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His thoughts were busily contrasting the happy times of those bygone days, when he could frequently enjoy the society of his beloved Kinu, with now, when, as he bitterly reflected, a gulf yawned between them, as impassable as that which separates Heaven from Hell! And, brooding over the miseries of an unjust world, poor Kunizo fell sick, and was confined for days to his room. Meanwhile, the beautiful bride-elect returned to her father's mansion with her heart strangely agitated. The sight of his handsome face, so full of hopeless longing, when his eyes sought her in the theatre, had deeply affected her, and she could not forget him. At last she also fell ill, and after a time became too weak to leave her bed. She felt like a poor insect caught in the entangling meshes of a cruel Fate. The mere thought of the brilliant marriage that had been arranged by her parents became detestable to her, and tossing on her fevered pillow, long and earnest were her daily supplications to the powers above to find her some means of escape. To the faithful old nurse alone did Kinu dare to confide her tormenting troubles, and the old woman, sorely distressed at the constant fits of weeping and increasing melancholy of her stricken foster-child, at last promised to be the bearer of a message to Kunizo. Then Kinu embodied her woes in a little poem to which she composed an accompaniment on the _koto_, and she found much solace singing it repeatedly to herself in the solitude of her chamber. The nurse's sympathies being with the hapless pair, she soon found an opportunity to inform Kunizo of the love-poem that Kinu had dedicated to him, and the knowledge that his affection was requited brought such joy to his sad heart that all traces of sickness left him, and he was able to resume his usual mode of life. But not so with Kinu. Day and night the image of Kunizo alone filled her thoughts, and the more fervently she longed to see him the more her malady increased.
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The merchant and his wife were plunged into deep distress and anxiety concerning the mysterious ailment that had so suddenly attacked their beloved daughter: the most skilful doctors were hastily summoned to her bedside, but all their ministrations proved of no avail, and the love-smitten patient, like a wilted flower, continued to fade and droop. Now, although Kunizo had grown up amidst poor and obscure surroundings, yet he had received a good education, and had always cherished a great devotion to literature, and especially poetry, for the composition of which he had a natural gift. So when the news reached him that his lady-love was lying on a bed of sickness, he composed a little poem for her, revealing the state of his mind, and entrusted it to the care of the faithful nurse: To O KINU SAMA _So near Belovèd, yet long leagues apart_, _The ladder to thy Heaven so far and dim_, _Its steps I dare not scale_! _One night my soul a butterfly became_: _Straight to its goal thy presence sweet_, _It fluttered softly through the starlit dusk_ _Behind thy purple tasselled sudare[1]_. _What ecstasy was mine_! From KUNIZO This message brought great comfort to Kinu's heart, for until then she had merely guessed Kunizo's affection for her, and had no certain proof of it. Joyfully she wrote a little stanza in response: To KUNIZO SAMA _What matter that our weary feet_ _Tread thorny paths and wastes forlorn_ _If only we together climb_? _What matter that a hermit's hut_ _Is all our shelter from the blast_? _Beyond the mists one shining star_, _Our heart's true guide bright beckons us!_ _Earth's dust shake off, and hand in hand_ _Set out in faith to Love's lone peak!_ From KINU From that time, day by day, the enamoured pair existed on the exchange of their love-tokens, while the happiness of being in such constant and intimate intercourse with her old friend led to Kinu's sudden and complete recovery. In the meantime her parents, overjoyed at their daughter's restoration to health, and in total ignorance of all that was taking place, hastened to select an auspicious day for the marriage, and began with enthusiasm the elaborate preparations for the important event. When the hapless Kinu realized that her destiny was irrevocably sealed, and that she was condemned to become the wife of another man, she became almost frantic.
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Disobedience and defiance of her parent's wishes being out of the question, she pondered morning, noon, and night over the dreadful situation: but it seemed that nothing short of a miracle could prevent or even delay the marriage ceremony with the hated bridegroom. After long days and nights of futile scheming, it seemed to her distraught brain that the only line of action left to her was this: once arrived at the nobleman's house she determined, on pretence of illness, to ask permission to isolate herself in her own apartments; but should he insist on her presence, there would be but one course left to her to follow, and since it was doomed that she should not be the Bride of Love, she would become the Bride of Death. This desperate decision she communicated in her last farewell to the distracted Kunizo, and as a pledge of finality and her unshakeable resolve, she wrote the letter in blood, drawn from a self-inflicted wound on one of her fingers, and tied this ominous missive with a long tress of her silken, ebony hair. The fateful day arrived. Passively the unwilling, shrinking bride submitted to the obsequious attendants, who robed her slender form in the gorgeous wedding-garments and applied the adornments of art to enhance her pale beauty, so that when she appeared before them, the relatives and friends, who had assembled for the occasion, were enchanted, and all were loud in praise of her surpassing loveliness. At last the evening came and the hour of departure was at hand. Kinu took formal leave of her parents, and then, steeling her heart with the firm resolution to escape from the hateful bondage of this forced marriage, entered her _kago_, and was slowly borne to the house of the bridegroom, closely followed by a long procession of her parents, the go-between, and attendants. Now, it happened that some years before the young nobleman had formed a liaison with a woman, a famous _danseuse_ and singer, to whom he had been deeply attached. According to the custom of those times he had installed her in his house, and being of an ambitious nature, from the first she had cherished the hope that in time her devotion would be rewarded by becoming his legal wife, and the mistress of that noble house.
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When, therefore, she learnt of the death-blow to her aspirations in her lover's approaching marriage to a young bride of peerless beauty, the shock was so great as to unhinge her reason. Secretly she nursed her bitter feelings: vainly she hoped that her agonized prayers to the Gods might be heard, and that the dreaded marriage might yet be cancelled. But when the evening of the wedding-day arrived, and the lights of the bridal procession had already come into view along the road, and were slowly nearing the house, her fury could no longer be restrained. Mad with jealousy and disappointment she rushed into the garden, stabbed herself through the breast, and in a last convulsive frenzy, cast her bleeding body down the well. At that moment the massive gates were thrown open, and the bride's sumptuously lacquered _kago_ appeared, surrounded by a numerous retinue, carrying lanterns and torches. Suddenly, an unearthly gust of cold wind arose whirling wildly round the mansion, and all the lights were extinguished. In the dense gloom of that moonless night, what was the terror of everyone to behold in front of them, barring the way before the passage of the bride, the spectre of the deserted mistress! Shrouded in a cloud of pale-bluish mist, her ghastly face and blood-stained garments struck terror to the souls of the petrified spectators--her long dishevelled hair streamed behind her in the breeze, which was not of this world, and her hands were uplifted in menace towards the bride, from whose _kago_ a wild and heartpiercing shriek was heard. The bridegroom, who with a group of retainers had been impatiently awaiting the advent of Kinu at the entrance to the house, was a horrified spectator of the fearful scene. His wrath was uncontrollable. With drawn sword he rushed to the gate and made a wild attempt to cut down the wraith of his jealous paramour--but as his sword fell, in a flash the whole apparition vanished. Great was the commotion that followed, but by degrees the alarmed servants and bearers recovered from their fright, the torches and lanterns were relighted, and the door of the palanquin was opened. Alas! to all appearances the beautiful bride was dead. Like a white lily she lay back on her cushions, pale and still. Physicians were summoned in all haste, but they declared that remedies were of no avail--life was extinct.
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The hapless Kinu had perished. Coming as a climax to the mental anguish she had suffered, the horror of the ghastly welcome that had greeted her, was beyond the endurance of her frail spirit, and on the threshold of her new and dreaded home, it had taken wing. [Illustration: Her ghastly face and blood-stained garments struck terror to the souls of the petrified spectators] The woe of that night was unutterable. Amidst the general lamentations, Kinu's afflicted parents returned to their home, bearing with them the lifeless body of their beloved daughter: all their pride obliterated and their hopes in her brightly opening future swept away for ever by the tragedy of that fearful night. Two days later, with poignant grief, the stricken couple laid in the tomb all that was left of their cherished child, so irrevocably and cruelly torn from them by a sudden unexpected doom, and they resolved to dedicate the remnant of their days to her memory. Kunizo was the first to hear the dire news. With a breaking heart he had watched his love depart on her ill-starred journey, and, numbed with despair, from the same spot he witnessed the mournful return of the procession. Stupefied at the turn events had taken, he at once determined that her spirit should not go forth on its way alone into the darkness of the Land of Shadows, and since their paths had been so ruthlessly parted in life, compassionate Death should unite them for many lives to come. However, before he made his final exit from this world of pain, he would at least gaze once again upon the beautiful face of his beloved Kinu. With this resolve, on the night of her interment he found his way to the cemetery; the coffin was easily disinterred, and with the tools brought for that purpose, he soon succeeded in wrenching off the lid. No sooner had this been done than a miracle was wrought. Instead of lying there a pallid wraith of her former self, as Kunizo so fully expected to find the corpse of his lost love, with a faint sigh she raised herself in the narrow coffin, and turned her bewildered gaze upon her astounded deliverer. It was indeed true, the sudden rush of cold air had brought back the wandering spirit of poor Kinu.
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The hideous events of her wedding night had completely suspended her animation, and she had fallen into a deep trance, which had deceived everyone by its faithful semblance of Death. Who can depict the joy and transports of the young lovers, who after enduring such torments and vicissitudes, were thus miraculously restored to each other! Kunizo, almost beside himself with happiness, did his utmost to minister to his beloved lady, and when she had sufficiently recovered, he tenderly wrapped her in his outer garment and carried her in all haste to the house of an aunt, who lived at some distance, where she could be safely concealed. This relative was considerably surprised at such a visitation in the dead of night, and still more so at the almost incredible narrative of the fugitive couple. However, clearly discerning the will of Heaven in all that had passed, she willingly afforded them a shelter, and did all in her power to aid them escape from that part of the country. Under cover of the darkness they fled, and crossing the sea, arrived safely in the island of Shikoku. There, in a place called Marugame, they found another member of Kunizo's family, to whom they had been directed, who was the prosperous master of a _yadoya_, or inn, in the vicinity of the famous temple of Kompira,[2] for which that region had become famous. [Illustration: Kunizo, almost beside himself with happiness, did his utmost to minister to his beloved lady.] The fugitives received a kindly welcome, and then after all their trials and sorrows, they made their home in that flourishing country town, annually visited by thousands of pilgrims, Kinu's beauty and accomplishments winning all hearts and proving of great assistance to their benefactor. In this way, far from their native place, the united lovers spent happy years in the joy of each other's company, secure in their deep affection, which, like the flower of the enchanted bowers of Horai, the Elysian Isle, fades not, but blooms on fragrant for all eternity.
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Haunted by the fear that they might again be pitilessly separated from each other, and Kinu forced to fulfil her engagement to the luckless nobleman, who had been defrauded of his happiness in such a gruesome and unforeseen manner, they lived in the strictest retirement and never dared to disclose to their respective sorrowing families the wonders that had been worked in their behalf. However, some years later, Kinu's parents, who had all this time been mourning and inconsolable for their daughter's tragic end, undertook an extensive pilgrimage age to certain celebrated temples for requiem services and prayers for the repose and well-being of the soul of their lost child. In the course of their journeying they arrived at Marugame, for the temple of Kompira was included in their tour, and by a strange coincidence they came to stay at the very inn presided over by Kunizo's uncle. When they were shown into the room allotted them, the first object to meet their astonished gaze was a handsome screen on which was written a poem in skilled calligraphy. The characteristic handwriting was the facsimile of Kinu's, and the poem constantly and fondly read at home--they knew it by heart, for it was one of the treasured relics left to them by their beloved daughter. Their imaginations were deeply stirred, and in a state of great emotion at this strange occurrence, they hastily summoned their host. In a long interview the astounding story of Kinu's resurrection from the tomb and the escape of the lovers was revealed to them. Deep and boundless was their joy and gratitude to Providence at thus restoring to them, in such an amazing manner, their lost one, whom they never expected to meet again this side of the _Meido_[3] and at that happy reunion all shed tears of joy, and also of sorrow, in recalling the past.
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Further separation being out of the question, the old couple insisted on carrying back with them to Osaka their newly restored son and daughter, and there they all lived together long and happily: the whole neighbourhood never ceasing to marvel at the wonderful history of "how Kinu returned from the grave." [Footnote 1: _Sudáré_, a curtain of finely slatted bamboo pulled up and down by silken cords and tassels.] [Footnote 2: _Kompira_, a deity claimed by both Shintoists and Buddhists: very popular with travellers and seamen.] [Footnote 3: _Meido_, Hades.] A CHERRY-FLOWER IDYLL About one hundred years ago, in the old capital of Kyoto, there lived a young man named Taira Shunko. At the time this story opens he was about twenty years of age, of pre-possessing appearance, amiable disposition, and refined tastes, his favourite pastime being the composition of poetry. His father decided that Shunko should finish his education in Yedo, the Eastern capital, where he was accordingly sent. He proved himself an apt scholar, more clever than his comrade-students, which won him the favour of the tutor in whose charge he had been placed. Some months after his arrival in Yedo, he went to stay at his uncle's house during convalescence from a slight illness. By the time he was well again the spring had come, and the call of the cherry-flower season found a ready response in Shunko's heart, so he determined to visit Koganei, a place famous for its cherry trees. One fine morning he arose at dawn, and, equipped with a small luncheon box and a gourd filled with sake, set out on his way. In the good old days, as now, Koganei was celebrated for the beauty of its scenery in the springtime. Thousands of spreading trees formed a glorious avenue on either side the blue waters of the River Tama, and when these burst into clouds of diaphanous bloom, visitors from far and near came in crowds to join in the revel of the Queen of Flowers. Beneath the shade of the over-arching trees, tea-houses were dotted along the banks of the stream. Here, with the _shoji_[1] hospitably open on all sides, tempting meals of river-trout, bamboo shoots, and fern-curls, and sundry and manifold dainties were served to the pleasure-seeking traveller.
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Shunko rested at one of these river-side hostelries, refreshing himself with generous draughts from his gourd, and then opened his tiny luncheon box, the contents of which he supplemented with the delicate river-trout, fresh from the pellucid waters of the stream and artistically prepared by the tea-house cuisine. Under the influence of wine, the homesickness which had been oppressing his soul gradually took wings; he became merry, and felt as if he were at home in his own beautiful city of Kyoto. He sauntered along under the trees, singing snatches of songs in praise of this favourite flower. On every side the whole world was framed in softest clouds of ethereal bloom, which seemed to waft him along between earth and heaven. Lost in admiration at the fairy like beauty of the scene, he wandered on and on, oblivious of time, till he suddenly realized that daylight was on the wane. A zephyr sprang up, scattering the petals of the blossoms like a fall of scented snow, and as Shunko gazed around, he became aware that the last visitors had gone, and that he was left alone with only the birds twittering on their way to their nests to remind him that he, too, like the rest of belated humanity, ought to be wending his way home. However, sinking down upon a mossy bank beneath a cherry-tree, he became lost in meditation. With the aid of a portable ink-box and brush he composed some stanzas, a rhapsody on the transcendent loveliness of the cherry flowers. SONG TO THE SPIRIT OF THE CHERRY-BLOSSOM[2] _Throughout the land the Spring doth hold high Court,_ _Obedient to the call from far I come_ _To lay my tribute at thy matchless shrine,_ _To vow allegiance to the Queen of Flowers._ _How can I praise aright thy perfume sweet,_ _The heavenly pureness of thy blossom's snow:_ _Spellbound I linger in thy Kingdom fair_ _That rivets me, love's prisoner!_ _Take this poor bud of poesy to thy fragrant breast,_ _There let it hang, symbol of homage true:_ _Ne'er can perfection be acclaimed right,_ _Much less thy beauties, which are infinite! Thy by fragile petals fluttering on my robes_ _Pluck at my heart, and bind me to thy realm_.
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_With fairy fetters--ne'er can I leave thy bowers_ _But worship thee for evermore, my peerless Queen of_ _Flowers_! Having tied the slip of paper to a branch of the tree in whose shade he had been reclining, he turned to retrace his steps, but realized, with a start, that the twilight had merged into darkness, and the pale gleams of the crescent moon were already beginning to illumine the deep blue vault above him. During his abstraction he had wandered off the beaten-track, and was following a totally unknown path which grew more and more intricate among the hills. It had been a long day, and he was growing faint with hunger and weary from fatigue when, just as he was beginning to despair of ever finding an escape from such a labyrinth, suddenly a young girl appeared from the gloom as if by magic! By the fitful light of the lantern she was carrying, Shunko saw that she was very fair and dainty, and concluded that she was in the service of some household of rank. To his surprise she took his presence as a matter of course, and politely addressed him, with many bows: "My mistress is awaiting you. Please come and I will show you the way." Shunko was still more astonished at these words. He had never been in this wild and unknown place before, and could not imagine what human soul could know and summon him thus, at this late hour. [Illustration: Suddenly a young girl appeared from the gloom as if by magic!] After a few moment's silence he inquired of the little messenger, "Who is your mistress?" "You will understand when you see her," she replied. "My lady told me that as you had lost your way, I was to come and guide you to her house, so kindly follow me without delay." Shunko's perplexity was only increased by these words, but after reflection, he told himself that probably one of his friends must be living in Koganei without his knowledge, and he decided to follow the fair messenger without further questioning. Setting out at a swift pace, she guided him into a small valley, through which a mountain stream was murmuring in its rocky bed. It was a remote and sheltered spot.
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Presently a turn in the path led them to a tiny dwelling, completely surrounded and over-shadowed by a cluster of cherry-trees in full bloom. The girl stopped before the little bamboo gate. Shunko hesitated, but she turned to him with a smile. "This is the house where my mistress dwells. Be so good as to enter!" Shunko obeyed, and passed up a miniature garden to the entrance. Another little maiden appeared with a lighted candle, and ushered Shunko through several anterooms leading to a large guest-chamber, which seemed to be overhanging the crystal waters of a lake, in whose depth, like golden flowers, he could see the reflection of myriad stars. He noticed that the appointments were all of a most sumptuous description. Cherry-blossoms formed the keynote of the decorations; the screens were all planted with the flowering branches, clusters of them adorned the _tokonoma_; while the high-standing candlesticks were of massive silver, as were also the charcoal braziers, the glow of which drove out the chill of the spring evening. Beautiful _crêpe_ cushions were placed beside the braziers, as if in expectation of a welcome guest; while the perfume of rare incense, mingling with the delicious fragrance of cherry-blossom, floated through the room. Shunko was too bewildered and too exhausted by his long wanderings to indulge in reflections. With the unreal sensations of an errant hero of a fairy tale, he sank upon the mats and waited, wondering what would happen next. Suddenly, the rustle of silken garments arrested his attention; noiselessly the screens of the room slid back, and the apparition of a beautiful maiden appeared, exquisitely graceful in her trailing robes. She was in the prime of youth, and could not have been more than seventeen years of age. Her dress, in which the skies of spring seemed to be reflected, was the hue of a rich azure blue, and the _crêpe_ fabric was half concealed beneath sprays of cherry-bloom so deftly worked, and with such a moonlit sheen upon them, that Shunko thought that they must have been woven from the moonbeams of the serene far-off moon for the Goddess of Spring. Her face was so perfect that the wondering guest was speechless at the loveliness of the vision before him. Never had he dreamed of such beauty, although he came from Kyoto, the city of beautiful women.
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The fair hostess, noting his embarrassment, laughed softly, as she took her seat beside one of the silver braziers, and with a gentle gesture of the hand assigned him the companion place opposite her. Bowing to the ground, she said: "Ever have I lived alone in this place with only the river and the hills for my friends. So that your coming is a great joy and consolation to me. It is my wish to prepare a feast of welcome for you, but alas! in the depths of the woods, there is nothing meet for an honoured guest, but, poor as our entertainment is, I beg you, not to despise it." A servant then appeared bearing trays of delicious dishes, with a golden wine flagon and a crystal cup. At the sound of her voice, enchantment seemed to weave a subtle net around the bewildered Shunko; a languorous feeling of delight stole over his senses, and he yielded himself to the mysterious charm of the hour. His lovely hostess proffered to her guest the crystal winecup, and filled it to the brim with amber wine from the golden flask. As Shunko quaffed it, he thought never had such delicious nectar been tasted by mortal man. He could not resist cup after cup, till gradually all apprehension of the unknown surroundings passed away, and a strange gladness filled his heart as he succumbed to the charm of the hour, while servants silently went to and fro bearing fresh and tempting dainties to lay before him. While they were conversing happily together the lady left his side, and seating herself beside the _koto_, began to sing a wild and beautiful air. Strange and wonderful to relate, the song was none other than the self-same poem which Shunko had composed that very evening, and had left fluttering from the branch of the cherry-tree beneath whose canopy of bloom he had rested. Falling completely under the bewitchment of his surroundings, Shunko felt that he wished to stay there for evermore, and a pang smote his breast at the thought that he soon must separate, if only for a few hours, from his mystic lady of the vale of cherry-blossoms. As the last plaintive chord throbbed into silence, a chime in the next room struck two in the morning.
