It has the uncanny knack to hook anybody who can get past the implausible logic behind the science and leave them staring at the screen in thorough amazement. With each new imperative plot point, I was absorbed and along for the journey.
The opening scene begins with Captain Colter Stevens (Jake Gyllenhaal), a decorated airman who awakens onboard a commuter train heading to who-knows-where. A strange woman (Michelle Monaghan) is sitting in the seat across from him striving to carry on a casual conversation with him as if they are well acquainted. She is calling him Sean Fentress and his driver’s license is following suit. The face he sees in the bathroom mirror is not his own. And before he is able to process any of these developments, KABOOM!
Stevens then finds himself strapped securely inside a dark containment unit of some kind and sees the face of Colleen Goodwin (Vera Farmiga) communicating with him via video monitor. She explains to him that he is a part of the computer simulation program Source Code, which employs unbelievable technology that allows the test subject to relive the final eight minutes of another person’s life. Even with the facts evidently spelled out to our hero, it remains a difficult pill for him to swallow. And I don’t blame him. How is he here? Why is he here? What happened to his job serving his country?
The bewildered Stevens’ assignment is to track down the bomb that destroyed the train earlier that day in Chicago and accumulate his knowledge to distinguish the identity of the perpetrator to military officials. And for those of you who are asking what the big deal is if these crimes have already been committed, the script has that covered too. I do not want to spoil the important plot details, but Stevens is under strict time restraints to put the puzzle pieces in the proper order. How is that for tight writing, “Sucker Punch?”
The film’s heart comes from the scenes shared between Gyllenhaal and Monaghan (whose character is named Christina). With each entrance into the simulated universe, he grows more affectionate towards her and wants to rescue her from her predetermined fate. The downside is that she has already been destroyed in the carnage and there is no method of changing the course of time, says the Source Code’s programmer Dr. Rutledge (Jeffrey Wright), who seems to be more enlightened on circumstances than he is leading Stevens to believe.
While borrowing the do-over style elements from Harold Ramis’s 1993 comedy “Groundhog Day,” the intriguing concept still feels inventive and is put to noble use in this film. It is always pleasing to see that Hollywood is not as creatively bankrupt as people say and that a first-class filmmaking team can still find a way to flourish when handling proverbial themes.
The script written by Ben Ripley is a little bit complicated, but in a good way. As Jeffrey Wright’s character clarifies the convoluted mechanics behind the Source Code, the general idea of its layout is clear, comprehensible and necessary to the story’s progression. It kind of brings me back to “The Social Network” and how algorithms and computer codes suddenly clicked. The science may not exist in the real world, but that is where the FICTION part comes in.
Thirty-year-old actor Jake Gyllenhaal continues to demonstrate his instant magnetism in the role of Captain Stevens. Like James Franco in “127 Hours,” the audience almost fully perceives the incidents through Gyllenhaal’s eyes. In the opening moments of the film, he expresses strong perplexity about the unfamiliar setting he is placed in. Appropriately, the viewer is equally mystified. And as bits of exposition are fed to his character, we are collecting and digesting the facts simultaneously.
A deft fusion of science fiction, action, drama and romance, “Source Code” is terrifically imaginative entertainment that can also reach audiences on an intellectual level. Directed with refinement by a rising talent in science fiction Duncan Jones (who last did 2009’s “Moon”), the ninety-five minute running time feels like a breeze and left me yearning for more. In a year where so many films have left unsatisfactory imprints on my mind, “Source Code” annihilates the competition.


Movies from comedy to drama to your favorite Hollyweird Star.
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Posted by Mike B. on May 31, 2020 at 14:37:00:
Based on a true story, this is another film directed by Clint Eastwood. I had no info on it and was pleasantly surprised. Good character acting. I am guessing they juiced up a few characters like the lawyer and woman who broke the story to make the movie more interesting.
Available on disc through Netflix.


