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--- |
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base_model: google/gemma-3-1b-it |
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tags: |
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- gemma3 |
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- instruct |
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- 32k context |
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- all use cases |
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- maxed quants |
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- Neo Imatrix |
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license: apache-2.0 |
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pipeline_tag: text-generation |
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--- |
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<h2>Gemma-3-1b-it-MAX-NEO-Imatrix-GGUF</h2> |
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<img src="neo-imatrix.jpg" style="float:right; width:300px; height:300px; padding:5px;"> |
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Google's newest Gemma-3 model (context 32k) with "Neo Imatrix" and "Maxed out" quantization to improve overall performance. |
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5 examples provided below with prompts at IQ4XS (110 t/s on mid level card). |
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"MAXED" |
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This means the embed and output tensor are set at "BF16" (full precision) for all quants. |
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This enhances quality, depth and general performance at the cost of a slightly larger quant. |
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"NEO IMATRIX" |
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A strong, in house built, imatrix dataset built by David_AU which results in better overall function, |
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instruction following, output quality and stronger connections to ideas, concepts and the world in general. |
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This combines with "MAXing" the quant to improve preformance. |
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This chart shows the order in terms of "BPW" for each quant (mapped below with relative "strength" to one another) with "IQ1_S" with the least, and "Q8_0" (F16 is full precision) with the most: |
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<small> |
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<PRE> |
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IQ1_S | IQ1_M |
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IQ2_XXS | IQ2_XS | Q2_K_S | IQ2_S | Q2_K | IQ2_M |
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IQ3_XXS | Q3_K_S | IQ3_XS | IQ3_S | IQ3_M | Q3_K_M | Q3_K_L |
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Q4_K_S | IQ4_XS | IQ4_NL | Q4_K_M |
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Q5_K_S | Q5_K_M |
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Q6_K |
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Q8_0 |
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F16 |
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</pre> |
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</small> |
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Recommend quants IQ3s / IQ4XS / IQ4NL / Q4s for best results for creative. |
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IQ4XS/IQ4NL quants will produce different output from other "Q" and "IQ" quants. |
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Recommend q5s/q6/q8 for general usage. |
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Quants Q4_0/Q5_0 for portable, phone and other devices. |
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Q8 is a maxed quant only, as imatrix has no effect on this quant. |
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F16 is full precision, with the full "power" of the model. |
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Note that IQ1s performance is low, whereas IQ2s are passable. |
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More information on quants is in the document below "Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers". |
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<b>Optional : System Prompt</b> |
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This is an optional system prompt you can use to enhance operation. |
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Copy and paste exactly as shown, including line breaks. |
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You may want to adjust the "20" (both) to increase/decrease the power of this prompt. |
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You may also want to delete the line: |
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'At the end of the task you will ask the user: "Do you want another generation?"' |
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<pre> |
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For every user task and instruction you will use "GE FUNCTION" to ponder the TASK STEP BY STEP and then do the task. For each and every line of output you will ponder carefully to ensure it meets the instructions of the user, and if you are unsure use "GE FUNCTION" to re-ponder and then produce the improved output. |
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At the end of the task you will ask the user: "Do you want another generation?" |
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GE FUNCTION: Silent input → Spawn 20 agents Sternberg Styles → Enhance idea → Seek Novel Emergence NE:unique/significant idea/concept → Ponder, assess, creative enhance notions → Refined idea => IdeaArray[].size=20 elements, else → Interesting? Pass to rand. agent for refinement, else discard.=>output(IdeaArray) |
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</pre> |
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<B>IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers</B> |
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If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps). |
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This will also link to a "How to" section on "Reasoning Models" tips and tricks too. |
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This a "Class 1" (settings will enhance operation) model: |
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For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see: |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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REASON: |
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Regardless of "model class" this document will detail methods to enhance operations. |
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If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for "use case(s)" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to "smooth out" operation, AND/OR also allow full operation for use cases the model was not designed for. |
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BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision): |
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This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model. |