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Laying the instrument aside, she said: "At this late hour it is impossible for you to return home to-night. Everything is prepared in the next room. Honourably deign to rest. Forgive me that I cannot entertain you in a more befitting manner, in this, our poor home." Attendants then entering, the screens were drawn aside for their guest, and he passed into the adjoining chamber, which had been prepared as a sleeping apartment. Sinking to rest among the silken coverlets and luxurious quilts, he was soon lost in heavy slumber. [Illustration: His beautiful hostess, seating herself beside the _koto_ began to sing a wild and beautiful air.] Suddenly, in the morning, he was awakened by a cold wind blowing across his face. Day had broken, and the rosy dawn was flushing the horizon in the east. Slowly returning to his senses, he found himself lying on the ground beneath the very cherry-tree that had inspired his poem of the day before; but his wonderful adventure, his charming hostess, and her waiting maidens were no more! Shunko, lost in wonder, recalled over and over again the glowing memories of the preceding evening, but the vision had been so vivid that he felt assured it must have been something more than the mere phantoms of a dream. An overpowering conviction crept over him that the lovely maiden had her living counterpart in this world of realities. From his earliest childhood he had always offered a special devotion to the cherry-flowers. Year after year, in the springtime, he had taken special joy in visiting some place noted for their blossoms. Could it be that the spirit of the cherry-tree, to whose beauty he had dedicated his poem, had appeared to him in human form to reward him for his life-long fidelity? At last he rose and stretched his cramped limbs, and musing only on the vanished wonders of the night, wandered aimlessly along. At length he regained the main road and slowly turned his errant footsteps towards home. Although he took up his usual life again, he could not forget his experiences in the cherry-blossom valley, they haunted him not only in the silent watches of the night, but in the bright noontide of day.
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Three days later he returned to Koganei, with the fond hope of evoking once again the longed-for vision of the lovely girl who had so bewitched him with her beauty and her charm. But, alas for human hopes! In those short days all had changed. What so ephemeral as the reign of the cherry-flower in the spring! Grey were the skies that had been so blue and fair; bleak and deserted was the scene that had been so gay and full of life; bare of blossom, and stripped of their fairy beauty were the trees, whose petals of blushing-snow the relentless wind had scattered far and wide. As before, he rested at the same little tea-house by the river and waited for the shades of evening to fall. Roaming about in the deepening twilight, he anxiously sought some sign or token, but vain were all his efforts to find the valley of dream again. Vanished was the little dwelling in the shadow of the cherry groves. Nowhere by unfamiliar paths could he find the fair messenger who had guided him to the bamboo gate. All had faded and suffered change. Year after year, in the springtime, did Shunko make a pilgrimage of loving memory to the same spot, but though his faithfulness was never rewarded by a sight of her, who had so completely taken possession of his heart and soul, yet the flower of hope never faded, and firm was his resolution, that none other than the maiden of Koganei should ever be his wife. About five years passed. Then a sudden summons from his home arrived, bearing the sorrowful tidings that his father had been stricken with severe illness, and begging him to return without delay. That very day he made all arrangements, and disposed of his few student's belongings in readiness to set out at daybreak. It happened to be the season of autumn when, in the Orient, the deer cries for its mate in the flaming maple glades of the forest, and a young man's heart[3] is filled with what the Japanese call _mono no aware wo shiru_ ("the Ah-ness of things"). Shunko was sad. He yearned for the lovely girl who had so bewitched him, and in addition to this sorrow his heart was heavy at the thought of his father's illness.
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As Shunko proceeded on his journey his depression increased, and sadly he repeated aloud the following lines: _Cold as the wind of early spring_ _Chilling the buds that still lie sheathed_ _In their brown armour with its sting,_ _And the bare branches withering--_ _So seems the human heart to me!_ _Cold as the March wind's bitterness;_ _I am alone, none comes to see_ _Or cheer me in these days of stress._ Now it chanced that an old man heard this mournful recital, and took pity on Shunko. "Pray pardon a stranger intruding upon your privacy," said the old man, "but we sometimes take a gloomy view of life for want of good cheer. It may be that you have travelled far and are footsore and weary. If that is so, be honourably pleased to accept rest and refreshment in my humble house in yonder valley." Shunko was pleased with the old man's kindly manner, and warmly accepted his hospitality. After a hearty meal and a long chat with the old man, Shunko retired to bed. The youth had no sooner closed his eyes than he found himself dreaming of Koganei and of the beautiful woman he had met there. A gentle breeze was full of the scent of flowers. He noticed a cloud of cherry-blossom falling like a little company of white butterflies to the ground. While watching so pleasing a scene he observed a strip of paper hanging to one of the lower branches. He advanced close to the tree to discover that some one had written a poem on the wind-blown paper. A thrill passed through him as he read the words: _Lingers still the past within thy memory_, _East of the Temple let thy footsteps stray_ _And there await thy destiny!_ Earnestly he repeated the lines over and over again, and awoke to find himself still reciting the little verse that seemed so full of meaning. Deeply he pondered over his dream. How could he solve the enigmatic message it surely bore for him? What did it portend? The next day he set out on his journey to the west. His father was in the last stages of his malady, and the doctors had given up all hope of his recovery. In a few weeks the old man died, and Shunko succeeded to the estate.
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It was a sad winter, and the young man with his widowed mother, were secluded in the house for some months, observing the strictest retirement during the period of mourning. But youth soon recovers from its griefs, and by the time that April had come with the dear beguilement of her blue skies and flowering landscapes, Shunko, in company with an old friend, set out to assuage his sorrows in the viewing of his favourite cherry-trees, and to find balm for his soul in the golden sunshine of spring. His father's death, and the business of attending to the affairs of succession, had left him but little leisure for vain regrets, and the family upheaval he had experienced the last few months had somewhat dimmed the memory of the mysterious dream, which had come to him the night before his return home. But now, with a strange and eerie sensation, he realized that, unwittingly, Fate had guided their footsteps to the Eastern Mountain, and that the way they had chosen was _East of the Temple_ Chionin. The message on the scroll flashed into his mind as he sauntered along: _Lingers still the past within thy memory?_ _East of the Temple let thy footsteps stray,_ _And there await thy destiny!_ By this time they had reached the famous avenue of cherry-trees, and the pearly mist of bloom, that seemed to envelope them like a fragrant cloud, at once recalled to Shunko's mind how striking was the resemblance this fairy-like spot bore to Koganei. Just at that moment he espied a small glittering object lying on the ground at the root of one of the cherry-trees. It proved to be a golden ring, and engraven on it was the hieroglyphic "Hana," which may be interpreted as meaning either "Flower" or "Cherry-Blossom." As the afternoon began to wane they came to a tea-house, which seemed to look especially inviting, and here they rested and refreshed their weariness as the shadows gradually lengthened into the twilight. In the next room were two or three girls' voices talking gaily together, and their laughter sounded soft and musical as it floated out into the balmy air of that soft evening of spring. By degrees Shunko found himself overhearing snatches of their conversation, and at length he distinctly caught the words: "The day has been a perfect one except for one little cloud.
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O Hana San's ring...." Then a silvery voice made answer: "The mere loss of the ring is nothing, but as it bears my name, it grieves me that it should fall into the hands of a stranger." At these words Shunko impetuously rose and entered the adjoining chamber. "Pardon me," he cried, "but can this be the lost ring?" and he held out to the little group the trinket which he had found beneath the cherry-tree that afternoon. The youngest of the trio, a graceful girl of about seventeen or eighteen summers, bowed to the ground, murmuring her thanks, while an elderly woman, who was evidently her foster-nurse, came forward to receive the missing treasure. As the young girl raised her head, Shunko felt a thrilling shock of recognition quiver through his frame. At last the gods had granted his fervent prayers. Before him, as a living and breathing reality, he beheld the long sought maiden of the vision at Koganei. The room, its occupants, and all around him faded away, and his soul was wafted back through the vista of years to the lonely valley of dreams, so far away. This, then, was the significance of the mystic writing in the deserted house, that now he had served his term of probation and was at last deemed worthy of the beloved one for whom he had waited and longed for so many years. The elderly nurse was aware of his embarrassment, and tactfully attempted to come to his aid. She proffered wine and refreshments, and made several inquiries as to where he had found the ring and where he lived. After replying to these queries, Shunko, who was in no mood for talking, withdrew with deep obeisances, and slowly wended his way homewards, lost in abstraction. Oh, the delight of it! To be alone with his reverie and thoughts of her, whom he had scarcely hoped to see again, the lady of his dreams! Both head and heart were in a whirl. And the wonder of his adventure kept him awake through the midnight darkness. Only at the break of dawn did he fall into a troubled sleep. Towards noon his belated slumbers were disturbed by a servant, who came to announce the advent of a visitor, who urgently desired an interview.
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He arose in haste, and there awaiting him in the guest-room was the foster-nurse of the day before. Rich gifts of silk lay on the mats, and with the explanation that she had been sent by the parents of her young charge, she came to express their thanks for the incident of the day before. When the formalities of greeting were exchanged, Shunko could no longer keep silence regarding the subject nearest his heart, and begged the nurse to tell him, in confidence, all she could concerning O Hana San. "My young mistress belongs to a knightly family. There are three children in all, but she is the only girl, and the youngest child. She is just seventeen years of age, and is quite renowned for her beauty, which, as you have seen her, you may perhaps understand. Many have ardently desired her hand in marriage, but hitherto all have been declined. She cares nothing for worldly things and devotes herself to study." "Why does she refuse to marry?" asked the young man, with a beating heart. "Ah! there is a strange reason for that!" replied the nurse, and her voice dropped to a whisper. "Several years ago, when she was not much more than a child, her mother and I took her to visit the beautiful Kiyomidzu Temple in the springtime to see the cherry-flowers. As you know, Kwannon, the Goddess of Mercy of that temple, takes under her protection all lovers who pray to her for a happy union, and the railings round her shrine are white with the tying of paper-prayer love-knots innumerable. O Hana's mother told me afterwards that when we passed before Kwannon's altar, she had offered up a special prayer for her daughter's future happiness in marriage. "While we were walking in the vicinity of the waterfall below the temple, we suddenly lost sight of Hana for a few minutes. It seems that, wrapt in wonder at the beauty of the blossoming trees, she had strayed away, and was listening to the foaming water as it dashed over the boulders of rock. Suddenly, a gust of wind blew over us. It was icy cold! We looked round for O Hana San, and you can imagine the fear that seized our hearts when we found that she had disappeared.
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In a frenzy of anxiety I ran hither and thither, and at last caught sight of her prostrate on the ground at some distance away. She had fallen into a deep faint near the cascade, and was lying there pale and senseless, and drenched with spray. We carried her to the nearest tea-house, and tried every means in our power to restore her to consciousness, but she remained sunk in a deep swoon all through that long, long day. Her mother wept, fearing that she was dead. When the sun set and no change took place, we were lost in the anguish of despair. All of a sudden an old priest appeared before us. Staff in hand, and clad in ancient and dilapidated garments, he seemed an apparition from some past and bygone age. He gazed long at the senseless girl, lying white and cold in the semblance of death, and then sank on his knees by her side, absorbed in silent prayer, now and again gently stroking her inanimate body with his rosary. "All through the night we watched thus by O Hana San, and never did hours seem so interminable or so black. At last, towards the dawn, success crowned the old man's efforts; the spell that had so mysteriously changed her youth and bloom into a pallid mask, was gradually exorcised, her spirit returned, and with a gentle sigh, O Hana San was restored to life. "Her mother was transported with joy. When she was able to speak, she murmured, 'Praise be to the mercy of the holy Kwannon of Kiyomidzu!' and again and again she expressed her fervent gratitude to the queer priest. [Illustration: An old priest suddenly appeared ... staff in hand and clad in ancient and dilapidated garments.] "In answer he took from the folds of his robe a poem-card, which he handed to my mistress. "'This,' said he, 'was written by your daughter's future bridegroom. In a few years he will come to claim her, therefore keep this poem as the token.' "With these words he disappeared as unexpectedly and mysteriously as he had come. Great was our desire to know more of the meaning of those fateful words, but though we made inquiries of everyone in the temple grounds, not a soul had seen a trace of the ancient priest.
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O Hana San seemed none the worse for her long swoon, and we returned home, marvelling greatly at the extraordinary events that had happened to us that day and night in the temple of Kiyomidzu. "From that time onwards I noticed a great change in O Hana San. She was no longer a child. Though only thirteen years of age, she grew serious and thoughtful, and studied her books with great diligence. In music she especially excelled, and all were astonished at her great talent. As she grew in years, her amiability and charm became quite noted in the neighbourhood: her mother realizes that she is at the zenith of her youth and beauty, and, many a time, has tried to find the author of the poem, but hitherto her efforts have been of no avail. "Yesterday we had the good fortune to meet you, and if you will forgive my boldness, it seemed to me as though Fate had especially directed you to my foster-child. On our return home, we related all that had befallen us to my mistress. She listened to our recital with deep agitation, and then exclaimed, with joy: 'Thanks be to Heaven I At last the long-sought for one has come!'" Shunko felt as if in a trance. Full well he knew that the Gods had guided his footsteps to their yearned-for goal, and the maiden to whom he had restored the little golden circlet, was none other than the one for whom his heart had hungered for many years. It was, indeed, a supreme Fate that had linked their lives in one. In taking farewell of the old nurse, Shunko entrusted to her his message to his bride-elect--the mysterious token of affinity composed beneath the cherry-tree five years ago. There was no longer any doubt but that O Hana's destiny was indeed fulfilled. The bridegroom, foretold by the age-old priest, had come at last. Her mother's prayer offered up at the temple of the Kwannon of Kiyomidzu had been heard. Both parents rejoiced at the happy fate that the Powers above had vouchsafed to their beloved child, an eminent sooth-sayer was consulted, and a specially auspicious day was chosen for the wedding.
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When the excitement of the bridal feast was over and Shunko was left alone with his lovely bride, he noticed that her wedding-robe of turquoise blue, scattered over with embroideries of her name-flower, was the self-same one that had been worn by his visionary hostess; and, moreover, comparisons proved that the date of her long trance at Kiyomidzu was identical with that of his prophetic vision at Koganei. A great gladness filled the bridegroom's heart, for he felt that in some mystical way his bride and dream-love were one and the same incarnate. The spirit of the cherry-tree had surely entered into Hana when she had lost consciousness at the Kiyomidzu temple, and En-musubi no Kami, the God of Marriage, had assumed the disguise of the old priest, and with the magnetic threads of love, had woven their destinies together. And Shunko tenderly caressed his bride, saying: "I have known and loved and waited for you ever since your spirit came to me from the Kiyomidzu temple." And he told her all that had befallen him at Koganei. The young lovers thereupon pledged their love to each other for many lives to come, and lived blissfully to the end of their days. [Footnote 1: _Shoji_, the sliding screens which take the place of doors in a Japanese house.] [Footnote 2: Rendered into English verse by my friend, Countess Iso-ko-Mutsu.] [Footnote 3: At this point there is a break in Madame Ozaki's MS., and the gap has been filled up by another hand. Madame Ozaki resumes her story with "A thrill passed through him...." on p. 252.] THE BADGER-HAUNTED TEMPLE[1] Once long ago, in southern Japan, in the town of Kumamoto, there lived a young _samurai_, who had a great devotion to the sport of fishing. Armed with his large basket and tackle, he would often start out in the early morning and pass the whole day at his favourite pastime, returning home only at nightfall. One fine day he had more than usual luck. In the late afternoon, when he examined his basket, he found it full to overflowing. Highly delighted at his success, he wended his way homewards with a light heart, singing snatches of merry songs as he went along. It was already dusk when he happened to pass a deserted Buddhist temple.
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He noticed that the gate stood half open, and hung loosely on its rusty hinges, and the whole place had a dilapidated and tumbledown appearance. What was the young man's astonishment to see, in striking contrast to such a forlorn environment, a pretty young girl standing just within the gate. As he approached she came forward, and looking at him with a meaning glance, smiled, as if inviting him to enter into conversation. The _samurai_ thought her manner somewhat strange, and at first was on his guard. Some mysterious influence, however, compelled him to stop, and he stood irresolutely admiring the fair young face, blooming like a flower in its sombre setting. When she noticed his hesitation she made a sign to him to approach. Her charm was so great and the smile with which she accompanied the gesture so irresistible, that half-unconsciously, he went up the stone steps, passed through the semi-open portal, and entered the courtyard where she stood awaiting him. The maiden bowed courteously, then turned and led the way up the stone-flagged pathway to the temple. The whole place was in the most woeful condition, and looked as if it had been abandoned for many years. When they reached what had once been the priest's house, the _samurai_ saw that the interior of the building was in a better state of preservation than the outside led one to suppose. Passing along the veranda into the front room, he noticed that the _tatami_ were still presentable, and that a sixfold screen adorned the chamber. The girl gracefully motioned her guest to sit down in the place of honour near the alcove. "Does the priest of the temple live here?" asked the young man, seating himself. "No," answered the girl, "there is no priest here now. My mother and I only came here yesterday. She has gone to the next village to buy some things and may not be able to come back to-night. But honourably rest awhile, and let me give you some refreshment." [Illustration: What was the young man's astonishment to see a pretty young girl standing just within the gate] The girl then went into the kitchen apparently to make the tea, but though the guest waited a long time, she never returned. By this time the moon had risen, and shone so brightly into the room, that it was as light as day.
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The _samurai_ began to wonder at the strange behaviour of the damsel, who had inveigled him into such a place only to disappear and leave him in solitude. Suddenly he was startled by some one sneezing loudly behind the screen. He turned his head in the direction from whence the sound came. To his utter amazement, not the pretty girl whom he had expected, but a huge, red-faced, bald-headed priest stalked out. He must have been about seven feet in height, for his head towered nearly to the ceiling, and he carried an iron wand, which he raised in a threatening manner. "How dare you enter my house without my permission?" shouted the fierce-looking giant. "Unless you go away at once I will beat you into dust." Frightened out of his wits, the young man took to his heels, and rushed with all speed out of the temple. As he fled across the courtyard he heard peals of loud laughter behind him. Once outside the gate he stopped to listen, and still the strident laugh continued. Suddenly it occurred to him, that in the alarm of his hasty exit, he had forgotten his basket of fish. It was left behind in the temple. Great was his chagrin, for never before had he caught so much fish in a single day; but lacking the courage to go back and demand it, there was no alternative but to return home empty-handed, before had he caught so much fish in a single day; but lacking the courage to go back and demand it, there was no alternative but to return home empty-handed. The following day he related his strange experience to several of his friends. They were all highly amused at such an adventure, and some of them plainly intimated that the seductive maiden and the aggressive giant were merely hallucinations that owed their origin to the sake flask. At last one man, who was a good fencer, said: "Oh, you must have been deluded by a badger who coveted your fish. No one lives in that temple. It has been deserted ever since I can remember. I will go there this evening and put an end to his mischief." He then went to a fishmonger, purchased a large basket of fish, and borrowed an angling rod. Thus equipped, he waited impatiently for the sun to set.
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They placed the customary tea and cakes before him, and then brought in a flagon of wine and an extraordinarily large cup. The swordsman partook neither of the tea nor the sake, and shrewdly watched the demeanour of the three maidens. Noticing his avoidance of the proffered refreshment, the prettiest of them artlessly inquired: "Why don't you take some sake?" "I dislike both tea and sake," replied the valiant guest, "but if you have some accomplishment to entertain me with, if you can dance or sing, I shall be delighted to see you perform." "Oh, what an old-fashioned man of propriety you are! If you don't drink, you surely know nothing of love either. What a dull existence yours must be! But we can dance a little, so if you will condescend to look, we shall be very pleased to try to amuse you with our performance, poor as it is." The maidens then opened their fans and began to posture and dance. They exhibited so much skill and grace, however, that the swordsman was astonished, for it was unusual that country girls should be so deft and well-trained. As he watched them he became more and more fascinated, and gradually lost sight of the object of his mission. Lost in admiration, he followed their every step, their every movement, and as the Japanese storyteller says, he forgot himself entirely, entranced at the beauty of their dancing. Suddenly he saw that the three performers had become _headless!_ Utterly bewildered, he gazed at them intently to make sure that he was not dreaming. Lo! and behold! each was holding her own head in her hands. They then threw them up and caught them as they fell. Like children playing a game of ball, they tossed their heads from one to the other. At last the boldest of the three threw her head at the young fencer. It fell on his knees, looked up in his face, and laughed at him. Angered at the girl's impertinence, he cast the head back at her in disgust, and drawing his sword, made several attempts to cut down the goblin dancer as she glided to and fro playfully tossing up her head and catching it. But she was too quick for him, and like lightning darted out of the reach of his sword. "Why don't you catch me?" she jeered mockingly.
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Mortified at his failure, he made another desperate attempt, but once more she adroitly eluded him, and sprang up to the top of the screen. "I am here! Can you not reach me this time?" and she laughed at him in derision. Again he made a thrust at her, but she proved far too nimble for him, and again, for the third time, he was foiled. Then the three girls tossed their heads on their respective necks, shook them at him, and with shouts of weird laughter they vanished from sight. As the young man came to his senses he vaguely gazed around. Bright moonlight illumined the whole place, and the stillness of the midnight was unbroken save for the thin tinkling chirping of the insects. He shivered as he realized the lateness of the hour and the wild loneliness of that uncanny spot. His basket of fish was nowhere to be seen. He understood, that he, too, had come under the spell of the wizard-badger, and like his friend, at whom he had laughed so heartily the day before, he had been bewitched by the wily creature. But, although deeply chagrined at having fallen such an easy dupe, he was powerless to take any sort of revenge. The best he could do was to accept his defeat and return home. Among his friends there was a doctor, who was not only a brave man, but one full of resource. On hearing of the way the mortified swordsman had been bamboozled, he said: "Now leave this to me. Within three days I will catch that old badger and punish him well for all his diabolical tricks." The doctor went home and prepared a savoury dish cooked with meat. Into this he mixed some deadly poison. He then cooked a second portion for himself. Taking these separate dishes and a bottle of sake with him, towards evening he set out for the ruined temple. When he reached the mossy courtyard of the old building he found it solitary and deserted. Following the example of his friends, he made his way into the priest's room, intensely curious to see what might befall him, but, contrary to his expectation, all was empty and still.
