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The Vision of Father McGivneyRestoring The Knights Respond A Firm Foundation Starting Out Right Our Shepherds Speak Additional Member Benefits The Vision of Father McGivney Founded by Father a Catholic who discovered, explored, and colonized the North American continent. At the same time "Knights" would signify that the membership embodied knightly ideals of spirituality and service to Church, country and fellowman.. From such promising beginnings Father McGivney's original group has blossomed into an international society of more than 1.5 million Catholic men plus their families in more than 10,000 councils who have dedicated themselves to the ideals of Columbianism: Charity, Unity, Fraternity, and Patriotism. Today members of the Order are found in the United States, Knights'. The Order has donated more than $7 million to the U.S. bishops' Pro-Life education and public information campaign to date. activities director is an important part. (Follow this link for additional information on Order-wide vocations initiatives.)... "Don't keep the Faith--spread it!" long has been a guiding principle of the Knights of Columbus. More than the leadership of the Knights which finally succeeded in having the words "under God" inserted in the Pledge of Allegiance to the American Flag. To Top Restoring the Facade of St. Peter's Basilica Beginning. The Fraternal Survey. To Top Structure of the Order. Who Can Be A Knight? have a proud heritage. The qualified Catholic man can share in that heritage and build for an even greater future by affiliating himself with this forceful, effective body.. Supreme Council Programs. Insurance." Fraternal Benefit Programs MEMBER/SPOUSE FRATERNAL BENEFIT In recognition of the numerous contributions made by members of the Knights of Columbus, their spouses and families, to the welfare, growth and fnancial stability of the Order through their varied activities of fraternal and charitable works for the benefit of mankind; and in appreciation for their efforts expended in recruitment and council development; it was voted by the Board of Directors that a Member/Spouse Fraternal Benefit be given at no cost to all members (and their wives) in good standing, belonging to councils of and residing in the United States, Canada, Puerto Rico, the Virgin Islands or Guam, provided that the member's council also is in good standing.. The accidental death benefit will not be paid if death results from: suicide, self-inflicted injury while sane or insane; sickness or disease (except bacterial infection resulting from accidental cut or wound); war or act of war (declared or undeclared); flying, except as a fare-paying passenger on a regularly scheduled airline; and injury from driving or riding in a speed or organized contest. FAMILY FRATERNAL BENEFIT: Death Benefits -- Knights of Columbus provides: ORPHAN FRATERNAL BENEFIT Since the founding of the Order, Knights of Columbus has been especially concerned about welfare of the child who loses both parents. With this new program the Order once again demonstrates this concern for the offspring of eligible families by providing the following two benefits: Benefit Payments An Orphan Fraternal Benefit of $80.00 monthly is paid for support of each eligible orphan until he or she reaches age 19, graduates from high school, enters military service, marries, discontinues Knights of Columbus insurance, or no longer attends school (except if he or she has a disabling illness). If the orphan attends college or vocational/technical school fulltime, the Orphan Fraternal Benefit can continue to age 23. The child may be eligible for up to $1,750 each year in educational grants. The grants are based on financial need and will not exceed a maximum of $7,000 over a four-year period.. "Surge ... with Service". Membership Programsates the fraternal society and the practical activities open to the members. Productions have been distributed throughout the Order on such topics as the district deputy, the Service Program and special membership campaigns. Others are on the planning boards. Crusade for Life. Supreme Council Vocations Program-wide. College Councils. The Knights and Education In 1944 the Knights of Columbus established its millio. Student Loan Program. A Notable Victory. Vatican Film. Papal Film Library. Publications and Periodicals. War Against Pornography Recognizing the need for Knights to become involved in the battle against pornography, a program of partnership with Morality in Media was launched in the late 1970s. Based in New York City, Morality in Media is perhaps the foremost organization engaged in combating the spread of pornography. State and local councils are encouraged to affiliate with Morality in Media by taking out organizational memberships. Thus the councils benefit from the expertise, information and services provided by Morality in Media while assisting that organization in its work through their participation.. Bringing the Pope to the World: presented a mobile television production unit to the Vatican Television Center for the taping, recording and transmission of Vatican ceremonies and provided $250,000 to update its equipment; established the $2 million Count Enrico Galeazzi Fund for the Pontifical North American College for the benefit of the College, U.S. and Canadian Bishops and its priest-students; the Father McGivney Fund for the Collegio Pontificio Filipino; the Our Lady of Guadalupe Fund for the Pontifical Mexican College; and the Father McGivney Fund for Advanced Studies of Priests in Puerto Rico; underwrote the erection of the Chapel of Sts. Benedict, Cyril and Methodius, co-patrons of Europe, and the expansion of the Chapel of Our Lady of Czestochowa, both in the grottoes of St. Peter's Basilica, Rome; made a $2 million grant for the construction of the chapel in the new headquarters of the National Conference of Catholic Bishops dedicated to Mary, Mother of the Church, and identified as the "Knights' Chapel" in honor of former Supreme Chaplain, Bishop Greco; and raised $1 million for the Bishop de Laval Fund to help support the work of the Canadian Conference of Catholic Bishops; contributed $250,000 to the National Conference of Catholic Bishops for the Pope's 1987 pastoral journey to the United States, and $100,000 to the program on Catholic education conducted by the National Catholic Educational Association during his visit; have distributed millions of special Knights of Columbus rosaries at the rate of some 10,000 per month, especially to new members; support a multimillion dollar Student Loan Program for members and their children pursuing higher education, with all seminarians eligible; provide support for such varied apostolates as the Eternal Word Television Network; the National Clergy Conference on Alcoholism; Morality in Media; the National Catholic Office for Persons with Disabilities; the National Foundation for Mexican-American Vocations; the National Apostolate with Mentally Retarded Persons; provide $73 million-plus dollars in Church-related mortgages to Catholic dioceses and institutions at low interest rates;; allocated $900,000 to the Archdiocese for Military Services, U.S.A., for the purchase of a chancery office near Washington, D.C. Monies came from a fund established by the Order in 1987 to buy a chancery and provide for Spiritual needs of armed forces and embassy personnel; and sponsor Mass daily for deceased brother knights at St. Mary's Church in New Haven and enable widows of members to receive COLUMBIA magazine each month. The-wide-wide.. A Firm Foundation.5 million members since 1882 as in the fact that the laws of the society have served it well for over 112. Starting Out Right..) The Commandments of God are: 3.) The Commandments of God may be restated in simpler form: the "Greatest Commandment." The "Greatest Commandment" is: You shall love the Lord your God with your whole heart, your whole soul, your whole mind and you shall love your neighbor as yourself. 4.) It is difficult for an unaided human being to live up to the Commandments of God. To assist us in this regard Jesus has left us the Church and the sacraments. The sacraments are signs instituted by Christ to give grace. There are seven: Baptism, Penance, Holy Eucharist, Confirmation, Matrimony, Holy Orders and the. 5.) There are two kinds of grace. Sanctifying grace makes us holy and pleasing to God. Actual grace helps us to do good and avoid evil. 6.) The precepts of the Church are: (Note: The first six are traditionally considered to be the precepts of the Church.). 8.), therefore it is "universal," "worldwide." 9.) The seven capital sins are: pride, covetousness, lust, anger, gluttony, envy and sloth. 10.) The gifts of the Holy Spirit are: wisdom, understanding, counsel, fortitude, knowledge, piety and fear of the Lord. 11.) The rosary is a form of mental and vocal prayer centered on mysteries or events in the lives of Jesus and Mary. The mysteries are as follows:. Our Shepherds Speak I, you have given expression to your solidarity with the mission of the Pope. I see in your support a further proof - if further proof were ever necessary - of your awareness that the Knights of Columbus highly value their vocation to be part of the evangelization effort of the Church. ... . ADDITIONALMEMBER BENEFITS OF THE KNIGHTS OF COLUMBUS Columbia 12 free issues annually of the world's largest Catholic family magazine. Cath. Family Fraternal Benefit F or eligible families: a) Pays $1,500 for the child who dies before the age of 61 days; b) Pays $750 for the child who is stillborn at least 20 weeks after conception; c) Offers guaranteed-issue insurance up to $5,000 to any child under age 18..	afcef19a7d1e45bbba07cb32a09a088d	{ "token_count": 2062, "file_path": "/lingua/data/custom/90/train-00000-of-00001.parquet" }
Nutrient Dense Foods for Weight Loss Even though some extreme diet authors like to pitch a hardcore approach and like to eliminate entire foods groups, everyone needs nutrient dense foods for weight loss. Protein, fat, carbs, and dietary fiber our diets to support health and well being. The best resources for … Continue reading Nutrient Dense Foods for Weight Loss Copy and paste this URL into your WordPress site to embed Copy and paste this code into your site to embed	acdb1c8add1e407d910163fc054c8e62	{ "token_count": 92, "file_path": "/lingua/data/custom/29/train-00000-of-00001.parquet" }
US Team Advances to Medal Semi-Final as Undefeated No. 1 Seed Gray-Lawson Scores Nine in USA Victory over Poland One of the 50 greatest players in ACC history joins the Bears staff June 30, 2008 BERKELEY, Calif. - Jennifer Hoover, a 14-year NCAA Division I coaching veteran whose stops have included Virginia and Memphis, has been named an assistant coach of the California women's basketball team, head coach Joanne Boyle announced Monday. "I am excited to welcome Jennifer to the Cal family," Boyle said. "Jennifer has extensive experience in the business and brings a wealth of knowledge to our program. She has learned from some very well-respected head coaches and was recently named one of the ACC's all-time 50 greatest players. With her credentials of having been a great post player, and now having an established reputation as a great post coach, Jen will bring a level of knowledge and energy to an already established post group. She also has been very successful recruiting top players on the national scene, in particular during her time at Virginia. It is important to me to have the right fit for both my staff and the team, and I truly believe Jen is a wonderful person who will bring a lot to our team." Hoover comes to Berkeley after spending the 2007-08 season as the associate head coach at Memphis. She also coached at Memphis in 2002-03. "Coming to Cal is a great opportunity," Hoover said. "Joanne has an outstanding reputation and has accomplished a lot at Duke, Richmond and Cal. It is a golden opportunity to be on the staff of a team coming off an outstanding season and which is ranked as high as sixth in the preseason polls. It is a great chance to be part of a successful program that is doing things the right way. When I was looking at jobs, I realized there were only a handful of people I'd like to work for. To be able to work for a legend like Debbie Ryan (at Virginia) was a phenomenal experience. Now, to have a chance to work for Joanne, who I think is going to be a legend in her own right but is in the beginning part of that process, is an unbelievable opportunity. I'm also excited to be the post coach for an outstanding group of players, which includes All-Americans Devanei Hampton and Ashley Walker, and a promising young post in Rama N'diaye." Hoover, who also handled on-court coaching, scouting, player development and summer camps at Virginia, started her coaching career at the University of Missouri-Kansas City, working there from 1994-96 before becoming an assistant at Virginia Commonwealth for two seasons (1996-98). She then spent two seasons at East Carolina from 1998-00 before moving to James Madison, where she helped the Dukes Ryan's staff at Virginia. At Virginia, Hoover helped the ACC program to two 20-win seasons. and the 2006-07 ACC Rookie of the Year, Monica Wright. Wright was also a McDonald's All-American. In her playing days, Hoover was a three-time All-ACC honoree at Wake Forest. The forward/center still holds the Wake Forest career mark in points (1,728) and rebounds (1,006) and is the only women's basketball player at Wake Forest to surpass, Okla. She helped Wake Forest to the second round of the 1988 NCAA Tournament. Following her collegiate playing career (1988 graduated from Wake Forest in 1991 with a degree in communications. In 2002, Hoover was named one of the Top 50 ACC women's basketball players, an in 2007, she was selected to the Wake Forest Athletic Hall of Fame. Hoover and her husband John have one daughter, Maggie. Hoover replaces Lindsay Gottlieb, who was named head coach at UC Santa Barbara in May.	7b2b655df41b408ea5e6d5d1085e45eb	{ "token_count": 797, "file_path": "/lingua/data/custom/71/train-00000-of-00001.parquet" }
Jeers: To America for accepting illegal abandoned kids. They are breaking the law. Accept them and expect more to come. Cheers to California protesters for blocking the buses. When you get them on buses drive them back across the border where they belong.— Tuesday L. Peacock, River Oaks Jeers: To the tall, blond woman who was the first officer to respond to an accident in which my car was rear-ended. She was rude, had zero compassion and never asked for my side of the story. Luckily, officer Worth #4167 arrived, spoke with me and gave me his card. — Carolyn Gruensfelder, Fort Worth Cheers: To a Fort Worth cryotherapy business off of South Hulen Street for having wonderful owners that are very nice and flexible! I have excellent experiences every time I go! — Ashley Cox, Fort Worth Jeers: The Fort Worth Water Department for allowing any variances to business and residential customers under the current restrictions for watering. All customers should follow the rules, none of which are detrimental but necessary to conserve. — Nelda Martin, Fort Worth Jeers: To folks who use the paper and cardboard recycle containers found at schools and churches for their household trash and tree limb disposal. — Susan Wilson, North Richland Hills Jeers: To the city of Fort Worth for not providing permanent trash receptacles in the Panther Island parking and District #1 areas. The litter is a disgrace for an otherwise pleasant city in which to live. — Joanne Jones, Fort Worth Cheers: To the McDonald’s on West Pipeline Road in Hurst for their donation of sodas and bottled water for some tired, hot, thirsty firemen, policemen, and others who had worked a house fire on Fanning Drive early the morning of June 8th. We won’t forget you or your generosity. — Carol Pohorenec and Teri Pate, Hurst Cheers: To Andrea, manager at Regal Cinema Fossil Creek for being so gracious to a couple of dorks that failed to check their ticket stubs and wound up in the wrong theater showing a movie we did not want to see. You rock. — Nancy Watkins, Haltom City Cheers: To our Benbrook “Ann” for buying our dinner at Pulido’s on the evening of June 25. That was so thoughtful and much appreciated. You the girl! — H.H. and J.M. Johnson, Benbrook Cheers: to The Texas Porch Lizards (Mike Sonntag, Beth, Gary, Raphael and Angus) for a wonderful and intimate concert held on July 5 at the annex of the White Settlement Historical Museum. These talented musicians shared their passion for historical music and gift of musical ability for a small, but appreciative, crowd. — Judy Judd, Benbrook Cheers: to the nice couple in Wal-Mart at Part Vista and Basswood boulevards for paying for my groceries on my July 4 - 91st birthday. You made my day. — Christine Tipton, Watauga Jeers: To the woman in Sam’s Club parking lot on Bryant Irvin Road driving a Honda Element who left her dog in the car when temperature was 92 degrees on July 2. Neither she nor her friend showed concern when confronted. Jeers also to policeman who didn’t help. — Melinda Black, Weatherford Cheers: To Patrick at The Sprinkler Repair Man & Sons. On time, brought parts for the job, brought his own tools for the job, was very polite and personal, and did a great job. Sprinkler works great — Betty Harris, Fort Worth Cheers: To Dr. Griffin Murphey for meeting me at the emergency room on a Saturday evening when my abscessed tooth required additional attention. Having Dr. Murphey speak with the ER doctor certainly made me feel better. I came to him because my dentist was not available and I plan on staying! — Amber Hughes, Fort Worth Cheers: To Austin MacLean, Park Place Mercedes Fort Worth, for excellent service during my visit to get my vehicle serviced. Your courteous, welcoming service was very much appreciated. — Brenda Harris, Arlington Jeers: To the two TV stations that advertise the electrical repair service over and over and over. — Rita Meyers, Hurst Cheers: To Fort Worth Code Compliance, especially to code compliance officer Carman Ventura for getting a Greenland mowing problem solved in Villages of Sunset Pointe. Thank you Ms. Ventura for not giving up, and getting this high weed problem solved. Good job. — Margaret Fletcher, Fort Worth Jeers: To an Arlington car dealership. We’ve dealt with them twice, same results! Lied to, put on long holds ,hung up on, passed from person to person. Took one month, over 20 calls and finally went in person, to get a refund owed to us. Never again. — Sue Dukes, Mansfield Cheers: To Sgt. J. Rhodes of the Arlington Police Department for stopping and saying hello and shaking the hand of a senior citizen in southeast Arlington who was standing on her front porch. Made my day. God bless APD. — Carline Thomas, Arlington Cheers: To the downtown Texas Health Harris Methodist Hospital Fort Worth, the emergency room, Harris Progressive Care Unit, Alpha Omega Hospice, Cityview Care Center and all the caregivers that helped make mother’s last days comfortable. — Val Hunnicutt, Fort Worth Jeers: To the employees at the Cats’ stadium for not preparing for all the traffic this Fourth of July. We were stuck in traffic for two hours. Where are all the police officers to help direct traffic? This really put a damper on a great evening and we won’t be doing this next year. — Wendy Parker, Fort Worth Jeers: To Jon Daniels for forcing Nolan Ryan out of the Texas Rangers organization and giving us a 1980’s version of the Rangers, a sub-par team and near cellar in the standings. Don’t expect to be here long, Jon. — Robert Mehalick, Sr., Arlington Cheers: To Target Corporation for “asking” law-abiding citizens not to bring legal long guns into their stores. Jeers to Target for not having the backbone to tell everyone, “This is private property so you will just have to leave your guns, legal-or-otherwise, outside against the bicycle rack.” — Terry Schmidt, Fort Worth Jeers: To the parents that refused to control their children’s behavior during the K-9 presentation at the Watauga Library on July 2. It was very rude that people were talking and kids were climbing all over each other. Cheers to the police officer for working through it. — Denisha Ivey, Watauga Jeers: To the Arlington Fourth of July Parade for including an entry from the Sons of Confederate Veterans, complete with Confederate flags. The July 4th holiday’s purpose is to celebrate the patriots of 1776 who sought to establish a new, free country, as opposed to celebrating those in 1861 who sought to destroy that country. — Walter Slaven, Arlington Cheers: To Phil Collins for sharing his Texas Revolution artifacts with us. — Jeff Hamilton, Granbury Cheers: To the Fort Worth Parks and Community Service Department for exemplary maintenance of Trinity Park. Jeers to those individuals who discard their trash along the trails and roads of Trinity Park, rather than in the trash bins provided. — Sue King,	a5e4bd209f5a4767b8e4be93ee557d51	{ "token_count": 1507, "file_path": "/lingua/data/custom/37/train-00000-of-00001.parquet" }
With an initial print run of 2.5 million copies, Palin’s memoir, Going Rogue is a guaranteed bestseller. It is interesting to note that it is selling faster than Hillary Clinton’s memoir did in the days after its release and only moderately slower than Bill Clinton’s. Going Rogue has dominated the Amazon sales charts and remains today at #1. Clearly I am not the only one who likes Palin and neither am I the only one who is interested in learning more about her. Not by a long shot. This is not a memoir written by a politician in the twilight of her career, one who is reflecting on a long life in the public eye (as, for example, Ted Kennedy did very recently). Instead this is a memoir written by a woman who hopes that the best is yet to come. Because of this, the book often reads as an attempt to drum up support and to put to rest the tired old rumors and innuendo. We all know that she will be a front runner for the Republican presidential nomination in 2012 (though she obviously never says anything about it in the book) and it is clear that the book is part of a carefully-crafted advance campaign. She has the difficult task of attempting to win over the American people. She needs to tread carefully, drawing in the all-important evangelical vote but without alienating herself from others. She needs to be the all-American mom but without leaving the impression that all she can be is a mom. Palin positions herself as the anti-Obama, the anti-Democrat. Yet she also distances herself from much of the Republican party. She writes about her fiercely independent Alaskan spirit and her evangelical faith. She provides abundant examples of her leadership skills and her constant battles against corruption. She writes about the delight she finds in being both a mother and a career woman and defends her ability to do both with excellence. She does not quite seek to be all things to all men, but still she seeks to be the every-woman, or perhaps the any-woman. She portrays herself as a completely normal person who has been given remarkable opportunities. She writes often about her faith, though she is sure to mix in the occasional caveat (yes I believe in creation but don’t worry, I believe in evolution too) and the occasional “ass” or “hell” just to show that she isn’t one of those fundies. While she will discuss her faith, she says little of church or denomination or anything that might indicate that her faith is something more than personal. It is, all-in-all, a very carefully-crafted book that must have been vetted by long lines of politicos. Along the way Palin answers many of the charges against her. She writes about Troopergate (or Tasergate depending on the side you take), about her daughter’s pregnancy, about the firing of one of her subordinates, about her infamous and ill-advised interview with Katie Couric, about the birth of her son Trig and the ridiculous assertions that he was not her son at all. The bulk of the book is given to her weeks in the international spotlight as she joined the McCain campaign trail. There are some very interesting inside looks at life in that spotlight. She tells about having press releases dealing with her family released in her name even though she had not signed off on them. She talks about the campaign completely abandoning her the very moment the election was over. She writes about the constant and vicious attacks against her that she had to defend with her own money and how she spent over a half million of her own dollars simply to head off the worst of these. We see how some people will stop at nothing (nothing!) to implicate her in something (anything!) that will discredit her. The level of corruption in the American political system is both sickening and infuriating. Palin inadvertently raises some interesting issues for the Christian. Predominantly, Christians will need to consider the implications of having the most powerful woman in the world be a career woman who holds such a job despite having young children. While Christians will be pleased to be able to support a woman who is strongly pro-life, pro-family and pro-constitution, they will also wrestle with the fact that she will want to lead the country even as the mother of several young children. And Christians may wonder what she really believes and how strongly she believes it. She is anxious to win over evangelicals but in the end she offers little of spiritual substance beyond what we might expect from any American politician. After all, no President has yet denied being a Christian. Going Rogue is well-written and flows very nicely. I suspect that those who hate Sarah Palin will hate her even more by the time they read the last page, and I suspect that those who love her will love her all the more. Already the book has several hundred reviews on Amazon and, judging by the ratio of positive to negative reviews, they show the expected partisan spirit. Having finished this book I still like Sarah Palin. In my mind I have a difficult time picturing her as President of the United States of America, but I can’t deny that it would be awfully refreshing to see her bring just a little bit of common sense to the White House. Of course 2012 is still a long, long way away and a lot can change between now and then. But still, if half of what she says about herself is true and if she does half the things she claims she would do if given the opportunity to lead, well, we may all be a little bit better for it. Buy this one. I think you’ll enjoy it.	9e611de24ea34fdd9591a412a563574c	{ "token_count": 1138, "file_path": "/lingua/data/custom/47/train-00000-of-00001.parquet" }
Add UPnP support. Feedback is in logs as suggested by skid_au. The checkbox is still there, but mostly for people who would like to opt out (unfortunately, I can not be sure how this feature may behave for some routers - there's a hell of a lot of bad UPnP implementations.) The Visual Studio stuff is a little messy, so I apologize if anything is a bit off. I tested most configurations and it worked. I also tested CMake on Debian Wheezy, Ubuntu Saucy, and Mac OS X Mountain Lion. All seemed to be OK.	eb0daf25b315436095a3a0efb57afbd0	{ "token_count": 120, "file_path": "/lingua/data/custom/57/train-00000-of-00001.parquet" }