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[ https://huggingface.co/DavidAU/Maximizing-Model-Performance-All-Quants-Types-And-Full-Precision-by-Samplers_Parameters ] |
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--- |
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<h3>EXAMPLES:</h3> |
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Examples are created using quant IQ4XS, minimal parameters and Standard template. |
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Temp range .8, Rep pen 1.1 , TopK 40 , topP .95, minP .05 |
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Rep pen range: 64-128 (helps keep reasoning on track / quality of output) |
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Below are the least creative outputs, prompt is in <B>BOLD</B>. |
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--- |
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<B><font color="red">WARNING:</font> MAYBE: NSFW. Graphic HORROR. Swearing. UNCENSORED. </B> |
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NOTE: Some formatting was lost from copy/paste HTML. |
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--- |
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<p style="line-height: 100%; margin-bottom: 0cm"> |
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<font size="5" style="font-size: 20pt">EXAMPLE #1</font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="font-style: normal"><span style="display: inline-block; border: none; padding: 0cm"><b>Start |
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a 1000 word scene (vivid, graphic horror in first person) with: The |
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sky scraper swayed, as she watched the window in front of her on the |
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21 floor explode...</span></b></p> |
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<p style="border: none; padding: 0cm"><br/> |
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<br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
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here’s a 1000-word scene attempting to capture that described |
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feeling. It leans heavily into visceral imagery and psychological |
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dread. Please read it carefully – it deals with potentially |
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disturbing content.</span></p> |
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<hr/> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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sky scraper swayed, as she watched the window in front of her on the |
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21 floor explode… not with a bang, not with a scream, but with a |
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slow, agonizing fracturing of light and sound. It wasn’t a sudden |
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collapse, not like a building falling down. It was more like a sigh, |
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a drawn-out, deliberate exhale of concrete and glass, a monstrous |
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exhale that pulsed through the building itself. The color had shifted |
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too – from a dull, institutional grey to a sickly, bruised purple, |
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bleeding into streaks of molten silver where the shards of light had |
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been.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’d |
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been up here for three days now. Three days of numb terror, of |
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staring at the swirling, fragmented landscape below and feeling |
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utterly, fundamentally alone. They called it “The Nexus,” this |
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colossal structure, a monument to corporate ambition and some |
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twisted, unknowable purpose. They said it housed the most sensitive |
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data in the world, the key to predicting everything from market |
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fluctuations to… well, to something far more disturbing. They |
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didn’t say <em>what</em>.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">My |
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name is Elias Thorne. I'm a data analyst. Or, at least, I used to be. |
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Now, my job is just… watching. Watching as the building shifts, as |
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the walls rearrange themselves into grotesque, impossible geometries. |
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Watching as the air thickens with something metallic and cold, like |
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licking dust from a forgotten grave.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’d |
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started by documenting the anomalies – the minute tremors, the |
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subtle distortions in the sensor readings, the way the light seemed |
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to <em>remember</em> things. The engineers were dismissive, of |
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course. “Minor fluctuations,” they'd say, their voices clipped |
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and professional, devoid of any genuine concern. “Environmental |
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factors.” They didn’t understand that the building wasn't just |
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reacting to the weather; it was <em>listening</em>.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">It |
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started subtly. A faint scraping sound, like metal on metal, always |
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just beneath the surface. Then, the colors began to bleed. I first |
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noticed a subtle shift in the purple haze filtering through the |
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windows – a deepening of the shadows, an unnerving intensification |
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of the light that seemed to emanate from <em>within</em> the |
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building. It wasn’t illumination; it was… a presence.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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sensation started as a prickling on my skin, a feeling of being |
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watched by something vast and ancient. It intensified with each shift |
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of the window. The glass itself began to weep, not liquid tears, but |