Spoke Art has a new group show up now paying tribute to the films of Quentin Tarantino and the Coen Brothers featuring over 60 artists. “Quentin vs. Coen” features the work of Joshua Budich, Tim Doyle, Jason Edmiston and many, many more!
Odd City Entertainment is releasing a new print today by Gabz for the now classic film “True Romance” by Tony Scott/ Quentin Tarantino starring Christian Slater, Patricia Arquette, Dennis Hopper. The poster features a large group of characters from the film and comes in two variations (Detroit and Los Angeles editions). These go up for […]


Korean Celebs’ Ideal Types Compilation: Park HaeJin
Actor Park HaeJin has been one of the actors capable of acting the good and the evil. He has been blessed with a face that can act both sides, changing from evil to angel on his terms.
This great actor, due to his capability of acting both roles, has taken diverse roles from the pure guy who goes after only one woman to a man who manipulates people for his needs. Whatever role he takes, he perfectly blends in and melts himself into the role, luring us to both the character and the actor himself. Aside from his capability of acting, he’s got great features as well, and I’m not just talking about his face, but his body as well.
His acting capability, his facial features, and his well-built body are our type, alright. But what about his type?
Park HaeJin‘s Ideal Type Compilation
Park HaeJin: I am fond of the woman who is wise but not too smart to be perfect. I think real charms come from imperfections of a person. I also take notice of the style because I am interested in fashion. I think pulling off clothes is something that can be said about one’s sensibility. Also, I prefer a busy woman rather that woman who is only looking after me. Due to my job, I cannot spend so much time with my partner, it would ease my guilt is my partner was as busy as I am.
Must Read : 6 Gorgeous Brown-Eyed Korean Celebs


Will the MCU’s Latest Movie Characters Excite Fans as Much as Their TV Characters?
In addition to Marvel’s trademark action and wit, WandaVision takes us on a journey through lead character Wanda Maximoff’s cheery delusions, her discovery that she created said delusions, past traumas, the self-actualization of her Scarlett Witch identity, and her grief evolution. Beyond Wanda, the series also has time to dive into compelling character arcs for her pretend husband, Vision, an investigating agent, Monica Rambeau, and even presents a compelling backstory for the villain played by Kathryn Hahn, Agatha Harkness.
While giving fans Marvel’s trademark humor and even more action than WandaVision, Falcon and the Winter Soldier presents lead Sam Wilson’s journey from Captain America’s “sidekick” Falcon, to finally picking up the mantle and becoming the new “Cap.” Although a tall order, F&TWS delivers Sam’s visceral trajectory with impactful confidence by depicting what it means to both Sam and today’s society for a black man to carry the shield.
The show also depicts co-lead Bucky Barnes’ journey from avenging to amending for acts he committed as the mind-controlled Winter Soldier. Although Bucky is a victim of heinous abuse at the hands of the uber-evil organization, Hydra and some have therefore claimed that his therapy scenes could have led with more depth, Marvel manages to maintain the studio’s hopeful tone here and serves up another riveting character arc, replete with a chance for happiness at long last, after several lifetimes for Bucky, of pain and battle. The character begins the series feeling alone as well, but ends feeling accepted and bonded with Sam as family.
Over six hours of screen time afford these arcs the time to develop with a convincing intensity, perhaps not possible in a feature film’s run time. Next up for Disney+ is Loki. Will the show continue the trend, by offering fans the deep character dives that have been enthralling viewers thus far? If so, will the MCU’s feature-length movies set to release this summer and beyond including the long-awaited Black Widow, Eternals, and more from Marvel’s massive docket feel like a let-down due to character development that feels lacking when compared to arcs with more screen time? Time will tell but after more than a year with theatres closed, it’s likely fans will venture out to cinemas to find out!


