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int32 0
67.3k
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|---|---|---|
200 |
told in scattered fashion
| 0negative
|
201 |
takes chances that are bold by studio standards
| 1positive
|
202 |
believe it or not , jason actually takes a backseat in his own film to special effects
| 0negative
|
203 |
only thing to fear about `` fear dot com ''
| 0negative
|
204 |
whole mess
| 0negative
|
205 |
manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor
| 1positive
|
206 |
working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up .
| 1positive
|
207 |
a résumé loaded with credits like `` girl in bar # 3
| 0negative
|
208 |
enjoy the ride
| 1positive
|
209 |
very little to add beyond the dark visions already relayed by superb recent predecessors
| 0negative
|
210 |
the , yes , snail-like pacing
| 0negative
|
211 |
an extremely unpleasant film .
| 0negative
|
212 |
if it is n't entirely persuasive , it does give exposure to some talented performers
| 1positive
|
213 |
the whole affair , true story or not , feels incredibly hokey ...
| 0negative
|
214 |
are all things we 've seen before
| 0negative
|
215 |
poignant and leavened
| 1positive
|
216 |
breathless anticipation
| 1positive
|
217 |
significantly better
| 1positive
|
218 |
as predictable as the tides
| 0negative
|
219 |
bewilderingly brilliant and entertaining
| 1positive
|
220 |
it 's smooth and professional
| 1positive
|
221 |
, unassuming , subordinate
| 0negative
|
222 |
the horror
| 0negative
|
223 |
a technically superb film
| 1positive
|
224 |
the positive change in tone here seems to have recharged him .
| 1positive
|
225 |
pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators
| 1positive
|
226 |
a dim
| 0negative
|
227 |
, vicious and absurd
| 0negative
|
228 |
because he acts so goofy all the time
| 0negative
|
229 |
to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside
| 1positive
|
230 |
's at once laughable and compulsively watchable ,
| 1positive
|
231 |
merit its 103-minute length
| 1positive
|
232 |
the value and respect for the term epic cinema
| 1positive
|
233 |
as a dentist 's waiting room
| 0negative
|
234 |
showing honest emotions
| 1positive
|
235 |
amazingly lame .
| 0negative
|
236 |
confessions may not be a straightforward bio
| 0negative
|
237 |
seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little
| 0negative
|
238 |
the story is bogus and
| 0negative
|
239 |
this comic gem is as delightful as it is derivative .
| 1positive
|
240 |
to spare wildlife
| 1positive
|
241 |
ugly as the shabby digital photography
| 0negative
|
242 |
understand the difference between dumb fun and just plain dumb
| 0negative
|
243 |
traditionally structured
| 1positive
|
244 |
frida is n't that much different from many a hollywood romance .
| 0negative
|
245 |
does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets .
| 1positive
|
246 |
are worth the price of admission ... if `` gory mayhem '' is your idea of a good time
| 1positive
|
247 |
was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one )
| 0negative
|
248 |
carnage and
| 0negative
|
249 |
degraded , handheld blair witch video-cam footage
| 0negative
|
250 |
second fiddle
| 0negative
|
251 |
about the folly of superficiality that is itself
| 0negative
|
252 |
serves as auto-critique , and its clumsiness as its own most damning censure .
| 0negative
|
253 |
tedious norwegian offering which somehow snagged an oscar nomination .
| 0negative
|
254 |
, esther kahn is unusual but unfortunately also irritating .
| 0negative
|
255 |
a stylish exercise
| 1positive
|
256 |
halfway through this picture i was beginning to hate it
| 0negative
|
257 |
a setup so easy it borders on facile
| 0negative
|
258 |
a thoroughly awful movie
| 0negative
|
259 |
takes hold and grips hard
| 1positive
|
260 |
look smeary and blurry , to the point of distraction
| 0negative
|
261 |
the picture 's fascinating byways
| 1positive
|
262 |
guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves
| 0negative
|
263 |
breezy , distracted rhythms
| 0negative
|
264 |
than this mess
| 0negative
|
265 |
evanescent , seamless and sumptuous stream
| 1positive
|
266 |
slick and manufactured to claim street credibility .
| 1positive
|
267 |
take care is nicely performed by a quintet of actresses ,
| 1positive
|
268 |
valuable messages
| 1positive
|
269 |
in no small part thanks to lau
| 1positive
|
270 |
two guys who desperately want to be quentin tarantino when they grow up
| 0negative
|
271 |
no new plot conceptions
| 0negative
|
272 |
essentially a collection of bits --
| 0negative
|
273 |
does n't bode well for the rest of it
| 0negative
|
274 |
elevated by it -- the kind of movie
| 1positive
|
275 |
usual worst
| 0negative
|
276 |
hugh grant , who has a good line in charm
| 1positive
|
277 |
arrive early and stay late
| 1positive
|
278 |
is a pan-american movie , with moments of genuine insight into the urban heart .
| 1positive
|
279 |
i could have used my two hours better watching being john malkovich again .
| 0negative
|
280 |
shot in artful , watery tones of blue , green and brown
| 1positive
|
281 |
an unorthodox little film noir organized crime story that includes one of the strangest
| 1positive
|
282 |
considerable aplomb
| 1positive
|
283 |
acted by diane lane and richard gere .
| 1positive
|
284 |
scant
| 0negative
|
285 |
an admittedly middling film
| 1positive
|
286 |
too ludicrous
| 0negative
|
287 |
the rock 's fighting skills are more in line with steven seagal
| 1positive
|
288 |
rich and full
| 1positive
|
289 |
warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .
| 1positive
|
290 |
that uses a sensational , real-life 19th-century crime as a metaphor for
| 1positive
|
291 |
, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
| 1positive
|
292 |
, the film retains ambiguities that make it well worth watching .
| 1positive
|
293 |
ultra-cheesy dialogue
| 0negative
|
294 |
added depth and resonance
| 1positive
|
295 |
the sensational
| 1positive
|
296 |
huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them
| 1positive
|
297 |
handsome but unfulfilling suspense drama
| 0negative
|
298 |
's not very good either .
| 0negative
|
299 |
in her most charmless
| 0negative
|
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