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['Chinese', 'Chinese', 'Chinese'] | ['17zTe5qwGMqY', '1cNc2wxFYXK2', '14R1mGOjZYGb'] | ['The image is a festival promotional poster with a green background, featuring a combination of dark green and light green seed leaves arranged in pairs, totaling six pairs. In the lower left and upper right corners, there are blue spoons with a green circle in the center, which contains five white dots arranged in a plum blossom pattern, similar to the pattern found in the center of each pair of seed leaves. The center of the image showcases a white paper-cut that depicts a table. On the table, there is a yellow plate with blue lettering containing green seed leaves and a blue plate with a black plate on top. A blue spoon is seen stirring the white dots on the table. To the left of the table, there is a little girl with two braids adorned with red bows, dressed in red clothes and yellow pants, kneeling on a wooden stool. To the right of the table sits a small black cat with white eyebrows and red eyes. The bottom of the image has the text "May 5 is Dragon Boat Festival," indicating that this is a promotional poster for the Dragon Boat Festival.', 'This image looks like a poster about the Dragon Boat Festival. In the picture, there is a table with a small child on the left and a cat on the right, along with some decorations nearby. The child, the table, and the cat are all in the center of the image. Some additional details include two spoon-like objects and what appear to be leaves for wrapping zongzi, which are traditional rice dumplings. The overall style is quite cartoonish and festive, with colors primarily in blue and green. There is some text that indicates May 5th as the date of the Dragon Boat Festival. This image mainly conveys the feeling of eating tangyuan (glutinous rice balls) and making zongzi during this holiday.', 'This is a cartoon illustration centered around the Dragon Boat Festival, depicting a child and a black cat against a background decorated with green patterns. A child with two small braids is dressed in red and blue clothing and has a joyful expression, positioned on the left side of the table. A black cat, featuring a red and black color scheme, is located on the right side of the table. On the table, there is a bamboo basket filled with rice dumplings. The bamboo basket is placed on a brown table, which also has a stack of Dragon Boat Festival foods on a plate. Additionally, there is a blue plate with white dots, containing a black spoon with yellow food inside. Below the image, there are six Chinese characters: "May 5 is Dragon Boat Festival." The child\'s smiling face with closed eyes showcases the joy of the festival, while the cartoonish black cat, adorned with red decorations, adds a playful element and enhances the fun of the artwork. The background features white and blue floral patterns as well as green rice dumpling designs, making this a charming and whimsical cartoon illustration suitable for children\'s books or festival promotions, with an engaging and warm theme.'] | [True, True, False] | ['Chinese traditional festival', nan, nan] | The image being described is a vibrant and festive promotional poster for the Dragon Boat Festival, which takes place on May 5. It features a lively green background that blends various shades of dark green and light green, complemented by an arrangement of six pairs of seed leaves set in pairs. In the lower left and upper right corners of the poster, there are striking blue spoons that hold a central green circle, which contains five white dots arranged in a plum blossom pattern. This pattern mirrors the design found at the center of each pair of seed leaves, creating a coherent and decorative theme. At the heart of the poster, there is a white paper-cut illustration depicting a table. On this table, a colorful yellow plate is prominently displayed with blue lettering, featuring green seed leaves laid out in an attractive manner. Additionally, there is a blue plate that is juxtaposed with a black plate placed on top, presenting an appealing contrast. A blue spoon is depicted stirring the white dots on the table, suggesting activity and engagement. To the left of the table, there is an adorable little girl who is positioned on a wooden stool. She has two braids that are embellished with bright red bows and is dressed in playful red clothes paired with yellow pants. Her joyful demeanor adds to the cheerful atmosphere of the festival. On the right side of the table sits a small black cat that possesses distinct white eyebrows and striking red eyes, which contributes to the whimsical nature of the illustration. The bottom of the image clearly states, "May 5 is Dragon Boat Festival," confirming the occasion being celebrated. This line is essential for contextualizing the imagery, as the Dragon Boat Festival is known for its traditions centered around food, such as making and eating zongzi, which are traditional rice dumplings wrapped in bamboo leaves, and tangyuan, or glutinous rice balls. In another perspective of the image, it is noted to possess a cartoonish style that primarily features blue and green hues, enhancing its festive appeal. The inclusion of spoon-like objects and the details surrounding the zongzi further emphasize the holiday's culinary significance. The image transmits a cheerful ambiance, showcasing the joy of the Dragon Boat Festival through the smiling expression of the child and the playful black cat, creating an inviting and warm atmosphere that is appealing, especially for children's literature or festival promotional materials. The background is decorated with white and blue floral patterns along with designs of green rice dumplings, making the overall composition charming and enchanting, imbued with a sense of fun and celebration. | 1,687 |
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['Russian'] | ['19dgxE8vX69W'] | ['This image depicts Leo Tolstoy. The image is very blurry and black and white. At first glance, we see a man with a long, gray beard, who appears to be elderly. He is holding an envelope in his hands. There is no text in this image. The subject is looking roughly at the camera lens. Notable details include the half of his shirt that is not buttoned. In the background, there is simply a black backdrop. The style and color of the painting are black. There is no contextual information available. However, his face is very blurred. This is the main element of the painting. One might say this is art. A historical image in this style. Thank you.'] | [True] | [nan] | This image features the renowned Russian author Leo Tolstoy, presented in a black and white format that renders it quite blurry. Upon first observation, the subject is an elderly man characterized by a long, gray beard, suggesting the passage of time and wisdom. In his hands, he holds an envelope, which adds an element of intrigue, hinting at communication or perhaps an important message. As the viewer engages with the image, they notice how Tolstoy's gaze is directed roughly towards the camera lens, appearing to connect with the observer. An interesting detail that stands out is that one half of his shirt remains unbuttoned, which could imply an informal setting or perhaps reflect the artist's intention to depict Tolstoy in a candid, unguarded moment. The background of the image is a simple black backdrop, which serves to draw the viewer's attention to Tolstoy himself, emphasizing his figure without any distractions. The overall aesthetic is minimalist, dominated by the monochromatic scheme that reinforces the historical significance of the image. While there is no additional contextual information provided, the blurriness of his face emerges as the primary element in this artwork, possibly symbolizing the fading nature of memory or the elusiveness of capturing one's true essence in art. The painting stylistically evokes a sense of past artistry, reminiscent of historical photographic techniques that often lack the clarity of modern approaches. This image can indeed be categorized as art, embodying the tradition of portraiture while also inviting deeper reflection on the identity and legacy of Leo Tolstoy. Thank you for your engagement with this representation of such a monumental literary figure. | 640 |
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['English', 'Chinese'] | ['12KdAv7nafWH', '1dZj2PJ5spLt'] | [" The image features a plate of what appears to be a hearty and well-balanced meal, neatly arranged on a clear glass plate. The main focus is the slices of roasted meat, likely pork or turkey, positioned at the top of the plate, showing off a light pink interior and flavourful, slightly crisp edge. Accompanying the meat are two golden brown roasted potatoes, seasoned with herbs and roasted to a deliciously crisp finish. Next to the potatoes, a portion of bright orange carrot sticks adds a pop of vibrant colour, steamed or cooked until tender, maintaining their natural sweetness. To the left of the plate is a serving of fresh green lettuce, lightly steamed or possibly wilted, giving the meal a touch of lightness and freshness. Tucked beside the lettuce is a creamy portion of mashed or pureed potatoes, or possibly parsnip, which appears smooth and rich, providing a comforting texture to balance the other elements. The plate's composition is carefully arranged, making the dish visually pleasing. The plain white background keeps the focus entirely on the meal, highlighting its simplicity and homely appeal. The overall presentation suggests a comforting home-cooked meal, balancing roasted flavours with a fresh and hearty competence, ideal for a wholesome lunch or dinner. The care in plating and the choice of ingredients evoke a sense of warmth and satisfaction, emphasising the essence of a nourishing and fulfilling dining experience.", "This picture looks like food, and the background is a white table. The plate is also white and is filled with a lot of food. We can see there are carrots, and what could possibly be potatoes; I would guess it’s potatoes—either potatoes or bread, but I lean more towards the idea that it’s potatoes. To the left of the carrots, there are green vegetables, and above, there is meat, sliced meat, though I'm not sure what kind it is—perhaps pork. It looks like a Western dish, definitely not Chinese cuisine. So, there are two potatoes, several carrots, and a good amount of green vegetables occupying quite a large area. The meat is also layered on top of each other, making it hard to count how many pieces there are."] | [True, False] | [nan, nan] | The image presents a plate that showcases a hearty and well-balanced meal, elegantly arranged on a clear glass plate. Central to the dish are slices of roasted meat, which likely includes pork or turkey. The meat is positioned prominently at the top of the plate, displaying a tender, light pink interior that contrasts beautifully with its flavourful, slightly crisp edges. Complementing the meat are two golden brown roasted potatoes. These potatoes have been expertly seasoned with herbs and roasted until they achieve a deliciously crisp finish, enhancing their appealing texture and taste. Alongside the potatoes, a portion of bright orange carrot sticks introduces a vibrant burst of colour. The carrots appear to be either steamed or cooked, retaining their natural sweetness and tenderness. To the left of the plate, there is a serving of fresh green lettuce, which has been lightly steamed or perhaps wilted, adding a touch of lightness and freshness to the overall meal. Tucked beside the lettuce is a creamy serving of mashed or pureed potatoes, or possibly parsnips. This component appears smooth and rich, providing a comforting texture that balances out the heartiness of the other elements on the plate. The composition of the plate is carefully curated, creating a visually appealing dish that invites the viewer to enjoy it. Set against a plain white background, the meal is emphasized, allowing its simplicity and homely appeal to stand out. The overall presentation hints at a comforting home-cooked meal, harmonizing roasted flavours with fresh ingredients to create a wholesome experience suitable for either lunch or dinner. The meticulous care in the plating and the thoughtfully chosen ingredients evoke a warm and satisfying essence, underscoring the significance of a nourishing and fulfilling dining experience. In a contrasting observation of another image, it is noted that the background consists of a white table, mirroring the color of the plate which is filled with an abundance of food. The items recognizable in the image include carrots and a starchy component, which the observer speculates might be potatoes, though there is a hint of uncertainty regarding whether they could also be bread, with a stronger inclination towards identifying them as potatoes. To the left of the carrots, green vegetables can be seen, while the sliced meat sits atop everything else, leaving some ambiguity regarding the specific type of meat, though the observer hypothesizes pork, characterizing the dish as leaning towards Western cuisine rather than Chinese. The organization of the food is such that the meat is layered, making it difficult to count the individual pieces, and the overall arrangement takes up a substantial area on the plate. | 880 |
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['English', 'Chinese'] | ['1lyr1kjmzcXb', '1efwh6l6n9cG'] | ["This image seems to be what someone might post on Instagram in 2016 or around 10 years ago. In the background is some sort of design that is a white wall with the red butterflies on it. And there is a girl who's posing for this picture. Her eyes are closed and she's smiling and she's holding out cotton candy that's white. It takes up most of the image. She's wearing a blue jacket, it seems like. And she seems very happy in this image because of the cotton candy. She has black hair or brown hair. And she seems to be wearing some sort of light colored shirt or blouse. As well.", 'This picture is of a woman with black hair, her eyes closed, wearing a blue jacket with a white shirt underneath. She is holding a relatively large white cotton candy. Behind her is a white wooden backdrop or wall decorated with some butterflies or rounded patterns in red and dark red. The light source seems to be on her right side, creating some shadows in her left rear. This is just a half-body shot, and the woman appears to be closing her eyes, possibly posing for a photo or engaged in some related activity.'] | [True, False] | [nan, nan] | The image captures a moment reminiscent of typical Instagram posts from around 2016, showcasing a young woman enjoying a whimsical treat. She stands against a background that features a white wooden wall embellished with decorative red butterflies and rounded patterns in varying shades of red, creating a visually striking backdrop. This intricate design adds an artistic flair to the composition. The woman in the photo is portrayed with her eyes gently closed, as a smile graces her face, exuding a sense of happiness and delight. She is engaging with the camera, possibly posing for the photograph or savoring a joyful moment. She holds out a large, fluffy piece of white cotton candy, which dominates the foreground of the image and serves as a symbol of carefree joy and childhood innocence. The cotton candy, being white, contrasts against the vibrant backdrop, drawing the viewer's eye. She is dressed in a blue jacket, which seems to be the outer layer over her light-colored shirt or blouse that subtly peeks out beneath. Her hair appears to be either black or dark brown, contributing to her overall youthful appearance. The photograph is captured from the waist up, offering a half-body view of her, and the lighting source comes from her right side. This creates gentle shadows on her left side, adding depth to her figure and enhancing the three-dimensional quality of the image. The woman’s expression and the whimsical nature of the cotton candy together evoke emotions related to joy and spontaneity, making the photograph a relatable slice of youthful exuberance. | 1,396 |
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['English'] | ['1aPt1Jxyvj0S'] | [" This is an image of multiple people sitting on the ground in a mall. There are many people in that room, but often times there is just about five or three people in a few glass screen. They're sitting and talking to each other. There's many women, two yellow women sitting down. In the back room, there are people just standing and talking. In the front back, you can see a couple of stores. There are people together working in that. This is an added overriding for some of the business. This is probably most of the stores to the left and right of it. The people on the ground are sitting on some kind of kinetic cloth. There are papers on the floor of the ground. They have bags and baskets with things as well. They're here to be meeting. They're doing something. They're doing something together. They're holding different threads and potentially suiting and meeting. The different colors are bright. There's a lot of reds, whites, yellows. And it's all very well lit."] | [False] | [nan] | The image captures a lively scene within a bustling mall, where a diverse group of individuals is seated on the ground. Although the space is populated with numerous people, the focus is on a cluster of three to five individuals gathered near several glass screens. These individuals are engaged in conversation, fostering a sense of community among them. Among the group, there are two women, whose skin tones are described as yellow, suggesting a variety of ethnic backgrounds and adding to the diversity of the group. In the background, more people can be seen standing and conversing, contributing to the vibrant atmosphere of the mall. The layout of the area reveals several retail stores located at the front, suggesting that this part of the mall is a central hub for social interaction and shopping. The individuals on the ground are positioned on what appears to be a kinetic cloth, which could imply a playful or dynamic material that encourages movement or interaction. Scattered across the floor are various papers, which might indicate that the group is engaged in an activity that involves writing or crafting. Additionally, the presence of bags and baskets around them suggests they are possibly carrying items related to their meeting or crafting session. The atmosphere within the image is one of collaboration and creativity, with the group seemingly involved in a project that incorporates colorful threads, indicating they may be engaged in sewing or another hands-on activity. The vibrant color palette is notable, featuring bright reds, whites, and yellows, which adds to the overall energy of the scene. The area is well-lit, enhancing the visibility and warmth of the setting, making it a welcoming space for individuals to connect and collaborate. | 872 |
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['English', 'Tamil', 'Chinese', 'Chinese', 'Chinese'] | ['1itxBauBXlm2', '1iUKhTortEnW', '1i8swuOZbuIG', '1h4UmGXQYsyC', '15rO3DP1Wm7K'] | [' At first glance, this image is depicting a train on a train track at a platform at a train station that is underground. The platform is light pink in color with a yellow barrier in between the train and the platform and some yellow tape marks on the floor. The train is dark gray and light gray in color with a bright green stripe. Going through it, there are several people on the train. On the ceiling above the train, there are two very bright light strips lighting the platform. There is no text, so the location of this train system is not known. There are only a few numbers on one of the train cars and an unreadable train logo on the car as well.', "At the train station, there's a train placed below with a green cover over it. The train station has undergone development; they have put up a growth banner, and everyone is eagerly looking at the station. When I look at the photos of the station, I think many more people have arrived now. I assume they are getting down. If Kamarajar goes there, the internet station will be as it is even if it rains.", "The image shows a subway train, with a count of 1, depicting several subway carriages. This should be at a subway station, positioned in a horizontal direction. Its color is green, serving as the subway's identification color. The overall subway has a main tone of silver and gray, indicating that this is a relatively old subway station. It appears that the train has just finished dropping off passengers, as there are no people in the boarding area of the station.", "The image shows a high-speed train or a train platform, and there is a train in motion. The doors of the train are closed, and the color of the train's body is gray with green stripes on top. The platform is made of marble and has a light pink color. The lights on the platform are very bright, and there are yellow lights illuminating the area. It is impossible to read the train number information, as there is no textual information available. There are many people inside the train, and it is also not possible to read due to the lighting being continuous. The number of trains is one.", 'The image shows several carriages of a train. This train is an underground train, and the ceiling appears to be above ground. There are similar tracks that seem to be running underground. The carriages have green stripes, and the main body color is gray. Inside the carriages, many people are standing, and the walkway beside them is also paved with marble. There are yellow signs indicating directions and a tactile guide path visible in the lower right corner of the image.'] | [False, False, False, False, False] | [nan, 'No', nan, nan, 'no'] | At first glance, the first image depicts a train situated on a track at an underground platform. This platform is light pink in color and features a yellow barrier separating the train from the platform area, along with yellow tape marks on the floor to guide passengers. The train itself is designed with a dark gray and light gray exterior, accented by a vibrant green stripe. Numerous passengers can be seen aboard the train. Overhead, the ceiling is illuminated by two very bright light strips casting a brilliant glow over the platform. Unfortunately, there is no textual information provided to identify the specific location of this train system. A few indistinct numbers are visible on one of the train cars, along with an unreadable train logo marked on the carriage. In another observation at the train station, a train positioned below is covered with a green tarp. The station has seen recent developments, evidenced by the installation of a growth banner that catches the eye of bystanders who appear eager and curious about the construction. The presence of the photographs suggests that passenger traffic has increased significantly, indicating that many individuals are alighting from the train. There is a mention of Kamarajar, implying that this station remains a vital transport hub, ready to accommodate passengers regardless of rain affecting the area. The third image presents a subway train that shows a count of one, indicating several carriages arranged horizontally at the subway station. The subway's identification color is green, while the body of the train predominantly features shades of silver and gray, suggesting that it is associated with an older subway line. It seems apparent that the train has just completed the drop-off of its passengers, as the boarding area is notably devoid of people waiting to enter. Next, another image captures a high-speed train or a train platform featuring a train that is currently in motion. The train's doors remain closed, and its exterior is primarily gray with green stripes that run along the top edge. The platform is constructed from marble and comes in light pink hues. Bright lights along the platform enhance visibility, supplemented by additional yellow lights illuminating the surroundings. Unfortunately, there is ambiguity regarding the train number information, as no textual identifiers are available in the imagery. Although many passengers are visible inside the train, details about them remain obscured due to the ongoing lighting conditions. The image indicates the presence of just one train. Lastly, an image reveals multiple carriages of an underground train, suggesting that the ceiling is positioned above ground while tracks extend below. The carriages portray green stripes on a gray framework. Inside the carriages, numerous individuals are seen standing, and the walkway next to them is also paved with marble for ease of movement. Yellow directional signs aid passenger navigation, and a tactile guide path is discernible in the lower right corner of the image, enhancing accessibility for visually impaired individuals. | 729 |
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['English', 'Chinese'] | ['1fQDE360j057', '16wUCedfjS7h'] | [' There is a man standing in the center of the photo looking towards the camera, shushing with one finger up at his lips. There are two rows of what appears to be posters in the background and in each row there are at least ten if not more out of frame posters. The man is wearing a black tank top and he has long black bangs and he is wearing a black ring. The overall colors of the photo are red and green. On the left side it says, the photo is entirely red and black and white and on the right side the photo is primarily green, white, and black. The style of the photo is pretty alternative and edgy and seems a bit punk rock.', "In this image, if viewed for the first time, there's a person who doesn't allow others to speak, and behind him are some posters pasted on the wall. There is a person in the image, and the posters contain some repeating patterns. A total of 11 pieces of text can be seen in the posters, but the image itself does not include any text, so it doesn't convey any particular message. The main object in the image is this person, positioned right in the center. Other details include a gradient from red to yellow to green going from the left side of the image to the right. In the background, as mentioned, there is a poster that seems to have been repeated 11 times, and its style and colors are quite cool and modern."] | [True, False] | [nan, nan] | In the center of the photograph, a man is prominently featured, standing and facing the camera. He is gesturing with a shushing motion, indicated by placing one finger on his lips, which suggests a theme of secrecy or quietness. The man is dressed in a black tank top, and his appearance includes long black bangs that frame his face. Notably, he wears a black ring, adding to his alternative style. The background of the image is marked by two distinct rows of posters, each containing multiple layers of visual graphics. While the exact number of posters is difficult to ascertain due to some being out of frame, it is evident that there are at least ten posters in each row. The overall aesthetic of the photo leans toward an edgy, alternative style, reminiscent of punk rock culture, which is often characterized by bold expressions and a hint of rebellion. The colors in the photograph are striking, featuring an interplay of red and green, with the left side predominantly showing hues of red combined with black and white elements, while the right side shifts to a concentrated palette of green, white, and black. This gradient effect flows from left to right, transitioning from red to yellow and then to green, creating a vibrant visual experience. The posters themselves are decorated with repeating patterns, with a total of eleven pieces of text visible among the designs. However, it is important to note that the image does not convey any specific message since none of the text appears in the main photograph. Instead, it highlights the person at the center, who serves as the focal point amid the backdrop of visually dynamic posters, which feature cool and modern styles that contribute to the overall artistic vibe of the scene. | 1,477 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1NSkVqER3hc9', '1fNx4MiKXe7g', '1kuj1wfKfz38', '1izcx1CFjIws', '1T9mH2MhFe4a', '1WMAjYpSCLwR'] | ["So this image shows a person holding a $100 Singapore banknote. So the objects in this picture are a Singapore banknote worth $100 and the person's hand holding the note. We see in the picture a visible text which says Singapore and $100, which indicate the currency and its value. The banknote is held horizontally, partially folded. The hand is positioned at the lower left corner, gripping the left side of the note. The banknote appears to be slightly worn or folded. And the design of the note indicates an image of uniformed figures, probably historical or military scenes. We also see a wooden drawer in the background, a tile floor, and a tier of a home or indoor space. For the style and colors, the banknote has a beige or light brown color. The design is a combination of orange and green details. The design appears official and historic. The design appears official and historic. The design appears official and historic. What we can infer from this image is that the banknote might be from an older series because it has a traditional design. And the setting suggests an indoor setting, possibly residential or office building.", "This image depicts a person holding out a $100 bill from Singapore in their hand. The bill has a big 100 printed on the top left corner, and there is another 100 printed in a smaller print on the bottom center. In the image, there are three seemingly soldiers facing the right side, and next to them there is a man climbing a wooden pole structure, and next to that image there is another soldier with his face blurred speaking into the image. He is holding out a $100 bill, and next to him there is a soldier with his face blurred speaking into the image. And above the tower, the country name Singapore is printed, sort of on the top center. And in the bottom left corner, the word youth is printed with three stars below it. And the background of the bill is, a light orange color with a white rectangle on the right side. Behind the person's hand, we can see the floor is white and tiled, and there is maybe a wooden cabinet to the other side of the person.", "This is an image of a Singaporean banknote. This is a 100 Singaporean banknote. The banknote is being held by a human hand that is projecting upward from the lower left hand side of the image. Person's palm is facing toward us. The banknote shows three people who are looking toward what appears to be a military officer. That military officer has his face blurred out. And in fact, one of the people looking at the military officer appears to have her face blurred as well. In the left hand side of the banknote, we can also see what appears to be a wooden contraption where a person is either standing or tied up. And there appears to be a military officer on top of this person or above this person rather. On toward the right hand side of this banknote, we see a tower. And on the left hand side of this banknote, we see a tower. And on the right hand side of this banknote, we see a tower. And on top of the tower, there is a Singaporean flag. There's the word Singapore written on top of this banknote. There is the number 100 written on this banknote on the upper left hand side of the banknote and on the lower right hand side of the banknote. And they're in greenish color. On the right hand side of the banknote, we can see a white rectangular blank space. And in the middle of the banknote, we can see a vertical line that is blue and white in color. There also appears to be in the background of this image a beige object, which could be the floor. And then on the right hand side, a brownish object, which could be a table of some sort.", 'The image features a person holding a banknote, speculated to be a 100 Singapore dollar bill. On the far left of the banknote, there are three figures, thought to be a nurse, a soldier, and a sailor. In the lower left corner, it says "young people and three chimpanzees." The middle of the image shows a hardworking fisherman climbing a bamboo fish drying rack. On the far right, there is an image of a male soldier in military uniform holding a banknote, also believed to be 100 Singapore dollars. He has a long sword positioned on his chest, standing upright, and behind him is a structure resembling a lighthouse, which features a flag on top, inferred to be the Singaporean flag, with the soldier\'s face obscured by a mosaic effect. The far right depicts another male, also in military uniform, holding a banknote, and on the far right is a white area. Based on the background, it seems to be indoors, but due to the fuzziness of the photograph, it\'s difficult to determine the exact location.', 'In the center of this photo is a banknote, which is identified as a Singapore banknote with the number "100" printed on it, representing 100 Singapore dollars. There are approximately five people in the photo; on the far left, three figures appear to be a soldier boy, a nurse girl, and another woman who may also be a soldier. The words "youth" are written in English, followed by three stars. Among them, there seem to be two figures that resemble either navy personnel or workers, stationed by a structure made of interconnected wooden pieces. To the right, there is a neatly dressed soldier holding a sword pointed towards the sky, adorned with many medals and wearing a military hat. In the background, there is a relatively tall tower with a spire, on which there seems to be a chess piece, possibly indicating the Singapore national flag. This photo mainly captures one side of the banknote, which also includes a security code. The banknote is held in one hand, and the background appears to resemble either a classroom or dormitory setting, with white tiled flooring.', 'In this photo, there is a hand holding a banknote, which has the word "Singapore" written in English on it. The upper left corner of the banknote shows a symbol for 100 dollars, indicating that this is a cash note with a face value of 100 dollars. The banknote also features different military uniform patterns in red, and there are several soldiers depicted climbing on a wooden structure. In the center, there is a soldier wearing a hat and dressed in military uniform. Behind him is another soldier holding a national flag. The overall color scheme of the banknote is light red. A hand is holding it, presumably to make it easier to capture a photo of the bill. Its background appears to be an indoor setting, but it is not clear exactly where it is.'] | [True, True, False, False, False, True] | ['This is of a Singapore bill', 'This image depicts a cash bill from Singapore.', nan, nan, nan, 'Singapore cash'] | This image features a person holding a $100 Singapore banknote. The banknote is prominently displayed in the individual's hand, which is positioned at the lower left corner of the image, gripping the left side of the note. The hand is oriented with the palm facing the camera, and the bill itself is held horizontally, exhibiting a slight fold that suggests it may be somewhat worn. The most striking elements on the banknote include the word "Singapore" printed at the top center and the number "100" appearing in larger print on the top left corner and in smaller print at the bottom center, indicating the currency's denomination. The banknote showcases intricate designs that include depictions of three uniformed figures who seem to represent historical or military personnel, as well as a man climbing a wooden structure alongside a blurred figure in military attire who appears to be conversing or addressing the viewer. Additionally, there are references to “youth” along with three stars printed in the lower left corner of the note. The background color of the banknote is primarily light orange with green and orange details, lending it an official and historical appearance. The surroundings of the banknote give clues about the setting; we can observe a tiled floor, possibly white, and a wooden cabinet or drawer visible in the background. The overall ambiance suggests an indoor space, which could belong to a residential area or an office environment. The banknote's traditional design hints that it might originate from an older series of Singaporean currency, reflecting the cultural and historical significance of the imagery featured on it. In the background, there are also indications of beige objects that may represent the floor, and on the right side, a brownish object that could be a table or cabinet, further establishing the indoor setting of the photograph. The colors on the banknote, particularly the beige or light brown hues, paired with the orange and green details, contribute to its distinctiveness as a recognized piece of currency within Singapore. This leads to an appreciation for the rich cultural history captured in its design. | 267 |
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['English', 'Korean'] | ['1eYlIhdBBF7s', '17L6flg6zJUE'] | [" A picture of two celebrities that two celebrities or perhaps panelists or emcees, they both have mics in their hands. One of them is wearing a blue dress that is sleeveless, that has a black and white pattern on it and has buttons down the front. The other is wearing a black suit with a black shirt under it. And they're both holding mics. One of them is holding the mic in their right hand or their in their left hand. But we perceive it as right hand. And they're looking at the other person who's holding the mic in both hands. In the background, we can see some sort of brown building. The background is a bit blurry, so it's hard to tell. But based on the picture, since they're holding mics, we can infer that the background is some sort of stage background and they're performing or announcing in front of it. In the picture, they're both not speaking with the mics. They're both smiling. One of them is looking to the side. The other one is looking down. So there are two people in this picture, and it seems to be of a professional style and high quality.", "This photo captures a scene of a man and a woman standing on stage, both holding microphones. The man's name is Yoo Jun-yeol, who is an actor dressed in a black suit, smiling brightly. The woman's name is Haeri, and she is wearing a sleeveless dress with a blue pattern, sporting a gentle smile while lightly resting her hand on the man's foot. The two appear to be engaged in a natural exchange, creating a friendly and enjoyable atmosphere. The lighting and stage background suggest that this scene took place during a performance, fan meeting, or official event. This photo effectively showcases the ambiance of a stage event or fan meeting, which is commonly seen in Korean dating culture, particularly highlighting elements of romance in Korean pop culture. It encapsulates one of the essential features of Korean dating culture."] | [False, True] | [nan, 'The setting, clothing, and interactions suggest it is from a Korean entertainment event.'] | This image depicts two well-known celebrities, possibly panelists or emcees, both prominently holding microphones. The female celebrity is dressed in a fashionable, sleeveless blue dress adorned with a stylish black and white pattern that features buttons running down the front. The male celebrity, named Yoo Jun-yeol, is attired in a sleek black suit paired with a matching black shirt, exuding professionalism. He is seen smiling brightly, conveying a warm and welcoming demeanor. The woman, known as Haeri, showcases a gentle smile, her posture pleasant as she lightly rests her hand on Yoo Jun-yeol’s foot, illustrating a comfortable and friendly rapport between the two. Notably, they both seem to be in a moment of connection—one looking to the side while the other gazes down—indicating a natural, spontaneous interaction rather than a scripted moment. The background of the image presents a slightly blurred view of a brown building, likely part of a stage setup. Although somewhat indistinct, it suggests an environment typical of performing arts venues, indicating that the celebrities are stationed on stage during a public event. Given the context and their mic-holding stance, it can be inferred that they are participating in an event such as a performance, fan meeting, or an official function, which is characteristic of the vibrant Korean entertainment scene. The staging and lighting seem designed to enhance the atmosphere of the event, which likely resonates with fans, particularly highlighting the nuances of romance often depicted in Korean pop culture. The scene vividly encapsulates the joyful and engaging spirit of such gatherings, which are essential to fostering connections within the Korean dating culture—a theme deeply woven into the fabric of interactions in the entertainment landscape. | 557 |
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['English', 'English', 'English', 'Tamil', 'Chinese'] | ['1m5NH7L6n6jH', '1bGf92LhRsfq', '1o84vF9waopY', '1jyAV5zvlDAo', '11XLE82MJRU8'] | [" the image seems to be of a town and there are people care in it looks like traditional garments they're wearing white wrapped shorts and it has a red tie around their waist there the man in the front is holding a stick that's touching the ground and a lantern and then the two be the two men behind the leader and the two is carrying a uh house looking seat um there's a top there's a bottom there looks like to be a bench inside and they're holding a stick that's connecting to this this seat and there seems to be a person inside i'm guessing a lady because i can see a sort of head wrap that goes down and maybe some jewelry and then there's also two men carrying the other side of this house behind them there are there are houses there are huts they have triangle roofs i also see a sign on the fence meaning that maybe this is some sort of historical reenactment of something", " This appears to be some kind of cultural scene of some kind of art showcase or scene. There is, I believe, this is like a statue, like artificial, like not real people, of two people holding up, two people on each side of some kind of wooden carriage with a person inside. And this carriage is being lifted and carried by two people on either side of it. There's also a person in front sort of guiding the people holding this carriage box. The people are shirtless. They're wearing some kind of like white wrap around as the bottom clothing. They have longer hair. They have like red scarves. Or like bands in their hair and sort of as a belt. They appear to be like some kind of wax sculpture. It's in like a grassy scene. There are some buildings in the background with like pointed roofs. And a similar like beige and red kind of color. There's a sign with some text that's very small, so I can't really read it. There's a lot of trees in the background as well. And a few... small thing... shrubs in the foreground. Yeah, a lot of grass.", " This image appears to have a set of fake men carrying a large case with what appears to be somebody inside, possibly somebody of significance, someone important. And from what I can see, possibly a woman that is wearing an elegant robe and with some jewelry. There are five men, three in the front, two in the back, and they're shirtless. They're wearing white shorts with a red object wrapped around their shorts. And it looks like they're wearing some sort of bandana on their head. Same color. Red as the one wrapped around their shorts. The one in the front is not wearing that bandana and his face is blurred. Although he's also just a model. None of these are real humans. And it looks like they're in some sort of outdoor garden with a fence around them and some structures in the back. There's a sign that's in front of them written in a language. Although... It's too small for me to read. And it's also... There's also a blur at the top of it to blur out the title of this image. Photos taken in the day. It seems to be cloudy. And there's trees covering the area. So...", "They have set up something here that looks like a museum. A group of three people, including a woman, seems to be lifting something in a box, reminiscent of the old days. People who lived comfortably back then would travel and do things like this. Two men are lifting, while another man moves in front of them. They all appear to be wearing traditional attire, with their shirts tucked in and wrapped in a shawl. The white shawl is prominent, and it feels as if this setup represents how people used to dress in ancient times. There's something written on a poster from afar, but it's not clear what it says. Behind that, there's what looks like a model house, with a woman displayed in front. It seems like everyone can see from the fencing, and beside it, there’s a bush and a small tree. This setup gives a feel of a museum of sorts, it’s a big museum.", 'The image appears to be a tourist attraction showcasing the life of an indigenous tribe. There are five people or five sculptures, and behind them, there are four houses: the first house is white, the second house is yellow, the third house is blue, and the fourth house is green. In front of these houses, there is a large green tree. Further ahead, there is a colorful fence with colors such as blue, red, and green. To the left, there is a yellow signpost with a lot of text, but the text is too small to read the specific information. The weather seems to be quite warm, as the person or sculpture is wearing shorts.'] | [True, True, True, True, False] | [nan, 'cultural art', 'The people seem to be doing something associated with a type of culture', nan, nan] | The image depicts a vibrant cultural scene likely situated in a traditional setting, showcasing a group of five individuals engaged in a dramatic reenactment or artistic presentation, possibly related to the history of an indigenous tribe. The people, who appear to be representing historical figures, are adorned in traditional attire consisting of white wrap shorts, each secured with a striking red tie around their waists. In the foreground, a man stands confidently at the front, grasping a stick that makes contact with the ground, while simultaneously holding a lantern, suggesting his role as a leader or guide within this cultural depiction. Positioned behind him are two other men who are each carrying one side of what resembles a wooden carriage or a ceremonial seat, reminiscent of those used in historical transport. Above the carriage sits a person, presumably a woman, who is likely of significance within the context, given her elegant robe and visible jewelry, along with a head wrap that falls gracefully down, further indicating her distinguished status. The carriage is effectively being lifted and carried by the two men on either side, creating a sense of community effort in this enactment. The entire scene is set against a backdrop of traditional huts characterized by triangular roofs, which suggest a developed settlement, teeming with life. Additionally, a notable sign can be seen on the fence in proximity to the portrayal, hinting that this might be part of a historical reenactment or cultural showcase. In another aspect of the scene, there also seems to be a model structure, likely designed for educational or cultural preservation purposes, resembling an art show or cultural exhibit. The figures in this display appear as stylized wax sculptures, further emphasizing the artistic intention behind the presentation. The environment is lush with greenery, indicating either a well-maintained garden or a rural setting, complete with a variety of trees and shrubs, which enhance the visual appeal of the scene. Moreover, the setup evokes an atmosphere akin to a museum, illustrating how people from the past might have dressed and traveled, and how they lived their lives in harmony with nature. A slight blur affects a portion of the signage, obscuring the specific details which would provide further context. The entire portrayal is set during the day, with slightly overcast weather conditions, and the area appears to be filled with a collection of colorful structures that may symbolize the diversity of the community being showcased. The scene serves not only as a historical representation but also as an invitation for visitors to engage with and learn about the cultural heritage of the indigenous people. | 738 |
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['English', 'English', 'English', 'Chinese', 'Chinese'] | ['1lsVlgM7VXGa', '1oba8HAJg7hq', '1jrLOkpHv6As', '1cpGhIRkhEky', '1lq0ifgdaYXM'] | [' The image appears to be of an everyday scene in an urban area. At the bottom, there is the gray concrete of the road. Painted on the road are two dash white lines that are in parallel to each other. There are also two yellow lines that are in a V shape. There is also a black van to the left of the image. There is also a stoplight that was red whenever this picture was taken. There is a person in a red helmet with a pink purse on what looks to be like a motorized bicycle. In front of that person is another person who is on a motorcycle. That person is wearing a helmet and has a red jacket. There is also a white double-decker bus on the right-hand side of the image. There are several large white buildings in the background. There are a lot of windows and balconies, so I can infer that these are probably apartment buildings or condos. There are also several trees in front of the building. And I can also see the sky, which in this image is cloudy.', ' This image depicts a roadway that has, to the left, dashed white lines, and towards the right, solid yellow lines. And on the roadway, moving towards the right, there is a black car driving, as well as two people on bikes. One seems to be on a bicycle, and one on a tricycle with some cargo. And there is another vehicle moving in the left direction, which is a large bus with passengers, a public bus. And behind them, there is a traffic light with a red light, along with some other cars parked to the side. And behind the road... There is a tall white building with many levels, and with windows and balconies on each level. And in the background, even further, we can see some trees lining the streets, as well as a cloudy sky. And it appears that it is currently sunset.', " This picture depicts an intersection with apartment buildings in the back and a crosswalk right in front. It's taken from the point of view of somebody standing, waiting to cross the crosswalk. There, you could see a red light and a car driving across the road. And in front of the black car that is right on the crosswalk, there are two people on bikes. The first person seems to be a delivery person on a small bike. And the second person is on a motorcycle. And in front of them, there is a bus. There are some cars waiting across the intersection to cross. And there is a person on the bike directly across the street. The apartment buildings in the background are white. And there are many of them and they are tall and each one has a lot of windows. And there's also a lot of greenery like trees and grass.", 'This image shows a street where there is a hatchback car on the right side and a bus, which appears to be a double-decker, in white. On the left side of the image, there is a small car that is black or dark gray. The ground in the image has some traffic markings, including white dashed lines and yellow solid lines. There are also people riding electric bikes, about two individuals, with many tall buildings in the background that have white windows and some yellow decorations. There are also trees, and in the upper left corner, there is a sky with clouds, suggesting it might be an evening scene. One of the cyclists is wearing an orange outfit, while the other is in a white outfit. Overall, the ground is dominated by gray as the main color. In addition, there are some traffic lights, and I can currently see a red light. This roughly summarizes the situation in the image.', 'This is a large road with some white dots on it, the purpose of which is unclear. There are some yellow lines and a few people riding bicycles and motorcycles. On the left side, there is a small black car. It is likely evening as people are heading home, with some yellow hues appearing in the sky, possibly due to clouds. In the background, there are many white buildings, possibly around ten stories high. On the right side, there is a sightseeing bus or a public transport bus; it is a double-decker bus primarily in white and purple colors, and there are some people inside. The number of people on the road is not very high. In the middle back, there are some cars parked along the side of the road. This is an intersection, and there is some traffic passing through, but from our direction, there is a red light indicating that vehicles cannot proceed.'] | [False, False, False, False, False] | [nan, nan, nan, nan, nan] | The image portrays a lively urban environment, capturing an everyday scene on the streets. In the foreground, the road features a gray concrete surface adorned with two parallel dashed white lines. Additionally, there are two solid yellow lines arranged in a V shape, delineating traffic flow. To the left side of the image stands a black van, while a traffic stoplight, which is red at the time the photograph was taken, governs vehicle movement. A key feature of the image is a person riding a motorized bicycle, identifiable by their red helmet and accessorized with a pink purse. In proximity, another individual navigates a motorcycle, wearing a helmet and clad in a striking red jacket, indicative of their mobility and safety gear. On the right-hand side, a white double-decker bus is visible, characteristic of public transportation in many urban settings, suggesting the area's accessibility. The background is dominated by several large white buildings, likely apartment complexes or condominiums, which are packed with numerous windows and balconies, underscoring the density of urban living. Fronting these buildings are various trees, adding greenery to the concrete landscape. Above, the sky is overcast with clouds, which paints an atmospheric backdrop to the scene. Another image showcases a roadway defined by dashed white lines on the left and solid yellow lines on the right. Here, a black car is observed moving towards the right alongside two cyclists: one on a conventional bicycle and another on a tricycle equipped to carry cargo. Towards the left, a large public bus transports passengers, while additional vehicles are parked nearby. The road is energized by the presence of a traffic signal showing red, indicating a halt for vehicles, and in the background, a tall white building with many levels, along with additional trees lining the street, contributes to the lively ambiance. Notably, the sky hints at a sunset, which enhances the picturesque quality of the scene. In yet another depiction, an intersection is illustrated, flanked by white apartment buildings visible in the background. This image captures the viewpoint of an individual poised at a crosswalk, observing the flow of traffic, which includes a black car that seems to navigate right across the crosswalk. This vehicle is preceded by two cyclists, one of whom appears to be a delivery person on a small bike, while the other is motorized. A bus is situated in front of the cyclists, with additional cars waiting at the intersection, unable to proceed due to the traffic signal. The apartment buildings are characterized by their height and numerous windows, while the surrounding area is lush with greenery, including trees and grassy spaces. The most recent depiction reveals a street scene featuring a hatchback car to the right and a prominent double-decker white bus. To the left stands a smaller black or dark gray car. The road displays various traffic markings—dashed white and solid yellow lines—while two individuals on electric bicycles navigate through the area. In the backdrop, tall buildings adorned with white windows and subtle yellow accents rise prominently, contributing to the vibrant urban atmosphere. The cyclists are easily distinguished by their attire, with one wearing an orange outfit and the other dressed in white. The sky overhead, populated with clouds, suggests an evening ambiance, while a red traffic light dictates that vehicles must halt. The scene encapsulates the dynamic nature of urban life, driven by mobility and public transit. Lastly, another portrayal captures a broad road with unexplained white dots marking the surface. Yellow lines accompany the road, where several cyclists and motorcyclists can be seen. On the left, a small black car is parked, enhancing the feeling that it is early evening as the sun sets, casting yellow hues across the sky. Tall white buildings, possibly around ten stories high, stand in the background. To the right, a double-decker sightseeing bus, colored primarily in white with purple accents, is visible, with passengers aboard. The number of pedestrians on the road is relatively low, and parked cars can be spotted along the roadside. This intersection witnesses a modicum of traffic; however, a red light indicates that vehicles must halt their progress, creating a moment of pause in the bustling street life. | 352 |
