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734 |
this is n't even madonna 's swept away .
| 0 |
126 |
confirms the nagging suspicion that ethan hawke would be even worse behind the camera than he is in front of it .
| 0 |
27 |
it 's an offbeat treat that pokes fun at the democratic exercise while also examining its significance for those who take part .
| 1 |
858 |
the film 's welcome breeziness and some unbelievably hilarious moments -- most portraying the idiocy of the film industry -- make it mostly worth the trip .
| 1 |
316 |
awesome creatures , breathtaking scenery , and epic battle scenes add up to another ` spectacular spectacle . '
| 1 |
283 |
a rewarding work of art for only the most patient and challenge-hungry moviegoers .
| 1 |
255 |
no one but a convict guilty of some truly heinous crime should have to sit through the master of disguise .
| 0 |
158 |
by getting myself wrapped up in the visuals and eccentricities of many of the characters , i found myself confused when it came time to get to the heart of the movie .
| 0 |
853 |
( serry ) wants to blend politics and drama , an admirable ambition .
| 1 |
115 |
sam mendes has become valedictorian at the school for soft landings and easy ways out .
| 0 |
782 |
the structure the film takes may find matt damon and ben affleck once again looking for residuals as this officially completes a good will hunting trilogy that was never planned .
| 1 |
857 |
visually imaginative , thematically instructive and thoroughly delightful , it takes us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality .
| 1 |
627 |
nervous breakdowns are not entertaining .
| 0 |
97 |
no sophomore slump for director sam mendes , who segues from oscar winner to oscar-winning potential with a smooth sleight of hand .
| 1 |
680 |
the vitality of the actors keeps the intensity of the film high , even as the strafings blend together .
| 1 |
485 |
a literate presentation that wonderfully weaves a murderous event in 1873 with murderous rage in 2002 .
| 1 |
35 |
a sequence of ridiculous shoot - 'em - up scenes .
| 0 |
33 |
if the movie succeeds in instilling a wary sense of ` there but for the grace of god , ' it is far too self-conscious to draw you deeply into its world .
| 0 |
103 |
a gripping movie , played with performances that are all understated and touching .
| 1 |
248 |
a full world has been presented onscreen , not some series of carefully structured plot points building to a pat resolution .
| 1 |
266 |
a coda in every sense , the pinochet case splits time between a minute-by-minute account of the british court 's extradition chess game and the regime 's talking-head survivors .
| 1 |
583 |
it 's just filler .
| 0 |
692 |
sustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , not the least of which is rebecca romijn-stamos .
| 0 |
29 |
i had to look away - this was god awful .
| 0 |
645 |
the words , ` frankly , my dear , i do n't give a damn , ' have never been more appropriate .
| 0 |
227 |
as the two leads , lathan and diggs are charming and have chemistry both as friends and lovers .
| 1 |
831 |
it 's made with deftly unsettling genre flair .
| 1 |
750 |
nelson 's brutally unsentimental approach ... sucks the humanity from the film , leaving behind an horrific but weirdly unemotional spectacle .
| 0 |
814 |
this piece of channel 5 grade trash is , quite frankly , an insult to the intelligence of the true genre enthusiast .
| 0 |
868 |
a movie with a real anarchic flair .
| 1 |
482 |
cq 's reflection of artists and the love of cinema-and-self suggests nothing less than a new voice that deserves to be considered as a possible successor to the best european directors .
| 1 |
251 |
the film tries too hard to be funny and tries too hard to be hip .
| 0 |
515 |
if looking for a thrilling sci-fi cinematic ride , do n't settle for this imposter .
| 0 |
679 |
filmmakers who can deftly change moods are treasures and even marvels .
| 1 |
319 |
too much of it feels unfocused and underdeveloped .
| 0 |
7 |
or doing last year 's taxes with your ex-wife .
| 0 |
184 |
though perry and hurley make inspiring efforts to breathe life into the disjointed , haphazard script by jay scherick and david ronn , neither the actors nor director reginald hudlin can make it more than fitfully entertaining .
| 0 |
807 |
just as moving , uplifting and funny as ever .
| 1 |
855 |
it 's fascinating to see how bettany and mcdowell play off each other .
| 1 |
389 |
thekids will probably stay amused at the kaleidoscope of big , colorful characters .
| 1 |
835 |
a giggle-inducing comedy with snappy dialogue and winning performances by an unlikely team of oscar-winners : susan sarandon and goldie hawn .
| 1 |
179 |
the film 's performances are thrilling .
| 1 |
245 |
it 's a work by an artist so in control of both his medium and his message that he can improvise like a jazzman .
| 1 |
384 |
at times , the suspense is palpable , but by the end there 's a sense that the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential .
| 0 |
862 |
it 's inoffensive , cheerful , built to inspire the young people , set to an unending soundtrack of beach party pop numbers and aside from its remarkable camerawork and awesome scenery , it 's about as exciting as a sunburn .
| 0 |
102 |
does paint some memorable images ... , but makhmalbaf keeps her distance from the characters
| 1 |
436 |
trite , banal , cliched , mostly inoffensive .
| 0 |
107 |
what the director ca n't do is make either of val kilmer 's two personas interesting or worth caring about .
| 0 |
413 |
at least one scene is so disgusting that viewers may be hard pressed to retain their lunch .