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He knew that goblin-badgers were such crafty animals that it was almost impossible for anyone, however cautious, to be able to cope successfully with their snares and _Fata Morganas_. But he determined to be particularly wide awake and on his guard, so as not to fall a prey to any hallucination that the badger might raise. The night was beautiful, and calm as the mouldering tombs in the temple graveyard. The full moon shone brightly over the great black sloping roofs, and cast a flood of light into the room where the doctor was patiently awaiting the mysterious foe. The minutes went slowly by, an hour elapsed, and still no ghostly visitant appeared. At last the baffled intruder placed his flask of wine before him and began to make preparations for his evening meal, thinking that possibly the badger might be unable to resist the tempting savour of the food. "There is nothing like solitude," he mused aloud. "What a perfect night it is! How lucky I am to have found this deserted temple from which to view the silvery glory of the autumn moon." For some time he continued to eat and drink, smacking his lips like a country gourmet in enjoyment of the meal. He began to think that the badger, knowing that he had found his match at last, Intended to leave him alone. Then to his delight, he heard the sound of footsteps. He watched the entrance to the room, expecting the old wizard to assume his favourite disguise, and that some pretty maiden would come to cast a spell upon him with her fascinations. [Illustration: Suddenly he saw that the three performers had become _headless_!... Like children playing a game of ball, they tossed their heads from one to the other] But, to his surprise, who should come into sight but an old priest, who dragged himself into the room with faltering steps and sank down upon the mats with a deep long-drawn sigh of weariness. Apparently between seventy and eighty years of age, his clothes were old and travel-stained, and in his withered hands he carried a rosary. The effort of ascending the steps had evidently been a great trial to him, he breathed heavily and seemed in a state of great exhaustion. His whole appearance was one to arouse pity in the heart of the beholder.
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"May I inquire who are you?" asked the doctor. The old man replied, in a quavering voice, "I am the priest who used to live here many years ago when the temple was in a prosperous condition. As a youth I received my training here under the abbot then in charge, having been dedicated from childhood to the service of the most holy Buddha by my parents. At the time of the great Saigo's rebellion I was sent to another parish. When the castle of Kumamoto was besieged, alas! my own temple was burned to the ground. For years I wandered from place to place and fell on very hard times. In my old age and misfortunes my heart at last yearned to come back to this temple, where I spent so many happy years as an acolyte. It is my hope to spend my last days here. You can imagine my grief when I found it utterly abandoned, sunk in decay, with no priest in charge to offer up the daily prayers to the Lord Buddha, or to keep up the rites for the dead buried here. It is now my sole desire to collect money and to restore the temple. But alas! age and illness and want of food have robbed me of my strength, and I fear that I shall never be able to achieve what I have planned," and here the old man broke down and shed tears--a pitiful sight. When wiping his eyes with the sleeve of his threadbare robe, he looked hungrily at the food and wine on which the doctor was regaling himself, and added, wistfully: "Ah, I see you have a delicious meal there and wine withal, which you are enjoying while gazing at the moonlit scenery. I pray you spare me a little, for it is many days since I have had a good meal and I am half-famished." At first the doctor was persuaded that the story was true, so plausible did it sound, and his heart was filled with compassion for the old bonze. He listened carefully till the melancholy recital was finished. Then something in the accent of speech struck his ear as being different to that of a human being, and he reflected.
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"This may be the badger! I must not allow myself to be deceived! The crafty cunning animal is planning to palm off his customary tricks on me, but he shall see that I am as clever as he is." The doctor pretended to believe in the old man's story, and answered: "Indeed, I deeply sympathize with your misfortunes. You are quite welcome to share my meal--nay, I will give you with pleasure all that is left, and, moreover, I promise to bring you some more to-morrow. I will also inform my friends and acquaintances of your pious plan to restore the temple, and will give all the assistance in my power in your work of collecting subscriptions." He then pushed forward the untouched plate of food which contained poison, rose from the mats, and took his leave, promising to return the next evening. All the friends of the doctor who had heard him boast that he would outwit the badger, arrived early next morning, curious to know what had befallen him. Many of them were very sceptical regarding the tale of the badger trickster, and ascribed the illusions of their friends to the sake bottle. The doctor would give no answer to their many inquiries, but merely invited them to accompany him. "Come and see for yourselves," he said, and guided them to the old temple, the scene of so many uncanny experiences. First of all they searched the room where he had sat the evening before, but nothing was to be found except the empty basket in which he had carried the food for himself and the badger. They investigated the whole place thoroughly, and at last, in one of the dark corners of the temple-chamber, they came upon the dead body of an old, old badger. It was the size of a large dog, and its hair was grey with age. Everyone was convinced that it must be at least several hundred years old. The doctor carried it home in triumph. For several days the people in the neighbourhood came in large numbers to gloat over the hoary carcase, and to listen in awe and wonder to the marvellous stories of the numbers of people that had been duped and befooled by the magic powers of the old goblin-badger. The writer adds that he was told another badger story concerning the same temple.
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Many of the old people in the parish remember the incident, and one of them related the following story. Years before, when the sacred building was still in a prosperous state, the priest in charge celebrated a great Buddhist festival, which lasted some days. Amongst the numerous devotees who attended the services he noticed a very handsome youth, who listened with profound reverence, unusual in one so young, to the sermons and litanies. When the festival was over and the other worshippers had gone, he lingered around the temple as though loth to leave the sacred spot. The head-priest, who had conceived a liking for the lad, judged from his refined and dignified appearance that he must be the son of a high-class _samurai_ family, probably desirous of entering the priesthood. Gratified by the youth's apparent religious fervour, the holy man invited him to come to his study, and thereupon gave him some instruction in the Buddhist doctrines. He listened with the utmost attention for the whole afternoon to the bonze's learned discourse, and thanked him repeatedly for the condescension and trouble he had taken in instructing one so unworthy as himself. [Illustration: In one of the dark comers of the temple-chamber, they came upon the dead body of an old, old badger] The afternoon waned and the hour for the evening meal came round. The priest ordered a bowl of macaroni to be brought for the visitor, who proved to be the owner of a phenomenal appetite, and consumed three times as much as a full-grown man. He then bowed most courteously and asked permission to return home. In bidding him good-bye, the priest, who felt a curious fascination for the youth, presented him with a gold-lacquered medicine-box (_inro_) as a parting souvenir. The lad prostrated himself in gratitude, and then took his departure. The next day the temple servant, sweeping the graveyard, came across a badger. He was quite dead, and was dressed in a straw-covering put on in such a way as to resemble the clothes of a human being. To his side was tied a gold-lacquered _inro_, and his paunch was much distended and as round as a large bowl.
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It was evident that the creature's gluttony had been the cause of his death, and the priest, on seeing the animal, identified the _inro_ as the one which he had bestowed upon the good-looking lad the day before, and knew that he had been the victim of a badger's deceiving wiles. It was thus certain that the temple had been haunted by a pair of goblin-badgers, and that when this one had died, its mate had continued to inhabit the same temple even after it had been abandoned. The creature had evidently taken a fantastic delight in bewitching wayfarers and travellers, or anyone who carried delectable food with them, and while mystifying them with his tricks and illusions, had deftly abstracted their baskets and bundles, and had lived comfortably upon his stolen booty. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. Section 1. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. See paragraph 1.C below. See paragraph 1.E below. 1.C. Nearly all the individual works in the collection are in the public domain in the United States.
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B. Wenzell This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. See http://archive.org/details/satansanderson00riverich SATAN SANDERSON * * * * * Books by HALLIE ERMINIE RIVES (Mrs. Post Wheeler) A FURNACE OF EARTH HEARTS COURAGEOUS Illustrated by A. B. Wenzell THE CASTAWAY Illustrated by Howard Chandler Christy TALES FROM DICKENS Illustrated by Reginald B. Birch SATAN SANDERSON Illustrated by A. B. Wenzell * * * * * [Illustration] SATAN SANDERSON by HALLIE ERMINIE RIVES Author of The Castaway, Hearts Courageous, etc. With Illustrations by A. B. Wenzell Indianapolis The Bobbs-Merrill Company Publishers Copyright 1907 The Bobbs-Merrill Company August Press of Braunworth & Co. Bookbinders and Printers Brooklyn, N. Y. CONTENTS CHAPTER PAGE I AS A MAN SOWS 1 II DOCTOR MOREAU 15 III THE COMING OF A PRODIGAL 20 IV THE LANE THAT HAD NO TURNING 32 V THE BISHOP SPEAKS 47 VI WHAT CAME OF A WEDDING 50 VII OUT OF THE DARK 60 VIII "AM I MY BROTHER'S KEEPER?" 68 IX AFTER A YEAR 75 X THE GAME 85 XI HALLELUJAH JONES TAKES A HAND 95 XII THE FALL OF THE CURTAIN 105 XIII THE CLOSED DOOR 108 XIV THE WOMAN WHO REMEMBERED 115 XV THE MAN WHO HAD FORGOTTEN 125 XVI THE AWAKENING 137 XVII AT THE TURN OF THE TRAIL 147 XVIII THE STRENGTH OF THE WEAK 155 XIX THE EVIL EYE 160 XX MRS.
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HALLORAN TELLS A STORY 167 XXI A VISIT AND A VIOLIN 171 XXII THE PASSING OF PRENDERGAST 179 XXIII A RACE WITH DEATH 187 XXIV ON SMOKY MOUNTAIN 198 XXV THE OPEN WINDOW 210 XXVI LIKE A THIEF IN THE NIGHT 222 XXVII INTO THE GOLDEN SUNSET 229 XXVIII THE TENANTLESS HOUSE 238 XXIX THE CALL OF LOVE 250 XXX IN A FOREST OF ARDEN 259 XXXI THE REVELATION OF HALLELUJAH JONES 269 XXXII THE WHITE HORSE SKIN 277 XXXIII THE RENEGADE 282 XXXIV THE TEMPTATION 289 XXXV FELDER TAKES A CASE 302 XXXVI THE HAND AT THE DOOR 305 XXXVII THE PENITENT THIEF 311 XXXVIII A DAY FOR THE STATE 319 XXXIX THE UNSUMMONED WITNESS 331 XL FATE'S WAY 335 XLI FELDER WALKS WITH DOCTOR BRENT 339 XLII THE RECKONING 344 XLIII THE LITTLE GOLD CROSS 353 XLIV THE IMPOSTOR 360 XLV AN APPEAL TO CÆSAR 369 XLVI FACE TO FACE 376 XLVII BETWEEN THE MILLSTONES 384 XLVIII THE VERDICT 390 XLIX THE CRIMSON DISK 395 L WHEN DREAMS COME TRUE 397 SATAN SANDERSON CHAPTER I AS A MAN SOWS "_To my son Hugh, in return for the care and sorrow he has caused me all the days of his life, for his dissolute career and his desertion, I do give and bequeath the sum of one thousand dollars and the memory of his misspent youth._" It was very quiet in the wide, richly furnished library. The May night was still, but a faint suspiration, heavy with the fragrance of jasmin flowers, stirred the Venetian blind before the open window and rustled the moon-silvered leaves of the aspens outside. As the incisive professional pronouncement of the judge cut through the lamp-lighted silence, the grim, furrowed face with its sunken eyes and gray military mustaches on the pillow of the wheel-chair set more grimly; a girl seated in the damask shadow of the fire-screen caught her breath; and from across the polished table the Reverend Henry Sanderson turned his handsome, clean-shaven face and looked at the old man. A peevish misogynist the neighborhood labeled the latter, with the parish chapel for hobby, and for thorn-in-the-flesh this only son Hugh, a black sheep whose open breaches of decorum the town had borne as best it might, till the tradition of his forebears took him off to an eastern university.
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A reckless life there and three wastrel years abroad, had sent him back to resume his peccadilloes on a larger scale, to quarrel bitterly with his father, and to leave his home in anger. In what rough business of life was Hugh now chewing the cud of his folly? Harry Sanderson was wondering. "Wait," came the querulous voice from the chair. "Write in 'graceless' before the word 'desertion'." "_For his dissolute career and his--graceless--desertion_," repeated the lawyer, the parchment crackling under his pen. The stubborn antagonism that was a part of David Stires' nature flared under the bushy eyebrows. "As a man sows!" he said, a kind of bitter jocularity in the tone. "That should be the text, if this sermon of mine needed any, Sanderson! It won't have as large an audience as your discourses draw, but it will be remembered by one of its hearers, at least." Judge Conwell glanced curiously at Harry Sanderson as he blotted the emendation. He knew the liking of the cross-grained and taciturn old invalid--St. James' richest parishioner--for this young man of twenty-five who had come to the parish only two months before, fresh from his theological studies, to fill a place temporarily vacant--and had stayed by sheer force of personality. He wondered if, aside from natural magnetic qualities, this liking had not been due first of all to the curious resemblance between the young minister and the absent son whom David Stires was disinheriting. For, as far as mold of feature went, the young minister and the ne'er-do-well might have been twin brothers; yet a totally different manner and coloring made this likeness rather suggestive than striking. No one, perhaps, had ever interested the community more than had Harry Sanderson. He had entered upon his duties with the marks of youth, good looks, self-possession and an ample income thick upon him, and had brought with him a peculiar charm of manner and an apparent incapacity for doing things in a hackneyed way. Convention sat lightly upon Harry Sanderson. He recognized few precedents, either in the new methods and millinery with which he had invested the service, or in his personal habits. Instead of attending the meeting of St.
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Andrew's Guild, after the constant custom of his predecessor, he was apt to be found playing his violin (a passion with him) in the smart study that adjoined the Gothic chapel where he shepherded his fashionable flock, or tramping across the country with a briar pipe in his mouth and his brown spaniel "Rummy" nosing at his heels. His athletic frame and clean-chiselled features made him a rare figure for the reading-desk, as his violin practice, the cut of his golf-flannels, the immaculate elegance of his motor-car--even the white carnation he affected in his buttonhole--made him for the younger men a goodly pattern of the cloth; and it had speedily grown to be the fashion to hear the brilliant young minister, to memorize his classical aphorisms or to look up his latest quotation from Keats or Walter Pater. So that Harry Sanderson, whose innovations had at first disturbed and ruffled the sensibilities of those who would have preferred a fogy, in the end had drifted, apparently without special effort, into a far wider popularity than that which bowed to the whim of the old invalid in the white house in the aspens. Something of all this was in the lawyer's mind as he paused--a perfunctory pause--before he continued: "_... I do give and bequeath the sum of one thousand dollars, and the memory of his misspent youth._" Harry Sanderson's eyes had wandered from the chair to the slim figure of the girl who sat by the screen. This was Jessica Holme, the orphaned daughter of a friend of the old man's early years, who had recently come to the house in the aspens to fill the void left by Hugh's departure. Harry could see the contour of throat and wrists, the wild-rose mesh of the skin against the Romney-blue gown, the plenteous red-bronze hair uncoiled and falling in a single braid, and the shadowy pathos of her eyes. Clear hazel eyes they were, wide and full, but there was in them no depth of expression--for Jessica Holme was blind. As the crisp deliberate accent pointed the judicial period, as with a subterranean echo of irrefutable condemnation, Harry saw her under lip indrawn, her hands clasp tightly, then unclasp in her lap. Pliant, graceful hands, he thought, which even blindness could not make maladroit.
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In the chapel porch stood the figure of an angel which she had modelled solely by the wonderful touch in the finger-tips. "Go on," rasped the old man. "_The residue of my estate, real and personal, I do give and bequeath to my ward, Jessica Holme, to be and become--_" He broke off suddenly, for the girl was kneeling by the chair, groping for the restless hand that wandered on the afghan, and crying in a strained, agitated voice: "No ... no ... you must not! Please, please! I never could bear it!" "Why not?" The old man's irritant query was belligerent. "Why not? What is there for you to bear, I'd like to know!" "He is your son!" "In the eyes of the law, yes. But not otherwise!" His voice rose. "What has he done to deserve anything from me? What has he had all his life but kindness? And how has he repaid it? By being a waster and a prodigal. By setting me in contempt, and finally by forsaking me in my old age for his own paths of ribaldry." The girl shook her head. "You don't know where he is now, or what he is doing. Oh, he was wild and reckless, I have no doubt. But when he quarrelled and left you, wasn't it perhaps because he was too quick-tempered? And if he hasn't come back, isn't it perhaps because he is too proud? Why, he wouldn't be your son if he weren't proud! No matter how sorry he might be, it would make no difference then. I could give him the money you had given me, but I couldn't change the fact. You, his own father, would have disowned him, disinherited him, taken away his birthright!" "And richly he'd deserve it!" he snapped, his bent fingers plucking angrily at the wool of the afghan. "He doesn't want a father or a home. He wants his own way and a freedom that is license! I know him. You don't; you never saw him." "I never saw you either," she said, a little sadly. "Come," he answered a shade more gently. "I didn't mean your eyes, my dear! I mean that you never met him in your life. He had shaken off the dust of his feet against this house before you came to brighten it, Jessica.
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I've not forgiven him seven times; I've forgiven him seventy times seven. But he doesn't want forgiveness. To him I am only 'the old man' who refused to 'put up' longer for his fopperies and extravagances! When he left this house six months ago, he declared he would never enter it again. Very well--let him stay away! He shan't come back when I am in my grave, to play ducks and drakes with the money he misuses! And I've fixed it so that you won't be able to give it away either, Jessica. Give me the pen," he said to the judge, "and, Sanderson, will you ring? We shall need the butler to witness with you." As Harry Sanderson rose to his feet the girl, still kneeling, turned half about with a hopeless gesture. "Oh, won't you help me?" she said. She spoke more to herself, it seemed, than to either of the men who waited. Harry's face was in the shadow. The lawyer with careful deliberation was putting a new pen into the holder. "Sanderson," said the old man with bitter fierceness, lifting his hand, "I dare say you think I am hard; but I tell you there has never been a day since Hugh was born when I wouldn't have laid down my life for him! You are so like! When I look at you, I seem to see him as he might have been but for his own wayward choice! If he were only as like you in other things as he is in feature! You are nearly the same age; you went to the same college, I believe; you have had the same advantages and the same temptations. Yet you, an orphan, come out a divinity student, and Hugh--my son!--comes out a roisterer with gambling debts, a member of the 'fast set,' one of a dissolute fraternity known as 'The Saints,' whose very existence, no doubt, was a shame to the institution!" Harry Sanderson turned slowly to the light. A strange panorama in that moment had flashed through his brain--kaleidoscopic pictures of an earlier reckless era when he had not been known as the "Reverend Henry Sanderson." An odd, sensitive flush burned his forehead.
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The hand he had outstretched to the bell-cord dropped to his side, and he said, with painful steadiness: "I think I ought to say that I was the founder, and at the time you speak of, the Abbot of The Saints." The pen rattled against the mahogany, as the man of law leaned back to regard the speaker with a stare of surprise whetted with a keen edge of satiric amusement. The old man sat silent, and the girl crouched by the chair with parted lips. The look in Harry's face was not now that of the decorative young churchman of the Sabbath surplice. It held a keen electric sense of the sharp contrasts of life, touched with a wakeful pain of conscience. "I was in the same year with Hugh," Harry went on. "We sowed our wild oats together--a tidy crop, I fancy, for us both. That page of my life is pasted down. I speak of it now because it would be cowardly not to. I have not seen Hugh since college closed four years ago. But then I was all you have called him--a waster and a prodigal. And I was more; for while others followed, I led. At college I was known as 'Satan Sanderson'." He stopped. The old man cleared his throat, but did not speak. He was looking at Harry fixedly. In the pause the girl found his gnarled hand and laid her cheek against it. Harry leaned an elbow upon the mantelpiece as he continued, in a low voice: "Colleges are not moral strait-jackets. Men have there to cast about, try themselves and find their bearings. They are in hand-touch with temptation, and out of earshot of the warnings of experience. The mental and moral machine lacks a governor. Slips of the cog then may or may not count seriously to character in the end. They sometimes signify only a phase. They may be mere idiosyncrasy. I have thought that it stood in this case," he added with the glimmer of a smile, "with Satan Sanderson; he seems to me from this focus to be quite another individual from the present rector of St. James." "It is only the Hugh of the present that I am dealing with," interposed the old man. For David Stires was just and he was feeling a grim respect for Harry's honesty.
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Harry acknowledged the brusque kindliness of the tone with a little motion of the hand. As he spoke he had been feeling his way through a maze of contradictory impulses. For a moment he had been back in that old irresponsible time; the Hugh he had known then had sprung to his mind's eye--an imitative idler, with a certain grace and brilliancy of manner that made him hail-fellow-well-met, but withal shallow, foppish and incorrigible, a cheap and shabby imitator of the outward manner, not the inner graces, of good-fellowship. Yet Hugh had been one of his own "fast set"; they had called him "Satan's shadow," a tribute to the actual resemblance as well as to the palpable imitation he affected. Harry shivered a little. The situation seemed, in antic irony, to be reversing itself. It was as if not alone Hugh, but he, Harry Sanderson, in the person of that past of his, was now brought to bar for judgment in that room. For the instant he forgot how utterly characterless Hugh had shown himself of old, how devoid of all desire for rehabilitation his present reputation in the town argued him. At that moment it seemed as if in saving Hugh from this condemnation, he was pleading for himself as he had been--for the further chance which he, but for circumstances, perhaps, had needed, too. His mind, working swiftly, told him that no appeal to mere sentiment would suffice--he must touch another note. As he paused, his eyes wandered to an oil portrait on the wall, and suddenly he saw his way. "You," he said, "have lived a life of just and balanced action. It is bred in the bone. You hate all loose conduct, and rightly. You hate it most in Hugh for the simple reason that he is your son. The very relation makes it more impossible to countenance. He should be like you--of temperate and prudent habit. But did you and he start on equal terms? Your grandfather was a Standish; your ancestry was undiluted Puritan. Did Hugh have all your fund of resistance?" The old man's gaze for the first time left Harry's face.