Cinnamon […] Tag Archives \| beverage Cinnamon Coffee (or substitute) Cardamom Coffee (or substitute) Cardamom coffee (or substitute) is a delicious vegan recipe for any time of the day, and it is also nice to have as a low calorie dessert or with a dessert. It is a quick and easy recipe that takes only about five minutes to prepare. We prefer using the coffee substitute such as a […]. […] _8<<. […] Roma Instant Beverage Roma instant beverage is a roasted grain beverage, which is made from roasted barley, roasted malt barley, roasted chicory, and roasted rye. Pictured here is a close-up view of Roma air dried crystals. According to the label, Roma is instant roasted grain beverage, which is made from roasted barley, roasted malt barley, roasted chicory,	2fc5ba355fe44ef8922d07e9ebc7a189	{ "token_count": 169, "file_path": "/lingua/data/custom/107/train-00000-of-00001.parquet" }
Micronizer systems improve the efficiency of the fuel treatment on ships and in power plants by simplifying the separator cleaning process and reducing hazardous waste. When used for fuel cleaning on ships, smart and space optimized IP54 FDU frequency drives are highly regarded for the savings they deliver in terms of operating and fuel cost. The end result is a reduction of hazardous sludge waste by approximately 20%.	804155d8faef4876bec9dfdb64ed4931	{ "token_count": 79, "file_path": "/lingua/data/custom/95/train-00000-of-00001.parquet" }
Q: What information do I need to obtain in order to get proof of my attorneys malpractice A: compensatory damages that is another thing altogether. You would need to show that the attorney breached the contract with yourself and failed to meet one or more of the Rules of Professional Responsibility that is outlined by Title 5 and the Oklahoma Bar. If you need help finding these call 918-884-7791 Boeheim Freeman.	4201cb68b60443c7aaf43aaee6c48550	{ "token_count": 88, "file_path": "/lingua/data/custom/101/train-00000-of-00001.parquet" }
Stink or not to Stink One of the biggest debates we hear with our beads is about how they are scented. This seems like it has been a debate before what seems the beginning of time. There are many scents to consider when fishing and they can be specific to individual fish species. You can buy anything from garlic, craw fish, shrimp or even coffee. Personally, I really never paid much attention to any of the scents for fishing. All I ever thought is that they made all your gear smell like you left the coffee shop or you were trying to keep vampires away. As an avid bow hunter I am probably one of the most scent conscious people you have ever seen. From scent free soaps, Ozonics and storage totes Being scent conscious has been a key to my success in the field. Most people look at me like I am crazy. When I put the amount of time that I do into controlling my scent, I have always tried to put the odds in my favor. It’s all about percentages to me. If I do 10 seemingly useless things 1% better, I feel I have a 10% or better chance than I did prior. So why didn’t I use scent or cover scent while fishing? To be honest with you it was straight laziness and I hated my gear spelling like crap all the time. Like for real who wants to go home smelling like dead crawfish. Enough of the B.S. lets get to why I made Death Roe soft scented beads smell like anise. Studies have shown that both trout and salmon’s key in on scents both good and bad. They are able to pick up on the chemical signals by pumping water through their olfactory systems via tiny hairs called cilia. It’s a proven fact that fish can detect odors as low as parts per billion. This is one way that salmon can smell where they were born to come back and spawn. Anise scent is a very powerful sweet scent that both trout and salmon species seem to like. They seem to like sweeter scents that mimic the taste of shrimp that taste is in their DNA, and derives back to their original origins eating shrimp and other crustaceans in the open ocean. Another big thing to circle back on is the cover up benefits that most people seem to miss. People don’t think about the gas station pump they touched on the way to go fishing or the grease on their hands from working on their vehicle from the night before. These scents are very unnatural to their habitat, unless you fishing Onondaga Lake here in NY. Not only does our scent help attract fish, it helps cover unnatural orders. The anise scent that we use is 100% pure anise oil, this stuff is very strong and one of the most expensive components in our product. We strongly believe this is one of those things that increase your percentages. The majority of your strikes will be visual strikes but the combination of the soft scented bead will make them hold on longer.	cc946cbb55514b3e86171689bd5b3d19	{ "token_count": 611, "file_path": "/lingua/data/custom/66/train-00000-of-00001.parquet" }
Treatments Elevation Infusion Services provides all types of infusion therapy including, but not limited to: - Antibiotics, Antifungals, Antivirals - Anticoagulation - Antiemetics - Chemotherapy - Corticosteroids - Deferoxamine - Enteral Nutrition (Tube Feeding) - Factor Products - Inotropics - Immunoglobulin - Hydration - Pain Management - Remicade - Steroids - Total Parenteral Nutrition (TPN) - IV Fluids - IV Therapy - IV Vitamin Therapy - IV Infusion - Glutathione IV - Skin Lightening IV - Hangover IV - IV Hydration Therapy - IV Fluids for Dehydration We provide infusion therapies to patients with acute and chronic conditions including: - Alpha-I Antitrypsin Deficiency - Cancer - Crohn's Disease - Heart Failure - Immune Deficiencies What Is Infusion Therapy? The most common type of infusion is intravenous (IV) therapy, which involves the administration of medication directly into the blood stream by a needle or catheter. It is prescribed when medications are not effective when given by an oral route. Infusion therapy is administered in a hospital, physician’s office, or a skilled nursing facility. However, patients who are able to administer their own therapy may prefer to receive their infusions at home. Receiving infusion therapy at home is the best option for many people, especially for those facing a chronic illness, recuperating from surgery, or being treated for an infection. Infusion therapy is a safe and cost-effective alternative to an extended hospital stay or placement in a nursing home. This allows individuals to maintain their normal daily activities.	51f49c879baa4df989ced8c1c182457a	{ "token_count": 366, "file_path": "/lingua/data/custom/80/train-00000-of-00001.parquet" }
There was little doubt the Coys Auction at Alexandra Palace in London on Oct. 29 would serve as the highlight to the weekend’s Classic & Sports Car Show, one of England’s premier vintage motoring events sponsored by the eponymous publication. What transpired, however, was a surprise, as the auction house shook off lingering concerns about Brexit’s effect on the collector market, delivering solid results across the board. In keeping with Britain’s fascination with celebrity, as anyone who has read the local tabloids can attest, the top sale of the day went to a vehicle with legitimate star power--a 1971 Lamborghini Miura P400 S first owned by Sir Rod Stewart. Regardless of your thoughts regarding the Scottish rocker, his Miura was definitely sexy, resplendent in Blue Notte and upgraded to SV specification during subsequent ownership. Given its provenance and condition, the final price of £925,800 (US $1,126,350) almost seems like a bargain, even though it represents a significant premium when compared to other contemporary model results, making this a rarity well bought and sold for both the buyer and seller. For more modern musical enthusiasts, there was the 1972 Maserati Ghibli 4.9 SS, which had spent a considerable portion of its life with Adam Clayton, drummer for U2, Ireland’s most significant export since Guinness was first bottled in Dublin and sent overseas. One of only eight examples originally produced in right-hand drive, it was in outstanding condition and had a sheaf of service receipts and records to back up the claim of fastidious maintenance, making it very well bought at £309,800 (US $376,909). In a different vein but with no less historical significance was the 1970 Range Rover Classic, which laid claim to being one of the earliest examples remaining in existence. The 26th example ever built, and the first of a series of 20 press vehicles, this immaculate off-roader was retained by Land Rover until 1973, when it was sold to a company specializing in ambulance conversions. Thankfully, this early car was spared such ignominy, eventually finding its way to an owner known for his extensive Range Rover collection, who restored it to as-built condition, complete with many of the bespoke preproduction parts that were fitted from new. With ratty and rough examples available for a song, the £91,400 (US $111,199) may seem steep, but for what this car represents, it was a fair price paid. After all, what price should be paid for a piece of history? In terms of history, the 1964 Aston Martin DB5 remains an icon, as much for its star turn as James Bond’s mount in “Goldfinger” and “Thunderball” as for its stunning performance and voluptuous styling. Wearing a distinctive registration plate (VEV 2) and an attractive, albeit nonoriginal shade of California Sage Green, this well-maintained example was under single ownership from 1972 until 2016. Against a presale estimate of £525,000 to £625,000 (US $638,726 to $760,388), the £425,000 (US $517,064) paid may seem light, but it was in line with its condition as a somewhat scruffy driver, putting the price in proper context. With a busy calendar that will see another event in just a few weeks, the True Greats Sale on the grounds of The Royal Horticultural Society in London at the beginning of December, Coys is poised to improve upon on what has already been a successful year, leaving us to wonder what is in store for 2017. Photos courtesy of COYS.	290c0ed4658f408a91c5fa7c9be4f7af	{ "token_count": 760, "file_path": "/lingua/data/custom/46/train-00000-of-00001.parquet" }
The Rim luminaire is a multi-use pendant, surface and wall mount luminaire designed to deliver even illumination. It is available in two formats (14" & 21" diameters) and the slim cross-section remains ADA compliant when used on the wall. All electrical components are easily accessible through the front of the luminaire. The judges admired the appearance, color qualities, and light output of this decorative luminaire, commenting "simple and clean design that performs well." However, the high cost was mentioned as a concern. Model Number: 4404B Light Output: 1804 lumens Input Power: 28.21 watts Efficacy: 63.95 lm/W Power Factor: 0.996 CCT: 2980K CRI: 83.1 Testing Lab: UL-LTL Testing Number: 655824; 655825 Last Updated: January 2017 Security & Privacy	07fc0bd8639547eeb95cfacbccc32551	{ "token_count": 195, "file_path": "/lingua/data/custom/24/train-00000-of-00001.parquet" }
“Confidence, like art, never comes from having all the answers; it comes from being open to all the questions.” ~Diogenes Laertius, 3rd century AD Greek author I think I have a reasonable amount of self-awareness; in fact, I probably have more than most people do. That’s not to say that I don’t have my blind spots. I do, of course—more of them than I like to believe possible—but I’ve put a lot of effort into self-analysis and self-knowledge over the years, and I think that has made me more self-aware than most people realize. The issue with this self-awareness is that it has always been pre-filtered through my inner self-critic before being processed in any way. Naturally, this has tainted my self-awareness with a rather warped view of who I am and how I function, and this warping is in a consistently negative direction. As hard as it may be to believe, my inner self-critic actually has my best interests at heart, and that is precisely what makes this voice so hard to combat. You see, if I can be the first to find a fault, then - I have a chance to fix it before anyone else notices and comes to criticize me for it, and - if someone else does criticize me for it, it hurts less if I have already found that fault first myself. The problem is that this protective strategy just isn’t working. I never manage to fix my faults well enough to avoid the criticism of others, and people still find so many things to criticize about me that I had not considered to be faults. So I wound up with this constant stream of internal criticism wearing me down without it providing any protective benefit. Therefore, I’ve decided that it’s time to change my approach. First, there is no protection from criticism from others, especially not for someone like me who tends to wander outside the lines of “normal” for our culture. Nothing I do will ever stop the flow of criticism. The only thing I can do is learn to let it be the criticizer’s problem, not my own. I’m still not there yet, but I can at least see the goal. That’s a start. Second, I am learning to set aside the inner critic and pay more attention to what I call my inner observer. This observer is detached but curious watcher. This part of me simply observes what I do, what I say, how I feel, what I think with no agenda other than curiosity. When an emotion arises in a situation, she simply observes the emotion and what prompted it and seeks to understand the connection. Why that emotion and not another? What is the emotion telling me about this situation? About me? About my needs? There’s no judgment of good or bad, just curiosity. The lack of criticism and judgment in this approach has allowed me to be “open to all the questions” that arise from my experience of life. When my self-critic was in charge, there were questions I was afraid to go near because of the self-criticism that might result, and there were questions that I simply never considered because looking for faults was always the primary concern. There are still moments when my observer notices my self-critic taking over, but even then the effect is muted because my observer-self is able to approach even that circumstance with a detached curiosity. “Hmmm … my self-critic just showed up. I wonder what in this situation prompted that response. What benefit am I hoping to gain in this moment from my self-criticism?” Even this much detachment is already beginning to slowly un-warp some of my self-awareness. I am learning much from this approach to life. I still often find that I don’t know the answers to the questions that my observer-self raises, and I will likely never have all of the answers. More importantly, I think, is that I am asking questions that I never thought to ask before. I am pondering others that I once would have shied away from. Assuming Diogenes Laertius is right, this increased openness to all of the questions should lead toward an increased confidence. In this case, self-confidence. My observer-self is already curious to see where this approach will take me. Curious in a detached kind of way, of course. Kind of like a scientist studying the phenomenon that is me. Maybe that early training as a scientist will prove to be useful after all! Pingback: Synchronicity Friday 13 « Journey Through the Chrysalis Pingback: A reading confession « Journey Through the Chrysalis Pingback: How not to be afraid of your own life « Journey Through the Chrysalis Pingback: Baby steps to a new pattern « Journey Through the Chrysalis Pingback: Synchronicity Friday 16 « Journey Through the Chrysalis Pingback: I find it interesting « Journey Through the Chrysalis Pingback: I am not my ego « Journey Through the Chrysalis Pingback: The witness « Journey Through the Chrysalis Pingback: Pairing gentleness with honest observing « Journey Through the Chrysalis Pingback: Self-acceptance makes change possible « Journey Through the Chrysalis Pingback: Looking within « Journey Through the Chrysalis Pingback: Resisting hope \| Journey Through the Chrysalis Pingback: Exhaustion \| Journey Through the Chrysalis Pingback: Gratitude even-though-itis \| Journey Through the Chrysalis Pingback: Revolution underway \| Journey Through the Chrysalis	0ef4ff91b26f4d2bb895c8f15efc7e1b	{ "token_count": 1161, "file_path": "/lingua/data/custom/33/train-00000-of-00001.parquet" }
What is a bamboo and bamboo pillow? Bamboo naturally wicks moisture and heat. They also allow hot air to escape. Compared to other fabrics used to make pillows, bamboo may be better at keeping a sleeper’s head cool and dry so it does not affects the control of sleep and wakefulness. Bamboo is everywhere these days. Fibers from the fast-growing plant — which is technically a grass, not a tree — are turning up in clothing, bedding, building materials, and other goods, including pillows. Here’s information to help you understand because many a times obstructive sleep apnea can affect your life. Why we buy a bamboo pillow? There isn’t much solid research on the health benefits of bamboo pillows. But there is evidence that bamboo fibers — the ones used in bamboo pillows — have many of the qualities talked about - It is often helpful in health conditions, including attention deficit hyperactivity disorder (ADHD) and Parkinson’s disease. - Bamboo pillows are designed to offer you a truly restful and rejuvenating night’s sleep. Due to having work nights or rotating shifts have trouble staying awake or alert when you are supposed to work your shift. - Not only do they contain memory foam technology that confirms to the shape of your head and neck. But they’re suitable for everyone, whether you sleep on your side, back or front. - Compared to other fabrics used to make pillows, acute insomnia or adjustment insomnia, this is a brief episode of difficulty in sleeping. Bamboo may be better at keeping a sleeper’s head cool and dry. Woven into fabric, they also tend to be soft and lustrous, somewhat like cashmere or silk. How bamboo pillow is helpful in symptoms of sleep disorders? It’s partly made with bamboo fibers, which come from a crushed up, treated, and hardened mixture of bamboo leaves and trunk flesh. The bamboo portion of the pillow is in the casing, not the stuffing. - Advertisement - Bamboo pillows are designed to offer you a truly restful and rejuvenating night’s sleep. Symptoms unusual breathing patterns • unusual or unpleasant urges to move while falling asleep • unusual movement or other experiences while asleep • unintentional changes to your sleep/wake schedule • irritability or anxiety • impaired performance at work or school • lack of concentration • depression • weight gain Some potential health benefits are: Bamboo may be antibacterial and hypoallergenic. There’s some evidence that bamboo fibers naturally resist the growth of bacteria. This means they’re less likely to harbor microorganisms that could lead to illness or smelly odors. But some studies that have looked at bamboo have not found that it’s more anti-bacterial than cotton. There is also some evidence that bamboo really is less likely to cause an allergic reaction compared to some other textiles. Bamboo is easy to care for. Compared to cotton, bamboo materials are more wrinkle-resistant and less likely to shrink in the wash. Bamboo can be eco-friendly. From an environmental standpoint, there are a few more benefits of bamboo. Compared to trees, bamboo absorbs much more carbon dioxide a greenhouse gas — and makes more fresh oxygen. Bamboo also grows back much more quickly than most plants. It’s one of the fastest-growing plants in the world. It biodegrades easily, and it doesn’t need much water.In most cases, rainwater is enough to sustain bamboo growth. Unlike many other crops, bamboo doesn’t need any pesticide treatments. But so far, there’s really no good research comparing the health benefits of bamboo pillows to other types.	833bcc956d774648ab81907f373222d1	{ "token_count": 730, "file_path": "/lingua/data/custom/14/train-00000-of-00001.parquet" }
Soprano Sondra Radvanovsky has been hailed as one of the great Verdi singers of the new generation, critically acclaimed for her performances as Elvira in Ernani, Leonora in Il trovatore, Hélène in Les vêpres siciliennes and Elisabetta in Don Carlo. Her performance as Hélène in the rarely performed Les vêpres siciliennes at the Paris Opéra took the opera world by storm and her Elvira at the Metropolitan Opera elicited no less praise. In addition to being a winner of the 1997 George London Foundation Competition, Sondra Radvanovsky also won the 1995 Metropolitan Opera National Council Auditions and received first prize in the 1995 Loren L. Zachary Society Competition. A graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program, she has also undertaken advanced studies at Tanglewood Music Center and the University of Cincinnati’s College Conservatory of Music.	fdd11ebb97bb4d3fa4b7e491a6e0eae3	{ "token_count": 199, "file_path": "/lingua/data/custom/50/train-00000-of-00001.parquet" }
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PCI Compliance Definition If you accept, process, store or transmit credit, debit or prepaid card information, you must be Payment Card Industry Data Security Standard (PCI DSS) compliant. PCI compliance means meeting and constantly maintaining and monitoring a set of six security objectives agreed and enforced by the Payment Card Industry Standards Council (an organization founded by the leading card providers including MasterCard and American Express); in order to ensure cardholder transactions and associated data, including account numbers, cardholders’ names, card expiration dates or service codes are secure. The objectives cover network, systems, software and hardware security, employee training, the physical security of premises where transactions are handled, data storage, data access and reporting.	5fa6d2899dc046dc9fd181e8233c1890	{ "token_count": 141, "file_path": "/lingua/data/custom/108/train-00000-of-00001.parquet" }
Kobena Mercer, “Cosmopolitan Contact Zones,” in Afro Modern: Journeys through the Black Atlantic, eds. Tanya Barson and Peter Gorschlüter (Liverpool: Tate Liverpool, 2010), 40. Encouraging associations across periods, geographies, and mediums, this section draws together diverse contents from post. View all Themes.Show More. The long decade of the 1960s brought to the fore in Brazil and Sudan groundbreaking artistic practices with paralleling creative devices and political aims. The cases of the artists Rubem Valentim (Brazilian, 1922–1991) and Ibrahim El-Salahi (Sudanese, born 1930) are notorious examples given that, through their work, they delved into purposeful, career-long reformulations of native systems of communication and modernist artistic abstraction with direct stakes in the processes of decolonization, whether cultural or de facto, in their respective countries. For each of them, represented language served as a dual vessel for fertile artistry and engaged social commentary, a view that aimed to build an inclusive national identity while simultaneously exceeding the imagined boundaries of the nation-state. By showcasing an increased awareness of the intersections between aesthetics, politics, and race, Valentim and El-Salahi can be seen as part of a transatlantic semiotic and artistic ethos that supports and expands art historian Kobena Mercer’s claims of the existence of Afro-modern “cosmopolitan contact zones.”1 Understood as a model of cross-cultural and artistic translation in the Black Atlantic Diaspora, these resonances reflect a negotiation between the claims for anti-colonial nationalisms and the rise of institutionalized formalism in Western metropolitan art centers.2 The recent exhibition Histórias Afro-Atlânticas (Afro-Atlantic Histories), curated by Adriano Pedrosa, Ayrson Heráclito, Hélio Menezes, Lilia Schwarcz, and Tomás Toledo at the Museu de Arte de São Paulo Assis Chateaubriand (MASP), enters into dialogue with Mercer’s thesis on the existence of Afro-modern trends across the Atlantic. Here, the work of different Afro-descendant artists who, from Africa, Europe, and the Americas, were active between 1942 and 1975 is exhibited together following stylistic, conceptual, and biographical criteria.3 In the section “Modernismos Afro-Atlânticos” (“Afro-Atlantic Modernisms”), the work of Valentim and El-Salahi provides a valuable opportunity to explore what was, by the mid-twentieth century, an unparalleled artistic conversation between Brazil and Sudan. While including articles by notable researchers on African and global modernisms, such as Salah M. Hassan, the two-volume catalogue and anthology that accompanies the exhibition falls short in not providing a detailed analysis of how these artists can be thought of as part of an artistic continuum. This oversight is more pressing considering that Valentim and El-Salahi were displayed side by side in the exhibition Acervo em Transformação: TATE no MASP (Collection in Transformation: TATE in MASP.)4 With this in mind, this article presents a more detailed account of the underpinnings of such a comparison by considering Valentim’s untitled painting from 1956–1962 (hereafter Untitled) and El-Salahi’s The Mosque from 1964, both of which are in the collection of The Museum of Modern Art (MoMA).5 As I will argue, in these works, the artists strived to deconstruct and reassemble, through hybridized motifs and painterly abstraction, the semiotic signs belonging to the visual codes or alphabets commonly present in the cultural systems of their respective places of origin. Following the methodological approaches of art historians Iftikhar Dadi, Salah M. Hassan, and Kobena Mercer, who stress the importance of building non-Western narratives on the formation of global artistic modernisms, this analysis seeks to draw specific points of comparison in the development of the arts of Brazil and Sudan in the second half of the twentieth century. Throughout his career, Valentim, a nonacademic artist from Salvador de Bahia with a professional background in dentistry and journalism, recurrently explored the reimagining of the popular representations of orixás (gods) in Candomblé’s terreiros (sacred ceremonial spaces for worship) in conjunction with letters from the Greco-Roman alphabet. In Untitled, Valentim evidenced the central place these explorations held in his early career. Here, the artist included, for instance, a series of tridents and other trident-like structures that, at first glance, are references to the ferramenta (sacred tool) of Exú, a Candomblé deity known for his role as a messenger between humans and the divine. This same logic applies to the different sizes, colors, and positions of the symbol of the crescent moon, the representation of Iemanjá, the goddess of water and fertility. These figures, however, are often not unique in their compositional structures; they have been reimagined from the more traditional iconographies of Candomblé, and morphed into icons of interstitial and indeterminate qualities. Thus, while it could be useful to pin down the specific associations between these schematic figures and certain deities from within the Candomblé pantheon, the breadth and depth of Valentim’s artistic proposition notoriously exceed the realm of the spiritual and require further inquiry. An invaluable