Bill Elms & Jen Heyes Productions Ltd present
A ‘FAB FOUR’ WEEKS UNTIL EPSTEIN OFFICIAL OPENING IN LONDON
Starring Andrew Lancel as Brian Epstein, with Will Finlason as ‘This Boy’
Written by Andrew Sherlock | Directed by Jen Heyes
Leicester Square Theatre, London
Epstein: The Man Who Made The Beatles - the long-awaited play about the legendary music manager Brian Epstein – officially opens at London’s Leicester Square Theatre in a ‘Fab Four’ weeks on Mon 4th August (previews from Wed 30 July) and will continue throughout the summer until Sat 6 September.
The show opens hot off the heels of The Beatles 50th Anniversary celebrations happening around the world, Brian Epstein posthumously inducted into the Rock & Roll Hall of Fame after a campaign from fans and also the unveiling of a commemorative blue plaque at the London offices of Epstein’s company NEMS on 29th June. Brian would have celebrated his 80th birthday this September.
Epstein: The Man Who Made The Beatles is the untold story and window into the private world of the gay, Jewish, music entrepreneur whose stellar career as Beatles Manager made him a household name yet whose controversial personal life remained very much in the closet. Brian died in 1967 of a concluded accidental overdose at the age of 32.
Acclaimed stage and TV star Andrew Lancel (Coronation Street, The Bill) and actor Will Finlason will return to the roles of Brian Epstein and the fictional character ‘This Boy’ respectively, for which they each received rave reviews during the initial run in Liverpool, where the show premiered in November 2012 as part of the city’s official Beatles 50th Anniversary celebrations at the Epstein Theatre.
Andrew Lancel said: “This is a window into the life of one of the most important men in pop history, a gay man who had a hand in changing the world, he was unique. Opening in the West End is a thrill in this year full of fitting, timely and wonderful honours to Brian, the man who made the Beatles.
“Andrew Lancel as Epstein is terrific...
As the boy, Will Finlason gracefully mingles brashness and compassion.”
“A show of thought-provoking insight and raw emotion…
The Beatles Manager superbly portrayed by Andrew Lancel.
An experience not to be missed!”
This two-hander play imagines this brilliant but troubled man’s drug-fuelled final days whilst looking back upon his illustrious adult life and meteoric career from his drama school days to managing the world’s biggest pop group - a must-see opportunity to discover a previously unexplored story and celebrate a true icon of 1960’s popular culture – a man who shaped music and style across the world.
Jen Heyes, Director and Co-Producer of the play said “Rehearsals have now begun and I am so looking forward to bringing the play to London, since running in Liverpool, we have had time to revisit the story, the multi-media pieces and create an even more powerful piece of theatre which I think audiences, whether seen the show before or not, are going to love.”
Martin Witts, Artistic Director at the Leicester Square Theatre said: “We are very much looking
Running from 30 July – 6 September 2014 at London’s Leicester Square Theatre, Epstein: The Man Who Made The Beatles is brought to you by Bill Elms & Jen Heyes Productions Ltd, written by Andrew Sherlock and directed by Jen Heyes.
“At times comic, at times intensely moving... Epstein is not merely an exercise in nostalgia, it also finds the real man lurking inside an enigma.”
The Arts Desk
“An evocative and moving history lesson, enlivened with wit - enthralling for those who were there (and still remember it) and for a new generation discovering their musical roots.”
More information on Epstein: The Man Who Made The Beatles can be found at www.epsteintheplay.com
Epstein: The Man Who Made The Beatles
Leicester Square Theatre
6 Leicester Place, London, Greater London WC2H 7BX
30 July – 6 September 2014
Preview Performances: 30 July – 2 August
Mon – Sat Evenings: 7.30pm I Thurs mats 3.00pm I Sat early shows 4.00pm
Ticket Prices: £30-£42.50
HOW TO BOOK:
Book in person at the venue, online at www.leicestersquaretheatre.com or via telephone on 08448 733433. Booking fees may apply
Writing co-commissioned by Homotopia.
Supported by Arts Council England, Orange Amplification, Liverpool Vision and Liverpool Echo.
Production partners: The Beatles Story (Liverpool), Hard Day’s Night Hotel (Liverpool), Hard Rock Cafe (London), The Beatles Coffee Shop/Beatles Walks (London).
The official hotel partner is Radisson Blu Edwardian, London.
The official production charity partner is CALM www.thecalmzone.net.
Running Time 2hrs approx
Suitable for age 14+