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['English'] | ['1fYu2W2R15Th'] | [" This is an image of a room. The room has a big bed in the center. The bed has white sheets and a orange decorative rag. There are several pillows on the bed that are all white except for one which is decorative and is a creamish color. There is a bed frame that is black and has different patterns on it. There are two lamps to either side of the bed which are on nightstands. These nightstands are a wooden color. There is a couch at the back of the picture at the back of the room which is red and has a gray headboard. There is also a standing lamp. There is also a balcony that opens up to the outside world and curtains that haven't been drawn in yet. There is a TV in front of the bed which is black and there are some glasses provided. The layout of this room indicates that it is a hotel room. The area is clean."] | [False] | [nan] | The image depicts an interior of a hotel room designed for comfort and relaxation. At the heart of the room is a large bed, prominent in its placement, featuring crisp white sheets complemented by an orange decorative rug at its foot. The bed is adorned with several pillows, all of which are white, with the exception of one decorative pillow that displays a creamish hue, adding a touch of elegance to the bedding ensemble. Surrounding the bed are two nightstands, crafted from wood and exhibiting a natural wooden finish. On each nightstand rests a lamp, providing soft illumination, enhancing the serene atmosphere of the room. The bed itself is framed by a stylish black headboard that showcases intricate patterns, establishing a modern aesthetic and contrasting beautifully with the lighter colors of the bedding. Positioned at the back of the room is a cozy red couch, which offers additional seating, paired with a gray headboard that adds depth to the room's color palette. In the corner, a standing lamp contributes further warmth and brightness, helping to create an inviting ambiance. A balcony can be accessed from this room, leading out to the fresh air and natural light from the outside world. The curtains for the balcony have been left drawn back, fostering an open space filled with potential for relaxation and enjoyment of the view outside. Directly across from the bed, a black television provides entertainment options for guests. Additionally, the room is equipped with a pair of glasses, suggesting a thoughtful provision for guests’ convenience. The overall layout and organization of this space indicate that it is indeed a hotel room, with an emphasis on cleanliness and accessibility for a comfortable stay. | 843 |
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['Russian'] | ['1lzVwU8Hfxgy'] | ['In this image, we see some kind of statue, or more likely, it is a church or a tower against the backdrop of the city. This suggests that it is probably dawn. Several texts are missing from this photograph. The details that can be noticed are somewhat new, enough. There is likely a body of water behind it. Many people are present, and perhaps they have come for a service somewhere nearby. Details can be noticed because there are not so many windows in this tower. In the background, we have the city, with its style and color. There are many colors here, it’s a colorful picture. And what can be understood? This is that the waterfront is somewhere near the city. People are arriving early in the morning. What could this possibly serve as a central point for? Because people are just passing through. Well, perhaps this is some kind of religious building, in my humble opinion.'] | [True] | [nan] | In this image, we observe a structure that may be characterized as a statue or, more likely, a church or a tower set against the urban landscape of the city. The softened hues of the scene suggest it is likely dawn, indicating an early start to the day. However, it is worth noting that several textual elements are absent from this photograph, leaving some interpretations open. Upon closer inspection, the details of the structure appear fairly new, indicating recent renovations or construction. Additionally, there seems to be a body of water positioned behind the tower, contributing to the overall ambiance of the scene. A notable number of people populate the area, suggesting they have gathered for a service at a nearby location, possibly indicating the significance of the tower as a place of worship. The architectural features of the tower reveal a limited number of windows, which may reflect a particular style or purpose in its design. In the background, the cityscape unfolds, showcasing various styles and colors that define its character. The photograph bursts with a vibrant array of colors, further highlighting its picturesque quality. From this imagery, one can ascertain that the waterfront is located close to the city itself, and the early morning arrival of these individuals hints at communal or religious activities taking place. The question arises as to what central purpose this location serves; it appears that many people are merely passing through, which adds to the intrigue. In my humble opinion, it is reasonable to conclude that this structure may indeed be a religious building, serving as a focal point for those who gather in its vicinity. | 664 |
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['English', 'Chinese', 'Chinese', 'Chinese'] | ['1aauq95xdwnq', '15RYNJPgiD1O', '1ayKnsOVQV8M', '1jd1vvZGeVGY'] | ['The image shows a screenshot of a mobile screen and it shows recipes or photos of food in cards on the screen. The top is the black bar of the device and then there is a red bar that appears to have a dashboard icon and a search icon. There are a total of 8 cards of food in frame but possibly more if you scroll. The photos of food shown are fruit toast with banana and kiwi and chocolate balls. On the second row from left to right there is a spam egg sandwich and then next to that is a lime mojito. And on the third row there are hash browns and sesame balls. The background of this photo of these cards is light beige and the last two food items are not in frame. This appears to be some form of app. The background of this photo is some form of app. The background of this photo is some form of app.', "This poster appears to be a screenshot of a recipe app that looks like it's for mobile phones. It features several breakfast-related screenshots, showcasing various recipes for things like different types of bread and toast, as well as other items such as glutinous rice balls and fried sweet potato patties. The colorful assortment of foods suggests that many of these recipes are likely for breakfast, which could attract people to download the app because it presents enticing breakfast ideas that look quite appealing.", 'At first glance, this picture looks like a group of delicious foods. There are a total of six types of food. In the top left corner, it appears to be a banana sandwich, the top right corner has chocolate, the left side seems to be another sandwich, and in the middle, there is an egg. On the right side, in the second row, the right side features lemonade, while the left side looks like a fried fish fillet, and the right side resembles black and yellow mulberries. The images are arranged in two columns, three in each column. One detail is that the text in the top left corner is not very clear; it seems to mention a popular recipe. This should come from a recipe app, and the arrangement looks like that of a mobile phone. Overall, the color scheme is white, and the theme of the app is likely red.', 'This photo looks like a screenshot taken from a website that teaches people how to cook. We can see at the top two lines labeled "Popular Recipes" and "Search Recipes." The photo is divided into six sections, with each post being shared by a different person, showcasing a variety of foods. Each post has the name of the dish at the top and a photo of the prepared food below. From top to bottom and left to right, the first dish is French toast, the middle features a meat pie and a drink, and below are golden potato cakes and handmade Hakka mochi. Everything looks very colorful and appealing. We can also see other posts further down, but they weren\'t captured in the photo. Overall, the impression is very comfortable, bright, and attractive, especially with the food photos.'] | [False, False, False, False] | [nan, nan, nan, nan] | The first image appears to be a screenshot of a mobile application's user interface, specifically focusing on showcasing recipes or food photographs displayed in a card format. At the very top of the screen, there is a black status bar typical of mobile devices, indicating it is likely a smartphone screenshot. Below that, a vibrant red bar houses two icons: one resembling a dashboard and another resembling a search function, facilitating easy navigation within the app. The visual layout presents a total of eight food cards within the visible frame, although additional cards may be accessible by scrolling. The foods featured on these cards are presented in an appetizing manner. The first card displays a fruit toast topped with banana slices, kiwi, and chocolate balls. The second row introduces a spam egg sandwich next to a refreshing lime mojito. The third row features crispy hash browns accompanied by sesame balls, which are a popular snack, particularly in various Asian cuisines. It is worth noting that the background of the card interface is a soft beige tone, which adds to the aesthetic appeal of the food displayed. The overall impression indicates that this is part of a recipe-oriented app designed to entice users with visual representations of diverse food items. The second screenshot, also representing an app, appears to be focused on breakfast recipes. It highlights an array of breakfast-related dishes, showcasing various types of bread, toast, and dishes like glutinous rice balls and fried sweet potato patties. The colorful presentation and variety of foods imply that these recipes are designed to attract users looking for appealing breakfast ideas. This visual diversity suggests that the app encourages users to explore and experiment with their breakfast options, making it an inviting tool for culinary inspiration. In another image described, the composition consists of six different food items arranged in a visually engaging manner. The top left corner features a banana sandwich, while the top right corner displays a chocolate item. The left side of the second row seems to depict another sandwich, and in the center is an egg. The right side of this row showcases lemonade, alongside a fried fish fillet on the left, and black and yellow mulberries on the right side, completing a colorful food presentation. The items are neatly arranged in two columns with three items in each. However, the text present in the top left corner is somewhat unclear, potentially referring to a popular recipe linked with the visual theme of the app, which is predominantly white with a likely red accent. Finally, the last photo is a captured screenshot from a cooking tutorial website. The layout includes two labeled sections at the top, indicating "Popular Recipes" and "Search Recipes," emphasizing the interactive aspect of the site. The screenshot is divided into six distinct sections, each showcasing a different recipe shared by individual users, highlighting community participation in the culinary space. Each section features the dish's name prominently displayed above an enticing photo of the prepared food. The featured dishes include French toast, a meat pie paired with a drink, golden potato cakes, and handmade Hakka mochi, a traditional Taiwanese treat that reflects cultural culinary practices. The overall aesthetic of the screenshot is vibrant, comfortable, and inviting, especially enhanced by the appealing food photography that captures attention and encourages exploration of the recipes presented. | 1,426 |
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['Russian'] | ['1g5fK7frHZTT'] | ['In this photograph, a boy, likely a pioneer and student, is depicted. In the background, there are many children who have come for some school celebration. Based on the bouquet he is holding, it suggests that it is around September 1st. There is no text, but our main focus is on the boy, who has posed confidently. He looks very handsome. In the background, there are many children, and it is likely that some teachers and parents are present. The photo is in black and white, which indicates that this is probably the Soviet Union, from some long-ago times. Overall, it looks fine and beautiful. It seems to me that this boy will be a good student. He has a tie around his neck and is clearly destined for success.'] | [True] | [nan] | In this black and white photograph, we see a young boy who appears to be both a pioneer—a member of the Young Pioneer organization in the Soviet Union, which was similar to the Boy Scouts—and a student. He stands confidently at the forefront of the image, holding a vibrant bouquet of flowers, a gesture that is often associated with the beginning of the school year, particularly around September 1st, a significant date in many post-Soviet countries when the new academic year traditionally starts. The boy is portrayed with clear features and a handsome demeanor, exuding a sense of pride and eagerness for his educational journey. In the background of the photograph, a group of children can be seen, undoubtedly gathered for a school celebration, possibly marking the start of the school year or another important event within the educational calendar. Among them, it is likely that some teachers and parents are present, adding to the celebratory atmosphere of the occasion. Their presence highlights the communal aspect of education in this context, emphasizing the support and involvement of the family and community in the lives of young students. The black and white nature of the photograph provides a nostalgic quality, suggesting that it was taken in a bygone era, likely during the time of the Soviet Union. The absence of color not only evokes a sense of the past but also adds a timeless quality to the scene, focusing the viewer's attention on the emotions and expressions captured in the moment. The boy's attire includes a necktie, which signifies formality and a readiness to embrace the responsibilities of academic life. His confident pose, combined with the bouquet he holds, implies that he is being celebrated not just for the transition into the new school year, but also as someone who is expected to succeed in his studies. The photograph encapsulates a moment of hope and potential, portraying the boy as a promising student who is likely to thrive in his educational endeavors. Overall, the image radiates a sense of beauty and optimism as it captures the essence of childhood and the excitement of learning within a historical context. | 639 |
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['English', 'Chinese', 'Chinese'] | ['1bxQY1QX4bKJ', '1d5B6XewG8jJ', '17VFskiqVZfr'] | [' This looks like a bowl of chicken soup. It looks like there are a few pieces of chicken, maybe seven or eight pieces of chicken in some liquid soup in a white bowl. It looks like the background is a little bit of a bowl of chicken soup. It is a dark brown. It appears that the bowl is on a wooden brown table. I see that the colors are white bowl on a brown background, which looks like a brown table. And the chicken is beige inside of it. And the chicken is white inside of the bowl. It looks like this is a meal that is being captured here.', 'The picture depicts a dish of food that is placed in a white bowl. The bowl appears to be a disposable one because its edges are irregular; on the left and right sides, there are indentations. The food in the center of the bowl has a light color, and I’m not quite sure what it is, but it seems to resemble some kind of meat, prepared in a steamed way, with a relatively mild flavor. The bowl is placed on a table that looks like it is made of wood and has a yellowish hue. The perspective of the shot is from above the food, looking down on it. That’s about it.', "This is a square image, and in the center of the image, there is a bowl that has a shape somewhat like a square combined with a circle. The bowl is white, and inside it, there are some fried foods. The food itself is in pieces and golden yellow, likely indicating it's fried and crispy, possibly fried chicken pieces. The amount of food reaches about three-quarters of the bowl's height. The bowl is placed on a deep brown wooden surface, which could be a table, and the overall tone of the image leans towards yellow, giving it a warm color. It seems that the person taking the photo captured it from a direct overhead angle."] | [False, False, False] | [nan, nan, nan] | This first transcription describes a bowl of chicken soup, which contains what appears to be seven or eight pieces of chicken nestled in liquid broth. The bowl itself is white, contrasting with the dark brown liquid of the soup. The setting has a characteristic wooden brown table background, enhancing the homey feel of the meal being presented. The chicken pieces have a beige hue, while the broth contributes to a warm and inviting aesthetic. The overall composition suggests a comforting meal. The second transcription presents a different dish situated in a white bowl that seems to be disposable due to its slightly irregular edges, exhibiting indentations on both the left and right sides. The dish contains food that appears to be steamed, with a light coloration that suggests a mild flavor, possibly indicating a protein source that is not explicitly identified. The bowl rests on a wooden table that carries a yellowish tone, which might imply warmth in the setting. The perspective of the image is taken from above, offering a clear view of the food inside the bowl, which is set against a simple backdrop. The third transcription portrays a square image featuring a unique bowl that combines square and circular shapes. This bowl, also white, contains an assortment of fried foods characterized by their golden-yellow color, likely indicating they are crispy, possibly including fried chicken pieces. The food fills the bowl to about three-quarters of its height, emphasizing a generous portion. The bowl is placed on a deep brown wooden surface, which may be a table, and the overall warm color tone of the image signifies a cozy atmosphere. The photo is captured from a direct overhead angle, giving a clear view of the food arrangement within the bowl. | 45 |
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['English', 'Chinese'] | ['1fAqbVbLKyGJ', '1ikyXEGIwHqp'] | [" This is an image of pizza before it's baked, it appears. There is a marble countertop that is barely seen at the very top of the image. And on top is a black pan that has the pizza on it. The pizza has a lot of raw vegetables like mushrooms, cheese, and a variety of other leafy greens. And underneath is a very pale reddish color with a bunch of other spices. And all of the vegetables are in concentric circles on top of the pizza. The pizza... The dough is a beige, darkish beige color and also appears to be pretty flat. There doesn't seem to be any crust and there's no text.", 'This picture first gives a feeling of a delicious, distinctive cuisine that resembles a large pizza. In the center, it is topped with various foods, including what seems to be a white creamy substance that is hard to identify. There are also some green vegetables and what appears to be chopped parsley or some kind of herb flakes. The bottom layer is covered with tomato sauce, sitting on a pizza-like crust, and everything is held up by a black tray. The background consists of a colorful mix of white, green, and red shades. The overall filter style leans towards a rich, saturated look, with a blurred effect toward the bottom of the image.'] | [False, False] | [nan, nan] | This image captures a pizza prior to being baked, resting on a black pan that is situated on a marble countertop, which is only faintly visible at the top of the frame. The pizza is artistically arranged with an abundance of raw vegetables, including mushrooms and a selection of leafy greens. These ingredients are meticulously placed in concentric circles across the surface of the pizza, providing a colorful and inviting appearance. The crustless pizza dough is a dark beige hue and appears relatively flat, lacking the traditional raised edges typically associated with pizza. Underneath the layer of vegetables, a pale reddish mixture, likely comprised of various spices and seasonings, adds depth to the overall presentation. Additionally, the image evokes a sense of culinary delight, showcasing a distinctive and appetizing dish. Centrally layered on the pizza is what seems to be a thick, white creamy substance, though its exact nature is ambiguous. Surrounding this cream are vibrant green vegetables and finely chopped herbs, possibly parsley, enhancing not only the flavor profile but also the visual appeal of the pizza. The lower portion of the pizza is generously coated with tomato sauce, which complements the varied toppings. The pizza's foundation is supported by the black tray, providing a stark contrast to the vivid colors of the toppings and sauce. The background presents a striking blend of white, green, and red tones, contributing to the overall richness of the image. A slight blur effect is applied towards the bottom, directing the viewer's attention more fully to the pizza itself while maintaining the photographic artistry. The overall aesthetic is one of saturation and warmth, inviting viewers to appreciate the culinary creation before them. | 1,188 |
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['Korean'] | ['1oOwEKc8xYNm'] | ["The image features two teddy bears. The teddy bear on the left appears to be a bride bear, adorned with a white veil on its head and a white ribbon as a hair accessory. It is wearing a white wedding dress and holding a bouquet made up of red and pink roses. There is a string coming from this bouquet, which the groom teddy bear is holding on the other end. This groom teddy bear is dressed in a black hat and a black tuxedo, completing the wedding attire. The two teddy bears are now facing each other, holding the string from the bouquet together. There isn't anything particularly different in the background, as the photo seems to be taken against a plain white backdrop."] | [False] | [nan] | The image prominently features two teddy bears, artistically styled to represent a wedding theme. On the left side of the image is the bride bear, distinguished by its elegant appearance. This teddy bear is adorned with a delicate white veil that elegantly drapes from its head, complemented by a charming white ribbon serving as a hair accessory. It is dressed in a stunning white wedding dress, typical of bridal attire, which adds to its enchanting look. In its arms, the bride bear holds a bouquet that consists of red and pink roses, a popular floral choice symbolizing love and romance. Notably, a string extends from this bouquet, which serves as a connection between the two bears; the groom bear is gripping the other end of this string. The groom bear is positioned on the right, completing the wedding aesthetic with its distinguished attire. It is adorned in a classic black tuxedo, which embodies formal wedding dress code for grooms. To enhance its look, the groom bear wears a sleek black hat, adding a touch of sophistication to its appearance. In this heartwarming scene, both teddy bears face each other, holding the string from the bouquet together, symbolizing their union. The background of the image is simple, featuring a plain white backdrop that does not distract from these charming characters, allowing the focus to remain entirely on the delightful depiction of the wedding celebration portrayed by the two teddy bears. | 1,938 |
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['English', 'Chinese'] | ['18WGRt4uGowi', '1jiXtAfievP2'] | [" This appears to be some type of sign containing Chinese characters and text. Specifically, in the center of the sign there is a QR code, and to the right of the QR code there is a fingerprint icon. Below both of these two things there is a small text possibly describing these images in Chinese. And below that there is also another text box containing Chinese characters and a Chinese sentence. And above there appears to be some type of metadata containing a link that says www.licai.com and a phone number as well. There is a QR code on the top of the sign. There also appears to be other types of Chinese characters and text that I'm unable to read. I would say the main colors used in this are black and red.", 'At first glance, this photo looks like an advertisement, with the most eye-catching elements being the financial management information and the QR code with fingerprint recognition located in the center of the image, surrounded by a lot of text mainly promoting financial management, including their official website information, contact details, and the services offered. At the bottom of the photo, there is a line that says "Click to read the original text and book a financial advisor." This layout is commonly found in small articles on WeChat public accounts. If you click below, it will take you to the original public account. Overall, it follows a fairly typical promotional style with a white background, lacking anything particularly attention-grabbing. It is quite common in various advertisements within public accounts.'] | [False, True] | [nan, nan] | This image appears to depict a promotional sign, prominently featuring Chinese characters and various text elements that suggest a focus on financial management services. In the center, there is a QR code intended for quick access to digital content, along with a fingerprint icon situated immediately to the right of the QR code. This design suggests a digital engagement or verification process, likely for security in financial transactions or account access. Beneath the QR code and fingerprint icon, there is additional small text that likely describes these features, although the specific content is in Chinese and remains unreadable. Below this description, there is another text box that contains more Chinese characters, potentially elaborating on the services or details offered by the sign's issuer. At the top of the sign, there is a metadata section that includes a web link, specifically "www.licai.com," which translates to a financial investment or management website, alongside a phone number for direct contact. This content aligns with the tendency for financial institutions in China to provide multiple ways for clients to engage with their services. The overall aesthetic of the sign utilizes a color palette predominantly consisting of black and red, which are common colors in Chinese advertising, often associated with prosperity and happiness. Additionally, at first glance, the layout resembles an advertisement typically found in digital spaces, particularly within platforms such as WeChat public accounts. The content prominently highlights financial management information and encourages viewer interaction, complemented by a statement at the bottom urging users to "Click to read the original text and book a financial advisor." This line emphasizes the interactive nature of modern advertisements, directing potential clients to engage further with the information provided. The typical promotional style is complemented by a white background, which, while not particularly eye-catching, is customary for clear communication in various marketing materials. | 1,503 |
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['English'] | ['11pK00Cz1L3H'] | ["This image is a field of people playing Ultimate Frisbee. There are 11 people clearly visible in the image, with a bunch more way in the distance in the background playing Frisbee on a second field. There is no text in the image. Starting from left to right, there's an individual in a black shirt and black shorts, an individual in a white shirt and red shorts, an individual in all black, an individual in a black shirt and blue shorts, an individual in all black, an individual in black shirt and orange shorts, an individual in a white shirt and black shorts, an individual in all black, an individual in white shorts and gray shorts, and an individual in all black outfit, however he has red sleeves and a number 43 on his back. They are all equally dispersed around the field and the bottom of this image. They are all looking and running towards a Frisbee that is in the air. The background consists of the field they're on, another field in the background where you can see individuals playing a different game of Ultimate Frisbee, and beyond them there is a fence line, a lot of trees that span the entire back distance of the image, and a gray sky. There is no leaves on the tree, which seems to imply that this is not a summer-slash-spring season."] | [False] | [nan] | The image depicts a vibrant scene of individuals engaging in a game of Ultimate Frisbee on a grassy field. In the foreground, there are eleven players prominently visible, each actively participating in the match. Additionally, in the background, further away on another field, a larger number of players can be seen also playing Frisbee, suggesting a lively atmosphere and possibly multiple games occurring concurrently. From the left edge of the image to the right, the players are arranged as follows: an individual dressed in a black shirt and black shorts; next, an individual sporting a white shirt paired with red shorts; then a player clad entirely in black; followed by another in a black shirt and blue shorts; another individual appears in an all-black outfit; next is someone wearing a black shirt complemented by orange shorts; alongside them is a player in a white shirt matched with black shorts; another player is seen again in an all-black ensemble; there is also one wearing white shorts mixed with gray shorts; and finally, another individual wears an all-black outfit, characterized by red sleeves and adorned with the number 43 emblazoned on their back. All players are dispersed evenly throughout the field, with their postures indicating they are in motion, running towards a Frisbee that is airborne, signifying a moment of high energy and excitement in the game. The background of this scene is comprised of the grassy field where the players are engaged, and beyond them, the second field is visible, populated with individuals partaking in another game of Ultimate Frisbee. Further back, there is a fence line stretching across the backdrop, accompanied by a dense line of trees that spans the entire width of the image. The trees are notably bare of leaves, suggesting that the scene is set in a season other than summer or spring, likely indicating either autumn or winter given the gray overcast sky which further emphasizes the absence of foliage. The overall composition conveys a sense of camaraderie and spirited competition inherent in Ultimate Frisbee games. | 1,132 |
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['English', 'Chinese', 'Chinese'] | ['1dB5ryaiPShE', '11zgR3j0Q4Fu', '1j5jRCf9PbOm'] | [" This looks like a drawing or an animated image where there are two characters on the right and it's their wedding. They are kissing each other. It's a couple, a woman and a man, but they look more like a girl and a boy. And there's a cake behind them, a beautiful, very, very tall cake. The woman is wearing a white dress with a pink ribbon and a pink detail on her hair that looks like flowers. And there is a very, very long veil that stems from her hair and goes back to the ground. The groom is also wearing a white attire and they are stepping on a white cake. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they are kissing each other. And they", "At first glance, this is a wedding scene featuring a pair of newlyweds who are sharing a passionate kiss. Behind them, there is a cake placed on a stand, and beneath their feet is a red carpet. To the right, there are three light bulbs, and one of them has more intricate details. In the background, it appears to be a place that looks like a church or somewhere with steps, which is also a notable detail. The entire image is composed of red and white, along with some pink. Another detail is that in the left window's corners, there are two birds, each holding a string of balloons.", 'This picture is a cartoon illustration featuring two cartoon figures in the lower right corner. On the left is a girl and on the right is a boy, with a three-tier cake behind them topped with a love heart that says "wedding," indicating a wedding theme. The background of the picture includes a checkered window and a white sheer curtain, with floral decorations on both sides. The two figures in the lower right corner are dressed in wedding attire: the girl is wearing a white wedding dress with a pink bow belt, a flowing veil, and her hair styled up and adorned with flowers and the veil. The boy on the right is also dressed in a white suit. Both of them have light brown hair, and the girl and boy are kissing. The style of this picture is very warm and beautiful, creating a sweet wedding-themed photo.'] | [False, False, False] | [nan, nan, nan] | This visual presentation depicts a vibrant and enchanting wedding scene characterized by animated or cartoon-like illustrations. In the lower right corner, there are two prominent characters, a girl and a boy, who are engaged in a romantic kiss, symbolizing their union as newlyweds. The girl is depicted in an elegant white wedding dress that is accentuated by a pink ribbon that cinches the waist and a pink bow belt, adding a touch of color and charm to her attire. Her long, flowing veil trails behind her, creating a beautiful cascading effect as it stretches down to the ground. Additionally, her hairstyle features an updo that is ornamented with delicate flower details, enhancing her bridal look. Adjacent to the couple, there is a grand, three-tiered wedding cake adorned with a love heart at the top that features the word "wedding," clearly indicating the celebratory theme of the scene. The cake stands prominently behind them, serving as a focal point of the celebration. Underfoot, the couple stands on a luxurious red carpet, which adds an air of elegance to the setting and contrasts nicely with the white of their outfits. In the background, there is an architectural element that suggests this event is taking place in a space reminiscent of a church or a formal venue, highlighted by steps that lead to the upper areas, implying an elevation and grandeur suitable for a wedding. Surrounding the scene are decorative elements, including a checkered window bordered by sheer white curtains, harmonizing with floral arrangements that flank both sides, enhancing the romantic atmosphere of the event. To the right of the couple, soft lighting is provided by three light bulbs, one of which features intricate details, contributing to the overall aesthetic. Another charming detail is found in the left window's corners, where two birds are depicted. Each bird holds a string that is attached to a cluster of balloons, further reinforcing the celebratory and joyous nature of the wedding. The overall color palette consists primarily of warm reds, whites, and pinks, creating an inviting and sweet ambiance that perfectly encapsulates the essence of a wedding celebration. | 1,775 |
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['English'] | ['12KgUQVpe62i'] | [" The image at first glance is of a room that has lots of different furniture. At first, we see a large white cabinet that's horizontal. The cabinet has many ornate details on it. And has four doors. Two of the doors are on the left side and two of the doors are on the right side. The cabinet also has many things on top, including several vases and picture frames. There is a picture in the center of the cabinet that is of a person in black and white. There's also a lamp on the left side of the picture and on the left side of the cabinet. The lamp is... short and has a brown shade. There's also an image of some landscape on the top of the white cabinet. And it is a portrait or landscape portrait that is on the wall. It has a gold frame. Additionally, there's also a yellowish couch on the left side. That is supposed to seat one person. There is a red pillow on the couch. There's also a chair in front of the white cabinet. That has a white cushion and is of a brown color. The style of the picture is very practical and depicts an everyday scene. It is taken from either an eye level or... seated position."] | [False] | [nan] | The image presents a well-furnished room that captures a variety of furniture pieces intricately arranged to create an inviting atmosphere. The focal point of the room is a prominent horizontal white cabinet, which boasts an elaborate array of decorative details, enhancing its aesthetic appeal. This cabinet features four doors—two positioned on the left side and two on the right side—suggesting ample storage space and functionality. On top of this cabinet, an assortment of items is artfully displayed. Among these, several vases can be seen, likely used for floral arrangements or simply as decorative accents. In addition, there are various picture frames showcasing memories or art, with a particularly notable black-and-white photograph situated in the center of the cabinet that depicts an individual, possibly a family member or a cherished friend, further personalizing the space. To the left of this photograph, there is a short lamp adorned with a brown shade, adding warmth to the overall decor. Above the cabinet, a landscape portrait framed in gold hangs on the wall, introducing a touch of elegance and complementing the cabinet's intricate design. The hues in the landscape artwork may offer a serene visual escape, creating a harmonious balance within the room. On the left side of the room, a yellowish couch is positioned, designed to comfortably accommodate a single person. The couch is accented by a striking red pillow, which stands out and adds a pop of color to the otherwise soft tones of the furnishings. In front of the white cabinet, there is a chair that features a white cushion on its brown frame. This chair likely serves as a practical seating option for visitors or for relaxing while enjoying the room's aesthetic. The overall style of the picture embodies a practical and relatable interior design, representing an everyday scene that feels both lived-in and thoughtfully curated. The perspective from which the image is taken appears to be either at eye level or from a seated position, allowing the viewer to engage intimately with the space captured in the composition. | 959 |
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['Korean'] | ['11Sh1riiB1hf'] | ['The image features two hamburgers. The hamburger on the left shows the patty, lettuce, and cheese, and it looks very appetizing. Above it, the word "advertisement" is written, while the burger on the right is labeled "reality." This burger is much smaller than the one on the left, the patty is not as easily visible, and it appears less appetizing. Based on this, it seems that the image is designed to illustrate the differences between advertising and reality. The caption at the top emphasizes this message, making it clearer that it contrasts advertisement with reality.'] | [False] | [nan] | The image presents a visual comparison between two hamburgers that effectively captures the contrast between advertising and reality. On the left side of the image, there is a hamburger that displays a juicy patty, crisp lettuce, and melted cheese, all arranged in a way that makes it look incredibly appetizing and desirable. This burger is positioned prominently, suggesting it represents the idealized version often seen in advertisements. Above this appealing burger, the word "advertisement" is clearly written, reinforcing its role as the marketed image. On the right side of the image, a second hamburger is featured, labeled as "reality." This hamburger is noticeably smaller than the one on the left, which immediately conveys a sense of disappointment in comparison. The patty is not as visible, possibly hidden beneath the top bun, and the overall presentation lacks the visual appeal of its counterpart. This stark difference highlights the disparity between how food is portrayed in advertisements versus the actual product consumers receive. The caption at the top of the image plays a crucial role in underlining the message intended by the visual. It emphasizes that what has been depicted is not just a casual comparison but a direct contrast between the glossy, idealized representation of a hamburger found in marketing materials and the more mundane, unappetizing reality that consumers often encounter. This representation resonates with viewers, many of whom can relate to the experience of facing a difference between expectation and actual product quality. | 1,879 |
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['English', 'Tamil', 'Chinese', 'Chinese', 'Chinese'] | ['1dZ3iAU96vXO', '1kPeRRGHHFfR', '1157fD3bYB9v', '1by1NjhNIyIh', '1i3hehswyrif'] | [" all right so we got a four types of jewelry maybe one large jewelry set of a bracelet or bracers color is a lavender a bright purple with a yellowish trim some most likely something you would bear on your forearms it's being held in the foreground by somebody's hand and a background I can see other types of jewelry maybe a case the control hold that jewelry so blurry in the background is difficult to see but also maybe see this is a laid-out pink whitish piece of cloth we wish to hold the jewelry I also see that they have some sort of plastic bag the top right", "They have set it up on one side, and on their side, they have it arranged in a way that it blends with the background color. The arrangement has gold in the middle and everything else follows that background color. There’s a plastic piece that’s come in there; it looks a bit odd, and they've covered one side a little. They have a glass there, and the style has changed like a ring with a pink hue. It's shown in a way that resembles a piece of paper.", "In this picture, we can see many bracelets, and a person's hand is holding a large bunch of them. These bracelets are neatly stacked together and are very beautiful, primarily in a reddish-purple color. Some of the bracelets have white pearls, as well as some gemstones, white gemstones, and a mix of large and small white stones. There are also some made of reflective pink material. The arrangement consists of a layer of gemstones followed by three purple bracelets, then another layer of gemstones, and again three bracelets, with another layer made of different materials, followed by three more purple bracelets. There are about seven or eight sets like this. A person's hand is holding them, and in the background, we can see two more bracelets on the ground. The ground is covered with a layer of white and brown fabric, giving the impression that someone is presenting these bracelets.", 'The main color of this photo is pink. In the image, a hand is holding some pink circular ring-shaped items. Typically, these pink circular ring-shaped items might be used as accessories like bracelets, or they could serve as a type of sewing box for storing needles and threads. There are four of these sewing boxes in the picture, and one more in the background, making a total of five similar sewing boxes. This could be a scenario where a seller is photographing their products to showcase them to their customers.', 'This is a traditional piece of jewelry that looks like a bracelet worn by an ethnic minority. Its colors include amber, purple, and some parts are silver. The entire bracelet displays different shapes; some are thinner while others are quite thick. This appears to be a photo taken of several of these bracelets grouped together and worn on a hand. It might be from a handicraft workshop or taken by someone who makes body bracelets.'] | [True, True, False, False, False] | ['Distinctive jewelry', 'yes', nan, nan, nan] | In the first description, we have a collection of jewelry that prominently features a set of bracers or a large bracelet. The color of this particular piece is a vibrant lavender, accompanied by a bright purple base and yellowish trim. It appears that this jewelry is designed to be worn on the forearms, and a hand is gripping it firmly in the foreground of the image. In the backdrop, there are various other jewelry pieces, possibly displayed within a case, though the details are somewhat obscured due to blurriness. Additionally, a laid-out piece of fabric can be seen, showcasing a pink and whitish hue that serves as a backdrop for the jewelry. A plastic bag is also noticeable in the top right corner, further adding context to the setting. In the second description, there is a carefully arranged layout of jewelry that has been positioned to harmonize with the background color. The centerpiece of the arrangement features a gold piece, with surrounding items designed to complement the overall aesthetic. Among the pieces, there is a plastic element that appears somewhat out of place, and it seems like one side of this item has been obscured. In the composition, a glass item is present, contributing to the overall styling. The visual has transformed to showcase a ring with a delicate pink hue, which surprisingly gives the impression of being akin to a piece of paper. The third description provides insight into a photograph where a person's hand is grasping a multitude of bracelets, which are artfully stacked together. These bracelets exude beauty, with the primary color being a deep reddish-purple. Certain pieces embellish white pearls and an assortment of gemstones, including a selection of white stones that vary in size from large to small. Some bracelets are crafted from reflective pink materials that catch the eye. The organizational structure consists of alternating layers: one layer of gemstones followed by three purple bracelets, and this pattern repeats with different materials interspersed, leading to a total of about seven or eight sets. The background also reveals two additional bracelets laying on the ground, which is covered with a blend of white and brown fabric, suggesting a presentation setup. The fourth description introduces a striking photograph primarily bathed in pink tones. In this image, a hand is grasping several circular, ring-shaped items that are predominantly pink. These items could serve as fashionable accessories, like bracelets, or function as sewing boxes used for storing needles and threads. There are a total of five similar sewing boxes depicted, with four clearly visible in the foreground and one more lurking in the background. This scenario seems typical of a seller displaying their products for potential customers, showcasing their craftsmanship and appeal. In the final description, we encounter a traditional piece of jewelry that resembles a bracelet associated with an ethnic minority. This unique bracelet incorporates colors like amber and purple, and certain segments are fashioned from silver. The overall presentation highlights a variety of shapes, with some parts being slender and others notably thicker. The image appears to feature several of these intricate bracelets grouped together and worn on a hand, hinting that it may have been captured in a handicraft workshop or by an artisan specializing in the creation of body jewelry. | 803 |
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['English', 'Chinese'] | ['17clFuDJYPVt', '12rXeU7BUVUX'] | [" This picture is of people playing Ultimate Frisbee. There are three people in the picture. There's one Frisbee in the picture. The person on the left is wearing a white shirt, black shorts. They're a ginger. They're wearing cleats that are silver. The person to the right is wearing a blue shirt and brown shorts with black socks, gray shoes. Those are also cleats and a white hat. The person on the right just threw the Frisbee. He's wearing a green penny, also a gray shirt under that. He's wearing cleats too. The Frisbee is in the air on the far left. They're all on bright green grass. It's daytime. There's a shadow on the field. There are trees all in the background. The tree's all green with one tree that looks much lighter green, most of white. And there's a fence in the background.", 'This picture shows several young people playing frisbee on an outdoor grassy area. There are three young men: the one on the far left is wearing a white short-sleeved T-shirt, black shorts, and black shoes. The man in the middle is dressed in a black leather jacket, brown pants, and black shoes, and he is also wearing a baseball cap. The man on the far right is wearing a green top and black pants, along with black shoes. It is evident that the man on the far right is throwing the frisbee, while the other two are chasing after it. They are standing on a lush green lawn, with many deep green trees behind them. These are the main details. There is also some text displayed in the background. The overall style is very lively, cheerful, and natural. You can tell that the weather that day is very sunny, as the grass is illuminated by sunlight. The overall color scheme is green, as both the grass and trees are green.'] | [False, False] | [nan, nan] | This picture captures a lively scene of young people engaging in a game of Ultimate Frisbee in an outdoor grassy area. The scene features three young men, each dressed in distinct athletic attire. The person on the far left is wearing a short-sleeved white T-shirt and black shorts, complemented by black shoes. This individual has ginger hair and is equipped with silver cleats designed for better grip on the field. In the center, the man is styled in a black leather jacket paired with brown pants and black shoes. Additionally, he is sporting a baseball cap, which provides sun protection as they play. His position suggests that he is actively involved in the game. On the far right, the young man is depicted wearing a green top along with black pants and also black shoes. He appears to be in the midst of throwing the Frisbee, while the others are in pursuit, emphasizing the dynamic nature of the game. The Frisbee is captured mid-flight in the air towards the left side of the image, signifying the engaging and active atmosphere of Ultimate Frisbee being played. The backdrop of the scene is composed of a vibrant, lush green lawn with bright green grass, indicating healthy growth, likely nurtured by ample sunlight. The dense foliage of deep green trees can be observed in the background, contributing to the overall lively and cheerful ambiance. Among these trees, one stands out with a lighter shade of green, possibly indicating a different species or that it is still in bloom. The picture is set during the daytime, as indicated by the bright illumination cast on the grass and players, suggesting clear weather conditions. Shadows are cast on the field, enhancing the depth of the image. A fence is visible in the background, framing the area where this playful activity is taking place. In addition, there is text displayed in the background, although its content is not detailed in the description provided. Overall, the scene radiates a sense of enjoyment and camaraderie typical of outdoor sporting events, with the color palette dominated by various shades of green from the grass and trees, emphasizing the vibrancy of nature. | 1,197 |
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['English', 'Chinese'] | ['1bqLGlEAVi5P', '1cdbUqW3xrPi'] | [' This is an image of a kitchen. The kitchen is an L shape. On the left side of the kitchen there is a dishwasher. The dishwasher is silver. On top of the dishwasher is a countertop that has a plant and a fishbowl that is circular. On the right side there is a kitchen sink that is silver and below there are some blue cabinets. The remaining parts of the countertop have additional potted plants that are also green with a brownish pot. As we make the turn on to the L part of the counter there are additional cabinets at the bottom and the top parts of the kitchen. On the top part of the kitchen there are five different cabinets and on the bottom part there are two separate cabinets. On both sides of the counter are green. On the bottom there is a kitchen sink. On both sides there is a one sizeable wooden two cabinets and five different drawers. There are two cabinets underneath the sink and one cabinet on the left top part of the kitchen. There is a window that has blinds that are brown color. There is a circular rug in front of the sink on the ground which is brown. There is an oven on the right side of the kitchen. The cabinets are brightly colored blue and the tile on top of the counter is also of a shade of blue.', "At first glance, this is an apartment kitchen with some cabinets, an oven, and a window covered with bamboo blinds. All the cabinets are blue, and in other areas, there are white tiles. You can see there is an oven and a microwave, and the cabinets give a vibe reminiscent of tropical regions because the blinds are made of bamboo. The floor is also neat with no obvious clutter, and there are some green items that look like bamboo, resembling Chinese-style decor somewhat akin to pieces from South Asia. The window is quite blurry, and it’s hard to say which country this is, since the choice of Chinese-style decor might reflect a person's aesthetic preference."] | [False, False] | [nan, nan] | This transcription depicts a well-designed kitchen space characterized by its distinctive L-shape layout. On the left side, a sleek silver dishwasher is integrated into the cabinetry. Above the dishwasher, a countertop extends, adorned with a vibrant green potted plant and a circular fishbowl that creates a lively focal point. Moving to the right side of the kitchen, one encounters a silver kitchen sink, which is situated beneath blue cabinets that offer a striking contrast. The countertop includes additional greenery in the form of more potted plants, each placed in brownish pots, contributing to a fresh ambiance. As the countertop turns, which marks the transition into the L-shaped configuration, one can observe additional storage options including multiple cabinets; five cabinets are positioned at the top and two at the bottom. This systematic arrangement ensures ample storage for kitchen essentials. Moreover, both sides of the kitchenette feature sizeable wooden cabinets and a total of five drawers, which enhance the functionality of the kitchen space. Specifically, two cabinets reside beneath the sink, with one more located on the left side of the upper kitchen area. A window, adorned with brown bamboo blinds, lets in light while maintaining privacy, thereby adding an elegant touch reminiscent of Asian design aesthetics. A circular brown rug rests in front of the sink, softening the overall look of the space. To the right side of the kitchen, an oven seamlessly integrates with the cabinetry, underscoring the kitchen's functionality. Collectively, the cabinetry is predominantly a vibrant blue, complemented by white tiles that create a clean and refreshing atmosphere, enhancing the kitchen's appeal. This apartment kitchen further evokes a tropical ambiance, aided by elements such as the bamboo blinds, which evoke a connection to Asian design elements, suggestive of a personal aesthetic preference that resonates with South Asian or Chinese styles. The floor remains polished and free of clutter, contributing to an overall organized and inviting kitchen environment. The visibility through the window is somewhat obscured, which adds to the intrigue about the specific geographical influences in the design. The combination of decor elements reflects a thoughtful curation, merging functionality with stylistic preferences that highlight cultural inspirations. | 947 |
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['English', 'Chinese'] | ['17UPw45CvZi5', '1cUR1NRxROKz'] | [" This is an image of food in a wok pan or a bowl, in like a circular plate or pot. In the bowl you have a spoon, but the main focus is on the food, which is a mix of veggies. I can clearly see broccoli. There's something else that may look like green beans or spring onions. It's a very beautiful array of colors, ranging from green to yellow to brown. It's a very rich color. You can see the oil. There's a bit of the oil. There's a bit of the oil around. And yeah, it's all in a black bowl and you have a wooden spatula.", "This picture depicts a stir-fry in a pan, and inside it, there's also a spatula along with a lot of broccoli, spring onions, tofu, and chili sauce. There is no text on the top, which is important. It looks like this dish is spicy, but it shouldn’t be too hot. Besides the ingredients mentioned, there may also be peanuts or some kind of nuts, and there should be some garlic placed in the center of the pan. The background might include another pot. The color tone of this photo is dark due to the pan, but the dish itself is very vibrant, creating a striking contrast that makes the food look very appetizing."] | [False, True] | ['No', nan] | The first transcription describes an image featuring food presented in a wok pan or a bowl resting on a circular plate or pot. The focal point of the image is the diverse and colorful assortment of vegetables arranged beautifully in the bowl. Prominent among the vegetables is broccoli, accompanied by other ingredients that may resemble green beans or spring onions. The dish showcases a rich palette of colors, including various shades of green, yellow, and brown, contributing to an overall appealing visual. Additionally, a sheen of oil is observable around the ingredients, enhancing the dish's savory appeal. The presentation is in a black bowl, and a wooden spatula is present, suggesting the dish may have been recently prepared and is ready to be served. In the second transcription, the focus shifts to a photo that includes a stir-fry being cooked in a pan. Alongside an accompanying spatula, the dish contains a generous amount of broccoli, spring onions, tofu, and a drizzle of chili sauce, indicating a flavorful and potentially spicy meal that is not overpoweringly hot. This image may also feature peanuts or a similar type of nut, as well as garlic that is placed at the center of the pan to enhance the flavor of the stir-fry. The composition of the photograph highlights the dark color tone of the pan, contrasting with the vibrant hues of the food itself, which creates an appetizing visual effect. Importantly, the image does not contain any text at the top, allowing the viewer to solely focus on the appealing presentation of the dish. In the background, there may be another pot, adding depth to the culinary scene captured in this image. | 1,159 |