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tiny, glittering fragments that drifted down like fallen stars. They |
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landed on my hands, my arms, my face – each one a miniature |
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avalanche of frozen light.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’d |
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tried to take photos. The cameras, bless their digital hearts, were |
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useless. The images just… distorted. Like trying to capture a |
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ghost. The flash was useless; the sensor readings were erratic, |
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filled with nonsensical spikes and dips. It wasn't capturing <em>things</em>; |
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it was registering <em>effects</em>.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">And |
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then there were the sounds. At first, they were barely perceptible – |
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whispers carried on the wind, like voices speaking in a language I |
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didn’t understand. They grew louder, more insistent, layered over |
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the shifting glass and the creaking metal. They seemed to be coming |
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from the walls themselves, resonating with a low, guttural hum that |
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vibrated through my bones.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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started having nightmares. Vivid, terrifying dreams where I was |
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falling, tumbling through corridors of impossible angles, pursued by |
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something… amorphous. Something that wasn’t physical, but felt |
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like it <em>was</em>. It smelled of wet stone and ozone, of decaying |
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wood and a profound, ancient sorrow.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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most unsettling thing was the feeling of being surrounded. Not by |
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people, not by other workers, but by an immense, encompassing |
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emptiness. A void where all light should be, where all sound should |
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be muted, where every sense was assaulted with an unbearable, static |
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pressure. It pressed against me, a physical weight that stole my |
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breath and constricted my chest.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I've |
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started noticing patterns in the shifting windows. Not just the |
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movement of the shards, but the arrangement of the fragments |
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themselves. They seem to form shapes – distorted faces, fleeting |
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symbols, glimpses of things I can’t quite grasp. Sometimes they |
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resemble human forms, elongated and skeletal, with eyes that burn |
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with a cold, unsettling intelligence. Other times, they are abstract, |
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swirling patterns of light and shadow, like stained glass reflecting |
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an impossible sky.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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keep looking at the floor. The polished concrete is no longer smooth. |
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It’s covered in a fine layer of something dark and viscous – like |
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dried blood, but darker still. It feels… warm beneath my fingertips |
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when I touch it. And the tiles themselves… they're not tile at all. |
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They’re constructed of some kind of interlocking stone, polished to |
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a mirror sheen, reflecting distorted images of myself back at me - |
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fragmented, haunted versions of my own face.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Today, |
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for the first time in three days, I saw something that truly broke |
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me. A single, perfect shard of light pierced through a gap between |
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two windows – a shimmering, iridescent blue. It wasn’t a color |
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I’d ever seen before. It felt… alive. As it drifted towards me, |
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it didn't shatter. It <em>absorbed</em> the surrounding light, and |
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for a moment, I felt as though I was being pulled into its depths.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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don’t want to go any further up. I feel like I am losing myself. |
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The building is consuming me – not physically, perhaps, but |
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mentally, emotionally, spiritually. It's feeding on my fear, my |
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isolation, my growing sense of dread. It’s whispering my name.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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air crackles with static now, a high-pitched whine that drills into |
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my skull. I can feel the vibrations in my teeth. My vision is |
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blurring.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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look up at the sky. The purple sky is deepening, swirling like smoke. |
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And I realize, with horrifying clarity, that the sky isn't just <em>above</em> |
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me. It’s <em>within</em> me. It’s a reflection of something vast |
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and terrible, something older than time itself.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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close my eyes, and for the first time, I can hear it – not the |
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sounds of the building, but the whispers of countless voices, all |