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It lifted for an instant to the portrait at which Harry had glanced--a picture of Hugh's dark gipsy-like mother, painted in the month of her marriage, and the year of her death--and in that instant the stern lines about the mouth relaxed a little. Harry had laid his finger on the deepest cord of feeling in the old man's gruff nature. The glow that had smoldered in the cavernous eyes faded and a troubled cloud came to belie their former wrath. "'As a man sows,' you say, and you deny him another seeding and it may be a better harvest. You shut the door;--and if you shut it, it may not swing open again! With me it was the turning of a long lane. Hugh perhaps has not turned--yet." A breath of that past life had swept anew over Harry, the old shuddering recoil again had rushed upon him. It gave his voice a curious energy as he ended: "And I have seen how far a man may go and yet--come back!" There was a pause. The judge had an inspiration. He folded the parchment, and rose. "Perhaps it would be as well," he said in a matter-of-fact way, "if the signing be left open for the present. Last testaments, whatever their provisions, are more or less serious matters, and in your case,"--he nodded toward the occupant of the chair--"there is not the element of necessitous haste. Of course," he added tentatively, "I am at your service at any time." He rose as he spoke, and laid the document on the table. For a moment David Stires sat in silence. Then he said, with a glint of the old ironic fire: "You should have been a special pleader, Sanderson. There's no client too bad for them to make out a case for! Well ... well ... we won't sign to-night. I will read it over again when I am more equal to it." His visitors made their adieux, and as the door closed upon them, the girl came to the wheel-chair and wistfully drew the parchment from his hands. "You're a good girl, Jessica," he said, "too good to a rascal you've never known. But there--go to your room, child. I can ring for Blake when I want anything." For long the old man sat alone, musing in his chair, his eyes on the painted portrait on the wall.
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The image there was just as young and fair and joyous as though yesterday she had stood in bridal white beside him, instead of so long ago--so long ago! His lips moved. "In return for the care and sorrow," he muttered, "all the days of his life!" At length he sighed and took up a magazine. He was thinking of Harry Sanderson. "How like!" he said aloud. "So Sanderson sowed his wild oats, too!... When he stood there, with the light on his face--when he talked--I--I could almost have thought it was Hugh!" [Illustration] CHAPTER II DOCTOR MOREAU Harry Sanderson and the judge parted at the gate, and Harry walked slowly home in the moonlight. The youthful follies that he had resurrected when he had called himself his old nickname of "Satan Sanderson" he had left so far behind him, had buried so deep, that the ironic turn of circumstance that had dragged them into view, sorry skeletons, seemed intrusive and malicious. Not that he was desirous of sailing under false colors; he had brought into his new career more than a _soupçon_ of the old indifference to popular estimation, the old propensity to go his own way and to care very little what others thought of him. The sting was a nearer one; it was his own present of fair example and good repute that recoiled with a fastidious sense of abasement from the recollection. As he stood in the library, his hand on the mantelpiece, he had been painfully conscious of detail. He remembered vividly the half amused smile of the lawyer, the silent, listening attitude of the girl crouched by the wheel-chair. He had seen Jessica Holme scarcely a half-dozen times, then only at service, or driving behind the Stires bays. That moment when she had thrown herself beside the old man's chair to plead for the son she had never seen--an instant revelation wrought by the strenuous agitation of the moment--had been illuminative; it had given him a lightning-like glimpse into the unplummeted deeps of womanly unselfishness and sympathy. He flushed suddenly. He had not realized that she was so beautiful.
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What a tragedy to be blind, for a woman with temperament, talent and heart! To be sightless to the beauty of such a perfect night, with that silver bridge of stars, those far hills rising like purple tulips--an alluring night for those who saw! The picture she had made, kneeling with the lamplight rosying in her hair, hung before him. The flower-scent with which the room had been full was in his nostrils, and verses flashed into his mind: And I swear, as I thought of her thus, in that hour, And of how, after all, old things were best, That I smelt the smell of that jasmin-flower Which she used to wear in her breast. Under his thought the lines repeated themselves in a mystical monotone. He had saved an old college-mate from possible disinheritance and the grind of poverty, for David Stires' health was precarious. He thought of this with a tinge of satisfaction. The least of that peculiar clan, one who had held his place, not by likable qualities but by a versatile talent for entertainment, Hugh Stires yet deserved thus much. Harry Sanderson had never shirked an obligation. "As a man sows"--the old man's words recurred to him. Did any man reap what he sowed, after all? Was he, the "Satan Sanderson" that was, getting his deserts? "If there is a Providence that parcels out our earthly rewards and penalties," he said to himself, "it has missed me! If there is any virtue in example, I ought to be the black sheep. Hugh never influenced anybody; he was a natural camp-follower. I was in the van. All I said was a sneer, all I did a challenge to respectability. Yet here I am, a shepherd of the faithful, a brother of Aaron!" Harry stepped more briskly along the gas-lighted square, nodding now and then to an acquaintance, and bowing on a crossing to a carriage that bowled by with the wife of the Very Reverend, the Bishop of the Diocese. As he passed a darkened entrance, a door with a small barred window in its upper panel opened, and a man came into the street--a man light and fair with watery blue eyes and a drooping, blond mustache. He lifted his silk hat with a faded, Chesterfieldian grace as he came down the steps with outstretched hand. "My dear Sanderson!" he said effusively.
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"In the interest of sweetness and light, where did you stumble on your new chauffeur? His style is the admiration of the town. Next to having your gift of eloquence, I can think of nothing so splendid as possessing such a _tonneau_! The city is in your debt; you have shown it that even a cleric can be 'fast' without reproach!" Harry Sanderson saw the weak features and ingratiating smile, the clayey, dry-lined skin and restless eyes, but he did not seem to see the extended hand. He did not smile at the badinage as he replied evenly: "My chauffeur, Doctor, is a Finn; and his style is his own. I see, however, that I must decrease his speed-limit." Doctor Moreau stood a moment looking after him, his womanish hands clenching and his cynical glance full of an evil light. "The university prig!" he said under his breath. "Doesn't he take himself for the whole thing, with his money and his buttonhole bouquet, and his smug self-righteousness! He thinks I'm hardly fit to speak to since I've had to quit the hospital! I'd like to take him down a peg!" He watched the alert, ministerial figure till it rounded the corner. He looked up and down the street, hesitating; then, shrugging his shoulders, he turned and reëntered the door with the narrow barred window. CHAPTER III THE COMING OF A PRODIGAL The later night was very still and the moon, lifting like a paper lantern over the aspen tops, silvered all the landscape. In its placid radiance the white house loomed in a ghostly pallor. The windows of one side were blank, but behind the library shade the bulbous lamp still drowsed like a monster glow-worm. From the shadowy side of the building stretched a narrow L, its front covered by a rose-trellis, whose pale blossoms in the soft night air mingled their delicate fragrance with that of the jasmin. Save for the one bright pane, there seemed now no life or movement in the house. But outside, in the moonlight, a lurching, shabbily-clothed figure moved, making his uncertain way with the deliberation of composed inebriety. The sash of the window was raised a few inches and he nodded sagely at the yellow shade.
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"Gay old silver-top!" he hiccoughed; "see you in the morning!" He capsized against an althea bush and shook his head with owlish gravity as he disentangled himself. Then he staggered serenely to the rose-trellis, and, choosing its angle with an assurance that betrayed ancient practice, climbed to the upper window, shot its bolt with a knife, and let himself in. He painstakingly closed both windows and inner blinds, before he turned on an electric light. In the room in which he now stood he had stored his boyish treasures and shirked his maturer tasks. It should have had deeper human associations, too, for once, before the house had been enlarged to its present proportions, that chamber had been his mother's. The _Maréchal Niel_ rose that clambered to the window-sill had been planted by her hand. In that room he had been born. And in it had occurred that sharp, corrosive quarrel with his father on the night he had flung himself from the house vowing never to return. As Hugh Stires stood looking about him, it seemed for an instant to his clouded senses that the past six months of wandering and unsavory adventure were a dream. There was his bed, with its clean linen sheets and soft pillows. How he would like to lie down just as he was and sleep a full round of the clock! Last night he had slept--where had he slept? He had forgotten for the moment. He looked longingly at the spotless coverlid. No; some one might appear, and it would not do to be seen in his present condition. It was scarcely ten. Time enough for that afterward. He drew out the drawer of a chiffonier, opened a closet and gloated over the order and plenty of their contents. He made difficult selection from these, and, steadying his progress by wall and chair, opened the door of an adjoining bath-room. It contained a circular bath with a needle shower. Without removing his clothing, he climbed into this, balancing himself with an effort, found and turned the cold faucet, and let the icy water, chilled from artesian depths, trickle over him in a hundred stinging needle-points. It was a very different figure that reëntered the larger room a half-hour later, from the slinking mud-lark that had climbed the rose-trellis.
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The old Hugh lay, a heap of soiled and sodden garments; the new stood forth shaven, fragrant with fresh linen and clean and fit apparel. The maudlin had vanished, the gaze was unvexed and bright, the whole man seemed to have settled into himself, to have grown trim, nonchalant, debonair. He held up his hand, palm outward, between the electric globe and his eye--there was not a tremor of nerve or muscle. He smiled. No headache, no fever, no uncertain feet or trembling hands or swollen tongue, after more than a week of deep potations. He could still "sober-up" as he used to do (with Blake the butler to help him) when it had been a mere matter of an evening's tipsiness! And how fine it felt to be decently clad again! He crossed to a cheval-glass. The dark handsome face that looked out at him was clean-cut and aristocratic, perfect save for one blemish--a pale line that slanted across the right brow, a birth-mark, resembling a scar. All his life this mark had been an eyesore to its owner. It had a trick of turning an evil red under the stress of anger or emotion. On the features, young and vigorous as they were, subtle lines of self-indulgence had already set themselves, and beneath their expression, cavalier and caressing, lay the unmistakable stigmata of inherited weakness. But these the gazer did not see. He regarded himself with egotistic complacency. Here he was, just as sound as ever. He had had his fling, and taught "the Governor" that he could get along well enough without any paternal help if he chose. Needs must when the devil drives, but his father should never guess the coarse and desperate expediences that had sickened him of his bargain, or the stringent calculation of his return. He was no milksop, either, to come sneaking to him with his hat in his hand. When he saw him now, he would be dressed as the gentleman he was! He attentively surveyed the room. It was clean and dusted--evidently it had been carefully tended. He might have stepped out of it yesterday. There in a corner was his banjo. On the edge of a silver tray was a half-consumed cigar. It crumbled between his fingers. He had been smoking that cigar when his father had entered the room on that last night.
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There, too, was the deck of cards he had angrily flung on to the table when he left. Not a thing had been disturbed--yes, one thing. His portrait, that had hung over his bed, was not in its place. A momentary sense of trepidation rushed through him. Could his father really have meant all he had said in his rage? Did he really mean to disown him? For an instant he faced the hall door with clenched hands. Somewhere in the house, unconscious of his presence, was that ward of whose coming he had learned. Moreau was a good friend to have warned him! Was she part of a plan of reprisal--her presence there a tentative threat to him? Could his father mean to adopt her? Might that great house, those grounds, the bulk of his wealth, go to her, and he, the son, be left in the cold? He shivered. Perhaps he had stayed away too long! [Illustration] As he turned again, he heard a sound in the hall. He listened. A light step was approaching--the swish of a gown. With a sudden impulse he stepped into the embrasure of the window, as the figure of a girl paused at the door. He felt his face flush; she had thrown a crimson kimono over her white night-gown, and the apparition seemed to part the dusk of the doorway like the red breast of a robin. She held in her hands a bunch of the pale _Maréchal Niel_ roses, and his eye caught the long rebellious sweep of her bronze hair, and the rosy tint of bare feet through the worsted meshes of her night-slippers. To his wonder the sight of the lighted room seemed to cause her no surprise. For an instant she stood still as though listening, then entered and placed the roses in a vase on a reading-stand by the bedside. Hugh gasped. To reach the stand the girl had passed the spot where he stood, but she had taken no note of him. Her gaze had gone by him as if he had been empty air. Then he realized the truth; Jessica Holme was blind! Moreau's letter had given him no inkling of that.
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So this was the girl with whom his father now threatened him! Was she counting on his not coming back, waiting for the windfall? She was blind--but she was beautiful! Suppose he were to turn the tables on the old man, not only climb back into his good graces through her, but even-- The thin line on his brow sprang suddenly scarlet. What a supple, graceful arm she had! How adroit her fingers as they arranged the rose-stems! Was he already wholly blackened in her opinion? What did she think of him? Why did she bring those flowers to that empty room? Could it have been she who had kept it clean and fresh and unaltered against his return? A confident, daring look grew in his eyes; he wished she could see him in that purple tie and velvet smoking-jacket! What an opportunity for a romantic self-justification! Should he speak? Suppose it should frighten her? Chance answered him. His respiration had conveyed to her the knowledge of a presence in the room. He heard her draw a quick breath. "Some one is here!" she whispered. He started forward. "Wait! wait!" he said in a loud whisper, as she sprang back. But the voice seemed to startle her the more, and before he could reach her side she was gone. He heard her flying steps descend the stair, and the opening and closing of a door. The sudden flight jarred Hugh's pleasurable sense of novelty. He thrust his hands deep into his pockets. Now he was in for it! She would alarm the house, rouse the servants--he should have a staring, domestic audience for the imminent reconciliation his sobered sense told him was so necessary. Why could he not slip back into the old rut, he thought sullenly, without such a boring, perfunctory ceremony? He had intended to postpone this, if possible, until a night's sleep had fortified him. But now the sooner the ordeal was over, the better! Shrugging his shoulders, he went quickly down the stair to the library. He had known exactly what he should see there--the vivid girl with the hue of fright in her cheeks, the shaded lamp, the wheel-chair, and the feeble old man with his furrowed face and gray mustaches. What he himself should say he had not had time to reflect. The figure in the chair looked up as the door opened.
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"Hugh!" he cried, and half lifted himself from his seat. Then he settled back, and the sunken, indomitable eyes fastened themselves on his son's face. Hugh was melodramatic--cheaply so. He saw the girl start at the name, saw her hands catch at the kimono to draw its folds over the bare white throat, saw the rich color that flooded her brow. He saw himself suddenly the moving hero of the stagery, the tractive force of the situation. Real tears came to his eyes--tears of insincere feeling, due partly to the cheap whisky he had drunk that day, whose outward consequences he had so drastically banished, and partly to sheer nervous excitation. "Father!" he said, and came and caught the gaunt hand that shook against the chair. Then the deeps of the old man's heart were suddenly broken up. "My son!" he cried, and threw his arms about him. "Hugh--my boy, my boy!" Jessica waited to hear no more. Thrilling with gladness, and flushing with the sudden recollection of her bare throat and feet, she slipped away to her room to creep into bed and lie wide-eyed and thinking. What did he look like? Of his face she had never seen even a counterfeit presentment. Through what adventures had he passed? Now that he had come home, forgiving and forgiven, would he stay? He had been in his room when she entered it with the roses--must have guessed, if he had not already known, that she was blind. Would he guess that she had cared for that room, had placed fresh flowers there often and often? Since she had come to the house in the aspens Jessica had found the imagined figure of Hugh a dominant presence in a horizon lightened with a throng of new impressions. The direful catastrophe of her blindness--it had been the sudden result of an accident--had fallen like a thunderbolt upon a nature elastic and joyous. It had brought her face to face with a revelation of mental agony, made her feel herself the hapless martyr of that curt thing called Chance; one moment seeing a universe unfolding before her in line and hue, the next feeling it thrust rudely behind a gruesome blank of darkness.
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The two years that followed had been a period when despair had covered her; when specialists had peered with cunning instruments into her darkened eyes, to utter hopeful platitudes--and to counsel not at all. Then into her own painful self-absorption had intruded her father's death, and the very hurt of this, perhaps, had been a salving one. It had of necessity changed her whole course of living. In her new surroundings she had taken up life once more. Her alert imagination had begun to stir, to turn diffidently to new channels of exploration and interest. She had always lived largely in books and pictures, and her world was still full of ideals and of brave adventures. Gratitude had made her love the morose old invalid with his crabbed tempers; and the wandering son, choosing for pride's sake a resourceless battle with the world--the very mystery of his whereabouts--had taken strong hold of her imagination. Of the quarrel which had preceded Hugh's departure, she had made her own version. That he should have come back on this very night, when the disinheritance she had dreaded had been so nearly consummated, seemed now to have an especial and an appealing significance. Presently she rose, slipped on the red kimono, and, taking a key from the pocket of her gown, stole from the room. She ascended a stairway and unlocked the door of a wide, bare attic where the moonlight poured through a skylight in the roof upon an unfinished statue. In this statue she had begun to fashion, in the imagined figure of Hugh, her conception of the Prodigal Son; not the battered and husk-filled wayfarer of the parable, but a figure of character and pathos, erring through youthful pride and spirit. The unfinished clay no eyes had seen, for those walls bounded her especial domain. Carefully, one by one, she unwound the wet cloths that swathed the figure. In the streaming radiance of the night, the clay looked white as snow and she a crimson ghost. She passed her fingers lightly over the features. Was the real Hugh's face like that? One day, perhaps, her own eyes would tell her, and she would finish it. Then she might show it to him, but not now. She replaced the coverings, relocked the door, and went softly down to her bed.
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When Hugh went shamefacedly up the stair from the library, the artificial glow that had tingled to his finger-tips had faded. The poise of mind, the certitude of all the faculties of eye and hand that his icy bath had given him, were yielding. The penalties he had dislodged were returning reinforced. He was rapidly becoming drunk. He groped his way to his room, turned out the light, threw himself fully dressed upon the bed, and slept the deep sleep of deferred intoxication. CHAPTER IV THE LANE THAT HAD NO TURNING On a June day a month later, Harry Sanderson sat in his study, looking out of the window across the dim summer haze of heat, negligently smoking. On the distant hill overlooking the town was the cemetery, flanked by fields of growing corn where sulky, round-shouldered crows quarrelled and pilfered. He could see the long white marl road, bending in a broad curve between clover-stippled meadows, to skirt the willow-green bluff above the river. There, miles away, on the high bank, he could distinguish the railroad bridge, a long black skeleton spanning "the hole," a deep, fish-haunted pool, the deepest spot in the river for fifty miles. From the nearer, elm-shaded streets came the muffled clack of trade and the discordant treble of a huckster, somewhere a trolley-bell was buzzing angrily, and the impudent scream of a blue jay sheared across the monotone. Harry's gaze went past the streets--past the open square, with its chapel spire lifting from a beryl sea of foliage--to a white colonial porch, peering from between aspens that quivered in the tremulous sunlight. The dog on the rug rose, stretching, and came to thrust an eager insinuating muzzle into its master's lap. Rummy whined, the stubby tail wagged, but his master paid no heed, and with dejected ears, he slunk out into the sunshine. Harry was looking, with brows gathered to a frown, at the far-away porch. The look was full of a troubled question, a vague misgiving, an interrogative anxiety. He was thinking of a night when he had saved the son of that house from the calamity of disinheritance--to what end? For since that moonlighted evening of the will-making Harry had learned that the long lane had had no true turning for Hugh. He had sifted him through and through. At college he had put him down for a weakling--unballasted, misdemeanant.
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Now he knew him for what he really was--a moral mollusk, a scamp in embryo, a decadent, realizing an ugly propensity to a deplorable _finale_. A consistent career of loose living had carried Hugh far since those college days when he had been dubbed "Satan's Shadow." While to Harry Sanderson the eccentric and agnostical had then been, as it were, the mask through which his temperament looked at life, to Hugh it had spelled shipwreck. Harry Sanderson had done broadly as he pleased. He had entertained whom he listed; had gone "slumming"; had once boxed to a finish, for a wager, a local pugilist whose acquaintance he affected, known as "Gentleman Jim." He had been both the hardest hitter and the hardest drinker in his class, yet withal its most brilliant student. Native character had enabled him to persist, as the exasperating function of success which dissipation declined to eliminate. But the same natural gravitation which in spite of all aberration had given Harry Sanderson classical honors, had brought Hugh Stires to the imminent brink of expulsion. And since that time, without the character which belonged to Harry as a possession, Hugh had continued to drift aimlessly on down the broad lax way of profligacy. The conditions he found upon his return, however, had opened Hugh's eyes to the perilous strait in which he stood. He was a materialist, and the taste he had had of deprivation had sickened him. In the first revulsion, when the contrast between recent famine and present plenty was strong upon him, he had been at anxious pains to make himself secure with his father--and with Jessica Holme. Harry's mental sight--keen as the hunter's sight on the rifle-barrel--was sharpened by his knowledge of the old Hugh, an intuitive knowledge gained in a significant formative period. He saw more clearly than the townfolk who, in a general way, had known Hugh Stires all their lives. Week by week Harry had seen him regain lost ground in his father's esteem; day by day he had seen him making studious appeal to all that was romantic in Jessica, climbing to the favor of each on the ladder of the other's regard. Hugh was naturally a _poseur_, with a keen sense of effect. He could be brilliant at will, could play a little on piano, banjo and violin, could sing a little, and had himself well in hand.