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['Chinese', 'Chinese', 'Chinese'] | ['1cCNmLkHczVe', '1osGo5xBnbvj', '1uuSikwIKDqB'] | ['The image that catches the eye features a white pencil, and above it is a logo composed of many letters in red, along with some patterns. This could represent a certain place, company, or product. The main letters that stand out are the nine uppercase English letters formed in red, which spell out E-T-H-I-O-P-I-A-N, likely indicating the name of the company. Below O-P-I-A-N, there are six other letters in a different font, but it’s unclear what font it is or what these letters or figures represent. In the upper right corner of the entire image, we can see three striped patterns. These three lines seem to be drawn casually with a pen and are in green, yellow, and red, respectively. Their sizes vary, with green being the largest, yellow second, and red the smallest. Together, these three along with the nine English letters in the middle and the six figures or letters below comprise the logo, which may symbolize this company or product. The entire image is set against a white background, possibly taken as a photo or a screenshot of the company’s logo.', 'This image primarily showcases the logo of Anthopian Airlines, which is Ethiopian Airlines. At first glance, this is a visual representation of an airline\'s brand that includes the English word "Anthopian" as well as a unique script in Amharic, the official language of Ethiopia. The objects in the image include the airline\'s name, signature colors, and font design. The most eye-catching detail is the green, red, and yellow pattern; these colors are derived from the Ethiopian national flag and symbolize the country\'s culture and history. The background does not contain any additional complex elements, making the text and design stand out more. From a stylistic perspective, the entire logo is simple and elegant, full of modernity while also incorporating strong national elements. This logo might immediately evoke thoughts of Ethiopia and its national airline; it is not just a brand name but also carries the national image and cultural identity. From this image, we can infer that it may be used to promote the airline itself and could appear in airports, on tickets, or in advertisements, presenting Ethiopia\'s unique identity to travelers worldwide.', 'This is a sign with the word "Esotopia" in red letters. In the lower right corner, there are six letters that I can\'t identify, also in red. The entire "Esotopia" has a capital E and on the far right, there are three shapes that resemble wings of birds or feathers, like those of a plant or animal. The top one is green and the longest, the middle one is golden-yellow, and the bottom one is red. They all extend from the letter N, resembling a wing of "Esotopia" or perhaps I guess it\'s the logo of their airline.'] | [False, True, False] | ['No', 'Yes, this image is culturally distinct because it features the logo of Ethiopian Airlines, Ethiopia’s national carrier. The text is in both English and Amharic, Ethiopia’s official language, which is unique to the country. Additionally, the green, yellow, and red color scheme represents the Ethiopian national flag, reinforcing its cultural identity. The stylized wing in the logo also hints at Ethiopian heritage and aviation symbolism.', nan] | The image prominently features a white pencil, positioned below a logo that captivates the viewer's attention. This logo consists of multiple letters rendered in a bold red color, displaying a distinctive arrangement of patterns. The most prominent aspect of the logo is the nine uppercase English letters, E-T-H-I-O-P-I-A-N, which strongly suggest the branding of a particular company or product, likely identifying it as "Ethiopian." Below these letters, the portion spelling O-P-I-A-N is accompanied by six other letters or figures in a contrasting font, although the font type remains unspecified, leading to ambiguity regarding their significance. In the upper right corner of the image, three striped patterns emerge, portrayed casually as if sketched with a pen. The stripes are colored in green, yellow, and red, arranged in descending order of size with the green stripe being the largest, followed by yellow, and then the smallest red stripe. Collectively, these elements—along with the uppercase letters in the center and the additional six figures below—form a cohesive logo that may represent the identity of the company or product it denotes. The overall backdrop of the image is a plain white background, suggesting that this could either be a photograph or a digital screenshot of the company’s logo. Moreover, this image primarily showcases the branding of Anthopian Airlines, which represents Ethiopian Airlines. The captivating visual not only features the name "Anthopian" but also integrates a unique script in Amharic, the official language of Ethiopia. The design is uncomplicated, highlighting the airline's identity through its name alongside signature colors and font design. One of the most striking details of the logo is the vivid green, red, and yellow pattern; these colors are directly derivative of the Ethiopian national flag and symbolize the rich culture and historical significance of the nation. The absence of other intricate elements in the background further enhances the visibility of the text and design, rendering it clear and focused. Stylistically, the entire logo conveys simplicity and elegance, embodying modern aesthetics while simultaneously evoking a sense of national pride and cultural heritage. This logo not only represents a brand but also serves as a visual ambassador of Ethiopia, encapsulating its identity and cultural nuances. It can be inferred that this logo could be prominently displayed to promote the airline, possibly seen in airports, on tickets, and throughout advertisements, effectively presenting Ethiopia’s unique identity to travelers from around the globe. In another segment of the visual elements, there is a sign featuring the word "Esotopia" depicted in bright red letters. In the lower right corner of the sign, there exists a collection of six additional red letters that remain unidentified. The word "Esotopia" begins with a capital ‘E’, and to the far right, one can observe three shapes that appear to resemble either the wings of birds or the delicate feathers of a plant or an animal. These three shapes extend outward from the letter 'N' in "Esotopia," giving the logo an impression of a wing-like feature. The top shape is colored green and is the longest, while the middle shape boasts a golden-yellow hue, and the bottom shape features a striking red color. It appears these elements may signify the logo of an airline, likely enhancing the visual impact and significance of the brand. | 10 |
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['Korean'] | ['1hW5DnNpZQDo'] | ['The photo shows a woman performing pole dance. In the picture, there is one woman who is holding the pole with both hands to dance. The text in the photo reads "Daily Sports," which is the logo representing the company that took the picture. The woman is dancing in the center of the image. She is wearing a pink top and blue bottoms, and she has long hair. In the background, there are three large lights. Daily Sports features the woman performing pole dance. There are three large lights in the background. The woman is performing pole dance. The woman is performing pole dance. The woman is performing pole dance.'] | [False] | [nan] | The image captures a woman engaged in a pole dance performance, showcasing her athleticism and artistry. She is situated centrally within the photograph, grasping the pole with both hands as she executes her dance moves. The dancer is adorned in a striking outfit consisting of a pink top that accentuates her figure and blue bottoms, highlighting her physicality and style. Her long hair flows gracefully, adding to the overall dynamic aesthetic of the performance. The backdrop of the photograph is illuminated by three large lights, which serve to enhance the scene by casting a dramatic glow on the dancer, thus emphasizing her movements and the intricate positioning of her body. The lighting not only highlights the performance but also contributes to the energetic ambiance of the setting. Prominently featured in the image is the text "Daily Sports," which is the logo of the company that has captured this moment. This branding indicates that Daily Sports is potentially involved in sports or fitness promotion, showcasing remarkable talents and activities such as pole dancing. The repeated mention of the woman's pole dance performance underlines its significance and focus in the imagery, illustrating both the skill involved in this art form and the company's dedication to promoting various forms of physical expression and fitness through visual media. | 1,859 |
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['Korean'] | ['15urGF2Aqjw2'] | ['The picture captures a fireworks display taking place above a bridge. In the center of the photo, there is a bridge located over the sea. This bridge is the Gwangan Bridge in Busan. Various colors of fireworks are being displayed above the bridge. Additionally, three fireworks are exploding right in the sea below the bridge. In the lower right corner of the photo, there is text that reads "Cool Busan," which appears to be the name of the company or copyright holder that took the photo. No other text is present in the image. The background of the picture is a night sky, and in front of it are lights illuminating the fireworks.'] | [False] | [nan] | The photograph prominently features a spectacular fireworks display erupting above a striking bridge, specifically the Gwangan Bridge located in Busan, South Korea. The bridge elegantly spans over the shimmering waters of the sea, serving as a central focal point in the composition. Above the bridge, a vibrant array of fireworks ignites the night sky, showcasing a kaleidoscope of colors that cascade joyfully in the air. Notably, three additional fireworks burst directly over the waves, creating a stunning reflection in the water below the bridge. In the lower right corner of the image, there is a caption that reads "Cool Busan," which likely indicates the entity responsible for the photograph, possibly hinting at a tourism branding effort or a local business promoting the picturesque aspects of the city. Surrounding the scene is a deep, inky night sky that contrasts beautifully with the brilliant lights of the fireworks, making the entire display even more captivating. The lighting from the fireworks itself illuminates the surrounding area, enhancing the festive atmosphere and providing a magical backdrop to this iconic bridge in one of South Korea's bustling coastal cities. | 1,872 |
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['English', 'English', 'English', 'Chinese', 'Chinese'] | ['1nlCCClffbSK', '1hy6aWrzqQW1', '1l7F8nfqvRZ8', '1iHGex5RMJDp', '1n4lAjrr8GqS'] | [" It's a picture of a man wearing a hat looking forward and he's standing in the middle of the picture. The picture only showed the top part of the man, didn't show the whole body of him. And the background seems like it's either a train or boat. And then there's another man with a red bird picture, a bird face showing in the behind. And then there's no text in the pictures, but the man seems like pretty famous. Looks like he's a former emperor of Ethiopia, Elie Selassie I. So if the people know who the man is. If you know who the man is, you can ask them. That was correct. And I can kind of guess it's some pictures about Ethiopia. Other than that, not much other information you can extract from that for what culture it's going to belong to. These pictures in black and white is not a color picture. So these pictures maybe have taken a long time ago.", " This is a black and white picture of a man who's looking to the right and he has a hat. It looks like a, it has like a rim and then there's a flat sort of cylinder that sticks up at the top. And then the man is looking to the right. You can see that he has a beard that covers over his mouth and under his chin and then it goes up into his hair, which you can't see because he's wearing the hat. And then he, it just looks like he's looking at something. He's wearing a garment that covers his whole neck and there's two layers. One of them looks lighter than the other, but it's a black and white picture. So like the inner layer looks sort of white. And then the outside looks like some sort of cloak that he's wearing, maybe some sort of traditional wear. And then the rest of the picture is blurred out, but you can see a man standing behind him and some sort of structure behind him that he's standing in front of. It's not super clear what he's looking at, but you can also see like his whole side profile, including his ears. You can see both his eyes. He looks like he has a Solomon's expression on. Yeah.", " This is a picture of a man. The man looks like he might be from North Africa or from Latin America. And he's got a beard on, and it's a black beard. He's also got a top hat on that's reminiscent of another time. The top hat is circular, and it's got a black strap around the top of it. And he's got a... He's looking not at the camera, but he's looking to the right of the camera. And it looks like he's got some kind of look in his eyes. He's got bushy eyebrows. He looks a little bit annoyed, a little bit solemn. And he's got a jacket on. And the jacket, it's the color of the photos in black and white, so I can't see what color it is. But there's a guy behind him that's blurry. And that guy, you can still make out the fact that he's got a mustache on, and he's got a white coat on, and he's got a black conductor's hat on. So it looks like he might be a conductor of a train. And so it's possible that this guy is traveling somewhere, and he's looking out maybe to his family or something like that. He's leaving for a long time. And he's got a white shirt on. You can only tell it. Because he's got the white collar popping out on his neck. And, yeah.", 'I see that this is a black and white photo. In this black and white photo, the foreground features a man wearing a high top hat. He appears to be on his way to a restaurant and is likely wearing a coat. He has black eyebrows, black hair, and a very thick beard. His nose is somewhat hooked, and his expression is very serious. The photo shows his profile facing to the right. In the background, there seems to be a building or some sort of intersection, but it is all blurred. Additionally, there is another blurred man wearing a hat in the background, who also seems to be wearing some kind of coat and has a small mustache. However, due to the blurriness and shallow focus, it is not possible to see the specific details of the man behind.', 'This is a black and white photograph featuring a man with a black mustache wearing a top hat. In the background, there is another person wearing a white top. The man in the photograph is looking straight ahead to the right, seemingly observing something. His hat is wide-brimmed, and the overall color of the photograph is black and white, with a black background. This could possibly be a photo taken near a train station. The main subject of the photograph may be someone who lived around the 17th or 18th century.'] | [False, False, True, False, False] | ['The man looks like Haile Selassie I', nan, nan, nan, nan] | The first photograph under discussion is a black and white image featuring a man standing prominently in the center. He is depicted wearing a hat and looking forward, but only the upper part of his body is visible, as the photograph does not capture his full stature. The background appears to suggest a transportation setting, possibly a train or a boat. Notably, there is another figure present behind him; this man is associated with imagery of a red bird or bird face, though specific details about this figure are not delved into. The absence of text in the image leaves interpretation open, yet there is an indication that the focal person is quite recognizable, potentially being Haile Selassie I, a pivotal historical figure who was the Emperor of Ethiopia, known for his significant political role and his presence in Rastafarian culture. This hints that the photograph may relate to Ethiopian history or culture. It is worth noting that the photograph is rendered in black and white, suggesting it was taken during a previous era. The second photograph described also captures an individual in black and white. This man is looking to the right and wears a hat characterized by a flat, cylindrical top with a rim. He has a notable beard that extends from around his mouth up to his hair, which is hidden beneath the hat. His gaze suggests he is observing something of interest. His attire consists of a double-layered garment that completely envelops his neck; the inner layer appears lighter compared to the outer cloak, which seems to be of traditional design, hinting at cultural significance. The image blurs in the background but features another man and some structure, although clarity is compromised, and specific details remain elusive. The man possesses a regal bearing, and his side profile, including his ears and expressive eyes, evokes a resemblance to King Solomon, suggesting a dignified or thoughtful demeanor. The third photograph presents another gentleman, potentially from North Africa or Latin America, adorned with a black beard and a nostalgic-looking top hat. The hat is circular with a black strap encircling it. He is not gazing directly at the camera but instead turns to the right, his expression a mixture of annoyance and solemnity, accented by his bushy eyebrows. His attire includes a jacket, its color indistinct due to the monochromatic nature of the photo. A blurred background reveals another man with a mustache wearing a white coat and a black conductor’s hat, suggesting that he might be a train conductor. This detail leads to speculation that the main figure is possibly departing, perhaps saying goodbye to family as he embarks on a journey. The white collar of his shirt is however visible, providing a hint at his formal appearance. The fourth photograph reaffirms the black and white theme; it showcases a man with a high top hat, capturing his profile as he appears to be en route to a restaurant, likely dressed in a coat. His features include black hair and eyebrows, alongside a thick beard, and he possesses a serious expression. The blurred background hints at a building or an intersection, although details are unfocused. Additionally, a second man with a mustache is seen behind this primary subject, also garbed in a hat and coat, but again, specifics cannot be made out due to the photograph's shallow focus. The final photograph spotlighted is another black and white image featuring a man with a black mustache and a wide-brimmed top hat, looking straight ahead to the right, seemingly engaged in observation. The monochromatic scheme again dominates, and the backdrop is a blur, possibly indicating a scene near a train station. The main subject captures an essence reflective of the 17th or 18th century, as inferred from his attire and posture, notwithstanding the limitation of color visibility. | 8 |
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['Korean'] | ['1i50VOpSYotU'] | ['The photo depicts the door leading into a traditional Korean temple. In the center of the photo, the large stone steps that lead up to the temple are prominently featured. At the top of the stone steps is the door to the temple, which is a traditional Korean door built using tiled roofing. In front of the door, two people are standing guard. They are wearing hanbok, which is the traditional Korean attire. Surrounding the steps and the door, trees and a forest are lush and dense. To the right of the steps, there is a signpost indicating various destinations, including a restroom.'] | [True] | [nan] | The image showcases the entrance to a traditional Korean temple, clearly centered around the striking door that marks the sacred threshold. Prominently featured in the foreground are the large stone steps that ascend towards the temple, their sturdy structure inviting visitors to approach this cultural landmark. At the pinnacle of the steps stands the temple's door, characterized by its elegant design and adorned with tiled roofing, a hallmark of traditional Korean architecture. Flanking the entrance, two individuals are positioned as guardians of this revered space. They don hanbok, which is the traditional attire of Korea, known for its vibrant colors and elegant lines, reflecting the cultural heritage of the nation. The hanbok worn by each person showcases distinct qualities that highlight the rich history of their craftsmanship. Surrounding this serene setting, the temple is enveloped by a lush and dense forest, with trees that thrive and flourish, emphasizing the connection between nature and spirituality within Korean traditions. Their vibrant greenery adds an air of tranquility and reverence to the scene. To the right of the stone steps, a signpost is present, directing visitors to various destinations including the location of a restroom, serving a practical purpose while maintaining the decorum expected in such a sacred environment. Overall, the image vividly captures the essence of a Korean temple, showcasing its architectural beauty, cultural significance, and the harmony of nature. | 1,828 |
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['Tamil', 'Tamil', 'Chinese'] | ['1fQDCEmPZ0Q3', '16TTcOZaPvOr', '14JGc9JsPpCE'] | ["A lot of kids have come and are lying down, doing yoga like it's a carpet. I think a few people have come, just in their banyans. One boy has come, he's dressed nicely and is taking good deep breaths while doing yoga. It's a good yoga session, and others are coming and joining in. One person has come dressed in jeans and seems to be leading the session. He appears to be shouting instructions from afar. Someone, a lady, is standing at a distance; there are many kids, all boys, looking like young boys around seven or eight years old. They are all lying down like that. I'm the only one doing something different; the others are lying down, eating, and listening to what’s being said. Everyone is in uniform, just wearing a banyan, and they are spread out. I think the girls are lying down a bit further back.", "In the world of Pixar, there are many things, including yoga symbols. The reason behind the big crowd gathered for him was explained, and later in a documentary about Indian history, they incorporated the orange color in the left side of the film's webpage.", 'I believe this photo was taken in South Asia or Southeast Asia primarily because of the background, which features a carpet that has cultural attributes, along with the poses of the children. In the picture, we can see many kids, one of whom is wearing a dark green outfit and sitting in the middle. He is sitting cross-legged in a way that is more religious, with his feet resting on his thighs. We can observe that many children are doing the same thing, but interestingly, they are not all looking in the same direction; they are actually looking at different places. So, I’m not quite sure if this is a ritual or a display, but in any case, it should be a culturally significant image.'] | [True, False, True] | ['yoga practiced in india for children, typical for children to have only minimum dress', 'no', nan] | A diverse group of children has gathered for a yoga session, seemingly enjoying the practice on what resembles a carpeted surface. Many of the kids are lying down comfortably in various yoga poses, exhibiting a relaxed atmosphere. A few participants are notably dressed in banyans, a traditional Indian garment, signifying their casual approach to this activity. One boy stands out as he is dressed smartly and demonstrates good form as he takes deep breaths, indicating a focus on mindfulness during his practice. As the session progresses, additional people arrive and join in the yoga exercises. Leading the session is a person dressed in jeans, who appears to be actively instructing the participants from a distance, likely shouting out yoga commands to guide the children. Among the crowd, there is also a woman standing further away, observing the scene. The participants mainly consist of young boys, estimated to be around seven or eight years old, who are engaging in various activities, such as lying down, eating, and listening attentively to the instructor's guidance. While most of the children are clad in traditional banyans, the girls seem to be positioned further back from the main circle, potentially indicating a separation by gender or simply a seating arrangement. In another context, a reflection on the world of Pixar briefly touches on its creative elements, mentioning yoga symbols and how a substantial gathering was linked to an explanation associated with the character featured in a documentary about Indian history that also incorporates cultural elements, such as the prominent use of the color orange on the film's webpage. Furthermore, the photograph depicting this scene is believed to have been taken in South Asia or Southeast Asia, primarily characterized by the cultural significance of the background and the clothing of the children. Among the multitude of kids, one can be observed sitting cross-legged, adopting a pose that suggests reverence or meditation, with his feet resting on his thighs. Notably, while several children mirror this seated position, they exhibit varying orientations, gazing in different directions, which raises questions about whether the gathering is meant for a ritualistic purpose, a display of skill, or something else entirely. Regardless, the image captures a moment of great cultural importance, representing a fusion of play, tradition, and community engagement in a potentially meaningful activity. | 772 |
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['English', 'English', 'Hindi', 'Hindi', 'Chinese', 'Chinese'] | ['1h00bxJCMauj', '12wUVC4fGQ0x', '1i3CMKuZXQqN', '1lyy6n15rh6u', '1a8m0eN1uCJq', '1e7FBkA6U0bT'] | [" It's a picture of Gandhi. He's standing and looking in the front and smiling on his face. He's standing in the center of the picture. It's a solo picture so there's no people around him. And also it's a black and white picture. So I can assume this picture has been taken a while ago. And Gandhi's hand is crossing around his stomach. And then he's wearing a cross and wearing a white rug. This picture, there's no text in the pictures. But since Gandhi is so famous, we know who he is. And just by looking at the pictures, it looks like it's a portrait of him. The pictures didn't show where the location of the pictures were taken. It's really bright and white and gray.", " This is an image of Mahatma Gandhi, the Indian politician who led the movement, the successful movement for independence from Great Britain for India. This is his standard portrait. This is what's on his Wikipedia page. That's why I recognize it right away. He's wearing a white piece of clothing around him, wrapped around him. He has round glasses on, a mustache, shaved head. The picture is in black and white. The background, because of this, is in a grayish color. There might be some text that I can't recognize across the bottom right corner. The image is a pretty standard image, so I guess I provided the contextual information of this being, I presume, an image that was taken in India of Gandhi. I can infer that it's his standard portrait. He's in the center of the image.", "This picture is of Mahatma Gandhi. Mahatma Gandhi was a very prominent leader who played a significant role in India's independence. In this picture, Mahatma Gandhi is wearing a white shawl, and both of his hands are extended forward, with his right hand placed over his left hand. He has a kind of garland around his neck. His beard is partly white and partly black. The density of his hair is almost negligible, with a few very short white hairs on his head. The complexion of his face is medium dark, and he is standing in a room where the walls in the background are visible. This photo was taken at night; it is clear, and Mahatma Gandhi appears to be smiling.", "This is a picture of Mahatma Gandhi, who is regarded as the Father of the Nation in India. He was born on October 2nd, a day that is celebrated with great enthusiasm across the country. He has been given several names, one of which is Bapu. He always wore white clothing, typically a shawl and a dhoti. He also had a walking stick, although it is not visible in this picture. The glasses he is wearing are quite unique and perfectly match his personality. Anyone looking at his glasses would recognize them as Gandhi's glasses. In the background of the picture, walls can be seen, and perhaps there is a place to sit as well. Mahatma Gandhi is smiling in this image.", 'This image is a portrait of Mahatma Gandhi from India. The portrait is in black and white, and in the center, Gandhi is wearing a white garment and glasses, with a thin mustache and sparse hair. He is facing the camera with a smile, his hands clasped together in front of his abdomen. It is a black and white image of Gandhi, smiling at the camera.', "This picture is a black and white image featuring an Indian person, whom I believe to be Gandhi, a very famous figure. However, he might not necessarily be Gandhi, but I think he resembles him. This Indian man appears to be middle-aged or slightly older, and he is smiling or grinning towards the camera. His hair is very short, and he is wearing round glasses. He has a small mustache, just below his nose, but no beard. His attire is white, draping a large traditional garment, with only his hands exposed; his right hand is fully visible, while the left hand is under the garment, showing only the fingers. Regarding the background, it's difficult to make out anything since the picture is black and white, but there are no other people present; he is the only one appearing in the image."] | [True, True, False, True, True, False] | ['it is a picture of Gandhi', 'Gandhi is wearing culturally distinct clothing', 'No', 'The clothes are culturally distinct.', 'Famous person in India', nan] | It's a black and white portrait of Mahatma Gandhi, one of the most prominent leaders in India's history, widely recognized for his role in the country's struggle for independence from British rule. In this image, Gandhi is the central figure, standing alone with a smile on his face, which reflects his peaceful demeanor and optimistic outlook. He is positioned in the center of the composition, which emphasizes his significance. Gandhi is dressed in a simple white garment, which is typical of his attire, consisting of a shawl and a dhoti. His hands are crossed over his stomach, showcasing a relaxed yet dignified pose. The image captures him in a moment of contemplation or engagement with the viewer, as he looks directly into the camera. He wears round glasses, a distinguishing feature that many associate with him, along with a thin mustache. His head is shaved, characteristic of his ascetic lifestyle, and the sparse hair is primarily white, signifying his age and wisdom. The background of the photograph is a muted gray, likely due to the black and white format, which enhances the contrast and brings focus to Gandhi's figure. While there are no other people visible in the image, the walls behind him suggest he might be inside a simple room, aligning with his minimalist lifestyle. The overall atmosphere of the photograph conveys a sense of serenity and strength, characteristic of Gandhi's persona. Gandhi is also celebrated in India as the "Father of the Nation," his birthday on October 2nd being commemorated nationwide as a public holiday, promoting peace and non-violence. He is affectionately referred to as "Bapu," which means father. The image serves as a standard representation of him, as it is widely circulated, including being featured on his Wikipedia page. The clarity and brightness of the photograph amplify the nostalgic essence of Gandhi's legacy, presenting him not just as a leader but as a symbol of hope and resilience. In summary, this portrait is not just a depiction of an individual; it represents the ideals of peace, non-violence, and moral integrity that Gandhi championed throughout his life. | 419 |
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['Korean'] | ['1RwFtlaKNctM'] | ['The image is a photograph of traditional Korean sculpture. It consists of a photo along with corresponding text. In the photo, there is a sculpture of a bird standing on a wooden figure. Behind it, there is a background with various shapes of birds perched on a tiled roof. Below the photo, there is text that reads "Beyond tradition, into the future, for the world: Sodo Jijigi". The largest bird in the center of the photo is made up of green, light green, and yellow colors. Additionally, the largest bird in this photo is composed of green, light green, and yellow as well. On the tiled roof behind, there are a total of eight birds sitting, and their colors are all diverse.'] | [False] | [nan] | The image presented is a striking photograph showcasing a traditional Korean sculpture. At the forefront of the photograph, there is a meticulously crafted sculpture of a bird, which is gracefully positioned atop a wooden figure. This sculpture captures the viewer's attention with its vibrant hues. The largest bird, which is prominently featured in the center of the photo, displays a stunning combination of colors, specifically rich green, light green, and bright yellow, adding to its visual appeal. In the background, the scene is enriched with various shapes of additional birds that are perched on a traditional tiled roof, which is a common architectural feature in Korean culture, often associated with historical homes and temples. This roof, characterized by its distinctive overlapping tiles, serves as a perfect backdrop for the birds, enhancing the overall aesthetic of the piece. The background is lively with a total of eight birds, each exhibiting a unique and diverse range of colors, thus contributing to a colorful and dynamic scene. Below the photograph, there is accompanying text reading: "Beyond tradition, into the future, for the world: Sodo Jijigi." This phrase suggests a thematic exploration of the intersection between traditional art forms and contemporary interpretations, hinting at a future where cultural heritage is celebrated and adapted for modern audiences. The term "Sodo Jijigi" directly relates to a specific cultural or artistic concept, potentially reflecting a commitment to preserving traditional techniques while innovating for a broader global context. | 1,933 |
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['Korean'] | ['1nDp8iwDrfWE'] | ["This photo appears to be a screenshot from a game. It seems that chat is also taking place within the game. There are some yellow and blue texts indicating a conversation between players. Within the game, there are wooden boxes, a castle gate, and characters present. It does not seem like there is any confrontation or fighting happening. At the top of the image, the HP of various characters is displayed. In the lower right corner of the image, there is a character with red hair holding something that looks like a wand, positioned quite prominently, which is likely the player's character. Overall, the dominant color in the image is a shade of brown."] | [False] | [nan] | This image appears to be a screenshot taken from a multiplayer online game, depicting an interactive chat that is concurrently taking place among the players within the gaming environment. The chat features dialogue represented in yellow and blue text, which indicates exchanges or conversations between the various players in real-time. The screenshot vividly showcases the game's environment, which includes various wooden boxes—likely elements of the game's landscape or resources that players can interact with, a castle gate, signifying a focal point or landmark within the game realm, and several characters that add to the lively atmosphere of the setting. Notably, the image conveys a sense of calm, as there are no indications of confrontation or combat occurring among characters in this particular moment. At the top of the screenshot, there is a display of the health points (HP) for various characters, a common feature in role-playing games that allows players to monitor their wellness and vitality in the game. This numerical representation of HP gives players critical information about their status and the status of their teammates or opponents. In the lower right corner of the image, there is a prominently featured character with striking red hair. This character is holding an object that closely resembles a wand, suggesting that they may possess magical abilities or engage in spell-casting, which is a typical mechanic in fantasy gaming genres. The positioning of this character in the foreground of the image implies their significance, possibly indicating they are the player’s customizable character or avatar. Overall, the screenshot is dominated by varying shades of brown, creating a warm and earthy tone that immerses players in the game’s aesthetic. This color choice likely contributes to the game's ambiance, enhancing the visual experience as players navigate through the virtual landscape. | 1,928 |
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['English', 'Chinese'] | ['1bLCXsTuszLr', '12l07NbUfgCy'] | ["We're looking at a baseball game here. It's the Mariners versus the Angels. The Angels are wearing red. The Mariners are wearing gray. There's a little bit of navy blue and cyan. In the main shot here, coming up to home plate, there's a batter, Bay, number 12. He's wearing a blue hat. He has a black bat. He's wearing a Mariners uniform. Behind him, just to the right of him, I guess in the picture, there is a catcher for the Angels wearing a black glove. He's wearing red and a white jersey. There's an A on his jersey. Then there's an umpire just to the right of him. In the background, you can see a guy's jersey says Seattle because they are the Mariners. He's in the on-deck circle. Then there are some fans wearing Angels jerseys. There's one, two, three, four, five, six, seven, eight fans. Two wearing blue shirts. Two wearing Angels shirts. One wearing gray. One wearing reddish. One wearing black. You can only see part of her. One wearing white. They're all watching the game.", 'This photo appears to show a baseball game at first glance. The main participants of this game are three people in the center of the image. On the far left is a person wearing a white baseball uniform with "Bei" written on it, which might be his name. Below that is a relatively large number 12, indicating his jersey number. He is dressed in a white short-sleeved top, white pants, and white shoes, holding a bat and wearing a black helmet, facing away from the camera. In the middle, there is a person squatting down, who appears to be a catcher. He is wearing a red cap and a white uniform, but with red protective gear. His glove is black. On the far right, there seems to be a person resembling an umpire; he is wearing a black hat and is dressed entirely in black, including a belt. He is in a squatting position, possibly making a gesture. The background of the image is filled with many spectators, both men and women, and there is also a ballboy who isn\'t playing. Overall, the photo has a realistic and athletic style.'] | [False, False] | [nan, nan] | We are observing an exciting baseball game featuring the Seattle Mariners going up against the Los Angeles Angels. The Angels, clad in their iconic red uniforms, stand in contrast to the Mariners who are dressed in gray, with accents of navy blue and cyan, adding a splash of color to their attire. In the forefront of the scene, we have a prominent player, number 12, named Bay, who is stepping up to home plate. He sports a blue cap and grips a sleek black bat, proudly displaying the Mariners' colors in his uniform. Positioned just to the right of Bay is the catcher for the Angels, who is wearing a white jersey adorned with red trim, including an "A" emblem on his chest, indicative of his team's branding. His protective gear is red, offering a cohesive look with his jersey, while his black glove stands out against the vibrant uniform. Next to the catcher, we can also see an umpire. He is dressed entirely in black, including a cover for his head, which lends him an authoritative presence in the game as he crouches down, either observing the play or preparing to make a call. In the background, there’s an exciting atmosphere with fans engaged in the action. One fan in the on-deck circle is clearly identifiable by his Seattle jersey, which proudly displays the team's name, reinforcing the Mariners' identity. Among the spectators, we see a diverse group of at least eight individuals, each showing their allegiance through various jerseys. They include two fans donned in blue attire, two others in Angels jerseys, and a mix of individuals wearing gray, reddish, black, and white clothing. One of them is partially obscured, adding to the bustling feel of the crowd. The energy is palpable as everyone focuses on the game unfolding before them, illustrating the vibrant community and passion that baseball fosters among its fans. | 1,256 |
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['English', 'Chinese', 'Chinese'] | ['1cmkRivNdJFK', '15jcHmtJMAxj', '1nJQKrGgrZS5'] | [" The image at first glance is of some sort of library. There's a staircase towards the front. It seems the image was taken from some sort of railing or on the stairs because there's a railing right in front of it and stairs kind of towards the left-hand side of it. There's a carpeted floor with a design pattern on it and stacks of books all along the floor. There's a table with a green tablecloth with books all stacked on top of it. And then there are black bookshelves in the back all along the background of the image filled with books of different colors. There's no text on the image. The railing of the stairs is brown with kind of darker brown rods holding it up. The carpet is a cream color with like a dark brown design pattern on it spread out evenly across. The books are various different colors. There's no people or text or anything like that in the image. There also seems to be a book with two books that look the same next to each other with dogs on the cover. And then slightly above that, there's a book with a blue cover with some sort of white image on it. And it's the same book next to each other twice.", "The image depicts what seems to be a library or a bookstore. At first glance, I see a lot of books. I noticed many books, along with stairs that have wooden handrails, and there are many books arranged on the shelves. I feel that this should be in a library or bookstore, but there aren't many people inside. The style seems quite old, suggesting that they have an older decor, making it look like a bookstore or library with some history. There are different types of books—some are on the tables, and others are on the shelves—immersing people in a sea of books. Since there are no textual descriptions inside, we can't infer exactly where this bookstore or library is located. As for the colors, there are many because each book has a different color.", 'In this picture, there is a bookstore, and in the distance, you can see the corner of a bookshelf filled with various kinds of books across five shelves, all packed with books. In the middle of this corner, there is a table covered with a deep green cloth, on top of which are stacked several piles of the same books. Up close, there’s a corner with a spiral staircase, and we can see a handrail for a staircase going down. In the distance, there is an entrance to another set of stairs leading further down, where a large pile of books with gray covers is also stacked at the entrance. The entire floor of this level features a light green color with gray-brown patterns and speckles.'] | [False, False, False] | [nan, nan, nan] | The image presents a captivating view of a library or bookstore that exudes a sense of charm and history. At first glance, one can observe a well-organized setting primarily dominated by stacks of books. Situated prominently is a staircase that appears to lead both upwards and downwards. The perspective from which the image was captured suggests that it could have been taken from a railing or while standing on the stairs, as there is a brown railing directly in front of the camera, supported by darker brown rods that provide stability. The floor is carpeted in a soothing cream color, embellished with a dark brown design pattern that is distributed evenly throughout, enhancing the tactile atmosphere of the space. The layout features numerous books—each varying in color and design—arranged meticulously along the floor, while shelves that span the background are densely packed with books. The black bookshelves create a striking contrast against the lighter tones of the carpet and the surrounding environment. Amid this literary chaos, one can identify a table draped with a deep green tablecloth, upon which several identical books are stacked. There are notable details such as two books beside each other that share a cover featuring dogs, emphasizing perhaps a thematic collection or interest. Above this, another book showcases a blue cover adorned with a white image, reinforcing the diversity of the book collection available. Despite the rich assortment of titles, the picture is devoid of people, lending an ethereal quietness to the scene. The overall ambiance radiates a sense of welcoming nostalgia, emphasizing an environment where literature is prioritized. The other angles in the image further reveal parts of the bookstore. A corner bookshelf can be glimpsed in the distance, housing a variety of books across five shelves, which are brimming with titles. The spiral staircase near the forefront contributes to the layered interior design of the space and also comes equipped with a handrail that guides the observer’s vision downward. There’s indication of another staircase leading further down, suggesting that the facility offers more than just what meets the eye in this particular view. The lower level showcases a light green flooring that features gray-brown patterns and speckles, tying together the color scheme of the entire vicinity. The meticulously detailed presentation of this bookstore or library not only invites exploration but also sparks curiosity about the multitude of stories contained within its walls. | 1,557 |
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['English', 'Chinese', 'Chinese'] | ['11nrDEkBKUWl', '1fwQbMCcyLAL', '17GuwiSkFKMo'] | ['The image at first glance looks like of a military zone. Down the center there is a line of tanks, more than 10, and at the very back a lot more tanks in rows. Down the two sides there are a lot of trees and plants and there is also lights, street lights down the side of the trees. There are also tall sticks. Tall poles with a 5 point star at the very top. Towards the very back there seems to be some form of dots or people that are very far away from the camera. The style looks like this. It looks to be a bit old as the top of the photo is slightly washed out. The image at first glance looks like a military zone. Down the center there is a line of tanks, more than 10, and at the very back there seems to be some form of dots or people that are very far away from the camera. The style looks like this. The image at first glance looks like this.', "This photo is a very typical image of Chinese history, featuring several tanks and a person in white clothing standing in front of one of the tanks. I can’t recall the specific event, but there are trees on both sides. Essentially, it shows a person blocking a tank, with trees around, and it looks like it's a cloudy day. The image is also quite blurry.", 'In the center of this image, there is a long road that runs diagonally from the lower left corner to the upper right corner. Many tanks are advancing along this road. On both sides of the road, there are some trees and streetlights. In the background of the image, there are some distant tanks and pedestrians. The overall tone of the image is very dark and greenish, giving it a very old appearance. A notable detail is that these tanks are lined up in a column, making it look like a scene from an older military parade. The style of the entire image is very solemn and imposing, evoking a sense of awe.'] | [False, True, False] | [nan, 'this is a famous historical event', nan] | The image presented can initially appear as a military zone. At the forefront of the scene, there is a striking line of tanks, numbering over ten, positioned along the center of the frame. In the background, more tanks are arranged in rows, adding to the militaristic atmosphere. On both sides of the road, there is a dense array of trees and various plants, creating a stark contrast to the heavy machinery. Street lights stand guard along the edges, illuminating the space, and tall poles adorned with five-pointed stars rise above the landscape, a symbol often associated with military and national pride. In the far distance, small figures or dots can be discerned, suggesting the presence of people, though they are too far away to be clearly identified. The overall aesthetic of the image seems aged, with the upper portion appearing slightly washed out, which could imply that this photograph captures a moment from a past era. In a more historical context, one might interpret this photograph as reminiscent of pivotal moments in Chinese history, particularly invoking imagery associated with significant political events. A key focal point of such an interpretation emphasizes the presence of a solitary figure in white clothing standing defiantly in front of one of the tanks, a powerful symbol of individual courage against overwhelming military might. The depicted scene is enriched by the presence of trees lining either side, and the atmosphere is characterized by a cloudy day, which adds an emotional weight to the moment being portrayed. The image, while compelling, conveys a sense of blur, which may reflect the confusion or turmoil surrounding the event it depicts. Moreover, the composition of this image showcases a long road that extends diagonally from the lower left corner towards the upper right, creating a dynamic perspective. Tanks are seen advancing along this path, contributing to the depiction of a military presence. The backdrop includes additional tanks and pedestrians, indicating movement and possibly a gathering of people witnessing the event. The color palette of the photograph leans towards darker greenish hues, which gives the entire image a somber, historic feel, reminiscent of archival military photographs. The alignment of the tanks in a column suggests a structured, organized display, reminiscent of a traditional military parade, further instilling a sense of solemnity and an imposing aura. The overall impression left by this photograph is one of awe, evoking deep reflections on the complexities of power, protest, and historical memory. | 1,377 |
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['Korean'] | ['1iWrcQTSBvpj'] | ['The following photo has a lot of text. Therefore, the background is white, and there is text present. If you read it, there is a title at the very top that says "Table-021 Comparison between Traditional Marketing and Cultural Marketing Source: The Rise of Cultural Marketing and Success Strategies Samsung Economic Research Institute CEO Information 02.10.30 No. 372." It discusses how cultural marketing can succeed, as researched by Samsung\'s institute. There is a chart divided into three sections on the left. The left section displays marketing strategies, the middle section contains traditional marketing, and the right section is about cultural marketing, with each strategy listed one by one. On the left, there are terms like Product, Price, Place, and Promotion, alongside relevant marketing strategies. It\'s all just text, displayed in a table format, and it seems to be created for some sort of presentation.'] | [False] | [nan] | The photo in question features a considerable amount of written content presented against a white background, making the text prominent and easy to read. At the very top of the image, there is a clear and bold title that reads, "Table-021 Comparison between Traditional Marketing and Cultural Marketing." This title indicates that the document or presentation is focused on contrasting two distinct marketing approaches. The source of this information is noted below the title as, "The Rise of Cultural Marketing and Success Strategies, Samsung Economic Research Institute, CEO Information 02.10.30 No. 372." This suggests that the content is derived from a research report or analytical piece published by Samsung Economic Research Institute, a reputable organization that provides insights into economic trends and business strategies. The centerpiece of this presentation is a chart that breaks down various marketing strategies into three distinct sections. The leftmost section is dedicated to listing different marketing strategies, while the middle section deals with traditional marketing methods, and the right section focuses on cultural marketing. Each marketing strategy is clearly listed in a systematic manner, which indicates that the material has been meticulously organized to facilitate comparison. In the leftmost section, there are common marketing terms such as Product, Price, Place, and Promotion. These fundamental elements, often referred to as the "4 Ps" of marketing, are critical components in formulating a marketing strategy. Each term is accompanied by relevant marketing strategies that are likely to be elaborated upon in the overall document. The entire content is formatted in a table layout, suggesting it is intended for a formal presentation, possibly aimed at marketing professionals, business executives, or students interested in understanding the differences between traditional and cultural marketing approaches. The structured format allows for quick reference and analysis, highlighting the contrast between the two marketing paradigms as researched by the Samsung Economic Research Institute. | 1,829 |
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['English', 'Chinese', 'Chinese', 'Chinese'] | ['1d7iipWlNt8f', '19QpqvpqYo9l', '18cFk8BuE9lu', '1bTqr6o2kmug'] | [" the picture is of a group of men and they are, there's one line that are sitting and there's one line that is standing. Uh, they're wearing, they're all wearing the same thing. They're wearing black shorts and then a long sleeve black shirt with a red vest on top. And you can see that there's a, one of them is holding a shield or two of them are holding a shield. One is bigger to the left. And then, uh, you see kind of dots surrounding the shield. And then you see a shield on the inside. You see that there's some sort of symbol on the inside, but you can't really make out what it is. And on the right there in between this man and the man to his right, there's a ball. And then there's another man holding a smaller shield that has a sort of heart figure in the middle. And so it looks like it's a sports team. The, one man's face who is unblurred, it has a mustache. He, um, and they're all barefoot. And then, and to the left of the big shield is some sort of chalice. So it looks like they must have won some sort of sports match. And so the men who are sitting are wearing black for the men who are standing or the men who are sitting are wearing black shorts and the men who are standing are wearing white pants.", 'There are 11 people in the image, and this is a group photo of them. All 11 appear to be male. In the back row, there are 6 people with their arms crossed over their chests, while in the front row, there are 5 individuals sitting on stools. The 5 people in the front hold up two plaques in front of them, one large and one small, resembling awards they have received. The facial features of 10 individuals are obscured, and only the person on the bottom left of the second row has a visible face. They are all wearing short-sleeved shirts in red and black on the upper body, and shorts on the lower body, making it unclear which sports team they belong to.', 'This photo is a group picture with two rows of people. The front row consists of seated individuals, while those in the back row are standing. Everyone is wearing the same outfit, which is a red and black polo shirt. From the image, we can see that there are ten men in total—five sitting in the front row and five standing behind them. All of them are barefoot. In the center of the front row, a man holds a large shield, and at his feet is a basketball with the number 1911 written on it, along with the letters "IMAC." It looks like they won some kind of competition and received a trophy, possibly celebrating a feast. Their attire mainly consists of shorts paired with the uniform red and black polo shirts. Interestingly, all the individuals in the photo are barefoot. The background is very blurred, and the photo appears to have been taken in 1911, making it difficult to see what the background actually is. Nonetheless, this is a group photo of ten men.', "This image shows a sports team with members dressed in matching dark uniforms, posing together for a group photo. At the center are two large shield-shaped medals and a trophy, indicating that they have achieved some success in a sports event. The background is quite simple, with no obvious modern elements, suggesting that this might be a historical photo from some time ago. The players' stances and expressions reflect their pride in the competition. Some individuals are barefoot, which may hint at local cultural practices or specific aspects of the competition environment—for example, some events do not require wearing shoes. The overall color tone leans towards reddish-brown, giving it a vintage style, possibly indicating it is a restored or re-photographed old picture. From these elements, it can be inferred that this might be a sports team with a certain historical background participating in a traditional, regional sporting event. The trophy and medals further support this assumption."] | [True, False, False, False] | [nan, 'No', nan, 'No'] | The first image depicts a group of men, arranged in two distinct lines, showcasing a blend of sitting and standing poses. Those in the front row are seated, while the back row consists of individuals standing upright. All members of this group are similarly attired, wearing black shorts and long-sleeved black shirts, each layered with a striking red vest on top. Among the group, at least two men are holding shields; one is significantly larger and positioned to the left. Surrounding the larger shield are small dots, further highlighting its prominence. Notably, there is another shield visible in the center that features a symbol which, while not clearly identifiable, adds an air of mystery to the image. Positioned between two men is a ball, which could be indicative of a sport they participate in. A smaller shield is held by another man, bearing a heart-shaped figure in its center, suggesting a possible emblem or insignia related to their team. The atmosphere hints at a celebratory occasion, potentially following a victorious sports match, as evidenced by the presence of a chalice to the left of the larger shield, another symbol of achievement. In the subsequent image, the focus shifts to a group photo of eleven males. This photograph has a noticeable mixture of poses, with six individuals positioned in the back, their arms crossed over their chests, conveying a sense of group solidarity or pride, while five men sit on stools in the front row. These seated individuals proudly present two plaques resembling awards—one larger and one smaller, indicating their recognition in a competitive scenario. Facial features for the majority—ten out of eleven men—are obscured, leaving the distinct facial details of the bottom left figure in the second row as the only visible visage. Their attire includes short-sleeved shirts with a color scheme of red and black on the upper body, and shorts, reinforcing a team-like uniformity, though the specific sports team they represent is not explicitly defined. In a third image conveying a group of ten men, we see they are arranged in two rows, with a clear distinction between seated individuals in the front and standing members behind. All participants sport identical red and black polo shirts accompanied by shorts, again establishing a cohesive appearance. This particular group stands barefoot, which could hint at local cultural practices or traditions associated with their sport or event. Central to this composition is a man holding a substantial shield, with a basketball at his feet, identified with the number "1911" inscribed on it along with the letters "IMAC." This detail implies they may have participated in a significant competition, potentially honoring a historical event or celebration, suggested further by their attire and the nature of the awards they display. The final image portrays a sports team of men dressed in coordinated dark uniforms, posing for a group photograph that radiates pride and achievement from their recent success in a sporting event. At the heart of this image, two large, shield-shaped medals accompany a trophy, suggesting their triumph in a competitive scenario. The simplicity of the background, absent of any modern features, leads to suspicions that this may be a historical photograph. The overall composition hints at a forgotten time, possibly evoking nostalgia or a sense of heritage. The mention of barefoot players could point to unique cultural customs or particularities of the sporting context they are involved in, as some traditional sports do not necessitate wearing shoes. The vintage reddish-brown color tone further reinforces the hypothesis that this photograph hails from an earlier era, offering a glimpse into the past, indicating their participation in a more traditional, regional sporting event. The trophies and medals amplify their accomplishments and underlying historical significance. | 26 |
