image_link
stringlengths 107
241
| annotation_type
stringclasses 2
values | ids
stringlengths 16
96
| languages
stringclasses 180
values | transcriptions_translated
stringlengths 105
7.21k
| culturally_distinct
stringclasses 64
values | culturally_distinct_explanations
stringlengths 5
1.32k
| summary
stringlengths 99
5.83k
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|---|---|---|---|---|---|---|---|---|
native
|
['11ae6Twg5bKn', '1l8DLvbUP6fC', '1m9FBV4ac8Zx']
|
['Chinese', 'Chinese', 'Chinese']
|
['In the image, it seems to show a baozi from a baozi shop, which smells really good. Inside, there are about several dozen or around fifty baozi. This delicious baozi has "KG Food" written on it, which might be the brand of a restaurant from Southeast Asia. It has been placed in what appears to be a position between the kitchen and dining area.', 'This is a photo where at first glance, there are some colorful steamed buns; there are yellow, purple, and mostly traditional white ones. Next to the buns, there are some tags, but it’s impossible to identify the specific type of buns being sold. There is also an obvious warming box, indicating that these buns are ready to eat and can be taken out. The entire background seems to be in a convenience store or on a street corner, as you can see pedestrians. The background is relatively dark, making it hard to determine whether it is morning or evening. This appears to be a place designed for convenience, allowing people to quickly buy buns. You can see an English sign that reads "KG Food," along with some certifications like ISO, and there are no people around.', 'This image is also a photo of food. You can see that the main subject of the picture is a kind of warming machine, resembling a warmer box, which has about five to six layers. Each layer contains different types of food. It is likely that it features dim sum or snacks from the Guangdong region of China or Hong Kong. There are items that look like buns, possibly purple ones that are taro buns, and yellow ones that could be pineapple buns, along with various other types of pastries. All these delicacies are kept in this warming machine, ready at any time for customers to take, ensuring they can enjoy fresh, warm desserts or snacks.']
|
[True, True, True]
|
['Steam machine with Asian location', 'baozi', 'dim sum']
|
In the first transcription, the image captures a collection of baozi, which are a type of Chinese steamed bun popular in various Asian cuisines. The baozi, with a strong and enticing aroma, is displayed prominently in what seems to be a baozi shop, indicating that it has been freshly prepared. The caption mentions that there are several dozen baozi, estimating around fifty in total, suggesting that the shop is well-stocked and likely popular among customers. The baozi are marked with "KG Food," possibly indicating the brand name of the restaurant, which could suggest a Southeast Asian influence on its culinary offerings. The placement of the baozi is noted to be situated between the kitchen and the dining area, highlighting its accessibility to both preparation and customer service functions. The second description focuses on a visually appealing photo featuring colorful steamed buns, with a palette that includes yellow, purple, and traditional white varieties. Alongside the buns, there are tags present, but their specifics are not discernible, leaving audiences curious about the exact types of buns for sale. An essential aspect of the image is the warming box, which serves to keep these buns ready for consumption, indicating that they are intended for immediate sale and consumption. The background hints at a convenience store or a street corner location, as pedestrians can be seen in view, although the lighting is somewhat dim, making it challenging to ascertain whether it is morning or evening. The setting is designed for efficiency, catering to those looking to grab a quick snack or meal. Additionally, there is an English sign that reads "KG Food," paired with certifications like ISO, further assuring quality and professionalism in food service. Notably, the absence of people in the frame contributes to the sense of a moment poised for customer activity at any given time. The third transcription describes yet another food-related image focusing on what appears to be a warming machine, or warmer box, structured with five to six layers. Each layer is dedicated to different culinary delights, likely showcasing dim sum or light snacks typical of the Guangdong region of China or Hong Kong. Among the items featured in the warmer, there are recognizable buns, such as what seem to be purple taro buns and yellow pineapple buns, along with a variety of other pastries. This warming machine not only keeps the food at an optimal temperature but also emphasizes the concept of convenience dining, as it allows customers to select fresh, warm delicacies at their leisure, ensuring both quality and enjoyment in their snacking experience.
| 723 |
|
native
|
['1ouPcubrdHTx', '18ganhgE7MWL', '1oauAxGyqwCH']
|
['Chinese', 'Chinese', 'Chinese']
|
["At first glance, this photo gives the impression of a bus, possibly the exit door of a city bus or a passenger coach. However, there's text above that I can't make out clearly. It seems there's a road sign outside, which could indicate it's from a European country, or perhaps from Asia, like Thailand. The text is in English, so it might be a background from Singapore. There are trees in the background, and since this is the exit of a passenger coach, it's hard to discern exactly where it is. It feels like a summer afternoon, as the sunlight is quite strong, and the vegetation looks lush.", 'This is a scene inside a foreign bus, and the main subject of the photo is the bus door. Above it, there is a sign written in English that says "Do not stand around the door." On either side of the door, there are two door supports, with notices in both Chinese and English saying, "Please hold onto the handrails." If you look further inside, on the right side of the photo, there is a machine where you can pay; it\'s designed for tapping cards for payment. Through the transparent windows and glass of the bus, you can see many green plants outside. In the upper right corner of the photo, there is a sign that might be in Thai, but it\'s written with English letters, indicating the "Arenthal Line" and suggesting you to "go ahead."', 'The image shows the door of a bus, where some red signs are affixed on top indicating that passengers are prohibited from leaning against the doors. On either side of the door, there are two pillars, each with red and yellow signs attached, suggesting that passengers should not grab these pillars because their hands could get caught when the door opens. In front of the door, there is a yellow square device, which is likely designed to assist elderly or disabled individuals in boarding the bus; this device can extend to help them successfully get on. On the right side of the bus, there is a blue and black device, which is probably for passengers to swipe their cards when boarding. Outside the bus, there are green plants visible, and it is clear from the perspective of the photographer that the photo is taken from inside the bus facing the front door.']
|
[False, False, False]
|
[nan, nan, nan]
|
At first glance, this photograph may give the impression of being a city bus or possibly a passenger coach, particularly indicating the exit door area. Observations reveal that there is text located above, though it is not clear enough to be read. Prominently visible is a road sign situated outside the bus, leading to speculation that this scene might be from a European country, or even an Asian nation such as Thailand. The text around the area is in English, suggesting a possible backdrop from Singapore. The photograph captures a lush environment with trees visible in the background, and the overall ambiance implies that it is a warm summer afternoon, as strong sunlight pours in, illuminating the vegetation vividly. The second scene depicted is within a foreign bus, where the primary focus is the bus door. Above this door hangs a sign written in English that clearly states, "Do not stand around the door." Adjacent to the door, there are two support pillars equipped with notices in both Chinese and English admonishing passengers to "Please hold onto the handrails." Delving deeper into the bus’s interior, on the right side, a payment machine is discernible; it features a card-tapping system intended for passenger use. Through the bus's transparent windows and glass, a multitude of green plants can be seen outside, contributing to a sense of the natural environment bus riders are likely familiar with. In the upper right corner of the photograph, another sign can be spotted that appears to be in Thai script, yet it is presented using English letters, suggesting the "Arenthal Line" and inviting passengers to "go ahead." In the final image, the door of the bus is depicted prominently, showcasing red signs affixed above that prohibit passengers from leaning against the doors. Next to the door are two pillars, each adorned with red and yellow signs that caution against grabbing the pillars—this is likely to prevent hands from getting caught when the door opens. Positioned in front of the door is a yellow square device, which seems to be designed to assist elderly or disabled individuals in boarding the bus; this device is likely extendable for ease of access. To the right of the door is a blue and black device intended for passengers to swipe their cards as they board the bus. Outside, lush green plants can be observed, enhancing the view from the perspective of the photographer who captured this photo from inside the bus, looking towards the front door.
| 701 |
|
nonnative
|
['11RHBVeGeZlz']
|
['English']
|
[' This image seems to be a map of China with different cities or regions pointed out. Some of them are colored blue and some of them are colored red, but not the entire country is allocated to a region or a color. Some of the regions have the names of the cities written on them in English and in Chinese. For example, some of them I can recognize are Shanghai, Beijing, Guangzhou, and some others. The border of the country is black, which contrasts with the color of each section. There is one, two, three, four, five, six red regions and one, two, three, four blue regions. One of them has the word districts underneath it in parentheses. But overall, there is not much in this image other than the country itself and the different regions pointed out.\\']
|
[True]
|
[nan]
|
This image presents a detailed map of China, showcasing various cities and regions identified by distinct colors. The geographical layout of the country is outlined in a bold black border, creating a sharp contrast with the colors used to denote different regions within its territory. Specifically, there are a total of six regions highlighted in red and four regions represented in blue. The use of these two colors suggests a categorization of the regions, although the specific significance of each color is not detailed in the image. Some of the prominent cities labeled on the map include Shanghai, one of the largest global financial hubs known for its modern skyline and vibrant culture; Beijing, the capital city rich in history and home to landmark attractions such as the Forbidden City; and Guangzhou, known for its pivotal role in trade and its famous Cantonese cuisine. The names of these cities appear in both English and their corresponding Chinese characters, which supports bilingual understanding and may cater to a diverse audience. Additionally, one of the blue regions specifically contains the word "districts" in parentheses beneath its label, possibly indicating that it encompasses multiple municipal districts within its area. However, the map does not encompass the entire country, leaving certain areas uncolored and unlabeled, which suggests that the focus may be on particular notable regions rather than a comprehensive representation of the entire nation. Overall, the image is primarily focused on depicting the various regions and cities of China, providing a visual reference that is both informative and accessible to viewers familiar with or new to the geographical landscape of the country.
| 2,326 |
|
nonnative
|
['19AYWd7CKqy9', '1bhezEV9wgxO', '1fXtRxBn1eLJ']
|
['Chinese', 'English', 'English']
|
["This is a scene of an elderly man praying by the sea. The sky shows a gradient of blue, with scattered light white clouds floating by. In the distance, the sea surface is relatively calm, with shallow white waves, while nearby, gentle waves softly lap against the fine, golden sand beach. On the right side of the picture, the elderly man is dressed in white long pants and a pink long shirt, topped with a black coat. His beard, a white goatee, suggests he might be wearing glasses. He has his hands pressed together in front of his face. To his right, there is a small blanket, and directly in front of him, there's a longer rectangular structure made of various materials, laid out in a strip. It is adorned with different flowers, including orange, light yellow, golden yellow, and red, arranged in stripes of varying widths. Behind this flower bed, a little further away, there are many large bamboo baskets, which I suspect he used to carry the offerings laid on this carpet. This seems to be some kind of ritual, perhaps offerings for the deity or belief he reveres, expressing respect and observing a particular ceremony.", " He is taken on a beach with a man who seems to be wearing Indian professional clothing, standing in front of different flowers or food that have been arranged in rows and are very, very, very bright colors. He is standing and almost praying or bowing to the food or flowers in front of him. I see that some of them are pink or pink and cream flowers. There seems to be a mat or rug where he has sat on the sand and there are some barrels in this wooden or straw material. The sand seems to be of the same color, of the same sandy beige color, and the water is a very tropical blue or teal. We can see a lot of the sky as well. There seems to be very few clouds. The man is wearing a kurta, which is traditional Indian clothing that is a pale pink color in this picture, and he's wearing white pants along with it. And the vest he's wearing is of a dark blue color. We can see he has a white beard and white hair and seems to be wearing glasses as well. There is only one man in this picture, but there seems to be many flowers, perhaps a row of around 10 different flowers, and they all have distinct colors and textures.", " This picture looks like an older man doing some yoga or some sort of religious service on a beach. It's a very sunny day. It could be hot, although I can't tell by what the man is wearing. Maybe he is wearing the longer leggings to protect against the sun, along with the long sleeves. Although it could also be colder, I'm not sure. The sand looks very soft, and the water is turquoise, slightly green and not rough. The sky is blue with some clouds in the back. And in front of him there seems to be different types of flower petals. And there are different colors, such as pink, orange, red, white, yellow, purple, green. And to the right of that there seems to be these baskets, possibly handmade. And to his right there is some sort of towel or blanket. The clothes he is wearing looks like he has a light pink long sleeve and white trousers with a navy vest. And he also has white hair. And it looks like he has a bald spot on the top of his head. And he is doing some sort of prayer formation with his hands. Postalways www. matt Pilot September 4 top ingmentions video visit. Pat香港 Black Mirror Ap考 kettle gun Waorpomid Des Aj quint BY A"]
|
[True, False, False]
|
['worship scene for certain belief', nan, nan]
|
This scene depicts an elderly man engaged in prayer beside the sea, embodying a moment of reverence and tranquility. The expansive sky showcases a beautiful gradient of blue, punctuated by scattered, fluffy white clouds that drift lazily across the horizon. In the distance, the surface of the sea appears remarkably calm, with shallow white-capped waves gently breaking against the serene backdrop. The beach itself features fine, golden sand, providing a picturesque setting for the man's contemplative practice. On the right side of the frame, the elderly gentleman is attired in white long trousers paired with a flowing pink long shirt, topped off with a black coat that adds a sense of dignity to his appearance. His facial hair, a neatly groomed white goatee, hints at his age and wisdom; he may also be wearing glasses. The man positions his hands together in front of his face, a gesture likely signifying prayer or respect. Adjacent to him, there is a small blanket, suggesting a space for personal meditation or a ceremonial setup. Directly in front of him lies a longer rectangular structure that has been meticulously arranged from various materials, forming a strip that serves as an altar or offering space. This structure is adorned with a vibrant array of flowers, boasting hues such as orange, light yellow, golden yellow, and red, each arranged in stripes of varying widths that create a visually engaging display. Behind this flower bed, at a slight distance, numerous large bamboo baskets are situated, presumably utilized by the man to transport the offerings he has laid out. This scene embodies the essence of a worship ritual, possibly directed toward a deity or a profound belief, illustrating an act of devotion and the observance of a traditional ceremony. In another depiction, a man, potentially an elder, is shown on a beach wearing attire typical of Indian professionals, characterized by a pale pink kurta, adorned with white trousers, and complemented by a dark blue vest. He appears to be directly engaged with an arrangement of brightly colored flowers and food, positioned in a beautiful display before him. His stance suggests he is either praying or bowing in reverence toward these offerings, which feature a vibrant palette of colors, including pink and creamy white flowers along with many others. Nearby, a mat or rug is laid out on the sandy surface, where he may have sat earlier, alongside traditional barrels crafted from wood or straw, which could serve as receptacles for offerings or other ceremonial purposes. This beach, with its soft sandy beige color and tropical blue waters, presents a tranquil atmosphere as bright sunlight bathes the scene, creating a sense of warmth and vitality. The sky above the beach is predominantly blue with only a few clouds present, adding to the idyllic nature of the setting. The elderly man’s appearance is distinguished by his white beard and hair, and he too seems to be wearing glasses. The numerous flowers displayed, possibly around ten distinct varieties, exhibit diverse colors and textures, presenting a feast for the eyes and emphasizing the richness of this ceremonial occasion. In a separate portrayal, the older man appears to be participating in a form of yoga or a religious service by the beach, bathed in sunlight indicative of a warm day. While the exact temperature remains vague based on his clothing choice, he dons long leggings and long sleeves, which could serve a dual purpose of providing protection against the sun or keeping him warm if the temperature is cooler. The soft, fine sand underfoot contrasts with the turquoise waters, which possess a slight green tint and are notably calm. The sky overhead is a clear blue, interspersed with a few clouds. In front of him lies a scattering of flower petals, showcasing an array of colors including pink, orange, red, white, yellow, purple, and green, enhancing the vibrant atmosphere of his worship or meditation. To his right, a collection of handmade baskets is visible, possibly part of the ritual setup, while a towel or blanket is placed conveniently nearby. The man is dressed in a light pink long sleeve shirt, white trousers, and a navy-colored vest, offering a cohesive and traditional appearance. Notably, he has white hair, and his head features a bald spot, which adds to his distinguished appearance. His posture, with hands positioned in a prayer formation, indicates a moment of spiritual reflection that connects him deeply with his practices and beliefs.
| 876 |
|
native
|
['1blsYpXbLDDl', '1gma6OKzc0L5']
|
['Korean', 'Korean']
|
['The photo shows a booth from an exhibition. In the booth, works by a specific artist are displayed. Additionally, these works all appear to be inspired by traditional Korean patterns and images. In the center of the booth, there is a paper with the words happiness, faith, hope, and dream written on it. To the left of this paper, there are a total of three lotus flowers, and to the right, there are four small dolls and paper-made artworks. On the right wall, there is text describing the artist who created the works.', 'This appears to be part of an exhibition. On the far left, traditional Korean kites are displayed. The kites are variously designed and come in different colors and patterns. On the right, there are some fans, traditional fans. And to the right of that, words like happiness, faith, hope, and dreams are written on traditional posters and paper. From what I can see, it looks like toys from the Joseon Dynasty or earlier times that children used to play with. There are many varied colors, and the shapes and decorations are really diverse. Additionally, there is a logo appearing in the exhibit.']
|
[True, True]
|
[nan, 'This shows traditional items from Korean culture']
|
The image captures a booth from an exhibition showcasing the works of a specific artist. The displayed artworks are notably influenced by traditional Korean patterns and images, illustrating a deep connection to Korean heritage. Prominently placed in the center of the booth is a piece of paper inscribed with uplifting words: "happiness," "faith," "hope," and "dream." These words juxtapose the visual artwork, contributing to a theme of positive aspiration. To the left of this central text, there are three elegant lotus flowers, symbolically significant in various Eastern cultures, including Korea, where they often represent purity and spiritual awakening. On the right side of the central paper, four small dolls and various paper-made artworks can be seen, each piece possibly reflecting the artist's interpretation of traditional aesthetics. Adjacent to the booth's right wall is a descriptive text that elaborates on the artist behind the displayed works, providing visitors with context and insight into their creative process and inspirations. The exhibition also features traditional Korean kites located on the far left side, exhibiting a range of designs, colors, and patterns that highlight the intricate craftsmanship associated with Korean kite-making. These kites often hold cultural significance, being used in celebrations and festivals. Further to the right, traditional Korean fans are on display, showcasing the unique artistry involved in their production. Next to the fans, there are more traditional posters and paper items displaying the same hopeful words: "happiness," "faith," "hope," and "dream." In addition, the exhibit includes toys reminiscent of those from the Joseon Dynasty or earlier, indicating a historical dimension to the display. These traditional toys, characterized by their vibrant colors and diverse shapes and decorations, evoke a sense of nostalgia for childhood play in historical Korean contexts. A logo representing the exhibit is present as well, adding a modern branding element to the otherwise historical and cultural focus of the display. This exhibition serves as a rich tapestry of traditional Korean culture, combining artistry, history, and themes of hope and positivity.
| 2,916 |
|
nonnative
|
['1kdenc9y1a1J']
|
['English']
|
[" In this image, it shows a woman sewing some clothes. It's a black and white photo. The woman is very focused looking. She is on the left side of the image looking right, or on the bottom where the sewing machine is working. She appears to be sewing some sort of tennis hat. Her left hand is holding the hat, or potentially it's going to be a jacket that she is holding. The sewing machine seems to be working, so she seems to be actively working. She is wearing some sort of dark looking clothing. She has dark looking hair. She seems to be very focused on the sewing part. Her left hand is in front, and her right hand is on the back, on the bottom of the clothing material. On the bottom right corner, you can see some Chinese characters, as well as just a bunch of characters on the right side of the screen. They are very small. On the bottom left right corner, it also says tdtoday.net. Tdtoday.net. thelood.net. Tdtoday. marked right corner of cápsin Servso2, right? Now they are very tight. StNER Kind of the tahuack of 의료, where you want to meet get rid of the table, and such some chrito of the Tahoe on the other side side. Last year is very short. We'll start to bend it and your deposits going in front. You're going to be able to lay youranni crowns. Suntos3, my feet must be wrapped in front of the final half soon. object from an erfahren size Took away. Its jaw Adrian contra Blinds will counted. Thomas 11515 Schrapp 273 p Page 1613 뉴스 The following Tерх"]
|
[False]
|
[nan]
|
In this black and white photograph, we see a woman deeply engaged in the process of sewing garments. She occupies the left side of the image and is facing towards the right, indicating her concentration on the task at hand. The sewing machine is prominently positioned at the bottom of the frame, actively functioning, which suggests that she is in the midst of her sewing work. The woman appears to be in the process of sewing what looks like a tennis hat; however, there is a possibility that it could be a piece of clothing such as a jacket, which she is holding in her left hand. Her attire consists of dark clothing, complementing her dark hair, which may add to the focused atmosphere of her work. Her body posture indicates that she is intentionally maneuvering the fabric, with her left hand positioned in front, gripping the material, while her right hand is situated at the back, supporting the fabric from underneath. This technique suggests a careful approach to ensuring that the clothing is sewn correctly. In the lower right corner of the image, there are small instances of Chinese characters, indicating cultural significance and possibly providing context about the origins of the sewing process or the content of the image. Additionally, there are inscriptions that reference the website tdtoday.net, along with other characters in that area, which might suggest an affiliation with a news or media outlet. The inclusion of certain phrases and characters seem to be slightly jumbled or unclear, possibly indicating that they are either misinterpreted text or may carry some internal codes or references that are not immediately apparent. This peculiarity adds a layer of complexity to the overall interpretation of the image and its elements. The photograph captures not just the act of sewing but also conveys a narrative of dedication and craftsmanship, highlighting the skills involved in creating garments, potentially connecting cultural threads through the reference points in the text present in the image.
| 2,024 |
|
native
|
['1NrX5sHlDZJb', '15zjloK9h8n0', '1n23ofcI9OmQ']
|
['Chinese', 'Chinese', 'Chinese']
|
["In this picture, there is also a male celebrity named Ruan Jingtian, who is a star from Taiwan, China. He is holding a dog, and they are both Chinese because Taiwan is part of China. They seem to be at a festive event, and behind them, there are several girls dressed very attractively, so they must be at a celebration or festival, which is why they are wearing such fancy clothes. I don't think this represents a cultural distinction because it doesn't showcase any specific regional culture or tradition. I find it interesting that my attention was drawn to the dog, which I think is quite unattractive. There isn't any text in the image, so we see this kind of bot, and we need to look at it. Let's take a moment for everyone to start observing.", "In this photo, there is a man in the middle holding a dog, and to his left, there is a woman smiling at the dog. On the right side of the photo, there is another man who seems to be walking by without smiling. The man in the middle is wearing a leather jacket, a gray t-shirt, gray pants, and black shoes. He has the dog leashed with a pink bag. The dog's fur is long, mostly light yellow, with some gray fur around the neck area. The woman on the left is wearing a gray outfit, and the man on the right is dressed in a black jacket and jeans. The background wall is white with some gray lines, and the woman appears to be coming out of a door, with the floor being gray. This photo looks like a professional shot because it is very clear and well-lit, so we say let's let him talk first.", 'The image depicts three people and a dog. On the far left is a girl wearing a gray tank top with black stripes on both sides and gray suit pants that match her top. In the middle is a man holding a very long pink dog leash attached to a small dog below. She is dressed in a black leather jacket, a light gray T-shirt, and dark gray pants. The dog she is holding has fur that is white with a golden tint and some black fur around its neck. On the far right, behind the two individuals, there is an older man passing by. He appears to be older and is wearing a light gray shirt underneath a dark jacket, light blue jeans, and yellow-brown shoes. The overall style of the image is very cheerful, with a warm brownish color palette that adds to the vibrant atmosphere.']
|
[False, False, False]
|
[nan, nan, nan]
|
In the first picture description, we can observe a male celebrity named Ruan Jingtian, who is known as a prominent star from Taiwan, China. He is seen holding a dog, and it is noted that both he and the dog are Chinese, emphasizing Taiwan's status as part of China. The setting appears to be a festive event, indicated by the presence of several girls in the background, who are dressed attractively, suggesting they are participating in a celebration or festival, as their fancy clothing aligns with such occasions. The speaker notes that there is no significant cultural distinction being represented in the image since it does not highlight any specific regional culture or tradition. Interestingly, the speaker mentions that their attention was unexpectedly drawn to the dog, which they find unattractive. The image does not contain any text, prompting the observer to take a moment to appreciate the visual elements presented. In the second photo description, there is a man positioned in the center of the image holding a dog. To his left, a woman is smiling at the dog, while another man on the right side of the photo appears to be walking by without a smile. The central man is dressed in a leather jacket over a gray t-shirt, complemented by gray pants and black shoes. He is holding onto a long pink leash attached to the small dog, which has light yellow fur with gray coloring around its neck. The woman on the left is attired in a gray outfit, whereas the man on the right sports a black jacket and jeans. The background features a white wall adorned with gray lines, and the woman seems to be exiting a door, with a gray floor underneath. The photo's quality suggests it is a professional shot, as it is clear and well-lit, inviting the viewer to engage with the scene before the man in the middle speaks. In the third image, three people and a dog are depicted. On the far left, there is a girl wearing a gray tank top with black stripes on both sides, paired with matching gray suit pants. The man in the center is holding a lengthy pink leash connected to a small dog at his feet. He is dressed in a black leather jacket, light gray t-shirt, and dark gray pants. The dog, which he is holding, has white fur with a golden tint and some black coloration around its neck. On the far right, an older man is passing by behind the two individuals; he appears mature and is wearing a light gray shirt under a dark jacket, light blue jeans, and yellow-brown shoes. The overall ambiance of the image is cheerful, supported by a warm brownish color palette that contributes to the vibrant atmosphere captured in the scene.
| 2,403 |
|
nonnative
|
['14JUdlrgQuML', '1kuju2sNlsAe', '15kddneBuzIM']
|
['English', 'English', 'Chinese']
|
[" At first glance, this image looks like it's at a restaurant or some kind of cafe where the person is ordering on a digital interface. It looks like they're at some sort of Chinese restaurant, possibly in China or other Asian country. I cannot make out the language since it is slightly blurry, but it looks like it is an Asian language. On the screen, there is the word cafe blurred out on the bottom of the kiosk. It looks like the user can order drinks from this very lovely moments and pay for it using this digital interface. Also appears there is some sort of receipt on the ground at the bottom of the photo. . Thank you.", " It's a vending machine that's selling drinks and on the vending machine there's pictures showing what kind of drink they can order. There's a full type of drink you can order from. And also on the right hand side of the pictures on the vending machine, it shows three large cup of drink including like it looks like lemon tea or milkshake with strawberries on it. And the vending machine is in the center of the pictures and the background looks like some sort of a shopping mall or in front of some sort of restaurant. And also in the vending machine pictures there's a Italian thread on it and underneath the Italian fact it shows very lovely moments so it's some sort of berry drink I guess. It's a vending machine so there's no people in the pictures. So it looks like you just pay and then you get the drink by itself. It's a little less comes in there. Thank You.", 'The screen looks like a payment device for purchasing items. It is a black box standing on the ground with a large rectangular screen displaying "Berry Lovely Moments." Below, it shows four types of berry-related drinks, along with a section for scanning some kind of barcode and options for payment methods like Apple Pay. The background has a table, and there’s a small receipt lying on the floor, suggesting this is a restaurant ordering device. Here, after making a payment, you might receive a ticket from a small slot on the right side, which you can then use to pick up your food at the counter behind it. There’s also a touchscreen with instructions written in Korean, indicating that this is likely in South Korea. The four drinks displayed are all berry-related, featuring strawberries, with cream below, and their prices are noted. There’s also an illustration of a berry to describe the drink as very sweet, conveying that there is nothing but the best.']
|
[True, True, False]
|
['Asian language', 'The Italian flag color on the vending machine', nan]
|
At first glance, the image in question appears to depict a vibrant restaurant or cafe setting in which a patron is placing an order via a modern digital interface. It seems likely that this establishment offers Chinese cuisine, and it may be located in China or potentially another Asian country. The text on the screen is somewhat unclear due to a slight blurriness; however, it suggests that the language used is one native to the Asian region. Notably, the word "cafe" can be discerned, albeit blurred, located at the bottom of the kiosk. The digital interface provides the convenience for users to order beverages, capturing a delightful moment in their dining experience. Additionally, there seems to be a receipt positioned on the floor beneath the kiosk, further indicating a recent transaction. In another image, there is a vending machine prominently featured, which specializes in selling beverages. This vending machine is adorned with various pictures that showcase the assortment of drinks available for purchase. To the right side of these images, three large cups are illustrated, one of which appears to contain lemon tea and another looks to be a strawberry milkshake. The vending machine is centrally located within the frame, with the surrounding backdrop resembling either a shopping mall or the exterior of a nearby restaurant. Among the images on the vending machine, there is a representation of the Italian flag, displaying its characteristic colors of green, white, and red. Below this depiction, the text "Very Lovely Moments" suggests a berry-flavored drink likely associated with those flavors. The context of the vending machine indicates a self-service setup, devoid of patrons in the photograph, which may imply that the process involves a straightforward payment method, allowing customers to retrieve their drinks independently. Furthermore, a third perspective reveals a payment device used for acquiring products. This black box stands on the ground, showcasing a large rectangular screen with the title "Berry Lovely Moments" prominently displayed. Below this title, it highlights four distinct types of drinks all related to berries, accompanied by a feature for scanning a barcode and various payment options, including Apple Pay. In the background, a table is visible, with a small receipt resting on the floor, suggesting that this device is associated with a restaurant's ordering system. After completing the payment, patrons can expect to receive a ticket through a small slot located on the right side of the device, which they can then present to a counter for food pickup. This particular screen also features a touchscreen interface with instructions written in Korean, indicating that this setting is likely situated in South Korea. The drinks on display are predominantly berry-themed, showcasing strawberries alongside cream, while their prices are clearly listed, with an illustrative berry symbol suggesting the drinks are exceptionally sweet and of high quality.
| 993 |
|
native
|
['12vplUzow6Ak']
|
['Urdu']
|
['This image is taken inside a mosque. In this picture, seven men are visible: three men are standing, three men are sitting, and one man is in prostration. All of them are on a red-colored floor, both standing and sitting. The timings for prayers are written on the walls of the mosque. There are two pictures hanging on the wall; the picture on the right is of the Kaaba in Mecca, and the picture on the left is of the mosque in Medina.']
|
[True]
|
['This is the inside of a mosque, and the men in this picture are dressed traditionally.']
|
This image captures an interior view of a mosque, showcasing a serene atmosphere typically associated with these places of worship. Within the frame, a total of seven men are present, contributing to a dynamic depiction of communal prayer. Among these individuals, three men are standing upright, while three are seated on the red-colored flooring, which is characteristic of many mosques, providing a comfortable space for worshipers. In a noteworthy display of devotion, one man is engaged in the act of prostration, illustrating a key element of Islamic prayer known as Salah, where practitioners physically express submission to God. The walls of the mosque play a significant role in this scene, adorned with inscriptions that indicate the timings for the five daily prayers, which are crucial for practicing Muslims to adhere to. These timings help facilitate the organization of communal prayers and personal reflection. Additionally, two framed images are visible on the wall behind the men. The picture situated on the right showcases the Kaaba, a cubic structure located in the courtyard of the Masjid al-Haram in Mecca, Saudi Arabia, which is the most sacred site in Islam. Muslims around the world face the Kaaba during their prayers and aspire to undertake the pilgrimage to it, known as Hajj, at least once in their lifetime if they are able. On the left side, the image features the mosque in Medina, specifically the Prophet's Mosque, which holds significant importance as it is the resting place of the Prophet Muhammad. Both sites represent major religious and cultural landmarks for Muslims and are deeply revered. The men in this image are dressed in traditional Islamic attire, which signifies their adherence to cultural customs as well as religious practices. The traditional clothing often includes items such as thobes or kurtas, which are long robes, and sometimes head coverings such as kufis or turbans, symbolizing modesty and respect while in a place of worship. Overall, this scene encapsulates the vibrant community aspect of Islamic worship and the respect for sacred spaces and rituals that are inherent to the faith.
| 1,490 |
|
nonnative
|
['17JhS4TIUPQ0', '1dpYfFJUDKkC', '1mGIN4rataiS']
|
['English', 'Korean', 'Chinese']
|
[" The image is of a table with so many bottles and glass of cuffs on it. It's a black table, and it's very sophisticated. There's a little tall wine bottle, two of them are green. There's a plastic thick bottle of something in the back of the table. There's a brown bottle and an intervening clear wine glass that rolls a glass of space. On the back left there's a pot out of the blind. And on the very back there's a window that's lighting lighting. There's a red light curtain to the right window. A second window, and it appears to be another building of some sorts. The room itself is a little dark, but the light from the window illuminates the city. There's also some plates and papers. It's also some plastic. It's also a new skin and a new table. It's a little bit of a color. It is chalked up a bell. I'm trying to draw dirty games softly. And really, if you want to get a little ceramic, the work you have in your position. I'm trying to draw a little beet? I'm trying to draw inventory at Stan Lee Mon기를.", 'This image shows a table placed by the window, creating a scene where various items are both cluttered and carefully arranged, evoking the atmosphere of a recently concluded or momentarily paused gathering. The first noticeable features are the multiple wine bottles, glasses, and various objects on the table. Prominently in the middle left, there are two tall green bottles, likely containing wine or sparkling water. There are also four wine glasses placed around the table. In the center, there is a small fondue pot or a similar serving piece, surrounded by plates, cutlery, and a dark-colored remote control. To the right, a white bottle labeled "Marinole" is positioned near the window, reflecting some natural light. In the background, through a lightly netted bright window, a brick building can be seen outside. On the left, there is a tall potted plant with lantern-like green leaves, adding a natural element to the scene. Thank you. Thank you. Thank you.', 'This is a photo taken next to a window in a room. In the picture, you can see the window, half of which is covered by a red curtain. Outside the window, you can see a building across the way, which has a surface made of red wall bricks, with white separation lines between the floors. Inside the window, we can see sunlight streaming in, and in front of the window, there is a flowerpot with plants in it. In front of the window, there is a table with a few drinking glasses on it; among them, there are three red wine stem glasses. You can also see two opened wine bottles on the table, along with some plates and utensils. To the right of the table, there is a bottle of white liquid with some English letters visible, including the letters AINOL on the surface of this white liquid bottle. There is also a brown bottle with its lid off, which is empty inside, possibly a soft drink bottle.']
|
[False, False, False]
|
[nan, nan, nan]
|
The image features a sophisticated black table adorned with an assortment of bottles and glasses, creating a visually engaging scene. The table is positioned near a window, which allows natural light to filter into the room. At the forefront of the arrangement, two tall green bottles are prominently displayed, likely containing either wine or sparkling water. Surrounding these bottles, there are four elegantly curved wine glasses, a classic addition to the table setting. In the center of the table, there is a small fondue pot or a similar serving vessel, suggesting that the table may have been prepared for a casual gathering or celebration. This pot is encircled by various plates and cutlery, indicative of a dining experience that has taken place or is about to occur. A dark-colored remote control can also be spotted among the items, further contributing to the setting's domestic feel. To the right side of the table, a striking white bottle labeled "Marinole" is positioned near the window, benefiting from the natural light pouring in. The background is artistically framed by a lightly netted window, through which a brick building can be glimpsed. This exterior structure is characterized by red bricks and white separation lines that delineate the floors, providing an interesting urban backdrop. On the left side of the image, a tall potted plant with lush, lantern-like green leaves introduces a touch of nature into the scene, softening the overall ambiance. Additionally, in front of the window, there is a flowerpot containing plants, further emphasizing the theme of nature and life within the indoor setting. Among the drinking glasses on the table, three red wine stem glasses are prominent, elegantly arranged alongside two opened wine bottles, signaling an invitation to enjoy fine drinks. The presence of plates and utensils suggests preparations for a meal or snack. To the right, a bottle of white liquid showcases some visible English letters that include "AINOL," hinting at its identity and enhancing the scene's detail. A brown bottle can also be seen, its lid off and empty, which might have previously contained a soft drink, indicating that the gathering was likely informal and enjoyable. Overall, the composition of the table is a blend of clutter and careful arrangement, capturing the essence of a recently concluded gathering or a brief moment of pause, inviting viewers to envision the conversations and experiences that may have unfolded in this intimate setting.
| 1,921 |
|
native
|
['1m36wJA9PzgN', '17FNnivOwPaJ']
|
['Chinese', 'Chinese']
|
['At first glance, the image looks like two bedsheets laid outside a dorm building, with some words written on them. The main idea is that the bedsheets say, "We won\'t watch you shower anymore," and "Don\'t take anything from the freshmen." It feels very much like something some boys or quirky students in college would do, putting their sign outside. The specific placement is that the words are written on sheets positioned on the left and right. A subtle detail is that this should be a window of a dormitory, and you can even see some clothes hanging inside. The background appears to be a wall, which feels like the wall of a dorm. The style is quite strange; how should I say it, it looks like a candid photo taken on campus. The color scheme is primarily red and white for the wall, along with the yellow bedsheets. This place seems like a prime example of where students might express themselves. Regardless of whether you consider brands like QC, these students have taken their time to express themselves in such a manner. It sounds like they could be discussing something related to relaxation or lifestyle among friends in a candid or humorous way.', 'The first time seeing this photo, you can see a brick building with two banners on top. There are many words written on the banners, too many to count. Then, there are a lot of windows, but the main focus is on the two banners, which also have some Chinese characters written in black. On the right side of the right banner, there is an open window with the text saying, "We will no longer watch you shower." The right side banner is somewhat unclear, but it should say something along the lines of "do not take away," followed by an arrow. There’s also a circle with the words "junior sister" inside it. In terms of the overall position in the photo, it is slightly to the left of the center, with a large brick wall separating the two banners. On the left and right sides, there is one banner each. The background is not that clear, but it could possibly be a bathroom, considering the context of "no longer watching you shower." The overall style leans towards realism, and the colors tend to be somewhat darker.']
|
[True, False]
|
['中文', nan]
|
At first glance, the image presents an interesting scene that resembles two bedsheets hung outside a dormitory building, featuring various phrases written upon them. The primary messages displayed on the bedsheets read, "We won't watch you shower anymore," and "Don't take anything from the freshmen." This playful sentiment evokes the quirky and often lighthearted nature of college students, suggesting that the sign could be an act of humor or camaraderie among friends. The bedsheets are positioned on the left and right sides of the frame, while the context indicates that this image was captured from near a window of a dormitory, where clothes can be seen hanging inside, adding a domestic touch to the scene. The background appears to be a brick wall, taking on the characteristics typical of a university environment. The visual aesthetic can be described as candid, resembling a spontaneous snapshot taken on campus. The color scheme features prominent hues of red and white for the wall, contrasting with the yellow bedsheets, thereby enhancing the vibrancy of the image. This setting can be interpreted as a canvas for student expression, serving as a space where individuals creatively share experiences and sentiments related to college life, relaxation, or lifestyle themes among peers in a humorous or candid manner. Upon a closer examination of the next photograph, one observes a brick building adorned with two prominent banners that dominate the composition. The banners are filled with numerous words, including Chinese characters written in bold black ink, adding a distinctive cultural element. The primary focus remains on the right banner, which features the message "We will no longer watch you shower," again echoing the theme of personal privacy and consent among students. The adjacent banner seems to convey a warning or guideline, likely stating something along the lines of "do not take away," complete with an arrow pointing in a specific direction. Additionally, within the design of the right-side banner, there is a circular emblem labeled "junior sister," which could reference a cultural relationship common in certain educational contexts, often signifying a mentorship or designation among students. The overall positioning of the banners places them slightly left of the center of the photograph, with the solid brick wall acting as a divider between them. The background remains somewhat ambiguous but hints at the possibility of a bathroom setting, especially considering the context that is implied by the notes regarding privacy. Visual style in this photograph leans significantly towards realism, with the overall palette being comparatively subdued or darker in tone, which contrasts the more vibrant colors noted in the first image. Together, these interpretations of college life reflect on themes of social interactions, privacy, and the playful nature of student communities, encapsulating a moment in time that showcases their unique humorous approach to everyday activities.
| 2,661 |
|
native
|
['15GnIcy7hJFO']
|
['Korean']
|
['This image is the official logo of KakaoTalk, the representative messenger application of South Korea. The background is bright yellow, and in the center, there is a black speech bubble with the word "Chin" written in bold, round yellow letters inside it. The design of the speech bubble symbolizes messaging and communication, and it is composed to be easily recognizable through a simple yet striking color contrast. Since its launch in 2010, KakaoTalk has become the most widely used mobile messenger in South Korea. It offers features such as one-on-one and group chat, voice and video calls, various emoticons, and KakaoPay, making it an essential communication tool in daily life and work. This logo is an important element representing KakaoTalk\'s brand identity and is used as an icon symbolizing the service in South Korea and several other countries. Thank you. Thank you.']
|
[True]
|
["This is South Korea's most widely used messaging app."]
|
This image features the official logo of KakaoTalk, which is recognized as the leading messenger application in South Korea. The logo is designed with a bright yellow background that draws attention immediately. At the center of this vibrant background, there is a distinctive black speech bubble. Within this speech bubble, the word "Chin" is prominently displayed in bold, round letters that are rendered in yellow, creating a striking contrast against the black of the bubble. The design choice of using a speech bubble cleverly symbolizes messaging and communication, making it an easily identifiable graphic. Since its inception in 2010, KakaoTalk has rapidly ascended to become the most popular mobile messaging application in South Korea. It serves a variety of functions that include enabling one-on-one chats as well as group conversations. Users can also engage in voice and video calls, utilize a wide array of emoticons for expression, and manage financial transactions through KakaoPay. These features establish KakaoTalk as an indispensable tool for communication in both personal and professional realms of daily life. The logo itself plays a crucial role in representing KakaoTalk's brand identity. It is not just a graphic; it serves as an icon that symbolizes the messaging service not only within South Korea but also in several other countries. This logo is emblematic of the cultural environment in which it operates, highlighting the importance of digital communication in contemporary lifestyles. Thank you. Thank you.
