id
int64
1
665
text
stringlengths
639
1.09k
301
sen, for even now, all surrounded by houses, the hill is so steep and conical, that a very extensive view is still obtained. The site of the semaphore station is now a level green for lawn tennis. On the other side of the roadway, the descent is steep into the valley, and there are two small ponds at the bottom. The cliffs are covered with turf, interspersed by the usual meaningless clumps of bushes, and a few nice trees. SOUTHWARK PARK Southwark Park lies far away from Southwark, beyond Bermondsey, in Rotherhithe. It was in the parliamentary borough of Southwark, hence the misleading name. The Park is a gloomy enough place when compared with the more distant or West End Parks, but a perfect paradise in this crowded district. Between its creation in 1864 and its completion in 1869, a great reformation was worked in the district. Close to the docks, and intersected by streams and canals, with the poorest kind of rickety houses so vividly described by Dickens in “Oliver Twist,” the su
302
rroundings were among the most dismal imaginable. The actual site of the Park was partly market-gardens, which had for long been established in this locality owing to the fertility of the alluvial soil. Vines were grown here for wine with success in the first half of the eighteenth century, when there was a revival in grape-growing, and vineyards were planted at Hoxton and elsewhere. Over 100 gallons of wine were made in a year in Rotherhithe. Some of the earth excavated from the Thames Tunnel was put on the ground covered by the Park before the laying out commenced. When the land, 65 acres, was bought, only 45 were to be kept for the Park, and the rest were reserved for building. But when the day of building arrived there was such an outcry that the whole plan was remodelled, the drives which encircled it done away with, and tar-paved paths substituted, only one driving road crossing it being left, and the ponds added. It is more the want of design, than any special style, that is con
303
spicuous, and a good deal more could have been done to make the Park less gloomy. An avenue is growing up, but it will never have the charming effect of the one across Battersea, as the line is neither straight nor a definite curve. The wild fowl on the pond are such an attraction, that perhaps it may be that the wire netting and asphalt edges they apparently require are not drawbacks, but they are not beautiful. The gateway into the Park, near Deptford Station, has rather the grim look of a prison, and yet, with the forest of masts behind, all it requires is a climbing plant or two to make a picture. On the opposite end of the Park runs Jamaica Road, which perpetuates the name of a well-known Tea Garden, Jamaica House. Pepys records a visit there, on a Sunday in April 1667. “Took out my wife, and the two Mercers, and two of our maids, Barker and Jane, and over the water to Jamaica House, where I never was before, and there the girls did run for wagers over the bowling-green; and there
304
, with much pleasure, spent little and so home.” Pepys’ home in Seething Lane near the Tower would be an easy distance from the Tea Gardens of Redriff, as Rotherhithe was called then, and in the days when Swift made Gulliver live there. There were other well-known Tea Gardens near, the “Cherry Garden,” “Half-way House,” and at a much later date “St. Helena’s Gardens,” which were only closed in 1881. The disappearance of all the Tea Gardens and open spaces made the necessity of a Park very obvious, and it was to meet this want that Southwark Park was made. MARYON PARK There is one more small Park to complete the line of South London Parks, for which the public is indebted to Sir Spencer Maryon-Wilson, the lord of the manor of Charlton, in which parish it is situated. It lies between Greenwich and Woolwich, and the South-Eastern Railway skirts the northern side. The ground was chiefly large gravel pits, and has a hill in the middle partly caused by the excavations. This hill has some
305
pretty brushwood still growing on its slope, showing it was once joined to Hanging Wood, a well-known hiding-place of highwaymen. It was conveniently thick, and there are many tales of pursuit from Blackheath which ended by losing the thieves in Hanging Wood. The hill in the Park is locally known as Cox’s Mount, having been rented by an inhabitant of that name in 1838, who built a summer-house there and planted poplars. The area of the Park is about 12 acres, and except for one or two trees on the Mount and patches of brushwood, it is open grass. The boys on the _Warspite_ training ship anchored near are allowed to play cricket there, provision for this having been made by the generous donor of the Park in the deed of gift to the London County Council in 1891. Quite outside these crowded districts, yet within the County of London, lie three more Parks maintained by the County Council. The one nearest the heart of London is Manor Park, or Manor House Gardens, between the High Road, Lee
306
, and Hither Green Station, opened in 1902. There are 8¾ acres here attached to the Lee Manor House, a substantial building in the Adams style, now used as the Public Library. The Gardens slope gently away from the house to a large pond--or lake as the Council would prefer to call it--and beyond to a rapid little stream, the Quaggy, a tributary of the Ravensbourne. Beyond the Quaggy’s steep banks, well protected by spiked railings, is a flat green devoted to games. The chief beauty of this little Park is four magnificent old elms and a few other good trees--beech, chestnut, _Robinia speudo acacia_, &c. In the spring of 1907 the pond was in process of cleaning, so no rooks had ventured to build within the Park, but just at the gates a large elm in a small garden had been favoured by these capricious birds, and their hoarse voices were making a deliciously countrified sound. The other London County Council Parks are in what is still nearly open country, although rows of villas are being
307
