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= = Awards = =
Cullen is the namesake of the John Cullen Award , previously given to key IHL players .
= SMS Erzherzog Ferdinand Max =
For the ironclad present at the Battle of <unk> of the same name , see SMS Erzherzog Ferdinand Max ( 1865 ) .
SMS Erzherzog Ferdinand Max ( German : " His Majesty 's ship <unk> Ferdinand Max " ) was a pre @-@ dreadnought battleship built by the Austro @-@ Hungarian Navy in 1902 . The second ship of the Erzherzog Karl class , she was launched on 3 October 1903 . She was assigned to the III Battleship Division .
For most of World War I , Erzherzog Ferdinand Max remained in her home port of Pola , in present @-@ day Croatia , except for four engagements . In 1914 , she formed part of the Austro @-@ Hungarian flotilla sent to protect the escape of the German ships SMS Goeben and SMS Breslau from the British @-@ held Mediterranean ; she advanced as far as Brindisi before being recalled to her home port . Her sole combat engagement occurred in late May 1915 , when she participated in the bombardment of the Italian port city of Ancona . She also took part in suppressing a major mutiny among the crew members of several armored cruisers stationed in Cattaro between 1 – 3 February 1918 . She also attempted to break through the Otranto <unk> in June of that year , but had to retreat when the dreadnought SMS Szent IstvΓ‘n was sunk . After the war , Erzherzog Ferdinand Max was awarded to the United Kingdom as a war prize in 1920 .
= = Design = =
Erzherzog Ferdinand Max displaced 10 @,@ <unk> long tons ( 10 @,@ 640 t ) . She was 414 feet 2 inches ( 126 @.@ 2 m ) long , had a beam of 71 feet 5 inches ( 21 @.@ 8 m ) and a draft of 24 feet 7 inches ( 7 @.@ 5 m ) . She was manned by 700 men . She and her sisters were the last and largest pre @-@ dreadnought class built by the Austro @-@ Hungarian Navy , surpassing the Habsburg class by approximately 2 @,@ 000 tonnes ( 1 @,@ 968 long tons ) . She was propelled by two two @-@ shaft , four cylinder vertical triple expansion steam engines . On trials , they developed 18 @,@ 000 <unk> ( 13 @,@ <unk> kW ) , which propelled the ship at a speed of 20 @.@ 5 knots ( 38 @.@ 0 km / h ; 23 @.@ 6 mph ) .
Erzherzog Ferdinand Max carried a primary armament of four 24 @-@ centimeter ( 9 @.@ 4 in ) / 40 caliber guns in two twin turrets on the centerline . These guns were an Austro @-@ Hungarian replica of the British 24 cm / 40 ( 9 @.@ 4 " ) <unk> C / 94 , which was used on the Habsburgs . Her secondary armament consisted of twelve 19 @-@ centimeter ( 7 @.@ 5 in ) / 42 caliber guns , also made by <unk> , mounted in eight single casemates on either wing of the ship and two twin turrets on the <unk> shell 20 @,@ 000 metres ( 22 @,@ 000 yd ) at maximum elevation with a muzzle velocity of 800 metres per second ( 2 @,@ 600 ft / s ) . The gun weighed 12 @.@ 1 tons and could fire three rounds per <unk> ships had a tertiary armament for protection against torpedo boats in the form of the 6 @.@ 6 centimetres ( 2 @.@ 6 in ) / 45 caliber gun , also manufactured by <unk> . Anti @-@ aircraft and airship protection was covered by the four 37 @-@ millimeter ( 1 @.@ 5 in ) Vickers anti @-@ aircraft guns on the ship bought from Britain in 1910 and mounted onto Erzherzog Karl . Erzherzog Ferdinand Max was also fitted with two above water 45 @-@ centimeter ( 17 @.@ 7 in ) torpedo tubes , although rarely used .
= = Service history = =
At the outbreak of World War I , Erzherzog Ferdinand Max was in the III division of the Austrian @-@ Hungarian battle @-@ fleet . She was mobilized on the eve of the war along with the remainder of the fleet to support the flight of SMS Goeben and SMS Breslau . The two German ships were attempting to break out of <unk> , which was surrounded by British troops , and make their way to Turkey . The breakout succeeded . When the flotilla had advanced as far south as Brindisi in south eastern Italy , the Austro @-@ Hungarian ships were recalled . In company with other units of the Austro Hungarian navy , Erzherzog Ferdinand Max took a minor part in the bombardment of Ancona on 24 May 1915 . There she and her sisters expended 24 rounds of 240 mm armor @-@ piercing shells at signal and <unk> stations as well as 74 rounds of 190 mm shells aimed at Italian gun @-@ batteries and other port installations .
A major mutiny among crews of the armored cruisers stationed in Cattaro , including <unk> Georg and Kaiser Karl VI , began on 1 February 1918 . Two days later , Erzherzog Ferdinand Max and her sisters arrived in the port and assisted with the suppression of the mutiny . Following the restoration of order in the naval base , the armored cruisers <unk> Georg and Kaiser Karl VI were decommissioned and Erzherzog Ferdinand Max and her sisters were stationed in Cattaro in their place . On the morning of 11 June , Admiral <unk> Horthy planned a major assault on the Otranto <unk> ; the three Erzherzog <unk> and the four Tegetthoff @-@ class battleships were to provide support for the <unk> @-@ class cruisers on an assault on the Allied defenses at the Strait of Otranto . The plan was intended to replicate the success of the raid conducted one year earlier . Horthy 's plan was to destroy the blockading fleet by <unk> Allied ships to the cruisers and lighter ships , which were protected from the heavier guns of the battleships , including the guns of the Erzherzog Karl class . However , on the morning of 10 June , the dreadnought Szent IstvΓ‘n was torpedoed and sunk by an Italian torpedo boat . Horthy felt that the element of surprise had been compromised , and therefore called off the operation . This was to be the last military action Erzherzog Ferdinand Max was to take part in , and she and her sisters spent the rest of their career in port .
Near the end of World War I , the Erzherzog Karl @-@ class battleships were handed over to the newly formed State of Slovenes , Croats and Serbs but Erzherzog Ferdinand Max was later transferred to Great Britain as a war reparation . She was later broken up for scrap in 1921 .