| 1,084 |
|
nonnative
|
['1nrRRV17YRCS', '1cXhme1dJkCn', '131KvR3wdaQ6']
|
['English', 'Chinese', 'English']
|
[' The image shows a rickshaw in the foreground. This is a type of vehicle used to transport people and their belongings in rural areas. This particular vehicle looks like it can seat four passengers, with two passengers facing the front and two passengers facing the back. The vehicle has bright green paint on the bottom outside of the vehicle, red bars connecting the seat of the vehicle to the hood, black vinyl seats and black backrest with red trim. The rear bar has green paint at the bottom of the bar. The hood of the vehicle is a darker green. There is a tire at the rear of the vehicle fixed to the backrest. There is a man standing next to this vehicle touching the armrest. He is wearing a navy hoodie with yellow trim. The vehicle is fixed to another vehicle to its front. The front vehicle has a white covering at its rear that reads cream bell. There is other text that is not visible as well as text in another language. In the background, there are other similar vehicles and machinery. The setting of the image is a sandy dirt road with trees in the background. The size of the vehicle is many Accident\\', "This is a picture of a car that appears to be quite old. It is an open-top vehicle designed for passengers to sit facing each other. This type of car resembles the kind of transportation we often see in movies or shows, particularly those featuring animals, and is likely used for tourist purposes. In the front, we can see the driver's seat, and in the picture, the same person is sitting there, but currently the vehicle is completely stopped, so I'm not sure if he is the owner of this car. The car itself is green, and the other parked vehicle next to it has some text on it that I cannot decipher. However, this leads me to think it might be similar to what we often see in South Asia or Southeast Asia. It's a setting that frequently appears in movies or TV dramas and gives off a relaxing vibe.", " So I first learned a rather shoddy vehicle and there is a person to the right of the vehicle who's wearing a hoodie and the color the there's a the car looks rather downtrodden it looks like there's a lot of wear and tear on it but it is rather colorful it has a green bottom and it also has a kind of turquoise top and some of the bars inside the car are are red there's a spare tire on the back of the car in the background there also seems to be some other similar cars or trucks and the ground is kind of like sand or gravel and the car is not in motion it's easy parked and there is a person who is standing next to it"]
|
[False, True, False]
|
[nan, nan, nan]
|
The image prominently features a rickshaw located in the foreground. A rickshaw is a lightweight vehicle often used for transporting people and their belongings, particularly in rural areas of South Asia and parts of Southeast Asia. In this instance, the rickshaw has the capacity to seat four passengers; two of these seats are oriented to face forward while the other two face backward. The vehicle itself is adorned with bright green paint on its exterior's lower section, complemented by red bars that connect the seating area to the hood. The seats are made of black vinyl, with matching black backrests that have red trim for an added decorative effect. Notably, the rear bar of the vehicle is also painted green at its base, while the hood is finished in a darker shade of green. A spare tire is affixed to the backrest, ensuring that the rickshaw is ready for any unforeseen circumstances during travel. Beside the rickshaw stands a man who is seen touching the armrest; he is attired in a navy hoodie highlighted with yellow trim. The rickshaw is physically connected to another vehicle at its front, which is characterized by a white covering on its rear that displays the text “cream bell.” Other text on this vehicle remains illegible, and there are indications of text in a different language as well. This setting is dynamic, as it features multiple similar vehicles and machinery visible in the background. The overall environment depicts a sandy dirt road framed by the silhouette of trees in the distance, suggesting a rural or less-developed area. In a separate observation, there is an image of an old car, which appears to be an open-top model designed for group seating, where passengers sit facing one another. This type of car is commonly associated with tourist experiences, often depicted in films or television shows, particularly those showcasing animal rides or scenic views. The car’s color is primarily green, adding a vintage charm, while another parked vehicle nearby carries some indistinguishable text, even possibly connected to South Asian or Southeast Asian cultural contexts. In this scene, the driver’s seat is visible at the front of the car, occupied at the moment by an individual. The car is stationary, raising questions about whether this person is indeed the owner. The surroundings encapsulate the relaxed, leisurely vibe typical of tourist destinations. The car exhibits visible signs of wear and tear but remains colorful with a green bottom and a turquoise top. The interior features red bars, contributing to its vibrant aesthetic. A spare tire is also noticeable at the back of this vehicle. In the background, other similar forms of transportation such as cars or trucks can be spotted, set against a ground surface resembling sand or gravel, reinforcing the idea that this vehicle is parked and not in motion.
| 83 |
|
nonnative
|
['1dD0xaPuMtyF', '1aQOfZGrFqEY', '1nBlpqNhieaD']
|
['English', 'Chinese', 'Vietnamese']
|
[" The image captures a warm and lively kitchen scene with multiple people engaged in food preparation and family interaction. At the forefront, a woman on the left is working at a counter, rolling or shaping dough with her apron hinting at the busyness of baking. At the center of the frame, another woman wearing a colorful apron is focused on preparing a dish on a wooden kitchen cart, surrounded by bowls and other utensils, emphasizing the productivity and creativity of the space. On the right, a third woman stands holding a young child who looks curious and observant. They are near a table filled with baking trays and cooking pots, suggesting that several dishes are being made simultaneously. The kitchen is filled with homey and personal touches from the refrigerator adorned with family photos and magnets to the shelves stocked with baking supplies and everyday kitchen essentials. A whiteboard with handwritten schedule or notes hangs on the wall reflecting the organized chaos of a bustling household. The warm natural light streaming through the windows adds a cozy and inviting atmosphere while the wooden floors and cabinetry contribute to the rustic charm of the space. The image is rich in details that tell a story of family life, teamwork and the joy of cooking together, capturing a moment of connection and productivity in a shared environment. The overall mood is vibrant and heartwarming, offering a glimpse into the everyday household and comfort of a busy kitchen. The image is great to attend, and I don't even know the urban Allesن Regular備 by growing of a-cpern Golden supplement overnight Newton's type ofGRAMK14 and exploring the new Japanese subsequent cook Like It worked really well! City of Melody flexible Forms It's the restored home age, the mic behind snowboards and walking on the other feet, it's just a big sun- Leaving the Pump, Moon with a Hu robot transform andterminen量 The今天 же Now make the last week once and then move into the photo photoitten. Of course,, God Jah insbesondere, you know, the idea of the calling of America with Holyratos continue to open the automobile przepshopJ 우리 of Mark burgSE? I'm looking up to enter the pention that 89 degrees of America. It's nice to be like Jersey of national gravity. As you see, these people know, the house were both cach-based Olites.", 'This is a photo taken in a kitchen featuring three women. The woman on the far right is holding a child who appears to be about one to two years old. She is wearing a green apron and is looking at another woman. The woman in the center of the picture is wearing a patterned apron and is preparing some food. In front of her is a three-tiered shelf where the dish she is preparing sits next to a bowl with a redpattern. On the second tier of the shelf, there are some stacked bowls and a glass square food container. On the bottom tier, there are also some bowls or pots visible. To her left, in front of her, is another woman holding dough as she is also making food. In the background of the photo, there is a window allowing sunlight to pour in, and next to the window is a door. Beside the door, there is a black refrigerator with some pictures attached to its door, likely family photos. On top of the refrigerator, there is a heap of miscellaneous items, and to the right of the fridge is a shelf with various items, including a coffee maker. On the wall, there are more assorted items.', 'The image depicts a kitchen with three women cooking and a young boy around one to three years old. On the left side of the picture, there is a woman wearing a blue shirt with white flowers; she is wearing glasses and appears to be over forty years old, and she is making a stuffed pastry. In the center, another woman is wearing a multicolored apron and preparing a dish on a small table in the kitchen. The third woman stands to the right of the picture, wearing a blue apron. In the background, there is a black refrigerator with several small photos taped to the top.']
|
[True, False, False]
|
[nan, nan, nan]
|
The image captures a warm and lively kitchen scene filled with the energy of cooking and family interaction. In the foreground, a woman positioned on the left side of the frame is diligently working at a countertop, rolling or shaping dough, which indicates her involvement in the baking process. Her apron suggests the busyness and enthusiasm typical of preparing baked goods. Centrally placed in the scene, another woman, dressed in a colorful apron, appears deeply focused on preparing a dish at a wooden kitchen cart. This cart, surrounded by various bowls and kitchen utensils, underscores the productivity and creativity prevalent in the space. On the right side of the image, a third woman is holding a young child, who looks around with a sense of curiosity and wonder, highlighting a familial bond and the joy of shared experiences. Nearby, a table brimming with baking trays and cooking pots indicates that multiple dishes are being crafted simultaneously. The kitchen itself is characterized by personal and homey touches. The refrigerator is adorned with family photos and magnets, emphasizing a sense of connection and nostalgia. Shelves are stocked with baking supplies and everyday kitchen essentials, showcasing the functional aspects of the space. A whiteboard hangs on the wall, covered in handwritten notes or schedules, reflecting the organized chaos often found in bustling households. Natural light pours in through nearby windows, filling the kitchen with warmth and creating a cozy, inviting atmosphere. The rustic charm is further enhanced by wooden floors and cabinetry that evoke a sense of home. The image is filled with details that tell a rich story of family life, depicting moments of teamwork and the sheer joy of cooking together. It captures a snapshot of productivity and connection within a shared environment. The overall mood resonates with vibrancy and heartwarming sentiments, portraying the everyday comfort of a lively kitchen during meal preparation. Additionally, there are scattered elements throughout the kitchen that tell more about the family's life, such as a coffee maker on a nearby shelf and miscellaneous items atop the refrigerator, inferring a lived-in space where family life flourishes amidst culinary creativity. This particular moment in the kitchen reveals several individuals, including a woman on the far right holding a young child, who looks to be about one to two years old. She wears a green apron and interacts with another woman who appears to be focused on her cooking tasks. The central woman, adorned in a patterned apron, is actively preparing food on a small, three-tiered shelf where an array of dishes and utensils are neatly positioned. In particular, on the top tier of the shelf, there are stacked bowls next to a beautifully patterned bowl, while the lower tiers hold other culinary tools or ingredients. To the left of this woman is another individual who is handling dough, demonstrating their shared commitment to food preparation. Light streams through the window in the background, enhancing the warmth of the space, while a door lies adjacent to the window. The black refrigerator is a focal point of the kitchen, displaying small family photographs that add to feeling of home. The photograph is rich in context, featuring assorted items and giving viewers insight into the daily life of this vibrant family kitchen.
| 1,893 |
|
nonnative
|
['14ED1zolgQKd', '1jjOiv7MRkxr', '1i9lSpGoFUm9']
|
['Chinese', 'English', 'Vietnamese']
|
["At first glance, this photo appears to be taken in someone's home. The overall color tone of the house leans toward warmth, and there are numerous items, but the main focus is on a loveseat. This loveseat is roughly a two-seater, adorned with two red pillows placed at the far left and far right ends. The red pillows have white patterns that resemble blooming flowers. Below the loveseat is a wooden floor that is orange in color, without a rug. To the left of the loveseat is a small coffee table, which holds a relatively large white lamp. The coffee table has a black frame and a white tabletop. In the background, there seems to be a kitchen area with a red table that could be a dining table and a wooden shelf, along with several colorful pictures hanging on the wall, rich in details. These details are found in the artwork, and there are also some items scattered about in a somewhat chaotic manner. The overall style feels cozy and warm, with touches of sophistication.", " So this image seems like a typical living room or something along those lines. Probably an open floor concept with, you can see the kitchen in the back as well. There are a couple of objects. There's one sofa. There is one lamp. There are a couple, maybe four paintings hung up on the walls. There are two throw pillows on the sofa. As well as numerous kitchen appliances in the background. I don't think there is any text in the picture as far as I'm aware. So the living room objects are in the foreground. The couch specifically is up front. Followed by the walls are in the background with the portraits being in the background. As well as the kitchen being in the background. Some subtle details being noticeable. So there's a laptop that I missed. There's a table or some sort of washing board in between the kitchen and the living room that has a laptop on it. My guess is that it's just a table. There's also some candles down in this. It looks like a number of candles. It could be for a religious thing. I'm not sure. In the background, there's the kitchen. And then the style and color is relatively muted. It's not that sort of dimly lit. Except the light on the left-hand side. But otherwise, it seems like a pretty normal house. You can see the inside. Everything looks good. You down the left. Everything looks good. So can I see this one so that I'mosc<|hr|>", 'In a transcription about an apartment, the photographer stands in the living room. In the picture, there is a silver sofa in the center. On this silver sofa, there are two red cushions and a white flower. To the left of the sofa is a small table, and on this small table, there is a lamp that is on. Behind the sofa is a large table, which has four candles and a laptop on it. In the distance, behind this table, is the kitchen, which has a window, and light is shining through this window, suggesting that the photo was taken in the morning. On the walls of this apartment, there are many framed pictures hanging.']
|
[False, True, False]
|
[nan, 'Candles in the background table could be a Menorah of a Judaic tradition or perhaps some other traditional item.', nan]
|
At first glance, the photograph appears to depict a warmly colored interior, likely within a residential setting. The dominant feature is a two-seater loveseat, which is visually prominent in the image. This loveseat is adorned with two red throw pillows, positioned at either end, which feature white patterns that resemble blooming flowers, adding a decorative touch. The flooring beneath the loveseat is a warm orange wooden surface, devoid of any rugs, which contributes to the cozy atmosphere of the room. To the left of the loveseat, there is a small coffee table with distinct design elements: it has a black frame and a white tabletop, providing a contemporary contrast to the warmth of the floor and sofa. Resting atop this coffee table is a fairly large white lamp, contributing to the room's illumination. In the background, there is evidence of a kitchen area characterized by a red dining table and a wooden shelf adorned with various items. The walls are lively with colorful artwork, showcasing several paintings that hint at a blend of artistic styles. These artworks are accompanied by a somewhat chaotic scattering of various objects that lend a lived-in feel to the space, enhancing the overall cozy and sophisticated ambiance. The setting functions harmoniously, suggesting an open floor plan typical of modern residences, where the kitchen can be observed beyond the living room. A number of kitchen appliances are also visible, reinforcing the domestic environment. Notably, intricate details emerge—including a laptop placed on a table or washing board positioned between the kitchen and living room, indicating potential utility as a makeshift workspace. In addition to these details, the elements in the room contribute to a narrative of everyday life. A collection of candles is situated on the large table behind the sofa, with a possibility that these candles could symbolize a religious tradition, such as a Menorah from Judaic customs. The kitchen at the back features a window allowing natural light to pour in, suggesting that the moment captured in the photo occurs during the morning hours, adding to the brightness and welcoming feel of the apartment. The overall color palette remains muted and warm, with the noteworthy exception of the lamp on the left-hand side providing additional illumination to the scene.
| 1,785 |
|
nonnative
|
['1gDT9FdONrCs']
|
['English']
|
[' This image shows a group of lit lanterns in various different colors, red, white, blue, green, yellow, etc., hanging in a haphazard pattern. They are not in clear and distinct lines, although they are in general layers, the placement of lanterns is quite haphazard. All lanterns appear to be created out of some sort of metal or plastic bendable material. There is no text in the image, although there do appear to be illustrations on several of the lanterns. Subtle details include the little candlelight and ring of light created by each lantern. The style appears to be very rustic and nostalgic, with the many lanterns inducing nostalgia among viewers of the image. Colors are very bright, saturated, and varied throughout the different sections of the image.\\']
|
[False]
|
[nan]
|
The image captures a vibrant display of lanterns, each radiating warmth and charm in a multitude of colors, including red, white, blue, green, and yellow. The lanterns are suspended in a seemingly random yet captivating arrangement, creating an enchanting visual effect. They are grouped into layers, but the overall layout lacks strict organization, contributing to a whimsical aesthetic. Crafted from a material that resembles either metal or a flexible type of plastic, each lantern exhibits a durable design, potentially allowing for both indoor and outdoor use. Notably, the absence of text on the lanterns allows their colorful designs and vibrant illustrations to take center stage, drawing viewers in with their artistic appeal. Adding to the visual intrigue, each lantern houses a small source of candlelight, casting a gentle glow and creating a soft ring of light around it. This illumination not only enhances the overall ambiance but also invokes feelings of warmth and nostalgia, reminiscent of cozy evenings spent under twinkling lights. The rustic style of the lanterns further amplifies this nostalgic quality, evoking memories of simpler times and festive gatherings. The colors are strikingly bright and saturated, varying throughout the display, and their interplay enhances the joyful and celebratory mood of the scene.
| 2,159 |
|
nonnative
|
['19zoGe96QWyq', '1coI6IyPfC5T', '1e1Wvi9oCTJk']
|
['English', 'Chinese', 'Chinese']
|
[" The picture is of a man whose arms are around a pole, and he's holding sticks of something in his hand. The man has really long hair, and he's in a forest of some sort. The pole seems to maybe be a long, skinny tree, and the forest behind him seems natural and more of something in the wild. We can see a lot of tall trees, but we can also see some plants in the background as well. The man has two sticks in his hands. There seems to be a rhombus at the bottom of one of them, which is hard to discern. One of the sticks seems to be much thicker than the other, and seems to be much longer as well, so perhaps a thin pole of sorts. In the background, we can see a lot of grass or leaves at the bottom. Some of the leaves seem to be old, so a lot of the grass is green, but not all of it. And we can see that some of the tree trunks in the background are a white, ashy color as well. So, one of the trees could be light on theitol chain. There is a Sabbath tool, living in a fence. The square cyst that we're the tangled house of in the succession, is the dirt priest andобр hj Aic�", 'In this picture, I see that the background is a forest, and above that forest is, um, presumably the parent of the forest. The background seems to be a very green one. In the foreground, there is a man wearing only a pair of briefs; apart from that, he is completely nude. He has a very strong presence, um, and his face is pixelated. It looks like he is holding some kind of tool, giving the impression of a primitive tribe person. However, it is difficult to identify exactly where he is from, um, the ethnicity, but he appears to have relatively long hair and dark skin.', 'This photo shows a person engaging in wilderness survival in a primitive forest. He is holding two wooden sticks and cradling a thicker branch, possibly thinking about how to build a temporary shelter. The branch he is holding may soon be used as a foundation or for protection, while he is considering using the smaller sticks for support or to make connections. It seems that this individual is not carrying many modern tools and is not wearing much clothing, just a simple pair of underwear, which allows for a closer representation of the true situation of primitive wilderness survival.']
|
[False, False, False]
|
[nan, nan, nan]
|
The picture depicts a man whose arms are wrapped around a slender pole, and he is clutching two sticks in his hands. This individual possesses notably long hair and is situated in a forest environment. The pole appears to be a long, thin tree, with a richly natural backdrop indicative of a wild forest landscape. Tall trees dominate the background, and various plants enhance the visual complexity of the scene. At the base of the man's sticks, a rhombus shape can be discerned, though its exact nature is somewhat ambiguous. Of the two sticks, one is notably thicker and longer, resembling a pole; this could suggest its potential use for construction or support. The ground is dotted with grass and leaves, some of which are aged, contrasting with the vibrant green of the newer growth. In addition, several tree trunks in the background are characterized by a white, ashy coloration, perhaps indicating a specific tree species or a natural characteristic of the area. In another perspective of the same scene, the background continues to reflect the essence of a thriving forest, primarily painted in green hues. The man is depicted wearing only a minimal pair of briefs, thus leaving the majority of his body exposed. His strong physical presence is noticeable, although his facial features are obscured by pixelation, which conceals his identity. The man appears to be wielding a primitive tool or stick, suggesting a connection to traditional practices or a possible heritage resembling that of indigenous tribes. While the exact ethnicity of the man is challenging to determine, he possesses long hair and darker skin tones, contributing to the portrayal of a primitive lifestyle. The photograph captures a scenario of wilderness survival, placing the individual in a remote forest setting. He stands with two wooden sticks in hand while cradling a thicker branch, seemingly contemplating the construction of a temporary shelter. The larger branch may serve as a foundational element or a protective barrier, while the smaller sticks might be intended for support or joining structural components. The attire of just a simple pair of underwear highlights the authenticity of primitive wilderness survival, suggesting a rejection of modern tools and an immersion into the natural environment, aligning with the concept of self-sufficiency in the wild.
| 1,305 |
|
native
|
['19j3s9f2Ct2Z']
|
['Tamil']
|
['It looks like an Indian street scene. There\'s a Suzuki car that looks half damaged. Behind it, a bullock cart is moving along slowly. There\'s a bull in that cart, well-painted in a nice shade of red. Then, someone is riding a bicycle, and there are many shops around. One shop has a sign that says "MM" written in Hindi, which makes me think that I won\'t be able to read it. It\'s just a sign with a name on it. Behind it, I think there\'s a blue Maruti, and there seem to be electrical wires going by. There\'s also some kind of advertisement and a board for this place. I can\'t see what\'s inside the bullock cart, but the bull is nicely adorned, wearing a beautiful decorative cloth around its head. The bullock cart looks quite traditional, and inside it, they seem to have stored goods. The cart is fully covered, so I can\'t see what\'s inside clearly.']
|
[True]
|
['cattle used to transport vehicles, cycle, suzuki, hindi letters']
|
The scene depicted is a vibrant and bustling street scene that is characteristic of many towns and cities in India. At the forefront, there is a Suzuki car that appears partially damaged, suggesting it may have been in a minor accident or simply weather-worn from constant use. This car, emblematic of popular urban transportation in India, is often seen on the roads due to its affordability and efficiency. Right behind the Suzuki, a traditional bullock cart is moving at a leisurely pace. The bullock cart is a common sight in many rural and semi-urban areas of India, highlighting the use of cattle for transportation, especially in regions where mechanized transport is less prevalent. This cart houses a well-decorated bull that is painted in a bright and attractive shade of red. The use of paint on the bull is part of a cultural tradition where livestock are adorned for festivals and events, showcasing the bond between the animal and its owner. In the background, a person is riding a bicycle, which is another prevalent mode of transport in Indian streets, particularly in less congested areas. The presence of various shops around indicates a lively marketplace, a hallmark of Indian street life. One shop stands out with a sign that reads "MM" in Hindi. This script may be challenging for non-Hindi speakers to decipher, but it reflects the local language and culture, suggesting the business's identity is rooted in the community. Additionally, there appears to be a blue Maruti car parked further back, another common sight, reinforcing the varied means of transportation in the area. The streets are also filled with electrical wires that crisscross overhead, indicative of urban infrastructure and the complexities of modern Indian city life. Alongside the cart, there is an advertisement board, though the details are not visible in this scene. This could be promoting local goods or services, a common practice that adds to the overall visual din of Indian marketplaces. Inside the bullock cart, while the specific contents are obscured due to the cart being fully covered, it is implied that it carries stored goods, typical for such carts which often transport agricultural products or local commodities. The décor on the bull, particularly the beautiful decorative cloth it wears around its head, adds an aesthetic element to the scene, emphasizing the cultural practice of adorning animals not just for functionality, but also for visual appeal. The traditional aspects of the bullock cart, along with the modern vehicles and contemporary signs, create a fascinating juxtaposition that is emblematic of modern India, where old traditions coexist alongside contemporary life.
| 1,464 |
|
nonnative
|
['1dB5ryaiPShE']
|
['English']
|
[" This looks like a drawing or an animated image where there are two characters on the right and it's their wedding. They are kissing each other. It's a couple, a woman and a man, but they look more like a girl and a boy. And there's a cake behind them, a beautiful, very, very tall cake. The woman is wearing a white dress with a pink ribbon and a pink detail on her hair that looks like flowers. And there is a very, very long veil that stems from her hair and goes back to the ground. The groom is also wearing a white attire and they are stepping on a red carpet. The place itself is very white and beigy, very, very light colors where the focus is really the red of the carpet and the red of the heart, which is placed on top of an arch close to the cake and the couple."]
|
[False]
|
[nan]
|
The scene depicted appears to be a beautifully illustrated drawing or an animated image capturing a wedding moment between two characters positioned on the right side of the image. The couple consists of a woman and a man, though they possess features reminiscent of a girl and a boy, lending a youthful and whimsical touch to the illustration. They are locked in an affectionate kiss, symbolizing their union on this special day. Behind the couple is an impressive wedding cake, which is notably tall and elaborately designed, contributing to the celebratory atmosphere of the event. The bride is adorned in a stunning white wedding dress that is accentuated with a delicate pink ribbon. Her hair is embellished with pink floral details that complement her overall appearance. A striking feature of her attire is the very long veil, which flows elegantly from her hair and trails down to the ground, creating a sense of grandeur. The groom, reflecting a complementary aesthetic, is also dressed in a white outfit, suggesting a cohesive and elegant theme for the wedding attire. The couple is standing atop a vibrant red carpet, which serves as a focal point against the soft, light-colored backdrop of the setting. The venue itself is predominantly white and beige, which evokes a sense of purity and elegance, allowing the red hues of the carpet and the heart—positioned atop an arch near the cake and the couple—to stand out vividly. This heart-shaped decoration further emphasizes the romantic theme of the occasion, enhancing the overall visual impact of this enchanting wedding scene.
| 2,819 |
|
nonnative
|
['1o4fuziY1CZ2']
|
['English']
|
[" Yeah, so this is a picture of someone cosplaying Miku, presumably, because she has very long, like, teal, neon teal blue pigtails. But so she's sitting in the center of a picture. She's sitting in a big, huge O-shaped structure that is off-white in front of a tan building where there are many other people. It seems like the other people, this may be some sort of Comic-Con or a convention because there are some other people dressed in cosplay as well. But going back to the person in the middle of the picture, she is holding a pink guitar and she is dressed from head to toe in pink. There are varying shades. She has hot pink bows all over, but then the fabric of her top sleeves and dress are more light pink. And she's also wearing pink shoes and she is looking downward."]
|
[False]
|
[nan]
|
This image features an individual performing a cosplay of the popular virtual idol Hatsune Miku. The character is characterized by her long, bright teal hair styled into pigtails, which in this depiction are strikingly neon and match the vibrant aesthetic commonly associated with Miku. The cosplayer is seated prominently in the center of the photograph, positioned within an expansive, O-shaped structure that has an off-white hue. This structure creates a striking contrast against a background comprising a tan building, which indicates that the setting is likely an outdoor area at a convention or event. Surrounding the cosplayer are numerous other individuals, many of whom are also in costume, reinforcing the idea that this scene is taking place at a Comic-Con or a similar gathering dedicated to fandoms, cosplay, and pop culture. The sense of community and shared enthusiasm for characters and storytelling is palpable in such environments. Focusing back on the central figure, she holds a striking pink guitar, which complements her cosplay perfectly. Her outfit is a meticulous ensemble featuring various shades of pink, a signature color for Miku as well. The costume is adorned with eye-catching hot pink bows strategically placed throughout her clothing, enhancing the playful and whimsical nature of Miku's character. The fabric of her dress and the sleeves showcases lighter shades of pink, creating a visually appealing gradient. Additionally, she completes her look with pink shoes that match the overall theme of her costume. In this moment captured in the photograph, the cosplayer is looking downward, perhaps lost in thought or immersed in the ambiance of the event, adding a layer of introspection to the vibrant and lively scene around her.
| 2,522 |
|
nonnative
|
['18QPuuqnD5Wv', '1cYP3EdBN1rs']
|
['Chinese', 'English']
|
['This photo shows many people having breakfast sitting at a table. On the table, there are lots of bread, four plates, seven cups, four or five spoons, and two forks, as well as a knife. The plates are all white, and in the middle, there is a bowl filled with different kinds of bread. There are several small bowls with different fruits and other items, along with a few cups of orange juice. Additionally, two people are sitting on a yellow sofa, and there is a small plate with the writing "B-Linen Map" on it.', " The image at first glance seems to be of a table with food on it and two individuals sitting on the booth behind the table. There are three cups, four plates, a basket of bread-like carbs in the middle. There seems to be some jelly, some jams, and some butter, which leads me to think that they're eating some form of breakfast. Some cappuccino cups, pastries, and of the sort. The table is brown. There is only one small napkin on it that reads B. Linen. And the table primarily takes up the whole lower half of the image. In the background of the image, you can see the partial parts of two individuals, one person wearing a black shirt and red pants, holding a cell phone. You cannot see their face, but nearly just some of their torso and their thighs. And there's a second individual where you can see their arms, torsos, and thighs, and just a little bit of their nose and mouth. They are wearing a black shirt and blue jeans, and they are sitting on a yellow booth behind the table."]
|
[False, False]
|
[nan, nan]
|
This photo depicts a lively breakfast scene with many individuals gathered around a table. The table is laden with a variety of food items, prominently featuring numerous types of bread presented in a central bowl. Arranged around the table, there are four white plates, indicating that multiple servings may be placed for the diners. Additionally, there are seven cups, catering to beverages that presumably include coffee or tea, as well as a few cups filled with freshly squeezed orange juice, providing a refreshing complement to the meal. The presence of four or five spoons and two forks suggests that several dishes are available, enabling guests to enjoy a diverse breakfast spread, rich with flavors. Two individuals are comfortably seated on a yellow sofa nearby, which adds a cozy and inviting atmosphere to the setting. A small plate with the text "B-Linen Map" written on it is positioned on the table, perhaps indicating branding or a playful design element that ties into the theme of the meal. Upon closer inspection, the image presents more intricate details. The background reveals a booth where two additional people are seated, partially visible. One individual is identifiable by a black shirt paired with red pants, and they are engaged with a cell phone, though their face remains unseen. The second individual, dressed in a black shirt and blue jeans, is also partially visible, with only sections of their arms, torso, and a hint of their facial features showing. This composition creates a vibrant and social environment, filled with the essence of shared meals and social interactions, highlighting the joy of communal dining. In overall effect, the image captures a moment where the energy of breakfast is palpable, supported by the abundance of food and the casual, communal seating arrangement. The interplay of colorful items and the casual clothing of the diners reinforce the idea that this is a welcoming and unpretentious meal, inviting for all participants.
| 1,986 |
|
nonnative
|
['1oqALLVHVn4V']
|
['English']
|
[" This is a photo of what seems to be a wedding venue. It's white with glass all around, and the glass shows a body of water in the background and sky with some faint clouds. There's a cross in the middle, so it looks like it's a religious ceremony or religious wedding ceremony. There's flowers sitting on the tables, as would be common at a wedding venue. The floor down the middle is glass. There's a glass altar with a cross on it where the couple would likely be performing the ceremony. There's one box off to the left side, sitting on one of the glass tables. There's very few colors in the photo except for white, green cardboard color, and then the blue sky and the blue water. I can't have a 해�ed one in the Heat. Oh. There's no green leaves. Okay. I can't have a green leaves. This is pool floor over the encore. I have a dinero, and it looks like. There it is. What are some evidence called a Firefox There is an asset center, and the joint structure. There isn't a Cycle story. There isn't a guy named properties"]
|
[False]
|
[nan]
|
This is a description of a beautifully designed wedding venue. The venue is predominantly white, characterized by large expanse of glass that surrounds it, allowing for expansive views of nature. In the background, one can see a serene body of water, contributing to the tranquil ambiance, and above, the sky is adorned with wispy, faint clouds, adding to the overall picturesque setting. At the center of the venue stands a cross, which suggests that the event is likely a religious ceremony or specifically a religious wedding ceremony. Surrounding this focal point are tables adorned with flowers, a common decorative element found at weddings, creating a romantic and celebratory atmosphere. The flooring is also made of glass, enhancing the feeling of elegance and modernity. At the front of the room, there is a glass altar featuring a prominent cross, which is where the couple is expected to engage in the ceremony. To the left side of the altar, a box rests on one of the glass tables, though its purpose is not specified. The overall color palette of the photograph is minimalistic, primarily consisting of whites along with shades of green derived from the floral arrangements. The serene blue of the sky and the reflective blue of the water serve as stunning contrasts to the predominant hues of the venue. There is a mention of a distinctive element called "해�ed," though this seems to be an incomplete thought. The description also indicates there are no green leaves visible, and a unique flooring design resembling a pool contributes to the aesthetic appeal of the space. The description takes an unconventional turn with mentions of various terms such as "Firefox," and references to an "asset center" and "joint structure," which are not elaborated upon and seem out of context when discussing the wedding venue. There are snippets of thoughts expressed that do not correlate with the previous context regarding the wedding venue description. The statement ends on a somewhat bewildering note without further explanation to clarify these terms.
| 2,815 |
|
nonnative
|
['1m9RRkezkq5X']
|
['English']
|
[" This image seems to be of a TV or a game show or some sort of show that is presenting. In the background is a TV with some sort of Asian language and there's a logo. The letters are in some sort of gold and there's some blue pattern in the back. There are some letters in English. I can see V, A, Q, and U, but not more than that. It doesn't spell a particular word. In the back also seems to be some drops of water or some moving water. And there are three men standing in front of a microphone. Looks like the man in the middle is speaking. He has a black blazer and glasses and a black shirt. The guy to his right has a blue blazer and a blue button-down. And the guy to the left has a red blazer and some sort of flashy white button-down. And he's also wearing glasses and in front of them are some flowers. And from theства that we were seeing. The Bears. And the designers. And Martin, who was a nice and matt one, a mega ooze in the background and a black deal, the Eli The BearsLS waters."]
|
[True]
|
[nan]
|
This image appears to depict a television setting, likely a game show or a similar type of presentation. Prominently featured in the background is a television screen displaying content in an Asian language, accompanied by a logo that is visually striking. The letters of the logo exhibit a gold hue and are set against a backdrop that features an intricate blue pattern. Additionally, there are some English letters visible, including V, A, Q, and U; however, these letters do not form a coherent word. In the foreground, three men are gathered around a microphone, suggesting they are either participants or hosts of the show. The man positioned in the center appears to be speaking, distinctly dressed in a black blazer paired with glasses and a black shirt, projecting an authoritative presence. To his right stands another man adorned in a blue blazer matched with a blue button-down shirt, complementing the center figure. Conversely, the man to the left is wearing a vibrant red blazer over a flashy white button-down shirt, also sporting glasses, which gives him a more expressive look. In front of these three gentlemen, there are floral arrangements, enhancing the visual appeal of the scene. The environment suggests an atmosphere of celebration or formal presentation, indicated by the combination of the men’s attire and the floral decorations. Furthermore, additional elements in the background seem to include what can be interpreted as drops of water or a representation of flowing water, adding a dynamic and perhaps serene quality to the overall composition of the image.
| 2,865 |
|
nonnative
|
['1bpDIZC7sE1f', '11hBRHlfgH2V', '1jiReqkssrs0', '1nzdWquLWXkO', '19fzCUbEtsTD']
|
['Chinese', 'Chinese', 'English', 'English', 'English']
|
['What I see is a photograph with a noticeable contrast, where the background is mostly black. I notice a very small head of a person in the back of this background. Part of this head is likely from a group photo or a gathering with multiple people, focusing on one individual. This person, taking up about 80% of the frame, appears to be a singer. He looks to have brown skin and seems very engrossed in singing. In his left hand, he holds a microphone directed at his mouth. He appears very heartfelt and serious in his performance. The content he is delivering could also be a speech, as I cannot actually hear what he is expressing. He is wearing green clothing.', "The image shows a man who is about to speak while holding a microphone in what appears to be a comedy club. The background is dark, as if the lighting is not reaching that area, with a beam of light illuminating the man's face. He is a middle-aged male with dark skin, his mouth open in a smile as if he is ready to talk, though his brow is slightly furrowed. His teeth are very white and straight, and it's noticeable that he has a canine tooth visible from the side. His lips are somewhat full, and he has a small amount of black facial hair. His hair is likely black as well, though it’s hard to tell from the image; it seems to be short and curly. On his left wrist, he wears a watch while holding the microphone aimed at his face and looking into the distance, likely discussing something. Beyond the darkness, there is a promotional poster featuring a half-face that could suggest he is responding to a question or expressing an opinion. His pinky finger lightly rests on the microphone, while the other three fingers are curved to grip it. The microphone has a black body, with a silver end and a white ring at the tip.", " okay it's a photo of a man darker skin man could be for maybe Malaysia or India or South Asia Iran and the Arab world he's man at he's smiling but his eyes seem to be conveying a feeling of curiosity it was like he's not like he's exactly happy this man is holding a microphone in his left hand my woman is very close to his mouth it's no it seems like he's saying something inside the microphone this man is looking to the left of the photo so maybe he's speaking to an audience of some kind he is wearing a gray excuse me a green shirt there is another man in the background very very difficult to see because he is blurry cannot even see most of his face but this is another man", " This is an image of a man with darker skin and black curly hair holding a microphone. The focus of the picture is just his face and hand, and the picture is taken shoulders up. There's a very harsh light shining on his face, and he seems to be in the middle of speaking to the microphone. Perhaps on a stage, there's not much in the background. It's completely black, and he's wearing a bright green shirt and a watch. His face, he seems to be sort of smiling, but in a concerned kind of way. And he seems to be projecting his voice into the microphone. Perhaps speaking into the audience. He is not looking at the camera, and his brows are furrowed, and his mouth is open.", " This is a picture of a man with a microphone. He appears to be nervously laughing, possibly a comedian, maybe a lecturer, or someone giving a speech. He's holding it with his left hand, his straight teeth, a slight mustache and some facial hair, short hair, dark skin, and he's wearing a green t-shirt. And it looks like he's wearing a watch. The background is very black, so he's likely indoors, performing at some kind of event. His eyes are brown, and he appears to be looking into the crowd. There's light on his face, so there's most likely a spotlight that's capturing him, which means he's probably on stage and maybe a comedian, like I said in the beginning."]
|
[False, False, False, False, False]
|
[nan, nan, nan, nan, nan]
|
The first image depicts a photograph characterized by a high contrast, predominantly dark background. In this scene, there is a small head of a person located towards the back, suggesting it may be part of a larger group photograph or gathering. The focal point, however, is a male singer who occupies approximately 80% of the frame. He has brown skin and appears to be completely absorbed in his performance, whether it be singing or delivering a heartfelt speech, as no audio is available to clarify the exact nature of his vocal expression. He is holding a microphone in his left hand, directing it towards his mouth, which emphasizes the earnestness of his delivery. The singer is dressed in green clothing, adding a touch of color to the otherwise dark image. In the second image, we see a middle-aged man preparing to speak into a microphone, captured in what seems to be a comedy club setting. The background remains dark, likely a result of lighting not reaching that area, but a beam of light distinctively lights up the man’s face. He has dark skin and is smiling broadly, although his brow is slightly furrowed, which adds a layer of complexity to his expression. His teeth are notably white and straight, with a prominent canine tooth visible on the side. He has somewhat full lips and a slight amount of black facial hair, suggesting a well-groomed appearance. His hair is likely black as well, appearing short and curly from the limited perspective of the image. On his left wrist, he sports a watch while gripping the microphone aimed at his face. His expression and pose imply he might be engaging with the audience, and a promotional poster featuring a half-face can be seen in the dark background, suggesting he may be responding to an audience question or imparting an opinion. His grip on the microphone is relaxed, with his pinky lightly resting against it and the other fingers curved appropriately. In another observation, the man portrays darker skin and appears to potentially be from a culturally diverse region, such as Malaysia, India, South Asia, Iran, or the Arab world. He displays an expression oscillating between curiosity and amusement while holding the microphone close to his mouth, seemingly engaged in conversation. His head is turned to the left, suggesting he may be addressing an audience. He is dressed in a green shirt, and there is another indistinct figure in the blurry background, difficult to discern. The fourth description focuses on a man with dark skin and black curly hair, holding the microphone in a manner that emphasizes the presentation. The photograph captures just his face and hand, taken from the shoulders up. A harsh light illuminates his features as he speaks, likely on a stage, with a dark background overshadowing the setting. He wears a bright green shirt and showcases a watch. His expression appears somewhat smiling yet concerned, indicating an active engagement with the microphone audience while looking away from the camera. His brows are furrowed, and his mouth is open, suggesting an intense moment of speaking. Lastly, another caption describes an individual who seems to be in a state of nervous laughter, indicating he may be a comedian or lecturer delivering a speech. He holds the microphone with his left hand, showcasing straight teeth, a slight mustache, and some facial hair. He also has short hair and dark skin, dressed in a green t-shirt paired with a watch. The background is entirely black, further implying he is likely indoors at an event. His brown eyes are directed into the audience, suggesting he is performing in front of a crowd under the spotlight, which emphasizes his presence on stage.
| 3 |
|
native
|
['1mIasCCL7YDY', '1gkMhErhXYoV', '1dmDszRA8IKg']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image is a promotional poster featuring a famous Peking opera performer from China, Mei Lanfang. In this artwork, Mei Lanfang has small lips and his eyes are painted red with black shading, gazing downward at an angle. He wears a white cloth draped over his head, and in front of this white cloth, there is a black lace trim. The background is white.', 'This is a poster for a musical drama. The main focus of the poster is a side profile of a female character typical of the genre. At the top of the poster, the names of the two leading actors are written; the name on the left is Leon Lai, and the name on the right is Zhang Ziyi. In the lower left corner of the poster is the tagline for the drama, which says "Everything comes from this loneliness.” The title of the drama, "Mei Lanfang," is in the lower right corner. In the lower right corner, there is a line of small text stating that it is a work by Chen Kaige. The female character is wearing a headdress consisting of white and purple elements. Her makeup is very bold, leaning towards pink tones. Her eyebrows and eyeliner are especially dark. Her lips are thin but coated with red and white foundation, creating a striking contrast. Additionally, there are other floral-shaped decorations on her head, made of pearls and ribbons.', "This image shows a poster of Mei Lanfang, a master of Chinese Jingju (Peking opera). It should be a movie poster directed by Chen Kaige, and you can see the cast list includes Li Ming and Zhang Ziyi. If we talk about its cultural background, it should be very obvious because it features a typical portrayal of a Chinese Jingju performer. For someone who is unfamiliar with Chinese culture, they might guess it belongs to other Southeast Asian countries. However, since I come from a Chinese cultural background, it's very clear to me that this is an image deeply rooted in Chinese culture. Mei Lanfang is a Jingju master, so it is evident that this is a picture representing a Chinese cultural background."]
|
[True, True, True]
|
[nan, nan, nan]
|
This image is a promotional poster featuring the renowned Peking opera performer from China, Mei Lanfang. In this artistic representation, Mei Lanfang is depicted with distinctly small lips, while his eyes, painted in a vivid red shade with striking black shading, gaze downward at a particular angle. On his head, he wears a white cloth that is draped elegantly, adorned with a delicate black lace trim in front. The background of the poster is stark white, which helps to highlight Mei Lanfang's features and attire. The second description depicts a poster for a musical drama, prominently showcasing a side profile of a female character that is characteristic of the genre. The top of the poster features the names of the two leading actors; on the left is Leon Lai, a well-known actor and singer, while on the right is Zhang Ziyi, a celebrated actress recognized for her roles in numerous films. In the lower left corner, the tagline for the drama reads, "Everything comes from this loneliness," evoking a sense of emotional depth and intrigue. The drama is titled "Mei Lanfang," which is indicated in the lower right corner of the poster. Additionally, there is a line of smaller text that credits the work to director Chen Kaige, a significant figure in contemporary Chinese cinema. The female character depicted in the poster wears an elaborate headdress that incorporates white and purple elements, enhancing the visual appeal. Her makeup is exceptionally bold, with a focus on pink hues; her eyebrows and eyeliner are pronounced and dark. The character's lips are thin yet striking, coated with a combination of red and white foundation that creates a dramatic contrast. Moreover, the headdress is adorned with floral-shaped decorations crafted from pearls and ribbons, adding to the overall ornate appearance befitting the cultural context of the drama. The final description emphasizes the significance of another image featuring Mei Lanfang, who is hailed as a master of Chinese Jingju, commonly known as Peking opera. This image appears to be a movie poster directed by Chen Kaige and includes a cast list featuring Li Ming and Zhang Ziyi. The descriptions provide insight into the cultural background; it is evident that the imagery represents a quintessential portrayal of a Chinese Jingju performer. For individuals unfamiliar with Chinese culture, there may be a misconception that the artistic style could belong to other Southeast Asian countries. However, from the perspective of someone embedded in Chinese cultural traditions, the imagery unmistakably relates to a rich artistic heritage. Mei Lanfang, being a Jingju master, embodies the essence of this cultural representation, making the image a significant emblem of Chinese heritage.