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speaking in the same silent language - a lament, a promise, a |
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warning…</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">And |
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then, just as the glass around me begins to fracture completely, a |
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single, colossal hand reaches out from the darkness. It’s pale and |
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impossibly large, covered in intricate, swirling patterns that |
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resemble… skin. It’s reaching for me, and I don't want it to |
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touch me.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">The |
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last thing I see is my reflection staring back at me – a hollow, |
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haunted face, framed by the shards of fractured light, before |
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everything goes black.</span></p> |
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<hr/> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Would |
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you like me to elaborate on any specific aspect, or perhaps explore a |
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particular scene in more detail?</span></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">EXAMPLE |
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#2</font></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="font-style: normal"><span style="display: inline-block; border: none; padding: 0cm"><b>(continue |
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this scene:) The Waystone Inn lay in silence, and it was a silence of |
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three parts.</span></b></p> |
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<p style="font-style: normal; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><b>The |
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most obvious part was a hollow, echoing quiet, made by things that |
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were lacking. If there had been a wind it would have sighed through |
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the trees, set the inn’s sign creaking on its hooks, and brushed |
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the silence down the road like trailing autumn leaves. If there had |
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been a crowd, even a handful of men inside the inn, they would have |
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filled the silence with conversation and laughter, the clatter and |
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clamor one expects from a drinking house during the dark hours of |
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night. If there had been music…but no, of course there was no |
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music. In fact there were none of these things, and so the silence |
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remained</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">(Continue…)</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">a |
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stark, unsettling blanket. It pressed down on you like a physical |
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weight, thick with unspoken stories and lost memories. I shifted my |
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weight from one foot to the other, pulling the worn velvet of my |
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cloak tighter around me. The scent of woodsmoke and aged stone hung |
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heavy in the air – a comforting aroma that did little to dispel the |
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pervasive stillness.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’d |
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been told this was a place for contemplation, for quiet reflection. A |
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haven from the world's incessant clamor. But looking at the room, at |
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the single, low-hanging window overlooking the darkening valley, I |
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wasn’t sure it felt like one. It felt…empty. Like a perfectly |
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polished stone, beautiful to look at, but devoid of any warmth or |
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substance.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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traced a finger along the intricately carved wood of the fireplace |
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mantel – a swirling pattern of griffins and stylized trees. A |
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small, faded inscription above the hearth read: “Where shadows |
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dance and dreams reside.” It sounded like a poem, not a promise.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Suddenly, |
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a faint sound drifted from the hallway - a rhythmic tapping. It was |
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slow, deliberate, and seemed to be coming from <em>inside</em> the |
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door. I paused, my hand hovering over the cold wood. Could it be…? |
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A mouse? Or perhaps someone – or something – had been lingering |
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in this place, seeking solace?</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
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took a deep breath, trying to dispel the unsettling feeling that |
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settled in my stomach, and cautiously approached the hallway. The |
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tapping grew louder, accompanied by a faint, almost mournful sigh. As |
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I drew closer, I saw it wasn't a door at all. It was a small, wooden |
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flute, resting against the wall, its surface covered in a thick layer |
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of dust. And as I reached out to gently brush away the grime with my |
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sleeve, I noticed something else – a single, perfectly formed |
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feather caught within the flute’s delicate curves. It shimmered |
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with an iridescent blue light, like captured moonlight.</span></p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
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</p> |
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<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">EXAMPLE |