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['Russian'] | ['1aonF3FbhEJM'] | ["At first glance, all these things for sports like balls, shooting, darts, and curling—there are so many items for curling, like one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, sixteen, sixteen, sixteen items depicted in the picture, but they are all arranged correctly, with the right distance and different distances for other details. But all of this is sports; there is tennis, hockey, but it's a net and balls like what you throw or kick, something like that. What's the background? The background is a green style, but it's like a picture and I can hear noise or something, but this is definitely not artistic design in my view."] | [False] | [nan] | At first glance, the image presents a variety of items associated with different sports, specifically including objects such as balls, shooting implements, darts, and gear related to curling. The curling items are particularly numerous; the speaker counts a total of sixteen distinct elements depicted in the picture. Each of these curling items is thoughtfully arranged with appropriate spacing, showing a meticulous attention to detail regarding their positioning and the distances between them. In addition to curling, there are representations of other sports visible in the composition, such as tennis and hockey. For tennis, items typically include rackets and tennis balls, while for hockey, one might expect to see a stick and a puck. The description includes a suggestion of netting, which is characteristic of both tennis and hockey, possibly indicating the presence of a net for tennis or a goal net for hockey. The background of the scene is described as being a green hue, which might evoke the color of a well-maintained sports field or court. However, the speaker provides a more nuanced observation that suggests the background resembles a picture rather than being an actual artistic design. Additionally, there is an auditory element noted, as the speaker claims to hear noise, although they specify that this does not contribute to an artistic perspective in their opinion. This indicates that the sounds are likely related to the sports being depicted, creating an immersive atmosphere, but they may detract from any artistic intent perceived in the visual presentation. | 1,977 |
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['English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1aHLKgXsvPPk', '15LvFH7oEeaM', '1aKmV4UX8Vyr', '1fsv4YnsytUS', '11bk2MCBDC7r'] | [" So here we see a painting on just a single painting. We see two characters opposing each other on these mythical animals. They're both raising a sword or some sort of stick. They're facing each other. They're very colorful. The dress themselves are very colorful. They're green, blue, yellow. These do seem to be some sort of mythical beasts. They don't seem to be normal animals. Additionally, it seems like they're also wearing these masks. They don't seem very human. Then we also see these Chinese characters next to it. It could be some sort of Chinese traditional. It could be some sort of Chinese painting. But the images themselves are very, very beautiful and very colorful.", " this uh this photo looks like they're like uh um it's like a white piece of paper and it's held down on the sides by these bowls it's weird or it kind of strange because i can't tell if this is like on a wall or a table or something but there are these like cups that are holding down the corners um on the left and what i'm assuming is also on the right um so on this paper are two separate drawings um that are predominantly drawn in like vibrant colors like purple green and yellow and it looks like uh two deities so the deity on the left is riding some sort of purple animal like a jaguar or like some type of uh lion or cat and they're dressed in like predominantly green robes and they're on this uh on this or on this animal and they're holding up a piece of paper and they're holding up a piece of paper and they're holding up a piece of sword or some sort of weapon on the right hand um and there also appears to be like a pair of scissors underneath the sword and there's also some chinese character uh some chinese characters as well to the left of the or to the right of this uh deity on the left that might be that deity's name or what exactly it is they represent uh similarly the deity on the right is um riding on some sort of like yellow horse creature type thing and they're holding up a piece of paper and they're holding up a piece of paper and he's um I can tell both the deities are kind of like male um and the one on the right he's um uh he's mirroring the sort of exact pose as the deity on the left and except that his uh yeah so his the only kind of key thing is like the animal he's writing is different and it's like yellow instead of purple um he also has like some characters that you can see like uh hovering near his sword slash weapon um but there's also a stamp to the right of the right hand of the deity and it's kind of like he's holding up a piece of paper and he's holding right deity um that also contains some like chinese lettering it's a red stamp uh it's a red stamp", 'This image features two paintings. One painting is a scene in which two figures appear to resemble mythical creatures. These two paintings depict a figure on the left side and another on the right side. The figure on the left resembles a monster with a chainsaw-like face, holding a long stick, and riding a blue dragon. The creature on the left is also holding a stick, facing the right, and is riding a yellow dragon.', 'This is a traditional Chinese door god New Year painting featuring two armored warriors holding weapons. The overall colors are rich and exhibit a strong folk style. Such door god paintings are commonly seen posted on doors during the Spring Festival, symbolizing a wish for peace or competition. The warrior on the left has a face adorned with black-and-white patterns, looking formidable, while the right warrior has a long beard and a solemn expression. They each hold a long whip or stick; the right warrior is mounted on a yellow war horse, while the left warrior rides on a purple qilin. Calligraphy is incorporated, and there are several red Chinese character seals on the right side, including "Laodian," "Tiancheng," and "Zhuxian Town," indicating the craftsman\'s signature or workshop mark. The right warrior stands, while the left warrior rides the qilin, and the right warrior is on horseback, creating a symmetrical composition as the two face each other. The background is made of white xuan paper, which enhances the colors and lines of the figures.', 'This is a painting of the door gods, and the two figures depicted are typically used to be hung on either side of a door or at the top, serving to protect the home\'s safety. The two characters are each riding their mounts; on the left is a blue tiger, and on the right is a sheep with a yellow base and green patterns. Above them are representations of generals from Beijing opera, holding swords in their hands and with banners inserted behind them, along with facial makeup. There are also words written that say "Old shop, sky born" and the trademark "Zhu Yanzheng," which is mainly to distinguish the merchant of this work. It seems like this has just been finished, as it appears to be resting on a table with two small teacups pressing down on the corners of the painting. In the background, only the table can be seen, and the overall color scheme is very bright and colorful. The style is a blend of line-based flat painting combined with elements of children\'s art and modern aesthetics.'] | [True, True, False, False, True] | ['Traditional Chinese art/painting', 'I see Chinese characters and two Asian deities facing each other', nan, nan, 'Peking opera style drawing for culture blessing'] | So here we see a detailed description of a painting depicting two characters who are in opposition, each mounted on mythical animals. These figures are illustrated striking dramatic poses, both raising swords or some kind of sticks as they face each other. Their outfits are vibrant and colorful, showcasing a palette of greens, blues, and yellows. The animals they ride do not resemble typical creatures, suggesting they are indeed mythical rather than real. Furthermore, both figures are adorned with masks that lend them an otherworldly appearance, making them seem less human. Accompanying the visual elements are Chinese characters, which may indicate that this artwork is rooted in traditional Chinese culture, possibly a kind of Chinese painting. The entire composition is striking due to its richness in color and beauty. In another photo, a peculiar arrangement of paper secured at its corners by bowls can be seen; the nature of the surface holding the paper is ambiguous, as it could either be a wall or a table. This white piece of paper features two distinct drawings that are prominently filled with vibrant colors such as purple, green, and yellow. The artwork portrays two deities, with the figure on the left depicted riding a purple animal that resembles either a jaguar or a lion-like creature. Clad in green robes, this left deity is depicted while holding up a piece of paper and a sword or weapon in their right hand. Notably, underneath the sword, there lies what appears to be a pair of scissors, and to the right of this character, various Chinese characters could represent the deity's name or its symbolic meaning. On the right side of the artwork, the second deity is illustrated on a yellow horse-like creature, mirroring the pose of the left deity. This figure is also pictured holding up a piece of paper along with a weapon. Like the other, this deity displays characteristics that suggest a male figure, with distinct Chinese characters appearing near the weapon. Additionally, a red stamp can be seen near this right deity's right hand, which may also contain some Chinese lettering. This image features two paintings, where one of the paintings presents two figures resembling mythical creatures. The left side exhibits a monster-like figure with a chainsaw-shaped face, holding a long stick and riding a blue dragon. In contrast, the figure on the right mirrors its counterpart, but it rides a yellow dragon instead. Another piece described is a traditional Chinese door god painting, specifically associated with the New Year festivities. This particular artwork showcases two armored warriors wielding weapons, their colors rich and embodying a vibrant folk style typical of door god paintings. These artworks are traditionally displayed on doors during the Spring Festival, symbolizing a desire for peace and sometimes competition. The left warrior presents a fierce visage characterized by black-and-white facial patterns, while the right warrior has a long beard and a serious demeanor. Each warrior holds a lengthy whip or stick: the right warrior is situated on a yellow war horse, and the left rides a purple qilin. Calligraphic elements enhance the composition, accompanied by several red Chinese character seals — including "Laodian," "Tiancheng," and "Zhuxian Town" — denoting the craftsman’s signature or the workshop’s mark. With one figure standing and the other on horseback, a harmonious and symmetrical composition is achieved as they confront each other. The background is rendered with white xuan paper, which serves to amplify the vibrancy of the colors and the clarity of lines depicted in the figures. Lastly, there is a painting continuing the theme of door gods, where the two figures are traditionally meant to be positioned on either side of a door or above it, serving as guardians to ensure the safety of the home. On the left, a blue tiger is mounted by a character, while the right shows a sheep adorned with yellow tones and green patterns. Above each figure are representations of generals from Beijing opera, depicted holding swords and flanked by banners that display intricate facial makeup. The artwork contains inscribed phrases that read "Old shop, sky born," alongside a trademark "Zhu Yanzheng," distinguishing this particular piece and its merchant. The painting seems freshly completed, resting on a table where two small teacups weigh down its corners. In the background, the only visible element is the table itself, while the overall composition is bright and colorful. The artistic style represents a blend of line-oriented flat painting intermingled with aspects of children's art and modern aesthetics, showcasing a unique visual experience. | 241 |
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['Tamil', 'Chinese', 'Chinese', 'Chinese'] | ['19j3s9f2Ct2Z', '1nzhPyf8l154', '1b3OQi3oukgZ', '1aX37oPkb3BL'] | ["It looks like an Indian street. There's a Suzuki car that is partially visible, and behind it, there’s a bullock cart moving along well. A bull is inside that cart, nicely painted in bright red colors. Then, there’s a person riding a bicycle, and several shops are around. One of the shops has a sign that says 'MM' written in Hindi, but I can’t read Hindi. There's only a picture with the name. Behind that, I think there’s a blue Maruti car that looks like it's moving towards an electrical post. After that, there's some advice on a board, but I can’t tell what’s in the bullock cart. The bull is nicely decorated with a horn, and its mouth is tied. It seems like when the bull is writing, it’s on something that looks like a hundred, but I can’t see inside the cart as it's covered. There are also some white items packed inside.", 'This resembles a street in a village of some country where the ground is not paved with cement but more like a dirt road. In the center of the scene is an ox pulling a single-wheeled cart that looks quite old. The cart has a canopy made of cloth, creating a contrast with the unusual sight of both the ox cart and cars running on the same road. We can see a white small car next to it and behind it, a blue small car as well. Next to the ox cart is a person, and facing them is another person pushing a bicycle. From a sign in the background, we can see a purple sign of a convenience store. The buildings around are not tall but rather low houses, all with brick and tile structures, and the roofs are slanted with tiles. This gives a very rural style to the scenery.', 'This picture shows a street scene, with cars and bicycles parked on the side of the street. In the middle of the photo is a donkey that is loading, pulling, and transporting goods. This picture illustrates a street scene, with cars and bicycles parked alongside, pulling and transporting goods. This picture depicts a street scene, with cars and bicycles parked on the side of the street, pulling and transporting goods.', 'This image shows a street where there is an ox pulling a small truck. Inside the truck, there seems to be some white strap-like materials, possibly resembling cement or something similar. To the left of the ox cart is a white Mitsubishi sedan. Behind the ox cart, there is a small green car. To the right of the ox cart, there is a person in white clothing pushing a bicycle. Next to this person is a shop, which has the name "Am\'s Corner." The text on the left resembles Indian script, looking very much like it is from India.'] | [True, False, False, True] | ['cattle used to transport vehicles, cycle, suzuki, hindi letters', nan, nan, nan] | It looks like an Indian street scene. In the foreground, a Suzuki car is partially visible while a bullock cart, which is moving steadily, is positioned behind it. The bullock cart contains a bull that is beautifully painted in bright red colors, which is a common practice in some regions of India, as decoration on working animals is a form of cultural expression. A person is riding a bicycle along this lively street, and there are several shops lining the sides. One of the shops displays a sign that says 'MM' written in Hindi—although the exact translation is unclear, Hindi is one of the official languages of India, and many establishments prominently feature it to cater to local customers. In the background, there is a blue Maruti car, which seems to be moving towards an electrical post, highlighting the blend of traditional and modern modes of transportation typical in many Indian cities. Additionally, a board with some form of advice or information can be seen, although the content of the bullock cart remains unclear due to its covered appearance. The bull itself is adorned with a decorative horn, adding to its significance in the context, and its mouth is tied, likely for handling during transport. There appears to be an item inside the cart that looks like a hundred, though specifics remain hidden due to the covering, and some white items tightly packed can also be observed. The scene gives the impression of a rural street in a village setting, characterized by a dirt road rather than a paved one. Central to this image is an ox pulling a single-wheeled cart that looks quite aged, which further emphasizes the mixture of traditional and modern elements in the area. The cart has a fabric canopy, presenting a stark contrast to the more contemporary sight of ox carts sharing the road with vehicles. Next to the ox cart, there’s a small white car, and further behind it is a blue small car as well. Additionally, a person stands next to the ox cart, and facing them is another individual pushing a bicycle, which portrays the busy life in this locale. A purple sign indicating a convenience store is visible in the background, signaling the presence of local commerce. The buildings surrounding the scene are low, constructed from brick and tile, with slanted roofs characteristic of the rural style. This gives the entire setting a distinctly rural atmosphere enriched with vibrant cultural elements. Another angle of the street scene shows various parked cars and bicycles along the roadside. Among them, a donkey is depicted working hard, known for transporting goods in such environments. The street buzzes with activity, demonstrating the coexistence of animals, bicycles, and motor vehicles, reflecting the lively and industrious nature of daily life. In another image of the scene, an ox is seen pulling a small truck that appears to hold white strap-like materials, likely resembling cement, which is commonly used in construction. To the left of the ox cart, a white Mitsubishi sedan is parked, while a small green car is seen behind it, showcasing the array of vehicles common in such areas. On the right side of the ox cart, a person dressed in white clothing is pushing a bicycle, engaged in the day-to-day routines of local life. Nearby, a shop bears the name "Am's Corner," which reflects a typical naming style for small convenience stores or eateries in India. The Indian script observed here reinforces the cultural context, highlighting the region’s linguistic diversity and local commerce. | 800 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['12ajCM3eRZKh', '1lBDj6385y0E', '1RO8CaxTjzjF', '14RLTtul1eFJ', '18GddVpzlgNX', '180xRdvIUvnd'] | [" From the picture I can see a bird with the white weather turning to the black gradually from the tail of the bird to the head. The feet of the bird is totally red and his face is also red with black mouth but at the tip of the mouth is red as well. From the picture I can also see there's a drop of the water at the tip of its mouth which represents this bird is searching something inside the water. And just to get out from the water. So the water is still the drop still at the tip of its mouth. The background of this bird is it's on the on the river or on the shallow water because I can also see a inverted uh reflection at the surface of the river or water. And the river is also has some wavy on the surface of the water which represents a windy weather when the photographer took this picture. And also I can infer that from the bird is very peace. Uh the one who took this picture is mainly far away from this bird. Use the long length camera to took this picture.", " So this image I think is supposed to be a heron or some sort of waterfall slash bird in a river. The river itself is green and the bird is sort of up to its ankles it seems in the water. It has red feet, white feathers, but the feathers sort of like turn into this grayish part as it nears its upper torso and neck. This bird has a red face and a black beak. The beak at the very tip has orange and you can see kind of like a droplet of water kind of dripping off that beak. You can also see the reflection of the bird in the water that it's standing on. And. And it's facing right. It's facing the right of the image. And I think it believes to be or it appears to be hunting because its eyes, which are yellowish with black irises, is slightly looking into the water, which I believe is where it's trying to look for fish.", " This photo, it is centered on a bird. This bird is a wading bird that has red legs and looks sort of like a stork. The body is white, but has a sort of gradient towards gray towards its head. And there is a bit of red around the eye towards the beak. And the beak is mostly black with a bit of red at the very tip. And the shape of the beak indicates that this bird probably pecks through the water to get its food. The rest of the photo in the background is blurred, but it just looks like more water. And the reflection of the water is a little bit more red. And the water shows some green. So we're probably in a, um, there's probably some trees around this stork. You see in the left hand side, there's some text that I cannot read because it's too small. But I see a symbol there that looks like the copyright symbol. So it looks like this is a nature photographer's photo.", "This image features a waterbird standing in the middle of a body of water. The waterbird occupies a significant portion of the picture and is white, standing on a green lake surface that displays some ripples. The bird is entirely white, but it has gray on its back, neck, and face. The waterbird's face is red with black accents, and there is also red visible on its shoulders. The bird's legs are red, creating a striking contrast with the green lake surface. The reflection of the waterbird is also visible on the surface of the water. The overall structure of the image is very simple and may indicate a relatively ideal ecological environment in the water area.", 'The main subject of this image is a waterbird. The bird is white, and its face is red. Its name is the Zhu Huan, which is a protected animal in China and a very famous one. It is considered a living fossil. Its feathers are mainly white, with a black and curved beak, and the face and beak muscles are red. The wings and tail are pink. Of course, we cannot see its feet here; they are short and red. It is hailed as the Eastern Jewel, and its weight is likely around 1500 grams. It stands in a pool of water, which is emerald green. To the left, you can see a credit subtitle, possibly the name of the cameraman. The Zhu Huan’s beak has a drop of water hanging from the tip because it is a waterbird that seeks fish to eat in the water. The neck of this Zhu Huan has a slight amount of black.', "This is a picture of a water bird. In the center of the frame, there is a seabird that is hunting on the water's surface. It is entirely white, with a bit of red on its head, and it has a very sharp beak. Its feet are red as well. From the reflection on the water's surface, it is clear that it has just engaged in a hunt, but it is still searching for food. The water appears quite green, and this photo was taken during the daytime, with very bright lighting. You can see that the feathers on the bird's head are slightly black, while the feathers on its tail are especially white, creating a visually appealing combination of red, black, and white. Its sharp beak can be used for hunting as well as for defense or attack. This photo is a very clear depiction of a bird, and we can't find any cultural influences."] | [False, False, False, False, True, False] | [nan, nan, nan, nan, 'China protected animal', nan] | From the image, a bird can be observed, characterized by a distinct white plumage that gradually transitions to black, starting from its tail and moving towards its head. The feet of this bird are vibrantly red, which contrasts with its similarly colored red face. Interestingly, the bird possesses a black beak, but the tip of the beak is red, suggesting possible feeding activity. A drop of water clings to the tip of its beak, indicating that the bird is engaged in searching for food in the water. The bird appears to be exiting the water, with the droplet still at the beak's tip. This scene is set against a backdrop of a river or shallow water, as evidenced by an inverted reflection on the water's surface. Additionally, the surface of the water exhibits waves, implying that the photograph was taken during windy weather. The bird itself seems calm and undisturbed, likely photographed from a distance using a long lens, allowing for an unobtrusive capture of its natural behavior. In another interpretation of the image, the bird is presumed to be a heron or a similar type of waterbird, standing in a river that displays a green tint. This particular bird appears to be standing in water that reaches up to its ankles. Its feet are red, and while its feathers are predominantly white, they transition to a grayish color as they approach the upper torso and neck. The bird's face is red, complemented by a black beak, which has an orange tip. A droplet of water can be seen cascading off the beak. A reflection of the bird is notably visible in the water below, emphasizing its status as a sentinel, possibly hunting for fish. Its yellowish eyes, adorned with black irises, are partially focused on the water surface, indicating a poised intent to catch prey. The photo focuses on a wading bird, resembling a stork, characterized by its red legs and white body, which shifts to a gray gradient near the head. There is a hint of red around the eye that leads to the black beak, which too has a touch of red at the very tip. The shape of the beak suggests the bird's feeding technique involves pecking into the water in search of sustenance. The blurred background of the photo seems to consist of more water, with a hint of red reflected in the water, possibly indicating the presence of aquatic vegetation nearby. Trees may be surrounding this area, contributing to the natural environment. A note in the left-hand side of the image that is unreadable due to its small size appears to have a symbol resembling a copyright symbol, suggesting that this photograph is part of a nature photographer's portfolio. In yet another depiction, this image features a waterbird centrally positioned in a body of water, which also displays green hues and some ripples on the surface. The waterbird is primarily white, yet it exhibits gray shades on its back, neck, and face. Its face is strikingly red with black accents, while the shoulders also reveal red coloration. The bird’s legs are red too, creating a vivid contrast against the green lake surface. Its reflection can again be seen mirrored on the water's surface, emphasizing the clarity of the ecological setting. The simplicity of the image composition highlights an ideal, balanced ecological environment in the water area. Focusing now on a specific species, this image centers around a waterbird known as the Zhu Huan, renowned in China and classified as a protected species. This bird is celebrated both as a cultural symbol and as a "living fossil." Its plumage is chiefly white, complemented by a distinctive black curved beak and muscular red features on its face. The wings and tail exhibit pink hues, although the feet, which are short and red, remain out of view in this particular shot. The Zhu Huan is often referred to as the "Eastern Jewel." Its approximate weight is around 1500 grams, and it can be seen standing in a pool of emerald green water. A credit subtitle in the left section of the image may indicate the name of the photographer who captured this shot. The beak of the Zhu Huan has a droplet of water suspended from its tip, reflecting its behavior as a waterbird that actively hunts for fish. A subtle black shading is noticeable along the neck, adding to its striking appearance. Lastly, there is a clear picture of a waterbird centrally occupying the frame. This seabird is shown hunting on the surface of the water, and it is entirely white with a slight hint of red on its head, along with a sharp beak and red feet. The reflection on the water's surface makes it apparent that the bird has just recently engaged in hunting behavior yet continues its search for food. The water appears to have a green hue, and the photograph captures bright daylight conditions. The feathers at the bird's head display a slight black sheen, while the tail feathers are particularly white, creating an attractive contrast of red, black, and white. The sharp beak is designed for hunting, as well as serving as a defensive mechanism. The clarity of this photograph presents an impressive view of the bird, devoid of any discernible cultural nuances or influences. | 86 |
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['English', 'Chinese'] | ['1ikTYdy8X3Jt', '14qeCVDNSDxc'] | [" This is an image of a man. It's a little unclear if the image is an actual photograph or if it is a painting. The man is looking over to the side and he is sitting down. He has his hands clasped in his lap and he is wearing a green cloak of some sort. There is also some sort of tapestry in the background and the man himself has very long white hair as well as very long white beard and mustache. There is a slight curl to his hair. It's a little bit wavy, but otherwise it is mostly straight. His brows are furrowed. He is looking over to the side and you can see his face at a bit of an angle. It is unclear if he was posing for this portrait or if he's looking at something over in the distance. Yeah.", 'This is a portrait photo of a person who is seated. It is evident that this person is quite old, as he has white hair and a long white beard. He is wearing a religious-style robe and is sitting very naturally, gazing deeply into the distance. His background is black, and he may be someone who lived in the 18th or 19th century.'] | [False, False] | [nan, nan] | The description features a portrait of an elderly man, whose identity remains somewhat ambiguous, hinting at either a photographic image or a painted piece of art. The man is depicted in a seated position, looking off to the side, with his hands calmly clasped in his lap. His attire consists of a green cloak, which suggests a possibly historical or religious significance, enhancing the solemnity of the portrait. In the backdrop, there is a tapestry, adding a layer of texture to the image, although the specific details about this tapestry are not described. The man’s physical characteristics are prominent; he has remarkably long white hair that shows a slight curl, coupled with a long white beard and mustache that frame his wise and weathered face. His hair is predominantly straight but exhibits a gentle wave, contributing to his dignified appearance. The man's brow is furrowed, conveying an air of contemplation or concern, as he gazes into the distance at an angle, leading to speculation about whether he was posed for this portrait or simply captivated by something in his surroundings. The second description reinforces the impression of the man's advanced age, describing him as deeply contemplative, likely reflecting on profound thoughts or memories. The dark background enhances the ethereal quality of the portrait, while invoking the notion that he may hail from the 18th or 19th century, implicitly suggesting his historical context and the gravity of his experiences. | 31 |
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['English', 'Chinese'] | ['1cbxWK1fGxUP', '13BEY3oJVSDI'] | [' This is a picture of a living room and kitchen. The kitchen occupies the back part of the image where all the cabinets are a wood color. There is a granite top in the center of the kitchen with a decorative piece on the top of it. There is a rectangular wooden breakfast table in the foreground of the picture. There are three chairs at the dining table with a decorative piece at the center of the table. On the right side, there is an extension of the kitchen with an extra cabinet space. There are also lights hanging from the top of the ceiling. There are two lights that hang right above the granite top. There is also one light that hangs right above the wooden table. The light is on the top of the kitchen. The light has polka dots on top of it. There is a window on the left side of the dining room table that opens up to a lot of greenery. The style of the picture is everyday as it depicts an everyday style.', "This is someone else's home, and the decor is all wooden. This photo was taken in their kitchen, which is very clean. The kitchen has a table with three chairs, all made of brown wood. There are two lights in the kitchen, and one is above the dining table. The kitchen also has a toaster machine and a coffee maker."] | [False, False] | [nan, nan] | This image presents a harmonious blend of a living room and kitchen space, showcasing thoughtful decor and functional design. The kitchen occupies the rear portion of the visual frame, characterized by its wooden cabinetry that adds warmth to the overall ambiance. Central to the kitchen is a striking granite countertop adorned with a decorative centerpiece, which enhances the aesthetic appeal of the area. In the foreground, there is a rectangular wooden breakfast table, providing a cozy dining space. The table is accompanied by three matching wooden chairs, which complement the rustic charm of the decor. Atop the table, an additional decorative piece draws attention, further enhancing the dining experience. To the right of the kitchen, there is an extension that offers extra cabinet space, contributing to the kitchen's functionality and storage solutions. The lighting in the room plays a significant role in its atmosphere; two ceiling lights hang directly above the granite countertop, providing ample illumination for culinary activities, while a third light illuminates the wooden dining table. Notably, one of these lights is adorned with a polka dot design, adding a playful touch to the kitchen's decor. On the left side of the dining area, a window panel frames a picturesque view of lush greenery outside, allowing natural light to filter in and creating an inviting connection between the indoor space and the outdoors. The overall style of the image reflects an 'everyday' aesthetic, designed for comfort and practicality. The photograph also captures a glimpse into another home, where the decor continues the wooden theme throughout its kitchen. The kitchen is impeccably clean, emphasizing a streamlined and organized environment. Featuring a similar table and chairs made from rich brown wood, this space radiates coziness and warmth. In addition to the dining setup, essential appliances such as a toaster machine and a coffee maker are visible, signifying the routine functionalities of a household kitchen. This aesthetic embodies the essence of a home where simplicity meets elegance, creating inviting spaces for daily living. | 927 |
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['English'] | ['1m4Twz67fjld'] | [" I see some cartoon character. It's some female with bangs. She has, she's holding, or she's dressed in some kind of formal attire. It looks like she's wearing some white blouse with some black overall, but the entire image is black and white, so it could be different color. She has like some cufflinks around her hand, and she's holding with her hands this book that says Dungeon Oratoria. The character is facing left, and only half of her is in the screen, so you can't really see anything past her back or past her neck. Behind her are some bookshelves, and they're all neatly stacked together. The book she's holding is in the center of the frame, and she's cut off at like the butt midriff section, so you can't see beyond that. Her teeth are showing in her smile, and she's kind of looking a little bit beyond the camera."] | [True] | [nan] | The image features a cartoon character that is distinctly female and has bangs framing her face. She is dressed in formal attire, which consists of a white blouse paired with a black overall. However, the overall composition of the image is presented in black and white, which leaves ambiguity regarding the actual colors of her outfit. The character has cufflinks adorning her wrists, adding a touch of sophistication to her look. In her hands, she is holding a book titled "Dungeon Oratoria," which is prominently positioned at the center of the frame. The composition captures only the left half of her body, cutting off just below her midriff, so details beyond her back or neck are not visible. Behind her, there are neatly arranged bookshelves, suggesting a well-organized library or study environment that adds context and depth to the scene. The character is smiling, revealing her teeth, and her gaze appears to be directed slightly beyond the camera, which creates an engaging sense of interaction with the viewer. The lighting and shadows in the black-and-white format lend a certain dramatic quality to the overall image, emphasizing the character's expression and posture. | 1,348 |
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['English'] | ['16svfRZ4RpqG'] | ['The image at first glance shows a lot of people standing in line. There are at least 30-50 people total in this photo and possibly more out of frame. In the front there is a woman who is showing directions to another man and there are also poles that are dividing the people to organize them that are metal and connected by yellow tape and red elastics. They are standing on some grey stone ground and the background shows some sort of building but it is mostly obstructed out of view. The overall style of this photo seems to be of people gathering for an event or some accident that has happened.'] | [False] | [nan] | The image captures a noteworthy scene filled with a considerable number of individuals, estimated to be between 30 to 50 people visibly standing in a line, with a strong possibility that more individuals are positioned out of the frame. In the foreground, a woman is actively engaged in guiding another man, indicating that she may be providing directions or information. The organization of the crowd appears to be facilitated by the presence of metal poles, which are strategically placed to help divide the line, ensuring orderly assembly. These poles are connected with bright yellow tape and red elastics, which not only serve a functional purpose but also add a distinct visual element to the scene. The individuals are positioned on a surface comprised of grey stone, which could suggest either an outdoor setting or a specific venue. In the background, a building is partially visible, though it is largely obscured from view, making it challenging to determine its purpose or significance. The overall atmosphere of the photograph suggests that the gathering could be related to an event of considerable interest or importance, such as a public gathering, community event, or even a response to some form of incident. The dynamics captured in the image convey a sense of organization amidst what might be a more chaotic or spontaneous situation involving a large group of people. | 1,351 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1ijQzQEtLLRA', '1i06DqRVV3Hj', '1ky9dXHl2b71', '13jvxhmwCvIZ', '1nBSWwZAvZDY', '197C7KPZ3shJ'] | [" So here we have what looks to be a funeral altar. In the middle there's a smiling man who has no hair and to the side of his image, to the side of his portrait there's various flowers all yellow colored and right in front of those flowers are various green bushes, shrubs just to help make the altar look that much better. In terms of cultural influences you can see Chinese characters on the left of the image but there's English letters and words on the right side. Right above the picture of the I'm assuming the deceased individual is a gold Buddha statue and the backgrounds behind the Buddha statue is light blue but it's hard to make out what it is. The image is a little bit blurry it looks to be a screen of some sorts but it's hard to tell. So", " The image is of what might be a funeral or honoring of a perhaps deceased man who appears to be East Asian, an elderly man. There is a portrait of him in the center of the image with lighting around it and flowers. And there's also text, some East Asian text on the left and on the right is some English, which says gratitude to our founding forefather. But part of it is cut off on the right, so that's just my guess. And there's also a statue in the background of what appears to be a golden Buddha or other mythical figure. There's also some green plants as well in the background and some glass, blue glass, it appears in the background.", " You have an image here commemorating someone. On the left-hand side, there are some characters that look like they might be Chinese. And on the right-hand side, there are some English characters that say gratitude to O, maybe R, founding forefather. So maybe forefather. And there's an image of an elderly man wearing black clothing who might be Asian. And this image is behind a row of yellow flowers and some green shrubbery. And behind the image, there is a gold Buddha and some green shrubbery behind. And the shrubs are four distinct shrubs. And in the very background, there's some turquoise. And red. And it's not really clear what exactly that might be. They could be seeds. They could be just the way that the wall is colored.", 'The image appears to be from a memorial service for a hero, as it is inscribed with simplified Chinese characters that say "Gratitude for the Founding of the Nation and Training from Afar." There is a photograph of him, and in the background, there is a statue of Buddha, along with some white flowers and green leaves. Notably, this special information also includes English translation beside the Chinese, suggesting it may be an international venue that requires both Chinese and English.', "This image features a horizontal composition with an elderly man's likeness in the center. Above it, there is an inscription on a stele expressing gratitude and appreciation for a founding figure of the nation. On the left side, the text is in Chinese, while the right side features English. Based on this image, it can be inferred that this is a monument dedicated to a prominent figure in China's founding, established in memory of him after his passing. In addition to the image and text on the stele, there are many yellow flowers placed at the base, which symbolize memorials. Beneath the yellow flowers, there are some green plants, creating a solemn, sacred, and beautiful atmosphere. Furthermore, above the stele, there are not only green plants but also a statue of a Buddha, which seems to convey blessings and protection. Overall, this image represents a place created to commemorate a founding figure of China and to express blessings in memory of him.", 'This is a photo of a large exhibition board. On the left side, it says "Gratitude to the Founding Father," and in the center, there is a photo of an elderly man. On the right side, there are some words that say "gratitude to" something related to "founding" something else. The photo of the elderly man is surrounded by some yellow bouquets, and above it, there is a fairly large Buddha amulet. On this white board, there are indications of some trees in the background, as well as possibly some buildings. In front of the white board, there are some artificial flowers that appear black but are actually green. The elderly man in the photo is wearing a black jacket and is smiling; he is likely the founding father.'] | [True, False, True, True, True, True] | ['Chinese characters are on the left side of the image', 'Yes, because of the Asian text and statue.', 'There is asian (Chinese?) text to the left hand side', 'It has Chinese character', nan, 'This is to memorize a person'] | The image presents a solemn and respectful funeral altar dedicated to an elderly man, who is likely perceived as a respected founding figure or hero. In the center of this composition is a portrait of the man, notable for his smiling expression and lack of hair, which suggests warmth and kindness. He is dressed in a black jacket, which is often associated with formal occasions in many cultures. Surrounding his portrait are vibrant, yellow flowers that add a touch of brightness and symbolize remembrance and honor in funerary practices. Positioned in front of these flowers are various green shrubs and foliage, contributing to a meaningful and aesthetically pleasing altar setup. Culturally, the altar incorporates significant symbols from both Chinese and English-speaking traditions. On the left side of the image, there are characters in Chinese, presumably expressing gratitude or honoring the individual's contributions, while the right side contains English text that likely reads "gratitude to our founding forefather," although some part of it is cut off. This dual-language presentation indicates that the memorial is intended for a diverse audience, accommodating both Chinese and English speakers, which can be typical in international or multicultural settings. Above the portrait, a striking gold Buddha statue is prominently displayed against a light blue background, which is slightly blurred but could perhaps represent tranquility or peace. The presence of the Buddha suggests a symbolic gesture of blessings and spiritual protection for the deceased, as Buddha statues are often used in various East Asian cultures to convey hopes of spiritual wellbeing for the departed. In the background, there are hints of additional colors and shapes, including turquoise and red elements that are not entirely clear, leaving room for interpretation. They could potentially signify decorative details or elements associated with the memorial environment, such as floral arrangements or colored fabric. This altar not only commemorates the individual but also reflects broader cultural values, such as respect for elders, the importance of heritage, and a blend of spiritual beliefs demonstrated through the incorporation of both floral tributes and religious iconography. Overall, the image creates a sacred and beautiful atmosphere meant to honor the memory and legacy of a significant figure, while inviting reflection and gratitude from all those who gather in remembrance. | 309 |
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['Tamil', 'Chinese'] | ['19cBaOWOEsSf', '1ljAcCgjGXnj'] | ["It is like a small baby talking about the college life related to a bookstore or a book named 'Nukstar.' A little baby is discussing it with the students about college, which is similar to a boy going to college. He was observing and then spoke to that individual, discussing about life and experiences related to kids in that area.", "Looking at this content that resembles a shelf, it seems like it was intended to capture three levels, but the topmost level is not visible, so we can't see what products are there. The price on the bottom shelf is missing, and in the middle shelf, we can see a product that looks like baby supplies because there is a little child on top. The child has a brown hairstyle similar to a watermelon character and black eyes. He is gesturing with his fingers, one hand showing two and the other showing five. This item is priced at fifty currency, or possibly thirty; it’s hard to tell the local currency clearly. Below this shelf, there are two bags of plastic packaging in red and yellow, resembling something temporary."] | [False, False] | ['No', nan] | A small child, perhaps a toddler, is animatedly discussing college life in relation to a book or bookstore named 'Nukstar.' The child seems to observe college students and engages with them, sharing thoughts and experiences that are reflective of life in the college environment, likely drawing parallels to the experiences of young children. This illustrates a charming juxtaposition of innocence and the academic setting, as the child attempts to connect with the older students about their journeys and the essence of growing up. The discussion shifts focus to a visual display that appears to be a shelf, which is structured in three levels. However, the topmost level of the shelf is obscured, making it unclear what items are located there. On the bottom shelf, the price tag is missing, leaving uncertainty about the cost of the products featured. The middle shelf showcases an item that seems to cater to baby supplies, and prominently displayed is a small child, characterized by a unique hairstyle that is brown and reminiscent of a watermelon character, complete with large black eyes. This child is engagingly gesturing with their hands; one hand displays two fingers while the other shows five, which may be a playful gesture or part of a discussion about numbers. The pricing of this item is somewhat ambiguous; it is either fifty units of currency or possibly thirty, as the specific local currency is not distinctly visible. Below this particular shelf, there are two bags made of plastic, appearing in bright red and yellow colors, which give off the impression of being temporary packaging, potentially hinting at a limited-time offer or a promotional event. The use of vibrant colors in the packaging may also be aimed at capturing the attention of parents shopping for baby-related items. | 767 |