= Ancient Egyptian deities =
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt . The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion , which emerged sometime in prehistory . Deities represented natural forces and phenomena , and the Egyptians supported and <unk> them through offerings and rituals so that these forces would continue to function according to maat , or divine order . After the founding of the Egyptian state around 3100 BC , the authority to perform these tasks was controlled by the pharaoh , who claimed to be the gods ' representative and managed the temples where the rituals were carried out .
The gods ' complex characteristics were expressed in myths and in intricate relationships between deities : family ties , loose groups and <unk> , and combinations of separate gods into one . Deities ' diverse appearances in art β€” as animals , humans , objects , and combinations of different forms β€” also alluded , through symbolism , to their essential features .
In different eras , various gods were said to hold the highest position in divine society , including the solar deity Ra , the mysterious god Amun , and the mother goddess Isis . The highest deity was usually credited with the creation of the world and often connected with the life @-@ giving power of the sun . Some scholars have argued , based in part on Egyptian writings , that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities . Yet they never abandoned their original polytheistic view of the world , except possibly during the era of Atenism in the 14th century BC , when official religion focused exclusively on the <unk> sun god Aten .
Gods were assumed to be present throughout the world , capable of <unk> natural events and the course of human lives . People interacted with them in temples and unofficial shrines , for personal reasons as well as for larger goals of state rites . Egyptians prayed for divine help , used rituals to <unk> deities to act , and called upon them for advice . <unk> ' relations with their gods were a fundamental part of Egyptian society .
= = Definition = =
The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count . Egyptian texts list the names of many deities whose nature is unknown and make vague , indirect references to other gods who are not even named . The Egyptologist James P. Allen estimates that more than 1 @,@ 400 deities are named in Egyptian texts , whereas his colleague Christian <unk> says there are " thousands upon thousands " of gods .
The Egyptian language 's terms for these beings were nαΉ―r , " god " , and its feminine form <unk> , " goddess " . Scholars have tried to <unk> the original nature of the gods by proposing etymologies for these words , but none of these suggestions has gained acceptance , and the terms ' origin remains obscure . The hieroglyphs that were used as <unk> and <unk> in writing these words show some of the traits that the Egyptians connected with divinity . The most common of these signs is a flag flying from a pole . Similar objects were placed at the entrances of temples , representing the presence of a deity , throughout ancient Egyptian history . Other such hieroglyphs include a falcon , reminiscent of several early gods who were depicted as falcons , and a seated male or female deity . The feminine form could also be written with an egg as <unk> , connecting goddesses with creation and birth , or with a cobra , reflecting the use of the cobra to depict many female deities .
The Egyptians distinguished <unk> , " gods " , from <unk> , " people " , but the meanings of the Egyptian and the English terms do not match perfectly . The term nαΉ―r may have applied to any being that was in some way outside the sphere of everyday life . <unk> humans were called nαΉ―r because they were considered to be like the gods , whereas the term was rarely applied to many of Egypt 's lesser supernatural beings , which modern scholars often call " demons " . Egyptian religious art also depicts places , objects , and concepts in human form . These personified ideas range from deities that were important in myth and ritual to obscure beings , only mentioned once or twice , that may be little more than metaphors .
<unk> these blurred distinctions between gods and other beings , scholars have proposed various definitions of a " deity " . One widely accepted definition , suggested by Jan Assmann , says that a deity has a cult , is involved in some aspect of the universe , and is described in mythology or other forms of written tradition . According to a different definition , by Dimitri <unk> , nαΉ―r applied to any being that was the focus of ritual . From this perspective , " gods " included the king , who was called a god after his coronation rites , and deceased souls , who entered the divine realm through funeral ceremonies . Likewise , the <unk> of the great gods was maintained by the ritual devotion that was performed for them across Egypt .
= = Origins = =
The first written evidence of deities in Egypt comes from the Early <unk> Period ( c . 3100 – <unk> BC ) . Deities must have emerged sometime in the preceding Predynastic Period ( before 3100 BC ) and grown out of prehistoric religious beliefs . Predynastic artwork depicts a variety of animal and human figures . Some of these images , such as stars and cattle , are reminiscent of important features of Egyptian religion in later times , but in most cases there is not enough evidence to say whether the images are connected with deities . As Egyptian society grew more sophisticated , clearer signs of religious activity appeared . The earliest known temples appeared in the last centuries of the predynastic era , along with images that resemble the iconographies of known deities : the falcon that represents Horus and several other gods , the crossed arrows that stand for <unk> , and the <unk> " Set animal " that represents Set .
Many Egyptologists and <unk> have suggested theories about how the gods developed in these early times . <unk> <unk> , for instance , thought the Egyptians first revered primitive <unk> , then deities in animal form , and finally deities in human form , whereas Henri Frankfort argued that the gods must have been envisioned in human form from the beginning . Some of these theories are now regarded as too simplistic , and more current ones , such as Siegfried <unk> ' hypothesis that deities emerged as humans began to distinguish themselves from and <unk> their environment , are difficult to prove .
Predynastic Egypt originally consisted of small , independent villages . Because many deities in later times were strongly tied to particular towns and regions , many scholars have suggested that the pantheon formed as disparate communities <unk> into larger states , spreading and <unk> the worship of the old local deities . But others have argued that the most important predynastic gods were , like other elements of Egyptian culture , present all across the country despite the political divisions within it .
The final step in the formation of Egyptian religion was the unification of Egypt , in which rulers from Upper Egypt made themselves pharaohs of the entire country . These sacred kings and their subordinates assumed the exclusive right to interact with the gods , and kingship became the <unk> focus of the religion .
New gods continued to emerge after this transformation . Some important deities like Isis and Amun are not known to have appeared until the Old Kingdom ( c . <unk> – <unk> BC ) . Places and concepts could suddenly inspire the creation of a deity to represent them , and deities were sometimes created to serve as opposite @-@ sex counterparts to established gods or goddesses . Kings were said to be divine , although only a few continued to be worshipped long after their deaths . Some non @-@ royal humans were said to have the favor of the gods and were venerated accordingly . This veneration was usually short @-@ lived , but the court architects <unk> and <unk> son of <unk> were regarded as gods centuries after their lifetimes , as were some other officials .