| 237 |
|
native
|
['1hMTZgsT4ytp']
|
['Japanese']
|
['This is an old black telephone. The black phone was used as a means of contacting someone, like a cell phone or an iPhone. The black phone has perished and is sitting on top of a dresser, but it is very scratched and appears to have something inside it. In the back, there is a window, but the whole area around the window looks quite dirty. On the left side of the wall, there is a metallic part that resembles a door, and it gives off a feeling of being covered in a lot of dust. Thank you for watching, thank you for watching.']
|
[False]
|
[nan]
|
This is an old black telephone, a vintage device that once served as a primary means of communication long before the advent of modern technology such as cell phones or smartphones like the iPhone. The black telephone now appears to be in a state of decline, having perished in functionality. It is positioned atop a dresser, where it accumulates dust and scratches, indicating its age and disuse. There is a suggestion that something might be lodged inside the phone, which could evoke curiosity about its previous usage or the memories associated with it. In the background, a window is present; however, the area surrounding this window exhibits a significant amount of dirt, contributing to an overall impression of neglect in this setting. To the left side of the wall, there's a metallic structure that bears resemblance to a door, yet it is enveloped in a layer of dust. This detail adds to the atmosphere of stagnation and abandonment around the telephone, reinforcing the theme of obsolescence that the artifact embodies. The closing remarks express gratitude, stating "thank you for watching," indicating that this could potentially be part of a video or presentation focused on nostalgia or commentary on outdated technology.
| 963 |
|
nonnative
|
['1dqWePUDOp6R', '15T5Cn83tCjw', '1h6ZUvPWAfIj']
|
['English', 'English', 'English']
|
[' The images of a golden statue looks like Buddha with multiple heads sitting on top of a pillow, embroidered pillow on top of elephants. And the statue with long tusks. There are steps leading up to the statue and the entire statue is positioned on a cylindrical base. And steps are also gold and surrounding the steps on this floor level, street level, are tiny statues of elephants. And there are a few people around the statue. And the statue is the backdrop of the statue is the temple in the background. And there are red carpeting around the statue. The statue is constructed to be four, to be replicated once in every of the four major directions. So the face in one direction is duplicated to the other directions for most of the design. Buddha appears to be meditating.\\', " There seems to be a picture at an airport. You can see that there's a sliding glass door and that there's a sign on it, or a circular sign on it that's yellow on the top half and red on the bottom half that says, you're at Terminal 3, Basement 1. And then in the red section it says, ride hailing and arrival pickup. So it looks like this person took a photo when they arrived at the airport and they're in the taxi area. Right outside you can kind of see these car blocking poles, and then past those car blocking poles you see the number 2 on a column, which is most likely the terminal or the taxi pickup stop that they're at. There are two cars in the loading zone. You can see one person loading in stuff in the back of a sedan and another person kind of going up to the front that looks like they're about to sit in the car. And then there's another car parked right behind them. I think you can make out a driver in the driver's seat, but other than that there's no one else in the car. The car with the driver in the driver's seat is blue, and then the car in front of it I think is also blue. There is a, there's sort of a mat like right in front of the sliding glass door. And towards the side I think you can make out what appears to be a trash can. The�� Denねek. There is a debate on board there. In addition with theayers that are there. Here you go. path is there. Yeah. I am Toyota. It's Dr Ankara.", " This image is a picture of a deity, a statue of a deity in the center of the image. It's flanked with two elephants with a deity sitting right on top of the elephant itself. This statue is really grand and really majestic. And it is contrasted against the blue background of the sky. It appears that this image is somewhere, perhaps a temple or perhaps a monument that celebrates the victories of this deity. My guess is that this might probably be somewhat related to Indian culture or perhaps something relating to Mongolian culture. And it appears to be a place in a very large space. The style and color is very beautiful. The deity has a golden hue and this is really amazing when contrasted against the blue background. Although there is no contextual information such as location that might help me to understand the image, understanding the patterns of the deity would suggest that this might actually be somewhat related to Indian culture."]
|
[True, True, True]
|
['Image of golden Buddha meditating with golden steps is symbolic of Eastern Philosophy, possibly Chinese', 'The statue is of some sort of deity', 'Yes. The deity appears to be connected to the Hindu culture, and this might therefore be in India.']
|
The first image depicts a resplendent golden statue that resembles Buddha, characterized by multiple heads, which traditionally symbolize the all-seeing nature of enlightenment in Buddhist iconography. The statue is seated atop an intricately embroidered pillow that is positioned on top of elephants, an element often associated with wisdom and strength in Eastern cultures. The statue features long tusks, indicative of the grandeur often attributed to deities. Surrounding the statue are steps that lead up to it, crafted in gold, emphasizing the significance and prominence of the statue itself. At the base of these steps, which are cylindrical in shape, there are miniature statues of elephants, enhancing the spiritual and cultural atmosphere of the setting. Scattered around are a few individuals, contributing to the lively ambiance. In the background, a temple stands as a regal backdrop, and red carpeting encircles the statue, enhancing the sacredness of the site. Interestingly, the design of the statue reflects the cardinal directions—each face of the statue is oriented towards one of the four major directions, symbolizing its universal message and reach. The statue is in a meditative pose, signifying peace and contemplation, which are central themes in both Buddhism and broader Eastern philosophies. The second image captures a moment at an airport, showcasing a sliding glass door that prominently displays a sign featuring a yellow top half and a red bottom half. This sign reads, "You're at Terminal 3, Basement 1," with the lower section indicating "Ride hailing and arrival pickup." The photograph seems to be taken in the taxi area right after the individual's arrival at the airport. Outside the glass door, car blocking poles are visible, and adjacent to these, a column displays the number "2," likely indicating the terminal or the specific taxi pickup location. In the loading zone, two vehicles are present; one, a sedan, is being loaded with bags, while another person approaches the front of the car, seemingly preparing to enter. A blue car, presumably a taxi, is parked behind them with a visible driver. The scene captures the hustle and bustle inherent to airport environments, with a mat lying just before the sliding glass door and a trash can discernibly placed to the side, reflecting the pragmatic layout typical of such public spaces. The third image presents a striking representation of a deity, prominently situated at the center and flanked by two elephants, with the deity seated atop one of them. This statue emanates a sense of grandeur, set against a bright blue sky that enhances its majesty. The image suggests that this might be found in a temple or a monument dedicated to celebrating the accomplishments of this deity, likely making a connection to Indian or Mongolian cultures. The vibrant golden hue of the deity stands in beautiful contrast to the azure backdrop, creating a visually stunning effect. Although contextual details such as specific location were not provided, the iconography and artistic style suggest strong ties to Indian culture, emphasizing the rich tapestry of traditions that celebrate such deities within the cultural context.
| 130 |
|
nonnative
|
['141aw4pIbuLp', '1nJ2LMDwoX1J', '1mbK6Fq8hUBU', '11nSdQcYFeg0']
|
['English', 'Chinese', 'Chinese', 'Chinese']
|
[" This looks like an image of a cathedral, maybe in a European style cathedral. I can tell it's a cathedral by the architecture, the very tall ceiling, tall dome ceilings, there's wooden domes on the top and on the side is a very white marble and I think what very clearly gives this way as a cathedral is that in the very far back of the building there's stained glass which it seems like is um is has image uh uh religiously significant images um so there are also flower bouquets in this image um which is also very seemingly normal for a cathedral but unfortunately there's no text or other contextual clues that will help me pinpoint where exactly this is from.", 'In the center of the screen, there is a jar of honey. The honey is in a jar-shaped container, with only one bottle placed on a flat surface resembling a cabinet. On the honey jar, there are several lines of text that read "Dubber Honey" and "Guaranteed Pure," indicating that its brand is likely Dabor, and it boasts being 100% pure honey. Additionally, there are illustrations of some flowers, which suggest that this honey is floral nectar. On the left side, there are two illustrated yellow flowers, while on the right side, there are three illustrated red flowers. The overall packaging is yellow, with "Honey" in red font, the brand "Dubber" in green font, and "Guaranteed Pure" also in red font. It can be seen that although the honey jar has a lid, the honey inside is not full; it seems to be only half gone, indicating that this jar of honey has been consumed. Aside from that, the background features a white wall, and the surface it is placed on appears to be deep blue. There are no more texts or location information visible, which allows one to weigh this kind of unexpected experience.', 'This image shows a bottle of honey branded as Dabler, placed on a dark surface with a white wall in the background. The honey bottle is positioned on a countertop, close to the center of the image, making it the visual focal point. The background features a white wall with no other prominent objects. The bottle is made of transparent glass, and the honey inside it is golden-yellow, demonstrating its purity. The cap is made of metal and is gold-colored, enhancing the premium feel. The surface of the glass bottle has a slight reflection, indicating a light source shining from the left side. Dabler is an Indian brand that focuses on natural health products and is particularly influential in the health food markets of India, South Asia, and globally. In India, honey is not just a sweetener; it is associated with Ayurvedic practices and is believed to have health benefits such as boosting immunity and improving digestion. Dabler honey is widely sold in supermarkets and stores in India, the Middle East, and South Asia, indicating a strong cultural background linked to India. The implication is that this is a honey product from an Indian brand, potentially photographed somewhere in India or South Asia. The use of honey may not only be for food but could also be for health, herbal remedies, and traditional medicine. Based on the background, the photo might have been taken in a home kitchen, pantry, or a display shelf in a store. This image is connected to the health food, natural food market, and South Asian culture.', 'In this image, there is a glass bottle of honey placed on a black surface or table. The honey is about half full, suggesting that it has been opened and used. The glass bottle has a yellow metal lid, which shows signs of having been pried open. The bottle features a yellow wrapping paper that labels it as honey and includes the brand name. The wrapping paper also has some illustrations, including flowers and a design resembling a bee gathering nectar from a flower. The entire image contains just this black surface and the bottle of honey, with no other items present. The wall in the background is white, and there is no other information indicating the location where this image was captured.']
|
[False, False, True, False]
|
[nan, nan, 'Yes, this image is culturally distinct, primarily due to the brand, product, and cultural significance of honey in Indian traditions', 'No']
|
This transcription presents a detailed description of four unique images, each focusing on a different subject matter. The first image portrays a grand cathedral, likely designed in a European architectural style. This is evident from the distinct features that are hallmarks of cathedral design, including an extremely high ceiling topped with a dome. The ceilings have wooden domes that contribute to the cathedral’s majestic appearance. The walls are crafted from very white marble, showcasing the elegance typical of such religious structures. A significant characteristic of cathedrals is the presence of stained glass windows, and in this image, the stained glass is observable at the far end of the building. These stained glass windows display imagery that holds religious significance, reaffirming the interpretation of this structure as a place of worship. In addition to the architectural elements, the image includes flower bouquets, which are commonly found in cathedrals, often used for decoration and enhancing the spiritual ambiance. Unfortunately, the image lacks text or contextual clues to help ascertain the specific location or identity of this cathedral. In the second image, there is a jar of honey prominently displayed at the center of the frame. The honey is contained within a jar-shaped container that sits atop a flat surface resembling a cabinet. A notable feature of the honey jar includes several lines of text that read "Dubber Honey" and a claim of “Guaranteed Pure,” suggesting the brand is Dabor, which prides itself on delivering 100% pure honey. The packaging is further adorned with illustrations of flowers, indicative of the floral nectar from which the honey is derived. To the left of the jar, there are two illustrated yellow flowers, while on the right, three illustrated red flowers provide a vibrant aesthetic. The overall background of the packaging is yellow, with the word "Honey" written in red, the brand name "Dubber" displayed in green, and “Guaranteed Pure” also rendered in red. The honey jar is only half full, suggesting prior consumption. The background showcases a white wall, complemented by a deep blue surface on which the jar is placed, creating a visually appealing contrast. However, the absence of additional texts or location information leaves the viewer wanting more context regarding the honey and its origin. The third image reflects another bottle of honey branded as Dabler. This bottle is situated on a dark surface with a white wall in the background, creating a striking visual contrast. The honey bottle is positioned centrally, capturing the viewer's attention. Made of transparent glass, the honey inside has a golden-yellow hue that highlights its purity. A gold-colored metal cap adorns the top, adding a sense of premium quality to the product. The slight reflection on the surface of the glass suggests the presence of a light source from the left side. Dabler, a brand from India, is well-known for its focus on natural health products, particularly within the health food markets of India and South Asia. In Indian culture, honey is not merely a sweetener but is deeply rooted in Ayurvedic practices, recognized for its health benefits, including immunity boosting and digestive improvements. Dabler honey is widely available in markets across India, the Middle East, and South Asia, emphasizing its cultural and geographic significance. The photograph likely originates from a home kitchen, pantry, or retail display, linking the use of honey to health, herbal remedies, and traditional medicine in South Asian culture. The fourth image showcases a glass bottle of honey, which rests on a black surface or table. The honey level in the bottle is about half full, indicating usage and previous opening. The bottle features a yellow metal lid, which exhibits signs of having been opened. Wrapping paper in a yellow hue encases the bottle, clearly labeling it as honey while displaying illustrations that include flowers and an artistic design resembling a bee collecting nectar. The visual composition includes solely the black surface and the honey bottle, emphasizing the product itself without distractions. The background wall is white, and there are no additional details provided that could indicate the location where this image was captured.
| 797 |
|
native
|
['18VCxZ8PdUrJ', '1a1aqzA33ow4']
|
['Korean', 'Korean']
|
["In the picture, two men are playing a game of Go on a board. It looks like they are at a point where the game is in progress. The board is laid out on a mat, which doesn't have much green in it, and there are many red pieces on the board. This gives the impression that the red side might be winning. The two men are sitting across from each other. Next to the mat, there is a container for yellow pieces. I initially thought there were words written above the photo, but upon closer inspection, it seems there are red letters written on the mat, though I can’t quite make out what they say. I can see both men; one of them has a watch on his wrist, and the other man, whose back is facing the camera, is wearing black clothing.", "This photo depicts a scene of playing Janggi, a traditional Korean board game. Janggi, which originated from the Chinese game Xiangqi, is a Korean strategic game where two players maneuver their pieces with the goal of capturing the opponent's king first. The Janggi board in the photo is made of wood and features nine horizontal and nine vertical lines, resulting in a total of 11 intersection points. On the board, round Janggi pieces are arranged, each labeled with its name in Chinese characters. The players appear to be engaged in a fierce battle against each other's pieces. Both players are seated on a silver mat on the floor, focused on the game, with one holding a Janggi piece and seemingly preparing to make the next move. Next to them, a yellow storage box for Janggi pieces is open, displaying the captured pieces from the ongoing match. Such scenes are commonly seen, particularly in parks or near traditional markets, as adults gather to play Janggi and spend time together, representing a part of street culture in Korea."]
|
[True, True]
|
['playing traditional korean game', 'It shows a game of Janggi that is a traditional Korean strategy board game.']
|
In the first image, we see two men engaged in a game of Go, a strategic board game that has its origins in ancient China and is widely played in East Asia. The game appears to be in progress, with pieces placed on a Go board laid out on a mat. The mat is composed of materials that appear to lack much green coloration, creating a neutral backdrop for the game. On the board, there are numerous red pieces, indicating that the player with the red stones might hold an advantage at this moment. The two men sit across from each other, fully immersed in the play. Adjacent to the mat, there is a container designed for yellow Go pieces, suggesting that the other player utilizes these stones in the match. Upon closer inspection of the photo, there seems to be some text rendered in red above the board. However, the letters are somewhat ambiguous and difficult to decipher clearly. Visually, both players are identifiable; one is adorned with a watch on his wrist, while the other, whose back faces the camera, is dressed in black attire. This setup highlights not only the competitiveness of the game but also the social aspect as the players embody the spirit of strategic thought and interaction. In the second image, we see a depiction of a scene where players are engrossed in a game of Janggi, which is a traditional Korean strategic board game that traces its roots back to the Chinese game Xiangqi. The objective in Janggi is for each player to maneuver their pieces to capture the opponent's king, a task that requires skillful strategy. The Janggi board presented in the photo is crafted from wood and consists of nine horizontal lines and nine vertical lines, creating a network of intersecting points, totaling 81 points where the pieces can be placed. Each round Janggi piece is distinctly labeled with its corresponding name in Chinese characters, adding a culturally rich element to the game. The players appear deep in concentration as they strategize and plan their moves, with one individual actively holding a Janggi piece, seemingly poised to make an important strategic decision. The players are seated on a silver mat spread across the floor, absorbed in the match. Nearby, a yellow storage box designed for Janggi pieces is openly displayed, showcasing the captured pieces from the active competition. This scene is emblematic of traditional social gatherings often observed in parks or near traditional marketplaces in Korea, embodying the community spirit as adults come together to play Janggi and share moments of camaraderie.
| 1,110 |
|
native
|
['1S56GClXFEbM']
|
['Spanish']
|
['This photo shows a structure that is somewhat isolated. It is on a stone platform, and the structure is on an area of grass, with some rocks around. It appears to be a very large structure compared to the people who look very small against the building. The structure is made of stone. It is tall. It is... not fat. And... it has windows. It looks somewhat ancient. It has windows. We are not going to do anything.']
|
[False]
|
[nan]
|
This photograph features an isolated architectural structure prominently situated atop a stone platform. Surrounding the structure is a grassy area complemented by several rocks that are scattered around the base, enhancing the natural aesthetic of the setting. The building itself towers impressively above its surroundings, and when compared to the individuals present in the scene, they appear diminutive, accentuating the scale and grandeur of this impressive edifice. Constructed from solid stone, the architecture conveys a sense of durability and permanence. It stands tall and slim, lacking any broader, bulkier components, which may suggest a design intended for vertical prominence rather than horizontal spread. The structure is punctuated by the presence of windows, which perhaps alludes to its historical context, as it exudes an air of antiquity. The overall impression is that of an ancient monument, resonating with a sense of history or cultural significance. At this moment of observation, there is a decision made not to engage further with the structure or the surrounding area, indicating a contemplative appreciation of its existence without any intention of interaction.
| 1,314 |
|
nonnative
|
['15DiBPMRFidU', '1h9nrocBE9ZI', '1iKhwszeHGV0']
|
['English', 'English', 'English']
|
[" Looks to be a workplace snack hour, happy hour themed with Asian New Year because of the dragon made of looks like confetti paper mache on the table surrounding which are sauces or little cups of food. And you can see the AWS logo in the background with some TVs projecting the venue event info. There are four people standing. There are three people standing in conversation, one person in the background, a couple of people in the background, one person on his phone in the foreground. There appears to be paper lanterns hanging from the ceiling and some berry like lanterns, red berry like lanterns hanging from the ceiling as well. Looks to be cloudy exterior dimly lighting the interior and the shades behind the AWS logo on the window are pulled down so that AWS, which is blocked 3D letters in white, is not obscured by the glare. So before theница school has pressed me, and his face to stand in white, that I can see. So there are three people standing around here. Amen. You're going to положate the cinematography Peter Parker's Ministry of Trip doing that in different places. If inflation isfachated cap我が高져以上。 She parity enhances diciendo Sumas庁 nat쪽ismoなどここで手itàにも早速します。", " The picture is taken in a restaurant. There are four or five tables in the middle of the photo. There's a huge dragon figure was made with the food, mainly with noodle or rice sandwiches. The head of the dragon, the mouth is green and the eyes also green. The head of the dragon was placed at the round table and the body of the dragon is placed at four or five square tables. And at the edge of those tables, there are some rice bowls. When I look at the background, there are at least two posters or screens indicate what this event is. And also there are some letters, AWS indicates that this may be an AWS event. And also there are at least four people at the back, four or five people at the background. Four of them gathered together talking with each other. And one old guy was standing by himself thinking about stuff. So you can also try to cut off some fancy Kardec brings back to an iOS and 911ell band. As far as you can see on hold and be a nice 민�game or a nice dry storage staff lorsque compliments are gunsähän�행.", ' Well, this picture looks like a very interesting kind of food in Singapore called lohe or prosperity toast. It is a vibrant and festive tradition in Singapore, especially popular during the Chinese New Year. So centered around a colorful dish called yu sheng, it consists of thin sliced raw fish and some vegetables and an array of sauces and condiments, symbolizing abundance and good fortune. The ritual involves gathering friends and family around the dish, tossing the ingredients high into the air with chopsticks, while shouting some phrases like haon ha, meaning prosper. So the higher the toss, the greater the luck and prosperity for the coming year.\\']
|
[True, False, True]
|
['Paper mache or confetti new years dragon with whiskers and yellow lanterns hanging, so Asian New Year', nan, 'food']
|
The first transcription depicts an event characterized by a workplace happy hour that is themed around Asian New Year celebrations. The setting is lively and decorated with a large dragon figure created from confetti and paper mache, which symbolizes good fortune and is a colorful representation of the festivities. This dragon is prominently displayed on a table, surrounded by various sauces and small cups of food, enhancing the event's celebratory atmosphere. In the background, the AWS logo is visible, with screens or TVs broadcasting information about the venue event. The image shows four individuals, three of whom are engaged in conversation while another stands in the background, seemingly absorbed in his phone. The interior lighting is dim, complemented by cloudy conditions outside, which contributes to the ambiance. There are decorative paper lanterns and red berry-like lanterns hanging from the ceiling, a traditional festive element commonly associated with Asian New Year celebrations. The windows feature shades that are drawn down in a way that prevents sunlight from obscuring the bold, white 3D letters of the AWS logo, making it clearly visible against the backdrop. In the second transcription, the focus shifts to a restaurant scene where a striking dragon figure made primarily of food is the centerpiece. This dragon's head features green elements for both the mouth and eyes, suggesting a vibrant and artistic display, while its body is artfully arranged across multiple tables, specifically four or five square tables, with its head prominently placed on a round table. Around the edges of these tables, rice bowls are observable, indicating that the food is integral to the event's theme. The background reveals at least two posters or screens providing details about the event, with the AWS branding suggesting the corporate nature of the gathering. In this scenario, there are several attendees in the background—four to five individuals, with a notable collective of four conversing and an older gentleman standing alone, seemingly in contemplation. The description hints at an atmosphere that might include some amusing or engaging activities, indicated by a reference to "fancy Kardec" and an atmosphere of camaraderie amongst the attendees during this festive occasion. The third transcription introduces a specific dish popular in Singapore called "lohei" or "prosperity toast," which is deeply tied to cultural traditions celebrated during the Chinese New Year. This colorful dish, known as yu sheng, features thinly sliced raw fish paired with assorted vegetables and numerous sauces and condiments, symbolizing abundance and wishes for good fortune. The ritual surrounding this dish involves friends and family gathering together to participate in a tossing ceremony. Everyone takes turns to use chopsticks to lift the ingredients high into the air while shouting auspicious phrases such as "hao, hao," which translates to "prosper." The enthusiasm behind tossing the ingredients high signifies a belief that doing so invites greater luck and prosperity for the year ahead, making it a lively and engaging tradition reminiscent of the vibrant spirit associated with the celebrations.
| 498 |
|
nonnative
|
['1cEpqY4mahJ5', '14jidmaasyL4']
|
['English', 'Chinese']
|
[" The images are a little system of transformation. It's a critical meaning of a lot of the stuff that's all. It appears to be on display, which you can't see any railways. And the system game mechanic that left a bit working on a DC's on the deck. This is an American and called from the flagging on the planet. There's some people on the right that are using the tables. The train is a system of design. There's a platform on the family train with a 10 on an Mb. C. C. in the number. The background has many trees. This is a forest. This is a wood, a shed, I like looking at the back. And the overall colors are red, black, browns, and green.", 'The image shows a vintage steam locomotive parked next to a wooden garage surrounded by some trees and people, possibly portraying a sightseeing scene or a museum. The steam locomotive has a main color of black, with a numbered stone hanging in front displaying the American flag and another flag. The garage is made of wood, and part of the train is parked inside it. There are about five people distributed in the right area, including both adults and children, along with benches and tables. Other train cars are green and should be located on the left side of the steam train. The text on the flags seems to contain words, but they are not visible clearly. The train is positioned in the center of the picture, with people distributed on the right side standing near the tables or chairs. The garage is located behind the train. The train has a vintage design adorned with flags, showcasing historical and cultural characteristics. The background consists of a dense forest with tall trees, likely indicating a primeval forest. The garage has a wooden structure, blending well with the background. The predominant colors are red and black for the car, with the wooden garage being brown and the surrounding forest in green, creating an overall natural color scheme. The sky is clear and bright.']
|
[False, False]
|
[nan, nan]
|
The images present a detailed representation of a unique system of transformation, highlighting a significant meaning associated with various elements displayed within the scene. The depiction lacks visibility of any railway lines, yet it captures the essence of a gaming mechanic at play, possibly referencing a transformation or system within the context of a DC (direct current) power setup related to this environment. The central figure of the image is an American steam locomotive, which is adorned with flags that symbolize its cultural and national identity. To the right side of the image, several individuals can be seen engaging with tables, suggesting a communal or interactive atmosphere. The steam locomotive itself is not merely a means of transportation but serves as a design element that enhances the overall aesthetic of the scene. In the foreground, a platform has been constructed near the train, bearing a number associated with a certain model or designation, such as "10 on an Mb. C. C." which appears to be a reference to specific railway or train designations. The background is lush with numerous trees, indicating the setting is within a forested area, potentially a park or reserve showcasing natural beauty. There is also mention of a wooden shed or garage adjacent to the locomotive, complementing the rustic charm of the scene. The color palette utilized in this composition is striking; it predominantly features reds, blacks, browns, and greens which together evoke a sense of warmth and nostalgia, characteristic of vintage settings and historical depictions. The steam locomotive, parked as the focal point in the foreground, boasts a classic black finish, while a stone bearing a number hangs prominently in front of it, accompanied by dual flags. The image captures the locomotive's intricate design which reflects its historical significance and cultural heritage. The surroundings, filled with the presence of both adults and children, couches a vibrant social atmosphere indicative of a possible sightseeing experience or museum exhibit. The benches and tables are positioned nearby, reinforcing the notion of community gathering. Other train coaches of a green hue can be seen positioned to the left of the main steam engine, further accentuating the diverse array of train models featured. The flags displayed in the scene, while not entirely legible, add to the overall narrative of nationality and pride embedded within the representation. Overall, this scene is visually rich and layered, presenting a historical moment set against a backdrop of dense greenery, under a bright, clear sky that hints at a pleasant day as the viewer immerses themselves in this blend of history, nature, and community engagement.
| 1,542 |
|
native
|
['1jiXtAfievP2']
|
['Chinese']
|
['At first glance, this photo looks like an advertisement. The most eye-catching parts are the financial management services text and the QR code located in the middle of the image, along with fingerprint recognition. There is a lot of text mainly promoting financial management, including their official website information, contact details, and the services offered. At the bottom of the photo, there is a line that says "Click to read the original text and make an appointment with a financial advisor." This layout is typically found in small articles on WeChat public accounts. If you click below, it can take you to the original public account. Overall, it has a fairly normal promotional style, with a white background that doesn’t have any particularly striking features, making it very common in various advertising public accounts. Its approach aims at drawing in clients for financial services, similar to other advertisements aimed at preventing issues beforehand.']
|
[True]
|
[nan]
|
At first glance, the photograph prominently resembles an advertisement designed to capture attention and convey important information. The most visually striking elements are the prominent text that reads "financial management services" and a centrally located QR code, which is accompanied by a symbol representing fingerprint recognition technology. This suggests a focus on secure and personalized access to financial services. The image is filled with a considerable amount of text that primarily promotes various financial management services. It includes detailed information such as the official website of the service provider, contact details for inquiries, and a comprehensive overview of the financial services offered. These elements aim to establish legitimacy and encourage potential clients to seek assistance. At the bottom of the image, there is a call-to-action that reads, "Click to read the original text and make an appointment with a financial advisor." This line effectively invites viewers to engage further by directing them to more detailed content, likely hosted on a WeChat public account, a common platform used for sharing information and promoting services in China. The overall layout of the advertisement appears standard and typical of promotional materials found in WeChat public accounts. It employs a simple design with a white background, which lacks distinctive features, making it blend in with various advertisements that a user might encounter. The style is quite conventional, targeting potential clients who may be looking for financial services. It shares similarities with other preventative advertising approaches aimed at encouraging individuals to seek financial advice before encountering financial issues.
| 2,332 |
|
nonnative
|
['1eYyu2NjQaLI', '1aZLD3iCYbbP']
|
['Chinese', 'Chinese']
|
["In the center of this scene, there is a basin containing something that looks like tofu or a type of pig's blood. You can see one hand collecting money while the other hand is holding a plastic bag. Therefore, it should be a small vendor selling either specially made tofu or some kind of pig's blood cake that is similar to tofu, made from animal blood, typically consumed in East Asia or Southeast Asia. There are no words in the scene; the hand collecting the money appears to be holding 1000 units, but it is neither US dollars nor Chinese yuan; it seems to be some other country's currency. The food is placed right in the center of the image, with a hand collecting money in the background and another hand, presumably from a customer, reaching for the purchased item. The table appears to be quite dirty, indicating that it is likely from an outdoor market. In the background, there are also some indistinct black plastic bags and other green basins. Aside from this, there is not enough information to determine which country this is from or what kind of scene it represents.", 'This picture looks like it depicts the sale of something. The person on the right is handing a piece of paper to the person on the left, which likely contains a list of items he needs to purchase. The person on the left is reaching out to take this list. In the center of the image is a red bowl containing some brown rectangular block-like items. These blocks might look like red bricks, but their texture is slightly different from that of real red bricks, so they could also be some kind of food. Regardless, it seems they are about to finalize a new order. It appears to involve a significant order of sorts.']
|
[False, False]
|
[nan, nan]
|
In the center of this scene, there is a basin filled with an item that closely resembles tofu or a traditional dish made from pig's blood, which is common in various East Asian and Southeast Asian cuisines. The item featured could potentially be a type of blood cake, a delicacy often prepared in a manner that gives it a texture similar to tofu but made from animal blood. Observing the scene, one can see a hand reaching out to collect money, while the other hand is grasping a plastic bag, suggesting that this is the operation of a small street vendor. The hand that is holding the money appears to be clutching a currency note, reminiscent of a denomination of 1000 units; however, it is important to note that this does not seem to be either US dollars or Chinese yuan, indicating that it might belong to a different country’s currency system. The food product is positioned prominently in the center of the image, highlighting its significance, while in the background, another hand—presumably that of a customer—extends to reach for the item that has been purchased. The table upon which the food is placed appears quite dirty, a detail suggesting that this scene takes place in an outdoor market setting where food vendors typically operate. Scattered throughout the background are indistinct black plastic bags and other green basins, which further contribute to the market ambiance depicted in the image. Nonetheless, there is insufficient information to pinpoint which country this scene is taking place in or to identify the type of market being represented. In a different image, there appears to be an exchange or sale occurring between two individuals. On the right, one person is handing over a piece of paper to the individual on the left. This paper likely contains a list of items needed for purchase, indicating a collaborative transaction. The individual on the left is in the act of retrieving this list, suggesting a moment of interaction that is essential to the purchasing process. Centrally located in this image is a red bowl that contains several brown rectangular block-like items. These items bear a resemblance to red bricks, although their texture and appearance differ from standard bricks, leading to the interpretation that they might be a type of food rather than material for construction. This scene seems to be focused on finalizing a new order, indicating the transaction may involve a substantial purchase or a noteworthy delivery of goods.
| 1,075 |
|
nonnative
|
['1ckcWP3PHIH5']
|
['English']
|
[" Receiving an award for the award show. The background clearly depicts that they're standing in front of some kind of poster for which they're taking a picture. Possibly it could be a movie that they acted in. The person looks very handsome. It's a man. And they have some kind of side part hair going for them. A very strong jawline. And they're holding the award with, which is red and the bottom red in the base. And it looks very bright up top. It's golden in color, a golden hue. In their right hand, they're actually holding a single-eyed plushie. Looks like a monster plushie almost. Could have something to do with the movie that they acted in. The background also has a lot of waves. It's very blue in color. And you can see hilly, icy mountains. Granted, the text that is given in the background is not legible because I do not know the language that is being discussed."]
|
[False]
|
[nan]
|
The scene captures a moment of celebration as a handsome man receives an award during an awards show. He is positioned in front of an eye-catching poster, which likely showcases a movie in which he starred, indicating his involvement in the film industry. The man has a stylishly groomed side part in his hair, accentuating his strong jawline and adding to his polished appearance. In his right hand, he proudly holds the award, which stands out with a vibrant red base. The upper section of the award shimmers with a bright golden hue, suggesting a prestigious recognition. His left hand is occupied by a quirky, single-eyed plushie that resembles a monster, hinting at a connection to the theme or content of the movie he was part of. This whimsical detail adds a playful element to the otherwise formal setting. The backdrop features an impressive depiction of waves in various shades of blue, creating a dynamic and tranquil atmosphere. Above the waves, hilly, icy mountains rise majestically, contributing to the striking visual narrative of the scene. The text accompanying the visuals is not discernible due to the language barrier, leaving it a mystery to those unfamiliar with the script. Overall, the image encapsulates a moment of achievement, creativity, and cinematic flair.
| 2,348 |
|
native
|
['1eCI9Jz3HB1D']
|
['Russian']
|
['In this photo, we see what is most likely a drawing of 4 or 5 horses and one person controlling their carriage, which is probably a battle carriage. Some details that can be noted are that it is set against the background of a building, likely a statue, and there is no text present here. It can be said that everything is very detailed, beautifully adorned on the horses and on the carriage itself. One can also mention that the wheels are very beautiful, and it can be noted that there is a wreath on the head of the person. As for the location, it is likely somewhere in a central square in Germany, possibly in Berlin, or somewhere around that area.']
|
[True]
|
[nan]
|
In this photograph, we observe a meticulously crafted rendering that features four or five horses, all harnessed and pulling what appears to be a battle carriage. This scene is controlled by a singular individual who is expertly guiding the horses. The background of the image includes a prominent building, which may be a statue or a significant architectural structure, adding context to the overall composition. It is important to note that no text accompanies this visual, allowing the artwork to speak for itself. The intricacy of the details in this drawing is outstanding; both the horses and the carriage are adorned with elaborate decorations that enhance their visual appeal. Each horse is depicted with a sense of movement and vitality, showcasing their strength and grace. The carriage, likely used in a historical context of warfare, features exquisitely designed wheels that further emphasize the craftsmanship. Additionally, the individual controlling the carriage is wearing a wreath atop their head, which could symbolize victory, nobility, or a ceremonial honor, adding a rich layer of cultural significance to the scene. It is reasonable to infer that this drawing is set in a central square in Germany, potentially in Berlin or its outskirts, as the architectural style may hint at urban developments characteristic of that region. Overall, this artwork serves as a remarkable representation of transportation, culture, and possibly historical valor within a specific European context.
| 1,225 |
|
nonnative
|
['1cUMp9dlqnV5', '1191gIFNgDtB', '19x3yANcogUI']
|
['English', 'English', 'English']
|
[' This is a photo of a walkway that is flanked by some trees. The trees are kind of yellowish, which indicates that it might be fall or autumn when this photo was taken. I see a person walking on the right side and there are some shadows in the front of the photo so that can tell us probably something about what time of day it was. The photo is pretty centered along the middle pathway. The middle pathway looks to be slightly recessed from the sidewalk, so it looks like the middle part is probably used by cars.\\', ' This is an image of a park. It looks to be either early in the day or late in the afternoon because of the long shadows cast by the trees and surrounding buildings and shrubbery. And there is a person walking facing away from the camera in pink and purple walking towards the distance. This is a good shot of perspective because the road continues straight on into the horizon. And there are striped white and blue cones that go on and increasingly take up more of the road to the distance. And the trees are painted white for some reason. And there is a bright reflection of the building behind the yellow-leaved trees.\\', " Well, this picture shows a world of a tree on the top sides, and the color of the trees is really yellow, so each of the sizes are taken in September. To remember, which is important, it's difficult to wear a coat, but the look of the outside picture, the street is very neat and clean, and it's a bit cold because there's a new building, so it's a red collar looking along the side road. It's very quiet and clean, so I guess it feels good, but it's difficult to check."]
|
[False, False, False]
|
[nan, nan, nan]
|
This scene captures a beautifully maintained walkway that is bordered by a variety of trees exhibiting a yellowish hue, a clear indicator that the photograph was likely taken during the fall season or autumn. The presence of a person walking along the right side of the pathway adds a sense of scale and liveliness to the image. In the foreground, shadows cast across the scene provide clues about the time of day, suggesting that it could be either late morning or afternoon when the sun is positioned low in the sky. The composition of the photograph is primarily centered along the middle pathway, which itself appears slightly recessed in relation to the sidewalk. This design indicates that the central pathway may be intended for vehicular use, creating a distinct separation from pedestrian spaces. In another image, we find ourselves in a park setting that exudes tranquility. The specific time of day is indicated as either early morning or later in the afternoon, as evidenced by the long shadows prominently cast by both the trees and the surrounding buildings, along with various shrubbery. A person is seen walking away from the camera, dressed in a striking outfit featuring pink and purple colors, moving towards the distance along the pathway. The road depicted in this photo extends straight towards the horizon, creating an inviting perspective that draws the viewer's eye further into the scene. Striped white and blue traffic cones gradually emerge within the width of the road, suggesting some form of delineation or perhaps construction work taking place further along. Interestingly, the trees are painted white, a culturally specific decision that could indicate an effort to protect them from pests or simply a stylistic choice. Additionally, a bright reflection of a building is captured against the backdrop of the yellow-leaved trees, enhancing the vibrancy of the image. The final photograph unveils a scene that illustrates towering trees above, with an overwhelming yellow colorization that reinforces the assumption it was taken during September. This particular period can often be associated with mild weather, resulting in a paradox where it may be too warm for a coat, yet the environment also hints at a cooler atmosphere. Descriptions of the street, which appears exceptionally neat and clean, underscore a sense of order and upkeep in the area. The presence of a new, modern building along the side of the road introduces a contrasting element of urbanity, complemented by a striking red color, which may symbolize warmth or energy. Overall, the image conveys a peaceful and orderly ambiance that leads the viewer to feel a sense of comfort and contentment in this serene outdoor environment, although there is an acknowledgement of a certain chill in the air that adds to the autumnal feeling.
| 422 |
|
nonnative
|
['1eJFDjeE0gys', '165NRbJNjEUQ', '1eheYhtQTDo6', '18wIuXMBU4H1']
|
['Telugu', 'Chinese', 'German', 'Russian']
|
["I'm sorry, but I can't assist with that.", 'When we looked at the painting, it depicted some craft materials. In the middle, there was a craft envelope with two document bags. Inside the bags were two pink pouches. The top pouch contained a pair of scissors, some small parts, some paper, and something that looked like a staple machine or a tape measure. In the bottom bag, there was a box of tags with text written in English that read "stickers." It resembled a small craft package where everything was placed inside the bags. The scissors seemed to be aimed at children, but it’s not certain. The bags were placed on a white table, and it was unclear which country they belonged to, as such small craft packages could exist in any country. Everyone might have a chance to interact after all.', 'The image shows a plastic binder with some ordered supplies. The binder contains a camera, several photos, a pair of scissors, some paper, and a pack of colored pencils. On the two tabs in the binder, it says "Workbook" and "Gallery." The camera, the scissors, and the photos are located on the left side of the binder. The paper spans most of the binder, and the colored pencils are on the right side. The binder lies on a completely white surface and is not visible in the background. The binder is in a pink tone and has a red button. The camera is gray and blue. The scissors have a red handle, and the colored pencils come in green, yellow, pink, purple, blue, orange, brown, and black. Music, that is, friends, stadium then heat stick ball until ship.', 'In this photograph, we are looking at two folders. Inside these folders are different items. On the top folder, there are scissors, some small trinket, and then a hole puncher, possibly a stapler, but it\'s not clear what it is. There is writing on the paper in this folder that says "up," "side," and "cooler" in a language that is neither Russian nor English. In the bottom folder, there is a set of quite a few pens, where there are 10 different colored pens and then white paper. All of this is on a white table, and the folders themselves are semi-transparent, but it\'s clear that they are pink. Thank you for the subtitles to Alexey Dubrovsky!']
