SeungAhSon/SentEval-MR · Datasets at Hugging Face

text stringlengths 4 280	label int64 0 1
meandering , sub-aquatic mess : it 's so bad it 's good , but only if you slide in on a freebie .	0
a spellbinding african film about the modern condition of rootlessness , a state experienced by millions around the globe .	1
newton draws our attention like a magnet , and acts circles around her better known co-star , mark wahlberg .	1
bursting through the constraints of its source , this is one adapted- from-television movie that actually looks as if it belongs on the big screen .	1
verbinski implements every hack-artist trick to give us the ooky-spookies .	0
comes across as a relic from a bygone era , and its convolutions . . . feel silly rather than plausible .	0
the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , dishes out a ton of laughs that everyone can enjoy .	1
the best thing the film does is to show us not only what that mind looks like , but how the creative process itself operates .	1
the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away survives intact in bv 's re-voiced version .	1
woo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the `` saving private ryan `` battle scenes before realizing steven spielberg got it right the first time ?	0
its weighty themes are too grave for youngsters , but the story is too steeped in fairy tales and other childish things to appeal much to teenagers .	0
it 's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic .	1
one scarcely needs the subtitles to enjoy this colorful action farce .	1
instead of letting the laughs come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .	0
a derivative collection of horror and sci-fi cliches .	0
despite her relentless vim and winsome facial symmetry , witherspoon is just too dialed-up to be america 's sweetheart .	0
a film that will enthrall the whole family .	1
for the most part , director anne-sophie birot 's first feature is a sensitive , extraordinarily well-acted drama .	1
filmmakers dana janklowicz-mann and amir mann area headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie	1
if you sometimes like to go to the movies to have fun , wasabi is a good place to start .	1
frei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .	1
i can easily imagine benigni 's pinocchio becoming a christmas perennial . coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .	0
it smacks of purely commercial motivation , with no great love for the original .	0
the draw [ for `` big bad love `` ] is a solid performance by arliss howard .	1
in the end , the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's 'red shoe diaries . '	0
as with so many merchandised-to-the-max movies of this type , more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else .	0
like a comedian who starts off promisingly but then proceeds to flop , comedian runs out of steam after a half hour .	0
has all the scenic appeal of a cesspool .	0
a manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse .	0
'punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '	0
there are touching moments in etoiles , but for the most part this is a dull , dour documentary on what ought to be a joyful or at least fascinating subject .	0
the best thing about the movie is its personable , amusing cast .	0
a great ensemble cast ca n't lift this heartfelt enterprise out of the familiar .	0
well-meaning to a fault , antwone fisher manages the dubious feat of turning one man 's triumph of will into everyman 's romance comedy .	0
the script is a disaster , with cloying messages and irksome characters .	0
vera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .	1
'yes , that 's right : it 's forrest gump , angel of death . '	0
lacks dramatic punch and depth .	0
the drama is played out with such aching beauty and truth that it brings tears to your eyes .	1
it all plays out . . . like a high-end john hughes comedy , a kind of elder bueller 's time out .	1
a film with contemporary political resonance illustrated by a winning family story .	1
the imax screen enhances the personal touch of manual animation .	1
the film is a fierce dance of destruction . its flame-like , roiling black-and-white inspires trembling and gratitude .	1
you would be better off investing in the worthy emi recording that serves as the soundtrack , or the home video of the 1992 malfitano-domingo production .	0
the title helpfully offers the most succinct review of it you 'll read anywhere .	0
the second coming of harry potter is a film far superior to its predecessor . a movie that successfully crushes a best selling novel into a timeframe that mandates that you avoid the godzilla sized soda .	1
national lampoon 's van wilder could be the worst thing to come out of national lampoon since class reunion	0