rather rapidly reared in the district. Eltham is one of these. It is at present not enclosed with massive iron railings, but the wide, flat stretch of smooth turf, studded with patriarchal trees, is left untouched, except that a few spaces have been levelled for games. This Park of 41 acres was bought in 1902, the Borough of Woolwich paying half the cost of purchase--£9600--with the Council. Still further into the country is Avery Hill, with the large house and grounds, extending over 84 acres, built and laid out by Colonel J. T. North. The London County Council were offered this estate in 1902, if purchased within a certain limit of time, for £25,000. Usually the Council, in making a purchase, have ascertained beforehand what contributions the local Boroughs were prepared to subscribe towards the total cost, but, on this occasion, the Boroughs were invited to share the expense after the purchase had been made, with the result that all those concerned--Camberwell, Lewisham, Greenwich
308
, Deptford, and Woolwich--refused; so the whole of the purchase and upkeep devolved on the London County Council. The large mansion is now used as a teachers’ training college for girls, but the greater part of the grounds, and the immense winter gardens are open to the public. It is still so far from the centres of population that the public who make use of these spacious gardens is very limited. The nearest railway station, New Eltham, is three-quarters of a mile distant from the Park, and half-an-hour or more by train from Charing Cross. Although it is now so far into the country, and some people would deprecate the purchase, it is only fair to remember that most of the crowded districts were also country not long ago, and that when land is dear and houses being built is not a favourable moment to purchase. As a rule it is want of foresight that is the complaint, and not excess of zeal, as in this case. The garden is made use of to furnish supplies of plants to some of the smaller p
309
arks, and a portion is being reserved for growing specimens for demonstration in the Council Schools. On the west side of the house there are three terraced gardens, prettily planted with roses and fruit-trees. In front of the house a sloping lawn, with a few large beds, touches the park-like meadows studded with trees. Sheep feeding with their tinkling bells gives a rural appearance. To the large, modern, very red brick house is attached a huge winter garden. This is on a very large scale, with lofty palms, date, dom, and cocoa-nut growing with tropical luxuriance in the central house, with a large camellia house on one side and a fernery with rock-work, pools, and goldfish on the other. All this requires a good deal of keeping up--nearly £3000 a year--and although it has been open now some five years, it has been enjoyed by few. It is greatly to be hoped that it has a much-appreciated future before it. Such is a slight sketch of some of London’s Parks. No doubt there is much that co
310
uld be changed for the better, both in design and planting: less sameness and meaningless formality without true lines of beauty in design would be an improvement. In planting, there might be more variety of British trees--alder, oak, ash, and hawthorn; and a wider range of foreign ones--limes, American or Turkey oaks, and many others; more climbing plants, such as Virginian creepers, more simple herbaceous borders and fewer clumps of unattractive bushes, and more lilacs, laburnums, thorns, almonds, cherries, and medlars in groups on the grass. If greater originality was displayed and a thorough knowledge of horticulture were shown, especially by the authorities that supervise the largest number of these parks, many improvements in existing ones could be easily achieved, and in forming new parks the same idea need not be so rigidly followed. But, in spite of small defects, the Parks as a whole are extremely beautiful, and Londoners may well be proud of them. CHAPTER VIII COMMONS A
311
ND OPEN SPACES _’Tis very bad in man or woman To steal a goose from off the common, But who shall plead that man’s excuse Who steals the common from the goose?_ --AN OLD DITTY. It was only fifty years ago, when the want of fresh air and room for recreation was being realised, that people began to wake up to the truth that there were already great open spaces in London which ought to be cared for and preserved. It was brought home by the fact that over £1000 an acre was being paid to purchase market-gardens or fields so as to transform them into parks, while at the same time land which already belonged to the people was being recklessly sold away and built over. All through the history of most of the common lands encroachments of a more or less serious nature are recorded from time to time. The exercise of common rights also was often so unrestrained as to inflict permanent injury on the commons. The digging for gravel was
312
frequently carried to excess, whins and brushwood were cut, and grass over-grazed until nothing remained. At last, in 1865, a Commons Preservation Society was formed with the view of arousing public attention to the subject. As is often the case, some people ran to the opposite extreme, and wished to transform the commons into parks without giving compensation to the freeholders and copyhold tenants, who thereby would lose considerable benefits. In some cases after the Metropolitan Commons Act of 1866 was passed, the Lord of the Manor, on behalf of all the freeholders, disputed the right of the Metropolitan Board of Works to take the land without compensation to the owners. The lord of the manor was considered unreasonable by some of the agitators for the transference of the common lands to public bodies, but he was fighting the battle of all the small owners. The freeholders in some cases were as many as fifty for some 40 acres. Many of the commons were Lammas Lands. The freeholders,
313
of which there were a large number, had the use of the land from the 6th of April until the 12th of August, and the copyhold tenants of the manor had the right of grazing during the remainder of the year. The number of cattle each could graze was determined by the amount of rent they paid, and the grazing was regulated by the “marsh drivers,” men elected annually by the courts of the Manor for the purpose. A curious incident in connection with these rights happened on Hackney Downs in 1837. The season was late, and the steward of the Manor put up a notice to the effect that as the freeholders’ crops were not gathered the grazing on the Downs could not begin until the 25th, instead of the usual 12th of August. The marshes and other common lands in the parish were open, so there was actually plenty of pasture available for those entitled to it. There was a fine crop of wheat on some plots on the Downs, and on the morning of Monday the 14th August, “a few persons made their appearance and