Through contact with neighboring civilizations , the Egyptians also adopted foreign deities . <unk> , who is first mentioned in the Old Kingdom , may have come from Nubia , and Baal , <unk> , and Astarte , among others , were adopted from Canaanite religion during the New Kingdom ( c . 1550 – 1070 BC ) . In Greek and Roman times , from <unk> BC to the early centuries AD , deities from across the Mediterranean world were revered in Egypt , but the native gods remained , and they often absorbed the cults of these newcomers into their own worship .
= = Characteristics = =
Modern knowledge of Egyptian beliefs about the gods is mostly drawn from religious writings produced by the nation 's scribes and priests . These people were the elite of Egyptian society and were very distinct from the general populace , most of whom were illiterate . Little is known about how well this broader population knew or understood the sophisticated ideas that the elite developed . <unk> ' perceptions of the divine may have differed from those of the priests . The populace may , for example , have mistaken the religion 's symbolic statements about the gods and their actions for literal truth . But overall , what little is known about popular religious belief is consistent with the elite tradition . The two traditions form a largely cohesive vision of the gods and their nature .
= = = <unk> = = =
Most Egyptian deities represent natural or social phenomena . The gods were generally said to be <unk> in these phenomena β€” to be present within nature . The types of phenomena they represented include physical places and objects as well as abstract concepts and forces . The god Shu was the <unk> of all the world 's air ; the goddess <unk> oversaw a limited region of the earth , the <unk> <unk> ; and the god <unk> personified the abstract notion of perception . Major gods often had many roles and were involved in several types of phenomena . For instance , <unk> was the god of <unk> Island in the midst of the Nile , the river that was essential to Egyptian civilization . He was credited with producing the annual Nile flood that fertilized the nation 's farmland . Perhaps as an outgrowth of this life @-@ giving function , he was said to create all living things , <unk> their bodies on a <unk> 's wheel . Gods could share the same role in nature ; Ra , Atum , <unk> , Horus , and other deities acted as sun gods . Despite their diverse functions , most gods had an overarching role in common : maintaining maat , the universal order that was a central principle of Egyptian religion and was itself personified as a goddess . But some deities represented disruption to maat . Most prominently , <unk> was the force of chaos , constantly threatening to <unk> the order of the universe , and Set was an ambivalent member of divine society who could both fight disorder and foment it .
Not all aspects of existence were seen as deities . Although many deities were connected with the Nile , no god personified it in the way that Ra personified the sun . Short @-@ lived phenomena , like <unk> or <unk> , were not represented by gods ; neither were elements like fire and water or many other components of the world .
The roles of each deity were fluid , and each god could expand its nature to take on new characteristics . As a result , gods ' roles are difficult to <unk> or define . But despite their flexibility , the gods had limited abilities and spheres of influence . Not even the creator god could reach beyond the boundaries of the cosmos that he created , and even Isis , though she was said to be the <unk> of the gods , was not <unk> . Richard H. Wilkinson , however , argues that some texts from the late New Kingdom suggest that , as beliefs about the god Amun evolved , he was thought to approach omniscience and <unk> and to transcend the limits of the world in a way that other deities did not .
The deities with the most limited and specialized domains are often called " minor divinities " or " demons " in modern writing , although there is no firm definition for these terms . Among these lesser deities , Egyptologist Claude <unk> draws a distinction between " <unk> " β€” specialized patron spirits of certain places , objects , or activities , such as the sea or marsh god <unk> @-@ <unk> and the harvest goddess <unk> β€” and demons , who have a more dangerous character . Many demons are hostile , causing illness and other troubles among humans . Their power can also be protective ; they may guard certain places in the Duat , the realm of the dead , or advise and watch over humans . Egyptians believed the landscape was full of these unpredictable divine powers . Demons often act as servants and messengers to the greater gods , but their position in the hierarchy is not fixed . The protective deities <unk> and <unk> originally had minor , demon @-@ like roles , but over time they came to be credited with great influence .
= = = Behavior = = =
Divine behavior was believed to govern all of nature . Except for the few deities who disrupted the divine order , the gods ' actions maintained maat and created and sustained all living things . They did this work using a force the Egyptians called <unk> , a term usually translated as " magic " . <unk> was a fundamental power that the creator god used to form the world and the gods themselves .
The gods ' actions in the present are described and praised in hymns and funerary texts . In contrast , mythology mainly concerns the gods ' actions during a vaguely imagined past in which the gods were present on earth and interacted directly with humans . The events of this past time set the pattern for the events of the present . Periodic occurrences were tied to events in the mythic past ; the succession of each new pharaoh , for instance , <unk> Horus ' accession to the throne of his father Osiris . Myths are metaphors for the gods ' actions , which humans cannot fully understand . They contain seemingly contradictory ideas , each expressing a particular perspective on divine events . The contradictions in myth are part of the Egyptians ' many @-@ <unk> approach to religious belief β€” what Henri Frankfort called a " multiplicity of approaches " to understanding the gods .
In myth , the gods behave much like humans . They feel emotion ; they can eat , drink , fight , <unk> , <unk> , and die . Some have unique character traits . Set is aggressive and impulsive , and Thoth , patron of writing and knowledge , is prone to long @-@ <unk> speeches . Yet overall , the gods are more like <unk> than well drawn characters . Their behavior is inconsistent , and their thoughts and motivations are rarely stated . Most myths about them lack highly developed characters and plots , because the symbolic meaning of the myths was more important than elaborate storytelling .
The first divine act is the creation of the cosmos , described in several creation myths . They focus on different gods , each of which may act as creator deities . The eight gods of the <unk> , who represent the chaos that <unk> creation , give birth to the sun god , who establishes order in the newly formed world ; Ptah , who embodies thought and creativity , gives form to all things by <unk> and naming them ; Atum produces all things as <unk> of himself ; and Amun , according to the myths promoted by his priesthood , preceded and created the other creator gods . These and other versions of the events of creation were not seen as contradictory . Each gives a different perspective on the complex process by which the organized universe and its many deities emerged from undifferentiated chaos . The period following creation , in which a series of gods rule as kings over the divine society , is the setting for most myths . The gods struggle against the forces of chaos and among each other before withdrawing from the human world and installing the historical kings of Egypt to rule in their place .