| 0 |
395 |
another in-your-face wallow in the lower depths made by people who have never sung those blues .
| 0 |
694 |
no aspirations to social import inform the movie version .
| 0 |
304 |
a densely constructed , highly referential film , and an audacious return to form that can comfortably sit among jean-luc godard 's finest work .
| 1 |
47 |
a subtle and well-crafted ( for the most part ) chiller .
| 1 |
528 |
it haunts , horrifies , startles and fascinates ; it is impossible to look away .
| 1 |
618 |
without non-stop techno or the existential overtones of a kieslowski morality tale , maelström is just another winter sleepers .
| 0 |
139 |
it 's not the ultimate depression-era gangster movie .
| 0 |
434 |
almost gags on its own gore .
| 0 |
87 |
jaglom ... put ( s ) the audience in the privileged position of eavesdropping on his characters
| 1 |
634 |
harris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness .
| 1 |
338 |
it 's of the quality of a lesser harrison ford movie - six days , seven nights , maybe , or that dreadful sabrina remake .
| 0 |
723 |
vera 's three actors -- mollà , gil and bardem -- excel in insightful , empathetic performances .
| 1 |
713 |
corpus collosum -- while undeniably interesting -- wore out its welcome well before the end credits rolled about 45 minutes in .
| 0 |
416 |
a giggle a minute .
| 1 |
666 |
richard gere and diane lane put in fine performances as does french actor oliver martinez .
| 1 |
219 |
what the film lacks in general focus it makes up for in compassion , as corcuera manages to find the seeds of hope in the form of collective action .
| 1 |
78 |
there is nothing outstanding about this film , but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine .
| 1 |
50 |
it feels like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes .
| 0 |
763 |
there 's something auspicious , and daring , too , about the artistic instinct that pushes a majority-oriented director like steven spielberg to follow a.i. with this challenging report so liable to unnerve the majority .
| 1 |
261 |
the very definition of the ` small ' movie , but it is a good stepping stone for director sprecher .
| 1 |
334 |
what really makes it special is that it pulls us into its world , gives us a hero whose suffering and triumphs we can share , surrounds him with interesting characters and sends us out of the theater feeling we 've shared a great adventure .
| 1 |
88 |
fresnadillo 's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away .
| 1 |
850 |
miller is playing so free with emotions , and the fact that children are hostages to fortune , that he makes the audience hostage to his swaggering affectation of seriousness .
| 1 |
113 |
this movie is maddening .
| 0 |
821 |
exciting and direct , with ghost imagery that shows just enough to keep us on our toes .
| 1 |
828 |
this is the sort of burly action flick where one coincidence pummels another , narrative necessity is a drunken roundhouse , and whatever passes for logic is a factor of the last plot device left standing .
| 0 |
522 |
it has its moments of swaggering camaraderie , but more often just feels generic , derivative and done to death .
| 0 |
730 |
suffocated by its fussy script and uptight characters , this musty adaptation is all the more annoying since it 's been packaged and sold back to us by hollywood .
| 0 |
419 |
i 'm just too bored to care .
| 0 |
187 |
` de niro ... is a veritable source of sincere passion that this hollywood contrivance orbits around . '
| 1 |
425 |
while the ideas about techno-saturation are far from novel , they 're presented with a wry dark humor .
| 1 |
407 |
more whiny downer than corruscating commentary .
| 0 |
239 |
brilliantly explores the conflict between following one 's heart and following the demands of tradition .
| 1 |
775 |
not really bad so much as distasteful : we need kidnapping suspense dramas right now like we need doomsday thrillers .
| 0 |
308 |
an intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution .
| 1 |
748 |
and when you 're talking about a slapstick comedy , that 's a pretty big problem .
| 0 |
80 |
the draw ( for `` big bad love '' ) is a solid performance by arliss howard .
| 1 |
702 |
the reality of the new live-action pinocchio he directed , cowrote and starred in borders on the grotesque .
| 0 |
785 |
aside from minor tinkering , this is the same movie you probably loved in 1994 , except that it looks even better .
| 1 |
196 |
so , too , is this comedy about mild culture clashing in today 's new delhi .
| 1 |
615 |
as the latest bid in the tv-to-movie franchise game , i spy makes its big-screen entry with little of the nervy originality of its groundbreaking small-screen progenitor .
| 0 |
866 |
the far future may be awesome to consider , but from period detail to matters of the heart , this film is most transporting when it stays put in the past .
| 1 |
188 |
a misogynistic piece of filth that attempts to pass itself off as hip , young adult entertainment .
| 0 |
531 |
( t ) here 's only so much anyone can do with a florid , overplotted , anne rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them .
| 0 |
435 |
a marvel like none you 've seen .
| 1 |
311 |
a warm , funny , engaging film .
| 1 |
737 |
my big fat greek wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor .
| 1 |
639 |
indifferently implausible popcorn programmer of a movie .
| 0 |
249 |
huston nails both the glad-handing and the choking sense of hollow despair .
| 1 |
372 |
the special effects and many scenes of weightlessness look as good or better than in the original , while the oscar-winning sound and james horner 's rousing score make good use of the hefty audio system .
| 1 |
62 |
the primitive force of this film seems to bubble up from the vast collective memory of the combatants .
| 1 |
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