314
began to help themselves to the corn.” Summoned before the magistrates, the bench decided that after the usual opening day the corn “was common property, and could be claimed by no one parishioner more than another.” On the strength of this decision the whole parish turned out, and a terrible scene of looting the crop took place, while the poor owners vainly tried to save what they could. The freeholder with the most wheat, a Mr. Adamson, lost over £100 worth, although he worked all night to save what he could. A case followed, as Mr. Adamson prosecuted Thomas Wright, one of the many looters who thought they had a right to it, for stealing his wheat. This time the magistrates fined the man twenty shillings, and half-a-crown, the value of the wheat he had actually taken, as he had no right to take away the crop, although he had a right to put cattle on the Downs. Further trials for riot before the Court of Queen’s Bench resulted in the prisoners being discharged after they had pleaded
315
guilty. It appeared both the looters and Mr. Adamson were in the wrong. They had no right to remove the corn, neither had he, after the 12th August, and those who had grazing rights could have turned on their cattle to eat the standing corn. This incident just shows how the right of freeholders and copyholders could not lightly be trifled with. The report of the Select Committee on Open Spaces in 1865 pointed out in the same way, that although the right to these common lands had been enjoyed from time immemorial, the rights were vague as far as the public at large were concerned. They were probably limited to a certain defined area or body of persons, as the inhabitants of a parish, and it was doubtful if the custom would hold good at law for such a large place as London. Thousands of people from all parts of London trampling over a common was a very different thing to the free use of it by the parishioners. This report led to the passing of the Metropolitan Commons Act of 1866. Both
316
before and after this Act there were several others for the maintenance and regulation of the commons and all the parks, gardens, and open spaces too numerous to mention.[9] Under the present system most of the metropolitan commons and heaths are in the hands of the County Council, and in some cases considerable sums have been spent on them. Among the smaller ones is London Fields, Hackney, the nearest open space to the city. This was in a very untidy state when first taken in hand after 1866. The grass was worn away, and it was the scene of a kind of fair, and the resort of all the worst characters in the neighbourhood. It used to be known as Shoulder of Mutton Fields, and the name survives in a “Cat and Mutton” public-house on the site of a tavern which gave its name to the fields. It was in the eighteenth century a well-known haunt of robbers and footpads, and in spite of a watch-house and special guard robberies were frequent. The watch must have been rather slack, as about 1732 a
317
Mr. Baxter was robbed about five in the morning “by two fellows, who started out on him from behind the Watch-House in the Shoulder of Mutton Fields.” Hackney is rich in open spaces, as besides London Fields there is Hackney or Well Street Common, near Victoria Park, Mill Fields, Stoke Newington and Clapton Commons, Hackney Downs (over 40 acres) on the north, and Hackney Marshes (337 acres) on the east. These were Lammas Lands, and the marshes were used for grazing until within the last few years, when the rights were bought up and the land finally thrown open to the public in 1894. The river Lea skirts the marsh, and used not unfrequently to flood, doing considerable damage. The London County Council have made four cuts across the bends of the river, forming islands. The water now can more easily flow in a wet season, and the periodical inundations no longer occur. The planting of these islands has not been carried out at all satisfactorily. An utter want of appreciation of the habit
318
s of plants or the localities suited to them has been shown. A stiff row of the large saxifrage, _S. cordifolia_, charming in a rock garden or mixed border, has been put round the water’s edge, and behind it, berberis, laurels, and a few flowering bushes suited to a villa garden shrubbery. The opportunity for a really pleasing effect has thus been missed, and money wasted. A few willows and alders, with groups of iris and common yellow flags, and free growing willow herb, and purple loosestrife, would soon, for much less expense, have made the islands worthy of a visit from an artist. Instead, an eyesore to every tasteful gardener and lover of nature has been produced. The beauty of the marsh has always been appreciated by the dwellers in Hackney and Clapton. The view over the fertile fields from the high land was one of the attractions since the time when Pepys wrote, “I every day grow more and more in love with” Hackney. Hackney Downs now form a large open area for recreation, but t
319
hey were fruitful fields sixty years ago. An engraving, from a drawing by W. Walker, dated 1814, represents a “Harvest Scene, Hackney Downs, with a View of the Old Tower, and Part of the Town of Hackney,” and gives a delightful picture of harvesters reaping with sickles, and binding up sheaves of the tall, thick-growing corn. That some of the Downs were arable land was a grievance to those who had grazing rights, and there was a considerable agitation to get the freeholders to lay it all down in grass, after the incident of looting the corn in 1837, already referred to. The Downs continued rural within the memory of many still living. The Lord of the Manor remembers that an inhabitant stated that she had, whilst walking across the Downs, startled a wild hare from her form. This would be about the year 1845, and for ten or twelve years later there were partridges in the larger fields of turnip and mangold-wurzel which adjoined the Downs. The rural character has quite changed, and now th
320