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['Korean'] | ['1d2kiqlqbTgJ'] | ['The images appear to be six different posters. These posters cover movie viewings, sports viewings, performances, exhibitions, cultural heritage viewings, and other cultural spaces. The first movie viewings poster provides information about discounts at cinemas, and the sports viewing poster offers guidance on discounts for professional basketball, volleyball, soccer, and baseball games. The performance viewing section also mentions that major venues such as the Arts Center and Sejong Center are offering discounts for performances. For exhibitions, there are discounts and free admissions listed for museums and galleries, including the National Museum of Modern and Contemporary Art. Regarding cultural heritage viewings, it states that visits to the four grand palaces, including Gyeongbokgung and Changdeokgung, as well as the royal tombs of the Joseon dynasty, are free. Other cultural spaces include information on street performances and flea markets, which are not included in the five categories.'] | [False] | [nan] | The images consist of six distinct posters, each providing valuable information regarding various cultural and entertainment events. The first poster is dedicated to movie viewings and highlights the availability of discounts at cinemas, making it more accessible for the public to enjoy films. The second poster focuses on sports viewings and offers detailed guidance on available discounts for multiple professional sports events, specifically basketball, volleyball, soccer, and baseball games. This encourages sports enthusiasts to attend matches while saving on ticket prices. Moving on to the performance viewing section, this poster informs readers about discounts for performances at significant venues, including the renowned Arts Center and the Sejong Center, both of which are well-known for hosting a range of artistic productions and events. The exhibition poster lists various discounts and free admissions available at museums and galleries, most notably the National Museum of Modern and Contemporary Art, which showcases important works of contemporary art and promotes art education. In the segment regarding cultural heritage viewings, the poster clarifies that visits to two of the most iconic grand palaces, Gyeongbokgung and Changdeokgung, which are important historical sites in South Korea, as well as the royal tombs associated with the Joseon dynasty, can be appreciated without any fee, allowing visitors to explore the country’s rich history at no cost. Lastly, the posters also include information about other cultural spaces, which encompasses street performances and flea markets, albeit these activities are not classified under the five main categories previously mentioned. This inclusion highlights a broader spectrum of cultural experiences available to the public, further enriching the community’s engagement with local art and culture. | 1,841 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['17VFpBMmF3WI', '1ntxnO2Z8CST', '1nmzaoJMqrAI', '16sTwZceBMmD', '1oEAQtuSDIYJ', '15xeKuBsxflW'] | [" At first, this image shows me the picture of an eaten durian. The objects and its counts are as follows. There are three half-durian husks, two of them which are empty and one which contains a row of durians. There's no text in the image and the positions of the objects will simply be the fact that the husks are in the center of the picture itself. The subtle details highlight that, although most of the durians have been eaten, there are three durian seeds lying on top of the middle durian husk that has not been eaten yet. In the background, I do not really see anything but a darker shade of color which may suggest that that might actually be the person who might be eating the durian. The style and color is interesting. The durian outer shell is green in color whilst the inner part of the durian is lighter in color with the durian seeds being yellow in color as well. There's no contextual information that may help me to understand the image but the existence of the durian which is actually a fruit is commonplace in Singapore, Thailand, China and perhaps Asia. Indonesia as well may suggest that this image will actually be taken in an Asian location.", ' This image shows an open durian fruit with its outer husk split apart, revealing an empty interior where the flesh was previously. We see two durian husks and a wooden table. We see the two durian husks are placed on the table, and the sharp, spiky edges of the husk are clearly visible. The durian husks have jagged edges and a thorny texture. The husk also appears fresh, indicating that the fruit was recently eaten. The wood table surface is visible. A dark, blurred area in the top part of the image, possibly a hand or a chair, is also visible. We see that the wooden table has a brown tone, giving a warm, natural feel to the image, and the inside of the husk is creamy white. The image suggests that the fruit was eaten in a casual dining setting, probably like a food court or a home. We also see that the durian has recently been consumed, so it leaves behind a little bit of a taste.', " Well, so this picture shows two pieces of durian and it's already opened up and they are placed on a brown color wooden table. The top piece, there are actually three pieces in total and it's one of my favorite fruits. It's not only very tasty but also it can be made into a variety of dessert including durian pudding, durian cake, durian ice cream. Some people indeed do not really like it. But I am a very big fan of durian and it came in Singapore. You cannot eat durian in hotel or public area so you can only have it at home because some people don't like the strong smell of it.", "In the image, there is a cluster of plants related to fruits. Upon closer inspection, it reveals a durian shell that resembles a durian. This shell has three sections, with only one section placed separately outside, while the remaining two sections contain the durian's flesh in the middle. The durian's spikes are all facing down towards the table, and the flesh of the durian appears light yellow. Additionally, the inside wall of the durian shell is white. We can see that there are no other objects on the durian shell, just that piece of durian flesh. The table beneath is a deep brown color with stripes, and there are no words or other items in the distant background of the image.", 'This is an opened durian shell with sharp spines, and the fruit flesh has been taken out, leaving some remnants of the fruit inside. The background is a wooden table with two pieces of durian shell and a small amount of fruit residue. There is no obvious text information on the table. The durian shells are centered in the image, and the background is slightly blurred. The shells are thick, with a sponge-like white fibrous structure on the inside. The edible flesh has been completely removed, leaving only some remnants. The interior still has the unique sticky fibers of the durian. The surface of the wooden table is relatively clean, possibly due to a dimly lit indoor environment. The close-up photography features colors like pale yellow, white, green, and brown, suggesting it could be from Southeast Asia or southern China, as durian is a common fruit in these regions. The durian has been fully consumed, leaving only the shell and a small amount of flesh. The peeling of the durian appears quite clean, indicating it was done by someone skilled or in a professional setting. This may have occurred during a family gathering, market tasting, or in a restaurant.', 'This image shows a durian that has been cut into several pieces. Among them, only one piece of durian flesh remains on the durian shell; the others have likely already been eaten. It is placed on a table, and there is nothing in the background, making it impossible to infer its cultural context from this image. Although durians are originally from Southeast Asia, they could be imported to other countries. Upon closer inspection, it is clear that this durian is fresh and not frozen; it was likely cut fresh, and the central part was sliced open by a factory. Therefore, I speculate that it should be from some country in Southeast Asia. However, determining the specific country would depend on the variety of the durian. The color of the flesh is not very yellow, leading me to speculate that it might be the Thai "Mon Thong." If I had to guess a specific country, it should be Thailand.'] | [True, False, False, False, False, True] | ['The durian is a unique fruit only found in Southeast Asia.', nan, nan, nan, nan, nan] | At first glance, the image presents a depiction of an eaten durian. The objects in the frame include three half-durian husks: two empty and one containing a row of durian flesh. There is no text present in the image, and the composition strategically places the husks at the center of the picture. Notable details include the remnants of three durian seeds resting atop the middle husk, which still holds some flesh. The background features a dark, indistinct shade that might imply the presence of the person who consumed the durian. The aesthetic qualities of the durian are intriguing; its outer shell exhibits a rich green color, while the interior flesh appears lighter, with the durian seeds being a bright yellow hue. Although there is a lack of contextual information to specify the location of the image, the presence of durians, a fruit commonly enjoyed in countries such as Singapore, Thailand, China, and Indonesia, suggests that the image may have been captured in an Asian setting. The second image displays an open durian fruit, its outer husk split apart to reveal an empty interior where the flesh was once housed. There are two durian husks positioned on a wooden table, and the sharp, spiky edges of the husks are prominently visible. Their jagged edges and thorny texture indicate the freshness of the husks, implying that the fruit has only recently been consumed. The table is made of wood showcasing a warm brown tone, which adds a natural touch to the visual. In the upper section of the image, a darkened area possibly suggests a hand or a chair, adding depth to the setting. The creamy white interior of the husk contrasts with the warm wood, contributing to the overall inviting aesthetic. This image hints at a casual dining experience, likely occurring in a food court or home environment, and implies a lingering taste of the durian fruit. In another image, two pieces of durian are displayed, already opened and resting on a brown wooden table. The upper husk comprises three sections in total, with one of my personal favorite fruits being highlighted. The durian is not only known for its unique and delicious taste but also for its versatility in desserts, with possibilities including durian pudding, durian cake, and durian ice cream. Nevertheless, the distinct odor of durian creates a divide among people's preferences; some individuals find it unappealing, despite my fondness for it. In Singapore, durian consumption is restricted in hotels and public areas due to its strong smell, meaning it is typically enjoyed at home. In another image, there exists a cluster of fruit-related plants, among which is a durian shell that visually resembles a durian. The shell is divided into three sections; one section is positioned separately, while the other two contain the flesh of the fruit. The spikes of the durian face downwards toward the table, and the flesh presents a light yellow hue. The inside wall of the shell appears white. Notably, there are no accompanying objects surrounding the durian shell, aside from the visible piece of durian flesh. The table underneath showcases a deep brown color with stripes, and there is an absence of any text or distant items in the background. Additionally, another image captures an opened durian shell lined with sharp spines, showing remnants of fruit that were not entirely removed. The backdrop is a wooden table where two pieces of durian shell and slight traces of fruit residue rest. The layout has no obvious text, and the durian shells are centered within the image. In this instance, a slightly blurred background enhances focus on the shells. The durian shells are robust, showing a spongy, white fibrous structure in the interior. The edible flesh has been thoroughly consumed, leaving behind only traces and sticky fibers typical of durians. The surface of the wooden table appears relatively clean, suggesting it might have been captured in a dimly lit indoor setting. The close-up shot features a palette of pale yellow, white, green, and brown, indicating it could originate from Southeast Asia or southern China, areas known for durian cultivation. The careful peeling of the durian's outer shell reflects a level of expertise, hinting that this event may have occurred during a family gathering, market tasting, or meal at a restaurant. Finally, the last image reveals a durian that has been partitioned into several pieces. Among these, only one piece of flesh remains on the durian shell, while the others have presumably been consumed. Arranged on a table, the lack of background elements makes it challenging to deduce the cultural context of this image. Although durians are traditionally sourced from Southeast Asia, they are increasingly imported to various other regions. Upon further examination, it is evident that this durian is fresh—likely cut from its tree rather than frozen—and appears to have been sliced open at a factory. Therefore, it is plausible that it originates from a Southeast Asian country. The coloring of the flesh, not exhibiting a deep yellow tone, leads to speculation that it could potentially be the Thai "Mon Thong" variety. If I were to hazard a guess regarding its specific country of origin, it would likely be Thailand. | 371 |
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['Korean'] | ['1j8LI3QryUe0'] | ["The following image contains a total of 12 photos that have been combined into one. At first glance, it looks like traditional Korean food. On the left side, I apologize, there are three rows of photos and a total of four columns, making it a 3:4 format. Starting from the top left, the photos aren’t very clear, so it’s hard to guess exactly what they are. However, it looks like some kind of spicy stir-fried noodles. In the middle, the second photo in the first row shows red broth with shrimp and noodles, so it could be ramen or jjambbong (spicy seafood noodle soup). On the right side, there’s also a photo of red stir-fried noodles. The first photo in the second row appears to be bibim-guksu (spicy mixed noodles), and the middle photo in the second row shows some kind of white noodles. It's hard to tell because they seem to be dried noodles. On the right side, it looks like jjanchi-guksu (celebration noodles). The first photo in the third row is tteok-guk (rice cake soup), while the second photo is hard to guess, and I can't make any assumptions about what’s on the right either. In any case, there seem to be a lot of stir-fried dishes, along with colorful vegetables and noodles. There are both soup dishes and those without broth, as well as various vegetables, some clear broths, and some dishes with red broth or red seasoning."] | [True] | [nan] | The image in question consists of a total of twelve individual photographs that have been artistically merged into a single composite image. Upon initial examination, the overall theme of the photos appears to reflect traditional Korean cuisine, showcasing a variety of dishes commonly enjoyed in Korea. On the left side of the image, the layout features three distinct rows with four columns, adhering to a format ratio of 3:4. Beginning from the top left corner, the images are somewhat unclear, making it challenging to accurately identify each dish. However, it can be presumed that one of the dishes depicted resembles spicy stir-fried noodles, a staple in many Korean meal preparations. In the center of the first row, the second image presents a red-hued broth accompanied by shrimp and noodles, leading to the speculation that this could be either ramen—Japan's renowned noodle soup—or jjambbong, which is indeed a spicy seafood noodle soup highly appreciated within Korean gastronomy. To the right of this photo, another image displays red stir-fried noodles, which may suggest the presence of gochugaru (Korean red pepper flakes) that gives these dishes their characteristic spice. Moving to the second row, the first photograph appears to showcase bibim-guksu, known as spicy mixed noodles. This dish is commonly prepared using a mixture of fresh vegetables and a spicy sauce served over cold noodles, making it especially popular during the hot summer months. The middle photo of this row features what seems to be a collection of white noodles, although they are particularly difficult to identify due to their dried appearance. On the right of this row, there is a depiction of jjanchi-guksu, which translates to "celebration noodles." This dish traditionally includes wheat noodles served in a clear broth, often enjoyed during celebrations and important family gatherings. Continuing to the third row, the first image is of tteok-guk, or rice cake soup, which is traditionally consumed during the Lunar New Year as a symbol of purity and prosperity. The second photograph in this row is ambiguous; it does not provide enough visual clarity to identify its contents. Similarly, the image on the right side of this third row remains a mystery, as no assumptions can be drawn from its appearance. Overall, the collection of photographs demonstrates a variety of stir-fried dishes alongside a vibrant assortment of vegetables and noodles. Both soup dishes and dry noodle preparations are represented, as indicated by the discernible presence of colorful vegetables, clear broths, and those infused with a rich red broth or distinct red seasoning. This colorful visual representation encapsulates the rich diversity of flavors and textures found in Korean culinary traditions. | 1,917 |
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['English', 'Russian', 'Chinese'] | ['16t0hL9bAwIY', '1fjy188YluPp', '12YWsLWHpe5a'] | [" This image seems to be a very brightly lit dining room, a small dining room. And the dining room is made mostly of wood. There are many cabinets in this dining room. And there is a glass cabinet above the wooden cabinets. There is a bright shining light coming from outside of the room. And there are two boys in the dining room. They seem to have something in their hands. It looks like they're eating. The boy closer to the camera has a plate on the table and seems to have some sort of silverware in his hands. But the brightness from outside makes it difficult to see what exactly is in his hands. And the boy... Further away from the camera seems to be holding some sort of food. The center of the photo is very, very bright from the light outside. On the right side of the photo, there is a painting on the wall. A picture, rather, of a human being. Possibly a woman. On the wall opposite the lens of the camera, there is a clock on the right side. And above it, there is some sort of indistinguishable object.", 'This photograph is taken in a special style. There is a lens that expands what is in the center, like the gaze of love, shorter. And there are two people here, it’s clearly an old photograph, two people are sitting at a small table in the center, one person is sitting right in front of a window, behind which there is bright light, the curtains are not drawn, they are open, and the other person is sitting on the right side, right in front of what looks like a fireplace. On the other side, there is the kitchen; well, in principle, they are all sitting in the kitchen, but you can see that there is some microwave or oven on the left, although it slightly resembles a television. Besides that, everything here is wooden, from a fairly old piece, but there is parquet, and everything else in the kitchen is also wooden. And this table is sitting on a carpet. And yes, that’s it. There is also a clock on the wall behind, there on the right, and some picture of a person on the right side.', 'The entire image gives a very blurry and hazy feeling. In the middle of the kitchen, there is a scene that appears to be in a dining area with a table, where two children are sitting, seemingly engaged in a conversation while eating breakfast. On the left side, there are cabinets typically found in dining rooms, displaying various items. On the right wall, there is a painting hanging. The overall light from the glass outside is likely very bright, which causes the color of the child in the center to appear overexposed. The background colors lean towards a cool blue-purple tone, creating a cold atmosphere. The expressions of the children are quite vague, making them hard to see, and the style has a slight retro, tape-recorded aesthetic. Overall, the photo has a quality reminiscent of being shot with a fisheye lens.'] | [True, False, False] | [nan, nan, nan] | This image presents a brightly lit, small dining room primarily constructed of wood. Within this cozy space, there are several wooden cabinets, along with a glass cabinet positioned above the wooden ones. The light flooding in from outside creates a vibrant illumination that fills the room. In this dining room, there are two boys. The one positioned closer to the camera has a plate placed on the table in front of him and appears to be holding some sort of silverware, though the intense brightness from the outdoor light obscures the details of what he is actually holding. The boy further away from the camera seems to be gripping a piece of food, adding to the dining context of the scene. The center of the photo is dominated by the brilliant light streaming in, which makes it challenging to distinguish specific features. On the right side of the image, there is a painting on the wall featuring the likeness of a human being, possibly a woman, adding an artistic touch to the room. Opposite the camera’s lens, you can find a clock mounted on the wall to the right, and just above it is an object that is difficult to identify, perhaps a decorative piece. This photograph appears to be captured in a distinctive style that alters the perspective, akin to a lens that expands the features in the center while compressing the surrounding areas, evoking a sense of fondness through its visual portrayal. The setting is reminiscent of an older era, as evidenced by the furnishings and the arrangement of the space. Two individuals are seated at a small table at the center of the image; one is positioned directly in front of an open window that allows bright light to flood in, while the other person is seated to the right, near what resembles a traditional fireplace. To the left, a glimpse of the kitchen is visible, including a microwave or oven that bears some resemblance to a television set from a bygone era. The room is characterized by wooden components, including a parquet floor, and the table is placed on a decorative carpet. In the backdrop, a clock can be spotted on the wall to the right, accompanied by a picture of an individual. Overall, the image conveys a fuzzy and hazy impression. It captures a moment in a dining area where two children seem to be engaging in conversation while enjoying breakfast. The left side showcases typical dining room cabinets displaying various items. On the right wall, another painting hangs, enhancing the room's aesthetics. The bright outdoor light contributes to an overexposed appearance of the child at the center, while the background is tinted with cool blue-purple tones that lend a chilly atmosphere to the overall vibe. The expressions of the children are somewhat indistinct due to the lighting conditions, giving the photograph a slightly retro quality comparable to images shot on tape. The overall aesthetic resembles that created by a fisheye lens, imparting a unique depth to the scene. | 937 |
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['Russian', 'English', 'English', 'Chinese'] | ['1fwkWX5o6eFh', '1gdlbYFMjnQq', '1c3KNbDKvn7W', '1bGrhAiPSAtK'] | ["It's all very simple here. It's just a photograph of an elephant. This elephant is likely quite old, judging by its appearance. And yes, its skin is covered with dust, making it look rather brown, although elephants are usually gray. You can see a bit of grayness on its left ear and around its eye. But aside from that, there's really nothing else to see. You might be able to spot either another elephant or a big rock behind it. But nothing more is visible. Just an elephant. Yes, it's looking down at something, not eating. It could be a male or female elephant; it’s hard to tell from just this photo. That's it, everything is very simple.", "This is a picture of an elephant, and because the elephant is so close to the camera, you can only see the front of the elephant. The elephant is turning slightly to the right. If looking towards the camera were to be 12 o'clock, the elephant is turning towards 1 o'clock. The elephant is mostly a brownish-beige-ish color, but the color seems to be faded on the head of the elephant towards the front. There are some streaks of a lighter beige. The top of the trunk is also in field, and you can see that. It seems to be a very leathery animal, leathery trunk, leathery skin. And the floppy ears are also in view. And the elephant is looking kind of sad. The ears fall down from the top of the head all the way towards its mouth.", "This picture seems to be of an elephant. The elephant seems to be of African descent and is a mostly yellowish color. You can see various amounts of wrinkles on the nose area. Although a majority of the trunk is not visible in the picture as it is mostly zoomed in on the head of the elephant. The elephant is looking to the left of the photo at mostly a 30 degrees angle. You can see all of its eye on the right side of the photo although the eye on the left side is mostly obscured. You can see that on the tips of the elephant, or any of the elephant's features that are more protruding, it slowly turns from a yellow to a more greenish gray. The background of the image isn't very visible, although it's like a grayish, creamish color in the back. Probably somewhere very sandy. The image is overall very yellow and only depicting an elephant.", "This is a close-up photograph of an elephant, focusing mainly on its head and expression, with only part of its body visible. There are no obvious words. The elephant's head occupies the center of the frame, with its ears spread out to the sides. Its expression is quite calm, and its eyes are downcast. The skin of the elephant is rough and covered in wrinkles, showing a thick texture. The details are quite rich, with a layer of mud or dust covering its skin, especially on the ears and forehead, suggesting it might have just come from an area with mud. The ears are relatively large, and there’s a slight bulge on the top of its head. The trunk is long but not fully displayed. This is likely an African or Asian elephant. The background is blurred, showing light brown and gray colors, possibly indicating a fence or the body of the elephant. The realistic style is dominant, primarily highlighting the elephant's details, showcasing its skin texture and natural state. Overall, there are brown and yellow tones that enhance the natural atmosphere."] | [False, False, False, False] | [nan, nan, nan, nan] | It's all very straightforward in this image. We are presented with a photograph of an elephant that appears to be quite old, as evidenced by its worn features. Its skin is encrusted with dust, giving it a muted brown appearance, despite the fact that elephants typically possess gray skin. Observing the image, one can discern flecks of gray on its left ear and around its eye, hinting at its true color. Beyond this solitary elephant, there is little else to see in the frame. There may be another elephant or a large rock in the background, but clarity is lacking, and the focus remains squarely on the elephant itself. The animal is gazing downward at something, but it does not seem to be feeding at this moment. The gender of the elephant is indeterminate from this photograph—it could be either male or female. In short, the image conveys a simple yet poignant representation of an elephant. The next image captures the essence of an elephant with the camera positioned closely, giving us a view primarily of the front of the animal. The elephant is oriented slightly to the right—imagine the camera's perspective as 12 o'clock; the elephant is angled just past 1 o'clock. Its coloration leans towards a brownish-beige, though the hue appears somewhat faded, especially around the front of its head, which exhibits lighter streaks of beige. The top of the elephant's trunk is visible, revealing its leathery texture—a hallmark of elephants—while the large, floppy ears hang down, extending from the top of its head close to its mouth. The overall demeanor of the elephant seems somewhat melancholic, as its expression conveys a sense of sadness. Another photograph presents what seems to be an African elephant, characterized by its primarily yellowish coloration. The image accentuates various wrinkles around its trunk area, although much of the trunk itself is obscured as the camera has zoomed in on the head. The elephant is gazing to the left at an approximate 30-degree angle, allowing us a clear view of its right eye, while the left eye is mostly hidden from our view. Interestingly, along the protruding features of the elephant, the color gradually shifts from yellow to a greenish-gray shade. The background is vaguely discernible, showcasing a grayish-cream tone that might suggest a sandy environment, yet it does not steal focus from the vibrant yellow tones that dominate the image and highlight the elephant. In a close-up photograph, the emphasis is particularly placed on the elephant’s head and its expression. Only a portion of its body is visible in the frame, with no text or additional elements present to distract from the subject. The elephant’s head commands the center of the image, featuring its ears spread out on either side, contributing to an overall sense of calm. Its eyes are downcast, depicting a tranquil demeanor. The elephant's skin exhibits a rough texture, characterized by numerous wrinkles that contribute to the depiction of its age and wisdom. A layer of mud or dust coats the skin, particularly on the ears and forehead, indicating that it may have recently visited a muddy area. The ears are notably large, and there is a subtle bulge atop its head. This elephant may belong to the African or Asian species, although specifics are not clear from the image alone. Behind the elephant, the background is slightly blurred, showcasing light brown and gray tones that may represent a fence or the body of the elephant itself. The artistry of the photograph leans towards realism, emphasizing the intricate details of the elephant's skin texture and its natural state, bathed in earthy browns and yellows that amplify the authenticity of the scene. | 898 |
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['English'] | ['19WbJtuXNXbq'] | ["This image seems to be a timeline of different Olympic Games. It's very colorful and each Olympic Game is represented by a year and a small image, perhaps the logo of those games. Just to point out a couple, I can see Asian Games Beijing. I can see Beijing 2008. I believe this is probably some sort of Asian Olympics. There's blue, green, yellow, purple, red colors and it's sort of like a gradient as you go along. On the very right, there's a figure of a man skiing with poles. The years depicted are 1990, 1996. 2001, 2008, 2009, 2010, 2011, 2014, 2015. There's a lot of text in a language other than English that I'm not able to read. One of the logos depicts a red owl seemingly. Another one has sort of like a volcano with sort of like red fire coming at the top. And a lot of them have rings or stars of different colors."] | [True] | [nan] | The image in question presents a vibrant and visually appealing timeline that represents various Olympic Games through history. Each Olympic event is marked by a specific year and accompanied by a small visual representation, likely the logo associated with that particular event. Among the notable elements depicted, the timeline clearly includes references to the Asian Games held in Beijing, which is part of a broader celebration of Olympic-style competitions in Asia. The color palette of the timeline is striking, featuring a gradient that transitions through shades of blue, green, yellow, purple, and red. This colorful arrangement not only enhances the aesthetic appeal of the image but also signifies the diverse nature of the Olympic events. On the far right side of the timeline, there is an illustration of a man skiing, complete with poles, which suggests the inclusion of winter sports in the Olympic phenomena. The years highlighted on this timeline encompass significant events, specifically from 1990, 1996, 2001, 2008, 2009, 2010, 2011, 2014, and 2015. Each of these years likely corresponds to one or multiple Olympic Games or significant related events. There are also numerous inscriptions in a language other than English, which remain unreadable in this context, ensuring that the timeline's full narrative may be lost without further translation. One logo stands out, featuring a red owl, which may symbolize wisdom or knowledge, and another logo portrays a volcanic mountain with red flames erupting from the top, evoking images of power and intensity. Additionally, various logos incorporate rings or colorful stars, common motifs associated with Olympic branding, symbolizing unity and the global nature of the Games. Each visual element contributes to a rich tapestry that reflects the history and cultural significance of the Olympic Games across different regions and years. | 1,485 |
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['English', 'Chinese'] | ['1b9IeNwzpnQg', '1o65UikBvXGQ'] | [" This is an image of a dark brown horse that appears to be pretty small with very, very long, frizzy mane. The mane is a lighter brown, and there are two bars that are acting as a fence, and the horse is putting its head through the two bars. The floor is covered in hay, so the foreground and background are entirely hay. To the right of this horse is another horse's neck that is bent down with similarly colored mane and a similarly colored coat. The ground is more of a light beige that is yellowish in color, and the metal bars. The horses are similarly colored to the horses.", "The image features a brown pony standing beside a fence, with the back of another pony visible on the right side. Some fence rails separate the ponies from the photographer, and there is no significant text content. The pony is positioned centrally in the image, with its head facing the camera, while its body is obscured by the fence. The other pony, which can only be seen from the back, is located on the right side of the frame. The first pony's mane is thick and unruly, displaying a natural, untrimmed state, with a gentle and somewhat curious expression as its nose approaches the lower right side of the fence. The other pony has a mane and body that are darker in color, creating a contrast with the main pony. The background consists of dry, earthy yellow tones, with the overall palette being warm, emphasizing the pastoral scenery."] | [False, False] | [nan, nan] | This transcription describes two images featuring ponies in a farm or rural setting. In the first image, there is a dark brown horse that appears to be on the smaller side. This horse has an exceptionally long, frizzy mane that is a lighter shade of brown compared to its body. The horse is interacting with its environment by putting its head through two metal bars that function as a fence. The ground is generously covered in hay, making both the foreground and background predominantly feature this bedding material. To the right of the central horse, there is another horse's neck visible, which has a mane and coat that are similar in color to the first horse. The ground in this image is described as having a light beige hue that leans towards yellow. The presence of the metal bars and the similarities in the horses’ coloring create a cohesive image that conveys a sense of tranquility in the barnyard setting. In the second image, the focus is on a brown pony that is standing beside a fence. The pony is situated centrally within the frame, facing the camera with its head, while its body is partially obscured by the fence, adding an element of intrigue. The pony is portrayed with a thick and unruly mane that suggests a natural and unkempt appearance, contributing to its curious demeanor as it leans closer to the lower right side of the fence. To the right, the back of another pony is visible, which further enhances the composition by showing the connection between the two animals while also creating a contrast due to the darker color of the second pony's mane and body compared to the first. The background consists of dry, earthy yellow tones, lending a warm ambiance to the scene and emphasizing the natural, pastoral environment where these ponies are located. This setting paints a picturesque and serene agricultural landscape. | 877 |
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['Spanish', 'Chinese'] | ['1dmvtPB7nvW8', '1huUSqCOqjik'] | ['This photo shows a river with mountains on either side. It appears to be taken from some kind of boat and is moving along the river. On each side of the river, there are very tall mountains, brown with some grasses and trees at the bottom. The river is a green-blue color, and the sky is light blue. There are also clouds in the sky. There is a lot of sunshine in this photo, and it is a beautiful area. There are also mountains at the end of the river or where the river bends.', 'The entire image captures a scenic view where it seems like the tourists are sitting on a boat. We can clearly see a corner of a green plastic boat below, and the whole scene is set on a lake or a river. In the distance, there are two large mountains appearing side by side, with the sky above them painted in blue and clouds. The mountains are primarily green, and we can see the greenery reflected in the water of the river or lake, which also has a green hue. The whole picture gives the impression of a landscape photo, possibly taken by the tourists while they were on a boat trip, capturing the beauty between the two mountains. The photo shows the boat in the foreground with one mountain on the left and the other on the right, and there are more mountains in the distance as well, giving it the feel of a scenic postcard.'] | [False, False] | [nan, 'No'] | This photograph presents a breathtaking view of a waterway flanked by majestic mountains on either side. The perspective suggests that the image was captured from a boat gliding along the river. On both banks of the river, towering mountains rise dramatically, characterized by earthy brown hues interspersed with patches of grass and trees at their bases. The river itself exhibits a striking green-blue coloration, indicative of the natural minerals and sediment that may be present in its waters. Above this serene landscape, the sky is painted in light blue, dotted with fluffy clouds, contributing to the overall atmosphere of tranquility infused with plenty of sunshine, making this scene particularly inviting and picturesque. Additionally, the photograph immerses viewers in a moment that appears to be enjoyed by tourists sitting in the green plastic boat, which can be seen in the lower corner of the image. This setting could either be a lake or a river, but the vastness and the gentle movement of the water suggest it is likely a river. In the distance, two prominent mountains loom side by side, their slopes adorned with rich greenery that reflects beautifully in the water’s surface, enhancing the green tint of the river or lake. The composition captures not just the natural beauty between the two mountains but also conveys the experience of the boat ride, as if the tourists hoped to create a scenic memento akin to a postcard. The proximity of the boat in the foreground juxtaposed with one mountain on the left and another on the right creates a harmonious balance, further inviting viewers to appreciate the grandeur of the mountainous backdrop and the tranquility of the waterway. Additionally, more peaks can be seen rising in the distance, making the image feel expansive and filled with the allure of adventure waiting to be explored. | 696 |
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['English', 'English', 'Chinese', 'Chinese'] | ['14Jyg3jEocbS', '1hId84ZHvr3T', '1kF6vna4nC6H', '114srPGU3sx8'] | [" The image is of a panda who is in the center of the image and there is some redness on their ear which might be due to an injury so might be blood or might be something completely different like some sort of dye or tracker for zookeepers and they are surrounded by some branches with green leaves perhaps for eating them there's also many leaves scattered in the background that are brownish and it's just a little bit of a blueish color. So I'm gonna try and show you a picture of the other panda. So I'm gonna try and show you a picture of the other panda. So I'm gonna try and show you a picture of the other panda.", " This image is an image of a panda bear. It's laying on the ground with some dead leaves in the background, and it looks like its paw is to its mouth. The bear has black ears and black fur around its eyes. Its eyes are also black and its nose is black, and its midsection is also black along with its arms. The other parts of its body are white. It looks like it's sitting in a bunch of bamboo. It might be eating some bamboo, given that its hand is close to its mouth. And, um, looks like it's probably autumn in the photo, just because the leaves are brownish orange. And they're on the ground. And, um, given the setting, it looks like this might not be the panda's natural habitat, since I don't believe they live where there are trees that change colors like this. I usually picture them with a lot of dense bamboo forest.", 'This picture shows a panda eating bamboo, primarily featuring a close-up of the panda. The panda has a white head and a black body, and the background consists mostly of some grass in front and a little bit around it, with a ground covered entirely in fallen leaves. It is intently focused on eating bamboo, with its hand on one side of its mouth, and it appears to be sitting down. The image captures the upper half of its body, including above the arms, creating an impression of the panda eating bamboo in a season that seems to be autumn, as the fallen leaves are red and yellow, while the bamboo is green.', "This is a photo of a giant panda. Its front neck is surrounded by a pile of leaves, and its back neck is the lawn where the panda lives. The panda is not looking at the camera; we can only see the right side of its face and its upper body. It's unclear what the panda is holding in its hands from this angle. Below its ears, there is a patch of somewhat orange fur, though it’s uncertain if it's dirty. There are many leaves around it, but they are not bamboo. The background lawn is mostly dirt, with no grass. There are also some dead leaves on the lawn, which are red, orange, yellow, and brown. On the right side of the photo, you can faintly see a tree, which has no leaves, but it has some insect bite marks."] | [False, False, True, False] | [nan, nan, nan, nan] | The image features a panda situated centrally within the frame, its ear exhibiting some redness, which may indicate an injury possibly attributed to blood or alternatively, could be a form of dye or a tracker utilized by zookeepers for monitoring purposes. Surrounding the panda are branches adorned with green leaves, likely intended for the panda's consumption. The background is populated with many brownish leaves, suggesting autumn, infused with a slight bluish tint that adds to the overall ambiance of the image. The speaker mentions an intention to showcase a picture of another panda, repeating the phrase about attempting to display this subsequent photograph. In another image, a panda bear is depicted lying on the ground against a backdrop of dead leaves. The panda has its paw raised to its mouth, either in a moment of contemplation or while consuming something. Notable physical characteristics include its black ears, black fur surrounding its eyes, and a black nose, contributing to the panda's distinctive facial features. Its midsection and arms are also black, contrasting with the white fur present on other areas of its body. The panda appears to be seated amidst a wealth of bamboo, potentially munching on some as indicated by its posture, which places its hand near its mouth. The environment suggests it may indeed be autumn, inferred from the brownish-orange color of the leaves strewn across the ground. The speaker reflects on the panda’s habitat, noting that it seems this setting may not align with what is typically expected for pandas, as they are usually associated with dense bamboo forests rather than locations where trees display changing colors. Yet another image presents a close-up of a panda engrossed in eating bamboo, clearly showcasing the creature's white head crowned with black fur. A green expanse of grass dominates the foreground, while the ground is blanketed in fallen leaves, echoing the autumn theme. The panda is intently focused on its snack, its paw positioned beside its mouth, and the framing captures its upper body above the arms, presenting a compelling visual of the panda indulging in this quintessential dietary staple. The fallen leaves are colored in shades of red and yellow, accentuating the seasonal context of the scene. In a distinct photo of a giant panda, the creature is showcased with its front neck enveloped in a collection of leaves, while the background consists of a dirt area devoid of grass, establishing its habitat. The panda isn’t directly facing the camera; rather, only the right side of its face and parts of its upper body are visible. From this viewpoint, it remains ambiguous what the panda is holding in its paws. Noteworthy is a patch of somewhat orange fur located beneath its ears, raising questions whether it is merely dirt or a naturally occurring coloration. Surrounding foliage consists of numerous leaves that are not bamboo. The barren ground bears a mixture of dead leaves in hues of red, orange, yellow, and brown. Additionally, to the right side of the image, a faint outline of a tree is visible; this tree stands bare, marred by insect bite marks, contributing to the environmental narrative of the panda’s surroundings. | 217 |
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['English', 'English', 'English', 'Korean', 'Chinese'] | ['1jR5TejHvUA2', '1i3jP275Vsg3', '14JFLFJY3MfX', '19544Vop2ZPY', '1271KR7kPafk'] | [" Here we have a photo of I believe somebody famous although I do not recognize who this person is. Looks to me like a K-Pop star. Clearly Asian. It's either a woman or a very feminine looking man with makeup and metal earrings. Yeah, I'm not able to tell. I'm not entirely clear. I can tell that Channing Tatum looks like a K-Pop star. This person is standing in front of a white foreground that has some letters on top. They're cut off. Black lettering cut off. He's wearing a leather top, leather jacket. That jacket is on top of a white underneath shirt with a very white collar. A very white shirt. Very very distinctive neck covering. That's also why it covers most of the neck. Almost halfway up the neck. Behind that covering I see maybe some sort of a red sash.", " The picture shows a man slightly smiling. It looks like he has two earrings and is wearing a leather jacket of some sort. His hair is a modern cut. He is Asian and he is wearing a little bit of eye makeup. He looks like a Korean celebrity. There are no texts in the photo and the background is white. Probably some celebrity event. Hard to know where it's taking place, but I would assume it might be in Asia since the haircut style is more popular in Asia and the man is wearing eye makeup. So it could be Korea. He reminds me of the K-pop stars. He has black hair.", " This is an image of a person. They might be an actor or a model. I'm not sure why this person is having their picture taken, but the person seems to be a young adult. It is a picture of them from their chest up, so it's a close-up image of their face and then the top half of their torso. This person has short black hair. The hair extends just below their ears and they have bangs over their face. They have a little bit of a smirk. It's not quite a smile. They are wearing a white turtleneck with white buttons going up the neck and they are also wearing, it looks like, a black turtleneck. Black leather jacket with some buttons as well. The very top button is buttoned, otherwise unbuttoned.", "The photo I saw was of a Korean male celebrity named Jeedragun. It gave off a vibe like it was taken at an event or something similar. There's one man in the picture, captured from the waist up, wearing black and white clothes and having black hair. Besides him, there isn't much else visible, although it seems like there was some sort of logo or text in the background that is cut off and not visible. Overall, the background feels mostly white, and it looks like the male celebrity is the main focus of the photo.", "This is a portrait of a person. The individual is dressed in a leather jacket and underneath, he is wearing a green collared shirt. His hair is slightly long and parted in the middle. The corners of his mouth are raised to the left, and he is not showing his teeth. He appears to be standing behind a billboard for people to take photos. He is likely a celebrity. That's it."] | [True, False, False, True, False] | ['Looks K-pop-ish', nan, nan, 'korean celebrity', nan] | The series of transcriptions describes a photograph featuring a well-known individual, likely a celebrity, whose identity remains unrecognized by the observer. The subject appears to resemble a K-Pop star, suggesting that they are of Asian descent. The observer notes that the individual is either a woman or a very feminine-looking man, characterized by the use of makeup andmetal earrings, highlighting the androgynous aesthetic often associated with K-Pop artists. The photograph is set against a predominantly white background, which has some black lettering that is cut off and illegible, adding to the visual intrigue. The person in the image is dressed in a stylish leather ensemble, consisting of a leather top and a leather jacket layered over a very distinctively white collared shirt. The collar of the shirt extends prominently, covering a significant portion of the neck, and the observer also notices what appears to be a red sash peeking from under the collar. In another transcription, further details about the individual's appearance are provided. They are described as having two earrings and a modern haircut that falls just below their ears, with bangs framing their face. The individual is slightly smiling, not fully showing their teeth, which gives them a smirk-like expression. The fashion choices in the photograph, notably the inclusion of eye makeup and the contemporary haircut, point toward a Korean celebrity vibe, as these aesthetic elements are particularly prevalent in South Korea’s entertainment industry. The background remains largely minimalistic, reinforcing the focus on the individual, whose black hair and color-coordinated outfit of black and white add to the polished, high-fashion appearance suitable for a celebrity event. Overall, the photograph captures a male celebrity, identified in one transcription as Jeedragun, whose presence is the focal point of the image, accentuated by a clean and simple background that underscores their importance. The person is shown from the waist up, allowing for a close examination of their expression and attire while leaving the exact context of the event somewhat ambiguous. | 585 |
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['Korean', 'English', 'Chinese'] | ['15yLtdrVn1wT', '1gXjMP5sUWCB', '19bSAuNeVAc8'] | ["This image features a person lying on a bed alongside a cat. The person is nestled under the covers, while the cat is comfortably sleeping next to their head. The cat is positioned close to the person's face, creating a cozy atmosphere between the two. The details of the photo show the person's face partially visible, but the cat's face is more clearly defined. The background consists of wooden walls and warm-toned lighting, emphasizing the snug indoor environment. Additionally, the soft bedding of the bed and the texture of the cat's fur are depicted in detail. The overall color palette predominantly features warm tones, and the soft lighting combined with the wooden textures conveys a comfortable and familiar feeling. This image beautifully captures an everyday and peaceful atmosphere, portraying the intimate relationship between a person and their pet.", "This is someone sleeping with their cat. There's one cat with its eyes open, blue eyes open, towards the bottom center of the image, curled up on the bed. It is black and white, with a black inner face and a white outer lining of the face. There is someone sleeping in the background with their mouth open. They have very large front teeth and very large glasses, which has its back rimmed, and the lenses seem to be very magnified. They're sleeping so that their body is towards the cat. There's an arm out laying on their chest, and there is a blanket with black diamonds across the front of the cat. There is one continuous pillow, and the bed frame is black. There is a big alarm clock in the background. The photo is tagged by Reto7, R-E-T-O-7. The lighting is very orange. There is very direct lighting from the cameraman's angle. There is no other text.", 'This picture seems to be set in a room, but to be honest, it looks a bit like a screenshot from a video game rather than a photo from real life. Anyway, in this image, there is a man and a cat on the bed. The man is wearing glasses, has short hair, and has a beard, lying under the blanket and on the pillow, which can be said to be in the middle of the bed. There’s also a cat, which could possibly be his, a black-and-white cat, sitting on the bed, visibly lying down while looking at the camera. In the background, on the right side of the bed, there is a lamp that provides some light, giving it a very game-like appearance.'] | [False, False, False] | [nan, nan, nan] | This image presents a tranquil scene featuring a person lying on a bed alongside their cat. The individual is comfortable and nestled under the covers, creating a warm and inviting atmosphere. The cat is positioned close to the person's head, peacefully sleeping, which enhances the sense of intimacy between them. While the person's face is only partially visible, the cat’s features are more prominent, showcasing the details of its black and white fur. The background of the image highlights wooden walls paired with warm-toned lighting, which together contribute to the cozy indoor setting. The soft textures of the bedding and the luxurious feel of the cat’s fur add to the overall comfort of the scene. The color palette leans heavily towards warm tones, which, coupled with the gentle lighting and natural textures, conveys a familiar and peaceful ambiance, effectively illustrating the close bond between the person and their beloved pet. In another image, we see an individual sleeping with their cat. This scene depicts a lively black and white cat with striking blue eyes, which are open and gazing towards the camera from the bottom center of the image. The cat is curled up on the bed, radiating a sense of calm. In the background, the person is asleep, their mouth open, revealing large front teeth and oversized glasses that are notable for their thick rims and magnified lenses. The person’s body is oriented towards the cat, with one arm outstretched and resting comfortably on their chest. A blanket with a pattern of black diamonds is draped across the front of the cat. The bed features a continuous pillow, and the bed frame is painted black, lending a sleek appearance to the setting. Further adding to the atmosphere, a large alarm clock can be seen in the backdrop, providing a juxtaposition of wakefulness against the tranquility of the sleeping figures. The lighting in this photo is characterized by a warm orange hue, resulting from direct illumination, which may highlight the playful yet comfortable atmosphere of the scene. Notably, the photo carries the tag "Reto7," denoting perhaps the creator or an identifier for the work. A third description suggests the image may resemble a scene from a video game rather than an actual photograph, emphasizing the somewhat surreal quality of the lighting and composition. Here, the man, identifiable by his glasses, short hair, and beard, lies comfortably beneath a blanket with a pillow positioned in the center of the bed. The cat, potentially his pet, is visible lying down while gazing at the camera, reinforcing the relaxed nature of the moment. A lamp is featured on the right-hand side of the bed, casting light across the scene and further enhancing the game-like aesthetic of the room. | 912 |
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['English'] | ['1lgae7uTI5Sx'] | [" This is an image of two people, a man and a woman, outdoors. Outdoors because I see a small hill behind them with trees and plants. The man is on the right side. He looks young and he's taller than the woman on the left side. Both of them are holding cards, cards that hosts in programs usually hold and where lines written on them will normally help them conduct what the program is doing. And so what we see on the card is probably the name of the program, which I believe is in Korean. The man is wearing a white shirt. With a dark blue jacket. And the woman is wearing a beige and black striped shirt underneath a white fluffy, what do you call it, cardigan on top. And she's also wearing a necklace that seems to be golden and is very long and the height of it is on her tummy. And the man in the picture is wearing a navy airport shirt. And they're sitting on there. And he dude who really looks puppy over there, he looks like he has horns around him. Those are the two men. This one is the guy who looks like he looks really, you know, like really Daddy Pearson kinds of weird looking guy."] | [False] | [nan] | This transcription describes an outdoor scene featuring two individuals: a man and a woman. The setting includes a small hill positioned behind them, adorned with a variety of trees and plants, indicating that they are in a natural environment. The male figure is situated on the right side of the image. He appears youthful and is noticeably taller than the female figure on the left. Both individuals are depicted holding cards similar to those used by hosts in various programs, which typically contain written lines to assist in the management of the event they are overseeing. The text visible on the card likely includes the name of the program they are involved with, which the transcriber believes is written in Korean. The man is attired in a white shirt paired with a dark blue jacket. In contrast, the woman is dressed in a beige and black striped shirt that is layered beneath a white, fluffy cardigan. Additionally, she wears a long, golden necklace that hangs down to her abdominal area, adding a stylish touch to her outfit. Further descriptive elements include a mention of the man's shirt, which is described as "navy airport," although it is unclear what this specific style pertains to without additional context. The individuals are seated, creating a relaxed atmosphere. Additionally, there is a curious observation about an unnamed individual, potentially another male, who is mentioned as looking "puppy" like, indicating he has a friendly or cute appearance. There is also a vague reference to this person having "horns around him," which could imply either a whimsical interpretation of his hairstyle or accessories, or possibly a costume element. This description also briefly references a "Daddy Pearson" type of appearance, although the context of this characterization is not clarified within the transcription. | 1,532 |
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['English', 'Tamil', 'Tamil', 'Chinese', 'Chinese'] | ['15wbQoQqpFBZ', '1jNSoPGlVWPR', '17XL1EWXoDp5', '1nhnT8zBz1tx', '1iZ9FmrjA1XN'] | [" So in this image we have what looks like the Taj Mahal or something like that. It's not the Taj Mahal but it's like a similar thing and it's got gold domes and the whole building is gold and it's square. It could be the, it looks more like the Kaaba in Saudi Arabia and Mecca but it's the square and it's gold and the base of it is white but the top of it is gold. And there's a lot of these openings that look like doors but without the doors they're just where the doors would be but they're just open. And it looks like some place of worship or some sort of religious site or architecture. And there's a bunch of people standing around it. They look like they're waiting in line to get in. And behind this there's a background, there's a gray sky. It looks like it's a very gray day and there's other buildings just like this but they're different colors. They're all white and silver. So this looks like the main one maybe or the most important one or something like that. And there's also a bunch of people near those buildings as well.", 'That is, the Gurudwara in Punjab called the Golden Temple, where our Sikh people come together. Many people from Punjab visit this place, and they go to the Gurudwara and offer their prayers. The Sikhs chant "Gurudwara Gurudwara" there. There is a red and black color scheme, and then there is a lot about the Golden Temple with water; there\'s quite a bit of water, it\'s like a lake. Next to it, there\'s a temple of Gurudwara, and there are many buildings surrounding it. There\'s a white temple building too, and behind it, there are several more buildings. Many people gather there, sitting below and enjoying the ambiance. Many of them take photos from a distance early in the morning. The buildings are nice, and it\'s a bit like how it was before. There used to be three athletes at the Golden Temple.', 'This image shows a temple; I think it’s the Golden Temple in Amritsar. A lot of people come outside to gather and pray. In this image, it has a shiny, colorful appearance. Outside the temple, right behind it, there’s a drive leading to the side of the temple. It’s a bit colorful, with a little tower that resembles a small tower. It’s similar to the big tower in Madurai, and there’s a lot of orange over there.', 'This image shows a golden building that looks very much like the Taj Mahal in India, as their architectural styles are quite similar. Additionally, next to this golden building, there are many white buildings, and it is constructed on water. You can see a bridge nearby, with many people heading towards the golden building to visit. There are a lot of tourists on the bridge, and it is likely that these people have crossed the water to see it, walking along the bridge to view this structure. This building really resembles India’s Taj Mahal and has a strong ethnic characteristic.', 'This is a scene on the water that appears to be some kind of golden building. The building is square in shape, but on top of the square main section, there are five small structures resembling pavilions. These small structures have domes that are reminiscent of, but not quite, churches or mosques, along with a small spire. It looks like a tourist attraction because you can see a line of people holding dolls beneath this building, trying to enter. It is a structure situated in the middle of the water. Look at this.'] | [True, True, True, True, False] | [nan, 'Gurudwar, Sikh temple in Amritsar called as Golden temple', 'yes', nan, nan] | In the imagery described, there is a significant structure that closely resembles the Taj Mahal, though it is clearly depicted as a different building that shares several architectural characteristics with it. This structure features gold-colored domes, a square base that stands distinctively atop a white platform. The roof exhibits a rich golden hue. Openings that appear to be doorways punctuate the facade, but notably, these are merely open spaces, lacking actual doors. The atmosphere around the building suggests that it is a place of worship or a significant religious site, evoking a sense of reverence. Surrounding this central edifice, crowds of people can be seen, many of whom appear to be waiting in line to enter the building. The background presents a rather gloomy gray sky, indicative of an overcast day, which contrasts with the shining gold of the structure. Additional buildings in the vicinity display various colors, predominantly in shades of white and silver, suggesting a diverse architectural landscape. It seems that the primary structure, with its bold gold finish, may hold a special significance among these surrounding buildings. Particularly, the description transitions to information about the Golden Temple, known as the Gurudwara in Punjab, attracting many Sikh visitors who come to offer their prayers. Sikhs are often heard chanting "Gurudwara Gurudwara" within the vicinity. A red and black color theme defines the temple's aesthetic, while the surrounding area includes a significant water feature, resembling a lake that adds to the serene atmosphere. Furthermore, there are multiple buildings around the Gurudwara, including additional white temples, where people gather in the morning light, enjoying the space and taking photos as they do so. The temple is highlighted as the Golden Temple in Amritsar, a noteworthy place where many congregate to pray. Its vibrant appearance is characterized by shiny, colorful elements, with a pathway leading up to the structure that is adorned with small towers resembling those found in Madurai, adding to its visual complexity. Another visual recounting includes the golden building constructed on water, with many adjacent white structures. A nearby bridge is bustling with tourists making their way toward the golden edifice, indicating its appeal as a major tourist attraction. This depiction emphasizes the similarities in architectural style to India's Taj Mahal while showcasing its unique ethnic characteristics. Finally, one more observation details a scene featuring the golden building again, reiterating its square shape and the five small pavilion-like structures on top. These pavilions have domes akin to those of some churches or mosques, alongside a slender spire, reinforcing the mix of architectural influences. The structure's location, seemingly set amidst water, attracts a queue of visitors, some carrying dolls, which hints at a cultural practice or belief associated with the site, enhancing the attraction's allure. | 804 |