A recurring theme in these myths is the effort of the gods to maintain maat against the forces of disorder . They fight vicious battles with the forces of chaos at the start of creation . Ra and <unk> , battling each other each night , continue this struggle into the present . Another prominent theme is the gods ' death and revival . The <unk> instance where a god dies is the myth of Osiris ' murder , in which that god is resurrected as ruler of the Duat . The sun god is also said to grow old during his daily journey across the sky , sink into the Duat at night , and emerge as a young child at dawn . In the process he comes into contact with the <unk> water of primordial chaos . Funerary texts that depict Ra 's journey through the Duat also show the corpses of gods who are <unk> along with him . Instead of being <unk> immortal , the gods periodically died and were reborn by repeating the events of creation , thus renewing the whole world . But it was always possible for this cycle to be disrupted and for chaos to return . Some poorly understood Egyptian texts even suggest that this <unk> is destined to happen β€” that the creator god will one day dissolve the order of the world , leaving only himself and Osiris amid the primordial chaos .
= = = Locations = = =
Gods were linked with specific regions of the universe . In Egyptian tradition , the world includes the earth , the sky , and the Duat . Surrounding them is the dark <unk> that existed before creation . The gods in general were said to dwell in the sky , although gods whose roles were linked with other parts of the universe were said to live in those places instead . Most events of mythology , set in a time before the gods ' withdrawal from the human realm , take place in an earthly setting . The deities there sometimes interact with those in the sky . The Duat , in contrast , is treated as a remote and inaccessible place , and the gods who dwell there have difficulty communicating with those in the world of the living . The space outside the cosmos is also said to be very distant . It too is inhabited by deities , some hostile and some beneficial to the other gods and their orderly world .
In the time after myth , most gods were said to be either in the sky or <unk> present within the world . Temples were their main means of contact with humanity . Each day , it was believed , the gods moved from the divine realm to their temples , their homes in the human world . There they inhabited the cult images , the statues that depicted deities and allowed humans to interact with them in temple rituals . This movement between realms was sometimes described as a journey between the sky and the earth . As temples were the focal points of Egyptian cities , the god in a city 's main temple was the patron god for the city and the surrounding region . Deities ' spheres of influence on earth centered on the towns and regions they presided over . Many gods had more than one cult center , and their local ties changed over time . They could establish themselves in new cities , or their range of influence could contract . Therefore , a given deity 's main cult center in historical times is not necessarily his or her place of origin . The political influence of a city could affect the importance of its patron deity . When kings from Thebes took control of the country at start of the Middle Kingdom ( c . 2055 – 1650 BC ) , they elevated Thebes ' patron gods β€” first the war god <unk> and then Amun β€” to national prominence .
= = = Names and epithets = = =
In Egyptian belief , names express the fundamental nature of the things to which they refer . In keeping with this belief , the names of deities often relate to their roles or origins . The name of the predatory goddess <unk> means " powerful one " , the name of the mysterious god Amun means " hidden one " , and the name of the goddess <unk> , who was worshipped in the city of <unk> , means " she of <unk> " . But many other names have no certain meaning , even when the gods who bear them are closely tied to a single role . The names of the sky goddess <unk> and the earth god <unk> do not resemble the Egyptian terms for sky and earth .
The Egyptians also devised false etymologies giving more meanings to divine names . A passage in the Coffin Texts renders the name of the funerary god <unk> as <unk> r , meaning " cleaning of the mouth " , to link his name with his role in the Opening of the Mouth ritual , while one in the Pyramid Texts says the name is based on words shouted by Osiris , connecting <unk> with the most important funerary deity .
The gods were believed to have many names . Among them were secret names that conveyed their true natures more profoundly than others . To know the true name of a deity was to have power over it . The importance of names is demonstrated by a myth in which Isis poisons the superior god Ra and refuses to cure him unless he reveals his secret name to her . Upon learning the name , she tells it to her son , Horus , and by learning it they gain greater knowledge and power .
In addition to their names , gods were given epithets , like " <unk> of <unk> " , " ruler of Abydos " , or " lord of the sky " , that describe some aspect of their roles or their worship . Because of the gods ' multiple and overlapping roles , deities can have many epithets β€” with more important gods accumulating more titles β€” and the same epithet can apply to many deities . Some epithets eventually became separate deities , as with <unk> , an epithet applied to several goddesses meaning " great <unk> " , which came to be treated as an independent goddess . The host of divine names and titles expresses the gods ' <unk> nature .
= = = Relationships = = =
Egyptian deities are connected in a complex and shifting array of relationships . A god 's connections and interactions with other deities helped define its character . Thus Isis , as the mother and protector of Horus , was a great <unk> as well as the <unk> of kings . Such relationships were the base material from which myths were formed .
Family relationships are a common type of connection between gods . Deities often form male and female pairs , reflecting the importance of procreation in Egyptian religious thought . Families of three deities , with a father , mother , and child , represent the creation of new life and the succession of the father by the child , a pattern that connects divine families with royal succession . Osiris , Isis , and Horus formed the quintessential family of this type . The pattern they set grew more widespread over time , so that many deities in local cult centers , like Ptah , <unk> , and their child <unk> at Memphis and Amun , <unk> , and <unk> at Thebes , were assembled into family <unk> . <unk> connections like these are changeable , in keeping with the multiple perspectives in Egyptian belief . Hathor , as a fertility goddess , could act as mother to any child god , including the child form of the sun god , although in other circumstances she was the sun god 's daughter .
Other divine groups were composed of deities with interrelated roles , or who together represented a region of the Egyptian mythological cosmos . There were sets of gods for the hours of the day and night and for each <unk> ( province ) of Egypt . Some of these groups contain a specific , symbolically important number of deities . Paired gods can stand for opposite but interrelated concepts that are part of a greater unity . Ra , who is dynamic and light @-@ producing , and Osiris , who is static and <unk> in darkness , merge into a single god each night . Groups of three are linked with plurality in ancient Egyptian thought , and groups of four <unk> <unk> . Rulers in the late New Kingdom promoted a particularly important group of three gods above all others : Amun , Ra , and Ptah . These deities stood for the plurality of all gods , as well as for their own cult centers ( the major cities of Thebes , <unk> , and Memphis ) and for many threefold sets of concepts in Egyptian religious thought . Sometimes Set , the patron god of the <unk> Dynasty kings and the embodiment of disorder within the world , was added to this group , which emphasized a single coherent vision of the pantheon .