e Downs are a large open space, with young trees growing up to supply shade along the roads which encircle the wide grassy area. Highbury Fields, although much smaller than Hackney Downs, being only 27 instead of 41 acres, play as important a part in the north of London, as the Downs do in the north-east. They are not, however, Common Lands, but until recently were actually fields with sheep grazing in them. Tradition points to Highbury Fields as the site of the Roman encampment during the final struggle with Boadicea. In the Middle Ages they belonged to the Order of St. John of Jerusalem, and there the rebels of the Wat Tyler rising, headed by Jack Straw, camped after leaving Hampstead. There are a few old trees still standing in the Fields, which were formerly within the grounds of two detached residences, one of them the Manor House. An old “moated grange,” or barn, belonging to the ancient Priory, gives its name to the public-house, Highbury Barn, the goal of motor omnibuses. The
321
moat was only filled up fifty years ago, and the old buildings pulled down, after enjoying some notoriety as a Tea Garden for over a century. A part of the present Fields was called “the Reedmote,” or “Six Acre Field,” and is also shown on old maps as “Mother Field.” When Islington Spa was a fashionable resort, and Sadler’s Wells at the height of its prosperity, the houses facing the Fields were built. On the north-west the row is inscribed in large letters, “Highbury Terrace, 1789,” and this, according to old guide-books, “commands a beautiful prospect.” On the east lies another substantial row of eighteenth-century mansions, and the inhabitants are proud to point out to strangers No. 25 Highbury Place as the house in which Mr. Chamberlain lived, from the age of nine until he was eighteen, when he went to live in Birmingham. His present home, now so well known, was built in 1879, and was named in remembrance of Highbury Place. In the early years of the nineteenth century several well-
322
known people were living in these houses. John Nichols, the biographer of Hogarth, who was for fifty years editor of the _Gentleman’s Magazine_, died there in 1826. A few years later a historian of Islington describes Highbury Place as “thirty-nine houses built on a large scale, but varying in size, all having good gardens, and some of them allotments of meadow land in the front and rear. The road is private, and is frequented only by the carriages passing to and from the several dwellings situated between the village and Highbury House.” This description draws a very rural picture, of which nothing now remains but the name. The Fields were turned into a public Park in 1885, and now consist of wide open spaces for games, with intersecting paths well planted with limes, elms, chestnuts, and planes, and an abundance of seats. Near the point where Upper Street, Islington ends and Holloway Road joins it, a memorial to the soldiers and volunteers of Islington who fell in the Boer War has be
323
en erected, and the figure of Victory stands conspicuously facing the approach from the city. By far the most beautiful and the most frequented of all London Commons is Hampstead Heath. The original Heath measured 240 acres, but, with the addition of Parliament Hill, there are now over 500 acres of wild open country for ever preserved for the benefit of Londoners. ’Appy ’Ampstead, the resort not only of ’Arrys and ’Arriets, but poets, artists, and people of every rank in life, is too well known to demand description. The view from it seems more beautiful every time the occasional visitor ascends the hill, and gazes down on London and away over the lovely country of the Thames valley. The County Council, the present holders of this public trust, have mercifully refrained from turning it into a park--the original intention of those who first wished to preserve it. The bracken still flourishes, the gorse still blooms, and there is yet a wild freshness about it that has not been “improved
324
” away. Hampstead has had periods of fashion as a residence. In the eighteenth century it is described as “a village in Middlesex, on the declivity of a fine hill, 4 miles from London. On the summit of this hill is a heath, adorned with many gentlemen’s houses.... The water of the [Hampstead] Wells is equal in efficacy to that of Tunbridge, and superior to that of Islington.” These Wells appear to have first attracted notice in the time of Charles II. In 1698, Susanna Noel and her son, third Earl of Gainsborough (then the owner of the soil), gave the Well, with six acres of ground, to the poor of Hampstead. For more than thirty years the Wells, with all the attendant attractions of the pump-room, with balls and music, drew the fashionable world up to Hampstead. It was said to be “much more frequented by good company than can well be expected, considering its vicinity to London; but such care has been taken to discourage the meaner sort from making it a place of residence, that it is n
325
ow become ... one of the Politest Public Places in England.” Here Fanny Burney made her heroine, Evelina, attend dances, and it plays a part in the fortunes of Richardson’s Clarissa Harlowe; and here all the wits and poets of the time mingled in the gay throng. Many have been the celebrated residents in Hampstead--Lord Chatham, Dr. Johnson, Crabbe, Steele, Gay, Keats, William Blake, Leigh Hunt, Romney and Constable, John Linnell, and David Wilkie among the number. The site of the pump-room is all built over, but some fine old elm trees in Well Walk, still have an air of romance and faded glory about them. The houses near the Heath--such as Shelford, afterwards Rosslyn House, with a celebrated avenue of Spanish chestnuts, The Grove, Belsize Park, the residence of Lord Wotton, and then of Philip, Earl of Chesterfield--have all been consumed by the inroads of bricks and mortar. It is more than likely that the Heath would have shared the same fate, had not the inhabitants taken active step
326
s to arouse public attention to preserve this wild heath, unequalled near any great city. Already aggressive red villas were making their appearance in far too great numbers. The western side was dotted over with them. That the purchase of it for the public benefit has been appreciated it is not difficult to prove, when over 100,000 visit it on a Bank Holiday. It was the commencement of building operations near the Flagstaff by the lord of the manor, Sir Thomas Maryon Wilson, in the heart of the Heath, that brought things to a crisis in 1866. A case began against the lord of the manor, but he died before it was ended, and his brother, Sir John, being willing to compromise, the sum of £47,000 was agreed on for the sale of the Heath to the Metropolitan Board of Works. The few houses dotted about on the Heath are those of squatters, who have established their right by the length of time they have been in possession. The small hamlet or collection of houses in the “Vale of Health,” those n