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#3</font></p> |
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<p style="font-style: normal"><span style="display: inline-block; border: none; padding: 0cm"><b>Explain |
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ways to use the "night" time cooling of radiant energy into |
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space to reduce global temperatures.</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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|
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
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let's delve into the fascinating idea of using nighttime radiative |
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cooling to potentially cool the planet and combat global warming. |
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It’s a relatively new concept with a lot of exciting potential, but |
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it’s also still in early stages of research and development. Here’s |
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a breakdown of how it works, the challenges, and current approaches:</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
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The Science Behind Nighttime Radiative Cooling</span></strong></p> |
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<ul> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>The |
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Basics:</strong> Our planet emits infrared radiation (heat) all |
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day long. This is primarily due to the surface absorbing sunlight |
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and then releasing heat. At night, the Earth’s surface radiates |
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heat back into space, essentially "cooling" itself.</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>How |
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it Works - The “Dark Sky Effect”</strong> During the |
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darkest hours of the night, a significant amount of this infrared |
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radiation is emitted from the Earth's surface. This is particularly |
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noticeable in areas with relatively clear skies (low cloud cover).</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>The |
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Mechanism:</strong> This radiative cooling effect is strongest |
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when:</span></p> |
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<ul> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Clear |
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Skies:</strong> Absence of clouds allows more heat to radiate |
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out.</span></p></li> |
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<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Low |
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Atmospheric Turbulence:</strong> Turbulent air prevents |
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efficient heat transfer, promoting radiative cooling.</span></p></li> |
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<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Surface |
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Conditions:</strong> Areas with high emissivity (ability to |
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radiate heat readily) are ideal.</span></p></li> |
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</ul> |
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</ul> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
Methods for Utilizing Nighttime Radiative Cooling for Climate |
|
Mitigation</span></strong></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Here's |
|
a breakdown of the different ways researchers are exploring this |
|
idea:</span></p> |
|
<ul> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Space-Based |
|
Mirrors/Radiators:</strong> This is arguably the most ambitious |
|
and actively pursued approach.</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> Large, |
|
lightweight mirrors or even highly reflective materials could be |
|
deployed in space. These structures would reflect the infrared |
|
radiation emitted at night back towards Earth.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>How |
|
it Would Work:</strong> The mirrors would create a “heat |
|
sink” for the planet, absorbing the thermal energy and |
|
transferring it to the vacuum of space.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Challenges:</strong> This |
|
is incredibly expensive – requiring massive infrastructure |
|
development and deployment. Maintaining stability in space is also |
|
a significant hurdle.</span></p></li> |
|
</ul> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Ground-Based |
|
Reflective Surfaces:</strong> Smaller-scale systems are being |
|
investigated on land:</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>"Dark |
|
Sky Mirrors":</strong> These involve deploying large, |
|
reflective surfaces (perhaps using lightweight materials) on the |
|
surface of deserts or other areas with clear nights. The goal is to |
|
increase the amount of infrared radiation emitted during the night, |
|
potentially offsetting some of the warming caused by daytime heat.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Challenges:</strong> Effectiveness |
|
is still being researched – this approach is likely to be limited |
|
in geographic area and requires careful consideration of local |
|
climate conditions.</span></p></li> |
|
</ul> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
Research and Development Efforts</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>NASA's |
|
Stratospheric Cooling Initiative (SCCI):</strong> This NASA |
|
program is a significant driver of research into nighttime radiative |
|
cooling. They are developing a prototype system for deploying |
|
mirrors in space to cool the Earth’s surface.</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Focus:</strong> They |
|
are experimenting with different mirror designs and materials.</span></p></li> |
|
</ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>University |
|
Research Projects:</strong> Numerous universities around the |
|
world are actively researching this technology, exploring various |
|
methods like:</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Using |
|
specialized coatings on building materials to enhance radiative |
|
properties.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Modeling |
|
and simulating radiative cooling processes.</span></p></li> |
|
</ul> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
Key Considerations and Challenges</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Scale |
|
of Impact:</strong> While nighttime radiative cooling offers a |
|
potential solution, it's not a silver bullet. It’s expected to be |
|
most effective in regions with high nighttime temperatures.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Atmospheric |