Nine , the product of three and three , represents a multitude , so the Egyptians called several large groups " <unk> " , or sets of nine , even if they had more than nine members . The most prominent <unk> was the <unk> of <unk> , an extended family of deities descended from the creator god Atum , which incorporates many important gods . The term " <unk> " was often extended to include all of Egypt 's deities .
This divine assemblage had a vague and changeable hierarchy . Gods with broad influence in the cosmos or who were <unk> older than others had higher positions in divine society . At the apex of this society was the king of the gods , who was usually identified with the creator deity . In different periods of Egyptian history , different gods were most frequently said to hold this exalted position . Horus was the most important god in the Early <unk> Period , Ra rose to <unk> in the Old Kingdom , Amun was supreme in the New , and in the Ptolemaic and Roman periods , Isis was the divine queen and creator goddess . Newly prominent gods tended to adopt characteristics from their predecessors . Isis absorbed the traits of many other goddesses during her rise , and when Amun became the ruler of the pantheon , he was conjoined with Ra , the traditional king of the gods , to become a solar deity .
= = = <unk> and combinations = = =
The gods were believed to manifest in many forms . The Egyptians had complex conception of the human soul , consisting of several parts . The spirits of the gods were composed of many of these same elements . The ba was the component of the human or divine soul that affected the world around it . Any visible manifestation of a god 's power could be called its ba ; thus , the sun was called the ba of Ra . A depiction of a deity was considered a <unk> , another component of its being , which acted as a vessel for that deity 's ba to inhabit . The cult images of gods that were the focus of temple rituals , as well as the sacred animals that represented certain deities , were believed to house divine bas in this way . Gods could be ascribed many bas and <unk> , which were sometimes given names representing different aspects of the god 's nature . Everything in existence was said to be one of the <unk> of Atum the creator god , who originally contained all things within himself , and one deity could be called the ba of another , meaning that the first god is a manifestation of the other 's power . Divine body parts could act as separate deities , like the Eye of Ra and Hand of Atum , both of which were personified as goddesses .
<unk> important deities gave rise to local manifestations , which sometimes absorbed the characteristics of older regional gods . Horus had many forms tied to particular places , including Horus of <unk> , Horus of <unk> , and Horus of <unk> . Such local manifestations could be treated almost as separate beings . During the New Kingdom , one man was accused of stealing clothes by an <unk> supposed to communicate messages from Amun of <unk> @-@ Khenty . He consulted two other local oracles of Amun hoping for a different judgment . Gods ' manifestations also differed according to their roles . Horus could be a powerful sky god or vulnerable child , and these forms were sometimes counted as independent deities .
Gods were combined with each other as easily as they were divided . A god could be called the ba of another , or two or more deities could be joined into one god with a combined name and iconography . Local gods were linked with greater ones , and deities with similar functions were combined . Ra was connected with the local deity <unk> to form <unk> @-@ Ra ; with his fellow ruling god , Amun , to form Amun @-@ Ra ; with the solar form of Horus to form Ra @-@ <unk> ; and with several solar deities as <unk> @-@ <unk> @-@ Ra @-@ Atum . On rare occasion , even deities of different sexes were joined in this way , producing combinations like Osiris @-@ <unk> and <unk> @-@ <unk> . This linking of deities is called syncretism . Unlike other situations for which this term is used , the Egyptian practice was not meant to fuse competing belief systems , although foreign deities could be syncretized with native ones . Instead , syncretism acknowledged the overlap between their roles , and extended the sphere of influence for each of them . <unk> combinations were not permanent ; a god who was involved in one combination continued to appear separately and to form new combinations with other deities . But closely connected deities did sometimes merge . Horus absorbed several falcon gods from various regions , such as Khenty @-@ <unk> and Khenty @-@ <unk> , who became little more than local manifestations of him ; Hathor subsumed a similar cow goddess , Bat ; and an early funerary god , <unk> @-@ <unk> , was <unk> by Osiris and Anubis .
= = = The Aten and possible monotheism = = =
In the reign of Akhenaten ( c . <unk> – 1336 BC ) in the mid @-@ New Kingdom , a single solar deity , the Aten , became the sole focus of the state religion . Akhenaten ceased to fund the temples of other deities and erased the gods ' names and images on monuments , targeting Amun in particular . This new religious system , sometimes called Atenism , differed dramatically from the polytheistic worship of many gods in all other periods . Whereas , in earlier times , newly important gods were integrated into existing religious beliefs , Atenism insisted on a single understanding of the divine that excluded the traditional multiplicity of perspectives . Yet Atenism may not have been full monotheism , which totally excludes belief in other deities . There is evidence suggesting that the general populace was still allowed to worship other gods in private . The picture is further complicated by Atenism 's apparent tolerance for some other deities , like Shu . For these reasons , the Egyptologist Dominic Montserrat suggested that Akhenaten may have been <unk> , <unk> a single deity while acknowledging the existence of others . In any case , Atenism 's aberrant theology did not take root among the Egyptian populace , and Akhenaten 's successors returned to traditional beliefs .
= = = Unity of the divine in traditional religion = = =
Scholars have long debated whether traditional Egyptian religion ever asserted that the multiple gods were , on a deeper level , unified . Reasons for this debate include the practice of syncretism , which might suggest that all the separate gods could ultimately merge into one , and the tendency of Egyptian texts to credit a particular god with power that surpasses all other deities . Another point of contention is the appearance of the word " god " in wisdom literature , where the term does not refer to a specific deity or group of deities . In the early 20th century , for instance , E. A. Wallis <unk> believed that Egyptian commoners were polytheistic , but knowledge of the true monotheistic nature of the religion was reserved for the elite , who wrote the wisdom literature . His contemporary James Henry <unk> thought Egyptian religion was instead <unk> , with the power of the sun god present in all other gods , while Hermann <unk> argued that Egyptian civilization had been originally monotheistic and became polytheistic in the course of its history .
In 1971 , Erik Hornung published a study <unk> these views . He points out that in any given period many deities , even minor ones , were described as superior to all others . He also argues that the unspecified " god " in the wisdom texts is a generic term for whichever deity the reader chooses to <unk> . Although the combinations , manifestations , and iconographies of each god were constantly shifting , they were always restricted to a finite number of forms , never becoming fully interchangeable in a monotheistic or <unk> way . <unk> , Hornung says , describes Egyptian religion better than other labels . An Egyptian could worship any deity at a particular time and credit it with supreme power in that moment , without denying the other gods or merging them all with the god that he or she focused on . Hornung concludes that the gods were fully unified only in myth , at the time before creation , after which the multitude of gods emerged from a uniform <unk> .