clue as to why these visual negotiations are present in Valentim’s art lies in his journals from the early 1960s, which evidence the methodic creative process behind a number of the artist’s early paintings.6 Within these pages, he displayed a conscious interest in developing a hybridized subject matter for his artworks, one at the intersection of the sacred and the secular, and within the realm of the linguistic. Valentim’s incursion into semiotic explorations is best seen in a page on which a series of consecutive symbols is laid out in a grid, thus presenting itself as a type of alphabetic system. What seems to resemble the letter E in lines five and six on this page, for example, demonstrates a hybridizing gesture between orixá-based iconography and written romance language. Furthermore, another page of an earlier diary from 1958 makes a reference to these symbols as “Signos Construídos” (“Built Signs”), a labeling effort that reasserts the artist’s interest in a multilayered process for adjudicating importance and meaning in this new visual language. This list notably includes "Formas Candomblé” (“Candomblé Forms”) and “Formas criadas mão livre” (“Forms Created Freehand”). Finally, in terms of the overall composition, the totemic and ceremonial qualities in the layout of these figures also resonate with the gridlike scheme in which written language organizes letters. It is nonetheless important to note that the agency and creative liberty present in Valentim’s refashioning of Candomblé symbolism is not exclusive to his work. On the contrary, this still seems to be the norm in the everyday life of terreiros, as priests commonly ask artists to create innovative and mixed representations of orixás to use in ceremonial worship.7 The work of the blacksmith and artist José Fernandes, who is also known as Zé Diabo, one of the seminal figures of nonacademic art based on the Candomblé religion, is illustrative of such a stylistic trope.8 What remains original in Valentim’s canvases within the Brazilian artistic context is, indeed, the hybridization of language, as well as—and this is no less important—their cohesive abstract style, which notably emphasizes a keen and recurrent exploration of geometrical compositions. This interest dialogued with the rise of geometric abstraction in Brazil, particularly in São Paulo from the 1950s onward, a movement Valentim increasingly assimilated and reformulated in his work after relocating to this city in 1957.9 This shift is best seen in the large geometric color surfaces that dominate the background composition of Untitled, while specific smaller figures, such as triangles, circles, and semicircles, establish an interaction through line work and color. Due to its overt spiritual connotations and direct relationship with Candomblé, Valentim’s work, as opposed to that of his contemporaries, such as Hélio Oiticica or Lygia Clark, has been posited by prominent intellectuals as an “anthropological” take on Brazilian geometric abstract art.10 This raises poignant questions about the historically fraught relationship between ethnographic perspectives and the art of the African diaspora. Because of Valentim’s widespread use of abstraction as a stylistic vessel, or as art historian Edward J. Sullivan argues, a “system of expression,” to speak about the secondary role of Afro-Brazilian culture in the visual arts, such a claim could be partially sustained.11 However, these interpretative models do not necessarily account for the complexity of Valentim’s semiotic interests, which were not only focused on the creation of a distinct type of Brazilian visual language. In fact, they openly strived to invite the artistic circles of São Paulo to a deeper understanding of Afro-Brazilian culture.12 By extension, his work also sought a more participatory position for Afro-descendant individuals in a country where prevalent and unsustained discourses around “racial democratic” equality exist—albeit the notion of “racial democracy,” or the idea that there are harmonious race relationships within the country, has long been in question.13 Originating in Salvador de Bahia, Valentim’s work would signal his awareness of a historical context within the fraught inner workings of a Republican political system, but also of himself as a diasporic subject with dual roots across the Atlantic. A page from his personal diaries from 1960–61, for example, attests to his interest in African politics, for one page features the word “Lumumba” over a series of concentric, fine-lined circles. The line work in this sketch differs noticeably from that of other drawings in Valentim’s diaries, which are noteworthy for their structured and methodic compositional elements including, for example, specific color-coding instructions. With this in mind, it is possible to posit that this piece hints at a meditative attitude, and perhaps also a rupture in Valentim’s creative synergy. At any rate, for its content and temporal correspondence to the making of the diary, the inspiration for this drawing can be safely attributed to the assassination of Patrice Lumumba, an independence leader and also prime minister of the Democratic Republic of the Congo, in 1961. It is likely that Valentim had access to news of this kind given that, at the time, several newspapers—including Notícias de Ébano (1957), O Mutirão (1958), and Níger (1960)—collectively known as the “imprensa negra” (black press) were being published in São Paulo.14 Even after the military coup of 1964 and the ensuing persecution of race activists, these publications would, by the end of the 1970s, pave the way for the reorganization of social movements against racism.15 This was particularly notorious in the work of the Movimento Negro Unificado (MNU), an organization that found inspiration in the American Civil Rights Movement and the struggles for independence in African Portuguese-speaking countries such as Guinea-Bissau, Mozambique, and Angola.16 Valentim’s sketch, then, captures, and to a certain extent, prefigures the growth of this transnational political effervescence in Brazil. It is precisely this exchange of information and political awareness that has motivated art historians and curators, including Mercer and Pedrosa, to recover the missing links to the arts of the Black Atlantic diaspora. By bringing to light these connections across the Atlantic, their projects help in reevaluating previously accepted art historiographical narratives of an exclusionary nature. Another fine example of the growing transnational consciousness around questions of race and inclusivity can be seen in the work of the Sudanese artist Ibrahim El-Salahi. Born in Khartoum and formally trained in painting at the Slade School of Fine Art in London between 1954 and 1957, El-Salahi achieved a unique style by deconstructing Arabic letters and calligraphy. This would not be the final destination of El Salahi’s artistic explorations in his early career, however, for the subject matter of his work at this time also incorporates crescents, arabesques, and certain African motifs, such as masklike objects.17 In his 1964 painting The Mosque, the conflation of these elements is perceptible in the interplay of sinuous lines and vertical figures painted in either black or dark brown throughout the canvas. The African-influenced elements are seen in the foregrounding of a human face on the right side. This figure is depicted in a schematic manner through the use of textured pigments. While in the calligraphic elements to the left, a focus on the negative spaces between figures reveals freehand gestures carefully placed against a light-blue-and-white background. The fusion of Arabic and African cultural elements present in this iconographic mixture makes it difficult to distinguish where one ends and the other begins, thus suggesting a deconstruction of original symbolic and religious connotations, even though the subject of the painting remains, indeed, a mosque. El-Salahi’s culturally hybridized style follows the steps of a previous generation of artists whose explorations sought the exaltation of the intricate design and poetic possibilities of Arabic language. This is the case of the Hurufiyya (also spelled Huroufiyah) movement of artists from the 1940s and 1950s, whose presence in Northern Africa and the Middle East was notable, as the case of the Iraqi-Syrian artist Madiha Umar (1908–2005) illustrates. For Umar, calligraphy’s sensuous pleasures laid on the mystical nature of what she called the “subtle balance of the mathematical and the free abstract element,” which also led her to use “the Arabic alphabet as a basis for abstract painting, gradually developing it from plain surface manipulation into the more expressive dynamic movement of a thought in a picture.”18 Art historian Salah M. Hassan has identified other precursory figures at work on similar semiotic strategies in Sudan, including the painter Osman Waqialla (1925–2007), whose work eventually led to the creation of the Khartoum school, an art movement with which El-Salahi was associated from its inception.19 The work this loose collective of artists envisioned was a typically hybrid Sudanese visual identity, one that, at least in the case of El-Salahi, would unite seemingly disparate Arabic and African cultural traits present across Sudanese territory with the aim of better understanding the region’s local culture and heritage.20 El-Salahi’s composite iconographies, such as those present in The Mosque, attempted, as the artist has asserted, “to create a new visual alphabet incorporating a contemporary artistic concept” exploring “the symbolic potential” of visual hybridization.21 However, this did not necessarily imply an interest in the total secularization of this painting, as stated previously, since the composite artistic gestures present in The Mosque, although notable for describing El-Salahi’s work, should not be confused with the overall intention of the piece, which remains primarily devotional. A 1965 annotated sketch of The Mosque, in fact, reveals that the composition also includes clearly defined religious calligraphic inscriptions, which are not recognizable at first glance given that they blend with the other motifs in a subtle interplay of line, color, and texture. In effect, the upper section of the drawing outlines the Arabic characters for “Alive Never Dies (One of the Names of Allah)” and describes them as included in relief in the actual painting, a fact that is corroborated upon a closer look at the work. With this in mind, the recent assessment by Amir Nour (born 1939), artist and professor of fine arts and former member of the Khartoum school, of El-Salahi’s work as “reflecting an influence of traditional African carvings rather than Arabic art of calligraphy” seems unsustained.22 Further, notable descriptive elements in this drawing reassert the presence of other traditional African motifs, such as two decorative tassels, one “actual” and the other “fantasized,” emanating from the masklike figure on the right side of the canvas, as well as the sinuous silhouette of a “woman” on the right, and that of an indeterminate “figure” on the far right. In their anonymity, elongation, and schematic plasticity, they could possibly be referencing nineteenth- and twentieth-century sculptural wooden carvings from either the Bari or Bongo peoples of Sudan. The artist’s attention to the details on the architectural elements is also worthy of mention as it not only corroborates that the form at center stage is a highly abstracted mosque, but also points to the depiction of a “minaret” and a “screen of lights,” in reference to the structure’s architectural elements, or of a “carpet,” as the colorful gridlike formation suggests. In spite of El-Salahi’s notated description, all of these elements are the result of an imaginative process in which he combined the real and fictional, describing them as “glimpses of alien worlds as a child and as an adult.” Furthermore, for this specific piece, El-Salahi stated: “No particular model or scene had been used for this painting. Just a group of faraway recollections. They seem to dominate my thinking when I feel the urge to paint. I have found out through living with myself all these years that I am possessed by something I don’t know what.” He goes on to say, “[T]his work is one of a group that has come through following a series of dreams I have had after the death of my father in mid October 64 [sic].”23 By tapping into the supernatural and the unconscious, El-Salahi has been consistent throughout his career, and The Mosque is no exception, in exploring the limits of what he calls “human rational cognition” by “leaving behind the rational pulse of the conscious mind” and placing emphasis on the “invisible and metaphysical.”24 Through these visual dialogues, El-Salahi, as well as founders and members of the Khartoum school, reacted to the aftermath of Sudan’s independence from British and Egyptian colonial rule in 1956. According to art historian Salah M. Hassan, El-Salahi was able to create an artistic corpus that resonates with the work of other African modern artists, such as the Armenian-Ethiopian Alexander “Skunder” Boghossian (1837–2003) and the South African Ernest Mancoba (1904–2002).25 Through their shared artistic style featuring, among other elements, earthy tones and abstract textural work, these individuals simultaneously sought to build, in imaginative aesthetics, a national identity after the rupture brought by the postcolonial movements of the 1950s and 1960s in the African continent.26 Similarly, art historian Iftikhar Dadi argues that thinking about El-Salahi within a nationally based geographical model is limiting in terms of interpreting his work, which resonated not only with artists affiliated with the Hurufiyya movement, but also with other artists from the Arab world, for instance in Iran, Iraq, and Pakistan, who were also invested in creating a modern language through calligraphy.27 Their work, much like El-Salahi’s, sought to recover a type of visual expressivity that had been repressed under colonialism while conversing with larger trends of metropolitan and cosmopolitan modernisms.28 In this sense, Dadi argues, El Salahi’s work, though nationally based, also strived to explore universal values exceeding his particular context and, as such, he could be thought of as a West African and Arab artist as much as a Sudanese one.29 It is precisely the mixture and indeterminacy of the connection between linguistics and imagery, together with the engagement with a Pan-African and Pan-Islamic artistic conversation, that El-Salahi deems as the core feature, and also legacy, of his lifelong career as a visual artist.30 As I have discussed thus far, it is possible to discover continuity in Rubem Valentim’s and Ibrahim El-Salahi’s work across a transatlantic axis given that their shared interest in building more comprehensive and cohesive national identities was pursued through strikingly similar creative processes featuring hybridized semiotics and painterly abstraction. To this end, it is pivotal to highlight two instances in which the artists geographically coincided in the period when the works Untitled and The Mosque were made. In 1962, UNESCO awarded El-Salahi a scholarship that allowed him to travel to South America, in particular to Peru, Mexico (where he met the artist Rufino Tamayo [1899–1991]), and Brazil.31 Although the specifics of this trip remain unclear, his passing through Brazil involved some time in Rio de Janeiro and one day in Brasilia.32 El-Salahi was interested in visiting Salvador de Bahia, commonly known as the Mecca for black culture in the Americas, although time constrictions prevented this.33 Nonetheless, the year 1962 remains crucial since the artists coincided in Rio de Janeiro: Valentim’s travels to Europe would not start until he was granted a foreign travel prize for his participation in the XI National Salon of Fine Arts in 1963.34 Four years later, in April 1966, after both Untitled and The Mosque had been finished, Valentim and El-Salahi coincided yet again, this time as representatives of their countries to the First World Festival of Negro Arts in Dakar, Senegal.35 This major event took place after Senegal’s independence from France under the mandate of Léopold Sédar Senghor, a key proponent of the Négritude movement. Both organizers and attendees sought to further transnational collaborative efforts for integration between African and African-diasporic nations.36 This was a particularly interesting time for such connections to take place. On the one hand, Brazil, at the time under a military dictatorship that lasted from 1964 to 1985, had shown little interest in Afro-Brazilian culture until African independence movements consolidated.37 Sudan, on the other hand, torn by a protracted civil war between its Northern and Southern Arab and African constituents (1955–1972), had just transitioned to a multiparty democratic system that would last only briefly—from 1964 to 1969, when Colonel Gaafar Mohamed el-Nimeiri seized power.38 Though it remains to be elucidated whether Valentim and El-Salahi personally met, their itinerancies, together with their works and creative processes, point at a decided social consciousness of their subjectivity as black artists—albeit of notably different kinds—at the interstices of a politically strained cultural milieu. Under this light, the resonances between Valentim’s and El-Salahi’s artistic proposals constitute clear indications of a transatlantic and interrelated growing awareness of hybridized black identities in both Africa and Latin America. As a result, this comparative analysis converses and deepens art historian Kobena Mercer’s claims on the existence of “cosmopolitan contact zones” between the United States and the Caribbean during the 1940s. For Mercer, these interactions created a distinct type of Afro-modernism that acknowledged and controverted its historically subordinated and diasporic condition.39 Very much in line with Iftikhar Dadi’s writing, Mercer claims that the nationalist perspective ascribed to black artists working in this period is limiting and, therefore, requires broader frameworks of analysis.40 The conflictive tensions between these artists’ negotiations with anti-colonial nationalism and the prevalence of a formalist narrative in modern art point at the possibility of establishing these models of cosmopolitan cross-cultural translation.41 Thus, the south-to-south resonances between Valentim and El-Salahi speak of simultaneous searches for similar avenues of creation responding to the presence of pervasive and systematic racial exclusions from colonial and neocolonial contexts of domination. By re-signifying, under the tenets of painterly abstraction, the imagery of the Afro-Brazilian religion of Candomblé and the Greco-Roman alphabet in the case of Valentim, and African visual motifs with Arabic calligraphy in the case of El-Salahi, both artists aimed to build powerful tools of cultural and political resistance.42 Through their art, both reasserted their positions as national and transatlantic individuals mindful of the historical processes leading to the sociopolitical turbulences of their regions while simultaneously reclaiming a space for creative agency.43 Kobena Mercer, “Cosmopolitan Contact Zones,” in Afro Modern: Journeys through the Black Atlantic, eds. Tanya Barson and Peter Gorschlüter (Liverpool: Tate Liverpool, 2010), 40. Ibid. Adriano Pedrosa and Tomás Toledo, “Modernismos Afro-Atlânticos,” in Histórias Afro-Atlânticas, vol. 1, Catalogo, eds. Adriano Pedrosa and Tomás Toledo, exh. cat. (São Paulo: MASP, 2018), 314–15. Mounted in Lina Bo Bardi’s characteristic glass easels, this pairing addresses a comparison between Rubem Valentim’s Composição 12 (1962) and Ibrahim El-Salahi’s They Always Appear (1964). A photograph of the images in situ is posted on Adriano Pedrosa’s public Instagram account, which can be accessed here. The MASP has also recently inaugurated the retrospective show Rubem Valentim: Construções Afro-Atlânticas (Rubem Valentim: Afro-Atlantic Constructions). This comprehensive exhibition project promises to further illuminate Valentim’s relevance and historiographical importance to national and transnational modern art. Rubem Valentim’s Untitled and 2X-2, a painting from the 1960s, entered MoMA’s collection as part of a 2016 gift of more than one hundred works of modern and contemporary Latin American and Caribbean art from the Colección Patricia Phelps de Cisneros. This donation also sparked the creation of the Cisneros Institute, an entity at MoMA dedicated to the study of the art from this region. I would like to stress the generosity of Laurent Sozzani, a private conservator in Amsterdam, for sharing pictures of Rubem Valentim’s journals, which were instrumental in the development of my argument. Daniel Dawson, adjunct professor in the Institute for Research on African American Studies, Columbia University, in conversation with the author, September 12, 2018. Ibid. Kimberly L. Cleveland, “Candomblé as Artistic Inspiration: Syncretic Approaches,” in Axé Bahia: The Power of Art in an Afro-Brazilian Metropolis, eds. Patrick A. Polk et al., exh. cat. (Los Angeles: Fowler Museum at UCLA, 2018), 219. Gabriela Rangel Mantilla, “Rubem Valentim,” in Geometric Abstraction: Latin American Art from the Patricia Phelps de Cisneros Collection, exh. cat. (Cambridge, MA: Harvard University Art Museums, 2001), 258. Edward J. Sullivan et al., Brazil: Body & Soul, exh. cat. (New York: Guggenheim Museum, 2001), 361. For Emanoel Araújo, this is perhaps best seen in Valentim’s interest in the creation of a distinct style of Brazilian art that he dubbed “Riscadura Brasileira” (“Brazilian Graphics”), which would be anchored in ritual ideograms, Afro-Brazilian roots, and an internationally intelligible syntax. See Emanoel Araújo, “Exhibiting Afro-Brazilian Art,” in ibid., 323. Alexandre Emboaba Da Costa, “Confounding Anti-Racism: Mixture, Racial Democracy, and Post-Racial Politics in Brazil,” Critical Sociology 42, no. 4–5 (July 2016): 496. This historical context also resonates with Paul Gilroy’s notion of “postcolonial melancholia,” which he defines, thinking specifically about the aftermath of the disintegration of the British Empire, as a persisting and recurrent dynamic of racial segregation embedded in policy making and everyday life in the United Kingdom. In the particular case of Brazil, it seems that the remnants of the historical and cultural impetus of imperial exclusion from its colonial past take root in the form of a neocolonial strategy for domination of disenfranchised societal groups as the notion of “racial democracy” arises in the twentieth century. See Paul Gilroy, Postcolonial Melancholia (New York: Columbia University Press, 2004), 98–106. Petrônio Domingues, “Negro no Brasil: Histórias das lutas antirracistas ["Black in Brazil: History of the Fights against Racism],” in Histórias Afro-Atlânticas, vol. 2, Antologia, eds. Amanda Carneiro and Adriano Pedrosa (São Paulo: MASP, 2018), 460–61. Ibid. Ibid. Salah M. Hassan, “Ibrahim El-Salahi and the Making of African and Transnational Modernism,” in Ibrahim El-Salahi: A Visionary Modernist, eds. Salah M. Hassan and Sarah Adams, exh. cat. (New York: Museum for African Art, 2012), 18. See also Dadi, “Ibrahim El Salahi and Calligraphic Modernism,” 555. Madiha Umar, “Arabic Calligraphy: An Inspiring Element in Abstract Art (1949–1950),” in Modern Art in the Arab World: Primary Documents, eds. Anneka Lenssen, Sarah Rogers, and Nada Shabout (New York: The Museum of Modern Art, 2018), 141–42. Hassan, “Ibrahim El-Salahi and the Making of African and Transnational Modernism,” 15–17. Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose, Tate Modern, July 5, 2013. Hassan Musa, a Sudanese artist who studied under El-Salahi at Gordon Memorial College, home of the Khartoum school, has notably expressed his discontent with the confinement of African shared cultural traits to a number of homogenizing motifs. This resistance toward cultural reductionism characterized the views of the generation of artists that succeeded El-Salahi’s and who self-identified as the Crystalist group. For more on this tension, which has been posited as productive and beneficial for Sudanese art by both parties, see Hassan Musa, “The Wise Enemy: Between Artist of the Authority and the Authority of the Artist,” in Ibrahim El-Salahi, 69–79; Hassan Abdallah et al., “The Crystalist Manifesto (1976),” in Modern Art in the Arab World, 393–401; and Anneka Lenssen, “‘We Painted the Crystal, We Thought About the Crystal—The Crystalist Manifesto (Khartoum, 1976) in Context,” The Museum of Modern Art, post, April 4, 2018 [last viewed October 12, 2018]. Ibrahim El-Salahi, “The Artist in His Own Words,” in Ibrahim El-Salahi, 88. Amir Nour, “Three Years of Teaching Art in Khartoum, 1962–65,” in Modern Art in the Arab World, 141–42. Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Ibrahim El-Salahi for The Museum of Modern Art Collections Records, November 2, 1965. Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Hassan, “Ibrahim El-Salahi and the Making of African and Transnational Modernism,” 11. Ibid. Iftikhar Dadi, “Ibrahim El Salahi and Calligraphic Modernism in a Comparative Perspective,” South Atlantic Quarterly 109, no. 3 (Summer 2010): 559. These artists notably included Sadequain Naqqash in Pakistan, Charles Hossein Zenderoudi in Iran, and Shakir Hassan Al Said in Iraq. Ibid., 560. Ibid., 566. Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Nour, “Three Years of Teaching Art in Khartoum,” 211; Ibrahim El-Salahi for the Museum of Modern Art Collections Records, November 2, 1965; and Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Also, it is worth mentioning the fact that, in 1964, two years after his UNESCO sojourn, El-Salahi traveled for a year in the United States as a Rockefeller fellow in art. During this time, the artist met with seminal figures such as Romare Bearden from Spiral, a group of African American artists active during the first half of the 1960s, and Alfred Barr, Jr., at the time director of MoMA, and he was supposed to meet with Malcolm X, who was assassinated one week before El-Salahi’s arrival. See Ibrahim El-Salahi interviewed by Sarah Dwider, Solomon R. Guggenheim Museum, December 13, 2016; Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Ibid.; and Cleveland, “Candomblé as Artistic Inspiration,” 208. Mantilla, “Rubem Valentim,” 258; Kimberly L. Cleveland, Black Art in Brazil: Expressions of Identity (Gainesville: University Press of Florida, 2013), 33. Mantilla, “Rubem Valentim,” 258; Ibrahim El-Salahi, interviewed by Salah M. Hassan and Elvira Dyangani Ose. Anthony J. Ratcliff, “When Négritude Was in Vogue: Critical Reflections of the First World Festival of Negro Arts and Culture in 1966,” Journal of Pan African Studies 6, no. 7 (February 2014): 168. Kimberly L. Cleveland, “Afro-Brazilian Art as a Prism: A Socio-Political History of Brazil’s Artistic, Diplomatic and Economic Confluences in the Twentieth Century,” Luso-Brazilian Review 49, no. 2 (2012): 103. Anneka Lenssen, “‘We Painted the Crystal, We Thought About the Crystal—The Crystalist Manifesto (Khartoum, 1976) in Context,” The Museum of Modern Art, post, April 4, 2018 [last viewed October 12, 2018]. Mercer, “Cosmopolitan Contact Zones,” 40. Ibid. Ibid., 41. El-Salahi’s political beliefs root for the self-determination and unity of Sudan, and his artistic work reflects broader historical tendencies of an anti-colonial nature catering to the political needs of an increasing pushback for self-determination of the Arab, African, and transatlantic worlds. However, it should be noted that the artist also worked for the Sudanese government in various capacities. Most remarkable was his appointment as assistant cultural attaché to the Sudanese embassy in London from 1969 to 1972, and his position as minister of culture, a post he held until 1975. After this, El-Salahi was imprisoned for six months by al-Nimieri’s regime, a traumatic event leading the artist to a self-imposed exile from Sudan after his liberation. Sign in or create your account to participate in the discussion. Modernism and Concretism in Brazil: Impacts and Resonances	4dcc0ffc34b94e15aa621284f64e306c	{ "token_count": 7612, "file_path": "/lingua/data/custom/12/train-00000-of-00001.parquet" }