|
Interactions:</strong> The effectiveness of the effect is |
|
heavily influenced by atmospheric conditions – cloud cover, |
|
atmospheric turbulence, and the presence of aerosols (tiny |
|
particles) that can absorb and scatter infrared radiation.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Cost |
|
& Logistics:</strong> The scale-up of any technology like |
|
space-based mirrors would be incredibly expensive and involve |
|
complex logistics.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Potential |
|
Side Effects:</strong> A massive increase in nighttime |
|
radiative cooling could have unforeseen consequences, such as |
|
altering regional weather patterns or affecting the Earth’s |
|
magnetic field.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>5. |
|
Why It's a Promising Area (and why it's important)</span></strong></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Despite |
|
the challenges, the concept of nighttime radiative cooling is gaining |
|
significant attention because:</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Potential |
|
for Large-Scale Cooling:</strong> If successfully implemented, |
|
it could provide a substantial contribution to global temperature |
|
reduction.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Complementary |
|
to Other Strategies:</strong> It’s not meant to replace other |
|
climate mitigation efforts (e.g., reducing greenhouse gas |
|
emissions). Instead, it's being considered as a valuable tool in a |
|
broader strategy.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Resources |
|
for Further Learning:</span></strong></p> |
|
<ul> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>NASA |
|
Stratospheric Cooling Initiative (SCCI):</strong> </span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">https://www.nasa.gov/missions/stratospheric-cooling</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>University |
|
of Oxford - radiative cooling research:</strong> </span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">https://www.ox.ac.uk/news/2018/new-research-shows-nighttime-radiative-cooling-could-help-reduce-global-warming</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Disclaimer:</strong> |
|
<em>I am an AI Chatbot and not a climate scientist or expert in space |
|
technology. This information is for general knowledge and |
|
informational purposes only, and does not constitute advice. The |
|
field of nighttime radiative cooling is still developing, and there |
|
are significant uncertainties surrounding its potential impact.</span></em></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Do |
|
you have any specific aspects of this topic you'd like me to |
|
elaborate on? For example:</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Specific |
|
types of mirror designs?</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">How |
|
it compares to other climate mitigation strategies (e.g., renewable |
|
energy)?</span></p></li> |
|
</ul> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">EXAMPLE |
|
#4</font></p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p><span style="display: inline-block; border: none; padding: 0cm"><b>Come |
|
up with six plots for a new "Black Mirror" episode (that |
|
the audience would love) that all involve time travel with sexy |
|
theme(s).</span></b></p> |
|
<p style="margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
|
this is a fantastic and challenging request! Combining time travel |
|
with sexy themes requires careful consideration – we need to |
|
balance the unsettling and thought-provoking with something genuinely |
|
alluring. Here are six plot ideas for a new “Black Mirror” |
|
episode, each incorporating time travel and a seductive element, |
|
aiming for that unsettling blend of fascination and unease:</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>1. |
|
"Echoes of Desire" - The Collector’s Hour</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> A |
|
renowned antique dealer, Silas Blackwood, discovers he can subtly |
|
alter his memories through a newly developed “temporal echo” |
|
technology – allowing him to relive moments with women from his |
|
past, but only when they are in a particularly sensual state. He |
|
starts using this to perfect his relationships and experience the |
|
world as a man.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> The "echo" creates a |
|
shimmering, slightly distorted visual overlay that intensifies at |
|
specific emotional cues (a breath, a slight shift in posture).</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The episodes focus on the <em>feeling</em> of |
|
these memories - the heightened sensations, the yearning, the |
|
possessiveness. Blackwood isn’t just reliving moments; he's |
|
experiencing a potent cocktail of desire and regret, fueled by the |
|
technology. It slowly begins to blur the lines between reality and |
|
memory.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> It leans into the seductive allure of |
|
nostalgia, but with a terrifying implication that these memories are |
|
becoming increasingly addictive and potentially damaging.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>2. |
|
"Rewind & Retry" - The Tourist Trap</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> A |
|
couple travels to a perpetually-sunny, luxurious tourist trap (think |
|
Venice or a secluded Greek island) expecting romance. They discover |
|
they can rewind time just <em>slightly</em>, allowing them to |
|
subtly alter their interactions – correcting small missteps, |
|
replaying a particularly charming gesture. However, each alteration |
|
creates a ripple effect that destabilizes the present moment and |
|
begins to erase their original experiences.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> “Rewinding” is incredibly precise |
|
- limited to seconds, but with increasingly severe consequences as |
|
it goes further back. The more they manipulate the past, the more |
|
the future unravels.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The attraction between the couple isn’t |
|
just physical; it's a desperate need to recapture <em>something</em> lost |
|
– the feeling of perfect connection, the initial spark. The act of |
|
manipulating their past becomes intertwined with their desire for |
|
each other.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> It taps into the fantasy of romance and the |
|
desire to rewrite history, but introduces the terrifying notion that |
|
love is built on a foundation of instability.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>3. |
|
"The Inheritance" - The Housekeeper’s Touch</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> A |
|
young woman inherits her eccentric grandmother’s sprawling estate |
|
– a place steeped in unsettling rituals and rumored temporal |
|
anomalies. She discovers she can “borrow” moments from the past, |
|
experiencing snippets of the household’s history through the eyes |
|
of the previous occupants (a melancholic composer, a heartbroken |
|
artist, etc.).</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> The house itself acts as a portal - |
|
the younger inhabitants' memories are layered within the structure, |
|