Hornung 's arguments have greatly influenced other scholars of Egyptian religion , but some still believe that at times the gods were more unified than he allows . Jan Assmann maintains that the notion of a single deity developed slowly through the New Kingdom , beginning with a focus on Amun @-@ Ra as the all @-@ important sun god . In his view , Atenism was an extreme outgrowth of this trend . It equated the single deity with the sun and dismissed all other gods . Then , in the backlash against Atenism , priestly theologians described the universal god in a different way , one that <unk> with traditional polytheism . The one god was believed to transcend the world and all the other deities , while at the same time , the multiple gods were aspects of the one . According to Assmann , this one god was especially equated with Amun , the dominant god in the late New Kingdom , whereas for the rest of Egyptian history the universal deity could be identified with many other gods . James P. Allen says that <unk> notions of one god and many gods would fit well with the " multiplicity of approaches " in Egyptian thought , as well as with the <unk> practice of ordinary worshippers . He says that the Egyptians may have recognized the unity of the divine by " identifying their uniform notion of ' god ' with a particular god , depending on the particular situation . "
= = <unk> and depictions = =
Egyptian writings describe the gods ' bodies in detail . They are made of precious materials ; their flesh is gold , their bones are silver , and their hair is <unk> <unk> . They give off a scent that the Egyptians likened to the incense used in rituals . Some texts give precise descriptions of particular deities , including their height and eye color . Yet these characteristics are not fixed ; in myths , gods change their appearances to suit their own purposes . Egyptian texts often refer to deities ' true , underlying forms as " mysterious " . The Egyptians ' visual representations of their gods are therefore not literal . They symbolize specific aspects of each deity 's character , functioning much like the <unk> in hieroglyphic writing . For this reason , the funerary god Anubis is commonly shown in Egyptian art as a dog or <unk> , a creature whose <unk> habits threaten the preservation of buried mummies , in an effort to counter this threat and employ it for protection . His black coloring alludes to the color of <unk> flesh and to the fertile black soil that Egyptians saw as a symbol of resurrection .
Most gods were depicted in several ways . Hathor could be a cow , cobra , <unk> , or a woman with <unk> horns or ears . By depicting a given god in different ways , the Egyptians expressed different aspects of its essential nature . The gods are depicted in a finite number of these symbolic forms , so that deities can often be distinguished from one another by their iconographies . These forms include men and women ( <unk> ) , animals ( <unk> ) , and , more rarely , <unk> objects . <unk> of forms , such as gods with human bodies and animal heads , are common . New forms and increasingly complex combinations arose in the course of history . Some gods can only be distinguished from others if they are labeled in writing , as with Isis and Hathor . Because of the close connection between these goddesses , they could both wear the cow @-@ horn headdress that was originally Hathor 's alone .
Certain features of divine images are more useful than others in determining a god 's identity . The head of a given divine image is particularly significant . In a hybrid image , the head represents the original form of the being depicted , so that , as the Egyptologist Henry Fischer put it , " a lion @-@ headed goddess is a lion @-@ goddess in human form , while a royal sphinx , <unk> , is a man who has assumed the form of a lion . " Divine <unk> , which range from the same types of crowns used by human kings to large hieroglyphs worn on gods ' heads , are another important indicator . In contrast , the objects held in gods ' hands tend to be generic . Male deities hold was staffs , goddesses hold stalks of papyrus , and both sexes carry ankh signs , representing the Egyptian word for " life " , to symbolize their life @-@ giving power .
The forms in which the gods are shown , although diverse , are limited in many ways . Many creatures that are widespread in Egypt were never used in divine iconography , whereas a few , such as falcons , <unk> , and cattle , can each represent many deities . Animals that were absent from Egypt in the early stages of its history were not used as divine images . For instance , the horse , which was only introduced in the Second Intermediate Period ( c . 1650 – 1550 BC ) , never represented a god . Similarly , the clothes worn by anthropomorphic deities in all periods changed little from the styles used in the Old Kingdom : a <unk> , false beard , and often a shirt for male gods and a long , tight @-@ fitting dress for goddesses .
The basic anthropomorphic form varies . Child gods are depicted nude , as are some adult gods when their <unk> powers are emphasized . Certain male deities are given heavy <unk> and breasts , signifying either <unk> or prosperity and abundance . Whereas most male gods have red skin and most goddesses are yellow β€” the same colors used to depict Egyptian men and women β€” some are given unusual , symbolic skin colors . Thus the blue skin and <unk> figure of the god <unk> alludes to the Nile flood he represents and the nourishing fertility it brought . A few deities , such as Osiris , Ptah , and <unk> , have a " <unk> " appearance , with their limbs tightly <unk> in cloth . Although these gods resemble mummies , the earliest examples predate the cloth @-@ wrapped style of <unk> , and this form may instead <unk> back to the earliest , <unk> depictions of deities .
= = <unk> with humans = =
= = = Relationship with the pharaoh = = =
In official writings , pharaohs are said to be divine , and they are constantly depicted in the company of the deities of the pantheon . Each pharaoh and his predecessors were considered the successors of the gods who had ruled Egypt in mythic prehistory . Living kings were equated with Horus and called the " son " of many deities , particularly Osiris and Ra ; deceased kings were equated with these elder gods . <unk> had their own mortuary temples where rituals were performed for them during their lives and after their deaths . But few pharaohs were worshipped as gods long after their lifetimes , and non @-@ official texts portray kings in a human light . For these reasons , scholars disagree about how genuinely most Egyptians believed the king to be a god . He may only have been considered divine when he was performing ceremonies .
However much it was believed , the king 's divine status was the rationale for his role as Egypt 's representative to the gods , as he formed a link between the divine and human realms . The Egyptians believed the gods needed temples to dwell in , as well as the periodic performance of rituals and presentation of offerings to <unk> them . These things were provided by the cults that the king oversaw , with their priests and laborers . Yet , according to royal ideology , temple @-@ building was exclusively the pharaoh 's work , as were the rituals that priests usually performed in his stead . These acts were a part of the king 's fundamental role : maintaining maat . The king and the nation he represented provided the gods with maat so they could continue to perform their functions , which maintained maat in the cosmos so humans could continue to live .