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April 14, 2009 ECW 14, 2009 Edition of ECW is a Professional wrestling television show of the WWE's ECW brand, took place on April 14, 2009. Results - Numbers in parentheses indicate the length of the match. - (c) refers to the champion(s) heading into the match. - Singles Match: John Morrison defeats Evan Bourne (17:17) - Singles Match: Vladimir Kozlov defeats David Floridia (1:04) - Elimination Chase Triple Threat Match: Finlay (w/ Hornswoggle) defeats Christian and Tommy Dreamer (14 #149	b04a513708614ad0982c48501b15f318	{ "token_count": 131, "file_path": "/lingua/data/custom/100/train-00000-of-00001.parquet" }
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One more thing Etihad expands in Dublin; Patrick Honohan on the differences between economists and regulators; Bunworth bids farewell Etihad expansion WHILE MOST airlines are cutting back their activities at Dublin airport, Abu Dhabi-based Etihad continues to expand. Its Irish-born chief people and performance officer Ray Gammell was in town this week for the launch of a line maintenance facility at Dublin airport, which will employ three engineers and two technicians. While small in terms of numbers, it’s a significant move by Etihad, marking just its fifth such facility outside Abu Dhabi. Initially it will handle Etihad’s own A330-200 aircraft, but it plans to offer the maintenance service to other airlines over time. Etihad has gradually been building its presence here. In March, it increased the number of flights it operates from Dublin to 10 a week for the summer season. Gammell says this schedule would be maintained during the winter. “The route is going well for us,” he said over a coffee in the Morrison Hotel this week. “Our loads are consistently 80 per cent upwards.” Since launching the Dublin- Abu Dhabi route in July 2007, Etihad has carried 380,000 passengers. About 70 per cent of this traffic is using Abu Dhabi as a hub to transit on to Asia and Australia. The Greystones native declined to comment though on whether the Dublin route makes a profit. “We focus on filling the aircraft,” he said. In August, Etihad plans another roadshow here to interview for cabin crew for its global network. It plans to add 10 new aircraft to its fleet over the next 18 months, and needs to recruit 750 staff worldwide. Early next year, Etihad will open a premium lounge at the new Terminal 2 in Dublin airport, following a €1 million investment. It has also been approached to sponsor the Farmleigh Fellowship, which is aimed at building links between Ireland and Asia. “Each of these investments is a signal of our support for Ireland,” Gammell says. Crisis, contrarians and cultural differences ECONOMISTS AND regulators do not see eye to eye. The recent reports into the causes of the banking crisis touched on this briefly in trying to understand how our banking system hit meltdown. The author of one of those reports, Patrick Honohan, the governor of the Central Bank, spoke of a difference in the culture before the Oireachtas finance committee earlier this week. Honohan said that in the field of bank regulation, people talked about two cultures and “they are not science and arts”, they are regulation and macroeconomics and “their practitioners do not talk the same language”, he said. “When I worked in the World Bank on teams comprising a dozen regulators and economists, the task was to get them to understand one another,” he said. “If we went out for a meal, the economists would sit at one end of the table and the regulators at the other.” Honohan also addressed the subject of contrarians, referring to UCD economist Morgan Kelly and how the Central Bank had failed to heed his warnings. Kelly was “an interesting character” and “well respected in the very technical economics field”, but he moved away from his normal field and started to write about property booms. Honohan said regulators should always pay attention to contrarians “with coherent but not necessarily right views”. Contrarians were “nearly always wrong”, he added, but “it is the ‘nearly’ that matters”. “Listen to them and filter the information and say whether there is something in it.” The good governor clearly has some time for Kelly, who was somewhat ridiculed by the good- time Charlies for his protestations late on during the boom years. “Did he just get lucky?” Honohan asked. “Maybe, but he was well known and a clever guy and more attention should have been paid to him.” Bunworth takes his leave from Bord Gáis Energy AFTER A career that spanned more than four decades and included senior roles with Aer Lingus, Gresham Hotels, Bewley’s, Denis O’Brien’s Esat Telecom and Sterling Health, David Bunworth has decided to retire as managing director of Bord Gáis Energy at the end of this year. “When I joined I planned to stay for three years, but that was almost five years ago,” he told me this week. Bunworth turns 60 in July, and is looking forward to taking “life at my own pace”. He is chairman of the Gate Theatre, and plans to add some more non-executive directorships. And the highlight of his time with Bord Gáis? “It has to be the Big Switch and getting to the stage of doing the most extensive switching campaign in the world in terms of utilities,” he says. This is a reference to Bord Gáis’s entry into the residential electricity market here. It poached 320,000 ESB customers in the first year and now has “north of 400,000”, giving it a market share of about 22 per cent. “I [also] enjoyed my years in Aer Lingus a huge amount,” he says. Bunworth was behind the much-mocked wavy shamrock at Aer Lingus in the mid-1990s. “In pharma, I helped to put Solpadeine and Panadol right up there. I’ve had a good and varied career.” Musgrave keen to expand in Spain MUSGRAVE IS well known in Ireland and Britain, but chief executive Chris Martin says it is also keen to expand its footprint in Spain. Musgrave has 85 stores in Valencia and Murcia – 23 Super Valu and 62 Dialprix – and is in the process of selling these to independent retailers to replicate its franchise model here. “About half of them have transferred over,” Martin told me. Spain has been hammered by the recession and price deflation. Musgrave’s sales declined by 3 per cent to €190 million last year. Given that Musgrave has 3,300 stores in Ireland and Britain and overall group sales of €4.5 billion, is Spain worth the hassle? “Yes it is,” he said. “We bought the business in 1994 and we’re really investing in it now. “We have a business that very’s much focused on tourism, which has been a tough market indeed. In the neighbourhoods, we have Dialprix and Super Valu and they are performing well. “Sales were down 3 per cent, but that was a pretty good performance in what has been a tough market. That gives us a signal that there are good opportunities there.” LITTLE THINGS DUBLIN-BASED offsite data and document storage company Oasis Group has made three acquisitions of late, comprising an investment of £10 million sterling (€11.97 million). The company began its spending spree by acquiring specialist records management company Kings Inn in Dublin. It added File Store’s Northern Ireland business last month, and this week Oasis signed a heads of agreement to buy out Essex-based ORM. The latter business was set up in 2006, and Oasis first invested two years ago as ORM was given the account of a large client based in the south of England. Oasis has acquired the shares in ORM that it did not already own. It will operate alongside Oasis’s existing business in Reading. * Another transaction that slipped under the radar this week was the merger of Dublin-based Distinct Consulting with Australian group WDScott in a cash and share deal. David Power (right), currently managing director of Distinct, will become chief executive of WDScott Europe and US. The merged business will have a turnover of €20 million, with 175 staff, and it will service a client base of 30 organisations. * On the PR front, Drury Communications has netted some new clients of late. The Clonskeagh-based agency, which acts for the embattled State-owned Anglo Irish Bank, recently won mandates from insurer RSA, Eirgrid and Inter Trade Ireland. *** Finally, in what might be viewed as a sign of the times, I hear that Blackrock College’s recent sports day featured a prize of one year’s free fees for the exclusive south Dublin secondary school. With fees ranging from more than €6,000 for day pupils and more than €16,000 for boarders, competition must have been fierce for a place among the city’s elite students.	f07e397c0c5a4be985095b10288e6653	{ "token_count": 1720, "file_path": "/lingua/data/custom/100/train-00000-of-00001.parquet" }
This is a totally non-solicited review. It's just a nifty organizing tool that I thought I'd share with my readers. Q4U: What's your favorite, simple organizing tool? Organization and homeschool tips with a side of homeschool and other book reviews and the occasional writing article. Have organization or homeschool questions? Leave me a note and I'll address them in a future blog post.	8cb34302920e4a549a59f5f916fdef0f	{ "token_count": 80, "file_path": "/lingua/data/custom/98/train-00000-of-00001.parquet" }
Music Feb 14, 2013 Colo brings tribes together in Osaka by Erik Luebs It’s December and small flocks of young, creative-looking types are making their way to a shipyard in Osaka’s Namura district. Tucked among an expanse of otherwise drab warehouses there is Creative Center Osaka, and tonight is “Hot Docks 2,” an art and music spectacle. ...	f5c7f6ce464c42f489cfaf801d5bc02c	{ "token_count": 85, "file_path": "/lingua/data/custom/106/train-00000-of-00001.parquet" }
Whether it’s from a book, a show or a movie, I’m sure all of us have our own favorite characters. Well, here’s some of them. 1. Sharpay Evans from High School Musical I have loved her since HS and I love her still. Her character was an antagonist but she was true to herself. When she wants something, she goes and gets it. I should just say this straight up, but I’m more attracted to antagonists or at least, not the typical girl-next-door protagonists and hero/heroine. I love that she can sing and have you seen her wardrobe? She fabulous. I love that at the end of the movies, or at least the second one, she was able to care about other people than herself and Troy Bolton. 2. Petyr Baelish/Littlefinger from Game of Thrones I know he’s a bit of a psychopath and creepy AF but I really like how manipulative he is. He was able to manipulate people just by being in the know. Also, actor Aiden Gillen is #daddy so… ♥ 3. Paris Geller from Gilmore Girls Her character was so relatable, at least for me. She tries to be perfect and is perfect in her own way. She’s hilarious when she fails and her character’s so adorable. She’s one of those bitches whom you just can’t hate coz she’s so funny to watch. 4. Santana Lopez from Glee Her character is really just a straight up bitch but she’s just doesn’t give a crap and knows she’s beautiful. Love her singing voice, too! Naya Rivera’s portrayal is just perfect. 5. Lilly Truscott from Hannah Montana Being Miley’s best friend, it’s actually expected to have her as a very loyal friend. But I love the fact that she isn’t afraid to show how crazy she is and how far she’ll go for her BFF. She’s clumsy and impulsive, too, which I can very relate to.	f4e8c19faed242c5a016cb1aa858e288	{ "token_count": 415, "file_path": "/lingua/data/custom/87/train-00000-of-00001.parquet" }
LG, Netflix Binge Watchers’ Contest To Award Trips To Immersive Viewing Locations HD Guru readers who think they’d love to binge-watch popular over-the-top (OTT) Netflix TV series like “The Crown” from an English palace or “Arrested Development” from a luxury yacht, might want to register for a new contest LG is running to promote its 4K Ultra HD smart OLED television line. The company announced this week the new LG B&Binge contest, offering a few lucky interested parties a chance to take themselves and one guest on a two-day trip to an exotic immersive destination designed to replicate the environment in which the select Netflix series takes place, and binge watch. Naturally, the winners will catch every second of the binged action on LG’s popular 2018 4K Ultra HD OLED TVs. The winners of the Netflix series “The Crown,” contest, for example, will be sent to a palace in Yorkshire, England, where they will be attended to by a butler, just like the ones they are watching on screen. The entry period for The Crown begins at 9 a.m. ET, July 16 and ends at 11:59 p.m. ET on Aug. 26. Winners will be announced on or around Sept. Winners of Arrested Development will get a trip on a luxury yacht, from which they can watch the hilarity ensue. The entry period for Arrested Development begins at 9 a.m. ET on July 16 and ends at 11:59 p.m. ET on Aug. 12. Winners will be announced on or around Aug. 24. Winners of the third series titled simply, “Mystery Experience,” which LG is not revealing, will travel to an undisclosed location deep in New England, where some sort of disturbing setting will match whatever insanity we expect will take place. The entry period begins at 9 a.m. ET on July 16 and ends at 11:59 p.m. ET on Sept. 27. Winners will be announced on or around Oct. 12. By Greg Tarr Have a question for the HD Guru? HD GURU\|Email Copyright ©2018	ddc25cc8a8584f35b280d66c29f4ad4c	{ "token_count": 449, "file_path": "/lingua/data/custom/80/train-00000-of-00001.parquet" }
Unfortunately, terrorism and violence have become a daily part of our lives. A little over a year ago, 49 people were killed in a nightclub in Orlando. Just last month, a concert was attacked in Manchester, and two weeks after that multiple people were killed or injured at an attack on London Bridge. When we are constantly presented with this violence, we can seek solace in Scripture. How do We Respond? One of the best things we can do in times of violence is remember to love. We can be comforted knowing that God is faithful to us and will protect us. There are some meaningful Bible verses and writings in the Psalms that can remind us of His love. You can see in the Psalms some of the writers were struggling to overcome their feelings towards their enemies. Some people mistake this struggle as the Psalmists asking God to give them the tools they need to cause harm to their enemies. Instead, they are turning their fear over to God for him to handle and take charge of. Comforting Bible Verses “It is the Lord who go before you. He will be with you; he will not leave you or forsake you. Do not fear or be dismayed” -Deuteronomy 31:8 Through this verse we can see that even in times of violence or despair, God is with us and is protecting us. “God is our refuge and strength, a very present help in trouble” -Psalm 46:1 This verse shows us to not be afraid when we are experiencing troublesome times. God will give us strength. “He sets on high those who are lowly, and those who mourn are lifted to safety.” -Job 5:11 This verse is a great example of mourning and caring for those who have lost or suffered. God will keep us safe when we show compassion.	6c1da35778b845b7adeac05a41a0b998	{ "token_count": 374, "file_path": "/lingua/data/custom/101/train-00000-of-00001.parquet" }
Christian Stevenson found the answer to a search query cvs pharmacy online employment application cvs pharmacy online employment application canadian pharmacy meds com canadianpharmacy24 sweetbay online pharmacy canadadrugstop online pharmacy for pain meds canada london drugs vancouver canadian viagra mastercard online pharmacies of india universal healthcare in canada cons canadian drug identifier pictures canadian family pharmacy online canada viagra canada shop review buy cheap prescription glasses online canada canadian and mexican pharmacies online canadian pharmacies that sell vicodin online pharmacy fda approved will canadian pharmacies fill us prescriptions canadian pharmacy online androgel canadian drug rehab programs canada drugs promo code canada pham online pharmacies australia canadapharmacy com legit	108eb9cbec7e4f3dbefd0a312d15dcb7	{ "token_count": 166, "file_path": "/lingua/data/custom/8/train-00000-of-00001.parquet" }
" Shippensburg University of Pennsylvania has settled a lawsuit brought by three members of a Christian student group who said the university had prevented them from expressing their views on race, gender, and religion “from a Biblical viewpoint.” The institution agreed to change some wording in its campus code of conduct and to replace its existing diversity statement with a statement about the university’s commitment to educational diversity, The Sentinel, a newspaper in Carlisle, Pa., reported. A lawyer for the students, who were members of a group called Christian Fellowship, contended that Shippensburg’s policies on free speech had created an “atmosphere of fear and hostility.” The lawsuit also alleged that the university had reinstated policies it had agreed to revise or drop as part of a 2004 legal settlement over its code of conduct. The earlier settlement, with a national free-speech advocacy group, came after a federal judge found that, although well-meaning, portions of Shippensburg’s policies probably were unconstitutional. In a statement issued on Thursday, after the settlement was announced, William N. Ruud, the university’s president, said Shippensburg had complied with the terms of the 2004 agreement. However, he said, a student-produced handbook contained “incorrect material” in its issue for the 2007-8 academic year. Those problems have been corrected, he said. The students were supported in their lawsuit by the Alliance Defense Fund, a conservative, Christian legal-advocacy group. —Karin Fischer Another nail in the coffin of campus speech codes. Can anybody think of an example where one of these things at a public university has survived a legal challenge? I confess I can’t. — Gustave Oct 27, 07:26 AM # Sue …Sue…and Sue again….. ever wonder about America’s high cost of education…. we must be everything to everyone…and if your view differs and you don’t like the answer…then just sue…. it works with employees and lets take it to the classroom… I guess going to our universities is a ‘right’ when I thought it is by choice and if I didn’t like it I would leave… guess not.. Thank God (oops can’t really use that term) for lawyers to help keep us all on the straidght and narrow…. Perfect places and perfect people… — Jim Oct 27, 07:50 AM # With one group trying to eliminate the freedom of speech, and the other using freedom of religion as a club, its a shame they can’t both lose the case. — Prof Smith Oct 27, 09:11 AM # The problem with Christians, Muslims, and Jews espousing freely their points of view is that they cite their “God” as the basis of their beliefs, and then easily cross into demonization of those who might hold contrary views. Religion has absolutely no place in the marketplace of rational ideas and should be blocked at all entrances. It has as much validity as determining the winner of the World Series by divination instead of the game of baseball. — Dee Dee Oct 27, 12:12 PM # “The problem with Republicans, Democrats and Libertarians espousing freely their points of view is that they cite their ‘values’ as the basis of their beliefs, and then easily cross into demonization of those who might hold contrary views.” [Sorry…couldn’t resist!] — Gustave Oct 27, 12:48 PM # I’m a little confused how Prof Smith thinks that the Christian students were not on the free speech side. Speech codes don’t protect free speech. And as to lawyers, Jim, I generally have similar misgivings, but when they come for my free speech, I sure as hell am going to hire a lawyer. — Rickjp Oct 28, 12:01 PM # Previous: Indiana Governor Drops Plan to Privatize Lottery and Direct Money to Colleges Next: T. Boone Pickens Pledges Another 'Major Gift' to Oklahoma State U. Athletics	432bae2720ba46ce9204830df8456300	{ "token_count": 817, "file_path": "/lingua/data/custom/81/train-00000-of-00001.parquet" }
Slideshow of images uploaded for Corn Flakes (Kellogg's) from Kellogg's Return to the main page for Corn Flakes (Kellogg's) Return to the main page for Corn Flakes (Kellogg's) Title: Doin' the Flake Submitted by jeffrey on 12/16/2010 Comment from submitter: A box of Kellogg's Corn Flakes with an offer to get a Gary Lewis And The Playboys record of "Doin' The Flake" plus two other Gary Lewis hits, "This Diamond Ring" and "Little Miss Go-Go". The record jacket included dance instructions for Doin' The Flake. Home \| About \| Contact \| Breakfast Recipes \| The Cereal Project \| Site Index \| Food Charities \| Blog ©2019 MrBreakfast.com ©2019 MrBreakfast.com	1451eefd6a744832959036aac4574690	{ "token_count": 175, "file_path": "/lingua/data/custom/23/train-00000-of-00001.parquet" }
Adding applications to an individual database To install an application a user must have admin-level account permission. Installed applications become available for use within the database it is installed in. To begin, navigate to the database options which are available by clicking on the three dots within the database header. From here, click install apps to view the available apps that may be installed to a database. Simply click on the app you wish to install and you’re all set. The new app is now available for use within the main view of the database. We’d love to hear from you. If you have any feedback on product enhancements or additional questions, email the team at [email protected].	1f13522ec29345c0a674d98ae3bf573f	{ "token_count": 138, "file_path": "/lingua/data/custom/13/train-00000-of-00001.parquet" }
by shannah » Mon Nov 21, 2011 7:21 pm by jonbfl » Tue Nov 22, 2011 12:14 pm by rlevin » Fri Dec 16, 2011 11:19 am by toohm » Sun Jan 15, 2012 4:09 am by shannah » Mon Jan 16, 2012 10:56 pm by titleistfour » Fri Feb 03, 2012 10:19 am by syscrusher » Thu May 24, 2012 10:10 am by fantomasdm » Thu Jun 28, 2012 6:27 am by Aaliyah Byrne » Wed Feb 06, 2013 10:41 pm Return to Xataface News Users browsing this forum: No registered users and 1 guest	c36b4d88b62941ddbbc9c0f23e5a7c59	{ "token_count": 188, "file_path": "/lingua/data/custom/110/train-00000-of-00001.parquet" }
ARLINGTON, Va. - Arlington National Cemetery is relaxing its policies to allow family members of those buried in its section for those who died in Iraq and Afghanistan to leave behind small mementos and photos to honor those soldiers, a spokeswoman said Wednesday. Section.	b020a7808cc441f4a06c44431382c32d	{ "token_count": 53, "file_path": "/lingua/data/custom/84/train-00000-of-00001.parquet" }
今の季節、「魚座」が日本上空を覆っています Around 11 o'clock In this season, "Aquarius" and "Pisces" of the twelve constellations in the zodiac cover the sky over Japan. Especially "Pisces" is easy for the earthlings to discover. The ancient Mesopotamian compared "Pisces" to the Tigris and Euphrates rivers and the autumnal quadrilateral on the right to the fertile Mesopotamian agricultural land. In addition, the vernal equinox point [right ascension 0 h, and declination ± 0 degree] which shows the standard point of the space location. And just under 'Pisces', the sun was here on the vernal equinox day. 最近のコメント	320712154b25456eb72dc1a2289ba9c9	{ "token_count": 167, "file_path": "/lingua/data/custom/54/train-00000-of-00001.parquet" }
Like to know how to grow food in your garden in cool temperate Tasmanian conditions? Then this is the blog for you. See Index page and Keyword Index for a complete list of topics. Thursday, September 13, 2012 Spring has definitely sprung Its Crunch Time With warmer weather and showery days the slugs and snails are out and about so get out there in the evenings with a torch and start collecting and crunching before they get stuck into your spring plantings. Planting and sowing This is the time of year when most things can be planted or sown. However there are a couple of exceptions. In most areas it is still too early for carrots, parsnips and beets. Wait another week or two. Seeds sown into damp cold soil will not germinate. The nurseries are selling tomato plants but don't be fooled. By all means purchase your plants but be prepared to pot them up with a pinch of potash and give them full sun during the day but indoors at night until well into October. We all love to get a head start with our tomatoes and if you do decide to plant them early give them some protection, such as a plastic sleeve. Dwarf beans sown now will be overtaken by seeds sown in October so be patient. I am planting a few into pots hoping to get a head start. Heeling in Leeks From past experience I know my overwintering leeks will start to put up a flower spike in September and become hard and inedible. Last year I practiced the old technique of heeling them in. I lifted my huge summer leeks in March and with roots intact bundled them together into another spare bit of ground. Pushed the dirt around them and there they stayed for several months. I pulled them as needed and used the last of them in June. Still in perfect condition. This technique seems to suspend growth but maintain quality. Posted by Marg M at 9:40:00 AM	5b9a67b466d049e4a2ba83782875cc42	{ "token_count": 408, "file_path": "/lingua/data/custom/62/train-00000-of-00001.parquet" }
Differentiated Choice Board Item #: 901-JV38017 Model #: CD-158034 Brand: Carson-Dellosa Not yet rated.Be the first to Write a Review $24.99 Each Product Highlights View Full Product Information - Education Subject Matter: General Learning - Brand: Carson-Dellosa Description Carson Dellosa® Differentiated choice board pocket chart measuring 17 1/4" x 17 1/4" has 9 clear pockets for holding the things. Pocket chart has sturdy grommets for easy hanging. - Empower students by giving them choices in their classroom and homework assignments - Program the pocket chart with leveled activities according to readiness, interest and learning profile for versatile differentiated instruction options - Chart measures 17-1/4x17-1/4" with 9 clear pockets and a resource guide (cards not included) - For grades: Pre - 5 - Carson-Dellosa Specifications Customers also viewed Reviews No Review	3114c08546c44ff9bf49a5c15f6a0b90	{ "token_count": 216, "file_path": "/lingua/data/custom/18/train-00000-of-00001.parquet" }