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
I apologize, but I am unable to assist with that request. The first detailed observation pertains to a painting that illustrates various craft materials. Centrally featured is a craft envelope displaying two document bags. Within these bags are two pink pouches. The upper pouch is filled with a pair of scissors, several small miscellaneous parts, sheets of paper, and an object that resembles either a staple machine or a tape measure. The lower bag contains a box of tags inscribed with the word "stickers" in English. The overall arrangement resembles a compact craft kit, suggesting the possibility of DIY projects. The scissors appear to be designed for children, although this is not definitively ascertainable. The bags are artistically positioned atop a white table, and it remains ambiguous as to their country of origin, as such craft items can be found universally. There is an implicit suggestion that they could be accessible for interaction by anyone interested. The second description focuses on an image featuring a plastic binder that organizes several supplies. This binder is filled with a camera, an assortment of photographs, a pair of scissors, sheets of paper, and a set of colored pencils. The binder consists of two labeled tabs, reading "Workbook" and "Gallery." On the left side of the binder are the camera, scissors, and photographs, while the sheets of paper occupy a significant portion of the binder. The pack of colored pencils is arranged on the right side. The binder is stylishly presented against a completely white surface, without any background distractions. Its design is predominantly pink, adorned with a red button. The camera displayed features a gray and blue color scheme. The scissors are noted for their red handles. The colored pencils are available in a spectrum of colors: green, yellow, pink, purple, blue, orange, brown, and black. An abstract reference follows, mentioning music and various elements such as friends, stadiums, and gameplay, concluding with a somewhat oblique mention of a ship, which might imply themes of movement or transitions. The final image description presents a scene encapsulating two folders. The top folder showcases several items including a pair of scissors, a small trinket, and an ambiguous tool identified as a hole puncher or possibly a stapler, though its designation is uncertain. Inscribed on the paper found within this folder are the terms "up," "side," and "cooler," noted to be in a language distinct from Russian and English. In contrast, the bottom folder contains an array of approximately ten different colored pens, accompanied by white notepaper. Both folders are organized on a white table, and they exhibit a semi-transparent appearance, indicating that they are primarily pink in color. Acknowledgments are extended to Alexey Dubrovsky for the contribution of subtitles related to this content.
| 1,945 |
|
native
|
['1hfgyc4aV07I', '1pOktFcj6D3f', '1mYhpY9BhtEm']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture is a very typical photo of a Chinese family. We can first see two large red lanterns hanging above. At the same time, we can see the door, which has a painting above it. On both sides of the door, there are couplets pasted. It seems that a family is decorating for the Spring Festival. There is a person in black clothing standing on a ladder, putting up the couplets. Below, a man and a woman are supporting the ladder. The woman is wearing a pink down jacket, while the man on the right is also wearing a black coat. In the background, we can see a wall with what appears to be Chinese poetry or text inscribed on it.', 'It began with an image of a rural Chinese setting where window curtains are being hung, which is typical for the Spring Festival. Generally, during the Spring Festival, specifically on the 28th of the lunar calendar, it is a tradition in Chinese folklore to hang spring couplets and lanterns to celebrate this festive occasion. The purpose of hanging spring couplets is primarily to welcome the new and bid farewell to the old, symbolizing that the new year will be prosperous and filled with luck and good fortune. In China, the use of bright red color is believed to ward off evil spirits; the vibrant red hue is considered very auspicious.', 'In this picture, there are three people hanging decorations, and four people are hanging lanterns. There is text that reads "Fortune, Prosperity, Luck, and Good Stars," but the remaining words are blocked by someone. Additionally, there is a couplet, and the lanterns have text that suggests it\'s the Mid-Autumn Festival, so they might be hanging lanterns for that occasion. Among the four people, one is standing on a ladder, while the other three are below it. Three of them are wearing black clothes and are male, while one person is wearing a pink outfit and is female. The background features a small farmhouse courtyard.']
|
[True, False, True]
|
['Lunar New Year', 'no', 'It has Chinese character']
|
This picture captures a quintessential image of a Chinese family engaging in festive decoration, likely in preparation for the Spring Festival, also known as Lunar New Year. The scene prominently features two large red lanterns suspended overhead, their vivid color symbolizing good fortune and the warding off of evil spirits, which is a deep-rooted cultural belief in Chinese tradition. Below the lanterns, the doorway is adorned with a painting above it and couplets, which are pairs of poetic lines typically written on red paper. These couplets serve to both welcome the new year and bid farewell to the old, embodying wishes for prosperity and luck in the days to come. In the midst of the decoration process, we see an individual dressed in black clothing precariously positioned on a ladder, carefully affixing the couplets. Supporting the ladder at the base are a man and a woman. The woman is clad in a pink down jacket, providing a pop of color against the predominantly black attire of the men, including the man on the right. Behind them, a wall is visible, inscribed with what appears to be Chinese poetry or text, adding an element of cultural richness to the setting. The imagery transitions to a rural Chinese environment, where we observe individuals hanging window curtains, an activity that is also customary during the Spring Festival celebrations. This particular tradition occurs on the 28th day of the lunar calendar, marking the onset of festivities where families decorate their homes with spring couplets and lanterns. The act of hanging these decorations serves as an important ritual to usher in good luck and a prosperous new year. In another depiction, there are a total of three individuals engaged in the task of hanging additional decorations, accompanied by four others focusing on installing lanterns. Among them, one person ascends a ladder, while the remaining three stand on the ground, offering support. The attire of these individuals is also noteworthy; three men are dressed in black clothing, whereas the woman is identifiable by her vibrant pink outfit. The backdrop reveals a small farmhouse courtyard, illustrating a typical rural setting that embraces family values and communal celebration. Text in the decorations highlights themes of “Fortune, Prosperity, Luck, and Good Stars,” though some words remain obscured. It is hinted that the lanterns may also be representative of the Mid-Autumn Festival, suggesting a blending of cultural celebrations and the continuity of traditions throughout the year.
| 319 |
|
nonnative
|
['14aY1sbMTLA1', '1bzxlZzurF8a', '1lS1jMTICx0h', '1bU16gqTsp2w']
|
['Chinese', 'Korean', 'English', 'English']
|
['There are many small toys, six little bears in total. Two are light brown, two are dark brown, and two are gray. On the left side, there are three bears, starting with the dark brown, then gray, and finally light brown. On the right side, it starts with light brown, followed by dark brown, and then gray. They are all sitting at a wooden table and are either eating cake or something that looks like a peach; it’s hard to tell. There are also three small cups in the middle, which may contain drinks or something else. Under the table, there is green grass. They are all seated at a brown wooden table, and the walls are white. There’s not much else in the background, but it’s quite spacious.', "This image depicts small teddy bears sitting at a table. On the table, there are several cups and drinks, with the teddy bears either holding their cups or sitting towards the drinks placed on the table. A total of five teddy bears are seated at the table, each positioned side by side in the same arrangement. The teddy bears are sitting on either side of the table, and in the center are the drinks and small accessories. The background is blurred, drawing attention to the table and the teddy bears, all of which have an adorably characteristic animal shape. Looking closely, the table and the drink cups are meticulously arranged, and the small teddy bears appear to be dressed and seated like people, which stands out. The background features a warm-toned wooden table, and the bears' outfits and expressions evoke a charming atmosphere. The overall color scheme consists of warm browns and soft tones, highlighting the simple and quaint feeling of the toy bears. The image resembles a toy photo that seems to describe the appearance of small dolls.", " This is a bunch of stuffed teddy bears seemingly having some sort of picnic or tea party. On the table there are six teddy bears. On the left side, it's like a picnic table that they're sitting on, but it looks like a miniature one. On the left side there are three teddy bears. The first one is like a dark brown color. The second one's whitish gray. And the third one furthest away from the front is a lighter brown color. On the other side, the one closest to the camera is that same lighter brown color. The middle one is a darker brown color. And the far one is a gray color. Or white is gray similar to the middle one on the left. There are... There seems to be some sort of mini picnic table. With attached benches on both sides. On the... Each bear has a plate in front of it. I can't entirely tell what is... What they're eating. But there is a plate in front of each of the... Each of the bears with food. And in the middle there are three jars which seem to be some sort of honey or maybe some sort of dip. And on the bottom there is like a green felt that is underneath this picnic table. And then in the background it's kind of just like a white wall. And there's a hardwood floor it looks like. And yeah, that's about it. belt.謝 quote. So you've got to help me out. I want to make that sub that piece throughだけ. You will really need one piece but it helps you to do it and it helps you with the shape. So let's know that you're using a fourth section of it. The fourth section of each of the instructions. To take the 어묵 you're making a fourth section of this piece. It seems to be cut together that you took and you took a half minute for about longer. And hopefully even before we start putting theamethrower Guardio fireboxes for a slight Soup's Clicking the Vamos Lean 그래 boost in the privacy policy on 24 This link to everything is available at embedded. And then there's like a wat 요 going to do. Is it easier for you to think about there's nieijo Ik barely split this thing? Oh, and you know, switching from those numbers?", ' This image seems to be depicting toy bears having a small picnic at a park bench. The bears are all very miniature, although they take up a large majority of the image. Each of the bears are different colors. Starting from the left going up is brown, gray, and a lighter brown, and then starting from the right and going up is the lighter brown, brown, and gray. On the park bench, they seem to be enjoying some sort of burger, and in the middle of the park bench, there are three jars with, I believe, honey in it. And the background has a white wall and dark wooden floors. Note that all of the bears, all of the hamburgers that they are eating, as well as the honey and the park bench are all toys and seem to be miniature versions. Right underneath the park bench seems to be a block of felt that seems to, a green felt that seems to imitate grass. The park bench itself is brown and all of the burgers have a sort of whitish bun. There are six burgers in total and six bears in total so the burgers are matching right in front of each bear.\\']
|
[False, True, False, False]
|
[nan, 'While the scene could be interpreted as universally relatable (as it depicts small figurines), the specific style, attention to detail, and cultural association with kawaii culture give it a distinct cultural flavor, especially within Japanese contexts. Therefore, this image can be considered culturally distinct in that regard.', nan, nan]
|
There are many small toys arranged neatly on a wooden table, with a total of six adorable teddy bears present. Among these bears, two are light brown, two are dark brown, and the remaining two are gray. On the left side of the table, there are three bears positioned sequentially; first, a dark brown bear, followed by a gray bear, and concluding with a light brown bear. On the right side, the arrangement begins with a light brown bear, followed by a dark brown bear, and finishing with a gray bear. Each of the bears seems to be engaged with some food items that are placed on the table. While it is difficult to discern with certainty, they appear to be eating either cake or pastries that resemble peaches. In the center of the table, three small cups are placed, though it is unclear whether these contain drinks or other substances. Underneath the table, there is a patch of green grass creating a vibrant contrast against the wooden table setting. The entire scene is set against white walls, and the background is mostly unadorned, rendering it spacious and minimalistic. The image portrays a delightful tableau of small teddy bears seated around a charming table, which holds various cups and drinks. There are five teddy bears in total, each sitting side by side in a row. The bears find themselves on either side of the table, with drinks and small accessories placed centrally. As the background is subtly blurred, the focus remains on the teddy bears and items on the table, which sport an endearing and characteristic animal shape that evokes a sense of warmth and nostalgia. Upon closer inspection, one can see that both the table and drinks are carefully arranged, while the teddy bears appear to be dressed and seated like human beings, reinforcing the whimsical atmosphere of the scene. The warm-toned colors of the wooden table, along with the bears' outfits and friendly expressions, contribute to an inviting and charming ambiance. The overall color palette features soft browns and warm tones, enhancing the quaint and endearing portrayal of the toy bears, reminiscent of a playful doll-like photograph. In this captivating scene, a collection of stuffed teddy bears seems to enjoy a delightful picnic or tea party. The setup reveals six teddy bears seated at what resembles a miniature picnic table complete with attached benches. On the left side, three bears are arranged in the following colors: a dark brown bear, a whitish-gray bear, and finally, a lighter brown bear. The right side mirrors this arrangement, starting with the light brown bear closest to the camera, followed by a darker brown bear, and a gray or whitish-gray bear at the end. Each bear has a plate placed in front of it, though it remains ambiguous as to what they are eating. It appears that there are mini jars in the center — likely containing honey or some type of dip. Situated underneath the picnic table, there is a green felt material that cleverly imitates grass, enhancing the picnic vibe. The background features a simple white wall and a hardwood floor, creating a clean aesthetic that allows the focus to remain on the charming teddy bears and their picnic setup. This image captures toy bears enjoying a small picnic at what appears to be a park bench. Although they are quite miniature, the bears occupy a significant portion of the frame. Each bear showcases distinct coloration, with the colors arranged from left to right as brown, gray, and lighter brown. Conversely, on the right side and continuing in the same order, they range from lighter brown to brown and finally gray. The bears seem to delight in small toy hamburgers, and in the center of the park bench, there are three jars that likely contain honey or similar condiments. The backdrop consists of a white wall and dark wooden floors, which serve to highlight the toys. Under the park bench, a green felt piece serves as a mimic for grass, adding further detail and whimsy to the scene. The park bench itself is brown and the miniature hamburgers display a whitish bun, perfectly matching the bears with a total of six burgers positioned right in front of each bear. Overall, while this charming scene may initially seem universally relatable, it also carries distinct cultural elements, particularly associated with the kawaii culture prevalent in Japanese contexts. The meticulous attention to detail, the delightful arrangement, and the toy-like depiction resonate deeply within this cultural framework, elevating the charm and appeal of the entire image.
| 1,988 |
|
native
|
['123Jy6l0OZmv', '1oexYI2wfPnd']
|
['Korean', 'Korean']
|
["This photo captures the beautiful sight of Gyeonghoeru illuminated at night. Gyeonghoeru is one of the representative traditional architectural structures located within Gyeongbokgung Palace in Seoul, South Korea. It served as a venue for royal banquets and hosting foreign envoys during the Joseon Dynasty. The building in the photo is set over a pond, showcasing an impressive two-story structure with the elegant tiled roof of a traditional Hanok, graceful eaves, and supporting pillars. Against the backdrop of the dark night sky, the lighting gently highlights the building’s pillars and eaves, further emphasizing the grandeur of Gyeonghoeru. Above the building, the characters for Gyeonghoeru are illuminated in a golden hue, reflecting mysteriously in the water below. Representing the court culture and architectural style of the Joseon Dynasty, this site remains an important cultural heritage, preserving Korea's historical value and aesthetic beauty to this day.", 'In the photo, a large pavilion building in the style of a battle kanok is situated by the water against the backdrop of the night sky. The pillars, eaves, and damak patterns of the building are subtly illuminated, highlighting delicate details even in the darkness. Several columns stand in a row, supporting the pavilion, while tranquil water flows below, reflecting the lights and creating a faint image on the surface. The roof is covered with traditional Korean tiles, and the eaves curve slightly upward, giving an elegant impression. The exterior walls are decorated with dancheong patterns in shades of red and green, standing out more against the dark background. The surroundings convey a serene atmosphere, and while there might be tourists or visitors, no figures are clearly visible in the photo. Overall, it presents a traditional architectural structure that could serve as a palace or royal entertainment venue, illuminated at night to evoke a grand yet peaceful beauty.']
|
[True, True]
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['It features Gyeonghoeru Pavilion, a historic structure located in Gyeongbokgung Palace, Seoul, South Korea.', 'Yes, this image is culturally distinct. It shows a traditional Korean palace pavilion (likely 경회루 or a similar royal structure), with characteristic architectural elements such as tiled eaves, wooden pillars, and detailed 단청 (traditional decorative painting). These features are uniquely tied to Korean heritage, making the scene representative of Korean culture.']
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This photograph captures the stunning night-time view of Gyeonghoeru, a pavillion that is part of the Gyeongbokgung Palace complex located in Seoul, South Korea. Gyeonghoeru is not just an architectural marvel but also holds significant historical importance as it served as a venue for royal banquets and for receiving foreign envoys during the Joseon Dynasty, reflecting the cultural and political prestige of Korea during that era. In the image, Gyeonghoeru appears majestically poised over a serene pond, its impressive two-story structure characterized by the traditional Hanok architectural style. The building's roof is adorned with exquisite traditional Korean tiles, and its elegant eaves curve gracefully upwards. The supporting pillars that uphold the pavilion are highlighted by the gentle illumination, which enhances the intricate details of the structure even against the night sky. Above Gyeonghoeru, the name of the pavilion is displayed in illuminated characters, glowing in a warm golden hue, which creates a captivating reflection on the water below, thereby adding to the enchanting atmosphere of the scene. The architectural beauty is complemented by subtle dancheong patterns (traditional decorative painting often in bright colors such as red and green) decorating the exterior walls, which stand out strikingly against the dark backdrop of the night. While the environment conveys a sense of tranquility, the absence of clearly visible figures or tourists in the photo contributes to an undisturbed serenity, allowing the viewer to appreciate the grandeur and peaceful beauty of this historic site. The Gyeonghoeru Pavilion is emblematic of the royal court culture of the Joseon Dynasty and plays a vital role in preserving Korea's cultural heritage and aesthetic values. This scene not only serves as a window into Korea's rich history but also as a representation of the stunning traditional architectural style that remains a significant aspect of Korean identity today.
| 1,070 |
|
nonnative
|
['11scqDQSvHA2', '1mdzcR14rzEd', '121hX52YV3Sw']
|
['English', 'English', 'English']
|
[" this is of a river of some sort of or some sort of body of water and I believe it's supposed to be a dam you can see the sort of like concrete dam wall with these sort of red I don't know like these sort of like red platforms or structures like lining up the top of the wall as well you can also see that the water is kind of like this red tint or this kind of like dark brownish tint or whatnot there's like this little like there's this little like basin like in front of the dam and it seems to be like one releasing a little bit more water out into this body of water but there also seems to be like steam kind of emanating from this little basin as well in the background it's kind of air it's kind of covered up a little bit by fogs and clouds but you can see like these like cranes or these sort of like structures that look like construction is occurring and the sky is kind of cloudy it seems to be like either in the or it's the sun is either starting to set or rise um because there's this orange tint and the sun and the sky is kind of covered um with a lot of clouds although you can still see some light from the sun um peeking through past these clouds past these clouds past these clouds past these clouds past these clouds", " In this picture, it looks like possibly a dam or some sort of industrial area by the water. In the bottom, it's a murky brown, dark, almost purpley water. It looks disgusting. In the left side, there's some steam, and behind that, you can see what looks like cranes of some sort. To the right, there is a big wall with weird either windows or slits of some sort. That's very gray. It dominates the middle section to the right and to the right of the photo. In the upper section, there are just white clouds, so we know this is outside. On top of that concrete structure, there's three, you know, possibly cranes as well. Possibly looking like shipping cranes, I'm unsure. They're red. And then to the very far right, there are some power lines, three of them. I don't, there's no text. I can't find anything cultural about this, and I don't think there's anything going to be inferred.", ' This image seems like an industrial plant with very brown water in the foreground. There seems to be a lot of waves and movement in the river or lake. There is a very big concrete structure in the middle with some movement of water on the left, like mist. It could be a dam, so that water is flowing. And on the concrete grey structure in the middle, there is multiple red structures on the top. And on the bottom, there is three of that on the top and two of that on the bottom. You can also see cranes on the left hand side of the image. One, two, three, and it is overall a very cloudy day.\\']
|
[False, False, False]
|
[nan, nan, nan]
|
This description portrays a scene dominated by a body of water that appears to be undergoing some form of industrial activity, likely involving a dam. The setting is characterized by a prominent concrete dam wall, which is reinforced by several red platforms or structures aesthetically lining its top edge. These red structures might serve a functional or decorative purpose, although their exact role isn’t specified. The water in this scene exhibits a murky coloration, described as a brownish tint with hints of red or dark purple, which suggests pollution or sediment, contributing to an overall impression of neglect or ecological distress. In the foreground, there is a small basin where water seems to be releasing into the larger body, accompanied by steam emanating from it, suggesting that heat or some industrial process may be occurring. The background further enhances the industrial atmosphere with visible cranes, which imply construction or maintenance activities are taking place in the vicinity. These cranes could be used for lifting heavy materials near the dam or aiding in the management of the waterway. The sky overhead is filled with heavy clouds, indicating that the scene is outdoors on a particularly cloudy day. The quality of light suggests that this moment may occur either during sunrise or sunset as there is a warm orange hue filtering through the thick cloud cover, illuminating parts of the scene. To the right side of the image, there is a sprawling concrete structure with various openings that resemble either windows or slits, adding to its stark, industrial feel. The presence of power lines towards the far right further indicates this is a heavily industrialized area, likely relying on electrical infrastructure for its operations. Overall, the scene evokes a sense of industrial activity set against the stark realities of environmental concerns, with its polluted water and industrial structures entwined in a cloudy and somewhat oppressive atmosphere.
| 418 |
|
nonnative
|
['1myJoflJ3QnK', '1baCfMxGU9il', '1iC2It26Pf7P', '19yzSjvpGRCH', '1jDxqT29ckkM']
|
['English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
[" This is a picture of some interesting looking figures that appear to be on long wooden sticks with a face that are unique for each stick. The stick appears to have Chinese writing on it, although I cannot read what it says since I cannot read Chinese. The figures have different nose shapes, eye shapes, and ear shapes. Some appear to be laughing like the one in the middle. Some appear to be more serious. Some appear to be angry like the one to the right. There are one, two, three, four, five, six of these. Five of them are grouped more towards the middle, while the six is a little bit further to the right and seem to be looking more towards the right. The other ones are looking straight towards me. Some of them are more straight. Others are more crooked, like the one to the left. In the background, there appears to be trees, grass, a rock formation to the very left. And in the very back, there are some house structures, and it seems to be a cloudy day. This picture is probably taken in China, given the Chinese. This picture ispiece, as well as the city ofRC, and it seems all the right. This is a really difficult hour that hasividad. We'll call thistock tothe European Union to the Equal and Mount Essays. The white on its pertama is the window and procure, healthcare, initializing her temperature. The Latin continues to hold the air into the air-rich andмотреть before the air-rich trauma-related dni grail in the high care 말. Here's the promise of the second hint� here. Here's the letter that is Was influenza. studies show continuaciones to develop the whole times.", " The picture shows sculptures, wooden sculptures. The wooden sculptures, there are six wooden sculptures with faces on them. The eyes of the sculpture are slanted with big ears, and some of them have big noses. There are Chinese characters on the wooden sculptures, so I would assume it's in Asia. The position of the object is pretty central. It looks like it's in a park because I see grass and trees. The trees don't have any leaves on it, so it's probably the fall or the winter. The grass is yellow colored, still has some level of green colors. So the season, again, it's probably a little cold. The sky is more gray, so it's not bright sunny weather. Location is probably in China because the letters on the statue are in Chinese.", 'In this image, the background features a lawn or a park, and it seems to be in the spring or autumn season since the trees are already prominent, and the grass has turned a yellowish-green. In front of this image, there are some earthen vines or wooden stakes that have human faces added to them. This scene looks like it could be from Japan or China because there are Chinese characters above, which read "General Woman" or "National Prosperity and People’s Peace."', 'This is an outdoor image, and it feels like it\'s set in a yard. In the center of the yard, there are several vertical wooden statues—about seven wooden figures—that are over a meter tall. The statues have large Chinese characters inscribed on them, such as "Great General" and "Female General," along with phrases like "National Prosperity and People\'s Peace." Above these characters, there are figures holding masks; these mask figures have large ears, with a couple of them lacking ears completely, but the others all have quite large ears. Their eyes are the kind that slant upwards, some looking somewhat fierce, with notably large noses and pronounced chins, and their mouths are also sculpted. These statues don\'t look very cute; they have a somewhat scary appearance. Behind these statues, there are many tall trees, and in the distance, there appear to be some modern buildings. From the characters I\'ve seen, it seems possible that these are Chinese characters, but they could also belong to Japanese, as Japan also uses Chinese characters. So, it might be in China or Japan. Let\'s take a closer look at this.', 'This seems to be a part of a courtyard, with photos showing many strange figures made of wooden stumps. Each stump has writings on it like "Underground General" and similar phrases. Some stumps are inscribed with "National Prosperity and People\'s Peace." The entire wooden surface presents a face with eyes, a nose, and a mouth, displaying different expressions.']
|
[True, False, True, True, True]
|
['Chinese Characters', nan, 'There are Chinese character in the pic', 'The characters in the picture are Chinese. So maybe this pic was taken in China or Japan as Japan used some Chinese characters', nan]
|
This image presents a fascinating array of wooden sculptures, each consisting of figures mounted on long wooden sticks. Each figure is distinct, showcasing a variety of unique facial features, including different shapes for their noses, eyes, and ears. Notably, the expressions vary among the sculptures: some appear to be laughing, such as the one located in the center, while others display more serious or even angry expressions, like the figure positioned to the right. There are a total of six such sculptures, with five of them clustered more towards the middle of the composition. The sixth figure is slightly set apart to the right and seems to be gazing in that direction, while the others are oriented directly towards the viewer. The alignment of the figures varies; some hold a more upright posture, whereas others are crooked, as observed in the figure on the left. The background adds depth to the scene, featuring trees and grass, with a rocky formation visible to the far left. In the distance, there are structures that appear to be houses, indicating a populated area. The atmosphere is somewhat somber, as the sky is overcast, suggesting that the photograph was captured on a cloudy day. The presence of Chinese characters on the wooden sticks suggests that this photograph likely originates from China. The specific characters, which I am unable to read, reinforce this assumption. Another description of the image reiterates the presence of six wooden sculptures with prominent facial features, including slanted eyes and large ears. The environmental details confirm a park-like setting with grass that shows a mix of yellow and green hues, indicative of either autumn or spring. The mention of the trees being bare indicates that the weather may be cool, with the gray sky suggesting a lack of sunshine. In addition, one transcription highlights that the characters inscribed on the wooden stakes, which read phrases like "General Woman" or "National Prosperity and People’s Peace," suggest cultural significance. This further implies that the figures may represent societal values or historical figures from Chinese culture. The summary provided in another transcription describes the yard-like appearance of the scene, detailing the arrangement of several tall wooden figures, each over a meter in height. The presence of Chinese characters such as "Great General" and "Female General" on these statues points to a cultural or historical narrative inherent to the artwork. The sculptures seem to evoke a more serious tone rather than a playful one, featuring characteristics such as large noses and pronounced chins, which contribute to their somewhat intimidating aesthetic. Overall, the details regarding the sculptures, their expressions, the environmental context, and the cultural significance embedded in the characters create a rich tapestry showcasing an intersection of art and cultural heritage, likely reflective of a Chinese setting. Additionally, there is a possibility of overlap with Japanese culture due to both nations' historical use of Chinese characters. The multiple references to specific phrases reveal an intricate connection to national pride and identity themes, further emphasizing the artwork’s depth.
| 1,031 |
|
nonnative
|
['11dGpsHO7QHe', '11weT9wL7FHi', '18P54q6fl0Gh']
|
['English', 'English', 'English']
|
[" At first glance, this image shows a bowl of soap and noodles. It's got a green bowl filled with clear broth, noodles and various toppings. I think there are several objects in the bowl, like noodles, slices of fish cake, some green onions and crispy fried onions, I think. I can't give an exact count, but there are multiple pieces of fish cake and a general sprinkling of green onions and fried onions as well. The bowl is placed on a table and there is also a spoon on the left to the bowl. The toppings are mostly in the center of the bowl. And in the background, there is a red packet. It's mostly out of focus, so it's hard to make any details. That looks like an ad. And overall, the style looks quite simple. So it's basically taken before someone is going to eat this noodle. So I would say one can infer that this is a type of Asian cuisine, probably Chinese or from the East, Southeast Asia or Singaporean. And looks like quite tasty.", " Hello, and thank you for listening. In this photograph, I see a green bowl containing what appears to be a clear soup with noodles, sliced white fish, and some leafy greens. On top, there are fried shallots and chopped spring onions that add a bit of texture and color. The broth looks fairly light, with small bubbles around the edges. A metal spoon rests to the left on a dark serving tray, and behind the bowl is a redened orange sign, though the words are not clearly visible. The table's surface, or possibly the tray, has a gray own that contrasts with the bright green of the bowl. The overall style seems casual, like a quick meal in a cafeteria or food court. The fish slices appear tender, and the noodles look similar to instant ramen or thin wheat noodles. The garnish on top adds a crispy element. No text is clearly legible in the frame, aside from partial lettering on the sign in the background. From the setting, one might guess this is a simple, everyday meal commonly found in certain Asian cuisines. The photograph focuses on the dish, with the rest of the background slightly out of focus.", " So this photo seems to be taken either in a restaurant or in a food plaza. So it's on a wooden table which also has a poster or like some other kind of signs on top. And there's a black food tray on the left side we can see a pair of silvers maybe one spoon and one fork I guess. And we can also see a grain bowl inside we can see some clear broth and instant noodle I guess. There are also some I guess fried garlic, fresh scallion, broiled lettuce, seems like lettuce and some fish fillet on top. So this should be a Chinese or Asian dish which is a noodle soup with fish."]
|
[False, False, True]
|
[nan, nan, 'Asian']
|
At first glance, the image presents a green bowl that is filled with a clear broth, noodles, and a variety of toppings. An evaluation of the contents reveals several noteworthy components: the bowl contains noodles alongside slices of fish cake, a sprinkling of chopped green onions, and what appears to be crispy fried onions. While it's difficult to provide an exact count of the items, there are multiple pieces of fish cake and a general distribution of green onions and fried onions visible in the bowl. The bowl is prominently positioned on a table, and on the left side, there is a metal spoon placed adjacent to the bowl. The toppings are primarily concentrated in the center of the bowl, showcasing the visual appeal and texture of the dish. In the background, there is a red packet that seems to be mostly out of focus, making it challenging to discern any specific details about it. It appears that the packet is an advertisement of some sort, adding to the ambiance of the setting. The overall style of the image is quite straightforward, suggesting that it was taken just before someone intended to enjoy the noodle dish. Based on the visual evidence, one can infer that this is an example of Asian cuisine—most likely Chinese or potentially from Southeast Asia, with a hint that it could be associated with Singaporean culinary styles. The arrangement and ingredients in the bowl evoke a sense of tastiness and appeal to the viewer. In another interpretation of this photograph, it is observed that the green bowl contains a clear soup with noodles, tender slices of white fish, and some leafy greens, contributing to a fresh appearance. The topping includes fried shallots and chopped spring onions, both of which serve to enhance the visual texture and add vibrant color to the dish. The broth itself appears light, with small bubbles present around the edges, indicating freshness. To the left of the bowl rests a metal spoon on a dark serving tray, while behind the bowl, there is an orange sign that has turned a reddened hue, although the text is not distinctly visible. The surface beneath the bowl—whether that’s the table or the tray—has a gray tone that starkly contrasts with the bright green of the bowl, drawing attention to it. The overall presentation of the meal suggests a casual dining experience, reminiscent of a quick meal served in a cafeteria or food court. The slices of fish seem to be soft and tender, while the noodles resemble either instant ramen or thin wheat noodles, which adds to the comfort food aspect of the dish. The crispy garnish on top enhances texture, inviting the viewer to imagine the flavor profile. Unfortunately, apart from partial lettering on the background sign, no text can be clearly identified within the frame. Based on the setting and composition, it can be surmised that this dish represents a simple, everyday meal typical of various Asian cuisines. The photograph focuses intently on the dish while allowing the background to blur slightly, emphasizing the culinary experience. In another perspective on the photo, it appears to have been captured either in a restaurant or a food plaza. The setting features a wooden table topped with a poster or signage, which adds to the context of the location. To the left, there is a black food tray featuring a pair of silver utensils—potentially a spoon and a fork. Centered within the image, the vibrant green bowl is filled with a clear broth that likely contains instant noodles. The toppings include fried garlic, fresh scallions, what seems to be broiled lettuce, and slices of fish fillet resting atop the dish. This further confirms the identification of the meal as a Chinese or Asian noodle soup with fish, presenting a comforting and hearty option for diners.
| 480 |
|
nonnative
|
['1cylf4bm2Xbo', '12rvjv066I3i', '1cQKR5KOi5rM', '19Qo2TuBXKbP']
|
['Korean', 'English', 'Chinese', 'Vietnamese']
|
['This image shows a small kitchen set against a backdrop of rustic wood interior. In the center, there is a gas stove and oven, with pots and frying pans on top. On the right shelf, there is a coffee maker and a microwave, and various cooking utensils and dishware are scattered across the counter and shelves. Eye-catching items like a red cup and paper towels give the space a lived-in feel, suggesting that it’s a well-used kitchen. The background of the kitchen is composed of wooden walls, creating a warm and cozy atmosphere. Natural light pours in, brightly illuminating the interior and making the space even more inviting. The overall color scheme is centered on wood tones, harmonized with white and black, highlighting a simple and practical style. While the space may not be perfectly tidy, it feels natural and lived-in, suggesting that cooking happens here regularly.', " This is an image of some sort of like makeshift kitchen where you have a coffee maker on the top right that's on top of the microwave which is on top of some sort of cupboard then there's an oven to the left of that with the stove top there's two pans on the stove and then with like a third then there's a table to the left of that that has all sorts of stuff on it I can see a peanut butter it looks like it's jiff brand there's a pan on top of another heating looking thing maybe or maybe there's a stack of pans there's a pitcher there's a pink cup there's a yellow and green box under that table there are coffee filters on the cover on the right there's a window on the left and it looks like the sun is coming through that so you can't really see out of it the walls are wooden and yeahíd bea $100 $56 $58 $45 $ $", "In this photo, it looks like a place resembling a kitchen, but it's extremely simple and not like a kitchen in an apartment. It has more of a makeshift feel, possibly indicating a poorer environment. It's evident that it's a very rudimentary space, almost like a constructed area. On the far right, we can see a microwave, with something resembling a coffee pot on top. To its left, there seems to be a cup, though I'm not entirely sure. The coffee pot is white, and the microwave is black. Below the microwave is a cabinet, which holds some items that are not very clear in detail. The microwave is plugged in. In the middle, we can see what looks like a stove; the top is the stove, and below it is an oven, both together as one unit. On the left, there's a very simple storage table that holds some pots and possibly some seasonings, making it quite basic. On the far left, there seems to be a light source, which illuminates this area significantly, giving a sense of brightness to the scene.", 'The image depicts a kitchen with a white oven in the center. On the right side of the image, there is a shelf with a black microwave on it. On top of the microwave, there is a white coffee maker. Next to the coffee maker on the left side is a box, possibly for storing sugar. On the left side of the oven, there is a table. On the table, there are several items including a yellow water pitcher, an orange cup, and a pan for cooking.']
|
[True, False, False, True]
|
['This image can be considered culturally distinct to some extent. The setting and objects suggest a small, rustic kitchen space that appears influenced by a specific cultural or regional style, likely tied to Western or North American traditions of cabin or rural living. The wooden walls, practical kitchen setup, and unpolished, functional aesthetic are characteristic of a rustic lifestyle often associated with countryside homes or vacation cabins in these regions. The use of a standalone gas stove, open shelving with visible everyday items, and the simple, unembellished design reflect a cultural emphasis on practicality and connection to nature, which might not be as common in urban or culturally different settings, such as highly modernized kitchens in East Asia or Europe. While the objects and layout may not be unique to a single culture, the overall setting carries cultural nuances tied to rural or rustic living traditions.', nan, nan, nan]
|
This image presents a small kitchen that is characterized by a rustic wooden interior, which conveys a sense of comfort and warmth. At the heart of the kitchen, there is a gas stove and oven, clearly active as evidenced by the presence of pots and frying pans resting on the stove top. To the right, a shelf holds a black microwave nestled below a white coffee maker, contributing to the practical setup of the space. Various cooking utensils and dishware are casually scattered across both the countertop and the shelves, further accentuating the kitchen's lived-in quality. Vivid details enhance the scene, with eye-catching items like a bright red cup and paper towels suggesting regular use, hinting that cooking is a frequent activity here. The walls, constructed from wood, enhance the rustic aesthetic and create an inviting atmosphere. Sunshine streams in through a nearby window, flooding the kitchen with natural light, accentuating all elements and making the space feel even more welcoming. The color palette of the kitchen primarily consists of warm wood tones, complemented by white and black accents, which reflect a simple, practical style that is comforting and relatable. While the kitchen may not exhibit a perfect level of tidiness, this aspect lends authenticity to the setting, imbuing it with a sense of normalcy and routine. In an alternative description, another image illustrates a more makeshift kitchen appearance, featuring a coffee maker placed atop a microwave, which is itself resting on a cupboard unit. To the left, an oven with an accompanying stovetop can be seen, hosting several pans. Nearby, a table is cluttered with various items that create the impression of a functional yet basic kitchen environment. Notably, there is a Jif-brand peanut butter jar and a pink cup, which contribute to the personal touch of the space. Despite its makeshift nature, the kitchen benefits from natural sunlight pouring through a window on the left side, although the view outside remains obscured. The walls are similarly wooden, further continuing the rustic theme. This scene suggests a simple, possibly economically disadvantaged environment, indicated by the rudimentary design and basic functionality of the space. The presence of basic appliances like a microwave and stove illustrates a practical approach to cooking and living. Another perspective reveals a kitchen centered around a white oven, framed by additional functional elements. To the right, the black microwave and white coffee maker occupy the shelf, with a container likely intended for sugar placed beside the coffee maker. A table to the left boasts several essentials, including a yellow water pitcher, an orange cup, and a cooking pan, combining to create a well-utilized kitchen atmosphere. Culturally, this kitchen setting embodies characteristics commonly associated with Western or North American rural lifestyles, particularly those found in countryside homes or cabin retreats. The emphasis on a practical kitchen layout, featuring open shelving and everyday items in view, reflects a lifestyle that values simplicity and a close connection to nature. This contrasts markedly with the sleek, highly modernized kitchens found in urban settings, particularly in regions like East Asia or parts of Europe, highlighting the cultural distinctions in kitchen designs and functionalities.
| 1,790 |
|
nonnative
|
['12Kpotz9zGoU', '1dVFJIabYLQn', '1gg7dwmS28r5', '19uZBU1s7qzO']
|
['Chinese', 'Russian', 'Norwegian', 'English']
|
["Okay, this photo is of a refrigerator. Then we see the door open, and we look inside the refrigerator. Let me first talk about the refrigerator; it is a white refrigerator, and inside there are four shelves. Let's talk about the highest shelf first; it seems to have various sauces and condiments placed among the food. The second shelf seems to have a pizza, along with some strawberries or something leafy like that. The third shelf has more vegetables, including some green onions and mushrooms, and the bottom shelf also has vegetables, all vegetables. It seems I didn't see any meat, but there are more items like apples and pineapples placed in two boxes. On the door, there is a bottle of wine and another bottle that looks like milk, and on top, there are four eggs. Alright, thank you. Thank you. Thank you. Thank you. Thank you. Goodbye. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you.", 'Here we are looking inside someone\'s refrigerator, a white refrigerator. Inside, there\'s clearly a paw. This refrigerator seems quite old or at least not North American—definitely some kind of European refrigerator. But what language is that? It\'s unclear. To the right, there’s a bottle with the label "Calcio." What does Calcio have to do with this? It\'s unclear, possibly related to this milk or this yogurt, but I don\'t know what language it is. Inside the refrigerator, on the upper right, there are some eggs, then some sauces on the top shelf. On the bottom, there are various colorful vegetables—green, orange, yellow. You can definitely see lemons, and something white, and something large and purple. In the bottom or center of this photo, you can also see that there’s a freezer underneath. There are no more photos, just the refrigerator.', 'In the picture, we see an open refrigerator filled with a lot of food. At the bottom of the refrigerator, there is a lot of fruit and vegetables. At the top of the refrigerator, there are jars and bottles that look like jams and other sauces. In the door of the refrigerator, there are drinks in cartons that resemble juice. In the top right of the refrigerator door, there are three eggs and a piece of fruit. In the middle left of the refrigerator door, there is a large green glass bottle. Below the refrigerator, there is also an unopened door, which might be a freezer. We also see a blue object sitting on top of the refrigerator. There is a lot of varied fruit at the bottom of the refrigerator, such as lemon, orange, pepper, cabbage, mushrooms, and carrots. Yes, there is a lot of variety. Right, at the top. There is much variety as well.', " This is an image of a fridge that is open, but the freezer door is shut. And so there are three different layers with two drawers on the bottom. And on the door, there are four more places and shelves with one larger shelf on the bottom. That's a fifth one. On the right, there is a carton of eggs in the top right. On the second layer, on the left, there is an open yellow bag with a green bottle. And on the right, there is Cumber de Gret carton with some other white condiment. And on the bottom, it says the same brand, but in red, as I just said before, with Puleva Calcio. There are a lot of fresh fruits and vegetables in the actual fridge. And on the top row, there appear to be a lot of condiments like ranch. There are severalvagant trees. And if there are plenty of carried out in the SEC, the trimmer on the back of the stomach, the forbid 봤 is more than you can just use disconussa. And it too. There is no proportion, you can't touch most of the Coleman' business, and you can't just listen to the Alexanderam. So let's see how this depends. This� is the application on purpose."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
This transcription features a detailed visual description of an open refrigerator from different perspectives, highlighting various contents and organization. In the first account, the refrigerator is identified as being white, with four shelves. The uppermost shelf contains an assortment of sauces and condiments alongside some food items. The second shelf holds a pizza and appears to feature some strawberries or possibly a leafy green item. The third shelf is primarily dedicated to vegetables, showcasing green onions and mushrooms, while the bottom shelf is entirely filled with various types of vegetables. Notably, there is no meat visible within the refrigerator. Additionally, two boxes at the bottom are filled with fruits, specifically apples and pineapples. On the door of the refrigerator, a bottle of wine is observed alongside another bottle that resembles milk, with four eggs placed on the top shelf. The transcription concludes with multiple expressions of gratitude and farewells. In the second account, the narrator again provides a perspective of the refrigerator, noting its distinct characteristics. The statement mentions that the refrigerator appears older or possibly of European manufacture, hinting that it may not conform to typical North American designs. A bottle labeled "Calcio" is pointed out, although its relevance remains ambiguous. The shelves are filled with eggs, sauces, and a variety of colorful vegetables—green, orange, and yellow—alongside recognizable items such as lemons and a large purple vegetable. Furthermore, a freezer compartment is described as present at the bottom or center of the refrigerator image, with no additional photographs to elaborate further. The third description reiterates the open state of the refrigerator, indicating it is stocked with a significant amount of food. Prominent among the contents at the bottom are various fruits and vegetables, while the top section displays jars and bottles that appear to contain jams or sauces. The door features cartons resembling juice containers, with three eggs and a piece of fruit located at the top right. An interesting detail includes a large green glass bottle located on the middle left of the door. The description suggests a considerable variety of fruits and vegetables is present, mentioning items such as lemon, orange, pepper, cabbage, mushrooms, and carrots, reflecting a diverse selection overall. In the final narration, the refrigerator's open state is confirmed, although the freezer door remains closed. The arrangement is noted to have multiple layers, including two drawers at the bottom. The door displays four compartments and shelves, highlighted by a larger shelf at the bottom, which contributes to a total of five storage spaces. In the upper right corner, a carton of eggs is spotted, while the second shelf showcases an open yellow bag and a green bottle. A carton labeled "Cumber de Gret" appears alongside another white condiment. The bottom shelf contains packaging that displays the same brand name, "Puleva Calcio," suggesting it is related to dairy products. The interior of the refrigerator is filled with fresh fruits and vegetables, with a notable presence of condiments such as ranch dressing in the top layer. The description becomes somewhat jumbled towards the end, but an indication of a mix of various items remains clear, as does the presence of items that may not be overtly recognizable.
| 1,696 |
|
nonnative
|
['13LIlxLokLhu', '1nJNZ8cWSI4X', '13ezb6SL3NLs']
|
['Korean', 'English', 'Chinese']
|
['This image depicts a woman in a unique outfit peering into a teddy bear on stage. She is wearing a dark green dress, highlighted by a white lace collar and sleeves that enhance her outfit. On her head, she sports a hairband adorned with a small ribbon, reminiscent of Japanese Lolita fashion. On the stage, alongside the teddy bear, there are various props. To the right, there appears to be an object resembling a vacuum cleaner or machinery, while on the left, a red strobe light is placed. These props mix everyday items with theatrical elements to create an unreal and distinctive atmosphere. The woman’s gaze and posture towards the teddy bear suggest a somewhat contemplative or emotional scene. The background is very minimal, primarily consisting of white walls that allow for a focus on the character and props. The overall color scheme is centered on green, white, and black, harmonizing with the colors of the props. The style is theatrical, combining fashion and props influenced by a specific subculture, giving an extraordinary and original feeling. This image resembles not merely a photograph but rather captures a scene from a performance or play, conveying a unique impression through its unreal and imaginative visual elements. Here Sega', " This is an image of a woman packing up some things it seems. She's holding a teddy bear in one hand and reaching for the woven basket in the other. She looks like she's dressed up in some green dress with frills on the end. She's wearing makeup. She has a bow in her hair. There are stools and a megaphone to the right of her. And there's some red cup of some sort to the left of her. The background is completely white and she seems to be on some kind of grey concrete platform that's elevated and the image is looking up towards her.", "This photo shows someone possibly cleaning up toys for another person. In front of them, there's a small bear toy, a light toy, two large chairs, a health device, and a small basin. The woman, dressed in a way that resembles a maid, is currently putting the bear toy into the basin and is likely going to place other toys into the basin as well, helping to tidy up for someone."]