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['English', 'Spanish', 'English', 'English'] | ['18B3AzKr2Rh8', '1ekHrMvINTa6', '1iTszLbzdaIH', '1np8LNScXhKk'] | [" It looks like it's pictures of school and looks like a bunch of students are walking from outside of school into the school. Because in the background were residential buildings and then behind the wall it seems like it's a fence and stuff like that. Looks like it's inside a school campus. And there's a lot of teenage girls walking in the pictures. They're all wearing uniforms. But some were taller, some were shorter. So it could be elementary school or maybe middle school. Not quite sure. And there's no text in the pictures. Okay. Okay. All the students, the students also wear backpacks. Some are having a walkie talkie or some maybe iPod to listen to the music. It looks like it's, I cannot really tell what culture it is because the clothes is just more than clothes, more than school uniforms. And actually, no, actually, wait a minute. There's some words on the wall. It shows students wearing dynamics, but there's no writing in the Chase books.", 'This is a photo of some girls dressed in formal clothing. They seem to be walking to or inside a school for class or school activities. There appear to be about 15 girls. Some have backpacks. The uniform consists of black shoes, black knee-high socks, a skirt, a dark blue sweater, a tie, and a white shirt underneath the sweater. There is one girl wearing headphones and listening to music. It seems to be a very candid and typical photo.', "It seems to be several students walking towards somewhere. They're conversing. I say they're students because we can infer that from the uniforms that they're wearing. They're wearing some jacket or sweater over a skirt and a shirt. Some of them seem to be wearing these red and blue ties as well. They also all have the same style of shoe and long black socks that almost go up to their knees or just under their knees. Behind them, we can see a poster in the background. And the poster has some trees and some writing on it. I believe the writing is in Spanish, which should help infer the location of this school. And behind that, we can see houses and a billboard as well. So perhaps these students are walking around a school campus or near the school campus. We can also see the gate that is gray that surrounds them as well. I would say that there's almost 15 to 20 students in this picture. There's only one person that seems to not be a student in the very corner of the picture. The rest of them seem to be girls with the same uniform, a lot of them carrying backpacks.", "The picture shows a scene with a lot of school children. They're all girls. There are more than 10 of them. There are no texts in the photo. The position of the objects, it looks like the children are on a concrete walking path. Behind the children in the background, it looks like a mural that's pretty bright. The mural shows trees and mountains and has some English letters. All the school girls are wearing the same uniform. Style and color. Style could be American, could be Europe, could be Asia. Hard to tell. It looks like the school girls can be of multiple races. Color, some of them have brown hair, some of them have black hair. Not enough contextual information to understand the location of it. But from the picture, it looks like the school children are walking away from the background with the mural. So maybe they're leaving school, walking away from school. But they could also walk towards the school. ."] | [False, False, False, False] | [nan, nan, nan, nan] | The first description captures an image of a lively school scene where a group of students, predominantly teenage girls, are observed walking from the outside into the school premises. The setting includes residential buildings in the background, and there is a fence separating the school grounds from the surrounding area. The students are identifiable as schoolgirls because they are all in uniform, though their heights vary, suggesting that they could belong to either an elementary or middle school. The absence of text in the images is notable, but students can be seen carrying backpacks, which is typical for school days. A few individuals appear to have either walkie-talkies or iPods, indicating some level of casual engagement with technology, such as listening to music while walking. The cultural context of their attire is ambiguous, categorized only as school uniforms, which may reflect broad trends rather than specific national or cultural identifiers. Interestingly, there are words visible on a wall, hinting at a message or theme related to student dynamics. However, no text is clearly discernible on any school materials. The second depiction provides a closer look at around 15 girls who are also dressed in formal attire, suggesting they are headed into school for classes or extracurricular activities. The girls are wearing a specific uniform comprising black shoes, knee-high black socks, skirts, dark blue sweaters, ties, and white shirts, which lend a polished, uniform appearance. One girl stands out slightly as she is wearing headphones, seemingly indulging in music. The casual nature of the photograph gives it an atmospheric feel, capturing a moment that resonates with typical school life. Further elaborating on the scene, the third transcription presents a similar observation where students are seen walking while engaging in conversations. Identified by their distinct uniforms, which include jackets or sweaters over skirts and shirts, the girls are outfitted uniformly with red and blue ties and matching shoes. The uniformity in the long black socks, reaching to just below their knees, adds to the cohesiveness of their appearance. Visible in the background are various elements, including a lively poster featuring trees and associated text, potentially in Spanish, suggesting a geographical clue to the school's location. This, along with houses and a billboard behind the students, indicates they are likely walking in proximity to a school campus. Approximately 15 to 20 students are captured in the frame, with one adult figure visible, contrasting with the otherwise youthful group. In the final analysis, the scene is again described with a focus on school children, specifically a group of more than ten girls who share a common uniform style and hue. The absence of textual elements in the photograph means interpretations rely on visual cues alone. The students are oriented along a concrete path, with a vibrant mural showcasing trees and mountains in the background, which features English letters, adding another layer of cultural context. The diversity among the girls, characterized by varying hair colors such as brown and black, suggests a multicultural environment within the school, although the locality remains elusive. They appear to be either departing from or approaching the school, with their collective movement evocative of the dynamic nature of school life. | 702 |
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['Chinese', 'Chinese', 'Chinese'] | ['13eWjbDmIIIP', '1g7ry1WyX0Hl', '1gyH7SQkJGWj'] | ['The information in the image describes a food item, but it is unclear exactly what type of food it is. Its shape is a diamond, and there are four pieces. There is soup, which is yellow, and it also contains chili oil. They are placed in a bowl, and the background of the bowl is a white table. In terms of positioning, there are two pieces at the bottom and two pieces at the top; the piece on the left is larger, while the piece on the right is smaller. The corner of the piece on the right has some black spots, possibly due to overcooking. Overall, the color is a ginger yellow, and the chili oil is red.', 'The photographed food is placed on a tabletop or kitchen counter, or another surface that is a shade of white that doesn’t clearly show the material, which seems like marble. The bowl is a more elongated shape, possibly thick pink ceramic. In the middle, there’s a sauce steaming with red oil and sesame sauce. There are three to four diamond-shaped pieces of food that are hard to identify. This food appears to have signs of being fried with some blackened edges, and it\'s layered generously with the sauce. Some pieces overlap one another, and they look like they could be pieces of fish or soy products, but the exact ingredients are unclear. In the upper right corner, there’s a black part that could be the surface or I feel could be on the bowl itself; that\'s cake. This "Speedy," these are all things I bought, every bite is a bottle that contains not only sugar but also milk.', 'This is a square image, and in the center of the picture, there is a light yellow ceramic plate. On the plate, there are three diamond-shaped pieces that resemble pastries, but each diamond-shaped pastry is drizzled with a sauce that looks like curry and red oil. It feels like these pastries are soaked in this seasoning. You can also see that at the bottom layer of the plate with these pastries, there is some light red spicy oil. Overall, it can be inferred that this dish is likely quite spicy and has a very strong seasoning, and it is placed on a light-colored table.'] | [False, False, False] | [nan, nan, nan] | The first transcription describes a food item depicted in an image, though the exact type of food remains ambiguous. The food is shaped like a diamond and there are a total of four pieces present. Accompanying the main dish is a yellow soup that contains chili oil, served in a bowl on a white table surface. In terms of the arrangement of the food items, two pieces are at the bottom of the bowl while the remaining two are positioned at the top. Notably, the piece located on the left side is larger compared to the smaller piece on the right. The right-side piece exhibits some black spots on one corner, which may indicate that it has been overcooked. The overall color of the dish is described as ginger yellow, while the chili oil adds a red hue, contributing to the vibrant visual presentation of the food. In the second transcription, the attention shifts to the overall setting of the culinary presentation. The food is placed on a tabletop or kitchen counter which appears to be a shade of white, possibly resembling marble, although this is not definitively clear. The bowl used for serving the food is elongated and seems to be made of thick pink ceramic. At the center of the bowl, a sauce is steaming, characterized by a mixture of red oil and sesame sauce. There are between three to four diamond-shaped food items, which remain difficult to identify. Signs of frying are evident on these pieces, with some edges blackened, and they are generously layered with the sauce. The arrangement shows some pieces overlapping one another. While the exact ingredients are uncertain, they might consist of fish or soy products. Additionally, in the upper right corner of the image, there is an indistinct black area that could either be a part of the bowl or possibly another object, which resembles cake. The last part of the transcription hints at a product named "Speedy," referring to food items purchased that may contain sugar and milk. The third transcription highlights a square image that prominently features a light yellow ceramic plate situated at the center. On this plate, there are three diamond-shaped pieces, which bear resemblance to pastries. Each of these pastries is generously drizzled with what appears to be a combination of curry sauce and red oil, suggesting that they have absorbed the seasoning. The bottom layer of the plate is noted to contain a light red and spicy oil, further indicating that the dish likely carries a significant degree of spiciness and strong seasoning. The entire dish is presented on a light-colored table, emphasizing the colorful and vibrant nature of the food arrangement. | 36 |
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['English', 'English', 'Chinese'] | ['1o6gN8sCOa3j', '1dDLBz8d49HJ', '1hDmDQBk7E3U'] | [" The image captures a sweet and candid moment of a young boy helping prepare a homemade pizza in a cozy kitchen setting. Standing at the counter, the boy with blonde hair and curious expression is caught mid-action as he samples a slice of mushroom from the ingredients laid out in front of him. He wears a light grey t-shirt with a colourful print reading, Robo Dog Boys' Best Friend, which adds a playful childlike charm to the scene. His small hands rest on the edge of the round pizza pan, which holds an unfinished pizza topped with tomato sauce, sliced mushrooms, and other toppings showcasing the creative messiness of the activity. The background reveals a casual lived-in kitchen with wooden cabinets and stainless steel sink, emphasising the homely atmosphere. A dish rack and various kitchen items sit on the counter, suggesting a space actively used for cooking and family bonding. To the right, another person's hands are visible, working on additional toppings, indicating the pizza making is a shared activity. Natural lighting, streaming, and... Through a window casts a soft, warm glow over the scene, enhancing the cozy and intimate vibe. The composition captures the innocence and joy of childhood, creating the boy's curiosity, hiding the boy's curiosity and engagement in the simple yet meaningful task of creating a meal with loved ones. This charming snapshot reflects the beauty of everyday moments and the connections built through shared activities in the kitchen.", " This image seems to be depicting a small child eating a pizza. The small child has blonde hair and a gray shirt that says RoboDog, boy's best friend. RoboDog is written in light blue font and boy's best friend is written in red font. In the foreground is a plate with a pizza on it that seems to have mushrooms and tomato sauce on it. And the boy has his right hand up to his mouth and he seems to be eating one of the mushrooms on the pizza. In the background is a typical American kitchen. There is a sink, various items to the left of the sink, but it's quite blurred so we can't see very well. And to the top right of the image seems to be the upper arm of someone, perhaps the child. The child's mom cutting things on a cutting board.", "In the center of the image is a blond-haired little boy who is putting something into his mouth. The entire picture appears to be in a kitchen, featuring one child and food on the table. This image likely conveys the idea that the child is eating something, while his parents might be cooking in the background. The child is positioned right in the middle of the picture. Notably, the food he is eating may be a pizza topped with mushroom slices and red peppers. His parents are behind him in the kitchen, preparing other items. The background is a home kitchen, and the child's clothing has words written in red and blue. The child is looking down while eating, and the color palette of the scene is warm. This theme relates to family."] | [False, False, False] | [nan, nan, nan] | The image showcases a delightful and heartwarming scene of a young boy, embodying innocence and curiosity, as he engages in the process of making and enjoying a homemade pizza in a warm, inviting kitchen. With his blonde hair and a light grey t-shirt featuring a playful print that reads "Robo Dog Boys' Best Friend" in vibrant colors, he adds a charming touch to the tableau. The t-shirt, with "Robo Dog" rendered in light blue and "Boys' Best Friend" in a bold red font, reflects a playful childhood spirit, often appealing to young boys' fascination with superheroes or robotic characters. His small hands are playfully resting on the edge of a round pizza pan, which holds an unfinished pizza adorned with rich, red tomato sauce, sliced mushrooms, and a selection of other toppings that hint at the creative culinary chaos typical of a family kitchen. This scene is set against a backdrop of a cozy, lived-in kitchen, characterized by wooden cabinets and a stainless steel sink, evoking a homely atmosphere steeped in the familiarity of family life. Various kitchen items and a dish rack on the counter suggest that this space is actively utilized for cooking and nurturing family bonds. To the right of the boy, another pair of hands can be seen actively working on adding more toppings to the pizza, indicating that this pizza-making endeavor is a collaborative effort, likely involving other family members or caregivers. Natural light floods through a window, casting a warm and gentle glow over the scene, further enhancing the intimate and cozy feel of the moment. The composition beautifully captures the essence of childhood, highlighting the boy's engagement and joy as he explores the simple yet meaningful activity of preparing a meal together with loved ones. This snapshot not only reflects the beauty of everyday moments but also symbolizes the connections forged through shared experiences in the kitchen, representing a space where family memories are created and cherished. In a different angle of the same scene, the image presents the boy as he brings a slice of pizza, likely topped with mushrooms and tomato sauce, up to his mouth, deep into the act of tasting. His expression suggests a sheer delight in the flavors, exhibiting the pure joy that comes from homemade meals. His actions are juxtaposed with the blurred figures of adults in the background, one possibly being his mother, who is visible as she prepares additional ingredients on a cutting board. This backdrop showcases a typical American kitchen setting, filled with everyday items, contributing to the feeling of familial warmth and togetherness. The warm color palette permeating the scene reinforces the theme of family and togetherness, making the viewer feel connected to the heartwarming experience being shared. | 1,040 |
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['Japanese'] | ['1aWVx4nk4vZh'] | ['Is this the famous Sakamoto Ryoma? It looks like a statue of a famous warrior riding a horse. It appears to be in front of a castle. This statue has great cultural value and is a place that many tourists often visit. The statue is very dark and placed on a large pedestal. The samurai, or warrior, is wearing two swords and traditional Japanese clothing. The horse looks very strong as well. The surroundings are quite cloudy, and the day it was taken was overcast, with pine trees around, giving a very Japanese atmosphere.'] | [True] | ['It is a famous historical site'] | Is this the famous Sakamoto Ryoma? The statue depicted seems to represent this renowned historical figure, known for his pivotal role in the Meiji Restoration in Japan during the 19th century. The statue portrays a warrior elegantly riding a powerful horse, capturing the essence of Samurai culture. It is situated in front of a castle, which adds to its historical significance and allure, as castles in Japan often symbolize feudal power and are associated with samurai heritage. This statue holds substantial cultural value, making it a notable attraction for many tourists who wish to connect with Japan’s rich history. The representation of the samurai is particularly striking; he is adorned in traditional Japanese clothing, which typically consists of a kimono, often layered and beautifully detailed. The samurai is depicted with two swords, known as daisho, which is emblematic of a samurai's status and honor. The horse portrayed in the statue is depicted as robust, symbolizing strength and nobility—qualities revered in both warriors and their steeds in Japanese culture. The setting surrounding the statue is enveloped in clouds, and the day it was photographed was overcast, which contributes to a somewhat serene and contemplative mood. Lining the area are pine trees, which are often found in Japan and are celebrated for their beauty and their association with longevity and resilience, further enhancing the distinctly Japanese ambiance of the location. | 470 |
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['Chinese'] | ['1ba4MFXzoBkW'] | ['This picture is an interior view that seems to be in a dark room. In the middle, there is a bowl of lamp oil with a lit candle and a lamp. The lamp oil is held in a red bowl, and it is currently igniting and producing flames that illuminate the surroundings. The bowl containing the oil is resting on a stone, which glows under the light. I can guess that wax from the dripping candle has accumulated on this stone, and the light reflecting off it creates a shiny surface. This stone has likely been used for a long time, as there are many wax drips on it. We can also see what seems to be an incense stick stuck in the stone, still producing white smoke. Below this stone, there is a very large rock that looks like a sign. So, these are the elements in the picture. It definitely feels like a very dark room.'] | [False] | [nan] | The image presents an interior view of a dimly lit room that evokes a sense of warmth amidst the darkness. At the center of the scene, there is a bowl filled with lamp oil, which plays a significant role in providing illumination. This bowl, distinguished by its vibrant red color, contains a lit candle along with the lamp itself. The flame from the candle is alive and flickering, casting gentle light that dances around the space and highlights the various elements present. The bowl of oil rests upon a stone surface that has a soft glow, enhanced by the light from the flames. This stone appears to have aged significantly, evidenced by the accumulation of wax drippings from the candle, which have created a textured and shiny surface over time. The wax has built up as the candle burned, indicating that this stone has been a well-used surface for candlelit activities, perhaps serving as a makeshift altar or a place for contemplation and relaxation. In addition to the bowl and the candle, there is an incense stick embedded in the stone, still releasing wisps of white smoke that rise into the air, adding an aromatic and serene atmosphere to the room. The presence of incense usually serves to purify the space, promote relaxation, or enhance spiritual practices, suggesting that the environment is possibly used for meditation or reflection. Beneath this stone, there lies a significantly larger rock that seems to serve as a marker or a sign, though its function or significance is not entirely clear from the image alone. The overall ambiance of the room is heavily influenced by the interplay of shadows and light, creating a cozy yet mysterious atmosphere that invites the viewer to ponder the purpose and meaning behind the objects present. The dark nature of the room contrasts with the illuminated elements, effectively drawing attention to the warmth emanating from the oil and candle, while also inspiring thoughts of tradition and ritual. | 38 |
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['English', 'Russian', 'Chinese'] | ['1etlmk1V77L9', '1fJKPxUlHB7Q', '15VuugGgjWjp'] | [" The image is of an office setup. There are two parts to the office setup, the front desk and the adjacent side desk. The front desk has a laptop that's on a laptop holder. The current image on the laptop is of a dog. The laptop is silver. There is a keyboard on the laptop and there is an external keyboard that's on the desk with a mouse. On the left side, there is a lamp that's shining brightly and there is a black telephone. There are some other items on the desk as well that are of personal significance. On the right side of the desk, there is a black computer mouse. There is a monitor with the current screen of some flowers. The lighting of the room is dim and the background indicates that this may be taken in an office setting.", "Here we are looking at a photograph of an office. It's quite an old photo. There's a laptop right in front of us. On this laptop, you can noticeably see either a video or a picture of a dog. This laptop is connected via an old VGA cable to a fairly small monitor located on the right. On that monitor, there's some kind of image, a tree of some sort, which is very unclear. On the left, we see a desk phone. We can also see right in front of us an additional keyboard, separate from the laptop, and a mouse. This keyboard and mouse are made by Apple. Yes, all of this is in some office. There is nobody around. But this photo was taken either in the evening or in a place with no windows at all, because all the light is provided by ceiling lamps.", 'This picture features a scene of a desk or office table. On this desk, there is a desk lamp that shines downwards; the light is not very bright. Next to the lamp, there is a bag with a small keychain attached, which is a small bear. On the desk, there are two computers: a laptop and a desktop computer. The lock screen on the laptop displays a picture of a dog, while the desktop computer’s lock screen shows a photo of a flower in the wind. The desktop computer is equipped with a wireless mouse and keyboard. Behind the desk, there are two mirrors, and the entire room has two large square lighting fixtures. Overall, the style suggests a nighttime home setting with the lights on, contributing to a cozy and warm home atmosphere.'] | [False, False, False] | [nan, nan, nan] | The image presents a detailed view of an office setup, comprising two distinct sections: a front desk and an adjacent side desk. The front desk features a silver laptop positioned on a laptop holder. The screen displays an image of a dog, which adds a personal touch to the workspace. Accompanying the laptop is an external keyboard and a computer mouse, both of which are neatly arranged on the desk. On the left side of the front desk, a bright lamp illuminates the area, and adjacent to it is a traditional black telephone that suggests a classic office environment. Various other items, likely of personal significance to the occupant, are scattered across the desk, further emphasizing a sense of individuality. To the right of the front desk setup, a black computer mouse is present. Additionally, a monitor connected to the laptop displays an image of flowers, providing a refreshing view that contrasts with the other more utilitarian elements of the office. The lighting in the room appears to be dim, creating a subtle ambiance that suggests this image was captured in a typical office setting. In another photograph, the focus shifts to an older office depicted in a different manner. The center of attention is again a laptop displaying either a video or a photograph of a dog. This laptop is connected to a smaller monitor located to its right via an older VGA cable. The monitor's content is less clear, suggesting an image of a tree that is difficult to interpret. To the left of the laptop, a desk phone is visible, further enhancing the sense of an operational office environment. In front of the laptop, there is an additional keyboard and mouse, which are identifiable as Apple products, known for their sleek design and functionality. This office scene lacks any visible employees, creating a sense of solitude. Lighting in this photograph is also crucial; it appears that the image was captured in the evening or in a windowless location, as the only illumination stems from ceiling lamps, enhancing the enclosed atmosphere of the office. Lastly, the picture showcases a cozy desk or office table scene. A desk lamp emits a softer, less intense light compared to the previous images. Adjacent to the lamp is a bag adorned with a small keychain shaped like a bear, adding a personal and whimsical element. On the desk, two computers are present: a laptop featuring a lock screen image of a dog, and a desktop computer whose lock screen displays a photo of a flower swaying in the wind. The desktop setup includes a wireless mouse and keyboard for added convenience. Behind the desk, two mirrors are visible, contributing to the overall décor of the room. The room is well-lit by two large square lighting fixtures, creating a warm and inviting atmosphere. The combination of the dim lighting and cozy elements suggests a nighttime home setting, fostering a sense of comfort and personalization within the space. | 899 |
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['English', 'Chinese', 'Chinese'] | ['18bKthNBePJ2', '1dFjE1tNISbr', '1c4pz0ruGJPT'] | [" This looks like a picture taken of a man who has arms crossed and is very clearly posing for a picture. The face is blurred out, but judging from the skin tone and the hairstyle and also the aesthetics of the shirt, which is a more semi-formal looking shirt with a slight culturally distinct maroon and white stripe going down the middle, it looks like this man may be Indian or Pakistani. But unfortunately there's no text and there's no other real context clues behind this because the background is also blurred, although the background seems to have lots of different lighting. So, yeah. So, yeah. So, maybe in a more vibrant area rather than in an everyday setting, an entertainment area potentially.", "I see that this is a photo of a man. Behind him, there is a slightly blurred background with neon-like light. There are bright lights in the back. The man's face has been pixelated, but you can see he has black hair and a black beard. He is wearing a type of traditional attire that looks like it belongs to Central Asia or South Asia. The outfit has a white base, adorned with some simple, dotted decorations. Some of these decorations have a thread-like appearance, resembling golden threads that are shimmering a little.", 'This is a portrait of a character directly facing the viewer; it is a male figure wearing an ethnic outfit. The outfit features a polka dot pattern in a light yellow color, and it has a transparent covering on the outside. Underneath, he is wearing a white inner shirt. The man in the photo has short hair and a beard, and the background consists of different lighting with yellow and blue tones, possibly accompanied by some green plants.'] | [True, True, False] | ['Non american attire', 'The clothes looks South Asian', nan] | This image presents a man who is confidently posing for a photograph with his arms crossed, signaling a sense of self-assuredness. His face has been intentionally blurred, obscuring his identity; however, a close examination of various features provides some insight into his background. The skin tone, hairstyle, and attire suggest that he may belong to the Indian or Pakistani cultural groups. The shirt he is wearing is semi-formal, characterized by a distinct design that prominently features a maroon and white stripe running down the center, a detail that contributes to the shirt's culturally rich aesthetic. The background of the photograph is also blurred, making it difficult to identify specific elements. Nonetheless, the various lighting effects imply that the setting could be in a vibrant area, potentially an entertainment district, rather than a typical everyday environment. The illumination suggests a lively atmosphere, full of energy and color. In another image described, we see a man again, this time set against a background that appears to be slightly blurred yet infused with neon-like lighting. The bright lights enhance the overall visual excitement of the scene. The man's face, similarly pixelated to maintain anonymity, reveals that he has black hair and a black beard, reinforcing the notion of him belonging to a South or Central Asian heritage. His outfit consists of traditional attire that features a white base, adorned with delicate dotted decorations, some of which are designed to mimic the appearance of shimmering golden threads, adding a touch of elegance. There is also a portrait of an ethnic male character directly facing the viewer. He is dressed in an ethnic outfit that features a playful polka dot pattern in a light yellow hue. The outfit has a transparent layer overlaying it, signifying a thoughtful choice in design. Underneath this outer garment, he wears a white inner shirt, adding a layer of sophistication to the portrayal. The man's short hair and facial hair complement his overall appearance. Surrounding him, the background showcases varying hues of yellow and blue, likely accompanied by lush green plants. This vibrant backdrop not only enhances the visual appeal but also creates a dynamic contrast against the subject, allowing the ethnic elements of his attire to stand out prominently. | 21 |
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['English', 'Chinese'] | ['1c1UvgYiyo5D', '1oS7Hd4hmuRp'] | [" This is a picture of two people walking along a beach and the sun is going down. So you can't, since the sun is in front of them, you, the, you, as the viewer of the picture, can't really see them very well. You see their shadows and you basically just see them as silhouettes. They're walking along the beach and they have two surfboards in their hands, each with one surfboard, two people total. And, uh, one is walking, uh, where the, it's damp on the beach where the waves hit the sand and the other is walking where the waves don't seem to be hitting the sand anymore. And they seem to be two males. The male to the left, that's closer to the ocean, has a, uh, a bun in his hair. And in the background you can see a bunch of, uh, rocks on the ocean. So it's a rocky area of the ocean. And there's also the sky in the background, which takes up the top half of the photo. And, um, the sun is shining down on the ocean in the middle of the picture. And there are a bunch of clouds in the sky, thin clouds.", 'This photo is of two boys on a beach. So, there are two boys, one of whom is wearing a hat, and they are holding their surfboards. On this beach, there are some rocks, and the weather is very clear. However, this photo looks quite dark, with many black shadows. The weather is bright, and the sky is blue. These two boys are walking on the sand. So this is significant to you. Some can be phrased like this. So here in this photo, there are two boys.'] | [True, False] | [nan, nan] | This is a picturesque image capturing two individuals strolling along a beach as the sun sets on the horizon. The position of the sun prevents the viewer from seeing the details of their faces; instead, they appear as dark silhouettes outlined against the luminosity of the sunset. Each person is carrying a surfboard—just one surfboard per person—in their hands. The first individual, positioned on the left side of the image and closer to the water, walks along the portion of the beach that is damp from the waves that have recently lapped at the shore. The second individual walks on drier sand, indicating a slight separation in their paths along the beach. Both figures are identified as male. Notably, the male nearest to the ocean sports a bun hairstyle, which may contribute to a relaxed, beachy aesthetic. The background reveals a rugged shoreline with several rocks scattered in the ocean, enhancing the coastal scenery. Above them, the sky dominates the upper half of the image, filled with scattered, thin clouds, allowing the sunlight to filter through and shimmer on the water's surface at the center of the photograph. In a separate perspective, another description highlights two boys engaged on the same beach. One is notably wearing a hat, which adds to their distinctive appearances while they hold their surfboards. While the weather remains evident as clear and bright, the photograph's overall effect appears darker, composed of deep shadows that contrast with the sunny atmosphere. The blue sky provides a vibrant backdrop as they traverse the sandy beach, an experience that may hold particular significance for the viewer. | 1,155 |
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['English', 'Chinese', 'Chinese'] | ['183OpHSUPB7G', '17KJ6H4fcPkZ', '1ltwsjMmNcmF'] | [" At first glance, this image is a beautiful landscape of the coast. We see closest to the camera a large body of water. The water is sort of greenish but doesn't look super dirty. There are many boats along the coast. There is one larger one at the end of a dock and many smaller ones around the coastline. On the coast, there are many green trees that look very healthy and are a very vibrant shade of green. Beyond the trees, there are a lot of buildings that extend far into the distance. It seems like a big city. Behind these trees, there is a mountain range with mountains that aren't super tall. Behind those, the sky is blue and mostly cloudless besides a haze right above the mountains.", 'The image is a panoramic view, showing a distant perspective of a city. You can see that this city is by the water, with many boats on the water, which cannot be counted clearly because there are so many and they are quite small. In the center of the lake or water, there is a large boat. Behind it are many green trees, and further back are numerous tall buildings, with a range of mountains in the distance. This picture was taken during the day on a sunny day with good weather, but there are no other textual or geographical information in the image. The color of the houses is white. The boats are mainly blue, with some in white and red.', "The entire image looks more like a landscape photo taken from a very high angle, capturing a miniature version of the entire city. We can see that close to us is a body of water, either a lake or a river, which is green in color. There are some boats, many already docked in the harbor, while others are floating on the lake. We can see a lot of trees, and further in, many tall buildings and residential complexes. The image gives us more of a glimpse into the city's essence, and further in, we can vaguely see some mountain peaks, connecting with the sky. The overall composition of the picture shows a blue sky above and the lush green lake below, creating a very beautiful scene. It is apparent that the photographer is likely a very professional one, as the composition resembles a miniature version of the city itself. We can also see some ancient small boats used for fishing, alongside some modern high-rise buildings."] | [False, False, False] | [nan, nan, 'No'] | At first glance, the image presents a stunning landscape of the coast, showcasing a large body of water that appears greenish in hue, yet does not seem excessively dirty. Scattered along the coastline are numerous boats, with one notably larger vessel situated at the end of a dock, while many smaller boats are seen bobbing along the shoreline. The coastal area is adorned with a plethora of healthy, vibrant green trees that contribute to the lushness of the scene. In the background, an array of buildings stretches far into the horizon, suggesting the presence of a sizable city. Behind the verdant trees rises a mountain range consisting of mountains that are not particularly tall. Above these mountains, the sky is predominantly blue and mostly free of clouds, with only a slight haze visible just above the peaks. The image captures a panoramic view that offers a distant perspective of the city, which is positioned by the water. The water is populated with a multitude of small boats, making it difficult to count them accurately due to their number and size. Prominently featured in the center of the lake or water body is a larger boat, while an expanse of green trees lies behind it, and further back, numerous tall buildings rise into view. The backdrop features a range of mountains that adds depth to the composition. The photograph was taken during the daytime under sunny weather conditions, although it does not provide any additional textual or geographical information. The buildings, primarily characterized by their white color, contrast with the blue, white, and red of the boats. Overall, the image conveys an aerial perspective that resembles a landscape photograph taken from a significant height, capturing a miniature representation of the entire city. The body of water, whether a lake or river, appears green and contains many boats, some of which are docked in the harbor while others float serenely on the water's surface. Dense patches of trees fill the scene, and farther in, an assortment of tall buildings and residential complexes can be observed. The composition offers a glimpse into the city's essence, with distant mountain peaks merging into the sky. The photograph reflects considerable skill, suggesting that the photographer possesses a high level of professionalism, as the arrangement of elements creates a vivid and beautiful scene. Among the boats, some ancient fishing vessels can be spotted alongside the modern high-rise buildings, adding a layer of historical context to the contemporary cityscape. | 1 |
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['German', 'English', 'Vietnamese', 'Chinese'] | ['11Aao6QQTdfP', '1n9NN8J1KeI5', '1mdwC18yR8gZ', '1kUEm1IaiwRR'] | ['This photo shows a woman sitting on a bench and reading a book. A woman can be seen with her book and bag sitting on a single bench, as well as a large tree trunk behind her. There is some text visible on the back of her book, but it is too small to read. The woman is positioned on the right side of the image, and the left side shows the other empty side of the bench. Right next to her on the left lies her bag. The sun is shining, and under the bench, you can see some grass and fallen leaves, as well as the mountains of the walkable area on which the bench sits. The bench is green, and the woman sits with her legs crossed, wearing a brown dress and white earbuds. The bag next to her is a light brown color.', " This is just an image of a young woman reading in the park. She is sitting on a green bench with a maroon brownish bag with a plastic bag inside of it. She's wearing a blue dress that goes down to her knees and brown flip-flops. She has headphones on that are wired and looped around her ear. She has blue eyes and light brown hair. The book she's reading is white and she appears to be married because she's wearing a ring on her ring finger on her left hand and a black watch. In the background there is the base of a tree and a bunch of green foliage so it's very clear that she's sitting at the park. There appears to be some sort of like lamp in the background. She's wearing a background as well and some poles and wires so we know it's like maybe the city or the suburbs.", 'In the picture, there is a girl sitting on a bench in the park. This girl has short brown hair and is wearing a light blue dress. She has a brown bag placed on the bench. The bench in the park is green. She is wearing headphones, and it seems she is listening to music. In her hand, she is holding a book and is reading it intently. Behind her, there is a thick tree, and on the ground, there is a green grass carpet. In the distance, there are many other trees. She is very focused on reading. On her feet, she is wearing a pair of sandals. In her brown bag, there is a white nylon bag.', "The image shows a young woman sitting on a park bench reading a book while wearing headphones, appearing very calm. She is dressed in a blue dress, and the image also includes a bench, a book, a pair of headphones, a deep brown backpack, and a white plastic bag inside the backpack. The cover of the book might have text, but it is not clearly visible. The woman is sitting on the left side of the bench, with her legs crossed and holding the book. The headphone wire connects the headphones to the backpack, which is located on the woman's right side. The white plastic bag is protruding from the backpack, and the bench spans the lower middle part of the image. The woman has a focused expression, and the backpack is dark in color. The trees in the background are clearly visible, indicating an outdoor setting. There are scattered leaves and grass, ground visible, and greenery; in the distance, other trees and some unclear structures, possibly lamp posts, can be seen. The style feels quite everyday and natural, evoking a sense of comfort."] | [False, False, False, False] | [nan, nan, nan, nan] | In this detailed portrayal, we observe a young woman seated on a park bench deeply engrossed in reading a book. She is positioned on the left side of the bench, which is painted green, indicating a vibrant park setting. The woman has short, light brown hair and is dressed in a light blue dress that reaches down to her knees. Her attire is complemented by a pair of brown flip-flops, providing a casual yet stylish appearance. She is also wearing wired headphones that are looped around her ears, indicating that she is listening to music as she reads. Next to her on the bench lies a deep brown backpack with a white plastic bag peeking out from inside it. The bag is likely used for carrying additional belongings. The book she is reading appears to have a white cover, but the title or any text on it is not legible from this angle due to the distance. The woman's expression conveys deep concentration as her focus is entirely on the book. In the background, ample green foliage surrounds her, including a thick tree which provides a natural backdrop and contributes to the tranquil atmosphere of the park. The ground is carpeted with lush green grass, interspersed with fallen leaves, further emphasizing the outdoor setting. Scattered leaves can be seen under the bench, adding to the organic feel of the environment. In the distance, other trees rise majestically, enhancing the scenic beauty of the area. There are also hints of man-made structures, possibly lamp posts or utility poles, suggesting a suburban or city park. Overall, the image captures a moment of peaceful solitude, where the young woman immerses herself in her book, illustrating a slice of everyday life in a serene park setting. The bright sunlight bathes the scene, enhancing the inviting ambience and portraying a relaxed, laid-back day outdoors. | 902 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1ngMD6Ewekgl', '1hCHb6lwA7Pe', '1hQU4EdT6o8Y', '1kHZUq4RhtOz', '17R24MGzzwhH', '1khFDuTxfJFK'] | [" In this image at first glance we notice three people in what appear to be Chinese costumes that are in the middle of the street for some kind of celebrations with people stopping by to look at them. So in terms of objects we notice the three people in costumes mostly in the center of the image and right behind them we notice a car with a person in it opening his door to look at them and someone else towards the left in the image in the background walking away from the people in costumes. We don't see any text in the image. We also do notice a building in the background. In terms of subtle details I think we mainly notice the intricate details on the costumes and the fact that there's also a lot of red and yellow. So in the background we just notice a few trees and a house. The style and the color again of the costumes appears to be Chinese with red and yellow as the most prominent colors and a bit of green too on the person on the right. In terms of contextual information and location we would probably assume it's China since they're in Chinese costumes and the man in the car appears to be Chinese as well. And that's probably also what we would infer from the image. So I really think the painting itself reading style is charged the connection that the most of what's written stands for. It's really about what the man in the costume patiently waited for and a direct Hoje Inom purchase. Thanks very much this has been такой", ' This is an image of three people standing on stilts. The person on the right-hand side is female and it is difficult to tell the genders of the two people on the left-hand side. These three people are in the foreground. In the background there is a flatbed truck that is brown or silver in color and behind that there is a pink and white colored house. There is also a truck in the background, a lorry. The sky is blue and there are lots of clouds in the sky. There are also power lines in this image and there are some objects hanging from these power lines. The three people in the foreground are wearing what appears to be a traditional costume. They are standing in the road which is a paved road and there is no writing in this image.', " This is an image of three street performers in Asian costume on stilts period. In the background there's a car period. Because they're standing on stilts, they're much taller than the car period. One of them is wearing a head covering that has two round, backwardly angled horns coming out of it, indicating that he or she represents some type of a horned animal period. The other two characters are also wearing head coverings period. We see only the back of the other two characters, which appear to be walking towards the car period. One of these characters is wearing, a head covering that is shaped like a crown period. A man has opened the right door of the car and is about to step out of the car towards the characters, comma, possibly to greet them or tip them period.", 'The image showcases a traditional Chinese art form known as "Cai Gao Qiao" (Stilt Walking). We can see three performers standing on a very high wooden structure, making them appear quite tall. On the left, there is a performer dressed in yellow with a red sash and a yellow hat, who should be Tang Seng (the monk). In the middle, another performer is wearing yellow and has a hat made of two very long feet, indicating he is Sun Wukong (the Monkey King), Tang Seng\'s disciple. On the right, the individual is dressed in red and green pants, and also has two very long feet as a hat, suggesting he is Hong Hai\'er. We can also see a car in the image with its door open, and the driver appears to be poking his head out, possibly taking pictures of them or engaging in conversation. This is a very traditional Chinese art form called "Cai Gao Qiao," where performers stand on this tall stilt structure to perform.', 'In the scene, there are three people performing tightrope walking. One of them is performing, while the other two are portraying Tang Seng and what I assume is Sun Wukong. The Tang Seng character is wearing a hat with the Buddhist character written on it and is dressed in a red robe. The Sun Wukong character has a stainless steel staff and is wearing a yellow costume. The remaining young performer seems to be dressed in a red top and green pants, holding a spear; I suspect he is playing the role of Nezha. They all have a tightrope beneath their feet, and in the background, there is a car and passersby interacting with them. Behind them, there are buildings and telephone poles, indicating an open space that resembles a folk art performance.', 'This scene describes a traditional Chinese cultural performance known as "high bridge walking." The three characters depicted in the photograph are likely Tang Seng, Tang San, and either Sun Wukong or Nezha, or possibly the Red Boy, as Nezha does not appear in "Journey to the West." Therefore, the performance is likely a scene where the Red Boy and Sun Wukong are fighting. Currently, they are not performing but greeting passersby. In the background, there is a gray car from which a person dressed in red and white stripes, representing a traditional cultural figure, has emerged. This is not set on a stage; rather, it\'s a scene of performance on the street.'] | [True, True, True, True, False, False] | ['Yes, Chinese cotumes.', nan, 'Asian street perfromers', 'Chinese performance', nan, nan] | In this collection of images, we observe a vibrant scene characterized by traditional Chinese cultural performances involving three individuals dressed in elaborate costumes. In the first image, at first glance, we notice three performers wearing ornate Chinese costumes prominently positioned in the center of the frame. They are standing amidst the street, participating in what appears to be a celebratory event, as various onlookers pause to observe the spectacle. Behind these performers, there is a car, and within it, a person is seen opening the door, seemingly attempting to engage with the performers or to get a better view of them. Off to the left in the background, another individual is depicted walking away from the scene. The intricate details of the costumes are notable, featuring predominant colors of red and yellow, with hints of green visible on the individual situated on the right. The surrounding background includes a few trees and a house, further complementing the urban setting. Given the costumes and the man in the car, one can reasonably infer that this scene is taking place in China, reinforcing the cultural context of this performance. In the second image, we focus on the three performers who are standing on stilts, significantly elevating their silhouettes above the nearby elements. The individual on the right is identified as female, while the genders of those on the left are ambiguous. Their stilt attire blends traditional elements, which are complemented by the surroundings. In the background, we notice a flatbed truck, which is either brown or silver, accompanied by a pink and white house nearby. The scene is captured under a blue sky filled with clouds, thus setting a picturesque atmosphere. Power lines can also be seen spanning across the image, with objects dangling from them, adding to the ambiance of a daily life backdrop. The performers occupy a paved road and, notably, there is no text present in the image. The third image presents an informative view of three street performers adorned in Asian costumes and standing tall on stilts. They are notably taller than an adjacent car parked nearby. One performer is distinguished by a headpiece featuring two horns, indicative of a horned animal, while the remaining two wear head coverings, with one resembling a crown. From this angle, we can see only the backs of the other two performers who appear to be walking toward the car. The scene encapsulates the interaction as a man inside the car opens the door, prepared to step out and potentially greet or tip the performers. Following that, the fourth description highlights a specific traditional Chinese art form known as "Cai Gao Qiao," or stilt walking. This image showcases three performers positioned on a high wooden structure, allowing them an elevated display. On the left stands a performer in yellow with a red sash and matching hat, symbolizing Tang Seng, the monk. The central figure, dressed similarly in yellow, wears a hat resembling two elongated feet, portraying Sun Wukong, the Monkey King's disciple. On the right, another individual is adorned in red and green trousers, also featuring the same unique hat design, likely representing Hong Hai’er. In this vivid portrayal, a car is again present, with its door ajar, and the driver appears engaged with the performance, perhaps taking photographs or initiating conversation, capturing the interactive spirit of this traditional display. The final image describes an engaging cultural performance known as "high bridge walking," in which we see three figures, including one performing tightrope walking while the other two represent well-known characters from Chinese folklore: Tang Seng and Sun Wukong. The Tang Seng character is easily recognized by his distinctive hat inscribed with Buddhist symbols and a flowing red robe, while Sun Wukong is depicted wielding a stainless steel staff and adorned in yellow. Another young performer appears to embody Nezha, showcased by his red top, green trousers, and a spear. They are situated above a tightrope, further emphasizing the precarious skill involved in their performance. The backdrop includes a car and individuals passing by, providing context to this vibrant folk art presentation set in an open space environment rather than a formal performance arena. The scene captures an informal yet engaging interaction happening on the street as the performers connect with spectators. | 169 |