327
ear the “Spaniards” and round Jack Straw’s Castle, have existed from time immemorial, although few old houses of interest remain, and large, unsightly buildings have taken the place of the picturesque ones. In the Vale of Health the houses are chiefly given up to catering for holiday-makers. The “Spaniards,” at the most northerly point of the Heath, is a genuine old house, and it still has a nice garden, although all the alleys and fantastic ornaments which made it popular, in the eighteenth century, have vanished. The name came from the fact that the first owner was a Spaniard. The next proprietor was a Mr. Staples, who “improved and beautifully ornamented it.” The house was on the site of the toll-gate and lodge to Caen Wood, and its position saved that house from destruction, at the time of the Gordon riots. The rioters had burnt and wantonly destroyed Lord Mansfield’s house in Bloomsbury Square. Maddened with drink, and flushed with triumph at the success of their outrages, they ma
328
de a bonfire in the square of the invaluable books collected by Lord Mansfield. Their temper may be imagined as they marched by Hampstead to commit the same violence at Caen Wood, Lord Mansfield’s country house. The proprietor of the “Spaniards” invited them in, and threw open his cellars to the mob. Fresh barrels of drink were sent down from Caen Wood, and meanwhile messengers were despatched for soldiers; so that by the time all the liquor had been consumed, and the drunken rioters began to proceed, they were confronted by a troop of Horse Guards, who, in their addled condition, soon put them all to flight. The name of the other inn on Hampstead Heath, which stands conspicuously on the highest point, 443 feet above the sea, is Jack Straw’s Castle, and has also some connection with a riot. Jack Straw was one of the leaders in the Wat Tyler rebellion, and after burning the Priory of St. John of Jerusalem, he came up to Hampstead and Highgate, though there is no direct evidence to conne
329
ct him, in 1381, with any tavern on the spot on which the inn stands. The addition of Castle to the name is from the fact, that there was some sort of fortress or earthworks on this commanding point. The inn on the site was known as the Castle Inn, and not until 1822 is there any mention of it as Jack Straw’s Castle. The wood of the gallows on which a famous highwayman was hung behind the house in 1673 was built into the wall. Jack Straw’s Castle is now quite modernised, but the view from it, on all sides, is still as lovely as ever. The Whitestone Pond in front is really a reservoir, and to the south of that lies the Grove, with fine trees and some old-fashioned houses. The most picturesque walk is that known as the Judges’ or King’s Bench Walk, from a tradition that justice was administered under the trees there, when the judges fled from London at the time of the Great Plague. This walk is on the south-west side of the Heath, the Well Walk on the south-east. To the east of the highe
330
st point with Jack Straw’s Castle and the road which runs northwards towards the “Spaniards” is the Vale of Health, and below are a series of ponds. Hampstead has always furnished a water-supply for the city at its feet. When more water was required, in the sixteenth century, the Lord Mayor proposed to utilise the springs there, and convey the water to London by conduits. A pound of pepper at the Feast of St. Michael annually to the “Bishop of Westminster,” was the tribute for the use of the water, as the land belonged to the Abbey of Westminster, having been granted to it by King Ethelred in 986. The managers of water-supply in 1692 were a company known as the Hampstead Water Company, which became absorbed in the New River Company. The lakes are very deep, and dangerous for boating, bathing, and skating, although used for all those purposes. The hill which rises beyond the ponds and stretches away to the east, is part of the land adjoining the true Heath, which was bought in 1887, so
331
as to double the area of open country, and prevent that side of the Heath being overlooked by houses. The character is quite a contrast, and lacks the wildness, but it is pretty, park-like scenery, and Hampstead Heath would have been greatly spoilt had this further wide space of pasture land not been saved. The first hill to the east of the Heath is crowned by a mound or tumulus, which was opened a few years ago; the investigations leading scientists to believe that it was a British burial-place of the bronze age. This used to be very picturesque with a group of Scotch firs--now, alas! all dead. The next hill is Parliament or Traitor’s Hill, and there is no very definite solution of the name. It may have been a meeting-place of the British “Moot” or Parliament, or the origin may only be traced to Cromwell’s time. As if to encourage the tradition being kept up, a stone suggests that meetings may take place within 50 yards of the spot by daylight. Below the hill are flat meadows by Gosp
332
el Oak, said to be so named from its being a parish boundary, and the Gospel was read under the tree to impress the parishioners, with the same object as the other and more familiar form of beating the bounds. These Gospel Oak fields are the typical London County Council greens for games, so gradually, after leaving the summit of the Heath, the descent is made, from the artistic and picturesque, to the practical and prosaic. Hampstead was always famous for its wild flowers. The older botanists roamed there in search of rare plants, and the frequent references in their works, especially in Gerard’s “Herbal,” show how often they were successful. Osmundas, or royal ferns, sundew or drosera, and the bog bean grew in the damp places, and lilies of the valley were among the familiar flowers. As late as 1838 a work on London Flora enumerates 290 genera, and no less than 650 species, as found round about the Heath. The soil, the aspect, the situation, are all propitious. Even now it is so far
333