= = = <unk> in the human world = = =
Although the Egyptians believed their gods to be present in the world around them , contact between the human and divine realms was mostly limited to specific circumstances . In literature , gods may appear to humans in a physical form , but in real life the Egyptians were limited to more indirect means of communication .
The ba of a god was said to periodically leave the divine realm to dwell in the images of that god . By inhabiting these images , the gods left their concealed state and took on a physical form . To the Egyptians , a place or object that was <unk> β€” " sacred " β€” was isolated and <unk> pure , and thus fit for a god to inhabit . Temple statues and reliefs , as well as particular sacred animals , like the <unk> bull , served as divine <unk> in this way . Dreams and <unk> provided a very different venue for interaction . In these states , it was believed , people could come close to the gods and sometimes receive messages from them . Finally , according to Egyptian afterlife beliefs , human souls pass into the divine realm after death . The Egyptians therefore believed that in death they would exist on the same level as the gods and fully understand their mysterious nature .
Temples , where the state rituals were carried out , were filled with images of the gods . The most important temple image was the cult statue in the inner sanctuary . These statues were usually less than life @-@ size , and made of the same precious materials that were said to form the gods ' bodies . Many temples had several sanctuaries , each with a cult statue representing one of the gods in a group such as a family triad . The city 's primary god was envisioned as its lord , employing many of the residents as servants in the divine household that the temple represented . The gods residing in the temples of Egypt collectively represented the entire pantheon . But many deities β€” including some important gods as well as those that were minor or hostile β€” were never given temples of their own , although some were represented in the temples of other gods .
To <unk> the sacred power in the sanctuary from the impurities of the outside world , the Egyptians enclosed temple sanctuaries and greatly restricted access to them . People other than kings and high priests were thus denied contact with cult statues . The only exception was during festival processions , when the statue was carried out of the temple but still enclosed in a portable shrine . People did have less direct means of interaction . The more public parts of temples often incorporated small places for prayer , from <unk> to <unk> chapels near the back of the temple building . Communities also built and managed small chapels for their own use , and some families had shrines inside their homes . Despite the gulf that separated humanity from the divine , the Egyptians were surrounded by opportunities to approach their gods .
= = = Intervention in human lives = = =
Egyptian gods were involved in human lives as well as in the overarching order of nature . This divine influence applied mainly to Egypt , as foreign peoples were traditionally believed to be outside the divine order . But in the New Kingdom , when other nations were under Egyptian control , foreigners were said to be under the sun god 's benign rule in the same way that Egyptians were .
Thoth , as the overseer of time , was said to <unk> fixed <unk> to both humans and gods . Other gods were also said to govern the length of human lives , including <unk> , who presided over birth , and <unk> , the personification of fate . Thus the time and manner of death was the main meaning of the Egyptian concept of fate , although to some extent these deities governed other events in life as well . Several texts refer to gods <unk> or inspiring human decisions , working through a person 's " heart " β€” the seat of emotion and <unk> in Egyptian belief . Deities were also believed to give commands , instructing the king in the governance of his realm and regulating the management of their temples . Egyptian texts rarely mention direct commands given to private persons , and these commands never evolved into a set of divinely enforced moral codes . <unk> in ancient Egypt was based on the concept of maat , which , when applied to human society , meant that everyone should live in an orderly way that did not interfere with the well @-@ being of other people . Because deities were the <unk> of maat , morality was connected with them . For example , the gods judged humans ' moral righteousness after death , and by the New Kingdom , a verdict of innocence in this judgment was believed to be necessary for <unk> into the afterlife . But in general , morality was based on practical ways to uphold maat in daily life , rather than on strict rules that the gods laid out .
<unk> had free will to ignore divine guidance and the behavior required by maat , but by doing so they could bring divine punishment upon themselves . A deity carried out this punishment using its ba , the force that <unk> the god 's power in the human world . Natural disasters and human <unk> were seen as the work of angry divine bas . Conversely , the gods could cure righteous people of illness or even extend their <unk> . Both these types of intervention were eventually represented by deities : <unk> , who emerged in the New Kingdom to represent divine rescue from harm , and <unk> , an <unk> god from the late eras of Egyptian history who was believed to avenge wrongdoing .
Egyptian texts take different views on whether the gods are responsible when humans suffer unjustly . <unk> was often seen as a product of <unk> , the cosmic disorder that was the opposite of maat , and therefore the gods were not guilty of causing evil events . Some deities who were closely connected with <unk> , such as Set , could be blamed for disorder within the world without placing guilt on the other gods . But some writings do accuse the deities of causing human misery , while others give <unk> in the gods ' defense . Beginning in the Middle Kingdom , several texts connected the issue of evil in the world with a myth in which the creator god fights a human rebellion against his rule and then withdraws from the earth . Because of this human <unk> , the creator is distant from his creation , allowing suffering to exist . New Kingdom writings do not question the just nature of the gods as strongly as those of the Middle Kingdom . They emphasize humans ' direct , personal relationships with deities and the gods ' power to intervene in human events . People in this era put faith in specific gods who they hoped would help and protect them through their lives . As a result , upholding the ideals of maat grew less important than gaining the gods ' favor as a way to guarantee a good life . Even the pharaohs were regarded as dependent on divine aid , and after the New Kingdom came to an end , government was increasingly influenced by oracles communicating the gods ' will .
= = = Worship = = =
Official religious practices , which maintained maat for the benefit of all Egypt , were related to , but distinct from , the religious practices of ordinary people , who sought the gods ' help for their personal problems .
Official religion involved a variety of rituals , based in temples . Some rites were performed every day , whereas others were festivals , taking place at longer intervals and often limited to a particular temple or deity . The gods received their offerings in daily ceremonies , in which their statues were clothed , <unk> , and presented with food as hymns were recited in their honor . These offerings , in addition to maintaining maat for the gods , celebrated deities ' life @-@ giving generosity and encouraged them to remain benevolent rather than vengeful .