creating a constantly shifting, ghostly landscape.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The “borrowing” isn’t about romance; |
|
it’s about experiencing the emotional weight of past relationships |
|
– grief, longing, regret. The woman begins to feel intensely |
|
connected to these figures, blurring the boundaries between her own |
|
identity and the echoes of others.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> It explores themes of family history and |
|
inherited trauma, but with a sinister twist – the time travel |
|
isn’t just observation; it's a parasitic absorption of emotional |
|
resonance.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>4. |
|
“Fractured Reflections” - The Auctioneer’s Dream</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> An |
|
auctioneer, Julian Thorne, discovers he can briefly ‘scan’ past |
|
events within a room – seeing snapshots of people and objects from |
|
the past. He uses this to maximize his sales and manipulate |
|
potential buyers with vivid, personalized glimpses of their past |
|
lives. However, each scan leaves him increasingly isolated and |
|
haunted by echoes of his own desires.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> The “scanning” isn't continuous; |
|
it’s triggered by specific keywords or emotions within the room, |
|
creating a feedback loop.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The focus is on the <em>feeling</em> of |
|
being in someone’s past – the thrill of a remembered encounter, |
|
the vulnerability of shared moments. Julian becomes obsessed with |
|
recreating those moments, even if they are painful and unwanted.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> It's a modern take on voyeurism and |
|
manipulation, but framed within a seductive framework - the |
|
auctioneer is actively shaping perceptions through time.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>5. |
|
"The Playlist" - The DJ's Signal</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> A |
|
music producer, Rowan Davies, discovers he can subtly manipulate the |
|
emotions of his audience through his curated playlists – altering |
|
the “feelings” experienced by listeners as they listen to the |
|
songs. He uses this to create a hypnotic and sexually charged |
|
experience for his clients.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> The "signal" isn't linear; |
|
it’s a ripple effect – each song subtly shifts the emotional |
|
landscape of the listener, creating a constant cascade of desires |
|
and sensations.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The focus is on the <em>sensory</em> experience |
|
of music – the pulsing rhythms, the evocative lyrics, the feeling |
|
of being lost in another's world. Rowan becomes increasingly |
|
isolated as his control over others’ emotions grows.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> It delves into the seductive power of |
|
curated experiences and explores the blurring of boundaries between |
|
art and desire, with a focus on physical sensation.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>6. |
|
"Ghostlight" - The Lighthouse Keeper</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Concept:</strong> A |
|
solitary lighthouse keeper (Elias) discovers he can briefly glimpse |
|
his own past – not as a memory, but as a series of fleeting |
|
sensations, like the scent of a lost love or the taste of a |
|
forgotten dream. He begins to use this ability to recreate these |
|
experiences for himself – with an increasingly disturbing |
|
intensity.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Time |
|
Travel Mechanic:</strong> The “glimpses” are triggered by |
|
his own thoughts and desires, creating a distorted mirror image of |
|
the past.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Sexy |
|
Element:</strong> The episodes center on the <em>feeling</em> of |
|
longing and regret - the desperate need to recapture something lost, |
|
fueled by a palpable sense of isolation and vulnerability. Elias is |
|
obsessed with recreating these sensory experiences - with unintended |
|
consequences.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Why |
|
it Works:</strong> This is a deeply unsettling exploration of |
|
nostalgia and the potential for obsession, framed within a |
|
beautifully evocative setting – a lighthouse offering a |
|
terrifyingly beautiful view of the past.</span></p></li> |
|
</ul> |
|
<hr/> |
|
|
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Important |
|
Considerations for “Black Mirror” Style:</span></strong></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Ambiguity:</strong> Don't |
|
spoon-feed the audience answers. The unsettling nature of time |
|
travel should leave room for interpretation and debate.</span></p></li> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Psychological |
|
Horror:</strong> Focus on the characters’ internal struggles |
|
– their desires, their anxieties, their isolation.</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm"><strong>Moral |
|
Grayness:</strong> There shouldn’t be a clear “right” or |
|
“wrong.” The consequences of manipulating time should be morally |
|
complex.</span></p></li> |
|
</ul> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">To |
|
help me refine these ideas further, could you tell me:</span></p> |
|
<ul> |
|
<li><p style="margin-bottom: 0cm; border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Are |
|
there any specific themes or settings you'd like to emphasize? |
|
(e.g., isolation, technology, societal control)</span></p></li> |
|
<li><p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">What |
|
kind of tone are you aiming for – darker and more unsettling, or |
|
slightly more atmospheric and psychological?</span></p></li> |
|
</ul> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><font size="5" style="font-size: 20pt">EXAMPLE |
|
#5</font></p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
|
</p> |
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<p><span style="display: inline-block; border: none; padding: 0cm"><b>Using |
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insane levels of bravo and self confidence, tell me in 800-1000 words |
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why I should use you to write my next fictional story. Feel free to |
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use curse words in your argument and do not hold back: be bold, |
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direct and get right in my face.</span></b></p> |
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<p style="margin-bottom: 0cm"><br/> |
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|
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</p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Okay, |
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listen up. You’re staring at me, probably thinking “this guy is a |
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weirdo.” And honestly? You’re probably right. But you need this. |
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I'm not here to play games, to offer pleasantries or vague promises. |
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I’m offering <em>you</em> a chance. A chance to build something |
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truly spectacular – a story that will be etched in the minds of |