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And feeling the unconscious cord of romance vibrate to his touch, he had played upon it with no unskilful fingers. Jessica was comparatively free from that coquetry by means of which a woman's instinct experiments in emotion. Although she had been artist enough before the cloistered years of her blindness to know that she was comely, she had never employed that beauty in the ordinary blandishments of girlish fascination. But steadily and unconsciously she had turned in her darkness more and more to the bright and tender air with which Hugh clothed all their intercourse. Her blindness had been of too short duration to have developed that fine sense-perception with which nature seeks to supplement the darkened vision. The ineradicable marks which ill-governed living had set in Hugh's face--the self-indulgence and egotism--she could not see. She mistook impulse for instinct. She read him by the untrustworthy light of a colorful imagination. She deemed him high-spirited and debonair, a Prince Charming, whose prideful rebellion had been atoned for by a touching and manly surrender. All this Harry had watched with a painful sense of impotence, and this feeling was upon him to-day as he stared out from the study toward the white porch, glistening in the sun. At length, with a little gesture expressive at once of helplessness and puzzle, he turned from the window, took his violin and began to play. He began a barcarole, but the music wandered away, through insensible variations, into a moving minor, a composition of his own. It broke off suddenly at a dog's fierce snarl from the yard, and the rattle of a thrown pebble. Immediately a knock came at the door, and a man entered. "Don't stop," said the new-comer. "I've dropped in for only a minute! That's an ill-tempered little brute of yours! If I were you, I'd get rid of him." Harry Sanderson laid the violin carefully in its case and shut the lid before he answered. "Rummy is impulsive," he said dryly. "How is your father to-day, Hugh?" The other tapped the toe of his shining patent-leather with his cane as he said with a look of ill-humor: "About as well as usual. He's planning now to put me in business, and expects me to become a staid pillar of society--'like Sanderson,' as he says forty times a week.
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How do you do it, Harry? There isn't an old lady in town who thinks her parlor carpet half good enough for you to walk on! You're only a month older than I am, yet you can wind the whole vestry, and the bishop to boot, around your finger!" "I wasn't aware of the idolatry." Harry laughed a little--a distant laugh. "You are observant, Hugh." "Oh, anybody can see it. I'd like to know how you do it. It was always so with you, even at college. You could do pretty much as you liked, and yet be popular, too. Why, there was never a jamboree complete without you and your violin at the head of the table." "That is a long time ago," said Harry. "More than four years. Four years and a month to-morrow, since that last evening of college. Yet I imagine it will be longer before we forget it! I think of it still, sometimes, in the night--" Hugh went on more slowly,--"that last dinner of The Saints, and poor Archie singing with that wobbly smilax wreath over one eye and the claret spilled down his shirt-front--then the sudden silence like a wet blanket! I can see him yet, when his head dropped. He seemed to shrivel right up in his chair. How horrible to die like that! I didn't touch a drink for a month afterward!" He shivered slightly, and walked to the window. Harry did not speak. The words had torn the network of the past as sheet-lightning tears the summer dusk; had called up a ghost that he had labored hard to lay--a memory-specter of a select coterie whose wild days and nights had once revolved about him as its central sun. The sharp tragedy of that long-ago evening had been the awakening. The swift, appalling catastrophe had crashed into his career at the pivotal moment. It had shocked him from his orbit and set him to the right-about-face. And the moral _bouleversement_ had carried him, in abrupt recoil, into the ministry. An odd confusion blurred his vision. Perhaps to cover this, he crossed the room to a small private safe which stood open in the corner, in which he kept his tithes and his charities.
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When Hugh, shrugging his shoulders as if to dismiss the unwelcome picture he had painted, turned again, Harry was putting into it some papers from his pocket. Hugh saw the action; his eyes fastened on the safe avidly. "I say," he said after a moment's pause, as Harry made to shut its door, "can you loan me another fifty? I'm flat on my uppers again, and the old man has been tight as nails with me since I came back. I'm sure to be able to return it with the rest, in a week or two." Harry stretched his hand again toward the safe--then drew it back with compressed lips. He had met Hugh with persistent courtesy, and the other had found him sufficiently obliging with loans. Of late, however, his nerves had been on edge. The patent calculation of Hugh's course had sickened, and his flippant cynicism had jarred and disconcerted him. A growing sense of security, too, had made Hugh less circumspect. More than once during the past month Harry had seen him issue from the shadowed door whose upper panel held the little barred window--the door at which Doctor Moreau had entrance, though decent doors were closed in his face. Hugh's lowered gaze saw the arrested movement and his cheek flushed. "Oh, if it's inconvenient, I won't trouble you for the accommodation," he said. "I dare say I can raise it." The attempt at nonchalance cost him a palpable effort. Comparatively small as the amount was, he needed it. He was in sore straits. By hook or crook he must stave off an evil day whose approach he knew not how to meet. "It isn't that it is inconvenient, Hugh," said Harry. "It's that I can't approve your manner of living lately, and--I don't know where the fifty is going." The mark on Hugh's brow reddened. "I wasn't aware that I was expected to render you an accounting," he said sulkily, "if I do borrow a dollar or two now and then! What if I play cards, and drink a little when I'm dry? I've got to have a bit of amusement once in a while between prayers. You liked it yourself well enough, before you discovered a sudden talent for preaching!" "Some men hide their talents under a napkin," said Harry. "You drown yours--in a bottle. You have been steadily going downhill.
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You are deceiving your father--and others--with a pretended reform which isn't skin-deep! You have made them believe you are living straight, when you are carousing; that you keep respectable company, when you have taken up with a besotted and discredited gambler!" "I suppose you mean Doctor Moreau," returned Hugh. "There are plenty of people in town who are worse than he is." "He is a quack--dropped from the hospital staff for addiction to drugs, and expelled from his club for cheating at cards." "He's down and out," said Hugh sullenly, "and any cur can bite him. He never cheated me, and I find him better company than your sanctimonious, psalm-singing sort. I'm not going to give him the cold shoulder because everybody else does. I never went back on a friend yet. I'm not that sort!" A steely look had come to Harry Sanderson's eyes; he was thinking of the house in the aspens. While he talked, shooting pictures had been flashing through his mind. Now, at the boast of this eager protester of loyalty, this recreant who "never went back on a friend," his face set like a flint. "You never had a friend, Hugh," he said steadily. "You never really loved anybody or anything but yourself. You are utterly selfish. You are deliberately lying, every hour you live, to those who love you. You are playing a part--for your own ends! You were only a good imitation of a good fellow at college. You are a poor imitation of a man of honor now." Hugh rose to his feet, as he answered hotly: "And what are you, I'd like to know? Just because I take my pleasure as I please, while you choose to make a stained-glass cherub of yourself, is no reason why I'm not just as good as you! I knew you well enough before you set up for such a pattern. You didn't go in much then for a theological diet. Pshaw!" he went on, snapping his fingers toward the well-stocked book-shelves. "I wonder how much of all that you really believe!" Harry passed the insolence of the remark.
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He flecked a bit of dust from his sleeve before he answered, smiling a little disdainfully: "And how much do _you_ believe, Hugh?" "I believe in running my own affairs, and letting other people run theirs! I don't believe in talking cant, and posing as a little-tin-god-on-wheels! If I lived in a glass-house, I'd be precious careful not to throw stones!" Harry Sanderson was staring at him curiously now--a stare of singular inquiry. This shallow witness of his youthful misconduct, then, judged him by himself; deemed him a mere masquerader in the domino of decorous life, carrying the reckless and vicious humors of his nonage into the wider issues of living, and clothing an arrant hypocrisy under the habit of one of God's ministers! The elastic weight of air in the study seemed suddenly grown suffocating. He reached and flung open the chapel door, and stood looking across the choir, through the mellow light of the duskily tinted nave, solemn as with the hush of past prayer. On this interior had been lavished the special love of the invalid, who had given of his riches that this place for the comfort of souls might be. It was an expanse of dim colors and dark woodwork. At its eastern end was the high altar, with tall flowers in stately gilt vases on either side, and a brass lectern glimmered near-by. In the western wall was set a great rose-window of rich stained glass--a picture of the eternal tragedy of Calvary. As Harry stood gazing into the mellow light, Hugh paced moodily up and down behind him. Suddenly he caught Harry's arm and pointed. Harry turned and looked. Above the mantel was set a mirror, and from where they stood, this reflected Hugh's face. It startled Harry, for some trick of the atmosphere, or the sunlight falling through the painted glass, lightening the sallow face and leaving the hair in deeper shade--as a cunning painter by a single line will alter a whole physiognomy--had for the instant wiped out all superficial unresemblance and left a weird likeness. As Hugh's mocking countenance looked from the oval frame, Harry had a queer sensation as if he were looking at his own face, with some indefinable smear of attaint upon it--the trail of evil.
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As he drew away from the other's touch, his eye followed the bar of amber light to the rose-window in the chapel; it was falling through the face of the unrepentant thief. The movement broke the spell. When he looked again the eerie impression of identity was gone. Hugh had felt the recoil. "Not complimented, eh?" he said with a half-sneer. "Too bad the prodigal should resemble Satan Sanderson, the fashionable parish rector who waves his arms so gracefully in the pulpit, and preaches such nice little sermons! You didn't mind it so much in the old days! Pardon me," he added with malice, "I forgot. It's the 'Reverend Henry' at present, of course! I imagine your friends don't call you 'Satan' now." "No," returned Harry quietly. "They don't call me 'Satan' now!" He went back to the safe. The movement set Hugh instantly to regretting his hasty tongue. If he had only assumed penitence, instead of flying into a passion, he might have had the money he wanted just as well as not! "There's no sense in us two quarrelling," he said hastily. "We've been friends a long time. I'm sure I didn't intend to when I came in. I suppose you're right about some things, and probably dropping Moreau wouldn't hurt me any. I'm sorry I said all I did. Only--the money seemed such a little thing, and I--I needed it." Harry stood an instant with his hand on the knob, then instead of closing the door, he drew out a little drawer. He lifted a packet of crisp yellow-backs and slowly counted out one hundred dollars. "I'm trying to believe you mean what you say, Hugh," he said. Hugh's fingers closed eagerly over the crackling notes. "Now that's white of you, after everything I said! You're a good fellow, Harry, after all, and I'll always say so. I wish Old Gooseberry was half as decent in a money way. He seems to think fifty dollars a week is plenty till I marry and settle down. He talks of retiring then, and I suppose he'll come down handsomely, and give me a chance to look my debts in the face." He pocketed the money with an air of relief and picked up his hat and cane. Just then from the dusty street came the sound of carriage-wheels and the click of the gate-latch.
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It must be soon, though!" A smile came to his face, a pretentious, boastful smile, and his shining patent-leathers stepped more confidently. "She's the finest-looking girl in this town, even without her eyes. She may get back her sight sometime. But even if she doesn't, blindness in a wife might not be such a bad thing, after all!" CHAPTER V THE BISHOP SPEAKS Inside the study, meanwhile, the bishop was greeting Harry Sanderson. He had officiated at his ordination and liked him. His eyes took in the simple order of the room, lingering with a light tinge of disapproval upon the violin case in the corner, and with a deeper shade of question upon the jewel on the other's finger--a pigeon-blood ruby in a setting curiously twisted of the two initial letters of his name. There came to his mind for an instant a whisper of early prodigalities and wildnesses which he had heard. For the lawyer who had listened to Harry Sanderson's recital on the night of the making of the will had not considered it a professional disclosure. He had thought it a "good story," and had told it at his club, whence it had percolated at leisure through the heavier strata of town-talk. The tale, however, had seemed rather to increase than to discourage popular interest in Harry Sanderson. The bishop knew that those whose approval had been withheld were in the hopeless minority, and that even these could not have denied that he possessed desirable qualities--a manner by turns sparkling and grave, picturesqueness in the pulpit, and the unteachable tone of blood--and had infused new life into a generally sleepy parish. He had dismissed the whisper with a smile, but oddly enough it recurred to him now at sight of the ruby ring. "I looked in to tell you a bit of news," said the bishop. "I've just come from David Stires--he has a letter from Van Lennap, the great eye-surgeon of Vienna. He disagrees with the rest of them--thinks Jessica's case may not be hopeless." The cloud that Hugh's call had left on Harry's countenance lifted. "Thank God!" he said. "Will she go to him?" The bishop looked at him curiously, for the exclamation seemed to hold more than a conventional relief. "He is to be in America next month. He will come here then to examine, and perhaps to operate.
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An exceptional girl," went on the bishop, "with a remarkable talent! The angel in the chapel porch, I suppose you know, is her modelling, though that isn't just masculine enough in feature to suit me. The Scriptures are silent on the subject of woman-angels in Heaven; though, mind you, I don't say they're not common on earth!" The bishop chuckled mildly at his own epigram. "Poor child!" he continued more soberly. "It will be a terrible thing for her if this last hope fails her, too! Especially now, when she and Hugh are to make a match of it." Harry's face was turned away, or the bishop would have seen it suddenly startled. "To make a match of it!" To hide the flush he felt staining his cheek, Harry bent to close the safe. A something that had darkled in some obscure depth of his being, whose existence he had not guessed, was throbbing now to a painful resentment. Jessica was to marry Hugh! "A handsome fellow--Hugh!" said the bishop. "He seems to have returned with a new heart--a brand plucked from the burning. You had the same _alma mater_, I think you told me. Your influence has done the boy good, Sanderson!" He laid his hand kindly on the other's shoulder. "The fact that you were in college together makes him look up to you--as the whole parish does," he added. Harry was setting the combination, and did not answer. But through the turmoil in his brain a satiric voice kept repeating: "No, they don't call me 'Satan' now!" CHAPTER VI WHAT CAME OF A WEDDING The white house in the aspens was in gala attire. Flowers--great banks of bloom--were massed in the hall, along the stairway and in the window-seats, and wreaths of delicate fern trembled on the prim-hung chandeliers. Over all breathed the sweet fragrance of jasmin. Musicians sat behind a screen of palms in a corridor, and a long scarlet carpet strip ran down the front steps to the driveway, up which passed bravely dressed folk, arriving in carriages and on foot, to witness the completion of a much-booted romance. For a fortnight this afternoon's event had been the chat of the town, for David Stires, who to-day retired from active business, was its magnate, the owner of its finest single estate and of its most important bank.
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From his scapegrace boyhood Hugh Stires had made himself the subject of uncomfortable discussion. His sudden disappearance after the rumored quarrel with his father, and the advent of Jessica Holme, had furnished the community sufficient material for gossip. The wedding had capped this gossip with an appropriate climax. Tongues had wagged over its pros and cons--for Hugh's past had induced a wholesome skepticism of his future. But the carping were willing to let bygones be bygones, and the wiseacres, to whose experience marriage stood as a sedative for the harum-scarum, augured well. There was an additional element of romance, too, in the situation; for Jessica, who had never yet seen her lover, would see her husband. The great surgeon on whose prognostication she had built so much, had arrived and had operated. He was not alone an eminent consultant in diagnosis, but an operator of masterly precision, whose daring of scalpel had made him well-nigh a last resort in the delicate adventurings of eye surgery. The experiment had been completely successful, and Jessica's hope of vision had become a sure and certain promise. To see once again! To walk free and careless! To mold the plastic clay into the shapes that thronged her brain! To finish the statue which she had never yet shown to any one, in the great sky-lighted attic! To see flowers, and the sunset, the new green of the trees in spring, and the sparkle of the snow in winter, and people's faces!--to see Hugh! That had been at the core of her thought when it reeled dizzily back from the merciful oblivion of the anesthetic, to touch the strange gauze wrappings on her eyes--the tight bandage that must stay for so long, while nature plied her silent medicaments of healing. Meanwhile the accepted lover had become the importunate one. The operation over, there had remained many days before the bandages could be removed--before Jessica could be given her first glimpse of the world for nearly three years. Hugh had urged against delay. If he had stringent reasons of his own, he was silent concerning them. And Jessica, steeped in the delicious wonder of new and inchoate sensations, had yielded. So it had come about that the wedding was to be on this hot August afternoon, although it would be yet some time before the eye-bandages might be laid aside, save in a darkened room.
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In her girlish, passionate ideality, Jessica had offered a sacrifice to her sentiment. She had promised herself that the first form her new sight should behold should be, not her lover, but her husband! The idea pleased her sense of romance. So, hugging the fancy, she had denied herself. She was to see Hugh for the first time in a shaded room, after the glare and nervous excitement of the ceremony. Gossip had heard and had seized upon this tidbit with relish. The blind marriage--a bride with hoodwinked eyes, who had never seen the man she was to marry--the moment's imperfect vision of him, a poor dole for memory to carry into the honeymoon--these ingredients had given the occasion a titillating sense of the extraordinary and romantic, and sharpened the buzz of the waiting guests, as they whiled away the irksome minutes. It was a sweltering afternoon, and in the wide east parlor, limp handkerchiefs and energetic fans fought vainly against the intolerable heat. There, as the clock struck six, a hundred pairs of eyes galloped between two centers of interest: the door at which the bride would enter, and the raised platform at the other end of the room where, prayer-book in hand, in his wide robes and flowing sleeves, Harry Sanderson had just taken his stand. Perhaps more looked at Harry than at the door. He seemed his usual magnetic self as he stood there, backed by the flowers, his waving brown hair unsmoothed, the ruby-ring glowing dull-red against the dark leather of the book he held. Few felt it much a matter of regret that the humdrum and less personable Bishop of the Diocese should be away at convocation, since the young rector furnished the final esthetic touch to a perfectly appointed function. But Harry Sanderson was far from feeling the grave, alien, figure he appeared. In the past weeks he had waged a silent warfare with himself, bitterer because repressed. The strange new thing that had sprung up in him he had trampled mercilessly under. From the thought that he loved the promised wife of another, a quick, fastidious sense in him recoiled abashed. This painful struggle had been sharpened by his sense of Hugh's utter worthlessness.
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To that rustling assemblage, the man who was to make those solemn promises was David Stires' son, who had had his fling, turned over his new leaf becomingly, and was now offering substantial hostages to good repute. To him, Harry Sanderson, he was a _flâneur_, a marginless gambler in the futures of his father's favor and a woman's heart. He had shrunk from the ceremony, but circumstances had constrained him. There had been choice only between an evasion--to which he would not stoop--and a flat refusal, the result of which would have been a footless scandal--ugly town-talk--a sneer at himself and his motives--a quietus, possibly, to his whole career. So now he stood to face a task which was doubly painful, but which he would go through with to the bitter end! Only a moment Harry stood waiting; then the palm-screened musicians began the march, and Hugh took his place, animated and assured, looking the flushed and expectant bridegroom. At the same instant the chattering and hubbub ceased; Jessica, on the arm of the old man, erect but walking feebly with his cane, was advancing down the roped lane. She was in simple white, the point-lace on the frock an heirloom. Her bronze hair was drawn low, hiding much of the disfiguring bandage, under which her lips were parted in a half-smile, human, intimate and eager, full of the hope and intoxication of living. Harry's eyes dropped to the opened book, though he knew the office by heart. He spoke the time-worn adjuration with clear enunciation, with almost perfunctory distinctness. He did not look at Hugh. "_If any man can show just cause why they may not lawfully be joined together, let him speak, or else hereafter for ever hold his peace._" In the pause--the slightest pause--that turned the page, he felt an insane prompting to tear off his robes, to proclaim to this roomful of heated, gaping, fan-fluttering humanity, that he himself, a minister of the gospel, the celebrant of the rite, knew "just cause"! The choking impulse passed. The periods rolled on--the long white glove was slipped from the hand, the ring put on the finger, and the pair, whom God and Harry Sanderson had joined together, were kneeling on the white satin prie-dieu with bowed heads under the final invocation.
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As they knelt, choir voices rose: "O perfect love, all human thought transcending, Lowly we kneel in prayer before Thy throne--" Then, while the music lingered, the hush of the room broke in a confused murmur; the white ribbon-wound ropes were let down, and a voluble wave of congratulators swept over the spot. In a moment more Harry found himself laying off his robes in the next room. With a sigh of relief, he stepped through the wide French window into the garden, fresh with the scent of growing things and the humid odors of the soil. The twitter and bustle he had left came painfully out to him, and a whiff of evening coolness breathed through the oppressive air. The strain over, he longed for the solitude of his study. But David Stires had asked him to remain for a final word, since bride and groom were to leave on an early evening train; the old man was to accompany them a part of the journey, and "the Stires place" was to be closed for an indefinite period. Harry found a bench and sat down, where camelias dropped like blood. What would Jessica suffer in the inevitable awakening, when the tinted petals of her dreams were shattered and strewn? For the first time he looked down through his sore sense of outrage and protest to deeps in himself--as a diver peers through a water-glass to the depths of a river troubled and opaque, dimly descrying vague shapes of ill. Poetry, passion and dreams had been his also, but he had dreamed too late! It was not long before the sound of gay voices and of carriage-wheels came around the corner of the house, for the reception was to be curtailed. There had been neither bridesmaids nor groomsmen, and there was no skylarking on the cards; the guests, who on lesser occasions would have lingered to throw rice and old shoes, departed from the house in the aspens with primness and dignity. One by one he heard the carriages roll down the graveled driveway. A bicycle careened across the lawn from a side-gate, carrying a bank messenger--the last shaft of commerce before old David Stires washed his tenacious mind of business. A few moments later the messenger reappeared and rode away whistling.