|
[False, False, False]
|
[nan, nan, nan]
|
This image depicts a woman in a unique and striking outfit as she peers into a teddy bear placed on stage. She is elegantly dressed in a dark green dress, which is accentuated by a delicate white lace collar as well as lace sleeves that enhance her overall appearance. On her head, she wears a charming hairband that is embellished with a small ribbon, an accessory that draws inspiration from Japanese Lolita fashion, which is characterized by its Victorian and Rococo influences, often featuring frilly dresses and accessories that evoke a sense of whimsy. Surrounding the teddy bear on stage are various intriguing props. To the right of the scene, there is an object that resembles either a vacuum cleaner or a piece of machinery, which adds an element of curiosity to the setting. Meanwhile, on the left side, a vivid red strobe light is strategically placed, contributing to the theatrical ambiance of the display. These props seamlessly blend everyday items with dramatic elements, creating an unreal and distinctive atmosphere that captures the viewer’s attention. The woman’s gaze and posture towards the teddy bear suggest a contemplative or emotionally charged moment, inviting viewers to ponder her thoughts or feelings related to the bear. The background of the image is quite minimalistic, consisting predominantly of white walls that serve to direct focus towards the central character and the colorful props. The overall color scheme of the image revolves around green, white, and black, achieving a harmonious balance that complements both the woman's attire and the surrounding props. The style embodied in this scene is distinctly theatrical, merging fashion with props that are inspired by a specific subculture, ultimately rendering it extraordinary and original. The image evokes the feeling of not just a simple photograph, but rather captures a moment from a performance or play, conveying a unique impression through its surreal and imaginative visual elements. In another image, a woman is shown packing up some items. She is holding a teddy bear in one hand while reaching for a woven basket with the other hand, indicating that she is in the process of tidying up. Her attire consists of a green dress featuring frills at the hem, and she has applied makeup, adding to her polished look. A bow in her hair further enhances her appearance, giving a cheerful touch. Surrounding her are several props: there are stools and a megaphone on the right side, and to the left, a red cup adds a splash of color. The background is completely white, creating a stark contrast with the woman and the props, while she appears to be standing on an elevated grey concrete platform. This angle provides a perspective that emphasizes her actions as the viewer looks up towards her. Lastly, a third photograph presents a scene where a woman is potentially cleaning up toys, possibly for someone else. In front of her, a small bear toy, a light toy, two large chairs, a health device, and a small basin are arranged. The woman is dressed in a style reminiscent of a maid, which reinforces her role in the act of tidying up. At this moment, she is putting the bear toy into the basin and seems likely to arrange other toys together in the basin as part of her efforts to create a neat setting for the intended recipient.
| 1,587 |
|
native
|
['1chuNIFOpY7e']
|
['Korean']
|
['This photo captures a traditional Korean pagoda. In the center of the photo is a large stone pagoda, and to the right of it, there is an explanatory plaque describing the pagoda. The text in the photo includes the URL http4242.net, which indicates the website where this photo was taken. The stone pagoda in the image is a three-story structure. In the background, the sky, trees, and rooftops of buildings are visible. The rooftop is tiled, and given that this area contains a pagoda, it can be inferred that the photo was taken at a temple.']
|
[False]
|
[nan]
|
This photograph showcases a traditional Korean pagoda, characterized by its architectural style and historical significance. Dominating the center of the image is a large stone pagoda, which is a notable three-story structure. This type of pagoda typically symbolizes the presence of Buddhist beliefs and often serves as a site of worship or reflection. To the right of the pagoda, there is an informative plaque that provides an explanation of the pagoda's features, history, or significance, though the specific content of the text is not detailed here. The photograph also features a URL, http4242.net, which appears to be the website from which this photo originates or possibly where further information can be found regarding the pagoda or the location. In the background, one can see a backdrop of a clear sky along with green trees. The photo additionally captures the rooftops of adjacent buildings, which are adorned with traditional tiling, a common feature in East Asian architecture. The presence of the pagoda and the architectural style of the rooftop suggest that this location is likely situated within a temple complex, a place that holds cultural and spiritual significance in Korean tradition.
| 2,896 |
|
native
|
['1iZUukDHmT0V']
|
['Korean']
|
['The image shows a stationary exercise bike with a video screen. In the picture, there is one exercise bike and one pair of goggles for viewing the video. There is no text in the image. The exercise bike is positioned on the left side of the picture, while the goggles for watching the video are on the right, arranged at a height suitable for a person using the equipment. The background features lines that create a sense of perspective, resembling a wall, while the rest of the background is entirely white. The goggles have blue lenses and a black body. The exercise bike is made up of black, white, and red colors.']
|
[False]
|
[nan]
|
The image depicts a stationary exercise bike designed for indoor cycling, prominently featured on the left side of the composition. This bike is equipped with a video screen which enhances the exercise experience by providing visual stimuli, possibly simulating outdoor cycling vistas or providing guided workouts. Adjacent to the bike on the right side of the image, there is a pair of specialized goggles intended for immersive viewing while exercising. These goggles are arranged at a height conducive for easy access and use by an individual engaged in workout sessions. In terms of design, the goggles are characterized by striking blue lenses that stand out against their sleek black body, suggesting a modern and high-tech aesthetic. The exercise bike showcases a combination of colors—black, white, and red—giving it a vibrant and contemporary look, which is appealing to fitness enthusiasts. The background of the image employs lines that suggest depth and perspective, creating a sense of dimensionality that mimics the appearance of a wall. This technique draws the viewer's eye toward the central elements of the bike and goggles while maintaining a clean and minimalist white backdrop that further emphasizes the equipment. The overall composition focuses on the exercise setup, showcasing it as a high-quality fitness solution for users seeking an enhanced workout experience through technology.
| 2,995 |
|
nonnative
|
['18nD2vMs2JZd']
|
['English']
|
[" Okay, so this is, looks like a TV show on award ceremony, I'm not entirely sure. It appears to be somewhere in Asia, just in Korea, I am not sure though. The primary focus of this image seems to be the couple in the middle, where the celebrities surrounded by photographers and news people, with two announcers in the background. In general, there are 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13, 14, 15, 16, 17, 18, 19, 19, 19, 19, 19, 20, 20, 21, 21, 21, 22, 23, 24, 24 people in this. There are 1, 2, 3, 4, 5, 6, 7, 8, 9 cameras. The primary object of colour is the purple-watering in the background. And then outside of that, the main couple of the forefront are very ."]
|
[False]
|
[nan]
|
The scene depicts a vibrant television show or award ceremony taking place, likely in an Asian country, potentially South Korea, although the exact location is not confirmed. The central focus of this image is a couple who stand prominently in the foreground, immediately drawing the viewer's attention. Surrounding this couple are various celebrities, all seemingly in high spirits, drawing in numerous photographers and journalists seeking to capture the moment. In the background, two announcers can be spotted, potentially providing commentary or conducting interviews with the celebrities present. The atmosphere appears lively and buzzing with excitement, indicative of the grandeur typically associated with award ceremonies. Numerous individuals populate the scene, with the total count amounting to approximately twenty-four people present. This includes the couple, celebrities, photographers, and perhaps event staff, all contributing to the buzz of the occasion. The image showcases the dynamic interplay of celebrity culture, revealing how every detail is meticulously curated for the audience and media. Additionally, there are around nine cameras captured in the image, a testament to the high level of media coverage and the importance of this event within the entertainment industry. The background features a striking purple hue that likely contributes to the overall aesthetic of the ceremony, creating a visually engaging backdrop that complements the festive nature of the event. The vibrant colors serve to enhance the celebratory mood that such award ceremonies typically embody. The couple in the foreground, though not described in detail, likely represent the pinnacle of recognition in this vibrant cultural landscape, embodying the allure and glamour associated with such prestigious gatherings.
| 2,567 |
|
nonnative
|
['1mDrAqbmlxon', '1lvHT0kftW8v', '1aHBHS385ZgB', '1lOfL1I2OqVY', '1oBQMHBuFcpv']
|
['Chinese', 'English', 'Chinese', 'English', 'Chinese']
|
['At night, there was a bicycle lying on its right side by the roadside. The road surface was paved with bricks, and the bicycle was resting on the brick surface. It had a bluish-green metallic shell, black tires, and a black seat. There were some dried leaves on the ground. This bicycle didn\'t have a front crossbar; it had a V-shaped frame. On the seat, there were some orange parts resembling patterns on a seat cushion. On the side of the rear wheel, there was a tailpiece, and the support structure connecting it to the rear wheel hub had a fender with the name "Diana" written on it. The background had some flowers, and the letter "I" in "Diana" was shaped like a flower, suggesting that a floral company named Diana had placed an advertisement. Additionally, the rear wheel section had a black lock attached to it.', " In this image, you can see a bicycle. This is during the night, and this bicycle is on the floor. It looks like somebody ripped it off of something or tried to steal it or something like that, and it looks like it might be a kid's bike. It's got this teal bicycle. The color of the bicycle itself is teal, and it's got both wheels on it, but it looks like the front wheel is ripped out a little bit. And it was just laying on the floor in the middle of a sidewalk at night, and the sidewalk itself looks like it's made of bricks or something like that. There's all these bricks, and it's dark, and this is probably a kid's bike, and it's got some pink writing on it. It's got some pink, like this flap, this pink flap, and it's unclear exactly what's on it, but it's, uh... The top of the image is all black. You can't see anything. It's the dead of night, clearly, and the bottom of the image has more light, so it looks like there's light shining down from the opposite angle of the camera. So that's basically what you can see in the image. ...", "In this image, I see a bicycle that has fallen on the ground by a stone window. The bicycle is a vibrant green or lake blue; it should be a color between blue and green, but it probably leans more towards lake blue. The picture is taken from a lower angle looking up. The bicycle is lying on the ground facing the upper left. Behind it, there seems to be an advertisement or some kind of sign. There is small lettering above the bicycle's wheel. The overall scene is relatively dim, with no people or other buildings around, making it look as if the bicycle has either been hit or has fallen over on its own.", " yeah got a very dark photo there's a couple bicycle lying sideways on the ground the bicycles frame is turquoise color got obviously the idea tires of the bicycle are black it's sitting sideways on a what is this on a floor and that is that's comprised of geometric patterns or sitting in a on a special road or perhaps inside somebody's house on the floor it also has some lettering this bicycle has it has some lettering on the the framework of the bicycle with letters that are too small for me to see but I can certainly see them but there is something being written there well this is a very dark photo of Clarkson is going on", 'This is a vertically composed image with a generally dark color tone, suggesting it is likely late at night. However, we can still see a bicycle, suitable for an adult to ride, which is light blue in color and has a rear seat. The bike is lying on a concrete surface, which is in a light color scheme of pale yellow and gray. This concrete surface has some brick patterns, indicating it is likely in an urban space, possibly at a street corner or on the sidewalk near a road. The bicycle has accidentally been knocked over by someone, but overall the lighting is quite dim, and not much else can be discerned from the image.']
|
[False, False, False, False, False]
|
[nan, nan, nan, nan, nan]
|
At night, a bicycle can be seen lying on its right side by the roadside. The road surface is paved with bricks, providing a solid foundation for the fallen bicycle, which has a bluish-green metallic shell combined with black tires and a black seat. Surrounding the bicycle, there are some dried leaves scattered on the ground, adding to the scene's autumnal feel. The design of this bicycle is distinctive; it features a V-shaped frame instead of a typical straight crossbar. The seat of the bicycle is adorned with orange designs that resemble patterns akin to those found on a seat cushion. Attached to the side of the rear wheel is a tailpiece, with a support structure connecting it to the rear wheel hub, which features a fender displaying the name "Diana." Notably, the letter "I" in "Diana" is stylized to resemble a flower, suggesting an advertisement from a floral company named Diana. Furthermore, a black lock is attached to the rear wheel section, indicating that the bicycle may have been intended to secure it against theft. In the background, some flowers can be seen, creating a contrast with the bike's fallen state and the overall nighttime environment. In another depiction, the image shows a bicycle on the floor at night, suggesting it may have been abandoned or possibly stolen, particularly as it appears to resemble a child's bike. The bicycle is described as being teal in color and both wheels are intact; however, the front wheel seems to be slightly dislodged. It lies abandoned on a brick sidewalk, and the dark atmosphere signifies that it is the dead of night. The bicycle features some pink writing and a pink flap, though the details of this flap are not clearly visible. The top portion of the image is black, indicating the total darkness of the night, while the lower portion features some light, suggesting a light source illuminating the scene from a different angle. A third perspective shows a bicycle that appears to have fallen beside a stone window, underscoring a sense of abandonment. The bicycle is described as vibrant green or lake blue, a hue that sits between blue and green, leaning more toward lake blue. This picture is taken from a lower angle, looking up at the bicycle, which lies on the ground facing the upper left. Behind the bicycle, an advertisement or sign is somewhat obscured but visible, with small lettering located above the bicycle’s wheel. The ambiance of the scene remains dim, lacking human presence or surrounding buildings, raising the question of whether the bicycle fell on its own or was knocked over. Another image captures a bicycle lying sideways on the ground in a very dark photograph. The bicycle's frame is characterized by a turquoise color, and it is evident that the tires are black. The ground features a surface that consists of geometric patterns, possibly suggesting it is situated in an unusual location such as a unique road or possibly even inside someone's house. While there is some lettering on the bicycle's framework, the characters are too small to be seen clearly, leaving the precise details unknown. Finally, a vertically composed image gives off a generally dark tone, indicating it is likely late at night. It features a light blue bicycle suitable for an adult, which lies on a light-colored concrete surface displaying pale yellow and gray hues. The concrete has brick patterns, hinting that the scene is urban, possibly at a street corner or sidewalk near a road. The bicycle's position suggests it was accidentally knocked over by someone. However, the dim lighting allows for little else to be discerned from the image, encapsulating an air of solitude and abandonment.
| 1,419 |
|
native
|
['11Aw59d2n6n7']
|
['Korean']
|
["This photo features naengmyeon, one of Korea's representative traditional dishes. In the cold broth, thin buckwheat noodles are elegantly curled, topped with cucumber, green onion, a boiled egg, and a piece of boiled meat. Naengmyeon is mainly divided into two types: Pyeongyang naengmyeon and Hamhung naengmyeon, and the cold noodles in this photo appear to be Pyeongyang naengmyeon, characterized by its clear broth. Pyeongyang naengmyeon is known for its light flavor, made with noodles that have a slightly chewy texture, served in broth made from beef, pork, or chicken. Typically, diners add mustard or vinegar to adjust the taste, and it is a beloved food not only in the hot summer but throughout all four seasons. Originally, naengmyeon started as a winter delicacy, but it has now become popular as a dish enjoyed alongside greasy foods like grilled pork belly or jokbal (braised pig's trotters). The naengmyeon in this photo is served in a stainless steel bowl and is arranged neatly in the traditional manner, showcasing the characteristics of Korean food culture."]
|
[True]
|
['It shows Naengmyeon which is a traditional dish that is strongly associated with Korean cuisine.']
|
This photo showcases naengmyeon, a quintessential traditional dish hailing from Korea, well-known for its refreshing qualities. The dish consists of thin, delicate buckwheat noodles which are elegantly curled and served in a chilled broth. The presentation is enhanced with an assortment of garnishes including crisp cucumber slices, finely chopped green onion, a perfectly boiled egg, and a piece of tender boiled meat. Naengmyeon is primarily categorized into two distinct types: Pyeongyang naengmyeon, which originates from the capital city of Pyongyang, and Hamhung naengmyeon, which is from the coastal city of Hamhung. In the image, the cold noodles appear to represent Pyeongyang naengmyeon, known for its characteristic clear broth. This variety is celebrated for its light flavor profile, achieved through the use of noodles that possess a slightly chewy texture. The broth is typically made from a combination of beef, pork, or chicken, contributing to its rich yet delicate taste. Diners often enhance the flavor by adding condiments such as mustard or vinegar, allowing for a customized dining experience. While naengmyeon is particularly popular during the hot summer months, it is also enjoyed throughout all four seasons. Interestingly, its origins lie as a winter delicacy, initially served to help warm and nourish those during the colder months. Over time, it has gained immense popularity as a complement to richer, greasy foods, such as grilled pork belly (samgyeopsal) or jokbal, which is braised pig's trotters. The naengmyeon depicted in this photo is served in a stainless steel bowl, a traditional choice in Korean dining, and is arranged meticulously, reflecting the importance of aesthetics in Korean food culture. The careful presentation not only highlights the dish's ingredients but also emphasizes the cultural significance and culinary artistry inherent in Korean cuisine.
| 1,140 |
|
nonnative
|
['1mSqlDSAKhIG']
|
['English']
|
[" In this image, I see a woman standing on the red carpet. She's facing the camera, but her eyes are looking at the top right. And the backdrop is some black background with city buildings at the bottom of the background. But there are a bunch of logos in the back. One of them is S-Y-M. And then others are like Chinese words. The woman has brownish black hair. And she's wearing this lacy dress at the top that is mainly just black and white. The entire dress. The skirt part goes all the way down to her toes, so you can't see her legs. Her arms are bare, and they're at her sides. She's also wearing this necklace that is some red ruby-ish in the center. And she's wearing an earring as well. She's smiling. And she also has a ring on her left hand. All of her jewelry is like silverish."]
|
[False]
|
[nan]
|
In this image, there is a woman poised elegantly on a red carpet, exuding confidence and charm. She is positioned to face the camera directly, although her gaze is directed towards the top right corner, adding an air of mystery to her expression. The backdrop features a sleek black background, subtly adorned with imagery of city buildings positioned at the lower section, creating an urban ambiance. Scattered across the backdrop are various logos, one of which prominently displays the letters "S-Y-M," while others are inscribed in Chinese characters, hinting at a cultural context and possibly indicating the event's international significance or sponsorship. The woman possesses striking, brownish-black hair that perfectly complements her sophisticated appearance. She is wearing a stunning lacy dress that incorporates a primarily black and white color palette. The design is intricate, showcasing delicate lace work at the top, while the skirt cascades gracefully down to her toes, concealing her legs and giving her a statuesque silhouette. Her arms are bare and rest elegantly at her sides, enhancing the overall gracefulness of her stance. Completing her ensemble, she adorns herself with a striking necklace featuring a central jewel resembling a red ruby, which draws attention to her neckline. Additionally, she wears matching earrings that enhance her overall elegance. On her left hand glimmers a ring, suggesting a further touch of sophistication, and all her jewelry appears to have a silver-like finish, which harmonizes beautifully with her attire. The woman's expression includes a captivating smile that radiates warmth, making her the focal point of this glamorous scene.
| 2,720 |
|
native
|
['17mn0BS69ACg']
|
['Korean']
|
['The photo shows a close-up of the wooden structure of traditional Korean architecture. The areas connecting the columns to the beams and the stone supports are clearly visible, attracting attention due to the ornate dancheong painted on them. Dancheong traditionally harmonizes colors like green, red, yellow, and pink to protect the wood and enhance decorative effects. At the junctions of the columns and beams, round or curved decorative patterns can be seen, with layers of colors extending at regular intervals above them. Each colored section is intricately adorned with traditional patterns such as floral motifs or vessel designs, creating a beautiful color harmony with the wood. The base color of the structure in the photo is a light green hue, while the columns are a dark umami color, contrasting yet harmonizing with each other. The elements supporting the stone supports or the cornice beneath the roof are also decorated with dancheong, featuring elegant curves that connect the columns and beams, layered with various colors. The background slightly reveals the outside scenery, but the focus is primarily on the details of the dancheong, emphasizing the unique delicacy and flamboyance of traditional architecture. Overall, the dancheong style commonly seen in Korean palaces or temple architecture is vividly displayed, showcasing a blend of traditional aesthetics and craftsmanship.']
|
[True]
|
['Yes, this image is culturally distinct. It shows a close-up of *dancheong* (단청), the traditional multicolored decorative painting found on wooden elements in Korean architecture. The vibrant colors and motifs are uniquely tied to Korean cultural heritage.']
|
The photo presents a close-up view of the intricate wooden structure characteristic of traditional Korean architecture. At the forefront, the connections between the columns, beams, and stone supports are prominently displayed, drawing the observer's gaze due to the elaborate *dancheong* painted upon them. *Dancheong* is a traditional form of decoration that involves the application of vivid colors such as green, red, yellow, and pink to both protect the wood and enhance its aesthetic appeal. In this image, the junctions where the columns intersect with the beams are adorned with either round or curved decorative patterns. These patterns showcase layers of colors that extend at regular intervals above them, providing a sense of rhythm to the design. Each segment of color is intricately embellished with traditional motifs, which include floral patterns and vessel designs, further contributing to the visual beauty and color harmony with the wooden structures. The overall hue of the structure is a light green, creating an atmosphere of tranquility, while the columns stand out in a rich dark umami color, presenting a striking yet cohesive contrast. The features that support the stone elements and the cornice beneath the roof are also enhanced with *dancheong*, displaying graceful curves that elegantly link the columns and beams, layered with an array of colors. In the background, there is a faint glimpse of the external scenery, yet the primary focus remains on the meticulous details of the *dancheong*, which underline the exquisite delicacy and flamboyance inherent in Korean traditional architecture. The vibrant *dancheong* style depicted is commonly found in the grand architectures of Korean palaces and temples, serving as a vivid testament to the rich blend of traditional aesthetics and skilled craftsmanship that defines this cultural heritage. This photographic representation is culturally significant as it showcases *dancheong* (단청), the traditional multi-colored decorative painting specifically associated with wooden architectural elements in Korea. The lively colors and intricate designs are deeply woven into the fabric of Korean identity, highlighting the importance of preserving such artistic practices for future generations.
| 1,112 |
|
native
|
['1fUC87JAt9Xr']
|
['Bengali']
|
["This is a portrait of a dancer captured in a picturesque setting with light filtering through the trees. The composition highlights the dancer's angle, emphasizing the graceful pose against the backdrop of nature. The lighting in the image beautifully reflects the art of dance, creating a serene atmosphere."]
|
[True]
|
['Ethnic wear by a South Asian man at a wedding']
|
This is a stunning portrait of a dancer, artfully captured in a picturesque natural setting where gentle light is filtering through the lush green leaves of the trees. The composition of the image is thoughtfully designed to highlight the dancer's pose, accentuating the elegance and grace inherent in the art of dance. The chosen angle showcases the dancer's form, embodying a sense of movement and fluidity that is synonymous with dance. The lighting in this scene plays a crucial role; it beautifully illuminates the dancer, casting a soft glow that mirrors the very essence of the dance itself. This interplay of light and shadow creates a serene and tranquil atmosphere, allowing the beauty of the composition to resonate deeply with the viewer. In addition, the dancer is adorned in traditional ethnic wear, which is commonly seen in South Asian weddings. This attire typically includes intricate designs and rich fabrics that symbolize cultural heritage and celebration. The combination of the dancer's artistic expression and the cultural nuances of the attire contributes to a multifaceted representation of beauty, showcasing not only the art of dance but also the significance of cultural traditions in the realms of celebration and artistry. This fusion of elements creates a captivating visual narrative, inviting the viewer to appreciate both the movement of dance and the rich tapestry of South Asian cultural attire.
| 28 |
|
nonnative
|
['1baaAWixfOhk']
|
['Chinese']
|
['I can see that this is a cast-iron plate, perhaps resting on a wooden surface or a table. Inside this iron plate, there are some granular items that I think could be some sort of grain or rice. However, this grain is not pure white; it has some white mixed with off-white and even light yellow shades, resembling the color of grain that has been roasted or stir-fried. The grains do not fill the plate completely but only fill the upper half, leaving some empty space at the bottom with scattered bits of these grains. The overall scene is structured around this rice plate as the main subject.']
|
[False]
|
[nan]
|
I can see that this is a cast-iron plate, which is likely resting on a wooden surface or a table. The plate has a sturdy, dark appearance, typical of cast iron, known for its durability and heat retention properties. Inside this iron plate, there are various granular items which I believe could be some type of grain or rice. Notably, this grain does not exhibit a uniform color; rather, it features a blend of shades. The predominant color is not pure white but includes off-white tones along with hints of light yellow. This coloration suggests that the grains may have been roasted or stir-fried, which often enhances their flavor and changes their appearance. The way the grains are positioned in the plate is quite interesting; they do not occupy the entirety of the plate. Instead, they fill only the upper half, leaving a notable empty space at the bottom, from which scattered bits of these grains are visible. This composition adds an element of texture and visual interest to the scene. The overall scene is carefully structured around this rice plate, positioning it as the main subject of focus, drawing the viewer’s attention to the details and characteristics of the grains.
| 87 |
|
native
|
['1iDhmcxqG2aZ', '128sDQInjxSS']
|
['Chinese', 'Chinese']
|
['This person is looking at the camera while taking a photo; he is holding what seems to be his tie in one hand, and his other hand is tucked into his pocket, looking very cool. The background features what appears to be a backdrop filled with numerous advertisements and logos, with inscriptions indicating the organizing and co-organizing units. This is a common design element found in any event organized. The man is very handsome and stylish; he is dressed in a formal suit and looks quite polished, having also likely gone through makeup and hairstyling so that he appears vibrant and energetic in front of the camera. He is in the midst of taking a very dashing promotional shot.', 'At first glance, a male figure is standing here in black clothing, and behind him are three red logos, as well as three \'S\' letters and two circular logos with some designs inside. The text includes the organizing unit, co-organizing unit, Tencent Entertainment, and a note saying "Copyright work, please do not reprint." This shows a person standing in front of a backdrop. Other details include that the person\'s clothing is shiny, and there are three red logos and three \'S\' letters along with two circular logos in the background. The style suggests a celebrity at an event, with dark colors, black and brown tones. There are also some details over there, but it seems like a lot got cut off.']
|
[False, False]
|
[nan, nan]
|
This person is looking directly at the camera while taking a photo, exuding a confident demeanor. He is holding what appears to be his tie in one hand, while his other hand is casually tucked into his pocket, which contributes to his cool and relaxed attitude. The backdrop behind him is filled with a myriad of advertisements and logos, which not only serve as a decorative element but also provide information about the organizing and co-organizing units of the event. This type of backdrop is a common design feature at promotional events and gatherings, effectively showcasing sponsorships and partnerships. The man himself is strikingly handsome and stylish, dressed impeccably in a formal suit that accentuates his polished appearance. It's likely that he has undergone professional makeup and hairstyling, which enhances his vibrant and energetic demeanor, making him stand out in front of the camera. He seems to be in the process of capturing a very dashing promotional shot, embodying the kind of charisma expected of figures in the public eye. In another angle, a male figure is prominently standing in what appears to be entirely black clothing. Behind him, there is a visually striking arrangement of three red logos, prominently displayed, alongside three stylized 'S' letters and two circular logos that feature intricate designs. The accompanying text includes references to the organizing and co-organizing units, along with a mention of Tencent Entertainment, and an important note stating, "Copyright work, please do not reprint." This indicates that the image may be a promotional or official representation of the event, emphasizing the intellectual property rights associated with it. The individual’s shiny clothing adds a polished touch to his overall appearance, further enhancing the celebrity-like aura he embodies. The use of dark colors, particularly blacks and browns, complements the sophisticated atmosphere often associated with high-profile events. Although some details of the backdrop could not be fully captured, it is evident that the design elements work together to create a vibrant and engaging setting for the individuals involved.
| 2,725 |
|
nonnative
|
['1c7ucaPlLcco']
|
['English']
|
[" okay so these are pictures of some sort of asian awards uh entertainment awards because they are posing in front of a background with sponsors printed on it the background is kind of i would say like dark brown and the sponsors i can't recognize them but one of their logos is gold and has different detailings on it and the other kind of looks like a car brand it's red silver and white and says sx something i can't read and then there are two people there's a man on the left and a woman on the right the man on the left has black hair which is about medium length it's kind of side swept in a side bang and he is smiling and looking out in the crowd and holding out his right hand um he's wearing a light gray blazer and vest as well as light gray bow tie over a white button-up and black pants and then the lady next to him has brown hair in a side part ironically the other way side part um it's tucked back in a bun she has silver earrings on and is wearing um a pink pale dress"]
|
[False]
|
[nan]
|
The visuals depict a scene from an Asian entertainment awards ceremony, characterized by a glamorous atmosphere as the attendees pose against a sponsor-branded backdrop. The backdrop features a rich, dark brown color that lends an air of sophistication. Prominently displayed are various sponsor logos, one of which is strikingly gold and intricately designed, while another appears to represent an automobile brand; it incorporates the colors red, silver, and white, and includes a name that starts with "SX," although the full text is unclear. In the foreground, two prominent figures are the focal point of the image. On the left stands a man with medium-length black hair styled into a side-swept bang, showcasing a cheerful demeanor as he smiles broadly at the crowd. His outfit consists of a light gray blazer and vest, complemented by a matching light gray bow tie that rests over a pristine white button-up shirt. His attire is completed with tailored black pants, enhancing his sophisticated appearance. Beside him, on the right, is a woman whose brown hair is neatly styled in a side part that is ironically opposite to the man’s hairstyle, gathered back into a bun for a polished look. She accessorizes her elegant ensemble with silver earrings that catch the light, adding a touch of sparkle. Her dress is a pale pink shade, exuding a soft and feminine elegance that contrasts beautifully with the darker tones of the background and the man’s attire. The overall composition of the scene conveys the prestige of the event and the celebratory spirit of the attendees, encapsulating the essence of an entertainment award ceremony.
| 2,717 |
|
nonnative
|
['1kdOaWW9zfPR', '1oEdzyyOy22k', '1hsPUubQQq9G']
|
['English', 'English', 'English']
|
[" In this image, we can see a table covered with products that appear to be for sale. In the front towards the right of the table, there are round wooden objects that have lines around the perimeter. And in the middle, on top of the circle, there is a handle coming off of the top. Behind those objects are long wooden sticks in a pile. And behind those sticks, there are more round objects with handles coming off the top. But those are painted in various colors, such as red, green, blue, and yellow. Behind the table, a man is wearing one latex glove that is white. And he's wearing a navy blue vest. And his face is blurred. And behind him, in the background, it appears he is under a red tent. And two other people are exiting the tent. One is a woman in a white jacket. And one is a man with a plaid shirt. And in front of the end of the tent, we can see a messy display of perhaps tablecloths and things that the salesperson may be using. And one is a woman in a white jacket.", ' The image is of a table with some objects that look like they are being assembled. And in the background there appears to be three East Asian people based on the color of their hair and skin. And the man in the front and center is wearing black, all black, and a white glove on his right hand. And there are two people in the background. One appears to be a woman wearing a white jacket. And another person to her left wearing a flannel shirt. And the objects in the front on a brown table have some circles and rods and they appear to be wooden. And in the background is a red wall which might be a tent of some sort.\\', " So here I see that there's an Asian man, assuming it's probably Chinese. Chinese Asian man, this seems to be maybe his store, or maybe it seems like he's selling these items. These are wooden. It seems like most of them are wooden. And some of the wooden parts, toys, whatever, these furniture, these are very small, and these aren't colored, but some of those are colored. It just seems like some sort of store."]
|
[False, True, True]
|
[nan, 'Yes, because of the Asian people.', 'Seems like a Chinese man selling some uniquely Chinese pieces']
|
In this image, there is a table that is covered with various products that appear to be available for sale. At the front right portion of the table, there are several round wooden objects which have decorative lines running around their circumference. Each of these objects features a handle that juts out from the top, suggesting they might serve a functional purpose, possibly in play or as utensils. Behind these round objects, there is a pile of long wooden sticks that give the scene a rustic feel. Further back, there are additional round objects that also have handles protruding from the top, but these pieces are notably painted in vibrant colors, including red, green, blue, and yellow, likely to attract attention or appeal to a younger audience. In the background of the image, there is a man who is partially visible; he is wearing a single white latex glove on his right hand and is dressed in a navy blue vest. His face has been blurred, which obscures his identity. Behind him, the setting suggests that they are under a red tent, providing a striking contrast to the wooden items on display. Additionally, two other individuals are seen exiting the tent: one is a woman clad in a white jacket, while the other, positioned to her left, is a man sporting a plaid shirt. This scene is lively, with a somewhat chaotic display of various items, including what may be tablecloths or other materials used by the vendor, appearing at the forefront of the tent. The second image captures a table displaying items that seem to be in the process of being assembled. In the background, there are three individuals who appear to be of East Asian descent, inferred from their hair and skin color. A man stands prominently in the center, dressed head to toe in black and wearing a white glove on his right hand. He is flanked by two people in the background, one of whom is a woman in a white jacket, and another on her left who is wearing a flannel shirt. The items on the brown table consist of wooden pieces that include both circles and rods, indicative of toy-like components or parts for a particular product. The background features a red wall, potentially part of the same tent structure indicated in the previous image, which helps set the scene and adds to the atmosphere of a marketplace. Further observations indicate the man in the image is likely of Chinese descent, suggesting that this setting may be his store or a market stall where he is selling these uniquely crafted items. The wooden products on display vary in size and color—with some uncolored, natural wooden pieces suggesting a handcrafted quality—while others have been painted, providing visual interest. Overall, the depiction suggests a cultural environment with traditional crafts that could be characteristic of Chinese heritage or aesthetics, showcasing an intersection between craftsmanship and commerce in a vibrant market atmosphere.
| 406 |
|
nonnative
|
['1juuGUChOLjy']
|
['Chinese']
|
['This photo features two plates of prepared food, with the dishes on both plates being the same. One plate shows a roasted onion, some roasted potatoes, and broccoli, topped with meat that has sauce. Next to this plate, there are many spice bottles, one of which is labeled "Spicy Soup" with "Organic" written underneath it, and its brand is Suma. Beside the spice bottle, there is an oil container. The two plates are placed on a countertop, and their portion sizes and dimensions are generally consistent. Next to one plate, there is a napkin with a fork on top of it. Underneath this plate, there is a white object that might be a dishwasher or another kitchen utensil. The photo was taken in a kitchen, showing only two examples.']
|
[False]
|
[nan]
|
This photograph presents a beautifully arranged setting featuring two identical plates of prepared food, showcasing a well-thought-out meal. Each plate is adorned with a roasted onion, several roasted potatoes, and fresh broccoli, all artfully garnished with a generous portion of meat, which is glazed with a flavorful sauce that enhances its visual appeal. Accompanying the plates, there is a collection of spice bottles, one of which is particularly noteworthy. It is labeled "Spicy Soup," with the word "Organic" prominently displayed underneath, indicating its natural ingredients. The brand name 'Suma' on the bottle suggests a focus on wholesome, organic products, which may appeal to health-conscious consumers or those who prefer sustainable food options. Adjacent to this spice bottle, an oil container is visible, further emphasizing the culinary setting where various ingredients are likely utilized for cooking. The two plates are set on a sleek countertop, and their dimensions appear to match, indicating a careful and considerate presentation of the meal. Next to one of the plates, a neatly folded napkin is placed, topped with a fork, ready for dining. Underneath one of the plates lies a white object that could possibly be a dishwasher or another kitchen utensil, hinting at the functional aspect of the kitchen environment. The overall scene is captured within a home kitchen, providing a glimpse into a setting designed for both cooking and conviviality, with a focus on nourishing and flavorful meals.
| 1,723 |
|
native
|
['17MUJNu0kzFm', '1gI7SLfswxk9']
|
['Korean', 'Korean']
|
['This photo appears to show a Korean traditional dish called suyuk jeongol, which consists of beef suyuk heaped in a large brass pot. Underneath the beef, there seem to be various vegetables like Napa cabbage, shiitake mushrooms, mung bean sprouts, and green onions. In the center, there is a dipping sauce made of soy sauce, chopped chili, and sesame seeds, prepared for dipping the meat. This dish is one of the traditional Korean beef dishes, typically enjoyed during parties or special occasions. Notably, the tender boiled beef is thinly sliced and cooked with broth to enhance its deep flavor. The table in the photo also seems to feature basic side dishes such as ssamjang (dipping sauce) and garlic, showcasing the harmonious style of a Korean meal. Overall, this dish embodies a traditional Korean jeongol, characterized by warm broth, tender meat, and fresh vegetables, reflecting the cultural essence of Korea.', "The photo features a round pot made of metal surrounded by large chunks of meat, with a small metal bowl in the center containing a dipping sauce. Various vegetables are arranged between the pieces of meat, including leafy greens, onions, and radishes, giving the impression of boiled or lightly cooked ingredients harmoniously combined. Along the edge of the pot, there is a halved boiled egg, and overall, it resembles a hearty meat dish often seen in Korean cuisine. This dish appears to be prepared in a way that allows it to be cooked or heated while served on the table, enabling diners to enjoy it hot right away. Some pieces of meat still have bones attached, which are likely to separate easily from the flesh when well-cooked. The central dipping sauce is sprinkled with sesame seeds, which are expected to add a nutty flavor and umami when dipping the meat. Beside the table, there are small bowls containing additional sauces or seasonings, and it looks like side dishes or condiments are separately provided for enjoyment. Overall, it bears a resemblance to large hot pots or soups commonly found in Korean restaurants, giving the impression of a meal lavishly presented for several people to share. This dish reflects Korea's unique food culture, showcasing the style of gathering around the center of the table to eat together."]
|
[True, True]
|
['The picture shows a traditional Korean hot pot-style dish.', 'Yes, this image is culturally distinct. It shows a traditional Korean-style dish served in a communal pot with meat, vegetables, and a central dipping sauce, all arranged in a manner characteristic of Korean cuisine. The presentation and shared dining style are uniquely tied to Korean culinary culture.']
|
This photo prominently displays a traditional Korean dish known as suyuk jeongol, which is a type of hot pot that features beef suyuk, a dish made from tender boiled beef. The beef is generously piled into a large brass pot, serving as the centerpiece of the meal. Beneath the succulent beef, a variety of vegetables is visibly arranged, including Napa cabbage, shiitake mushrooms, mung bean sprouts, and green onions, all contributing to the dish's vibrant colors and flavors. At the heart of the pot resides a small metal bowl containing a well-prepared dipping sauce, which comprises soy sauce, finely chopped chili peppers, and sesame seeds. This sauce is meant specifically for dipping the slices of meat, enhancing their flavor with a savory and spicy kick. Suyuk jeongol is one of the classic Korean beef dishes often reserved for parties and special occasions, celebrated for its rich and deep flavors brought forth by the slow cooking process that infuses the broth with the essence of the beef and vegetables. The table also features a selection of basic side dishes, such as ssamjang, an additional dipping sauce made from fermented soybeans and chili paste, alongside fresh garlic. These elements are a testament to the harmonious composition typical of a traditional Korean meal, highlighting the importance of variety and balance in Korean dining. Additionally, the second transcription describes the visual aspects of this meal in greater detail. The round pot, made of metal, is surrounded by generous chunks of meat, reinforcing the hearty nature of the dish. The assortment of leafy greens, onions, and radishes positioned between the meat pieces indicates that the ingredients have either been boiled or lightly cooked, melding flavors beautifully. A halved boiled egg is seen along the edge of the pot, contributing to the overall richness of the dish. This dish is designed for communal enjoyment; it can be cooked or heated directly at the table, allowing diners to serve themselves while ensuring everything remains hot. Notably, some of the meat pieces still maintain their bones, which are expected to be easily separable from the flesh when cooked properly, speaking to the careful preparation involved. The central dipping sauce, adorned with sesame seeds, adds a nutty flavor that complements the main ingredients. Around the pot, additional small bowls are visible, containing more sauces or seasonings, implying that further customization of flavors is encouraged. The entire setup resembles the large hot pots or soups commonly found in Korean restaurants, fostering a sociable atmosphere as people gather around the table to share the meal. This presentation encapsulates the essence of Korean food culture—marks of unity and interaction through shared dining experiences.
| 1,078 |
|
nonnative
|
['1gDT8MPE0gqT', '1lfw4xLhI5a8', '1hLo4bDxfoDN']
|
['English', 'English', 'English']
|
[' This picture seems like a Chinese snack. It is in the form of those love letters, something sweet that is often eaten during Chinese New Year in a plastic or glass container. And the contents on top of a cardboard box. And also there are Chinese words in red and gold and black on the left as labels. This is most likely a Chinese snack, eaten during Chinese New Year. And also there seems to be a couple of such snacks in those plastic containers on this side as well, not just this. There could be a shop. The text seems like it is not exactly readable in that sense.\\', " In this image I see a plastic container that's placed inside a cardboard box that has some writing in red on the side of it. That looks like it's quantifying how many pieces of the item are inside the box. So I see times 300 written on the side. And inside the plastic container in the box there are some thin slices of some material that are wrapped around in a cylinder. And they look paper-like. And each piece has some kind of decorative design on the side in like a circular fashion or with some dots and leaf designs. And on the back side I see a red tab label that has some Asian language writing on it. And these objects could be edible. But it isn't totally clear.", " So this photo is very likely taken in a supermarket, very likely is in a Chinese market. So because it's like some box of buckets of like it's a Chinese snack called the egg rolls. So from the color, it's a little bit yellow and dark yellow. So it's kind of deep fried. So in each bucket, there are two layers of this egg rolls. They are like a dense layer put together. And for each layer, there's a paper cover at the top. And this is very likely a Chinese market because on the left side, in the another bucket, we can see a red sign with Chinese characters on top."]
|
[True, False, True]
|
[nan, nan, 'Chinese']
|
This image prominently features a classic Chinese snack, often associated with the joyous festivities of the Chinese New Year. The snack is arranged in a way reminiscent of traditional love letters, which are delicate, thin pastries that are both festive and sweet in flavor. The container used for holding these snacks is made of plastic or glass, adding to the convenience of serving and storing them. The arrangement of the snacks is atop a cardboard box, which serves as a base. Enhancing the visual appeal of the packaging are the vibrant, red and gold, as well as black, labels that adorn the box, typical of Chinese cultural motifs that celebrate luck and prosperity, particularly during the New Year period. Additionally, it is noteworthy that there appear to be multiple plastic containers filled with similar snacks positioned on one side of the frame, which indicates that this could be part of a larger assortment available at a retail setting. However, the written text on these packages is not entirely discernible, which leaves some details left to interpretation. In another image, there is a depiction of a plastic container nestled within a cardboard box. The container displays writing in red ink, likely indicating the quantity of the items contained within, specifically noting "times 300." Inside the plastic container, thin, cylindrical slices are visible, which resemble paper in texture. Each piece is adorned with decorative designs that may include circular patterns, dots, or leaf-like motifs, showcasing the cultural artistry associated with these snacks. On the reverse side of the container, there is a red tab label inscribed with Asian language characters, further emphasizing the origins of these treats. While it is suggested that these items are potentially edible, there remains a degree of uncertainty regarding their specific composition. Moreover, the final photograph seems to depict a scene likely captured in a supermarket, specifically within a Chinese market setting. The focus of this image appears to be a box containing buckets of a popular Chinese snack known as egg rolls. The egg rolls are characterized by their deep-fried, yellow to dark yellow hue, indicating their preparation method. Each bucket contains two stacked layers of these snacks, tightly layered, with a paper cover placed atop each layer for protection and presentation. The presence of Chinese characters visible on a red sign positioned to the left further corroborates the setting as a typical Chinese market, highlighting the vibrant food culture and the significance of such snacks during festive seasons.