while the glass slipper does n't quite fit , pumpkin is definitely a unique modern fairytale .	1
an entertaining documentary that freshly considers arguments the bard 's immortal plays were written by somebody else .	1
one of the most gloriously unsubtle and adrenalized extreme shockers since the evil dead .	1
deliriously funny , fast and loose , accessible to the uninitiated , and full of surprises	1
. . . gripping and handsome execution , ( but ) there is n't much about k-19 that 's unique or memorable .	1
the only thing worse than your substandard , run-of-the-mill hollywood picture is an angst-ridden attempt to be profound .	0
more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films .	1
girls gone wild and gone civil again	1
offers no new insight on the matter , nor do its characters exactly spring to life .	0
a conventional but heartwarming tale .	1
fluffy neo-noir hiding behind cutesy film references .	0
like old myths and wonder tales spun afresh .	1
a slick , engrossing melodrama .	1
. . . nothing scary here except for some awful acting and lame special effects .	0
this is not one of the movies you 'd want to watch if you only had a week to live .	0
director rob marshall went out gunning to make a great one .	1
if the idea of the white man arriving on foreign shores to show wary natives the true light is abhorrent to you , the simplistic heaven will quite likely be more like hell .	0
the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms . ambrose .	1
the words , 'frankly , my dear , i do n't give a damn , ' have never been more appropriate .	0
it is just too bad the film 's story does not live up to its style .	0
skillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .	1
a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .	1
. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it 's a beautiful madness .	1
the powerful success of read my lips with such provocative material shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers .	1
a mix of velocity and idiocy , this ruinous remake lacks the brawn -- and the brains -- of the 1970s original .	0
'they ' begins and ends with scenes so terrifying i 'm still stunned . and i 've decided to leave a light on every night from now on .	1
with a tone as variable as the cinematography , schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .	0
nicks refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy .	0
a romantic comedy , yes , but one with characters who think and talk about their goals , and are working on hard decisions .	1
. . . a story , an old and scary one , about the monsters we make , and the vengeance they take .	1
more timely than its director could ever have dreamed , this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .	1
brady achieves the remarkable feat of squandering a topnotch foursome of actors . . . by shoving them into every clichM-id white-trash situation imaginable .	0
friday after next has the same problem that next friday did -- it 's called where 's chris tucker when you need him ?	0
a lame comedy .	0
a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth .	1
full of flatulence jokes and mild sexual references , kung pow ! is the kind of movie that 's critic-proof , simply because it aims so low .	0
writer-director juan carlos fresnadillo makes a feature debut that is fully formed and remarkably assured .	1
ranges from laugh-out-loud hilarious to wonder-what- time-it-is tedious .	1
given the fact that virtually no one is bound to show up at theatres for it , the project should have been made for the tube .	0
an elegant and sly deadpan comedy .	1
it 's an 88-minute highlight reel that 's 86 minutes too long .	0
marshall puts a suspenseful spin on standard horror flick formula .	1
robin williams has thankfully ditched the saccharine sentimentality of bicentennial man in favour of an altogether darker side .	1
this limp gender-bender-baller from a first-time director and rookie screenwriter steals wholesale from that 1982 's tootsie , forgetting only to retain a single laugh .	0
shot in rich , shadowy black-and-white , devils chronicles , with increasingly amused irony , the relationship between reluctant captors and befuddled captives .	1
very solid , very watchable first feature for director peter sheridan	1
it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .	1
all 's well that ends well , and rest assured , the consciousness-raising lessons are cloaked in gross-out gags .	0
that 'alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) . . .	1
like the full monty , this is sure to raise audience 's spirits and leave them singing long after the credits roll .	1
there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present .	0
an absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .	1
merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .	0