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A last chime of voices talking together--Harry could distinguish Hugh's voice now--and at length quiet told him the last of the guests were gone. Thinking that he would now see his old friends for a last farewell, he rose and went slowly back through the French window. The east room was empty, save for servants who were gathering some of the cut flowers for themselves. He stood aimlessly for a few moments looking about him. A white carnation lay at the foot of the dais, fallen from Jessica's shower-bouquet. He picked this up, abstractedly smelled its perfume, and drew the stem through his buttonhole. Then, passing into the next room, he found his robes leisurely and laid them by--he had now only to embellish the sham with his best wishes! All at once he heard voices in the library. He opened the door and entered. Harry Sanderson stopped stock-still. In the room sat old David Stires in his wheel-chair opposite his son. He was deadly pale, and his fierce eyes blazed like fire in tinder. And what a Hugh! Not the indolently gay prodigal Harry had known in the past, nor the flushed bridegroom of a half-hour ago! It was a cringing, a hang-dog Hugh now; with a slinking dread in the face--a trembling of the hands--a tense expectation in the posture. The thin line across his brow was a livid pallor. His eyes lifted to Harry's for an instant, then returned in a kind of fascination to a slip of paper on the desk, on which his father's forefinger rested, like a nail transfixing an animate infamy. "Sanderson," said the old man in a low, hoarse, unnatural voice, "come in and shut the door. God forgive us--we have married Jessica to a common thief! Hugh--my son, my only child, whom I have forgiven beyond all reckoning--has forged my name to a draft for five thousand dollars!" CHAPTER VII OUT OF THE DARK For a moment there was dead silence in the room. In the hall the tall clock struck ponderously, and a porch blind slammed beneath a caretaker's hand. Harry's breath caught in his throat, and the old man's eye again impaled his hapless son.
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Hugh threw up his head with an attempt at jauntiness, but with furtive apprehension in every muscle--for he could not solve the look he saw on his father's face--and said: "You act as if it were a cool million! I'm no worse than a lot who have better luck than I. Suppose I did draw the five thousand?--you were going to give me ten for a wedding present. I had to have the money then, and you wouldn't have given it to me. You know that as well as I do. Besides, I was going to take it up myself and you would never have been the wiser. He promised to hold it--it's a low trick for him to round on me like this. I'll pay him off for it sometime! I don't see that it's anybody else's business but ours, anyway," he continued, with a surly glance at Harry. Harry had been staring at him, but with a vision turned curiously backward--a vision that seemed to see Hugh standing at a carpeted dais in a flower-hung room, while his own voice said out of a lurid shadow: "_Wilt thou have this man to be thy wedded husband...._" "Stay, Sanderson," said the old man; then turning to Hugh: "Who advanced you money on this and promised to 'hold it'?" "Doctor Moreau." "He profited by it?" "He got his margin," said Hugh sullenly. "How much margin did he get?" "A thousand." "Where is the rest?" David Stires' voice was like a whip of steel. Hugh hesitated a moment. He had still a few hundreds in pocket, but he did not mention them. "I used most of it. I--had a few debts." "Debts of honor, I presume!" Hugh's sensibility quivered at the fierce, grating irony of the inquiry. "If you'd been more decent with spending-money," he said with a flare of the old effrontery, "I'd have been all right! Ever since I came home you've kept me strapped. I was ashamed to stick up any more of my friends. And of course I couldn't borrow from Jessica." "Ashamed!" exclaimed the old man with harsh sternness. "You are without the decency of shame! If you were capable of feeling it, you would not mention her name now!" Hugh thought he saw a glimmer through the storm-cloud. Jessica was his anchor to windward. What hurt him, would hurt her.
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He would pull through! "Well," he said, "it's done, and there's no good making such a row about it. She's my wife and she'll stand by me, if nobody else does!" No one had ever seen such a look on David Stires' face as came to it now--a sudden blaze of fury and righteous scorn, that burned it like a brand. "You impudent blackguard! You drag my name in the gutter and then try to trade on my self-respect and Jessica's affection. You thought you would take it up yourself--and I would be none the wiser! And if I did find it out, you counted on my love for the poor deluded girl you have married, to make me condone your criminality--to perjure myself--to admit the signature and shield you from the consequences. You imagine because you are my son, that you can do this thing and all still go on as before! Do you suppose I don't consider Jessica? Do you think because you have fooled and cheated her--and me--and married her, that I will give her now to a caught thief--a common jailbird?" Hugh started. A sickly pallor came to his sallow cheek. That salient chin, that mouth close-gripped--those words, vengeful, vindictive, the utterance of a wrath so mighty in the feeble frame as to seem almost uncouth--smote him with a mastering terror. A jailbird! That was what his father called _him_! Did he mean to give him up, then? To have him arrested--tried--put in prison? When he had canvassed the risks of discovery, he had imagined a scene, bitter anger--perhaps even disinheritance. His marriage to Jessica, he had reckoned, would cover that extremity. But he had never thought of something worse. Now, for the first time, he saw himself in the grip of that impersonal thing known as the law--handcuffs on his wrists, riding through the streets in the "Black-Maria"--standing at the dock an outcast, gazed at with contempt by all the town--at length sitting in a cell somewhere, no more pleasures or gaming, or fine linen, but dressed in convict's dress, loose, ill-shapen, hanging on him like bags, with broad black-and-white stripes. He had been through the penetentiary once. He remembered the sullen, stolid faces, the rough, hobnailed shoes, the cropped heads! His mind turned from the picture with fear and loathing.
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In the thoughts that were darting through Hugh's mind, there was none now of regret or of pity for Jessica. His fear was the fear of the trapped spoiler, who discerns capture and its consequent penalties in the patrolling bull's-eye flashed upon him. He studied his father with hunted, calculating eyes, as the old man turned to Harry Sanderson. "Sanderson," said David Stires, once more in his even, deadly voice, "Jessica is waiting in the room above this. She will not understand the delay. Will you go to her? Make some excuse--any you can think of--till I come." Harry nodded and left the room, shutting the door carefully behind him, carrying with him the cowering helpless look with which Hugh saw himself left alone with his implacable judge. What to say to her? How to say it? As he passed the hall, the haste of demolition had already begun. Florists' assistants were carrying the plants from the east room, and through the open door a man was rolling up the red carpet. The cluttered emptiness struck him with a sense of fateful symbolism--as though it shadowed forth the shattering of Jessica's ordered dream of happiness. He mounted the stair as if a pack swung from his shoulders. He paused a moment at the door, then knocked, turned the knob, and entered. [Illustration] There, in the middle of the blue-hung room, in her wedding-dress, with her bandaged eyes, and her bridal bouquet on the table, stood Jessica. Twilight was near, but even so, all the shutters were drawn save one, through which a last glow of refracted sunlight sifted to fall upon his face. Her hands were clasped before her, he could hear her breathing--the full hurried respiration of expectancy. Then, while his hand closed the door behind him, a thing unexpected, anomalous, happened--a thing that took him as utterly by surprise as if the solid floor had yawned before him. Slim fingers tore away the broad encircling bandage. She started forward. Her arms were flung about his neck. "Hugh!... Hugh!" she cried. "My husband!" The paleness was stricken suddenly from Harry's face. An odd, dazed color--a flush of mortification, of self-reproach, flooded it from chin to brow. Despite himself, he had felt his lips molding to an answering kiss beneath her own.
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He drew a gasping breath, his hand nervously caught the bandage, replaced it over the eyes, and tied it tightly, putting down her protesting hands. "Oh, Hugh," she pleaded, "not for a moment--not when I am so happy! Your face is what I dreamed it must be! Why did you make me wait so long? And I can see, Hugh! I can really see! Let it stay off, just for one little moment more!" He held her hands by force. "Jessica--wait!" he said in a broken whisper. "You must not take it off again--not now!" An incredible confusion enveloped him--his tongue cleaved to the roof of his mouth. Not only had the painful _contretemps_ nonplussed and dismayed him; not only had it heightened and horrified the realization of what she must presently be told. It had laid a careless hand upon his own secret, touching it with an almost vulgar mockery. It had overthrown in an instant the barricades he had been piling. The pressure of those lips on his had sent coursing to the furthest recesses of his nature a great wave which dikes nor locks might ever again forbid. Her look, leaping to his face, had not noted the ministerial dress, nor in the ecstasy of the moment did she catch the agitation in his voice; or if she did, she attributed it to a feeling like her own. She was laughing happily, while he stood, trembling slightly, holding himself with an effort. "What a dear goose you are!" she said. "The light didn't hurt them--indeed, indeed! Only to think, Hugh! Your wife will have her sight! Do go and tell your father! He will be waiting to know!" Harry made some incoherent reply. He was desperately anxious to get away--his thought was a snarl of tatters, threaded by one lucid purpose: to spare her coming self-abasement this sardonic humiliation. He did not think of a time in the future, when her error must naturally disclose itself. The tangle spelled _Now_. Not to tell her--not to let her know! He almost ran from the room and down the stair. CHAPTER VIII "AM I MY BROTHER'S KEEPER?" At the foot of the landing he paused, drawing a deep breath as if to lift a weight of air. He needed to get his bearings--to win back a measure of calmness. As he stood there, Hugh came from the library.
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His head was down and he went furtively and slinkingly, as though dreading even a casual regard. He snatched his hat from the rack, passed out of the house, and was swallowed up in the dusk. David Stires had followed his son into the hall. He answered the gloomy question in Harry's eyes: "He is gone," he said, "and I hope to Heaven I may never see his face again!" Then, slowly and feebly, he ascended the stair. The library windows were shadowed by shrubbery, and the sunset splintered against the wall in a broad stripe, like cloth of crimson silk. Harry leaned his hot forehead against the chill marble of the mantelpiece and gazed frowningly at the dark Korean desk--an antique gift of his own to David Stires--where the slip of paper still lay that had spelled such ruin and shame. From the rear of the house came the pert, tittering laugh of a maid bantering an expressman, and the heavy, rattling thump of rolled trunks. There was something ghastly in the incomprehension of all the house save the four chief actors of the melodrama. The travesty was over, the curtain rung down to clapping of hands, the scene-shifters clearing away--and behind all, in the wings, unseen by any spectator, the last act of a living tragedy was rushing to completion. Ten, fifteen minutes passed, and old David Stires reëntered the room, went feebly to his wheel-chair, and sat down. He sat a moment in silence, looking at a portrait of Jessica--a painting by Altsheler that hung above the mantel--in a light fleecy gown, with one white rose in the bronze hair. When he spoke the body's infirmity had become all at once pitifully apparent. The fiery wrath seemed suddenly to have burned itself out, leaving only dead ashes behind. His eyes had shrunk away into almost empty sockets. The authority had faded from his face. He was all at once a feeble, gentle-looking, ill, old man, with white mustaches and uncertain hands, dressed in ceremonial broadcloth. "I have told her," he said presently, in a broken voice. "You are kind, Sanderson, very kind. God help us!" "What has God to do with it?" fell a voice behind them. Harry faced about. It was Jessica, as he had first seen her in the upper room, with the bandage across her eyes.
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"What has God to do with it?" she repeated, in a hard tone. "Perhaps Mr. Sanderson can tell us. It is in his line!" "Please--" said Harry. He could not have told what he would have asked, though the accent was almost one of entreaty. The harsh satire touched his sacred calling; coming from her lips it affronted at once his religious instinct and his awakened love. It was all he said, for he stopped suddenly at sight of her face, pain-frosted, white as the folded cloth. "Oh," she said, turning toward the voice, "I remember what you said that night, right here in this very room--that you sowed your wild oats at college with Hugh--that they were 'a tidy crop'! You were strong, and he was weak. You led, and he followed. You were 'Satan Sanderson,' Abbot of The Saints, the set in which he learned gambling. Why, it was in your rooms that he played his first game of poker--he told me so himself! And now he has gone to be an outcast, and you stand in the pulpit in a cassock, you, the 'Reverend Henry Sanderson'! You helped to make him what he has become! Can you undo it?" Harry was looking at her with a stricken countenance. He had no answer ready. The wave of confusion that had submerged him when he had restored the bandage to her eyes had again welled over him. He stood shocked and confounded. His hand fumbled at his lapel, and the white carnation, crushed by his fingers, dropped at his feet. "I am not excusing Hugh now," she went on wildly. "He has gone beyond excuse or forgiveness. He is as dead to me as though I had never known him, though the word you spoke an hour ago made me his wife. I shall have that to remember all my life--that, and the one moment I had waited for so long, for my first sight of his face, and my bride's kiss! I must carry it with me always. I can never wipe that face from my brain, or the sting of that kiss from my lips--the kiss of a forger--of my husband!" The old man groaned. "I didn't know he had seen her!" he said helplessly.
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"Jessica, Hugh's sin is not Sanderson's fault!" In her bitter words was an injustice as passionate as her pain, but for her life she could not help it. She was a woman wrenched and torn, tortured beyond control, numb with anguish. Every quivering tendril of feeling was a live protest, every voice of her soul was crying out against the fact. In those dreadful minutes when her mind took in the full extent of her calamity, Hugh's past intimacy and present grim contrast with Harry Sanderson had mercilessly thrust themselves upon her, and her agony had seared the swift antithesis on her brain. To Harry Sanderson, however, her words fell with a wholly disproportionate violence. It had never occurred to him that he himself had been individually and actively the cause of Hugh's downfall. The accusation pierced through the armor of self-esteem that he had linked and riveted with habit. The same pain of mind that had spurred him, on that long-ago night, to the admission she had heard, had started to new life a bared, a scathed, a rekindling sin. "It is all true," he said. It was the inveterate voice of conscience that spoke. "I have been deceiving myself. I was my brother's keeper! I see it now." She did not catch the deep compunction in the judicial utterance. In her agony the very composure and restraint cut more deeply than silence. She stood an instant quivering, then turned, and feeling blindly for the door, swept from their sight. White and breathless, Jessica climbed the stair. In her room, she took a key from a drawer and ran swiftly to the attic-studio. She unlocked the door with hurried fingers, tore the wrappings from the tall white figure of the Prodigal Son, and found a heavy mallet. She lifted this with all her strength, and showered blow upon blow on the hard clay, her face and hair and shimmering train powdered with the white dust, till the statue lay on the floor, a heap of tumbled fragments. Fateful and passionate as the scene in the library had been, her going left a pall of silence in the room. Harry Sanderson looked at David Stires with pale intentness. "Yet I would have given my life," he said in a low voice, "to save her this!" Something in the tone caught the old man. He glanced up.
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"I never guessed!" he said slowly. "I never guessed that you loved her, too." But Harry had not heard. He did not even know that he had spoken aloud. David Stires turned his wheel-chair to the Korean desk, touching the bell as he did so. He took up the draft and put it into his pocket. He pressed a spring, a panel dropped, and disclosed a hidden drawer, from which he took a crackling parchment. It was the will against whose signing Harry had pleaded months before in that same room. The butler entered. "Witness my signature, Blake," he said, and wrote his name on the last page. "Mr. Sanderson will sign with you." An hour later the fast express that bore Jessica and David Stires was shrieking across the long skeleton railroad bridge, a dotted trail of fire against the deepening night. The sound crossed the still miles. It called to Harry Sanderson, where he sat in his study with the evening paper before him. It called his eyes from a paragraph he was reading through a painful mist--a paragraph under heavy leads, on its front page: This city has seldom seen so brilliant a gathering as that witnessed, late this afternoon, at the residence of the groom, the marriage of Mr. Hugh Stires and Miss Jessica Holme, both of this place. The ceremony was performed by the Reverend Henry Sanderson, rector of St. James. The groom is the son of one of our leading citizens, and the beauty and talent of the bride have long made her noted. The happy couple, accompanied by the groom's father, left on an early train, carrying with them the congratulations and good wishes of the entire community. A full account of the wedding will be given in to-morrow morning's issue. CHAPTER IX AFTER A YEAR Night had fallen. The busy racket of wheeled traffic was still, the pavements were garish with electric light, windows were open, and crowds jostled to and fro on the cool pavements. But Harry Sanderson, as he walked slowly back from a long ramble in knickerbockers and norfolk jacket over the hills, was not thinking of the sights and sounds of the pleasant evening. He had tramped miles since sundown, and had returned as he set out, gloomy, unrequited, a follower of a baffled quest.
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Even the dog at his heels seemed to partake of his master's mood; he padded along soberly, forging ahead now and again to look up inquiringly at the preoccupied face. Set back from the street in a wide estate of trees and shrubbery, stood a great white-porched house that gloomed darkly from amid its aspens. Not a light had twinkled from it for nearly a year. The little city had wondered at first, then by degrees had grown indifferent. The secret of that prolonged honeymoon, that dearth and absence, Harry Sanderson and the bishop alone could have told. For the bishop knew of Hugh's criminal act; he was named executor of the will that lay in the Korean chest, and him David Stires had written the truth. His heart had gone out with pity for Jessica, and understanding. The secret he locked in his own breast, as did Harry Sanderson, each thinking the other ignorant of it. Since that wedding-day no shred of news had come to either. Harry had wished for none. To think of Jessica was a recurrent pang, and yet the very combination of the safe in his study he had formed of the letters of her name! In each memory of her he felt the fresh assault of a new and tireless foe--the love which he must deny. Until their meeting his moral existence had been strangely without struggle. When at a single blow he had cut away, root and branch, from his old life, he had left behind him its vices and temptations. That life had been, as he himself had dimly realized at the time, a phase, not a quality, of his development. It had known no profound emotions. The first deep feeling of his experience had come with that college catastrophe which had brought the abrupt change to all his habits of living. He did not know that the impulse which then drew him to the Church was the gravitational force of an austere ancestry, itself an inheritance from a long line of sectarian progenitors--an Archbishop of Canterbury among them--reaching from Colony times, when King George had sent the first Sanderson, a virile, sport-loving churchman, to the tobacco emoluments of the Old Dominion. He did not know that in the reaction the pendulum of his nature was swinging back along an old groove in obeisance to the subtle call of blood.
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In his new life, problems were already solved for him. He had only to drift with the current of tradition, whereon was smooth sailing. And so he had drifted till that evening when "Satan Sanderson," dead and done and buried, had risen in his grave-clothes to mock him in the person of Hugh. Each hour since then had sensitized him, had put him through exercises of self-control. And then, with that kiss of Jessica's, had come the sudden illumination that had made him curse the work of his hands--that had shown him what had dawned for him, too late! Outcast and criminal as he was, castaway, who had stolen a bank's money and a woman's love, Hugh was still her husband. Hugh's wife--what could she be to him? And this fevered conflict was shot through with yet another pang; for the waking smart of compunction which had risen at Jessica's bitter cry, "You helped to make him what he has become!" would not down. That cry had shown him, in one clarifying instant, the follies and delinquencies of his early career reduplicated as through the facets of a crystal, and in the polarized light of conscience, Hugh--loafer, gambler and thief--stood as the type and sign of an enduring accusation. But if the recollection of that wedding-day and its aftermath stalked always with him--if that kiss had seemed to cling again and again to his lips as he sat in the quiet of his study--no one guessed. He seldom played his violin now, but he had shown no outward sign. As time went on, he had become no less brilliant, though more inscrutable; no less popular, save perhaps to the parish heresy-hunter for whom he had never cared a straw. But beneath the surface a great change had come to Harry Sanderson. To-night, as he wended his way past the house in the aspens, through the clatter and commotion of the evening, there was a kind of glaze over his whole face--a shell of melancholy. Judge Conwell drove by in his dog-cart, with the superintendent of the long, low hospital. The man of briefs looked keenly at the handsome face on the pavement. "Seems the worse for wear," he remarked sententiously. The surgeon nodded wisely.
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"That's the trouble with most of you professional people," he said; "you think too much!" The judge clucked to his mare and drove on at a smart trot. The friendly, critical eye clove to the fact; it discerned the mental state of which gloom, depression and insomnia were but the physical reagents. Harry had lately felt disquieting symptoms of strain--irritable weakness, fitful repose, a sense of vague, mysterious messages in a strange language never before heard. He had found that the long walks no longer brought the old reaction--that even the swift rush of his motor-car, as it bore him through the dusk of an evening, gave him of late only a momentary relief. To-morrow began his summer vacation, and he had planned a month's pedestrian outing through the wide ranch valleys and the further ranges, and this should set him up again. Now, however, as he walked along, he was bitterly absorbed in thoughts other than his own needs. He passed more than one acquaintance with a stare of non-recognition. One of these was the bishop, who turned an instant to look after him. The bishop had seen that look frequently of late, and had wondered if it betokened physical illness or mental unquiet. More than once he had remembered with a sigh the old whisper of Harry Sanderson's early wildness. But he knew youth and its lapses, and he liked and respected him. Only two days before, on the second anniversary of Harry's ordination, he had given him for his silken watch-guard a little gold cross engraved with his name, and containing the date. The bishop had seen his gift sparkling against Harry's waistcoat as he passed. He walked on with a puzzled frown. The bishop was pursy and prosy, conventional and somewhat stereotyped in ideas, but he was full of the milk of human kindness. Now he promised himself that when the hour's errand on which he was hastening was done, he would stop at the study and if he found Harry in, would have a quiet chat with him. Perhaps he could put his finger on the trouble. At a crossing, the sight of a knot of people on the opposite side of the street awoke Harry from his abstraction. They had gathered around a peripatetic street preacher, who was holding forth in a shrill voice.