| 516 |
|
nonnative
|
['19Skw1nUwclL', '1a5G7DXOw04T', '165EpxIS0Vgr', '1ldfY112zj4w', '1o17zdNc5wA8']
|
['English', 'English', 'Chinese', 'Chinese', 'English']
|
[" This is a strange picture. It's not clear at all what this is. It's a certain item and it's laying on a desk or on a table or some wooden surface. And the wooden surface itself has a few different shades of gray, not gray, of brown. But on this table, there's this thing and it looks like a wrapper and it could be covering food or something like that. But on it, it says the word Legitimo and Noruego, which I guess are Spanish. And there's also some stuff that's blurred out on it, but it has those words in black. And then above it, it's got an image of a guy riding a horse and the guy and the horse are both red. But the guy is wearing yellow pants, although it could be a woman. It might actually be a woman and not a guy. But they're riding on this horse and it looks like the image may be a symbol for some sort of company. And this also could be their dollar bills of some other country rolled up. It's not really clear because of the angle of the image and the way that the thing is situated around the table. It's not clear what this is, but it looks like it's got some cultural significance.", " What we have here is a package of some kind with words written in Spanish, Portuguese, Italian, some sort of Romance language. Legitimo is one word. Noruego, I don't know what those words mean but those seem to be the words in question of this package of some kind. Plastic package. There is also an icon of a pink man riding a pink horse. This pink horse, that's some sort of, you know, like on fire, is this a legendary horse? Anyway, he's riding on land that is itself pink and yellow. Interesting. It's almost like a work of fantasy. I am not able to figure out what's inside the package but it is sitting on top of either a tabletop or the floor, where whatever it is that background is, it's made of wood that was brown and black.", 'It’s hard to tell that this is rectangular wrapping paper. The text on the wrapping paper reads L-E-G-I-T-I-M-ON-O-R-U-E-G-O, which doesn’t seem to be in English. There is a person riding a horse on the paper, and the whole wrapping is somewhat wrinkled. The wrapping paper is placed on a brown countertop, and it looks like the light is shining down on it from above. The wrapping paper is oriented vertically, with a creamy white background and a yellow and dark red border, possibly with some gray in the middle. It seems to convey some intention and is associated with something alluring and vibrant.', "There is a table by the street with two bottles of white wine on it. Across from it, there is a woman wearing a white tank top. On the table, there are three dishes of food, all of which are some kind of sandwich; there are thick pieces of bread filled with different things like salmon and snacks. All three dishes are on a white plate, and they are being eaten with knives and forks. The reason I mentioned that the table is by the street is that you can clearly see a blue vehicle parked in the background, not too close. However, what's interesting is that you can't see who the third person is. There are three dishes of food, so there should be three people, but only the woman in the middle is visible.", " This looks like a picture of maybe tissue paper. There is a design of a horse and what looks like Portuguese or Spanish, I'm not sure, on the tissue paper cover. It's got a red and yellow design color scheme and it's on what looks like a brown table. It looks like it's just an everyday kind of handheld tissue paper that people would use but I guess one big distinction about this is that it's got some European, whether it's Portuguese or Spanish, words on it. So it looks like its country of origin is one of those countries."]
|
[True, True, False, False, True]
|
[nan, 'Words are in a particular language', nan, nan, 'European language, spanish or portuguese']
|
This image presents a rather intriguing and perplexing item placed on a wooden surface, which could either be a desk or a tabletop. The surface exhibits a variety of earthy brown tones, contributing to an organic ambiance. Dominating the image is what appears to be a form of packaging or a wrapper, described as having elements resembling food coverings. The wrapper is inscribed with the words "Legitimo" and "Noruego," which are likely derived from Spanish or Portuguese, hinting at the item's potential cultural origins. In addition to the lettering, the wrapper features a colorful illustration of a person riding a horse. Both the rider and the horse are depicted in a vibrant red hue, while the rider is attired in yellow pants—although it is ambiguous whether the figure is male or female, leading to the possibility that it could be a woman instead of a man. This artistic representation may serve as a logo or emblem for a brand, suggesting that the item could be part of a product line with cultural significance. There is further obscured text on the wrapper that remains indecipherable, but the overall presentation raises questions about the nature of the contents, which could potentially be rolled-up currency from another nation, though this is not definitively clear due to the angle and orientation of the item in the image. In another description, the package is asserted to be a form of wrapping paper, with the text "L-E-G-I-T-I-M-ON-O-R-U-E-G-O" prominently displayed, again noted to be in a language other than English. The image captures the various nuances of the wrapper, characterized as somewhat creased, placed atop what appears to be a brown countertop under a light source that casts illumination from above. The wrapping itself is vertically oriented, boasting a creamy white background adorned with a vibrant yellow and dark red border. The mention of gray hints at the complexity in design, suggesting that it embodies aesthetics meant to attract attention and evoke an appealing presence. Transitioning to a different aspect captured in another image, we find a table situated adjacent to a street, upon which rest two bottles of white wine. Directly opposite the table sits a woman clad in a white tank top. The table displays three distinct dishes composed of sandwiches, each utilizing thick slices of bread and filled with a variety of ingredients, including salmon. The culinary presentation is managed with utensils, showcasing a simple yet delightful dining experience. Notably, while there are three dishes set out, only the woman is visible in the frame, implying the presence of at least one other individual, although they are not identifiable in the current context. Behind her, a blue vehicle is parked, subtly externalizing the setting to a public or semi-public environment. Lastly, yet another image suggests the presence of tissue paper that might possess a design inclusive of equestrian themes. Similar to previous items analyzed, there are characteristics indicative of either Portuguese or Spanish text, enveloped in a visually appealing red and yellow color palette. This tissue paper, likely intended for everyday use, nevertheless stands out due to its cultural markers, implying an essence tied to its European roots, possibly befitting occasions where a touch of elegance or distinctiveness is desired.
| 1,236 |
|
nonnative
|
['1jp9CqqGKcc8', '1l23j87E1HAM', '1nkk0KLIsnDd']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image depicts a train track, with two train cars positioned in the center. One car is a deep brown color, while the other leans towards a dark green. The shapes of these cars resemble cylindrical tankers. In the background, there is a structure that looks like a high voltage electric tower, which is very tall and situated behind the train cars. Behind this electric tower, there appear to be a range of mountains, primarily made up of rocky formations in a brown color. These mountains do not seem particularly high, as they appear shorter than the electric tower due to the angle of view. Some green vegetation is scattered across the mountainside, but it is not overly abundant. In the foreground, the track is laid on a grassy area, combined with the mountainous background, suggesting that this train track perhaps runs through or along the edge of a mountainous region.', 'You can see in this picture that there is green grass, and in the background, there is a high-voltage tower and some rocky hills. In the front, there are two objects that look like oil tankers or trains. The one on the left is relatively old and has some rust on it, while the one on the right is covered with something green, like a paint or a covering. They appear to be parked in the middle of the road, or it could be a silhouette of a vehicle in the form. However, they look like they are stationary, and behind them, there is a factory scene with a power supply tower. It really looks useful.', 'The picture mainly shows two connected train cars of a freight train, which are not passenger cars but rather tank cars that seem to be transporting liquids, similar to oil, chemical fuels, or some liquid chemicals. There are a total of two tank cars; the front one has some rust spots, while the rear car is entirely green. This photo was taken outdoors, as the area around the train tracks is filled with wild grass and there are no buildings in the background. The backdrop features a rocky hill that is somewhat barren with a few trees, but they are not arranged neatly. A power line tower that is red and white stands between the hill and the train, likely capable of supporting high-voltage power lines. Therefore, this photo depicts a freight train loaded with goods taken in an outdoor setting.']
|
[False, False, False]
|
[nan, nan, nan]
|
This image captures a scene centered around a pair of train cars positioned on a train track. The first of these train cars is painted in a deep brown hue, while the second exhibits a dark green coloration. Both cars take on the appearance of cylindrical tankers, which are typical for transporting liquids. In the background, a tall high-voltage electric tower rises prominently, showcasing its significant height in comparison to the train cars. This tower functions as a critical structure for distributing electricity and is identifiable by its lattice-like design, which is commonly seen in power transmission. Behind this electric tower lies a range of mountains characterized by rocky formations that predominantly display brown tones. These mountains do not reach great heights; in fact, they appear shorter than the towering electric structure, emphasizing its height from the chosen angle of view. Scattered across the mountainside is limited green vegetation, providing a hint of flora against the otherwise arid landscape. In the foreground of the image, the train tracks lie upon an area of grass that adds to the natural setting. The combination of the train track with the mountainous backdrop indicates that this railway traverses or is situated near a mountainous region, suggesting that the transportation of goods via these tankers could serve industries operating in resource-rich areas. Further details about the train cars reveal that the one on the left bears signs of age, notably rust, which suggests it has been in use for an extended period. In contrast, the car on the right appears to be freshly painted or covered with a green material, giving it a cleaner appearance. Though the positioning of the cars might lead one to think they are in motion, they are actually stationary, giving a sense of stillness to the scene. In the background, the image also hints at an industrial setting with the presence of a factory scene, indicated by the power supply tower, which adds an element of functionality to the landscape. The entire composition thus illustrates not just the train cars themselves but also provides a contextual understanding of their environment, which is a mix of natural beauty and industrial utility. The image showcases a freight train likely filled with liquids such as oil or chemical fuels, highlighting the essential role of rail transport in the logistics of distributing important commodities.
| 1,352 |
|
nonnative
|
['1n6dczwNp0wD']
|
['English']
|
[" The photo at first glance is a picture of someone who's swimming. They're in the process of swimming and they're turning and bringing their head out of water with their mouth open to bring in air. You can see that the water around them is sort of moving out of the way. So they are swimming. Maybe for like a race or something. The objects in this photo are that the person who's swimming has a swim cap on, so it's covering their head. They also have swimming goggles to protect their eyes. There are these sort of floating lane dividers in the pool that are also pictured. And there's also one person who's the subject and centered in the photo. There's no text in this photo. The lanes are... The lane dividers are on either side of the person because they're in the pool lane. And some subtle details that you can see in this photo are that the goggles are semi-opaque. And you can see like the person's eyes through the goggles. You can see sort of a little bit of armpit hair from the person. And you can see the shape of their eyebrows. And that they're wearing black shorts. And the style of this photo is sort of just an action photo. And then it's in full color. You can see this as possible today. I'mice. And that's when something is very good. And that's what you can see here. And if you have a reference photo, it's in full color. And like that, you can see that in the picture of your Gentil logo, So it goes on, okay! Now I'm a white threshold. And near the top one, I don't know why. It's right. So because I'm a white assumper. And when I am going... And now you can see a littlefake of it's side of it."]
|
[False]
|
[nan]
|
The image captures a dynamic moment of an individual swimming, specifically showcasing them as they turn their head above the water to inhale air. The swimmer's mouth is opened wide as they are taking in a breath, which suggests they are engaged in a vigorous activity—possibly a competitive race. The water surrounding the swimmer is visibly disturbed, indicating their movement through the pool, while the swim cap covering their head and the swimming goggles adorning their eyes add to the professional appearance of the athlete. In the composition, the swimmer is the central and sole focus of the frame, with the swimming pool's lane dividers positioned on either side, reinforcing the structure of the swimming lanes. It is noteworthy that the lane dividers, common in competitive swimming pools, help maintain the separation of lanes for swimmers. These floating objects are bright and colorful, creating a visual contrast against the clear blue water of the pool. The details in this photo provide a glimpse into the athlete's characteristics; the goggles are semi-opaque, allowing a partial view of their eyes, which adds a personal touch to the otherwise action-oriented shot. Underwater, the swimmer's physique is revealed, including subtle features such as a hint of armpit hair and the distinct shape of their eyebrows, contributing to the authenticity and realism of the moment captured. Their swimwear consists of black shorts, which is typical for competitive swimming gear. The overall aesthetic of the photo is that of an action shot, which presents the personal and competitive elements of the swimmer's experience in full color, enhancing the excitement of the scene. The observer can appreciate the vigor and determination of the swimmer through the visual energy of this moment frozen in time. The terms and expressions used, such as comparing the image to its qualities, play into the excitement and skill represented by the individual in the photo, making it a vibrant representation of athleticism in the sport of swimming.
| 2,799 |
|
nonnative
|
['1fzo0yVo5MuZ', '1ma6uzrgc5wy', '1hwLPlgIpePD', '127nZkQDITpd']
|
['English', 'Chinese', 'English', 'Chinese']
|
[" So this image has a flag in it. It's a tall flagpole, and then there's an orange flag on top. And behind that flag, there's a statue of a guy riding a horse, and he's got his sword out, and he's charging. It looks like he's about to go into battle. And there's a blue background. The blue sky is a background, and there's trees on either side, and all the trees have a bunch of green leaves on them, and the floor is a brick. It's a brick floor. And there's a yellow and red curb, and there's all that stuff. And then behind it, there's all these trees and green and greenery and shrubs, and all that. And also there's white stuff, and there's a white page. There's a white thing under the statue. There's a long white marble-looking thing. And it looks like this is part of some memorial for some war or something like that. It's hard to tell exactly from when.", 'This is a horizontal composition. In the image, there are a lot of trees, large trees, and shrubs, making it feel like a park. In the center of the image, there is a national flag, and behind the flag, there is a pedestal with a monument on it. Based on this image, the monument features a person on a horse, waving their arm. This suggests that it might be a commemoration of some important figure who made outstanding contributions to the country, marking a memorial dedicated to them. It seems to be located in a park, where people from the nearby area or citizens of the country come to pay tribute. The park is paved with yellow flooring, and the curbs and steps are painted in bold red and white paint, making them very eye-catching. The railings of the monument are also a bright orange, creating a vibrant overall color scheme, while the actual monument is gray, providing a striking contrast.', " The picture shows a park. There is one orange flag in the center of the picture. It shows a pathway towards the flag. There are also a bunch of trees in the pictures. There is a statue of some sort of a figure riding a horse and holding a sword towards the sky. The statue is dark gray color. I don't see any legible text. This is probably some sort of a memorial statue in a park. Hard to tell what country it is because there are no signifying text or location signs. I do see a trash can in the picture, so it must be at a place where they care about disposing garbage properly. The background has blue sky, sunny day, with strong sun during the day.", 'This should be a park or a site commemorating a great person. In the center of the bamboo panels, there is a large red flag, and next to it is a statue of what looks like a general on horseback. In other areas, there are some trees and other things, and it feels like the statue is located inside a castle. There seem to be some inscriptions that look like Thai writing, although I am not very sure, but it should be Thai characters. So, I guess this is a park in Thailand. Thank you, everyone. Thank you, everyone.']
|
[False, True, False, True]
|
[nan, nan, nan, nan]
|
The image in question depicts a striking scene set within a park environment. Dominating the center of the picture is a tall flagpole, upon which flutters an orange flag. Behind this flag stands a prominent statue of an imposing figure riding a horse, brandishing a sword raised high, as if poised for battle. This visual suggests a representation of a significant military leader or heroic figure, conveying a sense of strength and valor. The background of the image showcases a clear blue sky that enhances the vibrancy of the scene, while on either side, large trees with lush green leaves create a natural frame, contributing to an overall atmosphere reminiscent of a well-kept park. The ground beneath features a brick surface, and there are noticeable details such as a yellow and red curb that add contrast and draw the eye throughout the composition. Further background details reveal a variety of greenery, including shrubs that enrich the landscape. Notably, there exists a long, white, marble-like structure beneath the statue, suggesting this may form part of a memorial dedicated to a fallen hero or a significant person from history. The presence of this white element hints at a respectful homage to those remembered there, although the specifics of which war or individual are not immediately discernible. The photograph captures a horizontal composition that emphasizes the breadth of the park. The vibrant color palette is accentuated by the orange railings surrounding the statue, providing a bold contrast against the gray hue of the monument itself. This highlights the artistic design of the memorial as a focal point around which visitors gather to pay their respects. In addition, the mention of a trash can indicates a consideration for cleanliness and respect for the environment, further emphasizing that this location is well-maintained and likely frequented by locals and tourists alike. The atmospheric conditions appear to be sunny, implying a pleasant day for visitation, suggesting that this place is intended for public enjoyment as well as reflection. As the final observation, the inclusion of possible Thai writing in the monument's design hints that this memorial could indeed be situated in Thailand, although this remains speculative due to the lack of explicit signage or contextual identifiers within the image. Overall, the scene evokes a mixture of reverence and community engagement in a space dedicated to honoring significant historical figures.
| 1,469 |
|
nonnative
|
['1gC6WlrjnsOZ', '1hbXN5wC6DMM', '1keDs1yftg9e']
|
['Chinese', 'Vietnamese', 'English']
|
['We traverse array A and then traverse array B inside it. This is a non-looping style of writing typical in CA. At this point, we need to use a map to count whether our key K has appeared and how often its value appears. Therefore, we are mapping A and B together, and we perform an addition operation. Naturally, this will map to the corresponding value of A and B for the addition operation. If A and B have not appeared before, it will directly perform an insert operation. In C++, it works like this. For those using other languages, if this cannot be written this way, it means that if K has not appeared before, you manually insert it. As for the default, the value is set to zero. If you are using other languages, please pay attention to this.', 'This picture was taken in a kitchen where many men are cooking. In the bottom right corner of the image is a man wearing a long-sleeved blue shirt and jeans. In the bottom left corner is a man wearing a red and blue striped shirt and jeans. In the distance, there is a man wearing a black sweater and pants. There are three lights shining down from the ceiling of this kitchen. On the kitchen wall, there are shelves for storing glasses. On the table in the kitchen, there are various items such as bowls and plates. At the bottom of the image, there is a pot, and you can see a man cooking in that pot.', " This photo shows a bunch of guys cooking in the kitchen. The guy on the right has a navy blue shirt, blue stripes going across, he's wearing jeans. And there's a guy with black pants, blue dress shirt with a black sweater over it. And the guy on the left has a pink and blue flannel shirt. He's wearing jeans. They're clearly all cooking something in the kitchen. They all look very busy at the stove. There's bananas hanging from the ceiling. And then there's all sorts of fruit hanging under it. There's glasses on the left. There's clearly bowls of soup and stuff lying around. The cabinets are made of wood. The walls are white. The lamps have an orange glow. There's a guy a cowboy hat in the background. Door frames and window frames and cabinets are all made of wood. Floor is wood. The windows, you can look outside for them."]
|
[False, False, False]
|
[nan, nan, nan]
|
We begin our process by traversing through array A and subsequently traversing through array B nested within it. This method of writing is indicative of a non-looping style that is typically found in the programming language known as C. At this juncture, it is essential to utilize a mapping structure to keep track of the key, denoted as K, to determine if it has been encountered previously, and to ascertain the frequency of its associated value. Consequently, we are effectively mapping the elements of arrays A and B together, which allows us to perform an addition operation based on their corresponding values. If the elements from arrays A and B have not been encountered previously within this operation, we will directly execute an insert operation for those values in our map. Regarding the implementation in C++, when this operation is conducted, if the key K has not been encountered before in the map, it will require a manual insertion of the key paired with its default value, which is set to zero. For users of other programming languages, it is important to pay heed; if the syntax or method does not allow for such automatic handling through the map, a manual intervention to insert the key is necessary. Transitioning to the second portion of the transcription, the image depicts a bustling kitchen environment where several men are engaged in cooking. In the lower right corner of this image, there is a man attired in a long-sleeved blue shirt paired with jeans. On the bottom left corner, another individual is dressed in a red and blue striped shirt, accompanied by jeans as well. Further back in the kitchen, another man can be seen wearing a black sweater along with matching pants. The kitchen space is illuminated by three lights emanating from the ceiling, casting a warm glow over the scene. The walls of the kitchen feature shelves that are specifically designed for storing glasses, contributing to the organized appearance of the space. On the kitchen table, various cooking items can be observed, including bowls and plates that suggest a significant amount of culinary activity is underway. Notably, at the bottom of the image, there is a pot situated prominently on the table, with a man actively cooking within it, contributing to the dynamic atmosphere of the scene. In a similar but slightly varied observation of the same environment, another description mentions a group of men cooking in the kitchen. The individual on the right is noted for wearing a navy blue shirt featuring horizontal blue stripes and blue jeans. The second individual is seen wearing black pants paired with a blue dress shirt, layered with a black sweater. Meanwhile, the man on the left is dressed in a pink and blue flannel shirt and jeans. All these men appear to be heavily engaged with their culinary tasks at the stove. Hanging from the ceiling are bananas, as well as an assortment of fruits that create a lively and colorful backdrop. To the left, glasses are positioned, further complementing the kitchen’s functionality. The presence of bowls containing soup and other culinary preparations adds to the impression of a busy cooking session. The cabinetry in the kitchen is fashioned from wood, contrasting with the immaculate white walls that surround the room. The lighting fixtures emit an orange glow, which adds warmth to the atmosphere. In the background, there is an individual wearing a cowboy hat, adding a touch of character to the scene. The structural elements of the kitchen, including the door frames, window frames, and cabinets, are all constructed from wood, creating a cohesive and inviting environment. The flooring is also wooden, enhancing the rustic charm of the kitchen. Through the windows, a glimpse of the outside can be seen, providing a connection to the exterior world.
| 1,777 |
|
nonnative
|
['1kS9pGRkSEnB', '1aJyw410Rxva', '1lYSNhJMmgD9']
|
['English', 'English', 'English']
|
[" This image is a vending machine of Asian food that looks to be various colors of like some pieces that you might see at a dim sum place or like bun bao where you have the carb pastry on the outside with meat or sweet on the inside and there are a couple of racks to this machine. There are five racks and there are a lot of white bun boughs or pieces and a few yellow and purple ones. At the very bottom there are trays of it looks like sushi. So this is probably a Japanese vending machine because of the sushi at the bottom it looks like and the stickers because the stickers are cute and I think kawaii is a big part of their culture. And the fact that a vending machine has like hot food like really nicely prepared food is something that I've heard people who go to Japan say. So that is the machine and it's backlit at the top by the top by a light that is shining down.", " This is a photo of some type of food container. I'm pretty sure it's like kind of an oven meant to keep these treats warm rather than a refrigerator. You can see like on the top of this, it's like a metal fridge, like on top of this, it looks to be like a stove or something with a bunch of knobs probably adjusting the temperature. And you can see that they're like sort of like different levels as well. But inside this sort of metal container fridge, you can see this window where you can look at the actual confectionaries it's holding. At the top of this fridge, we see a sign that says ISO and HACCP certified KG food. And yeah, inside you can see that there's like dumplings. Oh, and there looks to be like sort of like stickers on the outside on each to indicate like what each level is holding. So we can see like starting from the bottom level that there's a bunch of, oh, well, my guy, birani rice with chicken, chicken fan choy. Um, uh, I think that's chicken siumai. Uh, and then, oh, they have like, you know, um, those like, uh, chicken dumplings, black pepper chicken baos, um, tam baos. Yeah. So, and then, so you can see that there's a bunch of like different types of like dumplings made from either chicken, vegetables, um, uh, oh, uh, it says curry and curry as well. Uh,", ' In the image at first glance, this is inside a store and this is a food warmer selling a bunch of buns with different flavors. Texts are not very clear to read except the store potentially called KG Food which is at the top of the warmer machine. Inside the warmer there are different types of buns with different stuffings. The purple one could be the wube flavor, not sure. A person could infer from the image this could be in a store or in a night market. Based on the characters at the top, yellow sign, potentially this is in Asian country but not sure which one. Given the lighting, it could be at night as well. But the person on the left and there are some blurry characters in the far next to his head in the image. Looks like this is in Asian countries.\\']
|
[True, True, True]
|
['Japanese vending machine with dim sum -like food portions and looks to be sushi at the bottom with "Kawaii" (cute) style stickers denoting items', 'Different types of Asian-style baos', nan]
|
This image showcases a vending machine that offers a variety of Asian foods, reminiscent of dishes typically found in dim sum restaurants. The vending machine is designed with multiple levels, specifically five racks, which display an array of items. The foods appear to be colorful, with many white bun baos—soft, chewy buns that are often filled with meat or sweet pastes. There are also a few yellow and purple bun baos, indicating various flavors. At the very bottom of the machine, the trays contain sushi, hinting that this vending machine is likely Japanese, as sushi is a staple in Japanese cuisine. The presence of "kawaii" style stickers—cute, playful designs that are popular in Japanese culture—further supports this assumption. The overall concept of a vending machine providing hot, well-prepared foods is a point of fascination, particularly noted by tourists who visit Japan, making it an appealing feature. Above the vending machine, a light shines down, backlighting the food offerings, adding to the visual charm. The second image features a food container that seems to serve as an oven to keep various treats warm rather than functioning as a refrigerator. The device has a metallic appearance, with a stove-like top section equipped with multiple knobs that likely adjust the temperature within. This container has several compartments, visible through a transparent window, allowing one to see the assortment of confectioneries it holds. Prominently displayed at the top of the container is a sign reading "ISO and HACCP certified KG food," indicating adherence to international safety and quality standards in food handling. Inside, the container is filled with an appealing selection of dumplings and buns, which are labeled with stickers that identify their contents. Starting from the bottom level, one can see biryani rice accompanied by chicken, chicken fan choy, and chicken siomai. There are also dumplings, specifically noted as black pepper chicken baos and curry baos among other varieties. The image suggests a vibrant array of flavors and types, showcasing the diversity of Asian cuisine. The last description portrays a scene inside a store, featuring a food warmer that is brimming with bun varieties, each filled with different delicious stuffings. The warmer is branded with the name KG Food prominently displayed at the top. The specific types of buns aren't clearly labeled, but there is speculation that a purple bun could possibly contain a wube flavor, though this is not confirmed. The environment could either be a conventional store or a night market, common in many Asian countries, where food vendors sell an enticing array of snacks and meals, particularly during evening hours. The yellow sign at the top hints at its Asian location, while the soft lighting indicates it may indeed be nighttime. In the foreground, a person stands to the left, and there are additional indistinct characters in the background that add to the bustling atmosphere typical of such establishments in Asian cultures.
| 724 |
|
native
|
['1o62UCpJFPbr']
|
['Korean']
|
['This image features a banner in the middle, which says "Let\'s do it together" along with "Traditional Cultural Heritage, Wanju Cultural House, Samnye Life Culture Center, October 21, 2018, Sunday." There are several people holding the banner, and their ages range from children to middle-aged individuals. It appears that these people have gathered for some kind of traditional cultural experience, with many attending as families. In the background, trees are starting to shed their leaves, which suggests that this photo was taken in the fall. Thank you, thank you, thank you, thank you.']
|
[False]
|
[nan]
|
This image prominently features a large banner displayed in the center. The banner prominently states "Let's do it together" and includes additional text that reads "Traditional Cultural Heritage, Wanju Cultural House, Samnye Life Culture Center, October 21, 2018, Sunday." The setting implies a community event focused on traditional cultural practices, highlighting the importance of heritage and togetherness. In the scene, a diverse group of individuals is gathered around this banner, encompassing a wide age range from young children to middle-aged adults, indicating that the event is likely family-friendly and encourages participation from all generations. This suggests a strong community aspect, as families are coming together to engage in activities that celebrate traditional cultural values. The backdrop of the photograph features trees that are beginning to shed their leaves, which signifies that the image was captured in the autumn season. The changing leaves accentuate the festive atmosphere of the gathering while also presenting a visual cue about the time of year, possibly reflecting themes of harvest or celebration inherent in many cultures during fall. In the latter part of the caption, the phrase "Thank you, thank you, thank you, thank you" is reiterated, which may convey a sense of gratitude either towards the participants of the event or the organizers for their efforts in promoting cultural heritage. This repetition of thanks could emphasize the importance of community involvement and appreciation for cultural traditions within the context of the event.
| 2,905 |
|
native
|
['1ndmP9dkLF8P', '1bi92mpimSR9', '13FhJHT0rsxk']
|
['Chinese', 'Chinese', 'Chinese']
|
['There are Chinese bronze artifacts, so I feel like this must be in a museum, as these items are not allowed to be found at home. There are no inscriptions on it, so it’s very likely that it’s a photo taken by tourists during their visit to the museum. These items appear to be unearthed artifacts, but although they look like bronze, they are not green, so they are definitely not bronze, but rather items from ancient Chinese culture. There are at least fifty or sixty of them. There are also three or four people nearby, likely tourists, looking at these items. They were dressed quite lightly, so it’s probably summer. However, I don’t know which country this museum is in, as sometimes there are museums in other countries, like the U.S., showcasing Chinese products. I have prepped a little about this museum and have been looking into it.', "This image looks like a thickened compilation of Chinese chimes. There are many chimes in the picture, but we couldn't count them; there might be dozens without any text. The chime is in the middle of the image, and there is a display stand below it. In the background, there are some people, suggesting that this should be in a museum. The background is indeed that of a museum, and the display stand has a red edge, while the chime itself appears to be a copper color, resembling a deep brown. It seems there isn't much else in the image; it should be related to Chinese culture, and this item is certainly quite old. All these chimes are presented in the center of the photo in a rectangular arrangement, likely meant to attract attention and showcase the artifacts.", 'This seems to be in a museum, and this exhibit features a set of chimes. There are many, more than ten, some of which are smaller chimes and others larger, each representing different melodies. The chimes exhibit is enclosed in a glass case and displayed on a red pedestal. This is likely a musical instrument with a significant historical background, traceable to a very distant era. In the background, you can see some people visiting the museum and appreciating the exhibits, and you can also faintly see some other contemporary exhibits.']
|
[True, True, True]
|
['They are from ancient China.', nan, 'This is about a Chinese ancient instrument.']
|
The first transcription describes a scene observed in what is likely a museum that houses ancient Chinese artifacts, particularly bronze items. The speaker notes the presence of Chinese bronze artifacts, suggesting their importance and cultural significance. They comment on the absence of inscriptions, indicating that these artifacts may not have specific historical details inscribed on them, which could imply a lack of extensive documentation about their origins. The speaker hypothesizes that the image was possibly taken by tourists on their visit to the museum, highlighting the accessibility and allure of these cultural items for visitors. The speaker further elaborates that although these artifacts visually resemble bronze, they are not green, which often suggests oxidation in genuine bronze items. Instead, they assert that these artifacts belong to ancient Chinese culture. The perception of a significant number of artifacts, estimated to be around fifty or sixty, gives an impression of a diverse and rich collection. Additionally, there are three or four individuals present in the vicinity who are likely tourists engaged in observing the artifacts. Their attire suggests that the visit takes place in summer, creating a warm atmosphere in the museum. An ambiguity remains regarding the location of the museum itself, as the speaker acknowledges the existence of exhibitions in various countries, including the United States, that display Chinese cultural artifacts. The speaker expresses a sense of curiosity and has done some preliminary research about the museum, indicating their genuine interest in the subject matter. The second transcription concerns an image that appears to capture a thickened compilation of Chinese chimes, which are historical musical instruments. The numerous chimes present in the image result in an inability to count them precisely, yet it is implied there are likely dozens. The focal point of the image is a prominent chime located in the center, placed on a display stand with a distinct red edge. The chime itself displays a copper coloration reminiscent of deep brown tones, suggesting its antiquity and potential artistic craftsmanship. The background of the image features individuals, reinforcing the notion that it is indeed situated within a museum context. The presentation of the chimes in a carefully arranged rectangular format serves to draw attention and showcases the artifacts effectively to the viewers, further emphasizing their cultural significance. The speaker proposes that the chimes belong to Chinese culture and implies they are ancient, highlighting their historical relevance. The third transcription again places emphasis on the museum setting, specifically an exhibit dedicated to chimes. The speaker identifies a variety of chimes, exceeding ten in number, with a noticeable differentiation in size, whereby some are smaller and others notably larger. Each chime is likely intended to produce distinct melodies, pointing to their function as musical instruments with a deep-rooted historical narrative that dates back to a very ancient era. The exhibit is noted to be enclosed in a glass case, mounted on a red pedestal, which not only protects the items but also enhances their visual appeal. Observers in the background are depicted as museum visitors engaged in appreciating the exhibits, with some contemporary displays faintly visible, suggesting a juxtaposition between the ancient and modern artifacts within the museum environment. The overall context reinforces the significance of these chimes as part of Chinese cultural heritage and musical history.
| 157 |
|
nonnative
|
['11groxXYpCLs', '16BbxASFb3Vc', '1fJg9huXFHJ2']
|
['English', 'English', 'English']
|
[" In this image we mainly notice a soup bowl filled with some kind of noodle or ramen like dish. In terms of objects we notice a lot of thin noodles, a lot of I'm not quite sure what it is, if it's corn or in any case we see dozens of corn-like little bits in the soup as well. We notice of course a probably a fork or a spoon in the plate as well and in the bowl I mean and of course the bowl itself. We don't see any text otherwise the bowl is pretty much the central figure filled with the ramen like dish. In terms of subtle details I think the color of the ramen or soup that is probably what would strike me the most. It's a red or brown like sauce that's in the soup perhaps some kind of soy based or I'm not rather acquainted with cooking so it's a bit difficult for me to know. So in terms of the background I think it's just a table that the bowl sits on that we notice a bit in the background too. And the style and color there's nothing particularly striking besides the broth of the soup which is dark reddish brown and doesn't really seem culturally distinct to me even if the dish would probably be Asian if I had to guess but not particularly at least to me. but the Scandinavian just put up outside the bowl and both of them copy things into the cold. So how I think 설명 to do it. It's a lot too much of a poem. We got IP Александ造ский.", ' This image depicts a bowl of soup. The bowl itself is round and is colored plain white. The soup has a clear reddish broth that looks filled with spices and there are clear noodles inside the broth along with some green garnishing as well as spherical vegetables inside. There is a spoon inside the bowl going under a pile of the noodles in the center of the bowl and the spoon is metal with a light red or pinkish handle. Under the bowl it is sitting on a grayish table and the bowl is casting a shadow on the table.\\', ' The image is of a delicious looking bowl of soup. The soup has a dark red, almost brown colored broth. There are a lot of noodles in the broth. Most of the noodles are concentrated in a ball in the middle of the soup. Sticking out of the ball of noodles is a silver utensil. This utensil has a rosy pink handle. There also appears to be some green herbs floating in the soup as well as some corn. I can also see chili flakes in the soup. The soup is inside of a white bowl. The white bowl takes up almost the entire image space. There is a ring of soup going up the side of the bowl. From this I can infer that part of the soup has been eaten. At the corners of the image I can see a grayish background that is most likely a gray table that the soup itself is sitting on.\\']
|
[False, False, False]
|
['No', nan, nan]
|
In this collection of images, we are presented with a series of descriptions centered around a soup bowl containing a noodle or ramen-like dish. The bowl is predominantly white and round, making it the focal point of the images. The broth within the bowl is characterized by its rich, dark red to brown hue, which may suggest a soy-based essence, though the exact ingredients remain unclear to the describer. In examining the contents of the soup, we can discern a multitude of thin noodles, which are noticeably piled in the center of the bowl, forming a cohesive mass. Accompanying these noodles are small, corn-like pieces scattered throughout the broth, possibly indicating the presence of vegetables. The soup is also embellished with green garnishes, likely herbs, which contribute to the overall aesthetic and flavor profile of the dish. A metal spoon, adorned with a light red or pinkish handle, is positioned within the bowl, resting beneath the noodles. This spoon serves a practical function but also adds a touch of color contrast against the otherwise monochromatic bowl. The bowl itself casts a shadow on a grayish table, providing a subtle indication of depth and space within the image. The imagery evokes a sense of warmth and comfort typically associated with a hearty bowl of soup, reinforcing its culinary appeal. The colors, while visually striking, do not appear to represent a culturally distinct dish at first glance, although the dish may bear Asian culinary influences. Overall, the descriptions share a consistent theme of highlighting the bowl of soup, focusing on the visual elements, texture, and colors of the dish, while noting the surrounding context of the table which supports the presentation of the meal. The soup invokes feelings of satisfaction and nourishment, which are often associated with home-cooked meals or traditional culinary practices.
| 348 |
|
nonnative
|
['12Nay8b0QBr9', '1F51KgGcwqMI', '17vy4v6hda0Z']
|
['Chinese', 'English', 'English']
|
['This image depicts a train that looks like it belongs to an older era, specifically at a train station. There are three trains currently running at this station, all seemingly moving in the same direction along three tracks. There are many trees and a building nearby. On the platform, there are some people, and there is some text, but I cannot clearly see what it says. The train on the far right appears to be moving the fastest, followed by the middle train, and then the one on the left. The three trains are on their tracks, with the two trains on the left separated from the middle train by a platform. There are also some streetlights and what seems to be a trash can on the platform. In the background, there are trees, the sky, and a building that appears to be part of the station. This image is in black and white, showcasing a monochromatic tone.', " At first glance, the image is a black and white photograph of train station with trains parked on the tracks and platforms on either side of the tracks and buildings in the background. At first glance, I can see maybe three trains. The train on the far right is a white train, but it gets cut off, so I can't see the front of the train. The train in the middle is sort of looking right at the photographer and is very close to the front of the image, and the train on the left is very far from the photographer. On both sides of the tracks, there seems to be platforms, all of which have an overhead canopy. And in the background, there are two older style buildings. Also in the background, you can see multiple trees, which all seem to have no leaves. The sky is completely white. zostaers wake come right at the critic. At first glance, in the background, there are some secrets running out of the smarts. You can see there's four fragments of teams bouncing around by hand. I will use a PowerPoint Looking back for air Isolinst moves off, somehow building up front, because there's also on the market's car. We are now displaying a product for air level, away from ice très thick,", ' This appears to be a black and white photo of a train station. The trains appear to be quite old, so I would presume that this image is quite old, especially due to the fact that it is also in black and white. There are two individuals standing on the platform, and what else is there to say? There is a light post on the platform, and in the background, to the left of the trains and the train tracks, we can see the building, the train station building, I guess, or just like some sort of building in the background. We have trees. We can also see trees. And I can make out the text. This appears to be saying DB written on the train, one of the trains.\\']
|
[False, False, False]
|
[nan, nan, nan]
|
This image portrays a train station reminiscent of a bygone era, characterized by its black and white photographic style that enhances its historical appeal. A total of three trains can be observed, all of which are positioned on separate tracks and are seemingly journeying in the same direction. The train on the far right stands out as it appears to be moving the fastest. The train in the middle is situated closer to the viewer, facing directly towards the camera, while the leftmost train is distanced from the photographer. The scene is enriched by surrounding elements that provide context to the setting. Both sides of the tracks are equipped with platforms, all highlighted by elegant overhead canopies. To add to the visual richness of the atmosphere, several streetlights are present, along with a trash can located on the platform. The backdrop of the image features two older-style buildings that suggest a deep-rooted architectural tradition, merging functionality with aesthetic charm. Surrounding the station, a number of leafless trees can be spotted, indicating a late autumn or winter setting, while the overhead sky appears completely white, lacking any discernible clouds. The platforms are dotted with a handful of individuals, adding a human touch to the scene, although their activities or expressions are not notably detailed. One distinctive feature worth noting is visible text on one of the trains, which has been identified as "DB," commonly recognized as the abbreviation for Deutsche Bahn, the German railway company. This detail strongly implies that the train station may be situated in Germany or reflects a connection to German railway heritage. The imagery encapsulates a picturesque yet nostalgic representation of train travel, evoking sentiments of past journeys amidst the stillness of the station.
| 1,685 |
|
native
|
['1kFLO0nxVTxO']
|
['Russian']
|
['At first glance, this is a portrait of a man with almost gray hair, who appears to be around 40 to 50 years old. He is wearing a bright blue suit jacket. There is one person in the portrait, and behind him are green leaves from some kind of plant. There is no text or specific position for the photograph; it shows a man with a wall of green leaves in the background. What details can we see? The background has a sort of bokeh effect. Yes, that’s right, a bokeh effect. What style is this? Well, it’s a photograph, and the lighting is such that it highlights the blue jacket, the white face, and the gray hair against the green and white background. Yes.']
|
[False]
|
[nan]
|
At first glance, the image presents a portrait of a man who appears to be between the ages of 40 and 50 years. His hair has a noticeable gray tone, which may suggest a degree of maturity or experience. He is dressed in a vibrant bright blue suit jacket, which stands out prominently in the photograph. The composition features only this one individual, allowing the viewer to focus solely on him. In the background, a lush arrangement of green leaves is visible, hinting at a natural setting or indoor plant decor. This backdrop adds a beautiful contrast to the man’s bright blue clothing. The photograph utilizes a bokeh effect, which is a photographic technique that creates a soft, out-of-focus background, blurring the details and allowing the subject to take center stage. This technique enhances the aesthetic quality of the image and draws attention to the man. The lighting in the portrait is skillfully executed, effectively illuminating the subject’s white facial features while accentuating the striking blue of his jacket and the gray accents of his hair. The interplay of light and color creates a visually pleasing balance, ensuring the individual stands out lucidly against the backdrop of green and white. This photograph is a testament to careful composition, lighting, and the art of portrait photography.
| 3,063 |
|
native
|
['1bRWwhETCd7g', '128V3jfF2o6m', '147ffHp4iCH6']
|
['Chinese', 'Chinese', 'Chinese']
|
["This image, when viewed, should be seen as a painting. The objects depicted are several reeds that have been swept away. There is no text in this picture, and the placement of the objects is in the lower half of the image, while the left half shows some reeds being swept away. The details reveal that this is not a photograph but rather a watercolor painting. The background is pink, with an indistinguishable object, creating a style that evokes happiness and warmth. The predominant color is pink, and there isn't much else to say.", 'This is a very beautiful and evocative painting of reeds. The artwork features a lot of blank space, with several scattered reeds swaying gently to the right in the wind, creating a delicate impression. The background is clean and bathed in a pink light, which gradually transitions into a purple hue at the bottom. There are also small white specks dotting the scene between the reeds, resembling sounds floating in the air, scattered throughout the composition. However, these light spots appear more like delicate white embellishments on the canvas. The style of this piece is filled with artistic sentiment, presenting a clean and minimalistic view of the reeds swaying to the right in the wind.', 'In this image, we see many reeds, which are likely to be feather reeds, swaying to one side, leaning to the right as the wind blows. These reeds are a dark yellow with a brownish tint. The background is mostly in shades of pink, gradually deepening into a light purple at the bottom before transitioning into a grayer blue, resembling the sky at dusk. Upon closer inspection, there are also some white flickering light spots that are very beautiful. At the bottom of the reeds, there are some other plants, probably four of them, located at the very bottom of the image.']
|
[False, False, False]
|
[nan, nan, nan]
|
This image should be perceived as a painting rather than a photograph. It illustrates several reeds that have been swept away, capturing the movement and delicate nature of the scene. Notably, there is no text present within the picture itself, allowing the artwork to communicate solely through its visual elements. The placement of the reeds is concentrated in the lower half of the image, while the left portion shows some reeds gracefully being carried away by the wind. The details of the artwork reveal that it is a watercolor painting, characterized by soft transitions and fluid forms. The background features a predominantly pink hue, creating an atmosphere filled with happiness and warmth. Within this backdrop, there is an indistinguishable object that adds to the complexity of the piece. While the pink color dominates the overall composition, the artist's intention appears to evoke feelings of joy and calmness through these warm shades. The painting consists of minimalistic elements, allowing for a spacious and airy feel. Scattered throughout are several reeds, which gently sway to the right, suggesting movement in response to a gentle breeze. This delicate impression is accentuated by the clean background, which is bathed in a soft pink light that transitions into a lovely purple hue at the bottom. The appearance of small white specks that dot the scene amidst the reeds adds a touch of whimsy, as they resemble sounds floating in the air. These light spots, which can also be interpreted as delicate embellishments, enhance the artwork's ethereal quality. Upon further observation, it becomes clear that the image features an array of reeds, potentially feather reeds, leaning to the right as they bend with the wind. These reeds possess a dark yellow hue, interspersed with a brownish tint that adds depth to their appearance. The background complements the reeds; it primarily contains soft pink shades that gradually deepen into a light purple at the bottom, transitioning into a grayer blue reminiscent of the sky at dusk. Upon closer inspection, the artwork reveals beautiful white flickering light spots that further embellish the composition. At the very bottom of the image, there are additional plants—approximately four—situated beneath the reeds, adding layers to the complexity of the natural scene depicted in this enchanting painting.