Is That So? – a Zen Story The Zen master Hakuin was praised by his neighbors as one living a pure life. One day, without any warning, a beautiful girl, whose parents owned a food store in the village, announced that she was pregnant. The parents were livid and badgered the girl to reveal the name of the father. At first she would not confess the name, but after much harassment she finally declared that Hakuin was the father. In great anger the parents confronted the master and accused him of lechery. “Is that so?” was all Hakuin would say. After the child was born it was brought to Hakuin. “This is your responsibility,” the girl’s parent said. “Is that so?” said Hakuin. By this time he had lost his reputation with the community and he was shunned and often ridiculed behind his back. This did not seem to trouble the master. He took very good care of the child, seemingly delighted with the task of caretaker. Observing this, the neighbors soon accepted the situation and helped Hakuin obtain milk and everything else the child needed. A year later the girl could stand it no longer. She told her parents the truth – the real father of the child was a young man who worked in the fish market. The girl’s parents at once went to Hakuin to ask forgiveness and apologize at length. They also demanded that the child be returned to them. “Is that so?” Hakuin said. But willingly relinquished the child. Stories like this not only teach us about the lives of past Zen masters, they also help us develop personal enlightenment by offering our minds interesting vistas upon which to travel. What was up with Hakuin? Why didn’t he just tell everyone he was not the father? What made him accept responsibility for the child? What did he mean when he said, “Is that so?” Hakuin was always himself and not whatever other people thought of him. He did what was needful at the time. In life one day it rains the next day it’s sunny. Arguing with the sky doesn’t change anything. Cursing your fate doesn’t help you. Because Hakuin was truly free and his mind enlightened, material circumstances could not disturb or distress him. As the. But what do you think? What does the story say to you? How does it reveal to you the path to enlightenment? People are trapped into agreement, what others think of them. This is a fatal flaw, a turning over of ones own powers. There may be or not be universal truths, but responsibility for others – despite any and all odds – is a totally different thing. Knowing right from wrong is simple. Doing what you know is right is also simple. But it is not easy. But nothing worth doing is.	bca471b5757d4e7d83b1957c4ee3ebe2	{ "token_count": 583, "file_path": "/lingua/data/custom/91/train-00000-of-00001.parquet" }
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With the help of his best feline friend, a lovable Great Dane named Marmaduke helps his family adjust to their new lives in Orange County, California. Although he is loving life and living large in The O.C., he is discovering that fitting in with his new pals at the dog park is not always easy.	ad47a42ee78447db880b48e9c5e25e0f	{ "token_count": 66, "file_path": "/lingua/data/custom/69/train-00000-of-00001.parquet" }
Guess what….I’ve changed careers. That comes with the extra letters before and after my name. Yay. Most everyone probably knows that anyhoo. It sucks though that my hourly rate drops in the process. Not coping with that bit. Must remember the big picture stuff… Still can’t complain. Am at least employed and I am aware that there are less fortunate people who aren’t. Good things come to those who don’t piss off the karma gods though. Dammit for choosing to live in Indooroopilly…..fecking miles from anywhere and a $22 cab fare from the city. Sucks to be me. If only overnight transport was as reliable and as regular as it said it was. And I have to be up in 6 hours….argh. No fair. Hope everyone has a smashing day (and I don’t mean that in any crockery dismemberment way or other such connotations). Career change? What inspired you to make a career change that resulted in a pay cut of more than I earn? And what is this new career? so, while your life moves steadily forward into a stable and well paying career, mine remains at a stand still and patrick’s steps backward…. i’m not jealous, i am genuinely happy for you. yes it’s a bitch to have to pay full price for everything now that you are no longer a student, but you eventually get used to it. apologies for the tone being kinda narky and terse and generally less than happy. i’ve had enough of hammers for the time being and dislike that they give me headaches. til next…. ~Kits~ (hoping to eat again VERY SOON)	27e783df139e482f988325a5325a8350	{ "token_count": 345, "file_path": "/lingua/data/custom/97/train-00000-of-00001.parquet" }
Pet forum for dogs cats and humans - Pets.ca > Pet photography > Pet photography - Pet pictures > Close encounter of the baby kind... PDA Close encounter of the baby kind... bendyfoot October 29th, 2007, 09:50 AM Gracie and cousin Jacob share a moment...I'm not sure who's in deeper thought... Jaida says: I would like to get my paws on those way-cool toys...how come Jakey gets all the fun stuff? Jaida says: someone's crying in there...shouldn't we be doing something about that???? (could she LOOK a little more concerned:rolleyes:???) Ford Girl October 29th, 2007, 03:18 PM These are great, very cute critters!! It's neat to see them around things that are not normaly in their every day enviroment, different stimulations, how concerned she is for babies, and how they react to the noises they make.... Dazy met a new born this weekend and I think she thought the noises were from a squeaky toy? hahah! luckypenny October 29th, 2007, 03:33 PM Gracie looks totally smitten with her wee little cousin :lovestruck: . You don't post enough photos of her Bendyfoot :frustrated: :D . And Jaida looks as if she's waiting for that new squeaky toy to play with :laughing: . bendyfoot October 29th, 2007, 03:40 PM Seriously, I can't get pictures of Gracie most of the time...I TRY I tell you, I TRY!!! I'll see if I can get more. As for having the baby around, it's so nice to see the girls with their little cousin. So interested and gentle and they keep a very close eye on him when he's sleeping. One of the kitties was walking towards his stroller while he napped and Gracie lept up and herded her back to the living room:laughing: The cats are sweet too (well, Sol and Boo are). Boo plops herself down next to him and purrs her head off as he pulls her fur (sheesh, I touch her the wrong way and she swears at me), and Sol comes over and gives him big headbutts. Riley we're keeping far away for now, but she doesn't seem very interested. It's good practice for everyone, us included! Although Jacob's about the most ridiculously easy-going baby I've ever met in my life. He makes all other children look like little devils, it's crazy! Jim Hall October 29th, 2007, 03:50 PM Amazing how animals want to protect small ones I had a misnathropic siamise and when my stepson came over who was somewhat retarded, the misser would come over and purr on his lap for hours Of course an body else tried to pet her theyd get a claw to the hand. want4rain October 29th, 2007, 10:25 PM conversation can take place over the deafening sound of your biological clock ticking?? amazing!! :D:laughing: -ashley growler~GateKeeper October 29th, 2007, 10:31 PM Love the last pic of Jaida & the stroller she looks like she wants to bark for help to "hurry up already" but won't cuz it would startle the baby :lovestruck: rainbow October 30th, 2007, 01:28 AM A love the way Gracie and Jacob are looking at each other. :cloud9: How about some pics of your kitties too? :D bendyfoot October 30th, 2007, 10:18 AM conversation can take place over the deafening sound of your biological clock ticking?? amazing!! :D:laughing: -ashley Ummmm....yes.... :sad:aw, who am I kidding. No. Is it January yet?:laughing: Rainbow, I'll see if I can dredge up some kitty pics. I'm plagued by two black cats who always turn out looking like dark blobs with eyes. But Boo's pretty photogenic...I must have something of her.... vBulletin® v3.8.8, Copyright ©2000-2016, vBulletin Solutions, Inc.	e5a3059aa8504484a6062208bbb1e437	{ "token_count": 951, "file_path": "/lingua/data/custom/9/train-00000-of-00001.parquet" }
Between light and shadows... With these sculptures, the artist succeeds in taking us into his creative universe. Through the strength of the colors and the transparency, these sculpted blocks propose a new approach to Courbisme. Between shadows and light, this clever mixture of materials brings depth, volume and ardent contrasts that reveal new interpretations. A meticulous piece entirely carved by hand that required hours of research and work to achieve a result which goes beyond just being successful. ... a timeless result The work captures a moment in time. Like a vestige frozen in ice that does not fear time, these sculpture transport us into another dimension breathing into them renewed life. The fluid energy and the sense of escape become palpable. Amaury Dubois swapped his artist role for that of an explorer in order to discover a new world. These solid and yet so fragile sculptures whose fluidity hollows out their mass, reveal to us their secrets. A clever play of transparency that reveals creations from another dimension. A timeless jewel making the work of the artist permanent. Let there be light! Colored Glass Sculpture - 2016 Colored Glass Sculpture "Summer"- 2016 Colored Glass Sculpture "Ocean"- 2016	1287638ea6dc40f885eb89f2cec73c7e	{ "token_count": 246, "file_path": "/lingua/data/custom/77/train-00000-of-00001.parquet" }
CMMI Level 3. The infrastructure portal developed by Ray Business Technologies transformed the entire Hamara Ghar's customer management process. Quantifiable benefits and huge ROI were realized within a short span of time after the execution of the project. Drop us a line and we'll get in touch with you as quick as we can It seems you have already submitted the contact request. We have received your request and get back to you soon!	aeca7e430df24d0f8f0119aa61e37998	{ "token_count": 88, "file_path": "/lingua/data/custom/17/train-00000-of-00001.parquet" }
Attending a performing arts college is a big decision—you’re committing to focusing exclusively on your art for four years. Once you’ve made that choice, you need to find a school that will you accomplish your career goals. In order to help you find the right school for you, I’ve compiled a list of the very best performing arts colleges in the US. How Is "Performing Arts College" Defined for This List? This list includes exclusively schools offering drama and dance degrees. We have a separate article about music schools (coming soon), and since those tend to differ dramatically (I’m so punny) from drama and dance schools, I’ve left them out of this article. Furthermore, I’ve focused on schools where drama and/or dance is a priority. These schools only offer performing arts degrees or have specialized performing arts schools at the larger university. Going to a performing arts college has many advantages for these students. You’ll be surrounded by like-minded artists who will inspire you, help you with your creative pursuits, and also will likely be your colleagues when you graduate. Additionally, you’ll be at a school that doesn’t view your art as an extracurricular activity. That being said, you can get a performing arts degrees from other colleges. However, this list of best performing arts colleges is focused on students who know 100% they exclusively want to study acting or dance and are looking to be surrounded by like-minded artists., you should see how the rankings were determined. Speaking of, I’ll explain how I came up with this unscientific list of schools. I started by limiting my search to schools that prioritize dance and drama by only offering performing arts degrees or by having a specialized program within the larger university. Then, I took the following three criteria into consideration: 1. Ranking: I’ve used a variety of ranking lists from respected industry sources such as Backstage and The Hollywood Reporter as a starting point for my research. 2. On-Campus & Off-Campus Extracurricular Opportunities: It’s important as a performer to have the opportunity to perform. Does this school provide opportunities? Do you have the opportunity to intern off-campus with a local theatre or dance group? Can you study abroad at premier programs? Do you get to perform in an industry showcase? 3. Notable Alumni: How many alumni have risen to the top of their field? If there are a lot of notable alumni, then the program likely contributed to their success, either by providing them with superior skills or superior resources (internships, industry connections, etc.). I split this list into tiers rather than ranking since rankings are usually not that meaningful. The Tier 1 schools are the cream of the crop performing arts colleges. They provide the most extracurricular opportunities and have the longest lists of notable alumni. The Tier 2 schools are still excellent; however, they don’t have the same opportunities and don’t have as many notable alumni as the Tier 1 schools. Note: Not all of these schools are excellent for both dance and drama. Actually, some of these schools only offer a dance or drama program. Within each school description, I’ve noted whether it’s a top school for dance, drama or both. At tier 1 schools, you can perform in first-rate productions. Best Performing Arts Colleges: Tier 1 The Juilliard School - Drama and Dance Always listed near the top of the rankings for both drama and dance, the Juilliard School boasts an unbelievably long list of notable alumni with 105 Grammy Awards, 62 Tony Awards, 47 Emmy Awards, 26 Bessie Awards, 24 Academy Awards, 16 Pulitzer Prizes, and 12 National Medals for the Arts. It’s extremely exclusive, selecting only 8-10 students for enrollment in the BFA Acting Program, 8-10 students in the MFA Acting Program, and about 24 in the BFA Dance Program. Outside the classroom, the dance program holds 15 public performance each year, and the drama program puts on many plays along with senior showcases in both New York and Los Angeles for industry professionals such as casting directors, agents, and managers. NYU Tisch - Drama and Dance Like Juilliard, NYU Tisch is also always near the top of the rankings for both drama and dance, and for good reason, it has a long list of notable alumni many of whom have performed on Broadway, at Radio City Music Hall, and in movies and TV. The school offers incredible extracurricular opportunities such as dancing in the Jack Crystal in front of live audiences. NYU takes advantage of its NYC home by partnering drama students with professional acting studios where they perform in a wide variety of productions led by world-famous theatre artists and faculty. Tisch allows drama students to specialize in Theatre or Musical Theatre. Carnegie Mellon - Drama Carnegie Mellon is a drama powerhouse with a faculty of working theater professionals and well-known alumni such as Holly Hunter, Ted Danson, and Zachary Quinto. The school offers separate acting and musical theatre degrees, allowing students to specialize. There are 20 shows per year, allowing for many performance opportunities. Additionally, the school cancels classes for a week during the year and allows students to put up performances of any kind (original works or adaptation of movies, play, etc.). The seniors get to perform in showcases in New York, Los Angeles, and Pittsburgh in front of industry professionals. Theatre school has fun costumes! The Boston Conservatory - Dance One of the top dance programs in the country, the Boston Conservatory boasts a faculty of world-class artists, who have worked with such notable choreographers as Antony Tudor, Robert Joffrey, José Limón, Martha Graham, Alvin Ailey and Agnes de Mille, and. Yale University - Drama (MFA) No list would be complete without the Yale School of Drama. It’s world renowned for its MFA acting program; however, I’d advise against attending the more general BA undergraduate program, which doesn’t get the same faculty nor access to performance opportunities. The MFA program boasts a long list of famous alumni including Meryl Streep, Lupita Nyong’o, and Jodie Foster. In the final year, students act in showcases in both New York and Los Angeles in front of industry professionals. In the past ten years, 100% of graduates have landed agents or managers within the first month out of school. Express yourself. Best Performing Arts Colleges: Tier 2 Northwestern - Drama Northwestern is one of the few drama schools that doesn’t require an audition for admission. However, being accepted is tough because drama students are held to high academic standards, and the admission rate is only 15%. Students have many opportunities to perform in both school sponsored and student-run shows. Seniors are invited to participate in showcases in New York and Chicago in front of industry professionals. The school has a handful of famous alumni including David Schwimmer, Stephen Colbert, Anna Gunn, Julia Louis-Dreyfus and Zach Braff. UNC School of the Arts - Drama and Dance UNCSA has exceptional drama and dance programs. Alumni of the dance program have gone on to perform with the American Ballet Theatre, New York City Ballet, Pacific Northwest Ballet and the Joffrey Ballet, the Paul Taylor Dance Company, Alvin Ailey American Dance Theater and the Martha Graham Ensemble. Others have danced with performers such as Lady Gaga, Janet Jackson, and Beyoncé. Some notable drama alumni include Mary-Louise Parker and Dane DeHaan. Drama and dance students have many performance opportunities including a senior showcase for industry professionals in New York; Drama students also perform the showcase in Los Angeles. In 2013, 17 out of 25 drama students signed with an agent or manager after the showcase.). The school offers many performance opportunities such as in American College Dance Festivals. Additionally, the school has an International Exchange program with the London Contemporary Dance Center. The drama school is a great choice for actors who know they want to pursue film or tv acting since, during the final year, students enroll in Acting Studio for the Camera. This course specifically trains students for acting and auditioning for film and tv. Additionally, at the end of their final semester, students perform in an industry showcase in Los Angeles. The drama department has a bunch of famous alumni including Don Cheadle, Ed Harris, and Alison Brie. Take the leap and apply to a performing arts school! Rutgers University - Drama and Dance Rutgers has world-class drama and dance programs. Thanks to its proximity to New York City, the dance program offers students opportunities for master classes and workshops in world dance forms with international artists. Additionally, the school has two tremendous abroad programs, DanceJerusalem in Israel and the Trinity Laban Conservatoire of Music and Dance in London. Rutgers offers a unique and well-rounded drama program Known primarily for its partnership with the Alvin Ailey American Dance Theater, Fordham offers students a liberal arts education and collaboration with a world-famous dance company. Additionally, the program and company call Lincoln Center home, which is pretty amazing. Many alumni continue to perform with the Alvin Ailey American Dance Theater after graduation; others have gone on to dance for other prestigious companies as well as on Broadway. Syracuse - Drama Syracuse offers separate degrees in acting or musical theatre, allowing students to specialize. Students have the opportunity to perform with the Syracuse Stage, an outstanding Equity theater company—allowing you to gain Equity points while still in school. Additionally, students have opportunities to study “abroad” in New York, Los Angeles, and London. Some well-known alumni include Aaron Sorkin, Frank Langella, and Taye Diggs. So many schools, but where should you apply? Which of the Top Performing Arts Colleges Is Best for You? Just because Juilliard is an incredible school doesn't mean that you should want to go there. It’s a tiny school with a very intense program; that may not be the best fit for all students. Here are some questions to ask when trying to pick one of these best performing arts colleges. What Do You Want to Specialize in? If you’re interested in dance, do you want to do ballet or contemporary? If you’re interested in acting, do you want to perform in plays, musicals, or tv and movies? Look into the programs and see what courses are offered. Try to avoid picking a ballet specialized school if you want to do contemporary dance and try to avoid picking a musical theatre program if you want to act in tv (and vice versa). Hip-hop is awesome. What Opportunities Are There Outside the Classroom? I touched on this above, but make sure you go to a school where the opportunities fit your interests. If you want to do Shakespeare, then Rutgers, which offers a year abroad in London working at the Globe Theatre, might be a better fit than CalArts. Extracurriculars are where you get your experience, so make sure you’ll be getting experience in your chosen specialty. What’s the School Like? Is it a big school or small school? Is it a conservatory or is it at a larger university? If you hate big schools, don’t choose a big school. You don’t want to dread being surrounded by tons of students or being forced into cheering on the basketball team. If you get overwhelmed by intensity, then a conservatory like Juilliard or the Boston Conservatory may be a bad choice. They're both very small programs where the competition is fierce and where there is no break from your art since you're surrounded exclusively by other artists. On the other hand, at a school like Syracuse, you could take breaks from your theatre community by hanging out with other students who are majoring in Journalism, Engineering, Pre-Med, etc. Pick a school where you will be comfortable so that you can thrive. What’s Next? Are you interested in pursuing a performing arts degree in a specific region? Check out our list of performing arts colleges in New York and our list of performing arts colleges in California. Most of these schools require an ACT or SAT score with your application. Get help studying for these tests with our ultimate SAT study guide and study guides for ACT Reading, Writing, English, Math, and Science. Taking the ACT or SAT really soon? Check out our guide to cramming for the SAT or our guide to cramming for the ACT. Have friends who also need help with test prep? Share this article!Have friends who also need help with test prep? Share this article! >>IMAGE.	483dc4566dfb451bbe10e16e3e542d85	{ "token_count": 2576, "file_path": "/lingua/data/custom/47/train-00000-of-00001.parquet" }
Brooks High School Public School \| Grades 7-12 \| Lauderdale County Killen, AL 35645 (256) 757-2115 About This School Brooks High School is located in Killen, AL and is one of 13 schools in Lauderdale County School District. It is a public school that serves 825 students in grades 7-12. See Brooks High School's test results to learn more about school performance. In 2011, Brooks High School had 20 students for every full-time equivalent teacher. The Alabama average is 15 students per full-time equivalent teacher. In 2011, Brooks High School had 20 students for every full-time equivalent teacher. The Alabama average is 15 students per full-time equivalent teacher. Student Ethnicity (2011) Students (2011) 825 Students Per Teacher (2011) Female/Male (2011) 47% 53% Subsidized Lunch (2011) 28.8%eligible District Spending (2010) $8,320per student See All Test Scores Grade 7 Math Performance Alabama Reading and Mathematics Test (ARMT) Results write a review Brooks High School ReviewsThere are no reviews yet for this school. Be the first one to write a review! Brooks.	8be741ecbbb549fda657a1742c670760	{ "token_count": 269, "file_path": "/lingua/data/custom/109/train-00000-of-00001.parquet" }
Sneak Peek footage, plus images from Season 3 of the TV drama series "Billions", starring Paul Giamatti ("The Pentagon Papers") and Damian Lewis ("Band of Brothers"), premiering March 25, 2018 on Showtime: "...the series follows the activities of a federal prosecutor of financial crimes and his legal battles with a 'hedge fund' manager. "Season 2, also incorporates cases involving 'Treasury' bond auction market manipulation..." Click the images to enlarge and Sneak Peek "Billions"...	50408bd9288a40ebad8c983ff545ec81	{ "token_count": 109, "file_path": "/lingua/data/custom/101/train-00000-of-00001.parquet" }
Sea Shepherd - November 11, 2004 Taiji Halloween Massacre By Captain Paul Watson On October 29, 2004, an entire family of defenseless Rissos dolphins was systematically exterminated in Taiji harbor, Japan. The orgy of killing lasted five hours as the bay turned red with the hot blood of the sensitive marine mammals. Because of the success in 2003 of Sea Shepherd bringing the slaughter to the attention of the world, the fishermen have gone to incredible effort and expense to prevent filming or photography of the hunt. The entire killing area is now shielded from view by massive blue tarps and white blinds. It is like some plastic cold war wall shielding the world from the awful horrific truth about the cruel savages of Taiji. Even more obscene is the blatant complicity by representatives of the captive dolphin industry. The logos of Dolphin Base, World Dolphin Resort and the Taiji Whale Museum could be seen among the gang of thugs and butchers gleefully spearing, slashing and stabbing the innocent dolphins. Occasionally during the day, a prize specimen was selected by a dolphinarium expert, and the stressed young animal could be seen inside a steel cage as it was taken away amid the death screams of its entire family in the background. The chosen ones were small and young, hauled from the water and away from the bleeding, screaming bodies of their mothers. Taiji has become a war zone. Barbed wire has been strung around trees to keep people from climbing them to observe the slaughter. Anyone with a camera is met with hostility and violent threats. Taiji, Japan, is a place of horror and death, incredible cruelty and men maddened with the perverse lust for blood. It is hard to imagine such sadistic cruelty can exist, especially in a so-called civilized society like Japan. But the government of Japan condones this horror and the media of Japan ignores it. And the people? Well, it is Japan, and the people do as they are told. The dolphins are dying in the name of this strange Japanese culture that during the last century allowed the rape of Nanking, the sexual enslavement of Korean women, the beheading of prisoners of war and the Bataan Death march. When will Japan join the 21^st Century and retire their passion for cruelty and death? With Taiji, the Japanese can now claim total supremacy in the art of infliction of cruelty and death. Months from now, Japanese children will laugh and clap gleefully as these same few captive dolphins jump through hoops and beg for fish. Not a thought will be given to the bloody price paid by the dolphins to capture these enslaved entertainers. The sterile blue and sparkly dolphinarium pool will hide the memory of the harbor filled with blood, dozens of dead and dying dolphins screaming as their eyes are gouged out, flippers are torn, and intestines are ripped from their bellies as blood spurts from their blowholes. All of this vividly etched on the memory of the young performers-to-be. Once transferred to his new life in prison at the dolphinarium, the dolphin is forced to entertain the audience. I can hear a child now, Look Mommy, hes smiling. He likes us. He must really like us. In the end it is our collective delusions that allow us to commit unspeakable crimes, for we humans justify everything we do. The captivity industry is quite happy for the masses to go on thinking that these dolphins are happy and even happier that the public is not aware of what goes on in places like Taiji. And the killing goes on. A Sea Shepherd crew is working in Japan to stop this hunt. It is a difficult, dangerous and frustrating campaign. Last year two of our volunteer crew each spent 23 days in jail for the crime of freeing 15 dolphins and preventing their slaughter. This year, in punishment for the international exposure that Sea Shepherd focused on the dolphin slaughter, all Sea Shepherd crew have been banned from Taiji. Weve been banned from many other places, but being the only organization banned from setting foot in Taiji is a particular honor and a challenge. It is an honor because it reflects that we have embarrassed the Japanese nation and it is challenge to find ways to continue to expose and intervene against the butchers of Taiji. Visit our Taiji Campaign pages for complete details.	6ffd22b2bf5a40fa86dae262c49e6c44	{ "token_count": 888, "file_path": "/lingua/data/custom/56/train-00000-of-00001.parquet" }