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Beside him, on a short pole, hung a dripping gasoline flare, and the hissing flame lit his bare head, his thin features, his long hair, and his bony hands moving in vehement gestures. A small melodeon on four wheels stood beside him, and on its front was painted in glaring white letters: "HALLELUJAH JONES." "_Suffer me that I may speak; and after that I have spoken, mock on._" Job, xxi, 3 From over the way Harry gazed at the tall, stooping figure, pitilessly betrayed by the thin alpaca coat, at the ascetic face burned a brick-red from exposure to wind and sun, at the flashing eyes, the impassioned earnestness. He paused at the curb and listened curiously, for Hallelujah Jones with his evangelism mingled a spice of the rancor of the socialist. In his thinking, the rich and the wicked were mingled inextricably in the great chastisement. He was preaching now from his favorite text: _Woe to them that are at ease in Zion_. Harry smiled grimly. He had always been "at ease in Zion." He wore sumptuous clothes--the ruby in his ring would bring what this plodding exhorter would call a fortune. At this moment, Hede, his dapper Finn chauffeur, was polishing the motor-car for him to take his cool evening spin. That very afternoon he had put into the little safe in the chapel study two thousand dollars in gold, which he had drawn, a part for his charities and quarterly payments and a part to take with him for the exigencies of his trip. The street evangelist over there, preaching paradise and perdition to the grinning yokels, often needed a square meal, and was lucky if he always knew where he would sleep. Yet did the Reverend Henry Sanderson, after all, get more out of life than Hallelujah Jones? The thread of his thought broke. The bareheaded figure had ended his harangue. The eternal fires were banked for a time, while, seated on a camp-stool at his crazy melodeon, he proceeded to transport his audience to the heavenly meads of the New Jerusalem. He began a "gospel song" that everybody knew: "I saw a wayworn traveller, The sun was bending low. He overtopped the mountain And reached the vale below.
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He saw the Golden City, His everlasting home, And shouted as he journeyed, 'Deliverance will come! "'Palms of Victory, Crowns of Glory! Palms of Victory, I shall wear!'" The voice was weather-cracked, and the canvas bellows of the instrument coughed and wheezed, but the music was infectious, and half from overflowing spirits, and half from the mere swing of the melody, the crowd chanted the refrain: "'Palms of Victory; Crowns of Glory! Palms of Victory, I shall wear!'" Two, three verses of the old-fashioned hymn he sang, and after each verse more of the bystanders--some in real earnestness, some in impious hilarity--shouted in the chorus: "'Palms of Victory, I shall wear!'" Harry walked on in a brown study, the refrain ringing through his brain. There came to him the memory of Hugh's old sneer as he looked at his book-shelves--whereon Nietzsche and Pascal sat cheek by jowl with _Theron Ware_ and _Robert Elsmere_--"I wonder how much of all that you really believe!" How much _did_ he really believe? "I used to read Thomas à Kempis then," he said to himself, "and Jonathan Edwards; now I read Rénan and the _Origins of Christian Mythology_!" At the chapel-gate lounged his chauffeur, awaiting orders. "Bring the car round, Hede," said Harry, "and I shan't need you after that to-night. I'll drive her myself. You can meet me at the garage." Hede, the dapper, good-looking Scandinavian, touched his glossy straw hat respectfully. It was a piece of luck that his master had not planned a motor trip instead of a tour afoot. For a month, after to-night, his time was his own. His quarter's wages were in his pocket, and he slapped the wad with satisfaction as he sauntered off to the bowling-alley. The study was pitch-dark, and Rummy halted on the threshold with a low, ominous growl as Harry fumbled for the electric switch. As he found and pressed it and the place flooded with light, he saw a figure there--the figure of a man who had been sitting alone--beside the empty hearth, who rose, shrinking back from the sudden brilliancy. It was Hugh Stires. CHAPTER X THE GAME Harry Sanderson stared at the apparition with a strange feeling, like rising from the dead.
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There flashed into his mind the reflection he had seen once in the mirror above the mantel--the face on which fell the amber ray from the chapel window, shining through the figure of the unrepentant thief--the face that had seemed so like his own! The likeness, however, was not so startling now. The aristocratic features were ravaged like a nicked blade. Dissipation, exposure, shame and unbridled passion had each set its separate seal upon the handsome countenance. Hugh's clothes were shabby-genteel and the old slinking grace of wearing them was gone. A thin beard covered his chin, and his shifty look, as he turned it first on Harry and then nervously over his shoulder, had in it a hunted dread, a dogging terror, constant and indefinable. From bad to worse had been a swift descent for Hugh Stires. The wave of feeling ebbed. Harry drew the window-curtains, swung a shade before the light, and motioned to the chair. "Sit down," he said. Hugh looked his old friend in the face a moment, then his unsteady glance fell to the white carnation in his lapel as he said: "I suppose you wonder why I have come here." Harry did not answer the implied question. His scrutiny was deliberate, critical and inquiring. "What have you been doing the last year?" he asked. "A little of everything," replied Hugh. "I ran a bucket-shop with Moreau in Sacramento for a while. Then I went over in the mining country. I took up a claim at Smoky Mountain--that's worth something, or may be sometime." "Why did you leave it?" Hugh touched his parched lips with his tongue--again that nervous, sidelong look, that fearful glance over his shoulder. "I had no money to work it. I had to live. Besides, I'm tired of the whole thing." The backward glance, the look of dread, were tangible tokens. Harry translated them: "You are not telling the truth," he said shortly. "What have you _done_?" Hugh flinched, but he made sullen answer: "Nothing. What should I have done?" "That is what I am now inquiring of myself," said Harry. "Your face is a book for any one to read. I see things written on it, Hugh--things that tell a story of wrong-doing. You are afraid." Hugh shivered under the regard. Did his face really tell so much? "I don't care to be seen in town," he said.
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"You wouldn't either, probably, under the circumstances." His gaze dropped to his frayed coat-sleeve. In his craven fear of something that he dared not name even to himself, and in his wretched need, he remembered a night once before, when he had sidled into town drunken and soiled--to a luxurious room, a refreshing bath, clean linen and a welcome. Abject drops of self-pity started in his eyes. "You're the only one in the world I dared come to," he said miserably. "I've walked ten miles to-day, for I haven't a red cent in my pocket. Nor even decent clothes," he ended. "That can be partly remedied," said Harry after a pause. He took a dark coat from its hook and tossed it to him. "Put that on," he said. "You needn't return it." Hugh caught the garment. In another moment he had exchanged it for the one he wore, and was emptying the old coat's pockets. "Don't sneak!" said Harry with sudden contempt. "Don't you suppose I know a deck of cards when I see it?" The thin scar on Hugh's brow reddened. He thrust into his pocket the pasteboards he had made an instinctive move to conceal and buttoned the coat around him. It fitted sufficiently. His eyes avoided the well-set figure standing in white negligée shirt, norfolk jacket and leather belt. As they had been wont to do in the comfortable past, they fixed themselves on the little safe. "Look here, Harry," he began, "you were a good fellow in the old days. I'm sorry I never paid you the money I borrowed. I would have, but for--what happened. But you won't go back on me now, will you? I want to get out of the country and begin over again somewhere. Will you loan me the money to do it?" Hugh was eager and voluble now. The man to whom he appealed was his forlorn hope. He had come with no intention of throwing himself upon his father's mercy. He had wished to see anybody in the world but him. In his urgent need, he had had a wild thought of appealing to Jessica, or at worst to get speech with Blake, the old butler who many a time of old had hidden his backslidings from the parental eye. But he had found the white house in the aspens closed and desolate, the servants gone.
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Harry Sanderson was his last resort. "If you will, I'll never forget it, Harry!" he cried. "Never, the longest day I live! I'll use every dollar of it just as I say! I will, on my honor!" But the sight of the poker deck had been steel to Harry's soul. It had touched an excoriated spot that in the past months had grown as sensitive as an exposed nerve. The pictured squares were the ironic badge of Hugh's incorrigibility. They had ruined him, and the ruin had broken his father's heart, and wrecked the life of Jessica Holme. And out of this havoc a popular rector named Harry Sanderson had emerged pitifully the worse. "Honor!" he said. "Have you enough to swear by? You are what you are because you are a bad egg! You were born a gentleman, but you choose to be a rogue. Do you know the meaning of the word honor, or right, or justice? Have you a single purpose of mind which isn't crooked?" "You're just like the rest, then," Hugh retorted. "Just because I did that one thing, you'll give me no more chance. Yet the first thing I did with that money was to square myself. I paid every debt of honor I had. That's why I'm in the hole now. But I get no credit for it, even from you. I wish you could put yourself in my place!" Harry had been looking steadily at the sallow face with its hoof-print of the satyr, not seeing it, but hearing his own voice say to Jessica: "I was my brother's keeper! I see it now." And out of the distance, it seemed, his voice answered: "Put myself in your place! I wish I could! I wish to God I could!" The exclamation was involuntary, automatic, the cumulative expression of every throe of conscience Harry had endured since then, the voice of that remorse that had cried insistently for reparation, dinning in his ears the fateful question that God asked of Cain! Suddenly a whirl of rage seized him, unmeasured, savage, malicious. He had despised Hugh, now he hated him; hated him because he was Jessica's husband, and more than all, because he was the symbol of his own self-abasement. A dare-devil side of the old Satan Sanderson that he had chained and barred, rose up and took him by the throat.
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He struck the oak wainscoting with his fist, feeling a red mist grow before his eyes. "So you paid every 'debt of honor' you had, eh? You acknowledge a gamester's honor, but not the obligation of right action between man and man! Very well! Give me that pack of cards. You want money--here it is!" He swiftly turned the clicking combination of the safe, wrenched open the door and took out two heavy canvas bags. He snapped the cord from the neck of one of these and a ringing stream of double-eagles swept jingling on the table. He dipped his hand in the yellow pile. A thought mad as the hoofs of runaway horses was careening through his brain. He felt an odd lightness of mind, a tense tingling of every nerve and muscle. "Here is two thousand dollars!--yours, if you win it! For you shall play for it, you gambler who pays his debts of 'honor' and no other! You shall play fair and straight, if you never play again!" Hugh gazed at Harry in a startled way. This was not the ministerial Harry Sanderson he had known--this _gauche_ figure, with the white infuriate face, the sparkling eyes and the strange, veiled look. This reminded him of the reckless spirit of his college days, that he had patterned after and had stood in awe of. Only he had never seen him look so then. Could Harry be in earnest? Hugh glanced from him to the pile of coin and back again. His fingers itched. "How can I play," he said, "when you know very well I haven't a _sou markee_?" Harry stuffed the gold back into the bag. He snatched the cards from Hugh's hand and a box of waxen envelope wafers from his desk. There was a strange light in his eye, a tremor in his fingers. "It is I who play with money!" he said. "My gold against your counters! Each of those hundred red disks represents a day of your life--a day, do you understand?--a red day of your sin! A day of yours against a double-eagle! What you win you keep.
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But for every counter I win, you shall pay me one straight, white day, a clean day, lived for decency and for the right!" He was the old Satan Sanderson now, with the blood bubbling in his veins--the Satan Sanderson who could "talk like Bob Ingersoll or an angel," as the college saying was--the cool, daring, enigmatical Abbot of The Saints, primed for any audacity. It was the old character again, but curiously changed. The new overlaid it. Under the spur of some driving impulse the will was travelling along a disused and preposterous channel to a paramount end. Hugh's eyes were fastened on the gold in Harry's fingers. Two thousand dollars! If luck came his way he could go far on that--far enough to escape the nameless terror that pursued him in every shadow. Money against red wafers? Why, it was plenty if he won, and if he lost he had staked nothing. What a fool Harry was! Harry saw the shrewd, calculating look that came to his eyes. He caught his wrist. "Not here!" he said hoarsely. He flung open the chapel door and pushed him inside. He seized one of the altar candles, lit it with a match and stuck it upright in its own wax on the small communion table that stood just inside the altar-rail, with the cards, the red wafers and the bags of coin. He dragged two chairs forward. "Now," he said in a strained voice, "put up your hand--your right hand--and swear before this altar, on the gambler's honor you boast of, win or lose, to abide by this game!" Hugh shrank. He was superstitious. The calculating look had fled. He glanced half fearfully about him--at Harry's white face--at the high altar with its vases of August lilies--at the great rose-window, now a mass of white, opaque blotches on which the three black crosses stood out with weird distinctness--at the lurking, unlighted shadows in the corners. He looked longingly at the gold, shining yellow in the candle-light. It fascinated him. He lifted his hand. It was trembling. "I swear I will!" he said. "I'll stand by the cards, Harry, and for every day you win, I'll walk a chalk line--so help me God!" Harry Sanderson sat down. He emptied one of the bags at his elbow, and pushed the box of wafers across the table.
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They were playing--he heard the fall of the cards on the hard wood, saw the gleam of a gold-piece, the smear of melted wax marring the polished oak. The reddish glow of the candle was reflected on the players' faces. Well he knew the devil's tools: had he not sung and exhorted in Black Hill mining camps and prayed in frontier faro "joints"? They were gambling! At God's holy altar, and on Christ's table! Who would dare such a profanation? He craned his neck. Suddenly he gave a smothered cry. The player facing him he recognized--it was the rector himself! He bent forward, gazing with a tense and horrified curiosity. In that hazard within the altar-rail strange forces were contending, whose meaning he could not fathom. Between the two men who played, not a word had been spoken save those demanded by the exigencies of the game. Harry had seemed to act almost automatically, but his mind was working clearly, his hand was firm and cool as the blossom on his coat; he made his play with that old steely nonchalance with which, once upon a time, he had staked--and lost--so often. But in his brain a thousand spindles were whirring, a maze of refractory images was rushing past him into an eddying phantasmagoria. A kind of exaltation possessed him. He was putting his past into the dice-box to redeem a soul in pawn, fighting the devil with his own fire, gambling for God! Five times, ten times, the cards had changed hands, and with every deal he lost. The gold disks had slipped steadily across the table. But Harry had seemed to be looking beyond the ebb and flow of the jettons and the pale face opposite him that gloated over its yellow pile. Though that pile grew larger and larger, Harry's face had never changed. Hugh's was the shaking hand when he discarded, the convulsed features when he scanned his draw, the desperate anxiety when for a moment fortune seemed to waver. He had never in his life had such luck! He swept his winnings into his pockets with a discordant laugh as he noted that, of the contents of the opened bag, Harry had but one double-eagle remaining. Harry paused an instant. He snapped the little gold cross he wore from its silken tether and set it upright by him on the table.
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His hand won, and the next, and the next. Hugh hoarded his gold: he staked the red wafers--each one a day! He had won almost a thousand dollars, but the second bag had not yet been opened, and the vampire intoxication was running molten-hot in his veins. The untouched bag drew him as the magnet mountain drew the adventurous Sindbad--he could have snatched it in his eagerness. But the luck had changed; his red counters diminished, melted; he would soon have to draw on his real winnings. Cold beads of sweat broke on his forehead. Neither had heard the creak of the rose-window as the hinged panel drew back. Neither saw the face pressed against the aperture. Neither guessed the wild and terrible thoughts that were raging through the mind of the solitary watcher as he peered and peered. This minister! This corrupt, ungodly shepherd! He could be neither hanged nor put in jail, yet he committed a crime for which hell itself scarce held adequate penalty and punishment! The street preacher's eyes dilated, the hand that held the panel trembled, spots of unhealthy white sprang into his burning cheeks. The flaring candles--the table with its carven legend, _This Do In Remembrance of Me_--the little gold cross, set there, it seemed to him, in a satanic derision! It was the evil the Apostle Paul wrestled against, of "wicked spirits in high places." It was sacrilege! It was blasphemy! It was the Arch-Fiend laughing, making a mock of God's own altar with the guilty pleasures of the pit--a very sacrament of the damned! Scarce knowing what he did, he closed the panel softly and ran across the chapel lawn. On the pavement outside he met a man approaching. It was the bishop, on his way to his contemplated chat with Harry Sanderson. The excited evangelist did not know the man, but his eye caught the ministerial dress, the plain, sturdy piety of the face. In his zeal he saw an instrument to his hand. He grasped the bishop's arm. "Quick! Quick!" he gasped. "There's devil's work doing in there! Come and see!" He fairly pulled him inside the gate. The puzzled bishop saw the intense excitement of the other's demeanor. He saw the faint glow in the corner of the rose-window. Were there thieves after the altar-plate? He shook off the eager hand that was drawing him toward the window.
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"Not there--come this way!" he said, and hurried toward the porch. He tried the chapel door--it was fast. He had a key to this in his pocket. He inserted it with caution, opened the door noiselessly and went in, the street preacher at his heels. What the bishop saw was photographed instantaneously on his mind in fiery, indelible colors. It ate into his soul like hot iron into quivering flesh, searing itself upon his memory. It was destined to haunt his sleep for many months afterward, a phantom of regret and shame. He was, in his way, a man of the world, travelled, sophisticated, acquainted with sin in unexpected forms and places. But this sight, in all its coarse suggestion of license, in its harrowing implication of hidden vice and hypocrisy, was damning and appalling. The evangelist of the pave had been horrified, shocked to word and action; the bishop was frozen, inarticulate, impaled. For any evil in Hugh Stires he was prepared--since the forgery. But Hugh's companion now was the man whom he himself had ordained and anointed, by the laying on of hands, with the chrism of his holy ministry. It was sin, then, that had set the look he had marvelled at in Harry Sanderson's face--sin, flaunting, mocking and terrible! He whom the church had ordained to shepherd its little ones, to comfort its afflicted, to give in marriage and to bless, to hold before the world the white and stainless banner--a renegade, polluting the sanctuary! A priest apostate, surprised in a hideous revel, gambling, as the Roman soldiers gambled for the seamless garment, at the foot of the cross! An irrepressible exclamation burst from his lips. With the sound both men at the table started to their feet. Hugh, with a single glance behind him, uttering a wild laugh, leaped the railing, dashed through the study, and vanished into the night; Harry, as though suddenly turned to stone, stood staring at the accusatory figure, with the eager form of the evangelist behind it. It was as if the horror on the stern, set face of the bishop mirrored itself instantaneously upon his countenance, his imagination opening in a shocked, awed way to the concentrated light of feeling, so that he stood bewildered in the paralysis of a like dismay. To the bishop it seemed the attitude of guilt detected.
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What was Harry Sanderson thinking, as, under that speechless regard, he mechanically gathered the scattered cards and lifted the little cross and the unopened bag of double-eagles from the table? Where was the odd excitement, the strange exaltation that had possessed him? The spindles in his brain had stilled, and an algid calm had succeeded, as abrupt as the quiet, deadly assurance with which his mind now saw the pit into which his own feet had led him. The paradoxical impulse that had bred this sinister topsyturvydom had fallen away. The same judicial Harry Sanderson who had said to Jessica, "I was my brother's keeper," arraigned and judged himself, and pronounced the sentence on the bishop's face conclusive, irrefutable, without the power of explanation or appeal. He blew out the candle, replaced it carefully in its altar bracket, made shift to wipe the wax from the table, and slowly, half blindly, and without a word, went into the study. The bishop came forward, drew the key from the inside of the study door, closed it and locked it from the chapel side. Harry did not turn, but he was acutely conscious of every sound. He heard the door shut sharply, the harsh grate of the key in the lock, and the sound came to him like the last sentence--the realization of a soul on whom the gate of the good closes for ever. In the dark silence of the chapel Hallelujah Jones smote his thin hands together approvingly, as he followed the bishop to the outer door. There the older man laid his hand on his shoulder. "_Let him that thinketh he standeth_," he said, "_take heed lest he fall_! Let not this knowledge be spread abroad that it make the unrighteous to blaspheme. When you pray for your own soul to-night, pray for the soul of that man from whom God's face is turned away!" Something in the churchless evangelist bowed to the voice of ecclesiastical authority. He went without a word. In the study Harry Sanderson stood for a moment with the cards and the bag of double-eagles in his hand.
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In his soft shirt and disordered hair, with his preternaturally bright eyes, the white blossom on his lapel, and the brilliant light upon his face, he might have been that satin-sleeved colonial ancestor of his, in dissolute maturity, coming from an unclerical bout at Loo, two hundred years ago. Finally he put the cards and the canvas bag methodically into the safe and closed it. Then he knelt by his desk and said, clearly and aloud--to that cold inner symbol of consciousness in his soul: "O God, I do not know if Thou art, as has been said, a seer of the good that is in the bad, and of the bad that is in the good, and a lover of them both. But I know that I am in a final extremity. I can no longer do my labor consistently before the world and before Thee. If I am delivered, it must be by some way of Thine own that I can not conceive, for I can not help myself. Amen." He rose to his feet, mechanically put on a coat that was lying on a chair--Hugh's coat, but he did not notice this--and bareheaded passed out to the street. The motor-car stood there. He took his place in the forward seat, and threw on the power. Barking joyously, Rummy, the brown spaniel, tore out of the gate, but his master did not stop. The little creature pursued the moving car, made a frantic leap to gain his seat, but missed, and the huge armored wheel struck and hurled him to the gutter. Harry did not hear the sharp yelp of pain; his hand was on the lever, pushing it over, over, to its last notch, and the great mechanism, responding with a leap, sped away, faster and faster, through the night. CHAPTER XII THE FALL OF THE CURTAIN Harry Sanderson was acting in a kind of fevered dream. His head and hands were bare, his face white and immobile, and his eyes stared straight before him with the persistent fixity of the sleep-walker's. They did not see a bowed, plodding figure pushing a rickety, wheeled melodeon, who scurried from before the hurtling weight that had all but run him down.