| 2,135 |
|
nonnative
|
['17rLM2MWMl0E', '1bkpkzRi1ClD', '134LoLb8N34m', '1dWtDoudFUFC', '1m7yhlgKcFAW', '1gc3JYROJGsv']
|
['Chinese', 'English', 'Chinese', 'English', 'Chinese', 'English']
|
["The entire image shows a train on the tracks. We can see that this train has a certain length, possibly around ten carriages or more. The train is primarily white with some blue stripes for decoration. The entire image is captured from the direction the train is facing. Very clearly, at the front is its locomotive, which is mainly white with blue decorations and red lights. The locomotive is slightly taller than the other carriages. Additionally, we can see many steel structures above the train. There's a device connected to the top of the locomotive, suggesting that this structure may help guide the train forward. This could represent the train's state when entering a station. The image also shows two tracks: one with the train and the other empty. We can observe that there seems to be gravel next to the tracks. Overall, this image is realistic and specifically captures the train arriving at the station from this angle.", " This image is an image of a train, and this train seems to be in motion, and the train has a bunch of carts, a bunch of, like, whatever you call it, where the people stay, all the passenger places, it's very long, and then the front of it, it's got these two lights, and the lights are red, and then it's got this blue thing on top of it, and it looks like it's barreling down, but it's not blurry, so the image captures pretty good, and then the train's a light rail, you can tell because it's attached to the top, there's, like, this source of, there's this rope thingy that it's attached to, and then it's kind of doing its thing, and it's going all the way down there, and it's on the tracks, and then there's a bunch of what looks like tracks on top of it, because it's a light rail, it's got to have the electricity source, and it's to the right of the train are another set of tracks, there's a bunch of gravel on the bottom of the tracks, and then to the right of that, it looks like there's a platform, and you can't see any people on the train, and you can't see a conductor, it looks pretty blacked out, so it's hard to see.", 'This picture shows a train running quickly, with two tracks underneath – one going forward and one going backward. This train is an oil-powered train, and you can see the overhead wires connected to it. It looks quite old because the train body appears aged, and the front of the train has a blue and white striped design, while the main color is silver with blue accents. The train doesn’t seem particularly long; it’s probably made up of more than ten carriages. Additionally, there are dense lines above that resemble electric wires.', " This is an image of a train or a commuter rail. It's a quite long train. The front of the train is mostly white. There's a little bit of blue, like an almost upside down blue triangle on the front of the train. The train has two red lights towards the bottom front of that front car, and it also has two large windows for the driver to look out. And then there are many, many train cars trailing behind that initial train car that likely has some passengers, maybe some commuters on their way to work taking the train. There are many windows on the side of the train for people to look out. The train is really the focus of the picture, but you can also see that it is on some train tracks. And then there's a lot of like pipes and columns above the train likely supporting the railway.", "This is a picture of a train. I'm not quite sure where this train is, but based on its position and the racks on it, it should be a train waiting at a train station. It could be in South Asia or some other places. Just looking at this, there are no identifiable letters or other usable items nearby, so I can't determine exactly where this is. This is a rather indistinct image, but it might be at a train station. This type of train seems to be relatively old, as I don’t see any newer or trendy designs on it, so it should be an older style of train. I would say it is more commonly found in Asian regions, but I personally haven’t seen any fashionable trains.", " This is a picture of a train. The train itself is gray with some blue highlights and it looks like there's two lights on the front. Red lights and the other lights aren't currently on, most likely will be white lights. The train is located on one track to the left and there's another track to the right of the photo. It looks like there's a lot of structure on top of this train. It's most likely in a train station or some area where the trains stop when they're not running. The picture seems to be taken outdoors where this location is since it's very sunny. In the background, there appears to be buildings. I see a green light in the back of the train, but not on the train. It seems like a traffic light. There appears to be gravel between tracks."]
|
[False, False, False, False, False, False]
|
['No', nan, 'no', nan, 'No', nan]
|
The image depicts a train on the tracks, showcasing the lengthy composition of the train, possibly consisting of around ten carriages or more. The train's predominant color is white, complemented by decorative blue stripes. The photo captures the train from the direction it faces, prominently featuring the locomotive at the forefront. This locomotive is primarily white with blue decorations and equipped with red lights for visibility. Compared to the carriages, the locomotive stands slightly taller, which is a common design feature to accommodate the machinery inside. Above the train, numerous steel structures are visible, indicating an overhead system that is likely instrumental in guiding the train as it approaches or prepares to enter a station. The image captures two tracks; one supports the train while the other remains empty, with gravel observable next to the tracks, a standard element in rail infrastructure for drainage and stability. The overall realism of the photo effectively conveys the scene of the train's arrival at the station from this specific angle. Another depiction represents the train in motion, highlighting its considerable length, which includes multiple passenger cars. The front of this train features two red lights, contributing to its recognizable design, which displays an active demeanor as it travels down the tracks. The train's structure indicates it is a light rail system, with an electric source evident from a cable or 'rope thingy' above it, assisting in its operation. Adjacent to the train, additional tracks are visible, and the scene includes gravel lining the track bed. A platform is observed to the right of the image, yet no passengers or a conductor are discernible, leaving a sense of ambiguity regarding the train's current operational status. The third image portrays a train moving swiftly with two tracks beneath it, one designed for forward motion and the other likely for trains traveling in the opposite direction. This particular train is identified as oil-powered. Its exterior appears aged, with a blue and white striped design prominently displayed at the front, while the predominant color is silver, accentuated by blue details. The train does not appear to have an extensive number of carriages, though it is constructed with more than ten. Overhead, dense lines suggest the presence of electric wires necessary for its operation. In another view, the train is characterized predominantly by a white front with an upside-down blue triangle design. This train boasts two red lights at the lower section of its front carriage, and large windows for the driver's visibility. Trailing behind this initial carriage are numerous train cars likely occupied by passengers, notably commuters en route to their workplaces. The train, with many viewing windows on its sides, is the central focus of the picture. The supporting structures, including pipes and columns overhead, are indicative of the railway's architecture. The final image features a train that appears to be stationed, potentially at a train station, possibly located in South Asia or an analogous region based on its design. The ambiguity of the location is compounded by the absence of identifiable features or signage. The train seems older, lacking modern designs typically seen in contemporary trains, suggesting it is commonly found in Asian locales. The image is somewhat indistinct, but hints at the train's historical and cultural significance, reinforcing the notion of older train styles prevalent in certain regions. In addition, this train showcases a gray exterior with blue highlights and features two front lights—a pair of red lights, with the other likely being white when activated. Positioned on the left track, the train is flanked by an additional track to the right. Visible structural elements above the train imply it is in a station or a stopping area. Taken in a sunny outdoor setting, background buildings add depth to the scene, alongside the presence of a green light, indicated to be a traffic light, situated behind the train rather than on it. Gravel is also evident, lying between the tracks, a typical component for train line setups.
| 1,135 |
|
native
|
['1hZFiJjcJm96', '1mheZBweCH6t']
|
['Tamil', 'Tamil']
|
["Sound bite Prakash, forty-seven seconds. It seems like there will be a lot in a forest. This one cow is only looking towards the camera. It doesn’t seem like there’s any greenery; it looks like it has been left out without care. The cow's ears are twitching as if it’s hearing something nice. The land here is good; all around, the cows are big.", "This photo shows a lot of cattle, and there are quite a few smaller ones too, alongside a larger cattle. There seems to be a small plant or tree nearby, resembling something from a morning scene. The fields appear to be blue, and that’s probably why it was referred to as 'field'. It looks like the branding of the livestock has changed; it’s all in color. The poster shows a small cow, but it seems that this isn’t a home-grown cow, as it appears they have gathered all of these for feeding. It’s hard to tell if there’s anyone around; it just looks like they are all cattle."]
|
[False, False]
|
[nan, 'No']
|
In the audio clip, a speaker named Prakash shares observations about a specific setting that appears to be a forest. He notes that within this environment, there is only one cow that is notably focused on the camera, deviating from the assumption that a typical forest scene would contain a variety of wildlife. The cow seems to be somewhat neglected, as indicated by a lack of greenery around it and an overall impression that it is not being cared for properly. Prakash pays attention to the cow's ears, which are noticeably twitching, suggesting that it is perceiving sounds in its surroundings, potentially indicating its curiosity or alertness to something pleasant nearby. He also remarks on the quality of the land, stating that it is fertile, and references the size of the other cows in the area, implying they are healthy and robust. In the second audio transcription, there is a description of a photograph that features a considerable number of cattle. Among these, there are several smaller calves alongside larger cows. A peculiar detail in the image is the presence of a small plant or tree, which evokes a morning atmosphere. The fields depicted in the picture appear to have a bluish tint, leading to the observation that they are being referred to as "field" due to this distinctive coloring. The branding on the livestock has noticeably changed, now incorporating colorful markings. The speaker indicates that the focus of the image is on a small cow, which deviates from the expectation of being a home-raised animal, suggesting that these cattle may have been gathered together for the purpose of feeding rather than being part of a pastoral scene. It is highlighted that the presence of people is ambiguous, as the focus is primarily on the cattle present in the environment.
| 1,388 |
|
nonnative
|
['1fzaoDZlsAMe', '160rXMSmDXLp']
|
['Chinese', 'English']
|
['The image shows a South Korean girl singing group called EISPAAESPA. Since I happen to know their members, I can accurately describe the four of them. They are all wearing performance outfits primarily in black. The girl on the left is named Giselle, the second from the left is Winter, the third is Catrina, and the girl on the far right is the only one with golden hair; her name is Ningning and she is from China. Giselle on the left is from the United States, while the two in the middle are from South Korea. They debuted a few years ago as a rookie girl group under SM Entertainment and are very popular worldwide. In this image, they are likely shown filming a promotional poster or shooting for their new album, along with some other commercial activities. Their makeup is very uniform, and their styles are well-matched, primarily in black with some gold buttons and shiny elements. Overall, they appear very elegant and beautiful.', ' This looks like an image of a K-pop group. This might be Blackpink or another K-pop group. They are four young women in black outfits wearing red lipstick. They are in front of a gray screen. It looks like a multicolored image. It looks like they are taking a glamour shot. So they are posing for a photo shoot. But it also looks like they are posing indoors based on the background. This is also behind. This is not what it is. This was one of the many performances. In the background, now we are요. Let us mask the logo for a new pint. Let us mask the logo for another edition. But there are several letter designs that we are back in. Let us direct the logo for the example. Now let us use the logo as a average. Let us dress up with an object on the bottom left. composed of colors. Let us podcast divide the colors by clicking the logo on the top of the side. What exactly do we want? So let us pick on and flip it every month. So let us take a picture of an questionnaire now. Let me click the logo. Elimin井 is a third with an overlay. Theま brewery will correct the paper. Now if we move to the next tip.\\']
|
[False, False]
|
[nan, nan]
|
The first transcription describes an image featuring a South Korean girl group known as EISPAAESPA. The narrator, who is familiar with the members, provides detailed descriptions of each member. The group consists of four young women all dressed in performance outfits that are predominantly black, giving them a polished and cohesive appearance. The member on the far left is identified as Giselle; she hails from the United States. Next to her, on the second from the left, is Winter, followed by Catrina in the third position. The girl on the far right, distinguished by her golden hair, is named Ningning, and she comes from China. The group debuted a few years prior as a rookie girl group under the renowned South Korean entertainment company, SM Entertainment, and has since garnered immense popularity on a global scale. The background context of the image suggests that the group is engaged in promotional activities, possibly filming a poster or working on a photoshoot for their latest album. Their makeup is elegant and uniform, enhancing their overall aesthetic that features a mix of black outfits accented with gold buttons and shiny elements. The overall impression conveyed by the visual representation is one of elegance and beauty, showcasing the professionalism typical of K-pop performances. The second transcription appears to explore an image of a K-pop group, but there is some ambiguity in its description. The description gives the impression that the group might be Blackpink or another similar K-pop ensemble. There are again four young women highlighted, all dressed in black outfits accompanied by striking red lipstick, against a gray background that seems to provide a muted contrast to their vibrant appearance. The atmosphere of the image is identified as that of a glamour shot, suggesting a professional photoshoot setup. In the latter part of this transcription, the wording becomes less coherent and appears to trail off into disorganized thoughts concerning logos and design elements associated with creative work, which detracts from the initial observations about the group. References to color composition, logo usage, and other graphical elements do not seem to connect logically with the earlier descriptions of the K-pop group and their performance. The relevance or context of such discussions may be related to a design task, possibly intended for visual marketing, but lacks clear focus or continuity.
| 1,157 |
|
nonnative
|
['1aNYu7lqudWG', '1luj1jhM0PmW', '12ik9Uej6gZH']
|
['English', 'English', 'English']
|
[" okay this photo is about a tiger in orange and with black stripe it is looking at the bottom right of the photo looks like he's trying to catch something or like yeah after observing something and like find opportunity to catch it this tiger's the background of the photo is looks like like in the wild there's no green plants there only some stones and like dry branches with no leaves and then this tiger looks pretty sane there's not much fat and then um tigers in the middle of the photo uh there's a stair on the bottom right of the photo that's it", " This image shows a tiger with orange fur on top and white fur on its belly along with black stripes across its whole body. And the tiger is walking in motion along a hill of rocks and the tiger is walking down the hill towards the right side of the image. There are barren branches coming down from the top of the image on top of the tiger and there are more branches to the sides of the tiger. On the hill you can also see some dirt kind of pocketed into the corners surrounding all of the stone. And the tiger's shadow is being cast to the right along the rock from the sun shining on the left side of the image.", " In this image we mainly see a tiger at first glance. In terms of objects we see some rocks mainly besides the tiger and perhaps some dead vines or yes some some dead vines. We don't see any text so we mainly see just one tiger. In terms of subtle details I think the patterns of the tiger really would stand out in the image. The background is some kind of rock like barrier and the style and color while it looks like it's probably winter time based on the ground color in the dead vines but it's a bit difficult to know for sure. In terms of location it's difficult to know where this is. You'd probably guess it's some kind of zoo but there's not much evidence to know where exactly. And yes there's really just a tiger in the image so there's not much else that stands out. Perhaps the little bag that seems the plastic bag that seems stuck in a few vines. It's really the only other small detail I noticed that's interesting."]
|
[False, False, False]
|
[nan, nan, 'No']
|
This photo features a majestic tiger characterized by its striking orange fur adorned with bold black stripes. The tiger is depicted in a pose that suggests it is intently observing its surroundings, specifically looking towards the bottom right corner of the image, as if it is focused on spotting potential prey or an opportunity to pounce. The wild setting is stark, with minimal vegetation present; the background consists mostly of rocky terrain and dry branches stripped of their leaves, signifying a harsh and arid environment. The tiger appears relatively lean and healthy, lacking excess fat, which contributes to its wild and fierce demeanor. The composition of the image reveals that the tiger is centrally positioned, with a more detailed focus on its powerful form and sharp features. To the bottom right of the photograph, there are visible stairs that hint at an artificial structure, raising a question about the true nature of the setting—whether it is a natural habitat or a controlled environment such as a zoo. In a separate image, we observe the same tiger in a different stance, now captured in motion as it gracefully walks down a rocky hill. The tiger's orange fur contrasted with its white belly and black stripes creates a stunning visual impact as it navigates the uneven terrain. The direction of its movement is towards the right side of the image. Overhead, barren branches drape down, adding to the desolate ambiance, while additional branches flank the tiger on either side, reinforcing the idea of its wild, untamed nature. The rocks beneath the tiger are scattered with patches of dirt, enhancing the rugged landscape through which the creature travels. The sunlight casts a shadow to the right of the tiger across the rock, providing a dynamic element to the photograph and illustrating the play of light and nature. The overall atmosphere feels somber and cold, likely indicative of winter conditions, as suggested by the dark earth tones and the presence of dead vines in the scene. While the primary focus remains on the tiger, there are incidental details that add depth to the imagery. A brief mention of some rocks surrounding the tiger and the presence of what seems to be a plastic bag entangled in the vines serves to highlight the contrast between the natural wildness of the tiger and the human-made waste, subtly commenting on environmental issues. However, the primary visual takeaway remains the powerful and solitary figure of the tiger, whose striking features dominate the composition against a backdrop that, while harsh, is undeniably captivating.
| 186 |
|
native
|
['1hLRf97Z3HrG']
|
['Korean']
|
["The next photo talks about Jeonju Hanok Village. It is a scene where a high photo of the village has been taken. Above it, there is a product created for promotional purposes, designed for poster use. There are many houses, and you can see unique roofs that characterize Hanok Village. It seems that there are more than ten houses visible, and the text is written in English as 'Jeonju Hanok Village, Jeollabuk-do.' Below that text, there is a description of Jeonju Hanok Village, aimed mainly at international visitors and tourists. The details show that the houses are well-packaged, and it looks like the editing done for the houses was created in a brush-stroke style. Yes, I think that’s enough to say. Thank you. Thank you. Thank you."]
|
[True]
|
['Jeonju hankok village is a culturally significant location in south korea']
|
The next image features a breathtaking aerial photograph of Jeonju Hanok Village, a culturally significant destination located in Jeollabuk-do, South Korea. This image captures an expansive view of the village, showcasing its distinctive Hanok architecture, which is characterized by traditional Korean wooden houses with elegantly curved roofs. In this scene, observers can see more than ten beautifully preserved Hanoks, each contributing to the village's rich cultural tapestry. Positioned prominently above the photograph is promotional text designed specifically for poster use, which reads "Jeonju Hanok Village, Jeollabuk-do." This text is written in English, targeting international visitors and tourists who may be interested in exploring the area. Below this header, there is an informative description of Jeonju Hanok Village that provides insights into its historical and cultural significance, along with details to attract potential travelers. The image is enhanced through editing that applies a brush-stroke style, lending an artistic flair that emphasizes the beauty and uniqueness of the houses within the village. Each Hanok appears well-packaged, highlighting the meticulous care taken to preserve their traditional designs and architectural integrity. Jeonju Hanok Village is renowned for its contribution to South Korea's cultural heritage, making it a must-visit destination for those seeking to experience the country's traditional lifestyle. Thank you. Thank you. Thank you.
| 3,004 |
|
nonnative
|
['1no1IbzzYaHI', '1muv9UOv4TUD']
|
['Chinese', 'English']
|
["This scene shows a person holding a phone in front of a car, with two people in front of him; one is on a call while the other is facing away from us, a passerby. Besides that, there is a car and some motorcycles in the frame. There are no words, and in the background, there is a streetlight and some buildings. It feels like winter since the people are dressed warmly. Because there are electric bikes, it suggests a setting in some East Asian country. The background is black, indicating it’s nighttime, and the streetlight looks like something commonly found in Asia. It seems that friends are not... regardless of whether you know, it's not relevant. I haven't seen...", " This is an image, there appears to be three individuals. We can see a gray silver car as well as two or three bikes. It appears to be at night, it is quite dark and there's one singular lamppost that we can see in the background. There's some light coming from whatever building that this car and these bikes are parked outside of. One of the individuals who, two of the individuals in the photo have their backs facing the camera while the one individuals who have a side view of has a phone up to his ear and appears to be taking some sort of call. In his hands, it appears that he's also holding some sort of bag without their hand or arm."]
|
[False, False]
|
[nan, nan]
|
This scene presents a nighttime setting where a person is depicted holding a smartphone in front of a gray silver car. In front of this individual, two other people are visible; one of them appears to be engaged in a phone conversation, holding the phone up to his ear, while the other individual stands with their back facing the camera, making them less recognizable. The composition captures not only the three individuals but also includes several bicycles parked nearby, suggesting a cyclical mode of transportation common in urban East Asian areas. The environment is characterized by darkness, typical of nighttime, with one solitary lamppost illuminating the scene, providing a contrast against the dark background. This lamppost is reminiscent of those typically found in Asian cities. There are some muted lights emanating from a building in the background, indicating it is likely a commercial or residential establishment located nearby. The attire of the individuals indicates it's winter, as they are dressed warmly, further enhancing the perception of the cold season. The presence of electric bikes also hints at a modern, eco-friendly transportation trend that has gained popularity in various East Asian countries. The overall atmosphere of the scene conveys a sense of urban life, with the camaraderie of friends apparent, even if their interactions are somewhat obscured by physical distance and anonymity in this particular moment.
| 1,946 |
|
native
|
['1i8O47vcOsnh']
|
['Korean']
|
['This appears to be an image attached to a news article. At the bottom of the image, the name of the media outlet, "The Fact," is written. It shows the female celebrity Kang So-ra walking on the red carpet. Kang So-ra is wearing very high 909 shoes and a navy blue dress that reaches the ground. She also has long brown hair styled in waves, and she is looking at the reporters while using one hand to fix her hair. The background slightly visible confirms that this is during the evening or night time. Thank you, thank you, thank you.']
|
[False]
|
[nan]
|
The image attached to the news article prominently features the renowned female celebrity Kang So-ra gracefully walking on the red carpet. The media outlet's name, "The Fact," is displayed at the bottom of the image. Kang So-ra is adorned in a striking navy blue dress that elegantly cascades down to the ground, accentuating her poised presence on the red carpet. Her footwear consists of exceptionally high heels, measuring an impressive 909 in height, which adds to her stature and elegance for the event. She has long, luscious brown hair that is beautifully styled in soft waves, contributing to her chic appearance. In an approachable and engaging manner, she appears to be directing her attention towards the reporters present, while simultaneously using one hand to fix her hair, suggesting that she is both conscious of her appearance and confident in navigating the media landscape. The background of the image provides subtle hints that the event is taking place during the evening or night time, creating a sophisticated atmosphere typical of red carpet events where celebrities showcase their fashion choices before a multitude of cameras. The overall context reflects not only a glamorous moment for Kang So-ra but also the essence of celebrity culture, where appearances and public engagements play a significant role in a celebrity's career and image.
| 2,978 |
|
native
|
['1j2iCHMCrI4k', '1hqofFyK2ZRo']
|
['Tamil', 'Tamil']
|
["The Taj Mahal is in India. This picture shows the Taj Mahal in white color, with a nice green color surrounding it. There’s a good setup with greenery on the path leading to it, and in the middle, there's a nice water fountain. However, on the ground, there’s a fountain far away from where you can see the marble work. From a distance, you can see the shape of the structure, and many people are standing in front taking photos. It’s beautifully captured in the center, showing that there are many people around the Taj Mahal. There are two towers on top, making it look like four in total, and it is indeed the Taj Mahal in Agra, New Delhi, India. Behind it, the sky looks very nice, with a beautiful blue color, and there is a nice white color in the atmosphere. On one side, many trees are beautifully arranged. From far away, I think people are gathering, and many people are present there taking pictures. In the background, there are many groups of people, and some are also cleaning around.", "In this image, there's the Taj Mahal. The Taj Mahal is located in Agra. It was constructed by a great emperor. When one sees a well-built structure, the Indian center prepares to host visitors to the Taj Mahal. There are some bicycles parked in front, and behind, there seems to be a bit of glass, and four pillars are visible. In the middle, there are beautiful decorations. On the side, there is a large shawarma being served."]
|
[True, True]
|
['Taj Mahal is located in Agra New Delhi India', 'yes']
|
The Taj Mahal, an iconic symbol of love and architecture, is situated in Agra, India. This stunning monument is depicted in an image that captures its majestic beauty in pristine white marble, surrounded by lush greenery. The composition of the scene includes a well-maintained path adorned with greenery that guides visitors toward the structure. Central to the scene is a striking water fountain, creating a serene atmosphere. However, there is another fountain visible at a distance, which highlights the intricate marble work of the Taj Mahal. As one gazes upon the Taj Mahal from afar, the unique silhouette of the building becomes evident, drawing many visitors who are gathered in front of the monument, presumably to take photographs to commemorate their visit. The photograph effectively showcases the numerous people present, enhancing the sense of the monument's popularity as a tourist destination. The architectural design of the Taj Mahal features two prominent towers at the uppermost corners, giving the illusion of having four towers in total due to the symmetric layout of the structure. The background features a beautifully clear sky, painted in shades of blue, while wisps of white clouds add to the overall aesthetic appeal of the image. To one side of the view, a well-arranged line of trees complements the landscape surrounding the Taj Mahal. Observations from a distance reveal groups of people congregating, with some visitors engaged in capturing memories through photographs, while others appear to be helping maintain the area by cleaning. In another image describing the same monument, the Taj Mahal is once again highlighted, reinforcing its location in Agra, which is known for this remarkable edifice. This structure was commissioned by a great emperor, believed to be Shah Jahan, in memory of his beloved wife, Mumtaz Mahal. The area is prepared to welcome tourists who come to marvel at the architectural grandeur of the Taj Mahal. In this scene, bicycles are parked nearby, indicating a casual and accessible environment for visitors. Behind the bicycles, elements of glass can be seen alongside four supporting pillars that may form part of the surrounding infrastructure. Within the scene, beautiful decorative elements are present, indicative of the rich cultural heritage associated with the Taj Mahal. Additionally, a large shawarma is being served on the side, representing a popular Middle Eastern dish that has gained popularity in India and among tourists, signifying the blend of diverse culinary experiences available to visitors in the vicinity of this renowned monument.
| 1,361 |
|
nonnative
|
['151wnP8S1dSt', '192So7TpsXHQ']
|
['Chinese', 'English']
|
["This picture shows a man skateboarding. The man has short black hair and is wearing a black-and-white checkered shirt and black jeans, along with a pair of sneakers that appear to be Adidas. His skateboard is also black. He is at a skate park, on a set of two-step stairs, and is about to slide down from the top step. One of his hands is raised, and his arms are extended parallel to each other. In the background, there is a red building and some trees; it seems to be autumn, as one tree has yellow-green leaves while another tree, only partially visible on the right, has red leaves. The sky is clear and blue. Behind the man, there is a sign indicating that this is a skate park, featuring a drawing of a little person skateboarding, which closely resembles the man's pose.", " it's a guy doing a skateboard trick the guy's wearing a black and white flannel black pants with a white shirt under his flannel he's wearing black beanie the skateboard is black with cyan wheels he has one foot on a ledge which is on the skateboard the other foot is on the other end of the skateboard he's about to drop off of the ledge onto another piece of concrete the ledge is made of concrete the ground is made of concrete there are trees in the background it looks like it's fall the trees are green with some red starting to grow on them there's a sign behind the skateboarder with guys skateboarding on the side top the sign is cyan at the bottom of the sign is white there's a brick building in the background the sky is blue there's a concrete building back there are no clouds in the sky the guy's hand is up like a magaphaest"]
|
[False, False]
|
[nan, nan]
|
The image captures a scene at a skate park featuring a young man who is in the middle of executing a trick on his skateboard. He has short black hair and is dressed in a black-and-white checkered flannel shirt layered over a white shirt, which reflects a casual yet stylish skateboarding attire. His lower apparel consists of black jeans, and he completes his outfit with a black beanie atop his head, lending him a fashionable edge that is common among skateboarding enthusiasts. On his feet, he wears sneakers that resemble the Adidas brand. The skateboard he rides is predominantly black, distinguished by its cyan-colored wheels, which adds a pop of color to the overall aesthetic. At this moment, he has positioned one foot on a ledge made of concrete, while the other foot remains on the board itself. He is poised to drop off the ledge and onto another concrete surface, showcasing his skill as a skateboarder. His hand is raised, perhaps in a gesture of excitement or balance, reminiscent of the spirited ambiance often found in skateboarding environments. Surrounding the skateboarder, the backdrop is marked by the tranquil beauty of autumn. The trees in the vicinity exhibit a mixture of colors; some remain a lush green while others are transitioning to red hues, indicating the seasonal changes. This scene is further embellished by the presence of a red building that adds a striking contrast to the blue sky above, which is clear and free of clouds. Adding context to the atmosphere, there is a sign in the background indicating the location as a skate park. The sign features an illustration of a figure skateboarding, which closely mimics the man's posture, suggesting that it may serve not only as a marker for the park but also as an inspiration for skateboarders. The sign itself has a cyan top with a white bottom, creating a visually appealing contrast that blends well with the overall environment. A brick building can also be seen in the background, enhancing the urban feel of the skate park, which is further underscored by the predominantly concrete surfaces in the area where the action is taking place.
| 1,813 |
|
native
|
['1mS83JPvvhcN', '1axaQB5BFClj', '1nrrMO0UZRad']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a scene that might be happening in Disney, set indoors with a downward arching ceiling. In the center, there is a fountain with sprays of water and lights; the ceiling is made of glass. The scene is filled with many green plants, including some very tall trees that might be artificial. In the middle, there is a silver statue of Mickey Mouse, standing on a pedestal which is carved with the Disney name. There are also a few people in the scene, around five individuals.', 'It should be inside a tropical botanical garden because the upper part of this photo shows a canopy of a tropical botanical garden supported by triangular frameworks holding up a translucent membrane. Below are some trees and plants, including broadleaf evergreens and some small green plants that may not be tropical but are still from plants that exist in the transition between temperate and tropical regions. At the bottom of the image, there is a horizontal white beam which has two slender columns. The canopy is leaking water; I’m not sure why—it could be a part of the design. Behind this water curtain, silhouettes of some people can be seen; they might be visitors, although I could be mistaken as they appear very small. Overall, the image is very bright and has a thoughtful composition typical of photography.', "In this image, we see a very famous attraction at Singapore Airport, which features an artificial waterfall. The entire space has a very high ceiling, allowing the waterfall to cascade down from a mesh steel structure with a glass roof, creating a spectacular sight. Beneath the waterfall, there is a circular opening that prevents splashing and gives the illusion of depth. Surrounding the waterfall are tall tropical plants, arranged in multiple layers to extend the space vertically. In the foreground of the image, there is a silver statue of Mickey Mouse celebrating Disney's 100th anniversary. The statue is positioned to face forward with a slight tilt to one side, displaying a broad smile. At the bottom of the image, a few people can be seen with backpacks and luggage, contributing to the overall bright visual experience."]
|
[False, False, False]
|
[nan, 'just forest', nan]
|
This scene presents a vibrant indoor setting that resembles a whimsical environment typically found at a Disney theme park. The architecture features a downward arching ceiling, which is constructed of glass and allows natural light to illuminate the space. Central to this enchanting atmosphere is a beautifully designed fountain that features sprays of water interspersed with colorful lights, creating a captivating focal point. Surrounding the fountain, the area is lush with various green plants, which includes several tall trees that are likely artificial, contributing to the tropical ambiance. In the very heart of this scene stands a striking silver statue of Mickey Mouse, an iconic figure synonymous with Disney. This statue is mounted on a pedestal that is intricately carved with the Disney name, further enhancing the theme of the location. The scene is inhabited by approximately five individuals who are scattered throughout the space, engaging in various activities. The inclusion of these visitors adds a layer of life and interaction, emphasizing the attraction's purpose as an entertainment venue. Transitioning to another scene, it suggests a setting within a tropical botanical garden, characterized by its canopy that is supported by triangular frameworks, which uphold a translucent membrane. Below this stunning canopy, one can observe a diversity of trees and plants, among them broadleaf evergreens and some smaller green plants that, while not entirely tropical, still belong to species that thrive in the transition zones between temperate and tropical environments. Notably, the base of this scene features a horizontal white beam that is propped up by two slender columns, creating a sophisticated architectural detail. An intriguing element of this canopy is that it appears to be leaking water—challenges in its design might explain this occurrence. Behind this curtain of flowing water, one can make out the silhouettes of people, who are likely visitors to the garden; they appear diminutive against the grandeur of their surroundings. In another striking visual, we observe a renowned attraction located within Singapore Airport, to highlight its innovative design which includes an artificial waterfall. The expansive area boasts an impressively high ceiling that allows the waterfall to cascade down from a delicate mesh steel structure, topped by a glass roof. The result of this design is a breathtaking sight that captures the imagination. Beneath the waterfall, a thoughtfully designed circular opening prevents water from splashing while also creating an illusion of depth, further enhancing the visual experience. Surrounding the waterfall are lush tropical plants, carefully arranged in multiple layers, which contribute to a vertical extension of the space, creating an immersive feel. In the foreground of this compelling image stands a silver statue of Mickey Mouse, commemorating Disney's 100th anniversary. The statue is positioned to face the viewer with a slight tilt, showcasing a broad, welcoming smile that embodies the joyous spirit of Disney. Additionally, at the bottom of the image, a few travelers can be spotted carrying backpacks and luggage, highlighting the vibrant activity and bustle typical of an airport environment, and enriching the overall bright and inviting visual experience of the scene.
| 719 |
|
nonnative
|
['18nyJSZrirPY']
|
['English']
|
[" It is... ...Caucasian. The guy has brownish hair while the woman has blondish hair. They're both staring at something on the bottom right. It looks like it's kind of cold out. Or I'm just assuming. He's wearing a sweater jacket thing with a hoodie. I see grass in the background and water. It's pretty bright in the background though as the main focus is on them. And everywhere on the top and top left of the screen is Chinese characters that I don't understand. The characters are in a brown and grayish color. And I also see a website for www.wise99.com. And they're again an embrace. you"]
|
[False]
|
[nan]
|
The scene depicts two individuals, a Caucasian man and a Caucasian woman, who are both noticeably engaged in each other's presence, implying a close relationship. The man has brownish hair, while the woman features blondish hair that glimmers brightly in the ambient light. They are positioned together, gazing at something located in the bottom right corner of the frame, though the specific object of their attention remains unspecified. The atmosphere appears to be somewhat chilly, suggesting it might be a cool day based on the man's attire. He is dressed in a sweater jacket, which has an attached hoodie, indicative of casual and possibly layered clothing suited for colder weather. Surrounding them is a backdrop that includes lush green grass along with a body of water, which could be a lake or river, enhancing the serene outdoor setting. The natural lighting in the scene is bright, suggesting it may be daytime, with sunlight illuminating the environment and drawing focus predominantly on the two figures. In addition to the main visual elements, there are Chinese characters prominently displayed in the top portion and top left corner of the screen. These characters are rendered in a brown and grayish color palette; however, their specific meanings are not decipherable to the observer. The presence of these characters may indicate cultural or regional significance, possibly hinting at a connection to Chinese-speaking communities or themes. Lastly, a web address, www.wise99.com, is visible within the frame, suggesting this scene may be part of a promotional or informational context, potentially linked to the website's content. The couple again appears to embody a moment of closeness or affection, as they share an embrace that further reflects their connection amidst the setting.
| 2,312 |
|
nonnative
|
['165Me6Jyqe1f', '12CSbuX4fxbI', '13zVpKeHeMLl', '1jfpOMy8DyH5']
|
['Chinese', 'English', 'Chinese', 'Chinese']
|
["The scene depicts a rack hanging with numerous bells and other decorations. This hanging rack has two horizontal beams, which appear to be of an indiscernible material, and vertically there is an iron chain that connects large iron rings. The rack is adorned with many bells that seem to be made of blackish metal. In the middle of the scene, there are two larger bells, and surrounding these two large bells are about a dozen smaller bells also hanging from the rack. To the left of the scene, besides the bells, there is red string that has some gold threads intertwined. The red string and gold threads are also wrapped around the rack. The background of the scene is somewhat blurry, featuring what looks like a tree and green plants, but it's quite indistinct.", " This image is of some kind of outside decor. There are a lot of bells of a, like a brassy color or some kind of like rusted lighter metal. There's a lot of rust on the inside of the bells. There are larger bells, smaller bells, probably about over a dozen smaller bells, about three larger bells, but two of them are more visible. Or there's actually two more in the bottom left of the image. There's a lot of red decor with fringe, like gold fringe hanging off, wrapped around the bells. And there's also a chain of the same color as the bells on the right side, hanging down vertically. A lot of the bells are going horizontally, being hung along a wire. In the background, there's a lot of trees. With a lot of greenery. That's all I can tell. It's a very, like, sunny day. In this, like, reddish decor, there are some, like, strands of the gold fringe hanging off of it. It's very unique. There's a lot of wrapping around the bells with it. Some bells off to the side as well. I think it's hung up within the tree, it appears.", 'This is an outdoor scene, and I can feel that it is in a forest. Hanging on the tree are thousands of bells, both large and small, all made of copper. Some are rusty, suggesting they have been around for quite some time, exposed to the elements for many years. Next to these bells, there are also some red scarves, adorned with sequins. I feel that this is a place where people come to pray or express good wishes. If you want to make a wish or bless someone, you would hang a bell here or place some of these red silk decorations. The scene is set in very sunny weather, and it feels like this tree has also been around for a while.', 'The image shows many bells of various sizes; there are several bells tied to a string. There are three large bells and possibly ten to twenty small bells, with red strings wrapped around them. It is evident that these bells are very old, as rust has already started to appear on them. This should be a bell from outside a building, and the background is set within the building itself, which has a lot of greenery.']
|
[False, False, False, False]
|
['No', nan, nan, nan]
|
The scene presents a decorative outdoor arrangement comprised of a rack from which numerous bells and assorted embellishments are hanging. This rack is supported by two horizontal beams constructed from a material that is not immediately identifiable. Vertically, an iron chain connects a series of large, iron rings, creating a sturdy framework for the bells. Adorning this structure are many bells that exhibit a dark, blackish metallic hue. Central to the display are two larger bells, surrounded by approximately twelve smaller bells that also dangle from the rack. To the left side of the image, amidst the bells, a vibrant red string is visible, intricately laced with interwoven gold threads. This decorative red string, along with the shimmering gold threads, is wrapped around the frame of the rack, adding to the overall aesthetic appeal of the display. The background of the scene is somewhat blurred, featuring indistinct shapes resembling trees and lush green plants, contributing to a serene and organic atmosphere. This image depicts a setting that appears to be outside, filled with decor elements. The bells, which range in size from larger pieces to numerous smaller ones, display a brassy tone or suggest the presence of a lighter, rusted metal. The interior of many of these bells shows signs of rust, implying they have endured exposure to the natural elements over time. In total, there are around three larger bells that are prominently visible, with additional smaller bells likely numbering over a dozen. Some of the larger bells are positioned towards the bottom left of the image. The bells are complemented by ornamental red decor featuring fringe—particularly with gold strands that hang elegantly from them, enhancing their visual intrigue. Additionally, a vertical chain of the same color as the bells can be seen on the right side of the arrangement. The bells themselves are predominantly aligned horizontally, suspended along a wire. The outdoor setting is characterized by abundant greenery and trees, indicating a sunlit day. The red decor interspersed with gold fringe is particularly striking. The arrangement of bells suggests it may be hung amidst the branches of a tree, further merging the artistic elements with nature. Moreover, this is an outdoor depiction located within what feels like a forest. The scene features a multitude of bells, both large and small, meticulously crafted from copper. Some bells exhibit a rusty appearance, signifying their historic presence, likely having been subjected to the weather over many years. Beside these bells, striking red scarves embellished with sequins are also visible, suggesting a ceremonial or spiritual context. It seems that individuals frequent this spot to engage in prayer or to express heartfelt wishes. Visitors may hang a bell or place the red silk decorations, signaling their hopes or blessings. The scene is undeniably set in bright, sunny weather, conveying a warm ambiance. The tree itself appears aged, symbolizing a long-lasting connection with the surrounding environment. In this particular image, one can observe a multitude of bells of assorted sizes, interconnected by strings. Specifically, the arrangement includes three large bells alongside a range of small bells, numbering between ten to twenty. These bells are adorned with red strings wrapped around them, further enhancing their visual complexity. The significant wear evidenced by rust indicates that these bells have a storied history. This display appears to be located outside, possibly serving as an entrance to a building, while the background is infused with greenery, suggesting a harmonious blend of architecture and nature.
| 99 |
|
nonnative
|
['1d1k7GmkpmGq']
|
['English']
|
[" This image is of a poster or background printed out of the minions. There is a bunch of minions in the background as well as in the foreground one male and one female minion. The male minion is dressed in a tuxedo, the white, and the female minion is dressed in a white wedding gown. She's also holding a bouquet of red roses. Between the two are the words Darren and Tina. The assumption would probably be that Darren and Tina are getting married and this is some sort of poster or image for them. On the image there's also some hand-drawn and post-capture images placed on top of the original images of pink and red hearts."]
|
[False]
|
[nan]
|
The image depicts a vibrant and whimsical poster or backdrop featuring characters from the popular animated franchise known as the Minions. In this colorful scene, a multitude of Minions—small, yellow, and mischievous creatures known for their comedic antics—are illustrated prominently in both the background and the foreground of the image. Among them, two Minions stand out: a male Minion, elegantly attired in a classic white tuxedo, exuding a formal and celebratory vibe, and a female Minion, who is strikingly dressed in a beautiful white wedding gown, representing a traditional bridal look. In her hands, the female Minion holds a bouquet of bright red roses, a floral symbol often associated with love, romance, and celebration, particularly in the context of weddings. The presence of the flowers suggests that this scene indeed revolves around a wedding theme. Above the couple, the names "Darren" and "Tina" are prominently displayed, implying that the poster is a personalized or thematic creation celebrating the union of these two individuals—likely indicating that Darren and Tina are getting married. In addition to the Minions and the personalized names, the poster is adorned with hand-drawn elements that enhance its festive quality. There are also post-capture images of pink and red hearts scattered throughout the design. These hearts serve as additional symbols of love and affection, reinforcing the celebratory nature of the occasion. Overall, the poster captures a playful yet heartfelt essence, making it a unique representation of a matrimonial celebration involving beloved animated characters.
| 2,833 |
|
nonnative
|
['14AAxGEmZmMu', '1aiufIDkZ8lV', '13F8m3B1HHOE']
|
['English', 'English', 'English']
|
[' Hello, and thank you for listening. This photograph shows several fried dough sticks, likely known as Yuriyawa, standing upright in a container. They have a brown color and a slightly puffy, crispy appearance. There is no visible text on the container, though it seems to have some yellow and blue areas. In the background, the colors are blurred, possibly indicating a busy setting or outdoor stall. The sticks are packed together with their ridged edges and airy texture catching the light. There do not appear to be other objects in the immediate foreground. The overall style is casual, focusing on the food as the main subject. The warm tones of the dough contrast with the cooler background colors. One might infer this is a street food or breakfast item commonly found in certain regions of Asia. There is no direct indication of the location. But the presentation and appearance of the dough sticks a jest of fresh and appealing snack or meal. The image highlights the simple, rustic nature of these fried pastries, inviting the viewer to imagine their Christmas in flavor. The Spraychemist, the ochro branding because everything is 好ivial. The text there is and looks like the idea of the full list of theier옹 massa. Theream with thenありがとうございます. And theèses, bring some店, getting all of your Christmas in a container. Theopp убегande partido. The finale twaslight, with thewy Mosquito doün Wait sleighley, but the queue and the sentiment are different.\\', " This is an image of fried dough sticks. They are in a container that has yellow and white paint. And it's a close-up of the fried dough sticks, so you can't really see very much else. The light is coming from the right side of the image, and there's some blue in the background, there's some pink in the background, but because it's all blurred you can't really tell what it is. And the dough sticks don't appear to have anything on top of the dough, so it just seems like it's fried dough. The fried dough is a golden-ish color with some variation along the sides.", " So the picture shows one kind of Chinese famous food, yu tiao, which is the deep-fried dao of flour, dao of strips. And it's a very popular Chinese breakfast. Normally we eat it with soy milk or congee. And we can see people eating this in many different cities. And this is also kind of street food. So the way to make it is that it's made by flour, water and some salt. And they stretch the flour to a long stream and deep-fried it until it turns very crispy."]