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['English', 'English', 'Tamil', 'Chinese', 'Chinese'] | ['14fwtb9dlR6x', '11pcAgSvulTi', '1aKAPRnRNb1v', '1o4KO6IspEeY', '1eG4Xe82RnXM'] | [" I can't tell what this image is at first, but it's definitely some kind of bedding spot, some kind of housing or shelter for a group of people. It appears to be some kind of bunk beds. There are several people throughout the image. There are some adults, some children. The people have their faces blurred out. I'm assuming for privacy reasons. It's very tight in this shelter. It could be above ground. It could also be some kind of transportation, like a bus or a ship or something. Something with a round roof. The beds are a cyan, light blue. The walls are a light gray or beige. It could be some kind of... A ship. The people are wearing... A lot of them are wearing a yellowish color. There's a child who has a red hat. Some people are wearing gray or blue jeans. The background is pretty similar to the foreground. Everything is the same throughout this location. There's some fans sticking out from the top. Some blankets along the sides. It's hard to tell the context. It's a nice image, however. It's a nice image, however.", " The picture is showing yellow little pads that you can sit and sleep on. In the picture, it has a fan, so it must be a location that can get a little warm. The roof of the setting is curved. This could be some sort of bunker or maybe a bus that's transporting people or a train. In the photo, you see a bunch of people sitting on the first level of the sitting area. There are two levels that you can sit on. This might... This might be a train. It looks kind of old and dirty. So this is probably not in the United States because we don't usually have transportation cars like this. Because the sitting area doesn't seem to have seatbelt.", "In this photo, there's a coach in the compartment of the train and many people are sitting inside it. A lot of them are reading and it's a bit difficult to see since they are all absorbed in their activities. I've been gathering data about this course, and it seems that everyone has gone off to do something else, except for a few who are still in the train. The place is recognizable because of that.", 'In the middle of the screen, there is an aisle with bunk beds set up on both sides, resembling sleeping berths. The area is filled with people lying down and sitting. In the center of the aisle, there is also a fan on the ceiling. Although I am not entirely sure, I speculate that this could be one of two possibilities: either it is a dormitory with an aisle in the middle and bunk beds on each side for people to sleep, or it is an aisle on a sleeper train with lying-down berths on either side. These berths all have leather cushions, and the partition walls are white with green frames, showing many people on them.', 'This is a vertical image, and in the center of the picture, there appears to be something resembling a narrow passage. On both sides, it seems there are some beds, and some people are sitting on these beds. Based on this scene, it can be inferred that this might be an interior of a train. Typically, when a train has sleeping compartments, the arrangement of the beds is similar to what is shown in the image, with a very narrow passage left in the middle. During the day, people tend to sit on the lowest bed to rest, while at night, they may climb up to the higher beds to sleep. Looking at the image, it can be seen that the beds are made of some kind of deep blue-green leather. Above, there are also some objects resembling electric fans, which might serve the purpose of ventilation.'] | [False, False, False, False, False] | [nan, nan, 'no', 'No', nan] | The image in question presents a somewhat ambiguous scene, at first glance appearing to depict a communal living space or shelter designed for a group of people. It features what seem to be bunk beds, which are arranged in a tight formation, indicative of limited space. The occupants of the shelter include both adults and children, although their faces are intentionally blurred out, presumably to protect their identities and maintain privacy. The overall atmosphere suggests that this could be either an above-ground shelter or a form of transportation—such as a bus or a ship—due to the structure's rounded roof. The bedding appears to be a cyan or light blue color, while the walls of the enclosed space are painted in light gray or beige hues. The people within the image are mostly clad in yellow-toned clothing, with one child notably wearing a red hat. Other individuals are dressed in gray or blue jeans, which adds to the casual vibe of the scene. The background mirrors the foreground, reinforcing the impression of a confined environment. Notably, there are ceiling fans visible, hinting at the potential for this shelter to become warm, thus necessitating airflow. Additionally, the sides of the area are lined with blankets, contributing to the coziness or makeshift nature of the environment. Further analysis indicates that the setting may include yellow pads, likely cushioned, that serve as seating or sleeping spots for the occupants. The presence of a fan further suggests a warmer climate, as it would aid in ventilation. The curvature of the roof might provide an additional clue regarding the setting's function—potentially as a train or an older, less sanitized mode of transport. The absence of typical seating features, such as seatbelts, could also support the inference that this transportation mode is not commonly found in the United States. In another perspective of the scene, individuals can be seen in what appears to be a train compartment, with many engrossed in their reading materials. This suggests a quiet, focused environment, possibly during travel. The layout features an aisle with bunk beds, which creates two rows of sleeping berths. The arrangement is typical of trains designed for overnight journeys. The beds, framed with white walls and green trim, are upholstered in leather, adding to the impression of a tangible sleeping environment. The passage that runs between the rows of beds is narrow, aligning with the classic design of train sleeping compartments. Evidence of items, such as electric fans fixed to the ceiling, is apparent, likely aimed at ensuring adequate ventilation for the occupants. This portrayal underlines the image's context: a space that is both functional and communal, explicitly designed for rest and travel. | 748 |
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['Tamil', 'Chinese', 'Chinese', 'Chinese'] | ['182fBWmPYfBu', '15iXnfUWxbA7', '12mV24Eehk3A', '1dAKGmWOWLy8'] | ['That is, there is an old temple with a large wheel placed in it, resembling a chakra. This large wheel has many spokes. Around it, there are impressive designs, and it seems like people have arranged it in such a way that it looks like a woman, as if to keep others away. They have created something like a fence around it, and this fence is painted in vibrant colors. It resembles an ancient structure, and one cannot clearly define what era it belongs to. It is constructed in a way that draws from various architectural styles and seems to have a prominent presence. From one side, you can see the entire building. It is evident that this large wheel is a significant feature of the old structure.', 'This looks like an ancient pearl artifact. The most special thing is that I can see it has something resembling a wheel carved on it. This wheel is one of its features. This pearl artifact is currently on display for tourists, so there is a modern bronze-like railing surrounding it. The building above it is quite complex; it appears to have some carvings of people, some patterns, and also that very large wheel that was just mentioned.', 'This picture was taken outdoors and feels infused with a strong cultural atmosphere, but I can’t determine exactly what kind of culture it is. If I had to guess, I would say it could be somewhere like Xinjiang or the Northwest, perhaps similar to the Five Caves, because it has elements reminiscent of Buddhism, and there are various decorations on the walls. This place seems to be a tourist attraction since I can see a railing surrounding these features. So, I believe it might be a specific tourist site in China, but I can’t ascertain exactly where it is or what kind of heritage it represents.', "This image shows an older building, a stone structure that appears to be like a city wall or an enclosing wall. Inside, things are surrounded by a golden railing, creating the impression of a tourist attraction where visitors cannot enter. The stone pillars of this building are very intricate, with various designs. To the left of the image, there are some humanoid shapes, or perhaps abstract figures, that are also very detailed and may depict various stories. However, in the middle-right of the image, there's a massive wheel that isn't a real wheel but rather one constructed from bricks and carved into the shape of a wheel. Yes, these elements are all stone-carved designs, making them very cool and ancient. In my view, this could be Egypt, but that's not certain. It is evident that these stone walls and carvings are very old, as they are beginning to darken on the surface."] | [True, True, True, False] | ['Indian architecture heritage showing the chariots', nan, nan, nan] | There is an ancient temple featuring a large wheel that closely resembles a chakra, symbolically significant in various cultures. This large wheel is intricately designed with many spokes, and it is surrounded by elaborate decorations that seem to creatively form the likeness of a woman, possibly intended to ward off intruders or to serve a protective symbolic function. The structure itself is encircled by a fence that is painted in vibrant colors, evoking the aesthetics of ancient architectural practices. The temple's origin is ambiguous, as its design encompasses multiple architectural styles, drawing upon rich historical influences, and its substantial presence is captivating. From one vantage point, one can observe the entirety of the building, highlighting the dominant feature of the large wheel, which stands out distinctly. In addition, there is an ancient pearl artifact on display for tourists. An interesting characteristic of this artifact is the carving of a wheel, which is one of its prominent features. It is currently housed under a modern bronze-like railing that adds a contemporary touch to the historical depth of the artifact. Above this pearl object, the building features intricate carvings of various human forms and decorative patterns, as well as another depiction of the substantial wheel previously noted. An outdoor image captures a scene infused with a vibrant cultural atmosphere, yet the specific cultural context remains elusive. The location could possibly be in regions like Xinjiang or northwest China, drawing parallels to the Five Caves, given the apparent elements of Buddhism found in the site. The walls display numerous decorations, further supporting the notion of this being a tourist destination. However, the precise identity of the cultural heritage represented here is indeterminate. There is also an image depicting an older stone structure that resembles a city wall or an enclosing barrier. The interior area is adorned with a golden railing, suggesting that it is a tourist site meant to keep visitors at a distance. The stone pillars of this edifice exhibit intricate designs, showcasing detailed craftsmanship. To the left, the composition features humanoid shapes or possibly abstract figures, richly detailed, which may recount various stories or historical significance. Prominently located in the center-right of the image is a vast wheel—a symbolic representation rather than a functional object, crafted from bricks and ornately carved to mimic a wheel’s shape. It is important to note that these elements consist of skillfully carved stone designs, emphasizing their ancient nature. The overall condition of these stone walls reveals their age, with surfaces beginning to darken over time. While there is speculation about the possible geographical roots of this structure, such as Egypt, no definitive conclusions can be drawn. The artistry and historical depth represented in the carvings are remarkable, embodying a connection to a long-lost past. | 810 |
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['English', 'Chinese', 'Chinese'] | ['1kumbbxFgRwd', '18nNobFf6KqI', '1aYsvQGhm2Dh'] | ["This image shows a woman on the red carpet. She is standing sideways to the camera and looking at another camera to this current camera's right. She is wearing a long elegant white gown that goes down to her heels. She has brown hair and she is wearing a three-tier shaped earring that has circular shapes. And she is also wearing an intricate bracelet that is silver. Behind her is a black background with logos on the top and on the bottom there are rectangular shapes. Both 2D and 3D styles. The photo is a professional photography at a red carpet event.", 'In this picture, I see a woman who has turned her head away from the camera. She might be attending some kind of event. In this image, we cannot see anything else about her. The text behind her only mentions the organizing units, co-organizing units, funding units, and media, which seems to indicate media assistance. There is only one person standing on the red carpet, which appears to be some kind of object. There is also a backdrop behind her and a woman on the red carpet in front of it. The promotional board in the background is very simple in style, and in the sky above the city, there are many logos, abbreviations, and information about the organizing units for this event.', 'This image appears to feature a celebrity, possibly from China, at a press conference where they are being photographed by journalists or some media personnel while striking a pose. The main focus is on the celebrity in the center, with some text above that includes various logos and some English words. The scene is set at the center of the stage with the female figure positioned prominently. The details suggest it is indeed a press conference venue, and she is taking photos for others while showcasing her figure. The background consists of a backdrop displaying various commercial company logos. Overall, the style is glamorous, with a color scheme of black and white.'] | [False, False, False] | [nan, nan, nan] | This image presents a female figure who is prominently featured on the red carpet. She is positioned at an angle, facing sideways to the camera, while gazing toward another camera located to the right of the current lens. The woman is dressed in an elegant, long white gown that gracefully extends down to her heels, embodying a sophisticated and chic fashion choice. Her hair is brown, and she enhances her appearance with a striking three-tier earring, characterized by circular shapes that add a touch of flair. Additionally, the woman is accessorized with an intricate silver bracelet, which complements her overall attire. The backdrop of the scene is a solid black, providing a stark contrast to her gown and helping her to stand out in the photograph. Notably, there are logos displayed along the top of the background, along with rectangular shapes at the bottom. These design elements incorporate both 2D and 3D styles, lending a modern aesthetic to the image. The quality of the photograph suggests that it was taken at a professional red carpet event, capturing not only the woman but the atmosphere of celebrity and glamour that accompanies such occasions. In a second image, there is again a depiction of a woman who has turned her head away from the camera. The context suggests that she is at an event, likely related to the industry of entertainment or media, although additional details about her appearance are not provided. The backdrop features text that identifies various organizing units, co-organizing entities, funding sources, and media partners, indicating the structured nature of the event and the presence of media assistance. Alone on the red carpet in this frame, the woman seems to stand as a focal point against a backdrop made up of simple design elements. Above her, the sky appears to have numerous logos and abbreviations, symbolizing the various organizing units associated with this particular event. The details of a third image reveal a scene that appears to center around a celebrity, potentially hailing from China, who is at a press conference. She is being photographed by journalists and media personnel, striking a pose that showcases her presence. The focus is predominantly on the celebrity, who occupies the central position in the image, while text featuring various logos and some English words gracefully adorns the top of the setting. The environment seems to be a formal press conference venue, underscoring the significance of the event and the celebrity's role within it. The backdrop consists of various commercial company logos, indicative of potential sponsors or partners, and the overall aesthetic embodies a glamorous appeal, characterized by a refined black and white color scheme that emphasizes the elegance of the occasion. | 1,720 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1egO8Rmdhumx', '18hEqRI4CGUN', '1nUmaBVcCGmI', '14QUknRzx0kp', '1l9QFeG5UQb1', '1e3yFHfhTTeu'] | [" In this image we have a crowd standing in front of what might be a waterway. The sky is really overcast so it's difficult to see what exactly the crowd is looking at. In the very background there are buildings with sharp points to them that suggest pagodas. There is one big tree. There are a lot of people wearing red hats. There are at least three people wearing red hats. There's a row of people standing right in front of the railing. They might be looking at the water. Maybe they're watching someone perform a water sport and right after that lining of people by the railing there is like a reddish sidewalk and then there's some space between them and a further on crowd that's at a more elevated height.", " So this seems to be a I guess but I'm not sure which is very likely like a once a year event in China. So the people like gather near the side of the Yangtze River to see the huge waves coming down the Yangtze River. So you can see a lot of tourists lining up near the river and there's also a traditional Chinese tower on the left side of the picture. There's also a green tree. So on the right side is just a very vast river or sea. I'm not sure. The color of the water is kind of yellowish and gray, not very clean. And we can also see the weather is pretty cloudy and there seems to be kind of foggy on like near the river.", " This is a group of sightseers, come on likely tourists overlooking a large waterway to the right of the image. They're standing on a grassy background with brown walkways in the middle period. The sky is dull gray and it appears to be an overcast day period. There's a tree on the central left of the image period. Beyond the tree on the far left, there is an Asian tower period. Again, this appears to be a view of tourists overlooking some waterway or standing in line next to a waterway in an Asian city period. In the foreground of the image, a young couple, is embracing each other period. Several people are wearing red hats in the foreground of the image period.", "This is a photo taken at a scenic spot. In the lower left corner of the photo, there is a person; in the upper left corner, there are trees and a tower. To the right of the tower, and above it, there is mainly the sea and the sky visible. This is a tourist attraction, and there are many people gathered around the water's edge, looking at the water's surface, possibly waiting for a specific performance. The tree on the left side is quite large, possibly a pine tree. The tower on the left appears to have about five levels, and there is a pole on top that might be for receiving signals or information. It looks like it's still daytime and not yet evening, and both the water and the sky appear grayish, making it hard to see what’s across the water. This water could be the sea or a lake, and there are no boats on it.", "This is a photo of a large crowd of tourists gathered on the coast to admire some spectacle. In the background is a wide river, with the sky gray and visibility low. On the left, there is a traditional Chinese pagoda, possibly a famous tide-spotting location. The scene includes a river, an ancient tower, and a tree, along with a considerable number of people. There are no prominent textual details along the way. The crowd is arranged in an arc along the riverbank, facing towards the river. The tower is located in the upper left corner, providing a contrast to the crowd. The trees add depth to the composition, preventing it from appearing overly simplistic. Many tourists are wearing red hats, and everyone's attention is focused towards the direction of the river. The sky is gray, and the air is humid. The tourists represent various age groups; some are taking photos while others are engaged in conversation. The river is wide, and the water's surface is relatively calm. The presence of the ancient tower indicates that this may be a historically rich cultural site. The overall tone is gray, and the air is moist, suggesting a humid coastal area or a riverside city. The ancient tower may be part of a tide-viewing site, such as the Haining Tide-viewing Scenic Area.", 'This road has a car on it, and to the right of the picture is a tall building, several of them actually. In front, there is a bus, and to the left, there is a traffic light. Below, there is a black car. Overall, this is a busy road with many vehicles, and it allows people to cross.'] | [True, True, True, False, False, False] | ['Appears to be an asian building in the background', 'Chinese', 'Asian tourist spot', nan, nan, nan] | In this collection of transcriptions, we see a detailed depiction of a scenic spot where crowds of tourists gather to observe a natural spectacle, most likely along a waterway. The environment is characterized by an overcast sky, leading to a dull and gray ambiance that contributes to the overall atmosphere. The first transcript describes a large crowd standing in front of what is presumably a waterway. The heavy cloud cover makes visibility poor, obscuring what the people are observing. In the background, distinct buildings with sharp points suggest the presence of pagodas, adding an element of cultural architecture to the scene. Among the crowd, several individuals are identifiable by their red hats, with at least three noted in the description. Just in front of a railing, a row of people appears to be focused on the water, possibly watching a performance related to water sports. The arrangement of the people reveals a reddish sidewalk leading towards a further crowd situated at an elevated position. The second transcription gives context to the gathering, indicating that this event is likely an annual occurrence in China, with tourists congregating near the Yangtze River to witness the impressive waves that flow through it. A traditional Chinese tower can be seen on the left side of the image, enhancing the cultural significance of the location. The river's water is described as yellowish and gray in color, and the presence of fog contributes to the mystical quality of the scene. In the third transcription, the focus remains on the tourists—the sightseers stand on a grassy area with brown walkways nearby, looking towards the waterway. The gray sky and overcast weather persist, and a large tree is positioned centrally to the left. An Asian-style tower can be spotted on the far left, suggesting the possibility of a historical backdrop to this tourist attraction. A young couple in the foreground adds a personal touch to the image, amidst numerous tourists, some of whom are again wearing red hats. The fourth transcription illustrates a picturesque snapshot of a tourist site, featuring trees and a tower in the upper left corner, with the sea and sky stretching along the right side. The large tree, potentially a pine, further enhances the natural beauty of the site. The tower is described as having about five levels, with a signal pole on top, hinting at its functional or historical significance. The people gathered seem to be anticipating a performance, focused intently on the water's surface. In the fifth transcription, the scene is reiterated: a considerable crowd is assembled at the water’s edge, gazing at a wide river under a cloudy sky. The mention of a traditional pagoda reinforces the idea that this location might serve as a renowned spot for viewing tidal phenomena, such as those observed at the Haining Tide-viewing Scenic Area. The crowd is organized in an arc along the bank, with the ancient tower to the upper left adding depth and contrast to the scene. The moist, humid air and the calm surface of the river suggest the environment’s coastal nature. In the last transcription, the focus shifts to a busy road scenario with vehicles, including a bus and a black car, navigating through traffic. To the right, tall buildings tower above, creating an urban contrast to the previous images of natural and cultural beauty. A traffic light is also visible, indicating a typical city landscape bustling with movement. Overall, these transcriptions transport the reader to a vibrant tourist site that blends natural beauty and cultural heritage, revealing the unique experiences offered at this gathering along the waterway. | 67 |
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['Korean'] | ['1GdjmtPWFp6h'] | ['In the next photo, there are 9 men and 1 woman, all of whom appear to be holding food or plates. The two people in front include one woman, dressed in black, who is holding some food, and an older man. The contents of the food are not clearly visible, and the man standing in front to the left is holding a plate with food in the middle. He is posing. The people in the back are either holding food or standing with their arms around each other. In the background, there is a truck visible, featuring a sign that says "San Pellegrino," and there are further scenes of a gathering behind it. There is something black, leading me to think this could be a food truck. On the left side, there seems to be a similar shape, while there is also a dining table in the middle, but everyone appears to be standing. Looking at the floor, it seems to be a parking lot, as inferred from the white stripes.'] | [False] | [nan] | In the photograph, there is a total of ten individuals, comprising nine men and one woman, all of whom are engaged in holding various food items or plates. Prominently positioned at the forefront are two figures: one woman, elegantly dressed in black attire, who is depicted holding a portion of food, and an older male companion. The specific contents of the food items they are holding are unclear and not explicitly visible in the image. The older man, standing slightly to the left, is holding a plate filled with food and appears to be posing for the photograph, adding a lighthearted ambiance to the scene. In the background, several individuals can be seen either clutching food or embracing one another in a friendly manner, indicative of a social gathering. The backdrop features a truck that prominently displays a sign with the name “San Pellegrino,” suggesting that this event may involve refreshments or catering associated with that brand. The structural elements around the truck hint at the possible presence of a food truck, amplifying the context of a food-related gathering. On the left side of the image, there appears to be a similar dark shape, possibly indicating another vehicle or booth related to food service. Additionally, there is a dining table present in the central area of the image; however, all attendees seem to be standing rather than sitting, contributing to the dynamic atmosphere of the event. The ground surface underfoot is characterized by white stripes, which strongly suggests that this gathering is taking place in a parking lot setting, reinforcing the informal and communal nature of the event. The overall composition conveys a lively gathering focused around food, community interaction, and the enjoyment of shared experiences. | 1,883 |
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['English', 'Chinese', 'Chinese'] | ['1bWnFMyuXcIJ', '1mcSRqtNhGlE', '14r2Ku41k5BV'] | ["In this image, there appears to be two strollers and a car seat. Both the stroller and the car seat have a gray outer layer color and a pink inside, either cotton or some other material. The car seat is on the floor on the left and the stroller is on the right. On the stroller, it has a price tag that says 400,00. So maybe $400 or $40,000, but the zero is after the 400. So 400,00 and the last two zeros are smaller than the first two zeros. And it says combo. So presumably saying this combo set is maybe $400. On the bottom, it says condo. Condo's directs to 50, presumably to denote the price of condoms.", 'The promotional video is very interesting because Dudex is supposed to be selling condoms, but right now it seems like he is working on baby products. In this promotional video, there are two push toys—one is a car-like push toy, and the other is a front-facing push toy. The pink car costs $400, while the pink undercarriage is priced at $2.50. So, it seems that the message this imagery is trying to convey is that raising children is expensive, but buying condoms isn’t. The background consists of a white and blue product image, and these two push toys stand out against the white background in the photo.', "The image is a poster with a blue and white gradient background, where the four corners are a deep blue, gradually lightening toward the center, which features a white circle. In the center of the image, there are two baby seats: on the left, there's a car seat, and on the right, a stroller meant for walking. Both are gray, with the seating areas that secure the children in pink. The stroller has four black wheels and a gray canopy for sun protection. At the bottom of the poster, there is a Durex logo. Both the stroller and the Durex logo have price tags; the stroller is marked at 400 dollars, and Durex is listed at 2.5 dollars. The message of the poster suggests that by using Durex condoms in life, one can avoid having children and thus avoid the greater costs associated with purchasing baby safety seats."] | [False, False, False] | [nan, nan, nan] | In this image, there are two strollers and a car seat, both of which have a gray outer layer complemented by a pink interior. The materials used for the pink section appear to be either cotton or a similar fabric. The car seat is positioned on the floor to the left of the image, while the stroller is situated on the right. A price tag attached to the stroller indicates a price of 400,00. The ambiguity surrounding this price is that it could potentially represent either $400 or $40,000, given that the zeroes at the end are noticeably smaller than the first two digits. Additionally, the tag mentions "combo," implying that this price might be for a combination set, which is likely assumed to be $400. Furthermore, at the bottom of the price tag, the word "condo" appears, which seems to reference or play on the price of condoms, denoted by the figure 50, possibly indicating a price of $50. The promotional video features an interesting juxtaposition since Dudex is primarily marketing condoms, yet the content appears to focus on baby products. In the video, two push toys are highlighted: one resembles a car, while the other is designed as a front-facing push toy. The pink car is priced at $400, contrasting significantly with the pink undercarriage, which is much cheaper at $2.50. The imagery seems to convey a significant message regarding the costs associated with raising children, emphasizing that it is a considerably expensive endeavor, whereas purchasing condoms is notably less expensive. The setting includes a product image that features a white and blue background, allowing the push toys to stand out prominently against the lighter backdrop. Another image depicted in a poster showcases a blue and white gradient background, with the corners transitioning from a deep blue to a lighter shade toward the center, which features a white circle. Within the central area of the poster, there are two baby seats; on the left is a car seat, and on the right, a stroller intended for walking. Both seating options are gray with pink areas designed for securing children safely. The stroller is equipped with four black wheels and a gray canopy for added sun protection. At the bottom of the poster, the Durex logo is displayed prominently. Price tags can be seen on both the stroller and alongside the Durex branding, with the stroller marked at 400 dollars and Durex priced at 2.5 dollars. The overall message conveyed by the poster suggests that utilizing Durex condoms can help individuals avoid the expenses associated with raising children and, by extension, reduce the financial burden of purchasing essential baby safety equipment like car seats. | 1,570 |
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['English', 'Chinese', 'Chinese', 'Chinese'] | ['15fWFNMoTcxb', '15GuJc1lp6eQ', '1g0w87Pz6Zmy', '1fASZwtLG8w7'] | [" At first glance, this image is some sort of artwork or photograph. It's not clear based on the quality of the image. However, the image has two people sitting next to each other. There is a woman in a red gown and sitting next to her, holding her and putting his face behind her is some, looks to be a man with a white, black and white striped shirt. And they are sitting down on, it is unclear, but it could be a chair of some sorts. And the overall theme of the image is kind of dark and mysterious. There's no real expression on the woman's face. She kind of has a blank stare. She's clutching something in her arms, holding it closer, but she's not wearing any shoes. But the man in the black and white striped shirt is wearing shoes. Thank you.", "This picture depicts a boy and a girl sitting together. The girl has two braids and is wearing a red dress, while the boy is resting his head on the girl's shoulder. The environment they are in doesn't look very good. The girl appears quite young and innocent. The image doesn't contain any textual descriptions, and the background gives the impression of being outdoors, possibly on a grassy field or in a jungle. Their style seems to represent China in the late 20th century, particularly the 1980s and 1990s, as their clothing aligns well with what people wore at that time, especially the type of shoes and the boy's blue and white striped shirt. The girl's braids also reflect the fashion of young people from that era.", "This image appears to show two people cuddling together. The main focus is on the two individuals; in front is a girl with braided hair wearing a red outfit, while behind her is likely a boy with his head resting on the girl's back. Notably, there are no words in this image. Details indicate that the girl seems not to be wearing pants or shoes. The image doesn't resemble a photo but rather a painting. The overall background is quite dark, and it's unclear where it is set. The style has a somewhat oppressive feeling, with black being the dominant color. Additionally, the image features a girl hiding her head against the girl's back.", 'This image shows a girl and a boy in a dreamlike state, embracing each other. The girl is wearing a red outfit, and her hair is styled up. She is holding what appears to be a boy hiding behind her. They seem to be in a dreamlike environment, and both have their legs crossed. The girl is dressed nicely and may be wearing shoes. However, the overall feeling of the image suggests that they are bound together, almost like an artistic piece set in darkness, with everything else around them being largely invisible, revealing only their embrace in this dreamlike state.'] | [False, True, True, False] | [nan, nan, '女生和男生的衣服是中国上世纪比较流行的款式，而且麻花辫是中国上个世纪女性比较流行的发型', nan] | At first glance, the image presents itself as a piece of artwork or photography, though the quality leaves some ambiguity regarding its true nature. Within the frame, two figures are seated beside one another. The first figure is a woman adorned in a striking red gown, while the second figure, who appears to be a man, is dressed in a striking black and white striped shirt. He is positioned closely to her, cradling her as he leans in, his face tucked behind hers. They appear to be sitting on an unclear surface that may be a chair of some kind. The overall atmosphere of the image conveys a sense of darkness and mystery. Notably, the woman’s expression is inscrutable; she possesses a somewhat blank stare, and she clutches something protectively in her arms. In contrast to her bare feet, the man is shown to be wearing shoes. In another depiction, a boy and a girl are captured sitting together closely. The girl is characterized by her two braided hair and is dressed in a red dress. The boy rests his head on her shoulder, suggesting intimacy and comfort between them. The backdrop of their surroundings appears somewhat undesirable, with an implication of hardship. This image captures the innocence of the girl, who seems quite youthful. It does not feature any textual elements, and the background evokes a feeling of being outdoors, suggesting a setting of either a grassy field or dense jungle. The stylistic choices of their attire reflect a cultural context from China during the late 20th century, specifically the 1980s and 1990s; the clothing aligns well with the fashion trends of that era, particularly evident in the choice of footwear and the boy's blue and white striped shirt. The girl’s braided hairstyle further exemplifies the fashion preferences among the youth of that period. The scene continues to unfold with another image showcasing two individuals embracing, again centering on a girl in a red outfit with braided hair. The boy appears to be nestled behind her, his head resting gently on her back. There is an absence of textual elements in this artwork. Noteworthy details inform us that the girl does not seem to be wearing either pants or shoes, reinforcing a sense of vulnerability. The composition leans more towards painting than photography, characterized by a dominant dark background that restricts the visibility of their surroundings. The artistic expression conveys a somewhat oppressive feeling, with black colors overwhelmingly dominating the space. Within this setting, the girl hides her head against the girl’s back, evoking an image of shelter and emotional connection. Lastly, another portrayal captures the essence of a dreamlike state shared between a girl and a boy, who are seen in a tender embrace. The girl, dressed in a stylish red outfit and with her hair elegantly styled upwards, is depicted holding the boy, who appears to be hiding behind her. Their seated posture, with legs crossed, adds to the whimsical quality of the image. Although she may be wearing shoes, the overall sentiment conveyed is one of unity, as if they are inexorably bound to one another, enveloped in a scene that feels almost artistic in its expression of darkness. The ambiguity of their surroundings enhances the dreamlike quality of the image, emphasizing the strength of their embrace above all else. | 1,370 |
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['English', 'Chinese'] | ['120g3Ewv153D', '15x5HNdlADU0'] | [" And the image shows vehicles driving down a street with some individuals on the one side taking pictures of them. There is three vehicles, one green car with some yellow, red, and black signs on it. There's a larger Mack truck with a red front and colorful blue back. Behind that there is an orange Volvo modern transportation bus. The left side of this image has all these three vehicles driving towards the camera on a road that has a black and yellow median. And to the right of this median there are some plants and a bunch of individuals taking pictures of the vehicles driving by. They're all wearing some form of shorts and t-shirts. In the back of this image you can see a tree line which is above the heads of the people to the right of the image. And you can also see a... very cloudy sky which is predominantly over the three vehicles that are driving on the road.", "This photo shows a good passerby stopping next to a hillside, and there seems to be a tour group's public bus; I see they are all getting off to take pictures of the road or the environment in this area. In front of this public bus, there's a large jeep parked that is also empty; I see that the driver and passengers have all gotten out to take photos as well. It’s possible they are following the tour guide, listening to stories. Also, on the road, there’s a large red truck that I think is delivering food, specifically oranges. I believe it's a truck for transporting food, with the red truck alongside a blue one."] | [False, False] | [nan, nan] | The first image captures a dynamic scene of vehicles traversing a street while numerous individuals gather on the left side, taking pictures of the passing traffic. The composition includes three distinct vehicles: a green car adorned with colorful yellow, red, and black signage; a sizable Mack truck characterized by a striking red front paired with a vibrant blue back; and an orange Volvo, identified as a modern transportation bus. These vehicles are approaching the camera, positioned on a road that features a black and yellow striped median, which serves as a clear divider. On the right side of this median, there exists a lush assemblage of plants and a large group of people – all seemingly engaged in capturing the moment through photography. The individuals can be observed dressed casually in shorts and t-shirts, indicative of a warm climate. In the background, a tree line rises above the heads of the onlookers, hinting at natural surroundings, while a very cloudy sky looms predominantly over the roadway and the trio of vehicles, adding an atmospheric touch to the scene. The second image showcases a moment where a passerby has halted beside a hillside, seemingly captivated by the landscape. A public tour bus is prominently featured, indicating that a group of tourists has disembarked to snap photographs of the scenic environment. In front of the bus, there is a large, empty jeep parked, suggesting that its occupants, presumably the driver and passengers, have also exited to take in the sights. This implies they might be following a tour guide, who is likely recounting stories or interesting facts about the area. Additionally, there is a large red truck noticeable on the road, which appears to be involved in delivering food items, specifically oranges. This truck is positioned next to a blue truck, possibly serving a similar function. The image captures a blend of tourism and local transportation, reflecting the engagement of individuals with their surroundings. | 997 |
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['Korean'] | ['16XekTEUulrF'] | ['This appears to be a photo capturing a scene from a monk\'s lecture. The monk is seen holding a microphone and giving a lecture in front of the classroom. Judging by the banner behind him, which reads "Creating a Hopeful World with Ven. Beopryun," it can be inferred that this is a lecture by Ven. Beopryun. In front of him, several people are seated in chairs, attentively listening to the monk\'s words. Additionally, on the left, a broadcast camera is set up, suggesting that this lecture is being transmitted live, potentially on the internet or news channels. The attendees\' age range also appears to be diverse, with individuals from young adults to elderly people present.'] | [False] | [nan] | The image depicts a scene from a lecture being conducted by a monk, prominently showcasing the speaker at the forefront. The monk, whose name is inferred to be Ven. Beopryun based on the banner displayed behind him, is actively engaged with his audience while holding a microphone. This suggests that he is communicating important concepts or teachings, likely related to the theme implied by the banner, which reads "Creating a Hopeful World with Ven. Beopryun." In the setting, a group of attendees is seated in chairs, clearly absorbed in the monk's lecture. The audience consists of a diverse age range, indicating inclusivity and potentially a broad appeal of the topic being discussed, as there are both young adults and elderly individuals present. Additionally, to the left of the monk, a broadcast camera is positioned, implying that this lecture is being transmitted live to a wider audience, possibly via the internet or through broadcast news channels. This setup suggests an intention to reach people beyond those physically present, emphasizing the importance of the teachings being shared by Ven. Beopryun and the desire to cultivate a hopeful mindset in a broader context. | 1,898 |
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['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese'] | ['1e01aDPgQ9Cs', '1a1Bn4MTYnfk', '18NlwWaQRiSB', '14rmP30YsWbC', '17CaL8ua4QEz', '1kHZjtd4E6k3'] | [' Hello, and thank you for listening. At first glance, this image shows a paper or foam bowl filled with a dish that appears to be covered in a thick, dark sauce. The food is sprinkled with crushed peanuts on top, adding texture. I notice a few wooden skewers poking out from the bowl, which suggests it might be a snack or a shared dish. There is no visible text on the bowl itself, but in the background, I can see another bowl with a fish design, possibly holding soup, and a light-colored drink in a glass. The table or surface has a pale tone. The main dish looks like it might contain pieces of fruit or vegetables mixed with the sauce. The color palette enters on grounds and light neutrals, with the peanuts on sauce standing out. One could guess this is a... ...local delicacy or street food, often found in Southeast Asian cuisines. The style is casual, focusing on the food itself rather than any elaborate setting. The image conveys a sense of a simple, possibly Hawker-style meal, where the spotlight is on flavor rather than presentation.', ' This is a photograph of an Asian dish period. It appears to be Korean barbecue placed over a plastic white plate period. The barbecued meat is covered with barbecue sauce and overlaid with crushed peanuts period. Some of the meat is skewered with wooden skewers period. There are a total of five such skewers period. In the background, there is another bowl. This one is porcelain with the image of a fish in front of it period. The bowl appears to contain noodles period. On the left upper corner of the image, there appears to be a glass possibly containing a drink period. There is another bowl to the right of the main dish that cannot be fully visualized period. All of the food is over. This is a wooden table period.', " This is an image of a Rojak, a famous dish in Singapore. It is made out of fried dough, pineapple. It's not obvious from the image, but it's a mixture of many, many different ingredients, including fruits like pineapple, jambu, fried dough, and the sauce is soy sauce, dark soy sauce, fish sauce. Sometimes there's also some spice like chilli mixed into it, honey to make it sweeter, some sugar. And this is, you can see some wooden sticks that is on the bottom left. Used for as like chopsticks or forks to help you pick up those bite-sized pieces of Rojak. This is served on a white bowl. Most likely the white bowl is a styrofoam bowl. In the background, you can see a bowl of soup in a white bowl that has a fish drawing on the bowl itself. On the left, it's a drink. And on the right, it's a drink in a glass cup.", "This dish looks like a plate of food heavily flavored with soy sauce, appearing to have various items skewered together and then grilled, after which some sauce and dried ingredients were added. It seems to contain five skewers along with some other types of barbecue items, perhaps like potatoes or enoki mushrooms, but it’s hard to discern the specifics. The plate should be on the table, surrounded by some drinks or alcohol, and there's also a bowl that looks a bit like a ramen bowl. The background is not very clear, but next to it, you can see some snacks wrapped in lotus leaves that give a vibe of Southeast Asian cuisine. It should be Asian food, either East Asian or Southeast Asian, but it's unclear which specific country it belongs to.", "This image depicts a dish, and what we see is a bowl of brown food positioned in the center of the picture. It features an Asian-style bowl and chopsticks. Notably, there are no words in this image. The bowl is at the center, and an interesting detail is that I am unsure what this food actually is; it feels like some kind of meat product made with soy sauce in a braised style, but I'm not certain where this dish originates from. It resembles Southeast Asian styles, but it must be Asian cuisine since I see soup and a particular style of bowl that reflects Chinese culture. The artwork inside the bowl should depict a koi fish, and there are no other specific details that stand out.", "This is a brown-colored food topped with some scattered seasoning. The brown food could be a type of meat or fish, and the seasoning might be a sauce, perhaps teriyaki-flavored or savory. It's not very clear what dish this is, but next to it, there is a white bowl and to the left, there is a glass with an English label containing a somewhat cloudy drink, so it’s also difficult to determine what the main food actually is. There are also some toothpicks or skewers nearby."] | [False, True, True, False, True, False] | [nan, 'Korean Barbecue', nan, nan, 'Chinese bowl', nan] | Hello, and thank you for listening. At first glance, this image shows a bowl, likely made of paper or foam, filled with a dish that appears to be covered in a thick, dark sauce. The food is adorned with a sprinkle of crushed peanuts on top, which adds a delightful texture to the dish. I notice several wooden skewers protruding from the bowl, suggesting that this might be a snack or a shared dish intended for casual dining. There is no visible text on the bowl itself, but in the background, I see another bowl that features a fish design, which likely holds soup, along with a light-colored beverage in a glass. The table or surface underneath has a pale hue, adding to the overall aesthetic. The main dish looks like it may contain pieces of fruit or vegetables mixed into the sauce, contributing to a complex flavor profile. The color palette features earthy tones and light neutrals, with the crushed peanuts contrasting well against the dark sauce. One could speculate that this dish represents a local delicacy or street food item commonly found in Southeast Asian cuisines. The presentation style is casual, focusing on the food rather than an elaborate setting. The image conveys the essence of a simple, perhaps Hawker-style meal, where the emphasis is placed on flavor rather than presentation. This is a photograph of an Asian dish. It specifically appears to depict Korean barbecue arranged over a white plastic plate. The barbecued meat, likely marinated, is generously coated with barbecue sauce and topped with crushed peanuts, creating an inviting appearance. Some of the meat is skewered with five wooden sticks, giving it a street food vibe. In the background, there is another porcelain bowl that features an image of a fish, which seems to contain noodles. In the upper left corner of the image, a glass is visible, potentially containing a drink. There is another bowl located to the right of the main dish, although this second bowl is not fully visible, adding an element of curiosity. All of this food is situated on a wooden table, further enhancing the casual dining atmosphere. This is an image of Rojak, a well-known dish originating from Singapore. Rojak is characterized by its combination of fried dough, fresh pineapple, and a variety of other ingredients, although the image does not fully capture the complexity. This dish comprises numerous components, including fruits like pineapple and jambu, fried dough, and a rich sauce that typically includes soy sauce, dark soy sauce, fish sauce, and sometimes chili for a kick. Occasionally, honey and sugar are incorporated to provide a touch of sweetness. In the image, a few wooden sticks are visible at the bottom left, which can be used like chopsticks or forks for picking up bite-sized pieces of Rojak. The dish is served in a white bowl, likely made of styrofoam. In the background, a bowl of soup is evident within another white bowl featuring a fish design, while to the left, there is a drink, and on the right, another beverage is served in a glass cup. This dish is visually represented as a plate of food that is heavily flavored with soy sauce. It appears to feature various items that have been skewered together and subsequently grilled, before being topped with additional sauce and some dried ingredients. The composition includes five skewers along with other barbecue items, possibly including potatoes or enoki mushrooms, although precise identification of these components is challenging. The plate is presented on a table, amidst some drinks or alcoholic beverages, while a bowl resembling a ramen bowl is also present nearby. The background is somewhat indistinct, but next to the plate, one can see snacks wrapped in lotus leaves, which is characteristic of Southeast Asian cuisine. Although the specific country of origin is unclear, it is undoubtedly Asian food, suggesting either East Asian or Southeast Asian influences. This image depicts a dish that features a bowl of brown food centrally positioned in the frame. The bowl exhibits an Asian style along with chopsticks resting beside it. A notable aspect of the image is the lack of any written words. The bowl, centrally located, holds food that has an ambiguous identity; it appears to be some kind of meat product cooked in a braised style with soy sauce, although the specific origin of this dish is uncertain. The food resembles styles commonly found in Southeast Asia, yet it undoubtedly falls within the broader category of Asian cuisine, as indicated by the presence of soup and a specific type of bowl that reflects traditional Chinese designs. The artwork featured inside the bowl likely depicts a koi fish, which is a common symbol of peace and good fortune in East Asian cultures. There are no additional standout details that capture my attention. This is a brown-colored dish that is topped with some scattered seasoning. The brown food could potentially represent a type of meat or fish, while the seasoning is suggestive of a sauce, perhaps teriyaki-flavored or savory in nature. However, the specific dish remains ambiguous. Accompanying it is a white bowl, and to the left, there exists a glass that bears an English label, holding a somewhat cloudy drink, which adds another layer of complexity to determining the main food item. Nearby, there are also some toothpicks or skewers that are visible, contributing to the overall dining experience. | 346 |
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['English', 'Russian', 'Chinese'] | ['1aFh7B49eXIb', '13cb2hhwk6Id', '1blrbY0X19AZ'] | ["We're looking at an outdoor grocery store. There's a brick building in the background with a green tarp hanging off of it and a green door frame on the left with a black door on it. The black door is metal. There's gray bricks on the ground. There's two people in the photo. The one on the left is a man wearing black pants, a black shirt and a white hat. He's Asian, has a gray mustache. There's bananas hung up all over the fruit stand on the top in second row. It says 59 cents on the left and 79 cents per pound on the right. There are other fruit along. There's apples, there's mangoes. There are some sort of roots, potatoes, onions, garlic. Yeah.", 'In this photograph, a person is buying or selling bananas. There are two people. They are buying some products here. They are outside, not in a regular store. And here bananas are sold for 59 cents and 79 cents. Quite inexpensive. There are many different fruits and vegetables. I see at least potatoes. Also oranges. What else? What else? I\'m not sure. Something quite small. A few things in a bag. The bananas that are being sold. Apparently. We took them from these boxes labeled "Doll." The company that sells these fruits. A metal door is also visible behind them. And red bricks. Besides that, everything else is green. Apparently, these people are on the street. But there is no one else around them. They are not waiting.', 'Hmm, at first glance, this photo looks like a fruit stand. In the middle of the stand stands an elderly man, presumably an Asian middle-aged male, with his back to the camera, looking to the left. He is wearing a white hat and dressed entirely in black—his top, pants, and shoes. In front of him is a green display rack with many bananas hanging on it, very yellow in color. To the right, there is another woman dressed in a black and white striped dress and jeans. She is bending down to pick out fruits or vegetables. In the background is a red brick wall, and the ground has a greenish pattern on a gray surface, suggesting that this fruit or vegetable stand is located in Europe or a similar place.'] | [False, False, False] | [nan, nan, nan] | The scene is set at an outdoor grocery store, where we can observe an environment that is both vibrant and utilitarian. In the background, there is a solid brick building, which features a green tarp draped from one side, adding an element of rustic charm. To the left of the building, there is a green door frame that holds a sturdy black metal door, contributing to the secure and functional atmosphere of the place. The ground beneath is paved with gray bricks, providing a tactile contrast to the colorful produce displayed. In this bustling outdoor market, two individuals are prominently featured. On the left stands a man dressed in black pants and a black shirt, who is further accessorized with a white hat. He is of Asian descent and sports a distinguished gray mustache, adding a sense of personality and character to his presence. His stance suggests he is engaged in a transaction or interaction involving the colorful produce nearby. The fruit stand, the focal point of the photograph, showcases vibrant yellow bananas, which are hung artfully from a green display rack. The pricing is visibly marked, with bananas priced at 59 cents on the left and 79 cents per pound on the right, indicating an inviting affordability for shoppers. Along with the bananas, a variety of other fruits and vegetables are presented: apples in various shades, mangoes, and an assortment of root vegetables which include potatoes, onions, and garlic, contributing to a rich selection for consumers. In a glimpse into the dynamics of this marketplace, there is evidence that transactions are taking place. An individual appears to be engaged in buying or selling bananas, highlighting the community-oriented aspect of this grocery shopping experience. The presence of red bricks in the backdrop and the mention of a metal door adds architectural detail, while the overall environment, described with greenery and the bustling activity, clues us into the lively atmosphere of the market. Additionally, the second person is portrayed as a woman, seen dressed in a black and white striped dress paired with jeans. She is bent over, intently selecting fruits or vegetables, which speaks to the interactive nature of an outdoor shopping experience. The background includes a distinctive red brick wall, which may suggest a European aesthetic, and the ground beneath them is noted to have a greenish pattern set against a gray surface. This photo captures a snapshot of community life, commerce, and the simple joys of selecting fresh produce in an open-air environment. | 1,080 |