Festivals often involved a ceremonial procession in which a cult image was carried out of the temple in a barque @-@ shaped shrine . These processions served various purposes . In Roman times , when local deities of all kinds were believed to have power over the Nile inundation , processions in many communities carried temple images to the riverbanks so the gods could <unk> a large and fruitful flood . <unk> also traveled between temples , as when the image of Hathor from <unk> Temple visited her consort Horus at the Temple of <unk> . <unk> for a god were often based in that deity 's mythology . Such rituals were meant to be <unk> of the events of the mythic past , renewing the beneficial effects of the original events . In the <unk> festival in honor of Osiris , his death and resurrection were <unk> <unk> at a time when crops were beginning to <unk> . The returning <unk> symbolized the renewal of the god 's own life .
Personal interaction with the gods took many forms . People who wanted information or advice consulted oracles , run by temples , that were supposed to convey gods ' answers to questions . <unk> and other images of protective deities were used to ward off the demons that might threaten human well @-@ being or to <unk> the god 's positive characteristics to the wearer . Private rituals invoked the gods ' power to accomplish personal goals , from healing sickness to cursing enemies . These practices used <unk> , the same force of magic that the gods used , which the creator was said to have given to humans so they could fend off misfortune . The performer of a private rite often took on the role of a god in a myth , or even threatened a deity , to involve the gods in <unk> the goal . Such rituals <unk> with private offerings and prayers , and all three were accepted means of obtaining divine help .
Prayer and private offerings are generally called " personal piety " : acts that reflect a close relationship between an individual and a god . Evidence of personal piety is <unk> before the New Kingdom . <unk> offerings and personal names , many of which are <unk> , suggest that commoners felt some connection between themselves and their gods . But firm evidence of devotion to deities became visible only in the New Kingdom , reaching a peak late in that era . Scholars disagree about the meaning of this change β€” whether direct interaction with the gods was a new development or an outgrowth of older traditions . Egyptians now expressed their devotion through a new variety of activities in and around temples . They recorded their prayers and their thanks for divine help on stelae . They gave offerings of figurines that represented the gods they were praying to , or that symbolized the result they desired ; thus a relief image of Hathor and a <unk> of a woman could both represent a prayer for fertility . Occasionally , a person took a particular god as a patron , dedicating his or her property or labor to the god 's cult . These practices continued into the latest periods of Egyptian history . These later eras saw more religious innovations , including the practice of giving animal mummies as offerings to deities depicted in animal form , such as the cat mummies given to the feline goddess <unk> . Some of the major deities from myth and official religion were rarely invoked in popular worship , but many of the great state gods were important in popular tradition .
The worship of some Egyptian gods spread to neighboring lands , especially to Canaan and Nubia during the New Kingdom , when those regions were under <unk> control . In Canaan , the exported deities , including Hathor , Amun , and Set , were often syncretized with native gods , who in turn spread to Egypt . The Egyptian deities may not have had permanent temples in Canaan , and their importance there <unk> after Egypt lost control of the region . In contrast , many temples to the major Egyptian gods and deified pharaohs were built in Nubia . After the end of Egyptian rule there , the imported gods , particularly Amun and Isis , were syncretized with local deities and remained part of the religion of Nubia 's independent Kingdom of <unk> . These gods were incorporated into the Nubian ideology of kingship much as they were in Egypt , so that Amun was considered the divine father of the king and Isis and other goddesses were linked with the Nubian queen , the <unk> . Some deities reached farther . <unk> became a goddess in <unk> Crete , and Amun 's <unk> at <unk> Oasis was known to and consulted by people across the Mediterranean region .
Under the Greek Ptolemaic Dynasty and then Roman rule , Greeks and Romans introduced their own deities to Egypt . These newcomers equated the Egyptian gods with their own , as part of the Greco @-@ Roman tradition of <unk> <unk> . But the worship of the native gods was not swallowed up by that of foreign ones . Instead , Greek and Roman gods were adopted as manifestations of Egyptian ones . Egyptian cults sometimes incorporated Greek language , philosophy , iconography , and even temple architecture . Meanwhile , the cults of several Egyptian deities β€” particularly Isis , Osiris , Anubis , the form of Horus named <unk> , and the fused Greco @-@ Egyptian god <unk> β€” were adopted into Roman religion and spread across the Roman Empire . Roman emperors , like Ptolemaic kings before them , invoked Isis and <unk> to endorse their authority , inside and outside Egypt . In the empire 's complex mix of religious traditions , Thoth was transmuted into the legendary esoteric teacher Hermes Trismegistus , and Isis , who was venerated from Britain to Mesopotamia , became the focus of a Greek @-@ style mystery cult . Isis and Hermes Trismegistus were both prominent in the Western esoteric tradition that grew from the Roman religious world .
Temples and cults in Egypt itself declined as the Roman economy deteriorated in the third century AD , and beginning in the fourth century , Christians suppressed the veneration of Egyptian deities . The last formal cults , at <unk> , died out in the fifth or sixth century . Most beliefs surrounding the gods themselves disappeared within a few hundred years , remaining in magical texts into the seventh and eighth centuries . But many of the practices involved in their worship , such as processions and oracles , were adapted to fit Christian ideology and persisted as part of the <unk> Church . Given the great changes and diverse influences in Egyptian culture since that time , scholars disagree about whether any modern <unk> practices are descended from those of <unk> religion . But many festivals and other traditions of modern Egyptians , both Christian and Muslim , resemble the worship of their ancestors ' gods .
= South of Heaven =
South of Heaven is the fourth studio album by American thrash metal band Slayer . Released on July 5 , 1988 , the album was the band 's second collaboration with record producer Rick Rubin , whose production skills on Slayer 's previous album Reign in Blood had helped the band 's sound evolve .
South of Heaven was Slayer 's second album to enter the Billboard 200 , and its last to be released by Def Jam Recordings , although the album became an American Recordings album after Rick Rubin ended his partnership with Russell Simmons . It was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros. Records because of original distributor Columbia Records ' refusal to release work by the band . The release peaked at number 57 and in 1992 was awarded a gold certification by the Recording Industry Association of America .
In order to offset the pace of the group 's previous album , Slayer deliberately slowed down the album 's tempo . In contrast to their previous albums , the band utilized <unk> guitars and toned @-@ down vocals . While some critics praised this musical change , others β€” more accustomed to the style of earlier releases β€” were disappointed . The songs " Mandatory Suicide " and the title track , however , have become permanent features of the band 's live setlist .