Rev. Gregg Kits DD ». Gregg Kits is licensed and certified to provide services as a wedding Work NJ work officiant, Christian chaplain, and non-denominational reverend for all types of marriages, ranging from the modest styles to elegantly formal ceremonies. The types of weddings that can be officiated vary depending upon the couple’s desires. In some instances a civil or religious ceremony is performed, then again we’re open to new ideas to help make your special day exactly how you dreamed it would always be between you and your soul mate. Ceremonies can be held in the following locations; the entire state of New Jersey, NYC, Southern New York State, Eastern Pennsylvania, southwestern Connecticut and its surrounding areas. The Clifton, NJ location has a room that measures, 20’x30’, perfect for larger wedding ceremonies. There is also a 20’x20’ room on the site; a Victorian parlor used mostly for smaller ceremonies and receptions providing a perfect setting to photograph the wedding for a lifetime of memories. The wedding parlor is conveniently located just a short distance away from the historical site in town known as; Lambert’s Castle. It is an excellent place to perform outdoor weddings, photograph the ceremony and include nature’s beautiful scenery in the background of each breathtaking photo. Wedding packages vary and depend upon the type of wedding requested. The cost of a simple, no-frills wedding is $150. There are many other options to choose from with prices set accordingly. Contact information, additional services and prices are available online Website: Gregg Kits is licensed and certified to provide services as a wedding	eb635a64ea5441e49d6b04c502f5b0f5	{ "token_count": 358, "file_path": "/lingua/data/custom/68/train-00000-of-00001.parquet" }
Gemius Design Studio bags creative & digital mandate for Tromko As part of the mandate, Gemius Design Studio will help Tromko establish and strengthen its presence as a men’s underclothing brand. Gemius has been appointed to represent and amplify the digital and creative mandate for Tromko, a men’s underclothing brand. Tromko is looking to set its foundation in men’s underclothes and sports apparel. In a multi-agency pitch, Gemius won over the team at Tromko by virtue of their ideas and plan to build the brand. Speaking on winning Tromko as an account Co-Founder Anushree Pacheriwal expressed, “Year on year our family is growing bigger and we’re getting to know people across varied backgrounds and industries. It is a tremendous validation to our continued hard-work and passion towards story-telling and as we say Art et al. We are delighted to sign on Tromko and collaborate with the brand to actualize combined accomplishments.” Also Read: Gozoop wins digital duties for Dubai International Stadium Nirmal Shyam Jhawar, Co-Founder of Tromko said, “We at Tromko are elated to be finally accessible to our audience and are excited about our launches. We needed an agency to support and amplify our ideas and vision, and Gemius showed us that they are ideal for us. We’re looking forward to working with them together on combined objectives and goals, in the hope to get our brand more eyeballs.” Gemius is a creative & digital media agency that manages accounts across varied industries such as FMCG, government bodies, nutritional supplements, f&b retailing, etc. Their major clientele includes Badshah Masala, Surat City Traffic Police, Woop, Scitron, Samaara Tea, Raisin, Alpino, Wok On Fire and others.	1990874041e54e628156f051cb208c42	{ "token_count": 381, "file_path": "/lingua/data/custom/94/train-00000-of-00001.parquet" }
Added on 07-Jul-2008 Cinephiles everywhere are rejoicing over the discovery this week of a near complete version of Fritz Lang's masterpiece, Metropolis, featuring footage that was long thought to be lost.When Lang originally screened it in his native Germany, it flopped. So it was edited several times, with U.S. distributor Paramount paring it down at least 30 minutes in an effort to simplify it. One of Lang's earlier edits ended up getting purchased to be shown in Argentina in 1928, and that's the version that was found, just sitting in Buenos Aires' Museo del Cine's archives. It's only missing one key scene that can easily be culled from a cut already in existence. It's huge news when you think that there's no one alive today who's seen the full version before. Considering it's long-lasting impact on cinema, even some 80 years later, you have to consider it the biggest film discovery of all time. The film was way ahead of its time, with many of the scenes cut thought to be too brutal at the time. Now it has a chance to be reborn with a fresh set of eyes.The news, of course, had me instantly thinking of a previous rebirth the film got back in 1984, when a lot of us were introduced to Lang's labyrinth through the work of disco producer Giorgio Moroder ("Love to Love You"), who edited together a version that tried to restore the original's storyline (the U.S. edited version changed the text greatly) while updating it with flashes of color and his own soundtrack. The soundtrack featured artists from the era like Queen's Freddie Mercury, Loverboy, Billy Squier, Pat Benatar and Bonnie Tyler. Yes, it's as frightening as it sounds and the songs don't age particularly well, but Moroder's Vangelis-like instrumental work actually worked well with Lang's vision (just listen to "The Legend Of Babel"). Film purists everywhere sh*t their pants at what he did, but it introduced the work to a lot of young minds, and inspired more musical interpretations following. Now known as the "Moroder version," it's been blocked by purists from getting the DVD treatment, even though it has a pretty good cult following, the kind that the DVD industry can easily make some green off of.So I put it to the Friedrich-Wilhelm Murnau Foundation, who has the rights to Metropolis, along with any distributor tied to the eventual DVD release, to at least think about adding Moroder's version to any big box-set release that might come out of this. I know a lot of folks want to forget it even happened, but we should consider it the 1980's yang to the original's yin. Here's a 1984 preview trailer for Moroder's version that captures a bit of the kitsch to which I am referring in this post: Submitted by: mickyparise	8779fb311461458591b38f2122d5fec7	{ "token_count": 606, "file_path": "/lingua/data/custom/37/train-00000-of-00001.parquet" }
Size of this preview: 640 × 318 pixels. Other resolutions: 320 × 159 pixels \| 800 × 397 pixels \| 1,024 × 509 pixels \| 1,280 × 636 pixels. Full resolution (download) (4,496 × 2,233 pixels, file size: 582 KB, MIME type: image/png) Licensing File history Click on a date/time to view the file as it appeared at that time.	ca09654382a546148cc3fe1c742680eb	{ "token_count": 98, "file_path": "/lingua/data/custom/92/train-00000-of-00001.parquet" }
Today, November 28th … Half a century before the chestnut blight wiped out the chestnut forests of America, Henry Thoreau went into the woods on this day in 1856, to look for a lost comb. He “Unexpectedly [did] find many chestnuts in the burs which have fallen some time ago. Many are spoiled, but the rest, being thus moistened, are softer and sweeter than a month ago, very agreeable to my palate.” This is the nut that John Evelyn (1664) said was “amongst the delicaces of Princes in other Countries … [and] is a lusty, and masculine food for Rustics at all times”. He bemoaned the fact that in England they were fed to swine, but then went on to suggest that “we might propagate their use, amongst our common people ...". The chestnut must surely lay claim to being one of the most versatile of foods – eaten fresh or preserved (dried, canned or frozen), raw or cooked, as a staple or a delicacy, in all dishes from soup to nuts (Ouch! Sorry!) and for all consumers – the pigs, the poor, and the posh. The French attempted to destroy the chestnut economy of Corsica in 1789. They called the chestnut “the food of laziness”, because by providing the Corsican Rustic with his staple “wooden bread” and his stock with fallen fodder, it allowed him to neglect the fields. It was however very acceptable for the rich and Princely French to enjoy the pick of the crop in a variety of luxurious ways - as soup, stuffing for turkey, sweetened purée, and especially as “marrons glacées”. Nowadays we associate chestnuts with family celebrations such as Thanksgiving and Christmas, which might be a good time to remember that they also had a medicinal use in the past. As well as being “a first-rate remedy for cough and spitting of blood", please remember that “melancholy and Old Persons, also those who abound with gross and tartarous Humours ought to abstain from them.” Those of your Christmas guests who are not gross and tartarous by nature might enjoy these easy Christmas recipes from “The Boston Cooking-School Cookbook” by Fannie Merritt Farmer (1896) Devilled Chestnuts. Shell one cup chestnuts, cut in thin slices, and fry until well browned, using enough butter to prevent chestnuts from burning. Season with Tabasco Sauce or few grains paprika. Chestnut Gravy. To two cups thin Turkey Gravy add three-fourths cup cooked and mashed chestnuts. Tomorrow … Inside entertaining. 1 comment: I enjoyed your great post, keep up the good work.	f0193071e6f24189b15decbc7b60dc76	{ "token_count": 568, "file_path": "/lingua/data/custom/102/train-00000-of-00001.parquet" }
. It has to be professionally designed for it to attract customers to your store or clinic. Although one can decide to design his or her logo, in most cases, it does not come out the way they would have wanted and would not appeal to customers. A logo designed by experts like that of Louis Pelletier Denturologiste is more beneficial than those done by amateurs in graphic design. Some of the benefits of hiring these experts to design your brand logo to be of good quality like that of Louis Pelletier Denturologiste are discussed below.. A good example of a simply designed logo would be Louis Pelletier Denturologiste logo. You won’t find even a single one complicated and overloaded with texts. Actually, they are simple and straightforward. A logo that has a simple design is easy to recall and, also identify once you are in a store shopping. Sophisticated Dental Logo Design Designing your logo might seem like a desirable choice. Furthermore, who can stand up and say that he understands your business better than you? What they don’t know is that they don’t have the essential expertise to design a logo. A good graphic designer brings more than just the skills he has towards creating your logo. He also brings the experience he has from the jobs he has done over the years alongside innovative trends that are currently present in the industry. Let’s use Louis Pelletier Denturologiste logo as an example. They have used a totally different design for their logo that differs from the same old dental smile found in almost any dental clinic logo out there. Eye for Color There is a whole psychology of the impact colour has on how it arouses people’s emotions. A dentist might pick red as their dominant logo colour because it draws a lot of attention. Instead, a designer will most certainly not use this colour on his design since it might not appeal well to the clients he is looking to attract. A professional and repute designer like the one who designed the Louis Pelletier Denturologiste logo will use his experience to choose a colour that will appeal to people and bring you more customers. Source: my company	9111e40087a44569b30c4cbb1d1474a2	{ "token_count": 433, "file_path": "/lingua/data/custom/43/train-00000-of-00001.parquet" }
Pentagon Mulls Delay in Lockheed's F-35 Program By Dow Jones Business News, June 28, 2013, 12:25:00 PM EDT WASHINGTON--The Pentagon is weighing a delay to its most costly and controversial weapons program, the F-35 stealth fighter plane, as part of a short-term cost saving move, according to defense officials. Defense Secretary Chuck Hagel is considering the delay as one option presented by a task force to cut Pentagon spending over the second half of this decade. But officials stressed no decisions have been made and that senior advisers to Mr. Hagel are recommending against the option, noting that it would not save enough money to justify the move. Defense analysts said delaying full production of the F-35 would save between $1 billion and $2.5 billion a year between 2015 and 2019, the time frame being examined by the Pentagon. Any delay to the program could be a blow to the fighter plane and its prime contractor, Lockheed Martin Corp. ( LMT ), and comes at a time when many defense analysts say the once-troubled program has righted itself, overcoming various problems that have delayed the aircraft and added to its costs. Delaying the program was an option raised by the Pentagon's Strategic Choices Management Review, a task force of senior leaders examining ways to reduce spending to comply with the across-the-board budget cuts mandated by Congress. Officials declined to say how long the F-35 could be delayed under the proposed option or how much money the Pentagon estimates would be saved. Earlier, officials participating in the review had weighed a two-to-three year delay limited to the Navy variant of the fighter plane, but that option was rejected by the task force. If Mr. Hagel opted to delay the program, the Pentagon likely would continue to purchase small numbers of the plane, but would hold off a move to full production in 2015, according to defense analysts. Because the Air Force plans the fastest increase in production for its variant of the plane, any slowdown would likely fall heaviest on that service, analysts said. Jennifer Allen, a spokeswoman for Lockheed Martin, said it was not appropriate for the company to "speculate on internal DOD discussions and decisions." Since the F-35 is the military's largest weapons program, many officials consider it the easiest to cut, said Jim McAleese, a defense analyst. Richard Aboulafia, a defense analyst with the Teal Group, said delaying the F-35 from full production could cover about 30% of the reductions needed in the procurement budget under the mandatory spending reductions. But analysts agreed short term savings will come with long-term costs. "You are going to jeopardize the export market and that will keep costs high," said Mr. Aboulafia. "It is not a death spiral, but it is a pain spiral that could really damage the program." Loren Thompson, a defense analyst who advises Lockheed, said the delay makes little sense, and over the long term will add to the costs. "There is a reflex to look at the F-35 program as bill payer because it is the biggest program. But since it is the biggest, any change in the plan has outsized fiscal consequences," Mr. Thompson said. The strategic review is considering delays to other weapons programs as well, although officials declined to outline specific proposals. The senior advisors recommending against the delay are worried that slowing the program could discourage other countries from purchasing the plane, officials said. Fewer countries buying the advanced plane would make each one more expensive. According to the military's most recent report to Congress, the Marine variant of the plane, the F-35B, is due to begin military operations in 2015. The Navy variant, the F-35C, is due to begin operations by 2019. The Air Force variant, the F-35A, will enter operations in 2016. Slowing production would likely delay that timetable, particularly for the Navy and Air Force variants. Originally designed to be a low-cost plane costing about $40 million a copy, costs have grown to about $122 million each for the Air Force version. The Pentagon estimates that the unit cost eventually will decline to $92 million. But some officials worry that any cuts to the size of the program, or too long a delay, will drive up those unit costs, putting the entire program in danger. Mr. McAleese said many of the F-35's past problems have been addressed, and the program seems stronger now than it has in the past. The plane has encountered cost overruns, developmental delays and questions about the reliability of its technology. "The trend lines are not all perfect, but the trend lines are all moving in the right direction now, for the first time," he said. Write to Julian E. Barnes at [email protected] Read more:	6fb44a46ff2d48bab775580bc3db7e46	{ "token_count": 991, "file_path": "/lingua/data/custom/18/train-00000-of-00001.parquet" }
Image… - The CW is said to be strongly considering renewing both One Tree Hill and Life Unexpected for 12 episodes apiece. Among new shows, the Nikita reboot is a lock, Scott Porter’s Nomads is flirting with a possible midseason order, and ASP’s The Wyoming Project is… generating absolutely no buzz. - As NYMag speculated (and Greg Grunberg all but confirmed with his cryptweet), Heroes is likely dead. - Barring an eleventh-hour about-face, NBC will be bringing Chuck back for a fourth season. THIS JUST IN: It’s official! - Sources close to Law & Order tell me that NBC will likely shoot down Gunsmoke‘s record and renew the mothership for a groundbreaking 21st season. THIS JUST IN: Or maybe not! - All signs point to ABC picking up Shonda Rhimes’ doctors-in-paradise medical drama Off the Map, although the boss lady herself just told me she isn’t counting her chickens just yet. “People like it, it [tested] well, but you never know,” she admitted. “I really liked Inside the Box last year and it didn’t get picked up.” THIS JUST IN: ABC picks up three comedies, including the Matthew Perry sitcom Mr. Sunshine. - SPOILER ALERT: This doesn’t concern upfronts, but a crazed gunman is making a beeline for Seattle Grace. Click here for details! - Industry sources are giving Fox props for yesterday’s pickup of ambitious dramas Ride-Along and Lone Star. “I hope people aren’t missing the significance of a network like Fox pushing ahead with two projects like this,” acknowledged one veteran TV producer. “The fact that Fox is giving both shows a shot is an important thing for quality television.” - Reliable sources confirm that you should stay close to my blog and Twitter feed @michaelausiello for round-the-clock upfront scoop!	b3183eaf1e914d539f611bf95797996d	{ "token_count": 385, "file_path": "/lingua/data/custom/3/train-00000-of-00001.parquet" }
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I was speaking with a friend and fellow believer about the signs that the end times are upon us. When I mentioned that the holy land and Jerusalem were back in Jewish hands as one of the signs, he wondered out loud if there could be another dispersal of the Jews and then another regathering in the future. We agreed that it was highly improbable but I wanted to ask you if there is prophetic Scripture which tells us that once the holy land is re-occupied by God’s people, they are there to stay. In Isaiah 11:11 we’re told there will be two re-gatherings of Israel. From history, we know the first was after the Babylonian captivity, and from Isaiah 11 we can see that the second one will usher in the end times. That one has already begun and is continuing. There is no mention of a third re-gathering. Amos 9:11-15 contains wording also used in Acts 15:13-18, where it applies to the rebuilding of the Temple following the rapture of the Church. The prophecy ends with a promise that Israel will never again be uprooted.	0736a87ffb0342e198441671052efe3f	{ "token_count": 232, "file_path": "/lingua/data/custom/24/train-00000-of-00001.parquet" }
Today’s hand-winder is the Master, made only in 1959 as far as I know and was the last in the long line of what Citizen called its ‘Center Second’ watches. The 910/913 19 jewel movement was a higher grade version of the Junior seen yesterday, and was marked as having three adjustments at the factory. Unlike yesterday’s 9 jewel movement the Master does have the para shock system introduced by Citizen in 1956. Good examples of these are hard to find, due no doubt to their very short production run. The dial on mine is not so good, although the case has worn well: More info on this watch here:	a61446bd1e46448ba236ac196ec4ae1b	{ "token_count": 135, "file_path": "/lingua/data/custom/35/train-00000-of-00001.parquet" }
Around 250 people representing 55 different nations are gathering in Assisi, Italy for the EI Event: Where We Dwell in Common: Pathways for Dialogue in the 21st Century. We will look at ongoing causes of division, we will then explore sources and features of commonality and, through engaging in a qualitative comparison of the significance of the two, set our hearts and minds toward re-energising the ecumenical cause through resolutely pushing our thinking outside the box to new levels. On each day, we also divide into three thematic areas of focus – exploring intra and inter-church issues; second, exploring inter-faith issues and, finally looking at issues pertaining to the relations between faith communities and the wider world in which they must live out their faith. Each day we will also received further nourishment from our Soul Food sessions, as well as from visiting the most sacred and special sites of Assisi. We will also share our Food for Ecumenical Thought sessions the evening before our final day to be inspired by rich stories and specifically focused wisdom which come from a wonderful array of scholars and practitioners from around the globe – as, indeed, do we the most amazing collection of concurrent papers, which will be spread across two particular days. The hardest part of Assisi 2012 is going to be choosing which sessions to attend! Keep following the event at the home page here and keep liking it at our Facebook page here.	8e7eff1176a040109d547a1e8fe6fa93	{ "token_count": 292, "file_path": "/lingua/data/custom/6/train-00000-of-00001.parquet" }
We want to send a big thank you to everyone who participated in our VKworld Mix Plus bezel-less smartphone contest and helped make it a success! And a special congratulations to Adenike Raimat, the winner of the $119 VKworld Mix Plus Grand Prize in our ‘VKworld Mix Plus Smartphone Giveaway’ contest powered by Gearbest! Gearbest is a Chinese shopping website that allows you to buy consumer electronics, mobile phones, gadgets etc. at a highly discounted price (Check out the latest Gearbest coupons). According to the Gleam platform which we used for our giveaway… She received 141 entries (see below), the most of any entrant, and has been crowned the winner! We will be looking forward to Adenike to send us an email using the contact us form on our website and reach us in person to claim your reward. However, if we didn’t receive a message from you in the next 7 days, then we’ll be forced to give it to the second on the list. For those who tried, don’t worry… If you didn’t win now, you will later. Note that there are more giveaways to be featured on Naijaknowhow.com.ng. Just keep visiting and also, subscribe to our push notification, social media pages or email newsletter to be the first to get notified of our post updates! Those who missed out on the giveaway… the VKworld Mix Plus is currently selling at Gearbest for $119.99 now, you can order on Gearbest using the link or button below.	5d45c49286f745d89b55bf6e3986cb9c	{ "token_count": 314, "file_path": "/lingua/data/custom/73/train-00000-of-00001.parquet" }
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Men in Black: International and all the images you see in this review are owned by Sony Pictures Releasing Directed by F Gary Gray As tacky as it may seem, I kind of want to see MORE studios blatantly try to pick at the MCU’s carcass by snatching up its major talent and putting them in new scenarios with similar dynamics. It’s kind of like the cinematic equivalent of an Elseworld’s tale or maybe even one of those bizarre crossover comics where the X-Men are on the Enterprise or Doctor Who has to fight the Cenobites or whatever. Picking up both Chris Hemsworth in full on Thor Swagger mode and Tessa Thompson at the height of her popularity is probably the best thing this film has going for it because it certainly isn’t the name brand recognition. The first Men in Black movie was good but is older than the target audience of this film, the sequel was utter dreck despite having my beloved Johnny Knoxville in a fun supporting role, and I never even bothered with the third movie that this thankfully doesn’t seem to be a direct sequel to. Still, the concept is at least unique enough that you could still salvage it given the right talent which looks to be the case with its cast as well as being directed by F Gary Gray. Can the MIB be brought back from the dead to be the next big cinematic franchise, or are we doomed to repeat the mistakes of the late nineties and early 2000s over and over again Molly (Tessa Thompson) has spent the last twenty years looking for the mysterious Men in Black organization which tried to capture an alien in her childhood home but failed to do so and also failed to neuralyse her like they did her parents. It was a pretty serendipitous event as well because Molly is a bit of a loner and cares more about unlocking the mysteries of the universe than having friends or forming genuine human relationships; a trait prided in members of the MIB! Because of this as well as her ability to eventually find them, the current head of the New York branch Agent O (Emma Thompson) gives her a shot with the new moniker Agent M and sends her to London for training where she runs into Agent H (Chris Hemsworth) who is a big shot hero from a few years ago but seems to be in a bit of a slump. He and the head of the London branch High T (Liam Neeson) once stopped an alien invasion with nothing but a couple of weapons and their wits, but when a protection operation H takes M along on goes completely awry, it could spell the end of not just their careers but the Earth itself. They must solve the mystery of who wanted to kill H’s alien buddy Vungus the Ugly (Kayvan Novak) and whether or not there’s some greater conspiracy happening with the MIB that this is just a small part of. Oh yeah, and there’s a comic relief alien (Kumail Nanjiani) that does cute things and spouts sarcasm. Can M and H learn to work together and solve the mystery before MIB or something more dangerous catches up to them? Will the organization that prides itself on being secretive collapse into ruin due to the duplicitous nature of one of its own? Is it just me, or is it becoming increasingly hard to believe that THIS many people and THIS much equipment are STILL a complete mystery to the undiscerning masses; all of whom have smart phones and social media accounts? “Is this the place?” “Yup. XxVegetaAlphaxX won’t be uploading Men in Black and nutshot complications any time soon.” “Freaking Reddit.”	2fc5b142e41f458a901ef833d612cc69	{ "token_count": 752, "file_path": "/lingua/data/custom/33/train-00000-of-00001.parquet" }