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['English', 'English', 'Hindi', 'Hindi', 'English'] | ['18jJNCpnF862', '1o7kRuOVOSvA', '13SXvIbCFjDQ', '1fe7Nbn2penl', '1fBUVoRQPgDT'] | [" So this is a picture of a, looks like a slinky, but it's probably for someone's neck or arm or something like that, like a bracelet. And it's color pink, purplish, magenta-ish. And, you know, it's got a lot of pink in the background. There's a person's hand. It's there. Left hand, I suppose. And it's holding that bracelet object thing. And basically it's just holding it, and there's a lot of gold in there as well. And in the background there's something pink. And there's what looks like a pink ring or something like that in the background. And there's also the person's pinky is touching plastic. So there's some plastic involved in there as well. And in the background there's another plastic box. And you can't really get a good idea of what else. What's going on in here. There's just a lot of plastic and pink and purple and stuff like that.", " This is a picture of a stack of Churis, or otherwise known as Indian bangles. This picture has arranged several different styles of the Churis into a pattern. We can see it is mainly of a pink color, but there are some accents in gold, light pink, and silver as well. We can see that these Churis are being held in someone's hand right up close to the lens of the camera. In the background, we can see perhaps the box and the lid which it came from, and we can see other Churis laying on what seems to be a bed. We can see that there are a lot more pink Churis than there are golden or silver Churis, and there seems to be a plastic wrapper around it. So perhaps they are just taking this out of the plastic wrapper and they came prearranged instead of them arranging them themselves. We can also see... that in the background, the Churis seem to be of a similar pink color as well. And each of these Churis are of a different thickness or pattern as well. And you can see which Churis are similar to each other in terms of the color and style.", 'In this picture, a woman is holding a set of bangles and bracelets in a plastic bag. From above, we can see that there are four bangles made of beads in a golden color. There are also six bangles in a pink color; these are of a lighter pink shade. In the center, there is a diamond bracelet, along with two thick pink bangles that are also light pink. It is arranged such that there are six pink bangles, and in between them, there is a diamond bracelet, followed by a golden bracelet placed right at the base. On the side, we can see two more bangles laid out on the cloth, and the woman’s other hand is also visible resting on the cloth. This set of bangles has been taken out from a plastic container, as the white container can be seen in the background.', "The image shows a woman's hand holding a lot of bangles. It seems like she is either at a shop looking at the bangles or the shopkeeper is showing them to her. Alternatively, she might be at home opening the bangles, as the plastic bag from which she is taking them out is also visible. Behind her, a bed sheet can be seen, on which two more bangles are lying. The color of the bangles is pink, and there are also gold-colored bangles in between. Bangles hold a very special place in the hearts of Indian women and are an important part of their adornment. Women typically wear these bangles during weddings or festivals. Many times, girls buy numerous bangles for their own weddings, and the pink bangles are especially worn during this time, particularly during the haldi ceremony and various other rituals.", "This is an image of a person holding some kind of jewelry, either a very long bracelet or a set of different bracelets all being held together in a package. It looks like it was just unwrapped. It's partially unwrapped. The bracelet or bracelets have rings of gold beads. With a few rings of hot pink beads, or not beads, but a rope around it. Some of them are very jeweled. Some of them have pinkish jewels on them. In the background, there are a few pinkish bracelets sitting on what appears to be a bed. There's also a storage bin that's partially covered with the lid open. On the bed, there's a light pale pink or blush bedspread. There are a few bracelets sitting on top of it. The bracelets that this person is holding are interlaced. Some of them are gold, some of them are pink. There's one gold and then three pinks, and it follows that pattern throughout this bracelet. It's probably like... 20 or 30 layers of bracelet."] | [True, True, True, True, True] | [nan, 'It is a picture of Chudis, otherwise known as Indian bangles, often worn with traditional clothes to culturally specific events.', 'Yes', 'The bangles are wore by Indian women.', nan] | This transcription describes a series of images featuring various styles of jewelry, specifically focusing on bangles and bracelets. The first image showcases a colorful object that resembles a slinky but is more likely a bracelet intended for wearing on the neck or arm. It is predominantly in shades of pink, purple, and magenta, surrounded by a background also rich in pink hues. A person's left hand is gripping this bracelet-like item, which has gold accents as well. Notably, the person's pinky finger touches some plastic in the foreground, and an additional plastic box is visible, contributing to the overall plastic theme in the imagery. The second image features a stack of Indian bangles, known as Churis, arranged in an artistic pattern. These Churis exhibit a primarily pink color, with additional accents in gold, light pink, and silver. The close-up shot captures the bangles being held in someone's hand, likely just removed from a plastic wrapper, suggesting they were prearranged rather than manually sorted. The background includes a box lid from which the bangles originated, and more Churis are scattered on a surface that appears to be a bed. The thickness and individual patterns of the Churis create a vivid representation of this traditional ornament. In the third picture, a woman's hand is visible holding a selection of bangles and bracelets that are contained within a plastic bag. Observing from above, there are four golden bead bangles and six light pink bangles. A diamond bracelet is prominently placed in the center, flanked by two thicker pink bangles and a golden bracelet at the base. Two additional bangles rest on a cloth surface visible beside the woman’s other hand. The image conveys that these bangles, recently extracted from a plastic container shown in the background, comprise a fashionable and treasured collection. The fourth image depicts a woman holding a multitude of bangles, potentially at a shop or at home unpacking them. The presence of a plastic bag indicates the bangles were just purchased. A bed sheet is partially visible behind her, with two additional bangles laid out on it. The collection prominently features pink and gold colors. Bangles carry significant cultural importance in India, symbolizing adornment and celebration among women. They are especially worn during weddings and festivals, with pink bangles being favored for rituals such as the haldi ceremony. The final image illustrates a person gripping a jewelry bundle that appears to consist of a long bracelet or a collection of bundled bracelets. This package looks newly unwrapped, revealing gold beaded segments intertwined with hot pink components. Some of the bracelets include ornate jewels, while the background presents a serene setting with pinkish bracelets on a pale pink or blush bedspread. The layered arrangement of these bracelets follows a pattern of gold and pink, culminating in a visually appealing jewelry stack comprising approximately 20 to 30 layers. | 434 |
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['English', 'Chinese'] | ['1nJjbKEtKby8', '1gS8J4ehBYfx'] | [' At first glance, this image appears to depict a nature background, plus some Chinese text and some Chinese food in the foreground of the image. In the front and right of the image, it depicts a Chinese glutinous rice bowl or dumpling that is commonly eaten on a specific holiday in Chinese culture. In the front left of the image, it contains some Chinese words appearing to reference the food shown in the image. In the back, there is a calming nature scene with green trees and blue water dominating the back of the image. There are also several butterflies and chestnuts around the images of food placed in the foreground of the image. You can see the corners of several water lilies poking out of some of the water in the image.', 'This is a Dragon Boat Festival, with rice dumplings and salted egg yolk meat dumplings. The background is green, which gives a feeling of spring. The dumplings are wrapped in green bamboo leaves, and there are also chestnuts and salted egg yolks, which are all ingredients in the rice dumplings. There are three dumplings, two eggs, and some chestnuts, and it seems there are also preserved eggs. The text above says "Dragon Boat Festival," and these dumplings are on the right side of the picture. The overall style is very green and festive, not just festive, but very holiday-like, resembling a lush green scene.'] | [True, True] | ['Chinese text references specific Chinese holiday - Duan Wu Jie - and food and symbols all reference that holiday as well.', 'yes, chinese fectival and word are in chinese'] | At first glance, the image presents a serene nature background adorned with vibrant greenery, complemented by Chinese text and an assortment of traditional Chinese food items in the foreground. Prominently positioned on the right side of the image is a bowl of Chinese glutinous rice dumplings, a culinary staple associated with the Dragon Boat Festival. This festival, significant in Chinese culture, celebrates the life and death of the ancient poet Qu Yuan and is marked by the consumption of glutinous rice dumplings wrapped in green bamboo leaves, also known as zongzi. To the left in the foreground, Chinese characters appear, likely referencing the foods depicted in the image. Behind the culinary display, the background features a tranquil nature scene, characterized by lush green trees and calm blue water, evoking a sense of peace and the freshness of springtime. Scattered around the food items are several butterflies and chestnuts, which enhance the vibrant and festive mood of the scene. Notably, corners of water lilies are visible, rising out of the water, further enriching the natural aesthetics of the photo. More specifically, the scene is themed around the Dragon Boat Festival, as indicated by the presence of rice dumplings and salted egg yolk meat dumplings. The dumplings are artistically wrapped in green bamboo leaves, and in addition to the three dumplings, there are two salted eggs, some chestnuts, and what appears to be preserved eggs, which are often enjoyed during this festive period. The text that prominently announces "Dragon Boat Festival" reinforces the celebration represented in the image. The overall ambiance is not only festive but embodies a lush, holiday-like environment, inviting viewers to appreciate the significance of the occasion through the vivid imagery. | 1,688 |
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['Korean'] | ['16zfzYBHaFEN'] | ['Next, the photo seems to show a scene from a book. Although it is cut into one page, I will read it. It is difficult to read the cut parts, so I will proceed to the next section. This is based on the theme of Tokyo and Japanese confectionery under martial law. I wrote it in the summer of 2010, and reading it now, it is not something I can just laugh off; it gave me a cold sweat. I hope it doesn\'t turn out this way. This is a short piece commemorating the first time I submitted a manuscript to editor Nozomi Omori, who was the first to read my novel submitted for the Japanese Fantasia Novel Award. During the writing, I don\'t remember what book I was reading, but my computer crashed, which delayed the manuscript this time as well. I sincerely apologize for that. The correspondence is for a special feature in the novel "Shincho" titled "800 Characters of the Universe." I wrote it as a tribute to the asteroid exploration period. Where is it, you ask? Just take off the jacket and look at the cover. It comes out in October 2012. Riku. It is written in Korean, and when you look inside, it seems to resemble a Japanese person when only the silhouette is seen, and it appears to tell a story interpreted by a Japanese person. I think I have seen the book.'] | [False] | [nan] | The next segment focuses on a particular photo that appears to depict a scene extracted from a book. Although the image only captures a portion of one page, I will read aloud what is visible. The cut-off sections present challenges for readability, prompting me to move swiftly to the following part. The narrative is centered around the theme of Tokyo set against the backdrop of Japanese confectionery, all occurring under martial law. This piece was penned during the summer of 2010, and reflecting on it now, I find that it elicits a sense of apprehension rather than mere amusement; it induces a cold sweat. I earnestly wish for the circumstances I described not to manifest into reality. This excerpt serves as a brief homage commemorating my initial submission of a manuscript to editor Nozomi Omori. She was the very first individual to peruse my novel, which was submitted for consideration for the prestigious Japanese Fantasia Novel Award. While immersed in the writing process, I unfortunately encountered a mishap—my computer crashed—resulting in a delay in finalizing the manuscript. For this, I extend my sincerest apologies. Moreover, this correspondence is intended for a special feature within the novel "Shincho," which is titled "800 Characters of the Universe." It is a narrative I crafted as a tribute to the era of asteroid exploration. When inquiring about its whereabouts, simply remove the jacket enclosing the book and examine the cover. The publication is scheduled for release in October 2012. Turning to the visual aspect, the description notes a figure named Riku, inscribed in Korean. Upon viewing the interior contents, the representation seems to assume the form of a Japanese individual, visible only in silhouette. This appearance suggests a narrative that is interpreted through the lens of a Japanese perspective. I have a strong recollection of having encountered this book in the past. | 1,865 |
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['Russian'] | ['1hYjnLQ6InFa'] | ["The photo shows spoons, which I think are usually used for compotes. It is set against the background of a beautiful pot. And then, what else can be said? There is a shadow depicted, a purple sheet. And then fruits and flowers are shown on the spoon. The texts, like in the photo, are also not available to us. The handle is black and gold. The objects inside are drawn on the spoon. They are in golden and red colors. It's a very bright image. However, this suggests that the photo is quite amateurish. The shadow is not retouched at all. We see the shadow on the spoon itself and on the table itself. Everything is quite beautiful. All of this. And super beautiful. It indicates that this is somewhere in a home atmosphere, you could even say."] | [True] | [nan] | The photograph prominently features a collection of spoons, which the speaker suggests are typically utilized for serving compotes, a type of fruit dish often enjoyed as a dessert. These spoons are positioned against the backdrop of an aesthetically pleasing pot, adding an element of sophistication to the composition. Additionally, the image incorporates a shadow, enhancing the visual depth, and it is set on a purple sheet, which serves as a striking contrast to the other components. The spoons themselves are adorned with intricate depictions of fruits and flowers, showcasing a vibrant palette that includes rich golden and red hues. This choice of colors contributes to the overall brightness of the image, drawing the viewer's eye. The handles of the spoons are designed in a striking combination of black and gold, indicative of a mix of elegance and modern design elements. Despite the beauty of the image, the speaker notes that it possesses an amateurish quality. Features like the unretouched shadows on the spoons and the table suggest a lack of professional polishing, yet they add authenticity to the homey atmosphere captured in the photograph. The visible shadows further emphasize the three-dimensionality of the objects, making the scene feel more lifelike. Overall, the composition provides a sense of warmth and comfort, effectively evoking a cozy domestic setting. | 630 |
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['English', 'Chinese', 'Chinese'] | ['1aH1qntUqdvF', '1nHv2dAcCbpZ', '17i2iPYzKF38'] | [" First glance, this image contains a woman who is standing in front of some sort of music award venue event where she has won two trophies and she is wearing a white floral dress. The text says www.ce.cn. There's some sort of cut off of music world in the background and she's standing directly in front of this. The subtle details, there's some writing of Asian descent on the background of the wall and the background is pink. There's some sign and... no particular style or color. She is just standing there with red hair in the image.", 'It is a photo of a female singer alongside something called the Music Award in Mandarin, which is a festival in China. The woman is wearing a white floral dress and has long, dark brown hair with a slight wave. She is holding a trophy in each hand, and the top part of the trophy is a glass circle. The background is red, and it features a red board. On this board, there are the characters I just mentioned, and in the lower left corner, there is a source from a Chinese website, indicating the origin of this image.', 'In this picture, there appears to be an Asian woman, possibly Chinese, holding two trophies. In the background, there seems to be an event related to Chinese music. The photo indicates she is very happy to have received this award, as suggested by her smile. Her attire resembles that of someone attending a gala, and the photo is likely from a promotional poster for the awards ceremony. It could have been taken during a red carpet event where many reporters were conducting interviews or taking pictures. She is holding two prestigious trophies, which indicates that she must be quite successful.'] | [False, False, False] | [nan, nan, nan] | The image in question depicts a woman standing in front of a prominent music award venue, where she has proudly won two trophies. She is dressed in an elegant white floral dress that adds a touch of gracefulness to the scene. The text “www.ce.cn” is visible in the background, suggesting an online connection or source related to the event. Behind her, there's a partially obscured sign that reads "Music World," indicating the festive atmosphere surrounding the awards ceremony. The background is adorned with pink hues, creating a vibrant and celebratory ambiance. Further examination reveals Asian script on the wall behind her, reflective of the event's cultural context, most likely hinting at the significance of the festival in promoting Asian music. The woman's striking red hair stands out amongst the scene, adding a bold contrast to her attire. This image is associated with the Music Award, referenced in Mandarin, which is a notable festival in China celebrating achievements in the music industry. In addition, the woman is seen holding a trophy in each hand, with the trophies featuring a distinctive glass circle design at their top. The background is predominantly red, further enhancing the celebratory theme, and includes a red board displaying the aforementioned Chinese characters. In the lower left corner, a citation from a Chinese website indicates the source of the image, emphasizing its relation to the local music scene. Overall, the portrayal of this Asian woman, presumed to be of Chinese descent, suggests she is a successful artist basking in the joy of recognition, as evidenced by her beaming smile. Her gown suggests a formal occasion, indicating that this photograph could likely be from a promotional poster for the prestigious awards ceremony. It is plausible that this image was captured during a high-profile red carpet event, where numerous reporters were engaged in interviews and photography, highlighting her notable achievements in the music industry. The trophies she holds symbolize her considerable success and excellence in her career. | 1,519 |
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['English', 'Chinese', 'Chinese', 'Chinese'] | ['16IRk3NlzirQ', '1nIZNnqO01u0', '1gOHxSBOa6at', '17qfgtOA4JAp'] | [" In this image there is a woman standing and staring at the camera. She's smiling. She's Asian and she's wearing this black and white dress. The dress ends at her thigh section, but she's wearing tights. She's wearing like black tights. The backdrop is this white background with a bunch of Chinese words on it. Or not Chinese, maybe some Asian language. She has like reddish black hair and her dress has like a bunch of stripes, black stripes on it. Her right hand is covering her right thigh and her left hand is just at her side. And her right hand is covering her right thigh and her left hand is just at her side. So at the center of the page I see weibo.com slash Linda Club. And at the bottom right I see Tongue Star.", 'This photo shows a lady standing in front of a backdrop. A flash was used during the shoot, and we can see that the lady has deep brown curly hair and is smiling, with thick eyelashes. She is wearing a fitted short skirt, a sleeveless short dress, which has black and white horizontal stripes. She is also wearing black stockings, and we can see only her thighs; the part below the thighs is not captured in the photo. The lady\'s left hand is placed in front of her body, and we can see she has white nail polish on. Her right hand is also positioned in front of her body, while her right hand is at her side. The backdrop displays Tuen Mun Town Plaza, and in the middle, there is a Weibo watermark featuring the account name "中加星国际后应援总站LC" along with a link to the account\'s webpage. The watermark in the bottom left corner is from Sina Entertainment, and the one in the bottom right corner is from TUNGSTAR. The watermarks are quite small, and it feels that the woman in this image is a star.', 'This picture is of a girl with brown hair that is loose and drapes over her left shoulder. She is smiling happily at the camera, wearing a black and white strap short skirt, which is white with black stripes. Her right shoulder is bare, featuring only a black strap. Her nails are painted white, and her right hand is wearing a ring. She is also wearing semi-transparent black stockings. The background is white with the words "Tuen Mun Town Plaza" written on it, suggesting this photo was taken in a plaza on a black street. Behind the white board in the background, another space can be seen, and there is a bright light above her head.', 'This image features a long-haired girl standing in front of a backdrop. She\'s wearing a dress that has black and white stripes; it’s a spaghetti strap dress and has an asymmetrical shape. The girl is very well-dressed, fully made up, and has long brown curly hair. The backdrop contains a slogan with a line in English and a line in traditional Chinese, which reads "Tuen Mun Town Plaza." In the middle of the image, there\'s a watermark from Weibo that states "Zhong Jiaxing International Support Total War LC," indicating that this female celebrity is likely named Zhong Jiaxing. The photo was posted on Sina Weibo, and the overall style of the image is very retro, possibly from the last few decades. The image feels like it could be 20 years old.'] | [False, True, False, False] | [nan, 'Yes, I can tell this image is from Chinese social media called Weibo, since there are so many logo. Also the plaza is in China as well.', nan, nan] | In this collection of images, we see a series of portraits featuring a woman who is characterized as a star, standing confidently and smiling at the camera. She is of Asian descent, with long, dark reddish-black hair that is styled in loose curls. Her attire is a fitted dress that features a striking design of black and white horizontal stripes, reaching the thigh area and complemented by sheer black tights. This particular dress has an asymmetrical cut and includes spaghetti straps, accentuating her shoulders. The outfit, particularly the combination of stripes and color, evokes a vintage aesthetic, suggesting a style that may harken back to previous decades. In all images, her hand positioning adds to the composed and elegant presentation. Specifically, her right hand gently covers her right thigh, offering a sense of modesty while her left hand rests comfortably at her side. Her nails are painted white, and she wears a ring on her right hand, further enhancing her polished appearance. The backdrop of these portraits varies but consistently features a prominent white background adorned with text in both English and traditional Chinese, specifically highlighting "Tuen Mun Town Plaza." This suggests that the images were captured in a public plaza, likely bustling with activity, which adds to the setting's allure. Watermarks are present in the imagery, featuring the name "Zhong Jiaxing International Support Total War LC" from Weibo, indicating a potential fanbase or support group for the celebrity depicted in the photos. Additional watermarks originating from Sina Entertainment and TUNGSTAR are also discretely placed in the corners of the images, asserting the commercial value of the photographs while keeping the focus on the subject herself. The overall mood conveyed through these images is one of charm and charisma, with the combination of her friendly smile, the fashionable attire, and the stylish backdrop contributing to a sophisticated yet accessible representation of modern Asian femininity. The retro vibes and artistic touches captured through the photography provide a nostalgic feel, perhaps reminiscent of popular culture trends from a couple of decades ago, signaling a blend of contemporary and classic influences in her styling and presentation. | 1,451 |
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['English', 'Korean', 'Chinese'] | ['16nJGcLxwdv4', '15PcpOoJN0Ii', '1de83OBuGU0O'] | [" This is an image of a dog that is looking at the camera and with its mouth open and tail in the action of wagging. And it is a pretty big dog with a white coat and it is standing on all fours looking stationary with its ears perked up, has dark eyes, a dark nose. It's outside on a cloudy day and in the background you have a couple wooden fences and some shrubbery and a post coming up out of the ground with the power lines hanging from it. So this is a rural landscape and the ground is a light brown. And also in the background behind the dog, which the dog is partially obscuring, is some sort of tarp or little tent on the bottom there. This appears to be part of like a farm area. Perhaps that is a sheep dog.", 'A photo of a white Jindo dog? The Jindo dog is standing outside, and it feels like a picture taken in the countryside. The Jindo is predominantly white, and in the background, there seems to be a house? There’s a strong country vibe, and the Jindo dog occupies most of the picture. There isn’t anything particularly special behind it, aside from the fact that it’s outside, and looking below, there are things like gravel? It looks like dirt, especially in summer with the Jindo dog in the picture. Then, there seems to be some sort of house in the background as well. Overall, it feels like the photo was taken perfectly framed to capture the Jindo dog.', "The picture shows a white dog that is not very large, falling into the medium-small size category. It looks a lot like a Japanese Akita because its ears are upright, and its snout is relatively long, resembling a fox. The dog is entirely white and appears to be healthy, not overweight. In the background, there are many fences, suggesting it's not in a city; it’s likely in a rural area. The ground is not tiled but rather muddy, further confirming that this is not an urban setting but in the countryside. The dog seems to be wagging its tail, probably because its owner is petting it."] | [False, True, False] | [nan, 'korean dog', 'no'] | This transcription details a visual representation of a dog, specifically identifying it as a Jindo or a variation that resembles a Japanese Akita. The dog is predominantly white, featuring distinct traits such as an upright ear structure and a notably elongated snout, which bears a resemblance to that of a fox. The dog is described as medium-small in size and appears to be in good health, not showing any signs of obesity. The setting is outdoors, captured presumably in a rural or countryside environment. The background features wooden fences, which suggest that this area is not urbanized, and instead, indicates a more agricultural lifestyle or farmland. The ground is described as light brown or muddy, reinforcing the idea that the dog is situated in a natural landscape rather than a city. Atmospherically, the scene is set on a cloudy day, adding a certain mood to the image. Power lines can be seen in the background, emerging from a post in the ground, indicating some level of infrastructure, yet still maintaining that rural characteristic. Additionally, there is an element in the background that is partially obscured by the dog, which may appear to be a tarp or a makeshift tent, further suggesting the dog may be part of a farm scenario. Though the Jindo dog captures the majority of the visual focus, the presence of gravel and dirt underfoot, combined with the additional structures like a house hinted at in the background, contributes to the overall strong country aesthetic of the photograph. The dog's body language, such as its tail wagging, indicates excitement or happiness, possibly due to interaction with its owner nearby. Each element of the photograph works cohesively to reflect a wholesome depiction of a dog's life in an idyllic rural setting. | 579 |
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['Russian'] | ['1ctcUc22Y66h'] | ["At first glance, these are drawings of many sports products, as many as 4, 5, 6—definitely more than 20 of them. There’s only one that has text, and it says sports products. It seems we are looking at some kind of painted representation, but they are all mixed up and printed. There are a lot of them, and it's very difficult to see the details, but they are all sports-related. There are helmets, rings, hockey sticks, what looks like skates, t-shirts, shows, and skateboards. There’s a mop of some sort. But it seems like some kind of PowerPoint because there’s something written on it that looks like a PowerPoint presentation for someone. The background is white and the style—yeah, it looks like a PowerPoint."] | [False] | [nan] | At first glance, the images appear to be a collection of drawings showcasing a variety of sports products. There is a total of more than twenty items depicted, possibly grouped into categories of four, five, or six. Among all these illustrations, only one bears textual information, which simply states “sports products.” This suggests that the artist or designer intended to convey a theme centered around sports-related merchandise. The visuals seem to offer a painted representation, but the images appear somewhat jumbled together and printed in a way that makes it challenging to discern the intricate details of each individual item. Nevertheless, it is clear that all the depicted products are associated with sports activities. Among the various items identified, there are several sporting goods, including helmets, which are crucial for safety in many sports; rings, which may refer to championship rings; hockey sticks, used in the game of hockey; what seems to be skates, likely for ice hockey or figure skating; t-shirts, which are commonly worn by players and also serve as merchandise for fans; shoes, important for various sports; and skateboards, which are associated with skateboarding, a popular action sport. Interestingly, there is also an item that resembles a mop, although its relevance to sports is not immediately clear. Additionally, the overall presentation of these items suggests a format akin to a PowerPoint presentation, as the background is white, which is a common choice for digital slides to enhance readability. The text that is visible appears to be formatted in a way that aligns with typical PowerPoint aesthetics, leading to the impression that this collection may have been designed for a presentation, possibly aimed at showcasing a range of sports products to an audience for promotional or educational purposes. | 1,980 |
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['English', 'English', 'English', 'Chinese', 'Chinese'] | ['12WQCHSqeCzZ', '1kjPAI2bZzOF', '19At0ssABLMm', '15lz4YqJofys', '12DW9HQQJwsS'] | [" So this image appears to show rows of life-size warrior statues placed in our ancient architectural site. We see numerous statues, an evacuated pit with steps leading down, and the figures seem to be made of clover stone. There's no visible text in this image. The statues are neatly arranged in rows facing the same direction, and the pit adds depth, with figures positioned at different elevations. Each statue has distinct features and armor. Some statues appear more weathered than others. The uniform arrangement suggests a military formation. And from this picture we see in the background that evacuation site, which is possibly an indoor covered area. We also see that this picture has earthy muted colors and artistic style, which is highly detailed and realistic. We see that the the restorations of these statues to can infer that this is part of excavation site.", "In this image at first glance we see about 100 terracotta soldiers or officials or diplomats I'm not quite sure but we see about a hundred of them lined up from the in the image so the objects we see it probably about a hundred terracotta soldiers in the image we don't see any text the positions the terracotta soldiers are facing towards the right of the image all of them in a line straight line three straight lines that we notice that they're they're ordered in in terms of subtle details you do notice there in some cases I'm not sure if it's a kind of hat on them or some kind of hairstyle you do notice there in some cases I'm not sure if it's a kind of hat on them that would be distinctive and perhaps the all of them are in the same kind of body position as well and yes you notice there the detail of their clothing as well in the background is mainly a rock wall the style and color it's mostly sand like in terms of the rock or gray in terms of the terracotta soldiers so yeah of course yeah of course yeah of course based on what we see we know this is probably the terracotta army located near ian china so we know it's in China and of course this is culturally significant since it's the terracotta army which was buried with one of the first emperors of China and forget the name of the dynasty I don't know if it remember but in any case of course it's very culturally significant", "This is an image of what looks like the Terracotta Warriors or some other set of statues. It is maybe to, I don't know, 100 to 200 statues down from the bottom to the top of the picture. They're gray and sort of beige depending on where the light is hitting them. To the top left, there's a bunch of stone with what looks like the heads of more of these statues. Those statues are all in a straight line going through the image. There is no text. There are no subtle details in the background other than rocks. The style would be a possibly archaeological picture. In terms of the context, there isn't. You would need to know what the Terracotta Warriors are. Assuming that these are them. With that information, you can infer that this picture is probably in China, which is where these are based. And that it's where those are found.", "What catches the eye in this image is a large number of soldiers. From my rough calculations, there are at least four rows, because some of the rows in the back were not captured in this photo. Each row has at least 30 to 40 soldiers. From my estimation, they seem to have been placed in something resembling a trench, as there are piles of earth next to them that are similar in height to the soldiers. Additionally, we can see that they are lined up in very neat rows, although there are a few soldiers who are unevenly arranged, which might also be due to damage during the excavation process. I also noticed that some soldiers are missing their heads; this could likely be a result of damage during the excavation as well. Based on my personal experience and inference, this scene should be located in Xi'an, China, specifically at the site of the Terracotta Army.", "This is a photo of the Terracotta Army from ancient China. We can see three rows of terracotta warriors: the front row, the middle row, and the back row, with a fourth row that is not complete. We can see that each of these warriors is different; some are standing closer, while others are further back, and their hairstyles vary as well. A few of the warriors are missing their heads, likely damaged during excavation. This scene appears to be in an underground pit, and we can infer that excavation is ongoing, as the first three rows have been dug out while work continues on the back. In the front row, there might be nearly 90 warriors, while the recently excavated third row may have about 10 warriors. This is a photo with distinctive Chinese characteristics, as terracotta warriors can only be found in Xi'an."] | [False, True, True, True, True] | [nan, 'Yes, Terracotta army', 'Terra cota warriors', 'Because this picture must be shot in China.', 'Clay Warriors only exist in China.'] | So this image appears to show rows of life-size warrior statues placed in an ancient architectural site. The depiction includes numerous statues, alongside an evacuated pit featuring steps leading down. The figures seem to be constructed from a type of stone known as clover stone. Notably, there is no visible text present within this image. The statues are meticulously arranged in rows and are oriented to face the same direction. The depth of the pit adds a dimension to the scene, with some figures positioned at varying elevations. Each statue displays distinct features and specific armor types, with others appearing to be more weathered than their counterparts. The uniform arrangement of these statues suggests a military formation, indicative of their historical purpose. In the background of the image, there appears to be an evacuation site, which possibly represents an indoor covered area. The image is characterized by earthy, muted colors and an artistic style that is both highly detailed and realistic. From the restorations evident on these statues, it can be inferred that this site is part of an archaeological excavation. In another image, we observe what seems to be about 100 terracotta soldiers or possibly officials or diplomats. These figures are lined up in three straight rows, facing towards the right side of the image. While it may not be overtly clear, some statues seem to be adorned with a type of hat or distinctive hairstyle, contributing to the unique individuality among them. All of the sculptures maintain a similar body position. The background consists primarily of a rock wall, with colors reminiscent of sand or gray, corresponding to the terracotta soldiers. Based on this information, it is reasonable to deduce that this represents the Terracotta Army, located near Xi'an, China. This site is culturally significant as the Terracotta Army was buried with one of China’s first emperors, belonging to the Qin Dynasty, which played a pivotal role in unifying China. Another image showcases what appears to be the Terracotta Warriors or a similar collection of statues. There seems to be anywhere from 100 to 200 statues visible from the bottom to the top of the photograph. Their color scheme ranges from gray to beige, influenced by the lighting conditions. To the top left of the image, one can see stones along with the heads of more statues. The figures are aligned in a straight line throughout the photo, while the background is dominated by rocks, with no text or cultural markers present. The style resembles that of archaeological photography. Understanding the significance of the Terracotta Warriors is crucial for contextualizing this image, and it can be inferred that the photograph was taken in China, where these remarkable statues are located. In another striking image, a large number of soldiers immediately capture attention. Rough calculations suggest there are at least four rows of soldiers depicted, as some rows positioned in the back are not entirely captured in the frame. Each row likely contains at least 30 to 40 soldiers. It appears the soldiers are arranged within a trench-like formation, evident from the piles of earth beside them that match their height. The soldiers are neatly aligned, though a few appear to be unevenly arranged, possibly due to damages sustained during the excavation process. Notably, some soldiers are missing heads, likely as a result of previous excavation damage. This scene is presumed to be located in Xi'an, China, specifically within the renowned site of the Terracotta Army. Finally, the last image depicts the Terracotta Army from ancient China, showcasing three distinct rows of terracotta warriors: the front row, the middle row, and the back row, with a fourth row that is not complete. Each warrior exhibits uniqueness, as some stand closer while others are farther back, and a diversity in hairstyles is apparent. Similar to previous depictions, several warriors are missing their heads, likely due to excavation damage. This scene is situated in an underground pit, implying that excavation work is ongoing. The first three rows appear to be fully dug out, while excavation continues on the incomplete back row. It is estimated that the front row contains nearly 90 warriors, with around ten warriors recently excavated in the third row. This photo bears distinctive Chinese cultural characteristics, as the terracotta warriors are a unique archaeological feature exclusive to Xi'an, symbolizing a rich historical legacy. | 136 |
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['English', 'Chinese'] | ['1iSTFJmRlubi', '1iFmShW0jISK'] | [' This is an image taken at night time of some house, a front of house. To the left there is some vegetation. In the center on the right is the front face of the house. There is a blue door on the front and a window to the right of the door. That is also the blue frame. There is a green small bench towards the right of the door as well. The ground outside of the house is dirt. The walls of the house are bumpy and brown. This is the different design of the house. It is a little rural. There is some green leaves in front of the house as well. The house is dark and the light is on. The light is on somewhere. Otherwise there is color in the image. The blue and the green and the brown.', "This picture looks like it's taken from outside a house, possibly in its garden or on its driveway. In the center of the photo, we can see the house's door, which is a light blue color and quite nice looking. Next to the door, there is a window. The house appears to be relatively old; to the left of the door, we can see some vines, branches, and green leaves, suggesting that it might not have been taken care of for a long time. The overall appearance is rather worn. The wall looks like it might be made of mud, giving it an older feel. This house could be located in a poorer community. The wall color resembles that of earth, a brownish soil tone. In the lower right corner, there seems to be a bench, one that you can sit on. The bench, window, and door are all painted in that same light blue color."] | [False, False] | [nan, nan] | This image captures a nighttime scene of a house that is depicted in its entirety, focusing on its front facade. The image reveals a structure that is somewhat rural in style, accentuated by its bumpy brown walls which suggest an older, perhaps mud-built construction. On the left side, there is lush vegetation, including green leaves and vines, indicating that the area could be less maintained. The light blue door, which is central to the image, is complemented by a matching blue-framed window positioned to its right. This door is inviting yet conveys a sense of age and history. To the lower right, there is a small, green bench that adds to the rustic atmosphere of the scene. The ground outside the house is dusty and bare, likely composed of dirt, further emphasizing the rural setting. The light is illuminated somewhere within the house, contrasting against the overall darkness of the night and enhancing the colors present in the image—predominantly blue, green, and brown. The house overall presents an appearance that suggests it might be located in a less affluent neighborhood, characterized by its worn features that reflect both charm and neglect. | 923 |
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['English', 'Chinese'] | ['12KZoLJIUIAa', '1i2SnHCmqJDb'] | [" At first glance, this appears to be like an empty office space. There is a table. There's just one table, and the background is very dark. There is a computer with some tiny text on the screen that's not very readable, and there's a monitor behind that is completely black other than the word Twitter. To the left, it appears to be like a bag of coffee or something else. On it, it says ritual, and there might be a USB there as well, and just a bunch of cords on the table. Some of the text says first day on the job, dot, dot, dot. In the background, there appears to be some sort of window with a screen that has a bunch of grid lines. So, yeah, some of the subtle details are pretty readable and noticeable, like the details on the red bag and the tiny text on the screen, but everything else is kind of hard to read since the rest of the image appears to be black.", 'The image features a table on which there is a computer. On the computer, there is a display screen that shows the Twitter logo, and next to it is a bag with a red packaging. The bag likely contains coffee. In total, there are four items on the table: a hard drive, a computer, a monitor, and the packaging bag, which has the word Twitter written on it. The bag does not have any specific label on it. All of these items are placed on the table, which is in the center or slightly to the right of the image. Notably, they are in a very dimly lit environment. The table, being light-colored, has a bit of a reflection. I believe the background is an office, characterized by darker colors and style, while the items themselves have a dark and muted color scheme.'] | [False, False] | [nan, nan] | At first glance, the scene presented appears to be that of an unoccupied office space. In the center, there is a table, and on this table, one can find several items. Foremost among them is a computer, which features a display screen that prominently showcases the Twitter logo. This logo is the only discernible detail due to the otherwise low visibility of the monitor, which is primarily black. Adjacent to the computer, there is a bag that is believed to contain coffee. The bag is wrapped in a striking red packaging and bears the word "Ritual," which is likely the brand name associated with the coffee contained within. This adds a pop of color to the otherwise muted environment. In addition to the computer and the coffee bag, there are a couple of other items on the table, including a hard drive and a collection of cords scattered about. The scene is further detailed by tiny, unreadable text on the computer screen that suggests a message or note that reads "first day on the job..." This phrase implies a context of beginnings, possibly resonating with themes of employment or new ventures. The background of the image features a window, which showcases a grid pattern that isn't very prominently displayed but adds depth to the overall composition. The lighting in the space is notably dim, contributing to a moody atmosphere. The table itself reflects some light, given that its surface is light-colored. However, the rest of the office environment appears dark, characterized by deep colors and a subdued style. Overall, while some details are clearly discernible, like the red bag and the Twitter branding, much of the scene is enveloped in shadows, lending to a sense of mystery about the workspace. | 933 |
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['English', 'Spanish'] | ['12iffcdDZAHY', '1ogyyWoEWfFG'] | [" This image appears to be some sort of old clay kettle that's located in the front that's sitting on a pile of bricks outdoors. Looks like it's a sunny day with clouds. And next to this kettle, it looks like there's bags of rocks. There's a number of these bags layered on top of each other. And it looks like this is in between, inside of an alleyway, which is located between two houses. The bricks themselves have holes, plenty of holes. And the bags of rocks seem to be very gray and dark. The pot itself looks old and it has a circular top, probably a handle where someone can grab and pour from. And the lid can, like, can... It looks like the lid is sealed on. Not sure if someone can take that off and on.", 'This photo contains a base. It is not known what liquid is inside, but it can be held from the top. It is on top of some, not stones, but bricks of a typical brick color. And behind that, there are some bags, all made of the same material inside. They seem to be rocks. So, it looks like there are about 15 bags of rocks, all stacked on top of each other. Further back, there is a track. And some structures of slightly tall buildings. And it appears to be a yellow base. Yes.'] | [False, False] | [nan, nan] | The scene depicted in the image features an old clay kettle prominently positioned in the foreground, resting upon a stack of bricks situated outdoors. The setting is illuminated by sunlight with a few scattered clouds in the sky, suggesting a pleasant day. Adjacent to the kettle, there are multiple bags filled with rocks, which appear to be arranged in layers on top of one another. This entire scene is located within an alleyway that runs between two houses, giving it a somewhat secluded atmosphere. The bricks on which the kettle rests are notably pockmarked, showcasing a variety of holes that add character to the structure. The bags of rocks are dark gray in color, contributing to the rough and rustic aesthetic of the environment. The kettle itself exhibits signs of age, characterized by a circular top which seems designed for a handle, allowing for ease of gripping and pouring. However, it is unclear whether the lid of the kettle is removable, as it appears to be tightly sealed. In the background of the scene, the image reveals a broader context that includes additional elements such as a track and several slightly taller buildings, which contribute to the urban feel of the alleyway. The kettle seems to have a yellow undertone, creating a contrast with the more neutral colors of the surrounding materials. Overall, this portrayal offers a glimpse into an everyday urban setting, rich with physical textures and colors that evoke a sense of history and function. | 722 |
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['English', 'Chinese'] | ['17JhS4TIUPQ0', '1mGIN4rataiS'] | [" The image is of a table with many bottles and glasses of cacao on it. It's a black table. And I think it's limited. There's one of those tall wine bottles. Two of those are green. This is a plastic bottle that looks like something in the back of the table. This is a brown bottle and it's meaningfully clear. Wine glasses, as well as a glass space. On the back left, there's a pot of wine. And on the very back, there's a window that's lighting. There's a red curtain to the right of the window. Outside the window, there's a big place to be. Another building of some sort. The room itself is a little dark. But, um... There's a little light from the window illuminating the city, too. There's also some plates. And then papers. Um... And you can also see some plastic. Um... And this is a room that's a little dark. And there's a little light on the other side.", 'This is a photo taken by a window in a room. In the photo, you can see that half of the window is covered by a red curtain. Outside the window, there is a building across the street, which has red brick walls, and there are white dividing lines between the floors. Inside the window, we can see sunlight streaming in, and in front of the window, there is a flower pot with plants. In front of the window, there is a table that has several wine glasses on it, including three tall glasses for red wine. You can also see two open wine bottles, as well as some dinner plates and utensils. On the right side of the table, there is a bottle of white liquid with some English letters written on it, and you can see the letters AINOL on the surface of this white liquid bottle. Next to this bottle, there is a brown bottle with the lid off, which is also empty and may have been a beverage bottle.'] | [False, False] | [nan, nan] | The first transcription describes an image featuring a table adorned with an array of bottles and glasses filled with cacao. The table itself is black, suggesting a modern or sophisticated ambiance. Among the various bottles, there are two tall green wine bottles and a brown bottle that is notably clear, indicating the possibility of it once containing a beverage. Scattered across the table are wine glasses and a glass vase, suggesting the presence of a gathering or a special occasion. In the back left corner, a pot of wine can be spotted, while in the very background, there is a window allowing light to spill into the room. This window is partially obscured by a red curtain on the right side, adding a touch of warmth to the scene. Outside the window, glimpses of a larger structure or building can be seen, enhancing the sense of an urban environment. Although the overall room appears somewhat dark, the light streaming through the window brings a soft glow, illuminating both the interior of the room and the outside cityscape. Additionally, there are plates and scattered papers across the table, along with some plastic items, suggesting a casual or cluttered setup. The second transcription provides more context, indicating that the photo is indeed taken from a window within this room. It elaborates that half of the window is draped with a red curtain, which might be a decorative element contributing to the room’s design. Outside, a building can be observed directly across the street, characterized by red brick walls and distinct white lines marking the floors, which is a common architectural style in urban settings. The sunlight streaming through suggests a bright day outside, while in front of the window sits a pot filled with plants, adding a touch of nature to the interior. In front of the window is the aforementioned table showcasing an assortment of wine glasses, including three tall glasses designated for red wine, indicative of a gathering centered around a meal or celebration. The visible open wine bottles suggest hospitality, along with dinner plates and utensils that imply a prepared dining setting. On the right side of the table, a distinct bottle of white liquid is present, marked with the letters "AINOL," which possibly identifies the contents or brand. Adjacent to this white liquid bottle is a brown bottle with its lid off, which appears to be empty, hinting that it may have previously contained a beverage enjoyed during the gathering. | 1,235 |
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['Korean'] | ['1iLZ0IdW3ltX'] | ["The photo depicts a moment where a ring is being placed on someone's hand. In the image, there are a total of two people visible, but their faces are not shown; only their hands are enlarged and captured. There is no text in the photo. One person's hand is holding the other person's hand, with one person on the right and the other on the left. The person on the right is holding the left person's hand and is placing a ring on it. The person on the right has a bracelet on their wrist. There is no text in the photo, and it was taken in black and white."] | [False] | [nan] | The photograph captures a significant and intimate moment in which one individual is delicately placing a ring onto the hand of another person. The composition of the image features two individuals, whose facial expressions and identities are intentionally not revealed; instead, the focus is on their hands, which are prominently enlarged and brought to the forefront of the photograph. This technique emphasizes the act of commitment being portrayed. On the right side of the image, the hand of one person, adorned with a bracelet, is shown gently holding the hand of the person on the left. The bracelet adds a touch of personal style and detail to the image, suggesting an aspect of the individual's personality or mood. The individual on the right is in the process of sliding the ring onto the hand of the left individual, symbolizing an important moment that might be associated with love, engagement, or a similar ceremonial gesture. It is notable that there is no accompanying text in the photograph, allowing the visuals to convey the depth of emotion and the significance of the moment without any words. The entire scene is presented in black and white, which contributes to a timeless quality and adds a layer of emotional resonance, allowing viewers to focus on the gesture and the intimacy of the exchange rather than color distractions. Overall, the image captures a poignant and meaningful interaction between two individuals, marked by the act of placing the ring, which often signifies a commitment or engagement in many cultures. | 1,899 |
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