above the densest smoke-fogs that much might be done to encourage the growth of wild flowers. It is true notice-boards forbid the plucking of them, and that is a great step in advance--but the sowing of a few species, which have become extinct, would add greatly to the charm of the place. It is also still the favourite haunt of wild birds, and the more the true wildness is encouraged, the more likely they are to frequent it. It is much to be hoped that the London County Council will refrain in their planting, from anything but native trees and bushes which look at home, and which would attract our native songsters. Within the last ten or twelve years a very great variety of birds have been recorded either as nesting there or as visitors. The following list (taken from “Birds in London” by W. H. Hudson, 1898) may interest bird lovers:-- Wryneck, cuckoo, blackcap, grasshopper, sedge, reed and garden warblers, both white-throats, wood and willow wrens, chiff-chaff, redstart, stonechat,
334
pied wagtail, tree pipit, red-backed shrike, spotted fly-catcher, swallow, house martin, swift, goldfinch, wheat-ears in passage, fieldfare in winter, occasionally redwings, also redpoles, siskin, and grey wagtail. This list is certainly a revelation to those who only associate dusty sparrows and greedy wood-pigeons with the ornithology of London. No better testimony is wanted to prove that Hampstead is still the beautiful wild Heath that has given pleasure to so many generations. The only other large space of common land, north of the river within the London area, is Wormwood Scrubs, of very different appearance and associations from Hampstead. The manorial and common rights were purchased by the War Office, and the ground made over to the Metropolitan Board of Works in 1879, with reservations for the rifle range and military exercises. The space is altogether over 200 acres. The ground in ancient times was a wood, adjoining “Old Oak Common,” just beyond the London boundary, which w
335
as covered with patriarchal oaks. The last was felled in 1830. The ground, being flat, is admirably suited for the War Office purposes; it has gone through a process of draining, and the only part not downtrodden by soldiers has been “improved” by the London County Council, so there is little wildness or attraction in the place. The presence of a prison, erected in 1874, still further diminishes its charm as an open space. This completes the open large spaces on the north; the south of the river is even richer in commons. One of the most thoroughly rural spots within the London area is Bostall Wood. There is nothing to spoil the illusion, and for quite a considerable walk it would be easy to imagine that a journey on the magic horse of the “Arabian Nights” had been taken to some distant forest land, to forget that the roar of the town was barely out of one’s ears, and that ten minutes’ walk would take one, out of the enchanted land, back to suburban villas and electric trams. Beyond
336
the inevitable band-stand, which attracts thousands on a summer Sunday evening, there is nothing to jar, and spoil the illusion of real country. The woods, and Bostall Heath which adjoins them, can be reached from Plumstead or Abbey Wood Station, in twenty minutes’ walk up the steep hill. Pine woods crest the summit, and below them stretches a delightful thicket, chiefly of oaks and sweet chestnut, with an undergrowth of holly and a pleasant tangle of bracken and bramble, where the blackbirds, chaffinches, and robins call to each other and flit across the path. Steep slopes, and valleys, and hollows clothed with trees, give possibilities of real rambles, in a truly sylvan scene. Under the pines, which are tall enough to produce that soothing, soughing sound even in the most gentle breeze, the carpet of pine needles is cushioned here and there with patches of vivid green moss where the moisture has penetrated. Beyond the Wood lies the Heath, studded with birch trees, among gorse and bra
337
cken. There are narrow gullies and glades, like miniature “gates” or “gwyles” of the sea coast, and at the foot of the Heath lie the marshes, often in the soft light as blue as the sea, and the silver Thames, a bright streak across the picture, chequered with the red sails of the barges, and tall masts of the more stately ships. The whole area of woods and common is only about 133 acres, but the varied surface, and the distant views from it, make it appear of larger extent. It is little known to most Londoners, although the Heath was purchased as far back as 1877, and the Wood bought by the London County Council in 1891. The place, however, is much frequented and duly appreciated by the neighbouring population. This peaceful country-side could be reached within an hour, from any point in the City. It is attractive at all times of the year, especially in spring, when the green is pale and the young brackens, soft and downy, are uncurling their fronds, and the dark firs stand up in shar
338
p contrast to the tender greens. Or, perhaps, still more delightful is it in autumn, when “Red o’er the forest gleams the setting sun,” and the oaks have turned a rich russet, and the birches, of brilliant yellow, shower their tiny leaves on the mossy earth, like the golden showers which fell on Danaë in her prison. The attractive wood-clad hills of Bostall are the most remote of all London’s open spaces. They lie the furthest east on the fringe of the suburbs. From Bostall westward roofs and chimney-pots become continuous--Woolwich, Greenwich, Deptford, Bermondsey, Southwark getting more and more densely crowded. But westward also begins the chain of commons which circle the town round the southern border--with breaks, it is true, yet so nearly continuous that from the highest point of one, the view almost ranges on to the next. Only a deep valley, with Wickham Lane on the track of a Roman road, divides Bostall Wood from Plumstead Common. This is open and breezy, stan
339
ding high above what was in ancient times the marsh overflowed by the Thames. The greater part is, however, used by the military, and the trample of horse artillery makes it look like a desert. It is a curious effect to see this part of the Common in winter. It has probably been used for manœuvring all the week, and by Saturday afternoon there are pools of mud, and ruts, and furrows, and hoofmarks all over it. On this dreary waste hundreds of boys and young men, sorted according to age, play more or less serious football matches. The coats of the players, in four little heaps, do duty for goal-posts, and these are so thickly strewn over the surface, and the players so closely mingled, that the effect is like bands of savages fighting among their slain--the ancient barrow in the centre of the ground gives colour to the supposition. A sudden deep valley, called “the Slade,” cuts the Common in two. In the hollow there are ponds, and on the high ground beyond stood a windmill, the remains