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Tyson Ross hitless again as Padres beat Brewers 6-2 - Image 1 of 2 Milwaukee Brewers' Elian Herrera cannot catch a ball hit by San Diego Padres' Xavier Nady during the first inning of an exhibition spring training baseball game on Friday, March 7, 2014, in Phoenix. (AP Photo/Morry Gash) (The Associated Press) - Image 2 of 2 Milwaukee Brewers' Matt Garza throws before an exhibition spring training baseball game against the San Diego Padres, Friday, March 7, 2014, in Phoenix. (AP Photo/Morry Gash) (The Associated Press) PHOENIX –.	ec3f017431184b7195fe56f2c1d895d4	{ "token_count": 142, "file_path": "/lingua/data/custom/100/train-00000-of-00001.parquet" }
The first four days have been crazy. Odd travel stories, finding an apartment and now finally having internet! Still feel a little overwhelmed and completely exhausted but at least the beach is only a 15min walk, shopping centre and banks are only 5min and the grocery store called Casino (not a real Casino) is just down the street. I feel like the biggest letdown so far has been the scratched frying pans and the 37E sheet I bought thinking it was a set. Nope. Here in France what is pictured on the back is not what you are getting in the package. Also, do not forget when you buy something with a security code on it, it becomes very embarrassing when you walk through the store with the receipt and ask them to remove the “inky thing” that you never realized was there. Other than that is has been HOT HOT HOT. Like deathly hot. Like so hot I’m not hungry for meals and only know that I need to eat when I start getting vertigo and dizzy. Everything is alright though, it’s just a matter of getting our feet under us and then we will be off running. Bisous from France! 2 thoughts on “The First Four” Thanks for the update Shay! Send some of the squash soup this way. Your new room seems spacious and bright which is a plus! LikeLiked by 1 person Matty you have no idea how good the food is.. the combination of the heat and good quality food just makes you full within 7 bites. I think it is key to eat several meals to survive and stay nourished.	fadad64256e146d3a15b01f6dc77938b	{ "token_count": 323, "file_path": "/lingua/data/custom/24/train-00000-of-00001.parquet" }
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Warning: The NCBI web site requires JavaScript to function. more... Generate a file for use with external citation management software. The diagnosis of pulmonary tuberculosis presents challenges in children because symptoms are non-specific, specimens are difficult to obtain, and cultures and smears of Mycobacterium tuberculosis are often negative. We assessed new diagnostic approaches for tuberculosis in children in a resource-poor country. Children with symptoms suggestive of pulmonary tuberculosis (cases) were enrolled from August, 2002, to January, 2007, at two hospitals in Lima, Peru. Age-matched and sex-matched healthy controls were enrolled from a low-income shanty town community in south Lima. Cases were grouped into moderate-risk and high-risk categories by Stegen-Toledo score. Two specimens of each type (gastric-aspirate, nasopharyngeal-aspirate, and stool specimens) taken from each case were examined for M tuberculosis by auramine smear microscopy, broth culture by microscopic-observation drug-susceptibility (MODS) technique, standard culture on Lowenstein-Jensen medium, and heminested IS6110 PCR. Specimens from controls consisted of one nasopharyngeal-aspirate and two stool samples, examined with the same techniques. This study is registered with ClinicalTrials.gov, number NCT00054769. 218 cases and 238 controls were enrolled. 22 (10%) cases had at least one positive M tuberculosis culture (from gastric aspirate in 22 cases, nasopharyngeal aspirate in 12 cases, and stool in four cases). Laboratory confirmation of tuberculosis was more frequent in cases at high risk for tuberculosis (21 [14.1%] of 149 cases with complete specimen collection were culture positive) than in cases at moderate risk for tuberculosis (one [1.6%] of 61). MODS was more sensitive than Lowenstein-Jensen culture, diagnosing 20 (90.9%) of 22 patients compared with 13 (59.1%) of 22 patients (p=0.015), and M tuberculosis isolation by MODS was faster than by Lowenstein-Jensen culture (mean 10 days, IQR 8-11, vs 25 days, 20-30; p=0.0001). All 22 culture-confirmed cases had at least one culture-positive gastric-aspirate specimen. M tuberculosis was isolated from the first gastric-aspirate specimen obtained in 16 (72.7%) of 22 cases, whereas in six (27.3%), only the second gastric-aspirate specimen was culture positive (37% greater yield by adding a second specimen). In cases at high risk for tuberculosis, positive results from one or both gastric-aspirate PCRs identified a subgroup with a 50% chance of having a positive culture (13 of 26 cases). Collection of duplicate gastric-aspirate specimens from high-risk children for MODS culture was the best available diagnostic test for pulmonary tuberculosis. PCR was insufficiently sensitive or specific for routine diagnostic use, but in high-risk children, duplicate gastric-aspirate PCR provided same-day identification of half of all culture-positive cases. National Center for Biotechnology Information, U.S. National Library of Medicine 8600 Rockville Pike, Bethesda MD, 20894 USA	2fe040771b8e49da92402224fa276396	{ "token_count": 676, "file_path": "/lingua/data/custom/64/train-00000-of-00001.parquet" }
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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Time is thee enemy! CD. Compact Disc (CD) + Digital Album. Time is thee enemy! CD Includes unlimited streaming of Time is thee enemy! via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 21 days. Best Der Blutharsch album till now. Not excessively long, 40 minutes of perfect balance between martial hymns, slow ambient pieces and introspective acoustic songs. A2 is my favourite Blutharsch song (together with the fantastic 7"). The album is various, quick and effective, you can't get bored. It includes vocals by Geoffrey D. (Dernière Volonté), Marco Deplano (Wertham, Foresta Di Ferro), Bain Wolfkind (Novo Homo) and Jörg B (Allerseelen), plus sound assistance by Wilhelm Herich (Genocide Organ) Neo Folk Der Blutharsch. Band Name Der Blutharsch. Album Name Time Is Thee Enemy! Type Album. Labels WKN. Music StyleNeo Folk. Members owning this album1. Listen free to Der Blutharsch – Time Is thee Enemy! (Untitled, Untitled and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Time Is thee Enemy! Overview (current section). Artist: Der Blutharsch, Song: Time Is Thee Enemy! - 07, 2003, Duration: 3:05, File type: mp3. №2804726198. Der Blutharsch and the Infinite Church of the Leading Hand Unreal. Der Blutharsch and the Infinite Church of the Leading Hand Out of Darkness Deep. Album · 2003 · 13 Songs. Time Is Thee Enemy! Der Blutharsch. Listen on Apple Music. Time Is Thee Enemy! "Please retry". In the spring of 2006, Der Blutharsch embarked on what they announced would be their final tour ever. Despite his constant reminders to the contrary,.	5ab0dad4e2f4492d900ef5cde8bf5b68	{ "token_count": 452, "file_path": "/lingua/data/custom/10/train-00000-of-00001.parquet" }
Archive for November, 2016 Small Press Week #SPWshop Last day of Small Press Week! Today we’re engaging in capitalism, since it’s also Small Business Saturday! Most of our titles could only be released by a small, independent publisher not beholden to a large corporate editorial structure. Upper Rubber Boot has the freedom to take risks. Poetry books, especially, are hard to sell, but, I believe, vitally important to the literary conversation—every one that we publish is a risk. I also love stories that are hard to quantify and pigeonhole, which can make our anthologies riskier to publish because they aren’t absolutely clearly one genre or another. We exist on the fringe. It’s even in our name (Upper Rubber Boot is Canadian for a place that’s far away from the center of things, and probably uncool and insignificant). Here are some of our riskiest titles: - Sunvault: Stories of Solarpunk & Eco-Speculation: a solarpunk anthology to be released in 2017, edited by Phoebe Wagner and Brontë Wieland, explores hopeful solutions to environmental disaster, with stories by A.C. Wise, Daniel José Older, Fan Yulin, Jaymee Goh, Kristine Ong Muslim, Lavie Tidhar, Nick Wood, and Nisi Shawl. Follow the anthology’s page on Facebook! Previous URB Small Press Week posts: - Nov 25: SPWreads - Nov 24: SPWthanks - Nov 23: SPWfutures - Nov 22: SPWzoom - Nov 21: SPWpast - Nov 20: SPWsecrets 26 November 2016 Small Press Week #SPWreads Some books I’m interested in that other presses have released: Previous URB Small Press Week posts: - Nov 24: SPWthanks - Nov 23: SPWfutures - Nov 22: SPWzoom - Nov 21: SPWpast - Nov 20: SPWsecrets 1 comment 25 November 2016 Small Press Week #SPWthanks 1 comment 24 November 2016 Small Press Week #SPWfutures 1 comment 23 November 2016 Small Press Week #SPWzoom Today for Small Press Week we’re zooming in on 2016 releases. Upper Rubber Boot has two releases this year: The Museum of All Things Awesome And That Go Boom, an anthology of derring-do, explosions and blunt force trauma, and Floodgate Poetry Series Vol. 3, comprised of a short poetry book by Enid Shomer, another co-written by Cave Canem fellows F. Douglas Brown and Geffrey Davis, and a third co-written by brothers Anders and Kai Carlson-Wee. We thought we’d have some fun with this and just tantalize you with some snippets: Previous URB Small Press Week posts: - Nov 21: SPWpast - Nov 20: SPWsecrets 1 comment 22 November 2016 Small Press Week #SPWpast It’s Small Press Week! Today we’re talking about the history of our press. I’m Joanne Merriam, the Publisher of Upper Rubber Boot. I had toyed with the idea of starting a press for over a decade, since my days as a staffer at the Writers’ Federation of Nova Scotia, where I was one of two staff, doing everything the Executive Director didn’t do (essentially running the office and our programming, and helping our members and the public understand submission etiquette and industry standards). Working there both made me feel like running a publishing company was a possibility, and gave me a great primer on much of what I needed to know. After I immigrated to the United States, I was having trouble connecting with other professional writers, mostly because I was mired in poverty and couldn’t attend workshops or the like. I met Molly Peacock at a reading, and she suggested that I start something that made writers come to me, like she had started The Best Canadian Poetry in English series. I started URB in 2011. I ran a very modest kickstarter which gave me the funds to buy 100 ISBNs, and spent my two-week Christmas break releasing and promoting Heather Kamins’ Blueshifting and 140 And Counting: an anthology of writing from 7×20. In early 2012, Andrew McFadyen-Ketchum approached me about an apocalyptic anthology, which became Apocalypse Now: Poems & Prose from the End of Days, containing stories by Margaret Atwood, Joyce Carol Oates, and Pinckney Benedict. I started to feel “real” at that point! Andrew has stayed on as an acquisitions editor for the Floodgate Poetry Series, which annually releases three chapbooks (short poetry books) in one volume. He is also co-editing the forthcoming Warning! Poems May Be Longer Than They Appear. After the success of Apocalypse Now, URB has released a number of anthologies of speculative fiction: Choose Wisely: 35 Women Up To No Good, How to Live on Other Planets: A Handbook for Aspiring Aliens, and The Museum of All Things Awesome and That Go Boom. We’ve also released single-author books of poetry by Peg Duthie (Measured Extravagance), T. D. Ingram (Hiss of Leaves), Lyn Lifshin (Marilyn Monroe: Poems), Corey Mesler (The Sky Needs More Work), of fiction by RJ Astruc (Signs Over the Pacific and Other Stories), Sergey Gerasimov (The Mask Game), and most recently by Argentine author Teresa P. Mira de Echeverría and translated into English by Lawrence Schimel (Memory: A Novelette). I feel tremendously fortunate to get to work with talented writers on books that are important, that talk about vital things, and that challenge readers to think and act! Previous URB Small Press Week posts: - Nov 20: SPWsecrets 21 November 2016 Small Press Week #SPWsecrets It’s Small Press Week! Look for these hashtags this week on Facebook, Twitter, Tumblr, Instagram, and other social media sites: Today, we’re sharing some secrets and behind-the-scenes glimpses of life in small press publishing. Small presses come in all kinds of different shapes and sizes. Some use digital typesetting and print-on-demand technology to fulfill orders one at a time, while others produce limited editions on small letterpress machines of their own, while still others order a few thousand copies from a printer and maintain an inventory. Some run their own associated online or physical bookstores. Some employ 30 people and some are one person’s passionate hobby. Upper Rubber Boot is a micropress, because of the small number of titles we release a year (typically 2 or 3). Because of our low profits, I run URB as a part-time job, while holding down a full-time job as a program co-ordinator and admin at a local hospital. It can be tiring! Some days I’m exhausted and overwhelmed. But it also means I can choose projects with very slim margins, or which I know will lose me a small amount of money (most of our poetry titles lose money in their first year, and some never break even). I have a lot of freedom to publish what I love. I also have an almost pathological need to create order out of disorder, and getting everything just right scratches that itch for me. And it’s an amazing privilege to be able to work with so many intensely talented writers, and to make actual physical things that go out into the world and have a life independent of me. Curating the stories that will appear in an anthology, or helping one of my editors to take a book from cradle to—well, not grave, since none of our titles are out of print, so let’s say, healthy middle age—is extremely satisfying work. 20 November 2016	7e5377e74adc4ee8bda3ec9f3022ba4a	{ "token_count": 1658, "file_path": "/lingua/data/custom/68/train-00000-of-00001.parquet" }
Chef Robert Carter opened Rutledge Cab Co. in 2013 When I got my start at Johnson & Wales in 1987, for some reason I knew Charleston would become a culinary destination. I felt like it was on the brink of something, even though back then it wasn't. The restaurant I worked in here used powdered demi-glace, and it was one of the top restaurants in the city. We didn't know any different. When I moved back in '97 to open Peninsula Grill, we were the only restaurant in the city to have a printed menu item over $20. We opened with a $24 rack of lamb and everyone said "You'll never make it." Well, first they said a restaurant on the alley in the Market would never make it. At that time Peninsula Grill opened onto an alley between Market and Hayne streets and a bunch of bums slept there. But we said, "They'll come for the food." We opened to incredible success. Peninsula got the Esquire award and then Planters Inn received the Relais and Chateaux designation. Peninsula Grill raised the bar in Charleston, and then that same year Bob Waggoner opened Charleston Grill. All of a sudden Charleston had Peninsula — an American steakhouse restaurant — and Charleston Grill — a French-style restaurant with Southern influences. Suddenly we had Mike Lata at Anson, Frank McMahon at Hank's, and, of course, Frank Lee and Donald Barickman were already established as industry leaders here in Charleston. And Jacques Larson and Sean Brock worked for me at that time, as a sous chef and line cook respectively. Of course, it was a lot of hard work. But that's always been easy to take care of. For a lot of chefs, the stress of the kitchen often ends with solitary drinking in a bar. And in the '80s and '90s there was plenty of vices to indulge in, too. Back then Vickery's was open till 4 a.m., and you could stay there till 6. But even with the partying, it was always about the food. One of my mantra's has always been: "We have fun until the food's not right. Then we're not having fun anymore. No one is having fun because the customer isn't having fun. It's all about the customer." When it came to the food, I've always been obsessed with consistency. I am obsessed with the little things. For instance, I was militaristic about the hush puppies because my philosophy is, if you work on the side dishes — the puppies, the biscuits, the bacon crumb crust — everybody takes care of the protein. It's easy to cook a steak. It's hard to put the whole dish together day in, day out, night in, night out. Can you do it at 5 o'clock on a Thursday and 10 o'clock on a Monday night? It has to be the same execution, whether you're cooking for 350 people or 100. You have to be just as intense on the 350th plate as you are on the 100th. If we say it's blue, it better be blue every single time. Not gray, not green, not anything else. Blue. We can change it, but we gotta agree to change it. If a dish isn't right, that's not acceptable. Throw it in the trash. That was my motto back then, and it remains my motto now at Rutledge Cab Co. I've always been unwavering on consistency. It's that consistency that's made Charleston a dining destination. The chefs in this city chose to elevate cooking and consistency across the board, offering the complete package — excellent food, service, decor, the whole experience. And I believe if these traits that made this city a culinary leader are not preserved, then we will lose what we have created. Our hospitality community needs to focus on shifting from casual to classic, trendy to timeless. New Orleans is a perfect example of a city that is taking its culinary traditions back and recreating the lustre and success of yesteryear. They are doing it through a revival of world-class dining destinations offering classic dishes, talented chefs, and uniquely New Orleans experiences. I believe that even though we have drifted away from these core aspects of a dining destination, Charleston is ready to return to its roots, and the combination of exceptional service, quality, food, and the customer-first approach that put this city on the map are what will keep us there for years to come. ADVERTISEMENT Showing 1-1 of 1	39094eb5f0374fc7a1aaf74f45db6606	{ "token_count": 934, "file_path": "/lingua/data/custom/6/train-00000-of-00001.parquet" }
We never see what happens when Prince Charming comes home after a long day of slaying dragons and Cinderella's been having her own troubles with the kids all day. Or when Sleeping Beauty slept too long and forgot to do something Prince Phillip needed her to do. We never see this part of the story. : ) Marriage....the union between a man and a woman. When two people come together it is a powerful force. However, when God is in the center of one's marriage, it becomes unbreak This force is so strong, that the enemy wants to break it, he wants to destroy it. You might be thinking.....but so many marriage between Christians end in divorce today. The number is the about 50%. Just like in the fairy tales, we have a villain who is out to destroy love. Only this villain is real. That is right, there is an enemy out there that hates marriage, hates what God has designed, hates God's creation and hates love. This kind of love found in marriage is not fairy tale love, but it can end happily ever after. There is nothing quite as beautiful as an 80 year old couple holding hands, or sitting by the deathbed of the one they have loved for 50 years. My grandmother (who I mentioned in another post turned 90 recently) was married to my grandpa for over 60 years. When he was in a nursing home, she went everyday to sit with him for hours. Now, that is love. If you have gotten a divorce or your marriage has not been good, this is not meant to condemn you. Like I said before, there is an enemy and...... it is not your spouse. Most people do not know or forget there is an enemy..... "For we do not wrestle against flesh and blood (the enemy is not a person), but against principalities, against powers, against the rulers of the darkness of this age, against spiritual hosts of wickedness in the heavenly places." Ephesians 6:12 (parentheses added) Now, I am not one to pay much attention to the enemy. I rebuke him when needed (like Jesus did), but I think he likes attention, so I don't give him much. Jesus defeated him at the cross and that is that! We do however have to be aware that he is there and that he wants to destroy what God created. "The theif does not come except to steal, to kill, and to destroy. I have come that they may have life and that they have it more abundantly." John 10:10 We need to be aware of what the enemy uses to try to destroy us. (1 Cor 2:11) He uses pride, strife, unforgiveness, bitterness, resentment, offense, etc. We need to be aware that when we are fighting with our spouse, when we won't forgive them, when we hold bitterness or anger against them that the enemy is trying to get a foothold into our marriage. And at that moment, we need to say "NO! I am not going to let him have my marriage or my family." When we let those poisons in our marriage, they start eating away at the cord. It is then that God is left out and cord becomes weakened. After time, if the wrong attitudes (poison) remain, God is no longer the center of the marriage, no longer is the third cord able to hold the marriage together and the cord is either staying together by a thread (very weak) or broken. God never intended for us to have weak marriages, or frail marriages void of life and love. He designed marriage to be beautiful, to complete each other, to be a representative of His relationship with us. So, we are in a fight for our marriages! As in any fight, it is always best to be on the offense than defense. To do that, every day we need to be aware of the enemy we face. Above I mentioned the verses in Ephesians about who our enemy is (Eph 4: 12-13). The verses right after those tell how to defeat him.... "Therefore take up the whole armor of God, that you may be able to withstand in the evil day and having done all, to stand. Having girded yourself with truth, having put on the breastplate of righteousness, and having shod your feet with preparaion of the gospel of peace; above all, taking the shield of faithwith which you will be able to quench all the fiery darts of the wicked one. And take the helmet of salvation, and the sword of the Spirit, which is the word of God." Ephesians 4:13-17. There is so much I could say about that verse...maybe another time. Chris and I are excited to be hosting Family Life's "The Art of Marriage" marriage conference at our church in 2 weeks. It is April 8 and 9. We believe every marriage needs a tune up from time to time. Just like your car, it may be running just fine, but what happens if you never take your car in for a tune up? I would encourage everyone reading this to consider going. You can go to for more details about the conference. You can call Redemption Church 865-521-7777 to register. We are in a fight dear friends and with God we will win it! 2 comments: great blog!!! Strong marriages are not as easy as they look! AJ and I have recently had some rough patches, but are now stronger than EVER!!! This is great. I will continue to follow. Thanks Thanks Heather! I am so glad to hear you and AJ are doing great! Glad you like the blog! I heart your comments!	933896c78908466ea808c48232edda62	{ "token_count": 1178, "file_path": "/lingua/data/custom/40/train-00000-of-00001.parquet" }
Was your first tweet memorable? Find out here There’s an awful sh...stuff said on Twitter everyday but if you want to look back at what your first post was, and when, click here. Insert any @handle to see! This was ours: © Copyright 2015 - Newstalk Ltd. Reg #309181 Marconi House, Digges Lane, Dublin 2 The very best of today's programming Show page	5d15e28abf084c1d9cb1ee51c51dd180	{ "token_count": 88, "file_path": "/lingua/data/custom/18/train-00000-of-00001.parquet" }
Failing to create pod sandbox on OpenShift 3 and 4 Environment - Red Hat OpenShift Container Platform - 3.x - 4.x Issue - Getting the following error when trying to restart a pod: - While installing elasticsearch operator in ocp4.x Failed create pod sandbox: rpc error code: = Unknown desc = [failed to set up sandbox container. - Getting NetworkPlugin cni failed to set up poderror message. Resolution Delete the OpenShift SDN pod in error state identified in Diagnostics Steps field: $ oc delete pod ${podname} Fix of upstream dns sever resolved the issue Root Cause - One of the OpenShift SDN pods in that particular namespace was corrupted. So, there was no network available to run pods. - From the operator pod , it was not resolving the quay.io and hence the upstream dns server was checked and found issue was there. Diagnostic Steps Run the following command to inspect pods state and check the output for OpenShift SND pods in error state: $ oc get pods --all-namespaces openshift-sdn ovs-wrzr9 1/1 Running 4 94d openshift-sdn ovs-xg2wd 1/1 Running 7 94d openshift-sdn ovs-xtrsr 1/1 Running 11644 94d openshift-sdn ovs-z6jps 1/1 Running 3 94d openshift-sdn ovs-zphdl 1/1 Running 8 94d openshift-sdn ovs-zqtfg 1/1 Running 6 94d NOTE: the list above shows that pod ovs-xtrsr had restarted 11644 since creation. That is the one to be recreated. - For OCP4.3 and Elasticsearch operator issue # oc rsh certified-operators-866f85886d-5b6h9 sh-4.2$ nslookup quay.io Server: 192.168.100.1 Address: 192.168.100.1#53 Non-authoritative answer: Name: quay.io.abcd.example.com Address: 192.168.100.200 <---upstream dns server ** server can't find quay.io.abcd.example..com: SERVFAIL - Product(s) - Red Hat OpenShift Container Platform - Component - bind - elasticsearch - S.	15923cb7c34a46aa9f25003fb096c76b	{ "token_count": 505, "file_path": "/lingua/data/custom/79/train-00000-of-00001.parquet" }