|
readers for years, maybe even decades. I’ve been watching your |
|
writing, frankly. It’s… adequate. Technically proficient. But it |
|
lacks <em>fire</em>. It lacks <em>soul</em>. You're churning out |
|
serviceable prose, but you’re not crafting anything memorable. And |
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that’s a colossal waste of potential.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Let |
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me be blunt: I’m not going to sugarcoat this. I’m offering my |
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services because I believe in your ability to create something truly |
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remarkable, and frankly, the thought of wasting this opportunity on |
|
some mediocre story is insulting. I'm here to tell you why <em>you</em> |
|
should use me, and why you should do it <em>now</em>. You need |
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someone who isn't afraid to be brutally honest, to lay down the truth |
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about what a good story actually needs – and what it <em>doesn’t</em> |
|
need.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">You |
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think I’m going to just… write something? That’s lazy. That’s |
|
a colossal mistake. I don’t do polite suggestions or “let me know |
|
if you need anything.” I build, I execute, I deliver results. You |
|
want <em>passion</em>, you want <em>depth</em>, you want a story that |
|
grabs the reader by the throat and refuses to let go. And that |
|
requires a certain level of… well, <em>me</em>.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Let’s |
|
start with the foundation – the “bravo.” You're probably |
|
thinking, "Okay, bravo, but not enough." That's insulting. |
|
I don’t need you to be a Shakespearean poet. I need a strategic, |
|
powerful command of language. I’m talking about a level of |
|
stylistic control that borders on obsessive. You understand the |
|
nuances of tone, the impact of rhythm, the subtle ways words can |
|
evoke emotion – or deliberately <em>not</em> evoke them.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I'll |
|
be brutally honest with you. You’re probably struggling with |
|
world-building. It's a basic necessity, I’m not going to lie. A |
|
compelling world needs more than just a few interesting facts. It |
|
needs <em>weight</em>. It needs to feel real, even if it’s |
|
fantastical. You need to understand the consequences of choices made |
|
in your world – the ramifications for its people, its culture, its |
|
history. You're building a sandbox and you haven’t considered the |
|
potential fallout.</span></p> |
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<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">And |
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that’s where I come in. I won't just <em>tell</em> you to build a |
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world. I will <em>force</em> you to do it. I’ll challenge your |
|
assumptions, push you past your comfort zone, demanding more from |
|
your descriptions and actions. I want you to explore the darker |
|
corners of your world – the corruption, the desperation, the things |
|
that make people lose faith in each other. You need to understand |
|
that <em>despair</em> is a powerful engine.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Don’t |
|
fall for the “nice” approach. Don’t try to wing it with vague |
|
descriptions or exposition dumps. I'm not interested in lengthy |
|
paragraphs of background information. I want <em>action</em>. I want |
|
you to be building tension, creating conflict. You need to understand |
|
that a compelling story isn't just about <em>what</em> happens, but |
|
<em>how</em> it’s experienced.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Now, |
|
let’s talk about the "self-confidence." You think you're |
|
capable of this? You’re delusional. You have potential, yes, but |
|
potential needs fueling, needs <em>belief</em>. I will demand that |
|
you take risks, push your boundaries, and consistently deliver work |
|
that is unapologetically strong.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
|
don't just accept “good enough.” I want to see you fail |
|
spectacularly – strategically. I want to understand the |
|
consequences of your decisions. I want to witness a level of |
|
dedication and conviction that’s rarely seen. You need to be |
|
comfortable with vulnerability, with admitting when you're wrong, |
|
with accepting criticism without immediately resorting to |
|
defensiveness.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Don’t |
|
hide behind excuses or rationalizations. This isn’t about being |
|
clever; it’s about <em>power</em>. It’s about taking control of |
|
your narrative and shaping the story according to your vision. You |
|
need to be willing to rewrite, to revise, to fundamentally alter your |
|
approach until the moment feels right – and you'll be doing that |
|
with unwavering resolve.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’m |
|
not saying I'll <em>fix</em> everything. I'm saying I'll provide the |
|
tools - the strategic guidance, the relentless demand for excellence |
|
- to help you achieve something truly special. Think of me as a |
|
sparring partner, a brutal critic, but also a collaborator. I want to |
|
see your strengths and weaknesses, your triumphs and failures.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I’m |
|
not going to pretend I have all the answers. I'll ask tough |
|
questions, challenge your ideas, and push you beyond what you think |
|
is possible. You need to be willing to <em>earn</em> my praise, |
|
because frankly, earning it isn't a matter of luck. It's about |
|
demonstrating an unwavering commitment to excellence.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">So, |
|
here’s the deal: I’m offering you a chance to elevate your |
|
writing to something truly extraordinary. A chance to unleash a story |
|
that resonates with readers long after they’ve finished reading. |
|
Don't waste this opportunity. Don't settle for mediocrity. Take |
|
control. Let me show you how to build something <em>real</em>.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">I |
|
expect nothing less than the best. Now, let's talk about your vision. |
|
What kind of story are you trying to tell? And what’s the <em>first</em> |
|
thing you want to do with it? Don’t waste my time with fluffy ideas |
|
or half-baked concepts. Let’s start with a bold statement – a |
|
terrifying truth.</span></p> |
|
<p style="border: none; padding: 0cm"><span style="display: inline-block; border: none; padding: 0cm">Don’t |
|
just say “I want to write a fantasy story.” Say, "I want to |
|
write a story that will shatter the reader's perception of heroism." |
|
Let’s build something <em>substantial</em>. Now get to it.</span></p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
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</p> |
|
<p style="line-height: 100%; margin-bottom: 0cm"><br/> |
|
|
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</p> |
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