340
of which are embedded in the Windmill Tavern. The next common west of Plumstead, is Woolwich, maintained by the War Office and given up to military exercises. The extent is 159 acres. It is so much absorbed by the requirements of the War Office that it cannot be classed among London’s playgrounds. Going westward, the next large space is Blackheath, whose history is wrapped up with that of Greenwich, the beautiful Greenwich Park having once been part of the Heath. It is high ground, for the most part bare of trees, and with roads intersecting it--one of them, the old Roman Watling Street. The wild, bare summit of the Heath was a dangerous place for travellers, and many was the highway robbery committed there in times past. It is of very large extent, some 267 acres, and has been effectually preserved for public use, for some thirty-five years, since early in the Seventies. The Heath has played its part in history--gay scenes, such as when the Mayor and aldermen of London flocked, wi
341
th a great assemblage, to welcome Henry V. after the battle of Agincourt, or more ominous and hostile demonstrations, as when Wat Tyler collected his followers there, or when Jack Cade, some seventy years later, did the same thing. A few fine old eighteenth-century houses still stand on the edge of the Heath, and an avenue, “Chesterfield Walk,” perpetuates the name of one of the distinguished residents. Morden College, at the south-east corner of the Heath, is a fine old building of Wren’s design, founded by Sir John Morden, for merchants trading with the East who, through unforeseen accidents, had lost their fortunes. To the west of Blackheath there was once a Deptford Common, but it has long since been built over, and, with the exception of the small Deptford Park, there is a large district of dense population without any open space. The nearest is Hilly Fields on the south. This is a steep, conical hill, with little beauty to recommend it, except its breezy height, and views over c
342
himney-pots to the Crystal Palace. A large, bleak-looking building, with a small enclosure on the highest point--at present for sale--marked the West Kent Grammer School, does not improve the appearance of this open space. There are some 45 acres of turf, and a line of old elms and another of twisted thorns show that there were once hedgerows. There is some promiscuous planting of young trees, and iron railings, and of course a band-stand; otherwise no particular “beautifying” has been attempted since it was opened to the public in 1896. In the valley of the Ravensbourne, below the hill stretches the long, narrow strip of the Ladywell Recreation Ground. It lies on either bank of the stream between Ladywell and Catford Bridge stations. It is intersected by railways, and the pathway passes sometimes over, sometimes under the lines, and constant trains whizz by. But in spite of such drawbacks, the place has a special attraction in the stream which meanders through the patches of grass de
343
voted to games. Where the stream has been untouched, and allowed to continue its course unmolested between iron railings, even the railings cannot destroy a certain rural aspect it has retained. Alders and elms, with gnarled and twisted roots, lean over the banks, and hawthorns dip down towards the rather swiftly flowing water. When the land was bought for public use in 1889 the stream frequently overflowed its sandy banks, and one or two necessary cuttings were made across some of the sharpest curves, to allow a better flow of water. This has stopped all the objectionable flooding, but the melancholy part is that, having been obliged to make these imperative but necessarily artificial cuttings, the London County Council did not plant them with alders, thorns, and willows, like the pretty, natural stream; but instead, the islands thus formed, and the banks, were dotted about with box and aucuba bushes. The babbling stream seems to jeer at these poor sickly little black bushes, as if to
344
say, “What is the good of bravely playing at being in the country, and trying to make believe trout may jump from my ripples and water-ousels pop in and out of my banks, if you dreadful Cockneys disfigure me like that?” Very likely it does not jar on the feelings of the inhabitants of Lewisham or Catford, but when public money is spent by way of improvement, it is cruel to mar and deform instead. Where the churchyard of St. Mary’s, Lewisham, touches the stream is a pretty spot, but, in places, untidy little back-gardens are the only adornment; but that is not the fault of the London County Council. Peckham Rye Common is more or less flat, without any special feature of interest, except at the southern end, which has been converted into a Park. The Rye--what a quaint name it is! and there is no very satisfactory derivation. It may either come from a stream of that name, long since disappeared, or from a Celtic word, _rhyn_, a projecting piece of land--Peckham Rye, the village on the s
345
pur of the hill, now known as Forest Hill and Honor Oak. This “Rye” has been a place of recreation from time immemorial, and at one time must have extended so as to embrace the smaller patches of common known as Nunhead Green (now black asphalt), and Goose Green. The Common was secured by purchase from further encroachments in 1882. The Park has much that savours of the country. An enclosure within it, is not open to the public, and for that very reason is one of the most rural spots. There is a delightful public road across it, known as “the Avenue.” The old trees form an archway overhead, and on either side of the fence the wood is like a covert somewhere miles from London; brambles and fern and brushwood make shelter for pheasants, and squirrels run up the trees. The farm-house, and its out-buildings with their moss-grown tiled roofs, have nothing suburban about them. The front facing the Rye Common has a notice to say it is the Friern Manor Dairy, but even that is not aggressive,
346