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Nor could they see far behind in the eddying dust a little dog, moaning, limping piteously on three legs, with tongue lolling and shaggy coat caked with mud--following the hopeless, bird-like flight. One mile, two miles, three miles. The streets were far behind now. The country road spun before him, a dusty white ribbon, along which the dry battered corn rattled as if in a surge of torrid wind. The great motor-car was reeling off the distance like a maddened thing, swooping through the haloed dark, the throttle out, the lever pushed to its utmost limit of speed, rocking drunkenly, every inch of tested steel ringing and throbbing. Yet Harry's fingers had no tremor, no hesitancy, no lack of cunning. His heart was beating measuredly. He kept the road by a kind of instinct as rudimentary as that which points the homing carrier-pigeon. He seemed to be moving in a mental world created by some significant clairvoyancy, in which the purpose operated without recourse to the spring of reason. The light of neurasthenia burned behind his eyelids; he felt at once a consuming flame within, a paralyzing frost without. The light autumn mist drenched him like a fine, sifting rain; the wheel-flung dust adhered like yellow mud, and above the clatter of the exhaust the still air shrieked past like a shrewd wind. Five miles, through the dark, under the breathless, expectant stars. The car was on the broad curve now, where the road bent to the bluff above the river to pass the skeleton railroad bridge. But Harry knew neither place nor time. He was conscious only of motion--swift, swallow-like, irresistible--this, and the racing pictures in his brain, stencilled on the blur of night that closed around him. These pictures came and went; the last revel of The Saints when he was Satan Sanderson--Hugh sneering at his calling--Jessica facing him with unbandaged eyes--Hallelujah Jones, preaching on the street corner. The figure of the street evangelist recurred again and again with a singular persistency. It grew more tangible! It threatened him! Something in Harry's brain seemed to snap. A tiny shutter, like that of a camera, fell down.
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His hands dropped from the steering-wheel, and, swaying in his seat, he began to sing, in a voice made high and uneven by the speed of the car: "Palms of Victory, Crowns of Glory! Palms of Victory, I shall wear!" He sang but the three lines. For suddenly the car left the road--the inflated tires rebounded from the steel ridge of the railroad track--the forward axle caught an iron signal post--and the great motor-car, its shattered lamp jingling like a gong, its pistons thrusting in midair, reared on two wheels, hurling its occupant out like a pebble thrown from a sling, half-turned, and, leaving a trail of sparks like the tail of a rocket behind it, plunged heavily over the rim of the bluff into the river. A moment later the deep black waters of "the hole" had closed above the mass of sentient steel. The swift current had smoothed away every trace of the strange monster it had engulfed, and there, by the side of the track, huddled against the broken signal post, his clothing plastered with mud and grime, motionless, and with a nasty cut on the temple, lay Harry Sanderson. CHAPTER XIII THE CLOSED DOOR A long saturating peace, a deep and drenching darkness, had folded Harry Sanderson. Dully at first, at length more insistently and sharply, a rhythmic pulsing sound began to annoy the quietude. K-track, k-track, k-track--it grew louder; it grew more momentous and material; it irritated the calm that had wrapped the animate universe. Shreds of confusing impression had begun to arrange themselves on a void of nothingness, blurred inchoate images to struggle through a delicious sensation of indifference and repose. Outlines were filling, contours growing distinct; the brain was beginning to resume its interrupted function. As though from an immeasurable distance he heard a low continuous roar, and now and again, through the roar, nearer voices. Harry awoke. His mind awoke, but his eyes did not open at once, for the gentle swaying that cradled him was pleasant and the muffled clack and hum soothed him like opium. He was as serenely comfortable as a stevedore who dozes out of the long stupefaction of exhaustion to the realization that the day is a holiday. His blood was coursing like quicksilver.
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He felt a buoyancy, a volatile pleasure, a sense of complete emancipation from all that clogged and cloyed--the sensuous delight of the full pulse and the perfect bodily mechanism. He opened his eyes. It was daylight. He was lying on dusty boards that rattled and vibrated beneath him--the floor of an empty freight car in motion. The sliding door was part-way open, and through it was borne the moist air of a river bay and the purring wash of the tide. A small brown dog, an abject, muddied and shivering morsel, was snuggled close to his side. It whined, as if with joy to see his eyes opened, and its stubby tail beat the floor. Harry turned his head. Two men in dingy garments were seated on the floor a little distance away, thumbing a decrepit pack of cards over an empty box. He could see both side-faces, one weather-beaten and good-humored, the other crafty--knights of the road. The sudden movement had sent a momentary twinge to his temple; he put up his hand--it touched a coarse handkerchief that had been bound tightly about it. The corner hung down--it was soiled and stiff with blood. What was he doing there? Where was he? _Who was he?_ It came to him with a start that he actually for the moment did not know who he was--that he had ridiculously slipped the leash of his identity. He smiled at his predicament. He would lie quietly for a few moments and it would come: of course it would come! Yet it did not come, though he lay many moments, the fingers of his mind fumbling for the latch of the closed door. He had waked perfectly well--all save the slight cut on his temple, and that was clearly superficial, a mere scratch. Not a trouble or anxiety marred his soul; his mind was as clear and light as a lark's. Body and brain together felt as if they had never had a serious ache in the world. But all that had preceded his awakening was gone from him as completely as though it had had no existence. His mind, so far as memory of incident was concerned, was wiped clean, as a wet sponge wipes off a slate. Yet he felt no trouble or anxiety.
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That part of his brain which had vibrated to these emotions was, as it were, under a curious anesthesia. Goaded and overkeyed into a state of hypertension, it had retaliated with insensibility. All that had vexed and hurt was gone into the limbo with its own disturbing memories. Stealthily he rose to a sitting posture and, with a frown of humorous perplexity, took a swift and silent inventory. Here he was, in a freight car, speeding somewhere or other, with a sore and damaged skull. The dog clearly belonged to him, or he to the dog--there was an old intimacy in the fawning fondness of the amber eyes. Yonder were two tramps, diverting themselves in their own way, irresponsible and questionable birds of passage. He scanned his own clothing. It was little better than theirs. His coat was threadbare, and with mud, oil and coal-dust, was in a more disreputable state. His wristbands were grimy, and one cuff-link had been torn away. He had no hat. He bethought himself of his pockets, and went through them methodically one by one. They yielded several dollars in coin, a penknife and a tiny gold cross, but not a letter, not a scrap of paper, nothing to serve him. The gleam of a ring on his finger caught his eye; he rubbed away the dirt and carefully examined it, wondering if the stone was real. His hand was slightly cut and swollen, and the circlet would not come off, but by shifting it slightly he could see the white depression made by long wear. The setting was an odd one, formed of the twisted letters H. S. Those naturally should be his initials, but there he stopped. He repeated to himself all the names he could think of beginning with S, but they told him nothing. He looked himself over again, carefully, reflectively--many a time of old he had regarded himself with the same amused, fastidious tolerance when dressed for a "slumming" expedition--his head a little to one side, the ghost of a smile on his lips. He put out his hand and laid it on the spaniel's head. Its rough tongue licked his fingers; it held up one forepaw mutely and lamely. He drew the feverish, dirty little creature into his lap and examined the limp member. It was broken. "Poor little beggar!" said he under his breath.
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"So you've been knocked out, too!" With his knife he cut a piece from the lining of his coat and with a splinter of wood from the floor he set the fractured bone and wrapped the leg tightly. The dog submitted without a whimper, and when he set it down, it lay quietly beside him, watching him with affectionate canine solicitude. "I wonder who we are, you and I," muttered Harry Sanderson whimsically. "I wonder!" His gaze turned to where he could see the sunshine dancing and shimmering from the tremulous water. He sniffed the warm air--it was clear and sweet. Not a cloud was in the perfect sky. How fine he felt, broken head and all! He looked across the car, where the card players were still absorbed. Over the shoulder of one he could see the hand he held--a queen, two aces, a seven and a deuce. For an instant something in his brain snapped and crackled like the sputtering spark of an incomplete insulation--for an instant the fingers almost touched the latch of the closed door. Then the sensation faded, and left a blank as before. He rose to his feet and walked forward. The players looked around. One of them nodded approvingly. "Right as a trivet!" he said. "I made a pretty good job of that cut of yours. Hurt you much?" "No," said Harry. "I'm obliged to you for the attention." "Foolish to walk on a railroad track," the other went on. "By your looks, you've been on the road long enough to know better. We figgered it out that you was just a-going to cross the railroad bridge when the freight raised merry hell with you. We stopped to tank there and we picked you up, you and your four-legged mate. Must have been a bit squiffy, eh?" He winked, and took a flask from his pocket. "Have a hair of the dog that bit you?" he said. Harry took the flask, and, wiping the top on his sleeve, uncorked it. Something in the penetrating odor of the contents seemed to cleave through far mental wastes to an intimate, though mysterious goal. He put it to his lips and drank thirstily. As the burning liquid scorched his throat, a recrudescence of old impulses surged up through the crust of more modern usage.
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Mentally, characteristically, he was once more the incongruous devil-may-care figure in whom conspicuous achievement and contradictory excesses had walked hand in hand. The Harry Sanderson of the new, remorseful, temperate life, of chastened impulses, of rote and rule and reformed habit--the rector of St. James--had been lost on that wild night ride. The man who had awakened in the freight car was the Satan Sanderson of four years before, who, under stress of mental illness and its warped purview, in that strenuous scene in the chapel, had regained his ancient governance. Harry handed back the flask with a long breath. There was a composed yet reckless light in his eye--the old veiled gleam of vagary, and paradox, and escapade. He seated himself beside them. "Thank you," he said. "With your permission, gentlemen, I will take a hand in the game." CHAPTER XIV THE WOMAN WHO REMEMBERED Since that tragical wedding-day at the white house in the aspens, Jessica had passed through a confusion of experiences. She had always lived much in herself, and to her natural reserve her blindness had added. As a result her knowledge both of herself and of life had been superficial. She had been drawn to Hugh by both the weakest and the noblest in her, in a self-obliterating worship that had counted her restored sight only an ornament and glory for her love. In the baleful hour of enlightenment she had been lost, whirled away, out into the storm and void, every landmark gone, every light extinguished, her feet set in the "abomination of desolation." The first bitter shock of the catastrophe, however, seemed to burn up in her the very capacity for further poignant suffering, and she went through the motions of life apathetically. Change of scene and the declining health of David Stires occupied, fortunately, much of her waking thoughts. After the first few months of travel he failed steadily. His citric-acid moods were forgotten, his harsh tempers put aside. Hour after hour he lay in his chair, gazing out from the wide sun parlor of the sanatorium on the crest of Smoky Mountain, whither their journeying had finally brought them. He had never spoken of Hugh. But Jessica, sitting each day beside him, reading to him till he dropped asleep, seeing the ever-increasing sadness in his face, knew the hidden canker that gnawed his heart.
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To the northward the slope of the mountain fell gradually to fields of violet-eyed alfalfa, and twice a day a self-important little donkey-engine drew a single car up and down between the great glass building on the ridge and the junction of the northern railroad. This view did not attract her; she liked best the southern exposure, with its flushed, serrated snow-peaks in the distance, the warmer brown shadows of the gulch-seamed hills unrolling at her feet, and at their base the treeless, busy little county-seat two miles away. In time her fiercer pain had dulled, and her imagination--naturally so importunate--had begun to seize upon her surroundings. In the summer season the sanatorium had few guests, and for this she was thankful. Doctor Brent, its head, rallying her on her paleness, drove her out of doors with good-natured severity, and when she was not with David Stires she walked or rode for hours at a time over the mountain trails. Breathing in the crisp air of altitude her spirits grew more buoyant. The beauty of shrub and flower, of cloud and sky, began to call to her, and the breath of October found a tinge of color in her cheek. She fed the squirrels, listened to the pert chirp of the whisky-jack and the whirring drum of the partridge, or sat on a hidden elevation which she named "The Knob," facing across the shallow valley to the south. The Knob overlooked a little grassy shelf a few hundred feet below, where stood a miner's cabin, with weed-grown gravel heaps near by, in front of which a tree bore the legend, painted roughly on a board: "The Little Paymaster Claim." From its point of vantage, too, unobserved, she could look down into the gulch far below, where yellowish-brown cones reared like gigantic ant-hills--the ear-marks of the placer miner--and gray streaks indicated the flumes in which, by tortuous meanderings, the water descended to do its work in the sluices. She could even watch the toiling miners, hoisting the gravel by windlasses, or shovelling it into the long narrow boxes through which the foaming water raced.
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So limpid was the air that in the little town she could distinguish each several building lining the single straight street--a familiar succession of gilded café, general emporium and drug store, with the dull terra cotta "depot" at one end, and on the other, on a sunburned acre of its own, the glaring white court-house, flanked by the post-office and the jail. She could see the clouds of dust, the wagons hitched at the curb and the drab figures grouped at the corners or passing in and out of doorways. Her interest had opened eagerly to these scenes. The solitudes soothed and the life of the community below, frankly primitive and uncomplicated, attracted her. Between the town of Smoky Mountain and the expensive sanatorium on the ridge a great social gulf was fixed; the latter's patrons for the most part came and went by the narrow-gage road that linked with the northern junction; the settlement far below was only a feature of the panorama for which they paid so well. Even Doctor Brent--who had perched this place of healing where his patients could breathe air fresh from the Pacific and cooled by the snow-peaks--knew it chiefly through two of its citizens, Mrs. Halloran, the capable, bustling wife of the proprietor of the Mountain Valley House, the town's single hostelry, who brewed old-fashioned blackberry wine and cordials for his patients, and Tom Felder, a young lawyer whom he had known on the coast before ill health had sent him to hang out his shingle in a more genial altitude. The latter sometimes came for a chat with the physician, and on one of these calls Jessica and he had met. She had liked his keen, good-humored face and waving, slightly graying hair. She had met him once since on the mountain road, and he had walked with her and told her quaint stories of the townspeople. She did not guess that more than once since then he had walked there hoping to meet her again. He had taken her to Mrs. Halloran, whose heart she had won by praise of her cherry cordial. As Mrs. Halloran said afterward: "'Twas no flirt with the bottle and make love to the spoon! She ain't a bit set up. Take the word I give you, Tom Felder, an' go and swap lies with the doctor at the santaranium soon again.
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Ye can do worse." This had been Jessica's first near acquaintance with the town, but since that time she had often reined up at the door of the neat hotel to pass a word with Mrs. Halloran or to ask for another bottle of the cherry cordial, which the sick man she daily tended found grateful to his jaded palate. "It brings back my boyhood," David Stires said to her one afternoon, tapping the bottle by his wheel-chair. "That was before the chemist married the vintner's daughter. Somehow this has the old taste." "It is nearly gone," she said. "I'll get another bottle--I am going for a ride now. I think it does you good." "Before you go," he said, "fetch my writing-case and I will dictate a letter." She brought and opened it with a trouble at her heart, for the request showed his increasing weakness. Until to-day the few letters he had written had been done with his own hand. Thinking of this as she waited, her fingers nervously plucked at the inside of the leather cover. The morocco flap fell and disclosed a slip of paper. It was a canceled bank-draft. It bore Hugh's name, and across its face, in David Stires' crabbed hand, written large, was the venomous word _Forgery_. The room swam before her eyes. Only by a fierce effort could she compel her pen to trace the dictated words. Hugh's misdeed, evil as it was, had been to her but an abstract crime; now it suddenly lay bare before her, a concrete expression of coarse thievery, a living symbol of crafty simulation. Scarce knowing why she did it, she drew the draft covertly from its receptacle, and slipped it into her bosom. Her fingers trembled as they replaced the flap, and her face was pale when she put away the writing-case and went to don her habit. The evidence of Hugh's sin! As the horse pounded down the winding road, she held her hand hard against her breast, as though it were a live coal that she would press into her flesh in self-torture. That paper must remain, as the sin that made it remained--the sign-manual of her dishonor and loss! The man whose hand had penned its lying signature was the man she had thought she loved. By that act he had thrust himself from her for ever. Yet he lived.
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Somewhere in the world he walked, in shame and degradation, beyond the pale of honorable living--and she was his wife! _She was his wife!_ The words hummed in the hoof-beats and taunted her. The odors of the balsam boughs about her became all at once the scent of jasmin, the sigh of the wind turned to the chanting of choir voices, and beneath her closed eyelids came a face seen but once, but never to be erased or forgotten, a face startled, quivering with a strange, remorseful flush--which she had not guessed was guilt! _She was his wife!_ Though she called herself Jessica Holme, yet, in the law, his name and fame were hers. There was deep in her the unreasoned, intuitive regard, handed down through inflexible feminine generations, for the relentless mandate, "let not man put asunder;" but she had no finical conception of woman's duty to convention. To break the bond? To divorce the husband to whom she was wife in name only? That would be to spread abroad the disgrace under which she cringed! She thought of the old man she had left--uncomplaining, growing feebler every day. To shame him before the world, whose ancestors had been upright and clean-handed? To add the final sting to his sufferings--who had done her only good? No, she could not do that. Time must solve the problem for her in some other way. The main street of the town was busy, yet quiet withal, with the peculiar quiet which marks the absence of cobblestone and trolley-bell. Farmers from outlying fruit ranches gossiped on the court-house square; here and there a linen collar and white straw hat betokened the professional man or drummer; and miners in overalls and thong-laced boots kept a-swing the rattan half-doors of the saloons. "Look at that steady hand, now, an' her hair as red as glory!" said Mrs. Halloran, gazing admiringly from the doorstep where she had been chatting with Tom Felder. "Ye needn't stare yer gray eyes out though, or she'll stop at th' joolry shop to buy ye a ring--to shame ye fer jest hankerin' and sayin' nothin'!" Felder laughed as he crossed the street, raising his felt hat gallantly to the approaching rider. Mrs. Halloran was a privileged character.
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The ravage of drudgery had not robbed her of comeliness that gave her face an Indian summer charm, and she was as kindly as her husband was morose. It was not Michael Halloran who kept the Mountain Valley House popular! The old woman hurried to the curb and tied the horse as Jessica dismounted. "How did ye guess I made some more this day?" she exclaimed. "Sure, if ye drink it yerself, my dearie, them cheeks is all th' trade-mark I need!" She led the way into the little carpeted side room, by courtesy denominated "the parlor." "I'll go an' put it up in two shakes," she said. "Sit ye down an' I'll not be ten minutes." So saying she bustled away. Left alone, Jessica gazed abstractedly about her. Her mind was still full of the painful reflections of her ride. A door opened from the room into the office. It was ajar; she stepped close and looked in. A group of miners lounged in the space before the front windows--familiarly referred to by its habitués as "the Amen Corner"--chatting and watching the passers-by. Suddenly she clapped her hand to her mouth to stifle a cry. A name had been spoken--the name that was in her thought--the name of "Hugh Stires." She leaned forward, listening breathlessly. "I wonder where the young blackleg's been," said one, peering through the windows. "He'd better have stayed away for good, I'm thinking. What does he want to come back for, to a place where there aren't three men who will take a drink with him?" The reply was as contemptuous. "We get some rare black sheep in the hills!" The voice spoke meaningly. "If I had my way, he'd leave this region almighty quick!" Jessica looked about her an instant wildly, guiltily. She could not be mistaken in the name! Was Hugh here, whither by the veriest accident she had come--here in this very town that she had gazed down upon every day for weeks? _Was he?_ She pressed her cold hands to her colder cheeks. The contempt in the voices had smitten through her like a sword. A revulsion seized her. No, no, it could not be! She had not heard aright. It was only a fancy! But she had an overwhelming desire to satisfy herself with her own eyes. From where she stood she could not see the street.
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She bethought herself of the upper balcony. Swiftly, on tiptoe, she crossed to the hall door, threw it open, and ran hastily up the stair. CHAPTER XV THE MAN WHO HAD FORGOTTEN If the man who had been the subject of the observations Jessica had heard had been less absorbed, as he walked leisurely along on the opposite side of the street, he would have noticed the look of dislike in the eyes of those he passed. They drew away from him, and one spoke--to no one in particular and with an oath offensive and fervid. But weather-beaten, tanned, indifferently clad, and with a small brown dog following him, the new-comer passed along, oblivious to the sidelong scrutiny. He did not stare about him after the manner of a stranger, though, so far as he knew, he had never been in the place before. So far as he knew--for Harry Sanderson had no memories save those which had begun on a certain day a month before in a box-car. He walked with eyes on the pavement, absorbed in thoughts of his own. But Harry Sanderson now was not the man who had ridden into oblivion in the motor-car. The rector of St. James was in a strange eclipse. Mentally and externally he had reverted to the old Satan Sanderson, of the brilliant flashing originality, of the curt risk and daring. The deeply human and sensitive side, that had developed during his divinity years, was in abeyance; it showed itself only in the affection he bestowed on the little nameless dog that followed him like a brown, shaggy shadow. He was like that old self of his, and yet, if he had but known it, he was wonderfully like some one else, too--some one who had belonged to the long ago and garbled past that still eluded him; some one who had been a part also of the life of this very town, till a little over a month before, when he had left it with dread dogging his footsteps! Curious coincidences had wrought together for this likeness. In the past weeks Harry had grown perceptibly thinner. A spare beard was now on his chin, and the fiery sun that had darkened his cheeks to sallow had lightened his brown hair a shade. The cut on his brow had healed to the semblance of a thin red birth-mark.
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