meandering , sub-aquatic mess : it 's so bad it 's good , but only if you slide in on a freebie .

0

a spellbinding african film about the modern condition of rootlessness , a state experienced by millions around the globe .

1

newton draws our attention like a magnet , and acts circles around her better known co-star , mark wahlberg .

1

bursting through the constraints of its source , this is one adapted- from-television movie that actually looks as if it belongs on the big screen .

1

verbinski implements every hack-artist trick to give us the ooky-spookies .

0

comes across as a relic from a bygone era , and its convolutions . . . feel silly rather than plausible .

0

the enjoyable undercover brother , a zany mix of saturday night live-style parody , '70s blaxploitation films and goofball action comedy gone wild , dishes out a ton of laughs that everyone can enjoy .

1

the best thing the film does is to show us not only what that mind looks like , but how the creative process itself operates .

1

the magic ( and original running time ) of ace japanimator hayao miyazaki 's spirited away survives intact in bv 's re-voiced version .

1

woo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the `` saving private ryan `` battle scenes before realizing steven spielberg got it right the first time ?

0

its weighty themes are too grave for youngsters , but the story is too steeped in fairy tales and other childish things to appeal much to teenagers .

0

it 's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic .

1

one scarcely needs the subtitles to enjoy this colorful action farce .

1

instead of letting the laughs come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .

0

a derivative collection of horror and sci-fi cliches .

0

despite her relentless vim and winsome facial symmetry , witherspoon is just too dialed-up to be america 's sweetheart .

0

a film that will enthrall the whole family .

1

for the most part , director anne-sophie birot 's first feature is a sensitive , extraordinarily well-acted drama .

1

filmmakers dana janklowicz-mann and amir mann area headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie

1

if you sometimes like to go to the movies to have fun , wasabi is a good place to start .

1

frei assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic , and retains an extraordinary faith in the ability of images to communicate the truth of the world around him .

1

i can easily imagine benigni 's pinocchio becoming a christmas perennial . coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .

0

it smacks of purely commercial motivation , with no great love for the original .

0

the draw [ for `` big bad love `` ] is a solid performance by arliss howard .

1

in the end , the weight of water comes to resemble the kind of soft-core twaddle you 'd expect to see on showtime 's 'red shoe diaries . '

0

as with so many merchandised-to-the-max movies of this type , more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much else .

0

like a comedian who starts off promisingly but then proceeds to flop , comedian runs out of steam after a half hour .

0

has all the scenic appeal of a cesspool .

0

a manipulative feminist empowerment tale thinly posing as a serious drama about spousal abuse .

0

'punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '

0

there are touching moments in etoiles , but for the most part this is a dull , dour documentary on what ought to be a joyful or at least fascinating subject .

0

the best thing about the movie is its personable , amusing cast .

0

a great ensemble cast ca n't lift this heartfelt enterprise out of the familiar .

0

well-meaning to a fault , antwone fisher manages the dubious feat of turning one man 's triumph of will into everyman 's romance comedy .

0

the script is a disaster , with cloying messages and irksome characters .

0

vera has created a provocative , absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores .

1

'yes , that 's right : it 's forrest gump , angel of death . '

0

lacks dramatic punch and depth .

0

the drama is played out with such aching beauty and truth that it brings tears to your eyes .

1

it all plays out . . . like a high-end john hughes comedy , a kind of elder bueller 's time out .

1

a film with contemporary political resonance illustrated by a winning family story .

1

the imax screen enhances the personal touch of manual animation .

1

the film is a fierce dance of destruction . its flame-like , roiling black-and-white inspires trembling and gratitude .

1

you would be better off investing in the worthy emi recording that serves as the soundtrack , or the home video of the 1992 malfitano-domingo production .

0

the title helpfully offers the most succinct review of it you 'll read anywhere .

0

the second coming of harry potter is a film far superior to its predecessor . a movie that successfully crushes a best selling novel into a timeframe that mandates that you avoid the godzilla sized soda .

1

national lampoon 's van wilder could be the worst thing to come out of national lampoon since class reunion

0

while the glass slipper does n't quite fit , pumpkin is definitely a unique modern fairytale .

1

an entertaining documentary that freshly considers arguments the bard 's immortal plays were written by somebody else .

1

one of the most gloriously unsubtle and adrenalized extreme shockers since the evil dead .

1

deliriously funny , fast and loose , accessible to the uninitiated , and full of surprises

1

. . . gripping and handsome execution , ( but ) there is n't much about k-19 that 's unique or memorable .

1

the only thing worse than your substandard , run-of-the-mill hollywood picture is an angst-ridden attempt to be profound .

0

more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films .