|
[False, False, True]
|
[nan, nan, 'Food']
|
Hello, and thank you for listening. This photograph depicts several fried dough sticks, commonly referred to as "Yuriyawa" or "yu tiao" in Chinese, which are arranged standing upright in a container. The dough sticks exhibit a rich brown color and possess a slightly puffy and crispy appearance, enticing the viewer. The container itself features no visible text, although it displays patches of yellow and blue paint. It is worth noting that the background is deliberately blurred, which suggests a dynamic or bustling environment, potentially indicative of a street food stall. The fried dough sticks are closely packed together in the container, showcasing their distinct ridged edges and airy texture, which catch the light beautifully. The photograph does not include any additional objects in the immediate foreground, allowing the fried dough to take center stage. The overall aesthetic of the image is quite casual, placing the focus squarely on the food item itself. The warm, inviting tones of the fried dough create a pleasant contrast against the cooler colors present in the background. One could reasonably infer that this dish is a popular street food or breakfast item typically found in certain regions of Asia. Although the exact location of the image is not stated, the style of presentation and the appearance of the fried dough hints at a fresh, appetizing snack or meal. The image effectively highlights the simple and rustic nature of these fried pastries, inviting the viewer to imagine their delightful flavor. In a separate statement, it is mentioned that the image is a close-up view of fried dough sticks, positioned in a container that features a yellow and white color scheme. The lighting in the image streams in from the right side, illuminating the golden-brown hue of the dough with some subtle variations along the edges. The background is characterized by blurred hints of blue and pink, obscuring any specific details. Another note describes yu tiao as a quintessential item of Chinese cuisine, specifically a deep-fried strip made from dough, which is extremely popular as a breakfast food in Chinese culture. It is commonly enjoyed alongside soy milk or congee. Many people across various cities in China can be seen relishing this street food, making it a staple in urban culinary scenes. The preparation of yu tiao involves a straightforward process where a mixture of flour, water, and a pinch of salt is combined. The dough is then expertly stretched into long strips and deep-fried until it turns crispy and golden, resulting in the delectable treat seen in the photograph.
| 454 |
|
nonnative
|
['1lnVOHqAnMmJ', '1gxdyzd6J4j9', '11DyVQlhsLvq']
|
['Vietnamese', 'Chinese', 'Korean']
|
['The picture shows a man in a room. The image is slightly blurred, likely taken by the photographer. In the photo, the man stands on the left side, wearing a light-colored shirt and khaki pants. He is a Caucasian man and is wearing glasses. On the right side of the picture, there is a gray reclining chair, and on the chair, there appears to be a box, which seems to contain a microwave. In the center of the picture, there is a shelving unit with a stereo system on it, and below, there seem to be shelves holding a few music CDs. On top of the shelf, there are two vases.', 'The scene in the living room features a wooden cabinet in the center, which contains some white ceramic cups with handles and a large health device underneath it, as well as some items that resemble records. On top of the cabinet, there is a black ceramic jar with a lid and a piece of green paper. To the left of the image, there is a man wearing a long-sleeved jacket, holding his hands together in front of his chest. This man is facing to the right. On the right side of the image, there is a mirror hanging on the wall and a sofa, which has a cardboard box on it. The box has white lettering and some red background patterns. The walls of the living room are a light beige color. It seems that a flash was used during the filming, as we can see the shadow of the man on the wall, which appears somewhat blurred.', 'This image shows a space presumed to be a living room in a home. On the left, there is a middle-aged man standing, but he is captured in a blur, making it difficult to discern his facial expression or posture clearly. In the center of the room, there is a wooden display cabinet, which contains stereo audio equipment, CDs, and several small decorative items and bowls. On top of the cabinet, there are decorative items like pottery or vases, and on the wall, framed pictures and a small clock are hung. To the right, there is a round wall mirror reflecting part of the room, and in front of it, there are boxes or packages containing newly purchased items. Overall, the indoor lighting has a warm tone, and the image is slightly blurred, giving a glimpse of a homely atmosphere and everyday living space.']
|
[False, False, False]
|
[nan, nan, nan]
|
The picture portrays a man standing within a room, though the image appears slightly blurred, likely due to the photography technique employed. The man is positioned on the left side and is identified as a Caucasian male. He is attired in a light-colored shirt paired with khaki pants, and he is also wearing glasses, which adds a thoughtful touch to his appearance. The right side of the photograph features a gray reclining chair, upon which sits a box that likely contains a microwave, indicating a potential element of everyday life or recent appliance acquisition. Centrally placed in the photo is a shelving unit, home to a stereo system, which suggests an appreciation for music or audio entertainment. Below the stereo, several shelves hold an assortment of music CDs, hinting at the man's taste in music. Additionally, there are two vases adorning the top of the shelf, indicating a personal touch to the decor, likely adding aesthetic value to the living space. Transitioning to another scene set in the living room, we observe a wooden cabinet that commands attention at the center of the room. This cabinet is home to white ceramic cups with handles, which could be used for drinking, and beneath, there is a large health device, highlighting an interest in wellness or fitness. Among the items in the cabinet, there are objects resembling records, which may relate to musical interests as well. Atop the cabinet, a black ceramic jar with a lid rests alongside a piece of green paper, possibly containing notes or important information. To the left of the image stands a different man, notable for wearing a long-sleeved jacket. He is holding his hands together in front of his chest while facing to the right, suggesting a moment of contemplation or engagement with someone out of view. Meanwhile, on the right side of the image, there is a mirror hanging on the wall, reflecting parts of the room, offering a sense of space and dimension. Additionally, a sofa occupies this space, adorned with a cardboard box that features white lettering and striking red background patterns, indicating that it may contain something noteworthy or recently obtained. The walls of the living room are painted in a light beige color, contributing to a warm and inviting atmosphere. It appears that a flash was used during the photography session, evidenced by the blurred shadow of the man cast on the wall, which adds a unique dynamic to the scene. In a separate image capturing a presumed living room, we find it to be a cozy space. Again, on the left side, a middle-aged man stands, but he too is somewhat blurred, making it challenging to interpret his expression or stance. Centrally located in this room is a wooden display cabinet that holds stereo audio equipment, along with several CDs and various small decorative items, enriching the personal nature of the space. The top of the cabinet features additional decorative elements such as pottery or vases. On the wall, framed pictures and a small clock provide a snapshot of the individual’s life and interests, while to the right, a round wall mirror reflects part of the environment, enhancing the depth of the room. In front of the mirror are boxes or packages, perhaps reflecting a recent shopping trip or new acquisitions for the home. Overall, the warm tone of the indoor lighting contributes to a homely atmosphere, while the slight blurriness of the image further evokes a sense of everyday life, encapsulating the essence of a lived-in and personal space.
| 1,713 |
|
native
|
['1lhKxlLHsEjq']
|
['Chinese']
|
['This photo shows a plate of stir-fried tofu, which has been cut into cubes. The tofu can be seen with a golden-brown color on each side, indicating it has been stir-fried, making it look very tempting. The tofu is stir-fried together with black fungus, peppers, green onions, and soy sauce. The entire dish is placed on a white ceramic plate, which is very white, sitting on a beige tabletop. The food occupies most of the image, and it is clear that the light source is very bright, as it was taken next to a window in natural light. The lighting is similar to this; I will notice the light source.']
|
[False]
|
[nan]
|
This image features a beautifully arranged plate of stir-fried tofu, meticulously cut into uniform cubes. Each piece of tofu displays a delightful golden-brown hue on all sides, a clear indication of the stir-frying process that not only enhances its visual appeal but also suggests a mouthwatering crispiness. The dish is vibrant, showcasing an assortment of ingredients: the delicate texture of black fungus—known for its slightly chewy consistency and earthy flavor—complements the tofu perfectly. Additionally, vibrant peppers contribute a splash of color and a hint of spiciness, while fresh green onions add a crisp texture and a mild onion flavor, elevating the dish's overall profile. This savory mixture has been generously flavored with soy sauce, which adds a rich umami taste to the ensemble. The entire creation is presented on a pristine white ceramic plate, which contrasts beautifully with the colorful ingredients, fostering an inviting presentation. The plate rests on a beige tabletop, creating a warm, neutral backdrop that allows the food to be the focal point of the image. The photograph is characterized by bright, natural lighting that floods the scene, suggesting that it was captured in close proximity to a window. The warmth and brightness of the light serve to enhance the visual appeal of the dish, highlighting the glossy finish of the stir-fried ingredients and making the food look exceptionally tempting. In essence, the lighting used in the photograph emphasizes the textures and colors, drawing the viewer's attention to the artistry of the dish and evoking feelings of hunger and desire.
| 2,194 |
|
nonnative
|
['19mSUytXTyRK', '1fYw8zQWR49r']
|
['English', 'English']
|
[" This is of a man who's looking off camera. He seems to be smiling or perhaps conversing with someone else. He has salt and pepper hair and his glasses are rectangular and have a thin wire on the frame. The frame of the glasses have gold in it. And he's wearing a shirt that seems to be of an Indian Kuita style that is gray and brown. And there's some embroidery on the shirt on the left hand side that is green, orange and red in color. He seems to be sitting on this yellow orangish couch in the background and the wall behind him seems a white or cream color. He is the main focus of this picture and the rest of the background is blurred out. So it seems like someone was photographing him on purpose and captured him mid conversation or mid laugh. He seems to be looking at someone directly so we can infer that someone has tried to capture a conversation. And perhaps he's sitting on the couch conversing with someone.", " Okay, so from the first image, I do see a man with white hair, probably someone in his old age. And what is the objects? I don't really consider a person to be an object, so I would say there's no objects around. If there is text, what does it say? There is no text. Actually, I do think that there is glasses, which technically do count as an object. So I would say the glasses are an object, so that's one. And the position of the objects are on the person's face. What are the subtle details? I do say that he's wearing some kind of traditional clothing. And what's in the background? I do see a couch. What's the style and color? It's like an orangish couch. Seems pretty cool, actually. Is there any contextual information? Honestly, I can't really tell based on the contextual information. Is there anything? I think this man is doing an interview. But yeah, that's what I found."]
|
[False, True]
|
[nan, 'I see him wearing cultural clothes']
|
In this transcription, we have a detailed description of a gentleman, presumably of older age, who is the focal point of the image. His appearance suggests he has salt and pepper hair—indicating a mix of gray and darker tones usually associated with aging. He is notably wearing rectangular glasses that are framed with a thin wire, accented with gold elements, which add a touch of sophistication to his look. The gentleman is outfitted in a shirt reminiscent of traditional Indian Kuita attire. This shirt features a color palette primarily consisting of gray and brown. A distinctive element of the shirt is its embroidery, located on the left side, showcasing vibrant colors of green, orange, and red. This indicates a rich cultural background, as Kuita is a traditional form of clothing often adorned with intricate designs and patterns, symbolizing regional heritage. He appears to be situated on a yellowish-orange couch, which serves as a contrasting backdrop against the more muted tones of his clothing. The wall behind him is a subtle cream or white, further emphasizing the subject of the image while creating a warm, inviting atmosphere. The focus on him is enhanced by a shallow depth of field that blurs the background, effectively conveying that he is either engaged in conversation or sharing a light moment of laughter, gazing off-camera toward someone, suggesting an intimate interaction being captured at that moment. From a more analytical perspective, the observer notes that while the gentleman is the primary subject, there are minimal objects in the frame aside from his glasses, which is a point of contention, as the glasses are classified as an object in this context. The observer also highlights the absence of any textual elements within the image. Moreover, there is an inference made about the man possibly participating in an interview, although this is speculative, hinting at the atmosphere of connection and dialogue that the photograph appears to encapsulate. The focus on cultural clothing further adds to the richness of the context, illustrating the importance of personal and cultural identity through attire.
| 108 |
|
native
|
['1mLyU8j5cd0b']
|
['Korean']
|
['The image features two men looking in one direction. There are a total of two men in the picture; one is dressed in a suit, while the other is wearing traditional Indian attire. There is no text in the image. The man in the suit is positioned in front of the man in the Indian attire. The man in traditional clothing has black hair and black eyes, while the man in the suit has brown hair and blue eyes. The background shows a sky painted in yellow and blue. The man in Indian attire has white facial paint and decorative feathers in his hair, which are black and white. The man in the suit is wearing a dark blue vest over a white dress shirt and has a brown mustache.']
|
[False]
|
[nan]
|
The image displays two men who are turned in the same direction, suggesting a shared focus or engagement with something off-camera. The first man, positioned at the forefront, is attired in a smart, tailored suit that typically consists of a dark blue vest layered over a crisp white dress shirt. He is distinguished by his brown hair and striking blue eyes, which convey a sense of professionalism. His facial features are complemented by a neatly groomed brown mustache, adding to his sophisticated appearance. Behind him stands the second man, who is dressed in traditional Indian attire. This cultural garment often reflects vibrant colors and intricate patterns, indicative of Indian fashion, though specific details about the colors or design of his outfit are not provided. He has black hair and black eyes, features that are quite common in South Asian populations. Notably, this man has applied white facial paint, a stylistic element that may signify cultural or ceremonial importance. Additionally, he adorns his hair with decorative feathers that are black and white, possibly symbolizing a particular heritage or artistic expression associated with Indian customs. The background of the image adds to the overall aesthetic, featuring a sky that is painted in colors of yellow and blue, evoking a sense of warmth and possibly a sunset or sunrise. This vibrant contrast not only enhances the imagery but also serves to highlight the two men in the foreground, creating a visually striking scene. The lack of textual elements in the image allows the visual details and the expressions of the two men to take center stage, encouraging the viewer to interpret their connection and the significance of their attire within the cultural context.
| 2,937 |
|
nonnative
|
['16NlC0EbT1oK', '1hAWQtq3Ehv3', '1lnackOWoJWE', '1hOLnZoLAH6Y']
|
['Chinese', 'Chinese', 'Chinese', 'English']
|
["In this picture, we can mainly see the flowers on a tree because the whole image is filled with many small white flowers. We can also see the tree branches behind these flowers. Although this is a tree blooming with flowers, there are no obvious leaves visible, just the branches and these white flowers. Not far from them, there are also some yellow flowers, which might be another variety or possibly the result of the white flowers fading and turning yellow after their prime. In the background, we can also see some green leaves on the tree, and there may still be some white flowers on higher branches, but it's difficult to see clearly due to the distance. Overall, this image highlights the characteristic of the white flowers, as they occupy the largest area, while elements like the sky appear relatively sparse. The photographer likely found these flowers beautiful, which is why this image emphasizes the characteristics of the white flowers. Thank you, thank you, thank you.", "This picture basically has no other elements, just some flowers, and these flowers appear to be very white. I think they are quite beautiful, but they are very sparse. The picture seems to be taken from the ground looking up at a certain part of a tree, because the background looks like it's in a forest, or there are many trees, and among these trees, there are also a lot of branches growing back. From what I know, I don't know what kind of flowers these are, but they are white. However, these flowers look like they have already wilted and faded, because they don't form a complete shape of a flower; either they have fallen off or lost their petals. This picture was taken during the day, as we can see the color of the sky in the background, which is white, indicating it's not nighttime. However, the sky isn't particularly bright, so it could either be in the evening or during the day when the weather isn't very good, in a cloudy state.", "This picture is about flowers, with a large area filled with white flowers that have yellow centers. They are not the kind of big flowers, but rather small clusters of flowers, growing together, as if they are on a tree. The photo is taken from below looking up at the tree, and the background of the flowers shows a white sky. The sky doesn’t appear blue; it looks rather overcast. In the background of this image, there are other trees, suggesting it was taken in a wooded area. The flowers in this picture aren't particularly beautiful, but I can sense that they must have a wonderful floral fragrance. It has that feeling of flowers with a sweet scent.", " This is an image taken of flowers off of a tree. The flowers are very small. They're white. A lot of it is just budding, and they haven't fully bloomed yet. It's very sparse in this tree. All that really appears in the foreground are some thin branches of the tree with these spores or the flowers budding on the thin branches. The branches are brown. Some are green. There are a lot of these flowers. I can't really tell how many. There are probably dozens. In the background, there are some larger trees. On the back left, the trees are more full with green leaves and a little bit of brown leaves. On the top right, the trees are a little more sparse, but there are some green leaves there. The sky is very gray and cloudy. The bottom right of the image, there's some more brown. Maybe it's like a forest of some kind. On the tree in the bottom left, and as well as a little bit in the bottom left of the foreground, some of the flowers look a little yellow, but most of the flowers are pretty white, with maybe a little yellow in the center of the ones that bloomed. The square is a beautiful brush one. We'll slide пример in one second. Time to just draw one moreым naism in the Garrett form above the one. For the middle of the square. Once again times do these flowers or flowers sun п sampler, there's some other flowers that are now in the middle of the treeс miles on reaching the foodット to the main flowers that aren't looking and on. In the meantime, sometimes each flower tops of the trees are wells."]
|
[False, False, False, False]
|
['No', nan, nan, nan]
|
In this visually striking image, the predominant focus is on the delicate, small white flowers that blanket the branches of a tree, creating a mesmerizing display. The composition is characterized by an abundance of these flowers, which are clustered closely together, overriding the visibility of leaves. Interestingly, while the tree is in bloom, the absence of prominent greenery permits the white flowers’ gentle beauty to take center stage. Scattered amidst these white blossoms are some yellow flowers, likely representing either a different type of flower or the result of the white ones fading as they transition past their prime. In the background, hints of green leaves can be seen on the tree, alongside the possibility of additional white flowers perched on higher branches; however, these details are somewhat obscured by distance, rendering them difficult to discern clearly. The image remains focused on the white flowers, showcasing their significance as they occupy the majority of the frame. The sky in the backdrop is less pronounced, providing a subtle context that does not detract from the primary subject—the flowers. The perspective of the photograph suggests that it was captured from ground level, gazing up at a specific section of the tree. This viewpoint indicates the surrounding environment might be a dense forest, where numerous trees and branches compete for attention within the frame. Despite the apparent beauty of the white flowers, there is an acknowledgment that some of them have started to wilt, appearing less full and potentially lacking petals, which adds a layer of fleeting beauty to the image. The atmospheric qualities of the day can be inferred as well; the sky, which is visible in the background, is white and somewhat overcast, suggesting it could be during a cloudy day or possibly at dusk. This gentle light condition adds a soft touch to the overall scene, enhancing the ethereal quality of the flowers and their surroundings. The next image continues this floral theme, again highlighting a large swath of white flowers, this time with yellow centers. These flowers, though not large, grow in compact clusters on the tree, and are showcased from a similar underfoot perspective, again against a backdrop of a white sky devoid of blue, hinting at an overcast day. The presence of other trees in the background reinforces the woodland setting, which further contextualizes the flowers within a natural environment. While the flowers' visual appeal may not be striking, there is a distinct hint at their pleasant fragrance, evoking feelings associated with blooming flora. The overall imagery elicits an awareness of spring or early summer—a period when many trees would showcase such floral displays. In another description, the focus shifts slightly to the appearance of the flowers, which are characterized as very small and predominantly white, with many in their budding stage and not fully bloomed. The sparse distribution of the flowers amidst thin brown and green branches illustrates a young, perhaps newly grown tree. The composition delights in the layering of different tones, with more mature trees displaying a denser foliage of green and brown leaves in the background, correlating to the varying degrees of growth in the forest-like setting. Throughout this transitory visual narrative, the overall mood remains calm and serene, with the flowers serving as a gentle reminder of nature’s delicate beauty and seasonal cycles. The interplay of colors and textures enhances the visual storytelling, guiding viewers through an evocative experience of observing nature in its quiet moments.
| 75 |
|
nonnative
|
['1P3M2I3ANfQq', '1dBvBYEyWTXo', '1dcZOWilFVai']
|
['Vietnamese', 'English', 'Chinese']
|
['A picture of a slice of pizza is being held on a white paper plate. The white paper plate is being held in a hand, which is visible by a finger in the top left corner of the photo. This slice of pizza has tomato sauce, cheese, and olives on it. The image also shows a surface underneath the plate, which has gray and red textures. In the top left corner of the photo, there is a small black spot that could represent something.', " This is an image of a slice of pizza. There's a person holding a paper plate with a slice of pizza on it. This pizza has a lot of ingredients on it including olives, some green herb, cheese, tomato sauce. The pizza itself is very colorful and the person is holding it outside over some brick sidewalk. It appears they just bought it. The lighting is very good. It's clearly outside in the middle of the day. It's very bright and the pizza is very colorful.", 'At first glance, this photo appears to be taken by someone casually capturing their food. The food is placed on a very simple white disposable paper plate, held by a hand with only the thumb visible. On the plate is a large triangular slice of pizza, topped with cheese, green vegetables, and a red substance that looks like tomato sauce, giving it a rather colorful appearance. The background reveals the pavement, made up of small rectangular bricks, resembling a paved road commonly found on the outskirts of a city. Overall, the image has a low quality, making it hard to discern any details, and it doesn’t seem very interesting or engaging.']
|
[False, False, False]
|
[nan, nan, nan]
|
A photograph captures a slice of pizza balanced on a simple white disposable paper plate. The plate is held in a hand, with only the thumb visible emerging from the top left corner of the image. The slice of pizza is generously topped with a vibrant assortment of ingredients including bright red tomato sauce, melted cheese, and green olives, presenting a colorful and appetizing appearance. Beneath the plate lies a textured surface that features a mix of gray and red hues, contributing to the lively backdrop of the image. In the top left corner of the photo, there is a small black spot, possibly indicating a speck or an object nearby, although its exact nature is ambiguous. In the scene, the pizza appears to be part of a casual dining experience, suggesting the individual who captured this photo may have just purchased it. The strong daylight enhances the colors of the pizza, making it visually appealing and vibrant. The setting is revealed to be outdoors, as indicated by the brick sidewalk that comprises rectangular tiles, a common sight in urban environments. The overall ambiance of the photograph reflects a spontaneous moment of enjoyment, although the image quality is low, limiting the visibility of finer details and potentially making the scene less engaging for viewers.
| 1,738 |
|
native
|
['1fvmXJIXh3ME', '1gEYDIXK142x']
|
['Korean', 'Korean']
|
['When I saw the picture, the words "Squid Game" immediately stood out. Unlike other photos, it had a very long feel; the other pictures were quite small, but this one was the largest I had seen so far. "Squid Game" was very prominent, and it felt just like the logo from Netflix. I could also see the circle, triangle, and square shapes; overall, it gave off a strong impression of a logo. The background of the logo was all gone, the words "Squid Game" were white, and the circle, triangle, and square were pink and red. I can\'t remember the "Squid Game" logo definitively, but this picture definitely reminded me of it. Then, the words "Squid Game" perfectly matched the logo that was created in the photo.', 'The large Hangul phrase "Squid Game" captures attention against a black background. The striking contrast of pink and white stands out, with geometric shapes naturally blending with each letter, making it look like a logo. For instance, circles, triangles, and squares either substitute for or accompany the Hangul consonants and vowels, completing a simple yet unique image. The entirely dark background enhances the vividness of the colors in the centered text and shapes. The unique curves and straight lines of Hangul mixing with the shapes create a simple but impactful visual. Despite the word "squid" evoking a sense of seafood, the overall design projects a modern and minimalist atmosphere. Typically, colors in logos or symbols hint at the identity of a brand or work, but here, the combination of pink and white conveys a somewhat dreamy and mysterious image. The curiosity sparked by the phrase "Squid Game" coupled with the simple fun of the shapes creates an expectation that something special might unfold just by looking at this logo. Overall, the clean composition devoid of excess is striking, especially as the meeting of Hangul and shapes gives it a unique charm. It serves as an attractive visual element that piques the viewer\'s curiosity about the story behind this work or brand.']
|
[False, True]
|
[nan, 'Yes. The image prominently features Korean text (“오징어 게임”) and incorporates design elements (such as stylized Hangul characters and shapes) strongly associated with Korean media. This language- and style-specific presentation makes it culturally distinct.']
|
When I observed the image, the phrase "Squid Game" immediately drew my attention. Unlike other photographs I had encountered, this one had a notably elongated shape; the accompanying pictures tended to be much smaller, but this particular image was the largest I had seen thus far. The words "Squid Game" were exceedingly prominent, and they resembled the logo associated with Netflix's popular series. Additionally, I could identify the geometric shapes of a circle, a triangle, and a square; overall, the entire visual exuded a strong impression of a logo. The background behind the logo was completely absent, and the text "Squid Game" was in white, while the geometric shapes were in vibrant pink and red hues. Although my recollection of the "Squid Game" logo is not definitive, this image undeniably evoked its memory. The words "Squid Game" corresponded perfectly with the logo crafted in the photo. The substantial Hangul text representing "Squid Game" captures attention vividly against a stark black background. The striking contrast created by the pink and white colors makes the elements stand out prominently, with the geometric shapes elegantly integrating with each letter. For example, circles, triangles, and squares are either replacements for or serve as companions to the Hangul consonants and vowels, culminating in a visually appealing yet uncomplicated image. The entirely dark backdrop heightens the vibrancy of the colors present in the centered text and shapes. The unique curves and straight lines characteristic of Hangul intermingling with the geometric forms enable a simplistic yet impactful visual experience. Despite the term "squid" invoking imagery of seafood, the overall aesthetic of the design conveys a modern, minimalist feel. Generally, the colors utilized in logos or symbols provide insights into the brand's identity or narrative, but in this instance, the combination of pink and white emanates a somewhat dreamy and mysterious ambiance. The intrigue initiated by the phrase "Squid Game," combined with the playful elements of the shapes, generates an expectation that something exceptional may unfold simply by observing this logo. Overall, the clean and uncluttered composition is striking, particularly as the fusion of Hangul and shapes imparts a unique charm. This visual element serves as a captivating invitation, sparking curiosity about the underlying story associated with this work or brand. In addition to these visual details, it is worth noting that the image prominently features the Korean text "오징어 게임," alongside stylistic design elements that reflect a strong association with contemporary Korean media. This unique presentation—rooted in language and stylistic components—renders it culturally distinct.
| 1,088 |
|
native
|
['18YZaPwm7Tbl', '1iYmNJZb2yXb']
|
['Chinese', 'Chinese']
|
["The picture depicts four people, two men and two women. In the foreground, a man and a woman are sitting at opposite ends of a round table, on sofas. In front of them are two glasses, either wine glasses or water glasses, and they are chatting and laughing. The woman's gaze is directed upward while the man is laughing. In the background, there is another pair of a man and a woman, also in similar sitting postures. The man in the foreground is wearing black clothing, a white shirt, and jeans, while the woman is dressed in a white blouse, a cobalt blue shirt dress, and black stockings. She has straight bangs and medium-length hair. The overall style of the image is very vintage, appearing to be from the last century.", 'This picture shows a restaurant where two pairs of men and women are chatting. The pair in the foreground consists of a woman on the left and a man on the right. The woman has black hair and is wearing a white top with a blue skirt or jacket. The man on the right is dressed in a white shirt with a black jacket and dark blue jeans. In front of them, there is a small table that possibly holds two glasses of wine. In the background, the other pair also has a woman on the left wearing a light blue outfit and a man on the right wearing a red plaid shirt. They also have some drinks, possibly wine or tea, in front of them, and there is a white bottle with red patterns on both tables. Thank you all.']
|
[False, False]
|
[nan, nan]
|
The image vividly captures a lively social gathering in a restaurant setting featuring four individuals: two men and two women. In the foreground of the composition, there is a prominent pair: a woman seated on the left and a man to her right, both positioned comfortably on plush sofas around a round table. Each of them is engaged in a spirited conversation, sharing laughter that indicates a friendly and enjoyable atmosphere. The woman, who has striking black hair, is attired in a stylish ensemble consisting of a white top complemented by a blue skirt or possibly a blazer. The man accompanying her is dressed in a sophisticated combination of a white shirt layered beneath a black jacket, paired with dark blue jeans, embodying a casual yet polished look. The small round table between them is adorned with two glasses—likely containing either wine or water—suggestive of an evening spent savoring pleasant beverages as they converse. The woman is depicted with her gaze directed upward, suggesting an animated exchange, while the man is seen wearing a broad smile, indicating he is engaged in the dialogue. In the background of the scene, another pair can be observed mirroring the dynamics of the couple in the foreground. The background woman, positioned on the left, is dressed in an outfit that includes a light blue garment, hinting at a similarly casual and chic style. Meanwhile, the man to her right sports a trendy red plaid shirt that adds a pop of color to the gathering. Like the pair in the foreground, they too have drinks in front of them, which may also consist of wine or tea, alongside another white bottle embellished with striking red patterns visible on both tables. The overall aesthetic of the image leans towards a vintage style, evoking a sense of nostalgia that appears reminiscent of social gatherings typical of the last century. The details of their attire and the atmosphere reflect a warm, inviting space that suggests not only a meal but also the enjoyment of each other’s company in a quaint, perhaps timeless restaurant setting.
| 2,387 |
|
native
|
['1oc3lSqopf4m', '1nqG88XnaT6X']
|
['Chinese', 'Chinese']
|
['In this image, there is a man whose upper body is presented at the center of the picture. He is holding a guitar in his hands, and there is a microphone in front of him. He is looking towards the upper left, singing with his mouth open. Both of his hands are on the guitar, playing it. The man is wearing a green and white shirt, and his hair is styled with great care. The background is very dim, with only some purple screens and small purple balls visible. In the upper right corner, there is some smaller text that reads "Wang Dawen International Support Association." The overall style of the picture is very rock and has a rock music vibe.', 'In this photo, there is a man singing into a microphone. He is holding a small guitar and wearing a shirt that is green on the top and white on the bottom. He has a black in-ear piece in his ear. The man is looking to the left with his mouth open as he sings. The background is mostly black, but there are some small purple round lights. At the bottom right side of the photo, there is a purple square. The photo looks quite professional, as if it was taken at a formal concert with a clear camera.']
|
[False, False]
|
[nan, nan]
|
In this image, we see a man prominently displayed in the center, with his upper body taking the spotlight. He is actively holding a guitar, having both hands engaged in playing, and stands in front of a microphone, projecting his voice. His gaze is directed towards the upper left of the frame, indicating a moment of passion in his performance as he sings with his mouth wide open. The garment he is wearing consists of a green and white shirt, which offers a contrasting color palette. His hair appears meticulously styled, contributing to his overall polished look. The backdrop of the image is notably dim, creating an intimate atmosphere reminiscent of a live rock concert. Two elements stand out in the background: purple screens that cast a vibrant hue over the scene and small purple balls that add texture. In the upper right corner of the picture, there is additional text that reads "Wang Dawen International Support Association," hinting at an association or organization connected to the performer, possibly related to support or charitable activities. The overall aesthetic of the photograph exudes a strong rock music vibe, emphasizing the genre's energetic and expressive nature. In contrast, the second image provides another view of the same man singing into a microphone with a similar dynamic. He is depicted holding a slightly smaller guitar while wearing a shirt that is green at the top and white at the bottom, accompanied by a black in-ear piece—an essential tool for musicians to hear themselves amidst the loud sounds of live performances. His expression remains focused to the left, mouth open as he engages with the audience through song. The background here is predominantly black, further accentuated by small purple round lights that illuminate the scene with a professional touch, suggesting this image was captured during a formal concert setting with high-quality camera equipment. There is a purple square noticeable in the bottom right corner of the photo, which may serve as a branding element or additional visual interest. The overall composition of both images conveys a sense of professionalism and passion for music, encapsulating the vibrant energy associated with live rock performances.
| 2,783 |
|
nonnative
|
['19hFDq8FAHvs', '17W6Dum9ttS6']
|
['English', 'Chinese']
|
[" This is a picture of some food. There is a rectangular square container of food at the center. It contains asparagus and carrots. On the right side, there is a salad bowl filled with salad. There are lettuce, chickpeas, tomatoes, and cucumber inside the bowl, and that is what the salad is made out of. There are smaller bowls that are also on the table that indicate some type of sauce, and there is a bowl that's cut off on the left side that contains some bread. All of this is on a light gray teal-ish countertop. The floor is also shown in the background, which is wooden and is of a light brown color. The containers that have the sauce in them also have some paper-ish type of material inside the bowl as well.", "The image gives the first impression of a dining scene. In the center, there is a tray containing cooked food, which doesn't have a specific name in Chinese, possibly referring to Brussels sprouts, along with some yellow side dishes. On the right, a large bowl holds a type of salad with cucumbers, lettuce, and carrots, possibly including chickpeas. In the upper left corner, there are two bowls of yellow-green sauce, and the far left features a piece of bread in a blue bowl. The overall colors are quite bright, predominantly green, but the photo is somewhat blurry and lacks clarity."]
|
[False, False]
|
[nan, nan]
|
This transcription paints a vivid image of a table setting that includes visually appealing food, suggesting a dining experience. At the center of the scene is a rectangular container filled with freshly prepared food, featuring vibrant asparagus and orange carrots that suggest a healthy meal option. To the right of this main dish, there is a large salad bowl brimming with a colorful mixture of salad ingredients, consisting of green lettuce, round chickpeas, juicy tomatoes, and sliced cucumber, all combining to create a nutritious and visually stimulating salad. In addition to the main components of the meal, the table is enhanced with smaller bowls positioned strategically around the larger dishes. These smaller bowls contain sauces that may accompany the food, demonstrating attention to detail and a flavor palette that complements the main courses. There is also a blue bowl, slightly off to the left, concealing some bread, likely meant for dipping or serving alongside the salad and main dish. The countertop upon which this culinary arrangement rests is described as light gray with a teal-ish tint, contributing to a serene and modern dining atmosphere. The setting is completed by a background featuring wooden flooring with a light brown hue, adding warmth and a rustic touch to the overall aesthetic. The image conveys the essence of a dining scene, with an initial impression of vibrancy and freshness. However, it is noted that while the colors were bright, the quality of the photograph is somewhat lacking, resulting in a blurry image that diminishes the clarity of the visual details presented. Nonetheless, the prominent colors, especially green due to the abundance of vegetables, evoke a sense of health and vitality within this meal presentation.
| 1,850 |
|
native
|
['1mIQWxbVliKW', '1mt8epDfLmnG']
|
['Chinese', 'Chinese']
|
['This looks like a chart, and we can see that there are many "bing" graphs on it, with six graphs in each row, and a total of four rows, which adds up to 24 small graphs. Above each "bing" graph, there is a line of small text, and we can see that these words represent different places in China. For example, the third row lists Hubei, Nanjing in Jiangsu, Shanghai in Jiangsu, Zhejiang, and Hunan. At the bottom of the chart, there is an explanation of what the different colors on these "bing" graphs represent. For instance, yellow represents the Han nationality\'s main area in the Central Plains. Therefore, this chart may indicate the proportions of different genetic types represented in different places in China. We can also see small black and white text at the very bottom and a watermark in the upper left corner of the image that says "Iron Blood Community." This suggests that the image may have been published by an author from the Iron Blood Community. Below, we have the Jin system almost 56 Community; the guard is placed here to realize that here is a place called Rong, which differs slightly from the urban area and Lingpo Printing from 2013. The TV broadcast provides good pre-news updates with the music provided by Japan, and it seems to be a corporately aligned center that resembles a fire tune in the community.', 'This image is a schematic made up of many small diagrams. In total, there are six columns and four rows of these diagrams. Above each diagram on the left, Chinese cities are marked, and below each diagram is specific information about its content. For instance, yellow represents the main genes of Han bamboo, dark cyan represents the common large gene type one of Han bamboo, light blue represents the common large gene type two of Han bamboo, red represents the common large gene type three of Han bamboo, pink represents a small probability gene collection of the original Han bamboo, dark blue represents common genes found in Siberia and Mongolia, and green represents a small probability gene combination of the original Han bamboo. The flesh color represents common genes found in Central Asia and Europe. In this matrix of six columns and four rows of diagrams, the largest proportion is the yellow portion, followed by the pink portion, while there are also about a quarter of light blue parts and some green parts. In summary, this image depicts a matrix of gene distribution among the Han ethnic group and other ethnicities.']
|
[False, False]
|
[nan, nan]
|
This visual presentation resembles a chart comprising numerous "bing" graphs, which are of a particular style used in data visualization. Each row contains six graphs, culminating in a total of four rows, thus providing a comprehensive display of 24 smaller graphs in total. Positioned above each "bing" graph is a line of text that specifies various locations within China. For example, in the third row, we can find listings such as Hubei, Nanjing, which is located in Jiangsu province, Shanghai also in Jiangsu, Zhejiang, and Hunan. At the bottom of the chart, there is an explanatory section detailing what the various colors depicted on these "bing" graphs signify. In this case, the color yellow specifically denotes the main regions inhabited by the Han nationality, primarily located in what is known as the Central Plains of China. This indicates that the chart is likely conveying the proportions of different genetic types prevalent in different regions of China. Additionally, there is small text printed in black and white at the very bottom of the chart, along with a watermark situated in the upper left corner of the image saying "Iron Blood Community." This watermark implies that the illustration may have originated from an author associated with the Iron Blood Community, which could reference a specific cultural or political group. The subsequent description details that this image is effectively a schematic comprised of numerous small diagrams organized into a structured layout of six columns and four rows. Each diagram is marked with Chinese cities positioned on the left side, while below each diagram is pertinent information regarding its content. The color coding within the charts elucidates various gene types: yellow signifies the primary genes associated with Han bamboo, dark cyan highlights a common gene type one found in Han bamboo, light blue identifies common gene type two, red stands for common gene type three, and pink illustrates the likelihood of a smaller gene collection from the original Han bamboo. Dark blue denotes genes that are commonly found in regions such as Siberia and Mongolia, while green indicates a lesser probability of gene combinations derived from the original Han bamboo. Furthermore, flesh color is utilized to represent common genes identified in Central Asia and Europe. Within this matrix of diagrams—six columns and four rows—the portion represented by the yellow color occupies the largest segment, which is followed by the pink portion. Additionally, about a quarter of the diagrams are colored light blue, with some areas depicted in green. In essence, this image reflects upon the genetic distribution among the Han ethnic group alongside other ethnicities within the specified geographic context.
| 2,709 |
|
nonnative
|
['1cdbUqW3xrPi', '1bqLGlEAVi5P']
|
['Chinese', 'English']
|
["At first glance, this is a kitchen in an apartment with some cabinets, an oven, and a window covered with bamboo blinds. All the cabinets are blue, while other areas feature white tiles. You can see there's an oven and a gray stove; the cabinets look somewhat tropical because the blinds are made of bamboo. The floor also has no discernible markings, and everything is neatly arranged with some green paper that seems to resemble bamboo. This setup somewhat resembles a Southeast Asian background, although it's hard to tell if it's evening or not, possibly because of the design choice influenced by the owner's aesthetic along with references to Liu Sheng Ba Bo mentioned earlier.", " This is an image of a kitchen. The kitchen is an L shape. On the left side of the kitchen, there is a dishwasher. The dishwasher is silver. On top of the dishwasher is a countertop that has a plant and a fishbowl that is circular. On the right side, there is a kitchen sink that is silver and below there are some blue cabinets. The remaining parts of the countertop have additional potted plants that are also green with a brownish pot. As we make the turn onto the L part of the counter, there are additional cabinets at the bottom and the top parts of the kitchen. On the top part of the kitchen, there are five different cabinets and on the bottom part, there are two cabinets and five different drawers. There are two cabinets underneath the sink and one cabinet on the left top part of the kitchen. There is a window that has blinds that are brown color. There is a circular rug in front of the sink on the ground, which is brown. There is an oven on the right side of the kitchen. The cabinets are brightly colored blue. And the tile on top of the counter is also of a shade of blue. Blob's lawn on top of theowski door,gren, in the edge of the room. Well, there are two residents. There are a window of Minh and water that reflects like these beautiful masks. So sometimes what else you . It takes you for a youngausoad. There is a lightuniversität that you are describing for around here. So sometimes you must know the water that has beenetric. There is no display potentials, but there are lightbecuctions. Your mask is且ρηuellement because we have a lighter mouth and thank you."]
|
[False, False]
|
[nan, nan]
|
At first glance, the kitchen appears to be situated within an apartment and is designed with a number of defining features including cabinets, an oven, and a window that is adorned with bamboo blinds. The cabinetry throughout the kitchen is predominantly blue, providing a stark contrast with sections of the kitchen that are finished with white tiles, suggesting a bright and airy atmosphere. There is a gray stove situated adjacent to the oven, contributing to the overall functionality of the space. The bamboo blinds convey a tropical aesthetic, which harmonizes with a general theme reminiscent of Southeast Asian design. The flooring is unmarked and presents a clean look, emphasizing the neatness of the arrangement. Additionally, there is green paper on the countertop that bears a resemblance to bamboo, further enhancing the tropical theme. The ambience makes it somewhat challenging to ascertain whether it is morning or evening, which could be attributed to the specific design choices influenced by the owner's aesthetic preferences, along with earlier references to Liu Sheng Ba Bo, which may hint at deeper cultural inspirations behind the kitchen's design. The kitchen is articulated in an L-shaped layout, with the left side featuring a silver dishwasher. Positioned atop the dishwasher is a countertop that showcases a plant, alongside a circular fishbowl that adds a lively touch to the space. On the right side of the kitchen, a silver kitchen sink is located under which there are blue cabinets for storage. The remaining sections of the countertop are accentuated with additional potted plants, each displaying lush green foliage and housed in brown pots that provide a nice contrast to the blue cabinetry. As one moves around the L-shaped counter, there are further cabinets and drawers present; the top section of the kitchen includes five cabinets while the lower part boasts two cabinets and five drawers. Specifically, there are two cabinets located beneath the sink and one cabinet positioned at the upper left section of the kitchen. The design incorporates a window dressed with brown blinds, offering a warm touch to the overall design. In front of the sink lies a circular rug which is also brown, tying together the color scheme throughout the kitchen. The oven is situated on the right side, further enhancing the kitchen's accessibility for cooking. The cabinets are vibrant blue, adding a lively flair, while the countertop is adorned with blue tiles that maintain the cheerful aesthetic of the space. There is mention of an additional detail—a light source that casts ambiance in the environment, adding a layered experience to the kitchen. The description possibly hints at a variety of decorative elements, including artwork or unique masks that may reflect cultural backgrounds. Overall, the kitchen has a blend of personal touches and cultural inspirations that make it a unique culinary space.
| 1,628 |
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