For a first-time filmmaker, being nominated for an Oscar is a dream come true, and likely something of a shock. But given the deliberately artistic and completely non-Hollywood nature of director RaMell Ross’s “Hale County This Morning, This Evening,” the fact that it was embraced by the movie industry’s highest institution and made a contender for Best Documentary Feature at the 2019 Academy Awards might come as an even bigger surprise. “Hale County” is scheduled to play this Sunday at the historic Morton Theatre as part of the South Arts Southern Circuit Tour of Independent Filmmakers and will be presented by the Athens Cultural Affairs commission. The screening is free and open to the public, and Ross will be in attendance to participate in an audience Q&A discussion panel after the movie. Constructed from over 1,300 hours of footage shot during a 5-year time span, “Hale County” is a poetic and immersive portrait of contemporary life in rural Alabama that weaves into, out of and around the lives of two young African American men, Quincy Bryant and Daniel Collins. Coming from a background of economic hardship, new father Bryant and college freshman Collins are both dreamers searching for an opportunity to better themselves despite the odds. Instead of following them as characters, the film declines any opportunity to make them into anything, presenting them instead exactly as they are. While working as a freelance photographer in Washington, D.C., Ross took a job in Hale County teaching a two-week course and decided to stay on after being creatively inspired by his surroundings. He met Bryant while serving as an instructor at a GED program and Collins while coaching basketball at a local high school, and spent the next 3 years becoming friends with them before making the decision to shoot a documentary. The result is a movie that breaks all the rules of traditional narrative and structure, creating a unique cinematic language that responsibly, and artfully, celebrates its subjects. “I realized I could not faithfully represent the lives of Daniel and Quincy without acknowledging the trouble of representation,” said Ross, “that any viewer's engagement with their lives without first confronting that influence of racism on our perception, was irresponsible.” In essence, Ross’s background as a photographer rather than a filmmaker informed his intimate, at times claustrophobic approach to communicating his experience in “Hale County,” and his sense of duty towards the black community took the place of what would traditionally be a director’s vision or pre-programmed storytelling ideas. Though it was made over a long period of time, “Hale County” really feels like it takes place during the span of a couple weeks at most, with each image serving as an individual scene. With no narrator, on-screen text or linear device of any kind, Ross’s film is a series of moving pictures, revealing just as much about the bare bones of cinema as it exposes the role the medium has played in our perception of African Americans on screen. It’s also the kind of innovative progress that the movie industry could stand to take a lesson from. “When someone sees another person making a decision, they naturally judge the decision,” said Ross. “But if you refuse the viewer that moment, removing judgment, they're forced to consider a person and their life through other means. In this case, (the film) avoids the convention of narrative in order to highlight the greater forces at work in the lives depicted.” For additional information and show times, please visit under the Events section.	4a48b96f67e146d39f80f3d0c5e214d6	{ "token_count": 694, "file_path": "/lingua/data/custom/49/train-00000-of-00001.parquet" }
This weekend Steven Tyler's girlfriend of five years, Erin Brady, was spotted wearing a gigantic diamond ring on her left hand while in Maui. Sources say the couple are engaged, but there's been no confirmation that she isn't just flaunting a new piece of jewelry to keep the paparazzi entertained. If they really are engaged, this will be Tyler's third marriage. [TMZ] John Legend and girlfriend Chrissy Teigen are also planning to tie the knot. They've been together since 2007 and Legend proposed while they were spending the holidays in the Maldives. [Celebs.com] And our final enfianced couple is American Idol's Danny Gokey and girlfriend Leyicet Peralta. [E!] Advertisement Sandra Bullock says that after her divorce from noted dirtbag Jesse James, she wasn't intersted in acting again. "I was perfectly content to be permanently broken," she says. She says when director Stephen Daldry approached her about a supporting role in Extremely Loud & Incredibly Close, "I wasn't prepared. But the opportunity was louder than my head." [Hollywood Reporter] Advertisement Kris Humphries tells basketball fans that their booing only makes him stronger. "To me, it's motivation," he says. "People are yelling at you, you know you have to go and perform, go and play hard." [People] Advertisement Check out Emma Stone and Olivia Wilde in their respectively peachy and '80s-tastic Revlon ads. [Celebs.com] - Your workout just got a little more indie: Bon Iver will appear in a fitness DVD by personal trainer Jeff Rogers, who helped frontman Justin Vernon strengthen his lower back. [Washington Post] - You can't really blame Kendall and Kylie Jenner for anything their family does because they're still minors, but this doesn't bode well for season 27 of Keeping Up With The Kardashians: The girls have named the puppies they got for Christmas Louis and Vuitton. Of course, they already have dogs named Dolce and Gabbana. [Fashionista] - Lindsay Wagner is being sued along with her son because he allegedly rear-ended some guy while driving a car she owns. [TMZ] - A dude named Kevin Faraday is suing Diddy, nearly everyone involved in creating Making The Band, and possibly even viewers, because he got hit in the abdomen with a microphone between acts. [TMZ] - Former SNL writer Joe Bodolai, who co-wrote Wayne's World has died in an apparent suicide. [TMZ] - Sean Brown, son of Denise Brown and nephew of the late Nicole Brown Simpson, was arrested for domestic violence along with his girlfriend. [TMZ] - Still desperate to know why Jennifer Aniston cut her hair a bit shorter in February? She explains, "The real reason I cut my hair? My real hair was getting thinned out again from all the extensions ... It was starting to look fake." So fascinating. Tell us more, Jen! [E!]	1352186847ec4475bee9cf510b5cdbb3	{ "token_count": 622, "file_path": "/lingua/data/custom/47/train-00000-of-00001.parquet" }
Teeth development Baby Health Babies are generally born with 20 baby teeth starting to get through the gums at about 6 months while for others they don’t come until around 1 year old and all the teeth have generally emerged by the moment the baby is 2 to 3 years of age. This process is called teething. They will drop out at different times during adolescence. The baby teeth will be replaced by 32 adult teeth from age 6 onwards. Misconceptions of teething As each baby tooth gets to the surface of the gum, the gum opens up to show the tooth, which can cause pain. Many parents think that when babies that are teething: - cry a lot or seem extra irritable - do not eat as usual - suck objects such as toys, dummies and bibs - pull the ear on the same side as the tooth coming through These signs could be caused by teething which is a normal part of development or a result of minor infections and illnesses. When new teeth start to come through the gum, babies sometimes rub their gums together. Usually this isn’t a problem. Child teething remedies If you’re concerned about your baby’s teething, you can try: - gently rubbing your baby’s gums with a clean finger - giving your baby something to bite on, such as a cold (but not frozen) teething ring, toothbrush or dummy - cooking mushier foods, which need less chewing - giving your baby something firm, like a sugar-free rusk, to suck on. If your baby isn’t well, has a fever or diarrhea or you’re worried about any other symptoms, talk to a doctor. Teething may not be the main problem here. Verified: Dr. Wanwadee Sapmee Panyakat (OB-GYN) (1 July 2020)	b20c6abc0c0d4cfc9d1388709fa5231f	{ "token_count": 383, "file_path": "/lingua/data/custom/75/train-00000-of-00001.parquet" }
- Advertisement - Chris Botti with the Oregon Symphony Features:Price: $35-$125 EVENT DETAILS The Oregon-born, Grammy-winning “cool jazz” trumpeter is notorious for entertaining with gusto. The evening’s menu will include a medley of jazz, pop, and modern twists on classics. Phone: 503-228-1353 Website: orsymphony.org/chris Event Categories: Classical Music Event Organizer: Oregon Symphony SCHEDULE May 3, 2014 -	ac0995bce78f43c78d57bbe547153fb1	{ "token_count": 104, "file_path": "/lingua/data/custom/79/train-00000-of-00001.parquet" }
Don Smith Device Project Part 29: Ionization Was Stealing Power, problem solved i was noticing a sound from inside L1, and it was arcing from L1 to L2, so added some foam to space the coils and the lights got BRIGHTER for the same power as before. also i demo how the neutralizing effect can be avoided by the coil connections without having to rewind CW- CCW this just keeps amazing me 🙂	37632cf4b2a147529090eff7f1637d17	{ "token_count": 91, "file_path": "/lingua/data/custom/111/train-00000-of-00001.parquet" }
Sci-Fi Is the Favorite Genre of All Time — Minus The Senseless Technology There is no doubt in asserting that sci-fi movies are by far one of the best movies that are made. People of all ages are equally gaga over the concept of science fiction. Whether it is the intriguing concept or the innovative technology used in it, science fiction never fails to entertain and kindle the audience’s curiosity. Even the experts think sci-fi is the most critical genre, according to an article from Wired magazine. The genre helps shape public understanding of technology before it happens, giving society some time to reflect on whether it’s a good, bad, or just plain idiotic idea. Science fiction movies touch on some real science concepts by adding a tinge of drama to entertainment. Nevertheless, some films make the scientific theory seem dumb. Though we tend to believe in them as they have a lifelike feel, some thoughts are stupid. It is not shaming the sci-fi movies to introduce these concepts, but it is necessary to put light into them to note such impossible ideas that are hard to believe. Sorry, but we are probably not ever going to travel through space at light-speed or travel through time. According to the laws of physics, as we know them, it’s just impossible.	8ba77b58b08e4b5c8eb426e50ff78f89	{ "token_count": 259, "file_path": "/lingua/data/custom/37/train-00000-of-00001.parquet" }
Roswell flower shop Google MSN Yahoo News ALBUQUERQUE, N.M. (AP) _ John McCain scheduled a campaign stop in Roswell while candidates in New Mexico’s other races kept shaking hands and working for votes Monday as the end of a long political season came into sight. McCain scheduled a 6 p.m … The premier site to find Roswell Georgia information, a leading guide and resource for the GA Florists.	b423dea2b29c472f9fb27f6cd59e8f36	{ "token_count": 90, "file_path": "/lingua/data/custom/18/train-00000-of-00001.parquet" }
Ad-Aware Free Antivirus+ 11 Free Download: Combining our legendary anti-spyware with a powerful antivirus, Ad-Aware Free Antivirus+ enhances them with real-time protection, download protection and continuously updated filters against malicious URLs, providing top-of-the-line anti-malware protection for the casual computer user. About Ad-Aware Version 11 Price Free File Name Adaware_Installer.exe Fize Size 1.92MB Release Date June 26, 2015 Category Security Software Subcategory Antivirus Software Operating Systems Windows Publisher Lavasoft \|	f3c7783d5c8e4a8d891a81304d7f252e	{ "token_count": 123, "file_path": "/lingua/data/custom/36/train-00000-of-00001.parquet" }
Seventy prospective candidates picked their nominations forms to contest the Ashanti Regional Executive positions in the opposition National Democratic Congress (NDC). The National Executive of the NDC opened nominations for the Regional Executive positions on Monday, July 16, 2018 and closed on Wednesday, July 18, 2018. The positions being vied for in the Region are the chairperson, vice chairperson, secretary, deputy secretary, organizer and deputy organizer. The rest are treasure, deputy treasure, communications officer, deputy communications officer, zongo caucus, youth organizer, deputy youth organizer, women’s organizer and deputy women organizer. In the chairperson race, six people picked their nominations, seven picked for the vice chairperson, three picked for the secretary, five picked for the deputy secretary, while six picked for the organizer. Eight people picked for the deputy organizer position, three people for treasure, six for the deputy treasure, three for the communications officer, three for deputy communications officer, and one for the zongo caucus. Three people picked for the youth organizer position, eight for deputy youth organizer, three for women’s organizer and five for the deputy women’s organizer The Regional Election Committee Chairman, Henry Nii Charway Hammond, in an interview with PrimeNewsGhana said the turnout was above their imaginations. He said there was an enthusiasm from the party’s supporters during the picking of the nomination forms and that testify the strengthening of the party in opposition to 2020 victory. He encouraged all the nominees to prepare for the vetting process schedule for August 1-5, 2018, and the filing date of the nominations forms, also in July 24-25, 2018. The NDC Regional elections are expected to be held on August 25, 2018, across the country. Latest political news form Prime News Ghana	755617f2c1894fcaaf321a0c4251da9f	{ "token_count": 374, "file_path": "/lingua/data/custom/79/train-00000-of-00001.parquet" }
Friday, January 3, 2014 ALLIANCE, Ohio - The Westminster College men's basketball team lost, 113-75, to Mount Union on the road in non-conference action on Friday. Mount Union (9-2) led 16-4 with 17:26 on the clock, paced by TJ Gillespie who had three-straight three-pointers. The Titans (1-9) responded with a 7-2 run, which was capped off with a layup from senior Anthony Thomas (New Castle, PA / Union), to close the gap 18-11 with 15:18 remaining in the first half. The Purple Raiders rode on 12 three-pointers to take a 64-38 halftime lead. Mount Union added five more threes in the second half totaling a school-record 17. For the game, the Purple Raiders out-shot the Titans 48.9% (43-88) to 35.4% (23-65) and out-rebounded Westminster 55-39. Titan sophomore Paul Carswell (Painesville, OH / Notre Dame Cathedral Latin) had a game-high 20 points (6-13). Thomas followed with 16 points. Freshman John Arcuri (Oakmont, PA / Saint Joseph) and sophomore Charlie Wallander (Pittsburgh, PA / Baldwin) added nine points each. Freshman Cameron Pozsgai (Windham, OH / Windham) came off the bench and grabbed down a game-high nine rebounds. Mount Union was led by Nate Jacubec who had 19 points, including five three-pointers. Evan Keeslar and Jimmy Darnley led the Purple Raiders on the glass with eight boards each. Westminster will next play at LaRoche on M	929d3c42db1748c9b606e36761031673	{ "token_count": 364, "file_path": "/lingua/data/custom/61/train-00000-of-00001.parquet" }
Jewish Tradition and Alcohol What problems do Jewish alcoholics face in recovery? Alcoholism is universal, yet some in the Jewish community hold that substance use disorders are not a problem among Jews. This myth is now fading, but still, some Jewish families may hesitate to expose their troubles, to appear to fall short of a high community standard. Shame and guilt may compound the denial problem. These factors can cause some to feel isolated and to neglect seeking help and support—despite the fact that Judaism has such a strong ethic of service and solidarity. Moreover, some Jewish people believe that the Twelve Steps are not com- patible with Judaism, when, in fact, many aspects of the Steps are very similar to Jewish teachings. Another stumbling block: Alcoholics Anonymous meetings are often held in churches, which may initially be a problem for those of non- Christian faiths. However, AA meetings today can also be found in synagogues as well as in secular settings. How can you maintain your ongoing recovery? Alcoholism is not a failure of moral character or willpower. It is a disease. It is not something to be ashamed of, but a disease to be taken care of, much like you would take care of diabetes. Addiction happens to people from all backgrounds and walks of life. Although people in your Twelve Step program may not share your faith and ethnicity, they do share the common story of struggling with addiction. Look for the common ground you have with others rather than seeing the differences. Try to find a sponsor and a recovery support system of people that you feel safe with, that you can relate to. You may want to join an organization such as Jewish Alcoholics, Chemically Dependent Persons, and Significant Others (JACS). This organization provides a comfortable environment for Jewish alcoholics to seek recovery, and it supplements programs such as the Twelve Steps with Jewish teachings and traditions. You’ve worked hard in early recovery; now it’s time to protect and plan for your ongoing recovery. Remember to work the Steps, utilize your sponsor and sober friends for support, and go to meetings; these things will help you develop and maintain a healthy, happy outlook and enjoy the freedom and peace of sobriety. Web resources Jewish Alcoholics, Chemically Dependent Persons, and Significant Others (JACS) JACS is a part of the Jewish Board of Family and Children’s Services. The JACS website provides articles on alcoholism written by rabbis, links to other sites about alcohol use disorders, and meeting locations.	2bc4f316039d4432a6562b43b4023927	{ "token_count": 512, "file_path": "/lingua/data/custom/79/train-00000-of-00001.parquet" }
Time after time through history, "It can't be done" has been wrong. Tag: impossible "The person who says something is impossible should not interrupt the person who is doing it." - Chinese Proverb "Impossible" ignores reality. "It can't be done" has lots of company. Cynics, "realists", pessimists, the armchair quarterback, the guy in the stands. Get on the field and make something happen. Oh, we see. It's easier to … Continue reading Making the impossible impossible By? Reality	3106342eaba34f7f8070ef7af6e01dd7	{ "token_count": 111, "file_path": "/lingua/data/custom/45/train-00000-of-00001.parquet" }
Book Buy The Book Media Request An Interview Events Services Clients Big Ideas About Team Linda C. Hartley, Principal Vivien Hoexter, Principal Network of Specialists. Like it? Share it! Back to all posts Translate » We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok	325bb397d1304e03898dd1f06d3b14a7	{ "token_count": 93, "file_path": "/lingua/data/custom/78/train-00000-of-00001.parquet" }
Traveling Luck for Whitlock Gulch, Idaho, United States Where is Whitlock Gulch? The timezone in Whitlock Gulch is America/Whitehorse Sunrise at 06:41 and Sunset at 17:17. It's Dark Latitude. 44.2075°, Longitude. -116.2878° Weather : Temperature: 9°C / 48°F Wind: 18.4km/h South Cloud: Scattered at 7000ft Satellite map around Whitlock Gulch Geographic features & Photographs around Whitlock Gulch, in Idaho, United States - stream; - a body of running water moving to a lower level in a channel on land. - Sucker Creek (0.6km) - Gold Run Creek (0.8km) - Kennedy Creek (0.8km) - Pine Creek (4.6km) - Timber Flat Creek (5.4km) - Havord Creek (6.2km) - Shirts Creek (7.6km) - Long Pine Creek (8.3km) - Cottonwood Creek (8.7km) - Soldier Creek (9.4km) - North Fork Little Squaw Creek (9.9km) - Padget Creek (10.3km) - North Fork Soldier Creek (11.5km) - Little Squaw Creek (12.2km) - Jackson Creek (12.3km) - Cabin Creek (12.4km) - Second Fork Squaw Creek (13.3km) - Fourmile Creek (14.5km) - valley; - an elongated depression usually traversed by a stream. - Whitlock Gulch (0km) - Fir Tree Gulch (2.7km) - Currin Gulch (3.7km) - Timber Gulch (6.1km) - Salmon Gulch (7km) - High Valley (10.2km) - Vaughan Gulch (13.1km) - Fir Gulch (13.3km) - Davis Canyon (13.5km) - Willmathe Gulch (13.8km) - Kimball Gulch (13.9km) - Thron Gulch (14km) - Coonrod Gulch (14.4km) - trail; - a path, track, or route used by pedestrians, animals, or off-road vehicles. - Shirts Creek Trail (8.5km) - Recompense Trail (8.7km) - Kimball Trail (12.2km) - Little Sage Hen Ridge Trail (12.9km) - Dry Buck Mountain Trail (13.7km) - mountain; - an elevation standing high above the surrounding area with small summit area, steep slopes and local relief of 300m or more. - Joes Butte (3.3km) - Ola Summit (4.9km) - Fletcher Butte (8.9km) - Friday Butte (11.2km) - dam; - a barrier constructed across a stream to impound water. - Hidden Lake Dam (10.3km) - Little Dam (12km) - Woodall Dam (12.6km) - Beal Number Three Dam (14.5km) - spring(s); - a place where ground water flows naturally out of the ground. - Cherry Spring (8.1km) - Mossman Spring (12.4km) - Denton Spring (14.4km) - populated place; - a city, town, village, or other agglomeration of buildings where people live and work. - Ola (3.8km) - High Valley (12.7km) - Gross (13.9km) - airport; - a place where aircraft regularly land and take off, with runways, navigational aids, and major facilities for the commercial handling of passengers and cargo. - Hidden Lakes Airport (10.5km) - High Valley Bills Airport (14.1km) - gap; - a low place in a ridge, not used for transportation. - Low Pass (12.4km) - Dry Buck Summit (13.4km) - Local Feature; - A Nearby feature worthy of being marked on a map.. - High Valley School (11.8km) - High Valley Ranger Station (12.7km) - flat; - a small level or nearly level area. - Dry Buck Meadow (14.6km) - school; - building(s) where instruction in one or more branches of knowledge takes place. - basin; - a depression more or less equidimensional in plan and of variable extent. - Coonrod Basin (11.7km) - reservoir(s); - an artificial pond or lake. - Hidden Lake (10.3km) - lake; - a large inland body of standing water. - Beech Lake (6.6km) Wikipedia entries close to Whitlock Gulch - Crouch, Idaho city city o - Horseshoe Bend, Idaho city city o - Cascade, Idaho city city o - Placerville, Idaho city city o - Emmett, Idaho city city o - Midvale, Idaho city city o - New Plymouth, Idaho city city o - Cambridge, Idaho city city o - Payette, Idaho city city o - Weiser, Idaho city city o - Fruitland, Idaho city city o - Idaho City, Idaho city city o - Eagle, Idaho city city o - Ontario, Oregon city city o - Council, Idaho city city o - Star, Idaho city city o Airports close to Whitlock Gulch Boise air terminal(BOI), Boise, Usa (84.1km) Mountain home afb(MUO), Mountain home, Usa (157.1km)	7e7d549698074daa8fbcbe93095a9ff5	{ "token_count": 1216, "file_path": "/lingua/data/custom/62/train-00000-of-00001.parquet" }
Print \| Save \| Directions AboutForester's Office is located at the address 500 E Taylor St in Creston, Iowa 50801. They can be contacted via phone at (641) 782-6761 for pricing, hours and directions. For more information go to For maps and directions to Forester's Office view the map to the right. For reviews of Forester's Office see below. CONTACT INFORMATION Phone: (641) 782-6761 Phone2: (641) 782-6761 Website: CATEGORIES: People Also Viewed Union County of Sheriff 300 N Pine St 6 Ste Creston, Iowa 50801 City of Bedford 1945 Cherry Street Rd Creston, Iowa 50801 Union County Extension Service 105 W Adams st Ste A Ste A Creston, Iowa 50801 State of Iowa 405 N Chestnut St Creston, Iowa 50801 Reviews Add You must Sign in to post reviews. 0 Reviews	df6339952d544dbc9f60716bb3904529	{ "token_count": 209, "file_path": "/lingua/data/custom/44/train-00000-of-00001.parquet" }
Show and Tell Monday .... We had a busy weekend with friends and kids. It was finally somewhat warm out (although Saturday night it was a toss up as to whether it was raining or snowing). I love when it gets warm because the kids spend all day outside playing with their friends. This week they are on vacation so I don't anticipate getting too much done. I even painted my nails yesterday which I haven't done in a very long time knowing I wouldn't be covered in paint. This cute little dressing table and vanity chair are headed to the shop today. Thanks for visiting... Don't forget to stop by MMP to play the slots (see post below). This cute little dressing table and vanity chair are headed to the shop today. Thanks for visiting... Don't forget to stop by MMP to play the slots (see post below). 14 comments: Hi Jennifer, How pretty is that! I don't think it will be in the shop too long. Especially with the chair. One of these days I will get to Conn. and visit your shop! Have a Great week! Huggs, Nancy Hi Jennifer! Very fun piece! Have a great vacation! Happy Easter! Susan I really like that set! I love both but the chair is so unusual I am sure they will be snapped up in no time. Hi Jennifer, I hope you have a great week off with the family. I hope spring makes and apprearance for spring break! I love the vanity and stool. How sweet. Happy creating,, hugs, gail What a cute vanity and chair. That should be sold in a heart beat. Enjoy your vacation and your fancy manicure! Pat Patricia Rose-A Potpourri of Fabric, Fragrance and Findings How pretty..I just love that chair,it's just too cute..Love the dressing table.. Stephenie Wow, i love that dressing table. You did great work. Well there you go again. Creating something that I'm just ga ga over! I think if I lived near your shop my house would be overrun with furniture! Beautiful Jennifer! bunny hugs, shell Hi Jennifer, I love the new table and chair! The chair is so cute! Have a great week! Pei Li I love the dresser...neat lines..furniture is selling fast these days! Susan I love your dresser/desk very much!! I can see it in my bedroom now. Love,love,love that dressing table. Thanks for stopping by my blog and have a great Easter. kath Hi Jennifer, Love the Set, wish I lived closer so I could visit your shop. Thanks for stopping by my blog and sweet comment. Good luck in the drawing and Happy Easter!! Helene	f57877b7be404b8caa34b5bddc156963	{ "token_count": 558, "file_path": "/lingua/data/custom/40/train-00000-of-00001.parquet" }
Awards and Recognition Sprint is a leader on many fronts and is recognized for our... ...customer experience Sprint’s award-winning customer experience is making headlines. ...company Sprint is a leader in corporate responsibility and innovative products and marketing. ...employees Sprint receives recognition for its leadership, diversity and healthy lifestyles for employees. Third-party metrics continue to validate Sprint’s improved network performance	21b303975ffe4c7498b3f5f6f47bf11d	{ "token_count": 80, "file_path": "/lingua/data/custom/92/train-00000-of-00001.parquet" }

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