1

girls gone wild and gone civil again

1

offers no new insight on the matter , nor do its characters exactly spring to life .

0

a conventional but heartwarming tale .

1

fluffy neo-noir hiding behind cutesy film references .

0

like old myths and wonder tales spun afresh .

1

a slick , engrossing melodrama .

1

. . . nothing scary here except for some awful acting and lame special effects .

0

this is not one of the movies you 'd want to watch if you only had a week to live .

0

director rob marshall went out gunning to make a great one .

1

if the idea of the white man arriving on foreign shores to show wary natives the true light is abhorrent to you , the simplistic heaven will quite likely be more like hell .

0

the film is an earnest try at beachcombing verismo , but it would be even more indistinct than it is were it not for the striking , quietly vulnerable personality of ms . ambrose .

1

the words , 'frankly , my dear , i do n't give a damn , ' have never been more appropriate .

0

it is just too bad the film 's story does not live up to its style .

0

skillfully weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .

1

a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .

1

. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it 's a beautiful madness .

1

the powerful success of read my lips with such provocative material shows why , after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers .

1

a mix of velocity and idiocy , this ruinous remake lacks the brawn -- and the brains -- of the 1970s original .

0

'they ' begins and ends with scenes so terrifying i 'm still stunned . and i 've decided to leave a light on every night from now on .

1

with a tone as variable as the cinematography , schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm .

0

nicks refuses to let slackers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fans of the gross-out comedy .

0

a romantic comedy , yes , but one with characters who think and talk about their goals , and are working on hard decisions .

1

. . . a story , an old and scary one , about the monsters we make , and the vengeance they take .

1

more timely than its director could ever have dreamed , this quietly lyrical tale probes the ambiguous welcome extended by iran to the afghani refugees who streamed across its borders , desperate for work and food .

1

brady achieves the remarkable feat of squandering a topnotch foursome of actors . . . by shoving them into every clichM-id white-trash situation imaginable .

0

friday after next has the same problem that next friday did -- it 's called where 's chris tucker when you need him ?

0

a lame comedy .

0

a spiffy animated feature about an unruly adolescent boy who is yearning for adventure and a chance to prove his worth .

1

full of flatulence jokes and mild sexual references , kung pow ! is the kind of movie that 's critic-proof , simply because it aims so low .

0

writer-director juan carlos fresnadillo makes a feature debut that is fully formed and remarkably assured .

1

ranges from laugh-out-loud hilarious to wonder-what- time-it-is tedious .

1

given the fact that virtually no one is bound to show up at theatres for it , the project should have been made for the tube .

0

an elegant and sly deadpan comedy .

1

it 's an 88-minute highlight reel that 's 86 minutes too long .

0

marshall puts a suspenseful spin on standard horror flick formula .

1

robin williams has thankfully ditched the saccharine sentimentality of bicentennial man in favour of an altogether darker side .

1

this limp gender-bender-baller from a first-time director and rookie screenwriter steals wholesale from that 1982 's tootsie , forgetting only to retain a single laugh .

0

shot in rich , shadowy black-and-white , devils chronicles , with increasingly amused irony , the relationship between reluctant captors and befuddled captives .

1

very solid , very watchable first feature for director peter sheridan

1

it does give a taste of the burning man ethos , an appealing blend of counter-cultural idealism and hedonistic creativity .

1

all 's well that ends well , and rest assured , the consciousness-raising lessons are cloaked in gross-out gags .

0

that 'alabama ' manages to be pleasant in spite of its predictability and occasional slowness is due primarily to the perkiness of witherspoon ( who is always a joy to watch , even when her material is not first-rate ) . . .

1

like the full monty , this is sure to raise audience 's spirits and leave them singing long after the credits roll .

1

there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present .

0

an absorbing trip into the minds and motivations of people under stress as well as a keen , unsentimental look at variations on the theme of motherhood .

1

merely ( and literally ) tosses around sex toys and offers half-hearted paeans to empowerment that are repeatedly undercut by the brutality of the jokes , most at women 's expense .

0