as the name carries back the history to the time of Henry I., when the manor was granted to the Earl of Gloucester, and on till it was given by his descendants to the Priory of Halliwell, which held it until the church property was taken by Henry VIII. and granted to Robert Draper, and so on till modern days. There is, besides this attractive farm, a regular piece of laid-out garden, and a pond and well-planted flower-beds; but the little walk among trees, beside a streamlet which has been formed into small cascades, and crossed by rustic bridges, is a more original conception, and is decidedly a success, and a good imitation of a woodland scene. The contrast is all the greater as Peckham is so eminently prosaic, busy, and unpicturesque; the old houses having for the most part given place to modern suburban edifices. Due west of Peckham lies Clapham, the largest of the South London Commons, 220 acres in extent; although, being flat and compact in shape, it does not appear larger than
347
Tooting, which is really only 10 acres less, but of more rambling shape. The Common has suffered much less than most of its neighbours from enclosures. It was shared between two manors, Battersea and Clapham, and the rival lords and commonalities, each jealous of their own special rights, were more careful to prevent encroachments than was often the case. At one time Battersea went so far as to dig a great ditch to prevent the cattle of the Clapham people coming into its part of the ground. The other parish resisted and filled up the ditch, and was sued for trespass by Battersea, which, however, lost its case--this ended in 1718. The Common has an air of dignified respectability, and is still surrounded with some solid old-fashioned houses, although modern innovations have destroyed a great number of them. A nice old buttressed wall, over which ilex trees show their heads, and suggest possibilities of a shady lawn, carries one back to the time when Pepys retired to Clapham to “a very n
348
oble house and sweete place, where he enjoyed the fruite of his labour in great prosperity”; or to the days when Wilberforce lived there, and he, together with the other workers in the same cause, Clarkson, Granville Sharp, and Zachary Macaulay, used to meet at the house of John Thornton by the Common. There is nothing wild now about the Common, and the numbers of paths which intersect it are edged by high iron railings, to prevent the entire wearing away of the grass. The beauty of the ground is its trees. They proclaim it to be an old and honoured open space, and not a modern creation. Only one tree has any pretentions to historical interest, having been planted by the eldest son of Captain Cook the explorer, but only a stump remains. The ponds are the distinctive feature of the Common, and there are several of them dotted about, the joy of boys for bathing and boat-sailing. The origin of most of them has been gravel pits dug in early days. There is the Cock Pond near the church, th
349
e Long Pond, the Mount Pond, and the Eagle House Pond, some of them fairly large. The Mount Pond was at one time nearly lost to the Common, as about 1748 a Mr. Henton Brown, who had a house close by, and who kept a boat on the water, obtained leave to fence it in for his own private gratification. It was not until others followed Mr. Brown’s example, and further encroachments began to frighten the parish, that it repented of having let in the thin end of the wedge. A committee was formed to watch over the interests of the Common lands, and took away Mr. Brown’s privileges; but in spite of their vigilance other pieces were from time to time taken away. A little group of houses by the Windmill Inn are on the site of one of these shavings off the area, for a house called Windmill Place. The church was built on a corner of the Common in 1774, and has a peaceful, solid, dignified appearance, standing among fine old elms and away from the din of trams, which rush in all directions from the c
350
orner hard by. It was built to replace an older parish church, which was described as “a mean edifice, without a steeple” by a writer of the eighteenth century, who admired the “elegant” one which took its place. The present generation would hardly apply that epithet to the massive Georgian edifice, but it seems to suit its surroundings: substantial and unostentatious, recalling memories of the evangelical revival, it seems an essential part of the Common and its history. Away to the south-west of Clapham lies Tooting (why does the very name sound comic, and invariably produce a laugh?), another Common, nearly as large, and much more wild and picturesque. Clapham is essentially a town open space, like an overgrown village green; but on Tooting Common one can successfully play at being in the country. The trees are quite patriarchal, and have nothing suburban about them, except their blackened stems. There are good spreading oaks and grand old elms, gnarled thorns, tangles of brambles,
351
and golden gorse. The grass grows long, with stretches of mossy turf, and has not the melancholy, down-trodden appearance of Clapham or Peckham Rye. Fine elm avenues overshadow the main roads, and no stiff paths with iron rails, take away from the rural effect. Even the railway, which cuts across it in two directions, has only disfigured and not completely spoilt the park-like appearance. The disused gravel-pits, now filled with water, have been enlarged since the London County Council had possession; and if only the banks could be left as wild and natural, as nature is willing to make them, they may be preserved from the inevitable stamp which marks every municipal park. The smaller holes, excavated by virtue of the former rights of digging gravel, and already overgrown, assist rather than take away from the charms of the Common. Tooting Common consists of two parts, belonging to two ancient manors. The smallest is Tooting Graveney, which derives its name from the De Gravenelle fam
352
ily, who held the manor soon after the Conquest, on the payment of a rose yearly at the feast of St. John the Baptist. The larger half, Tooting Beck, takes its name from the Abbey of Bec in Normandy, which was in possession of the Manor from Domesday till 1414, when it came to the Crown. Both manors can be traced through successive owners until the rights were purchased in 1875 and 1873 by the Metropolitan Board of Works. The avenue of elms which runs right across the Common divides the two. Tooting Beck is more than twice the size of Graveney, and has the finest trees. One of the oldest elm trees, now encircled by a railing, was completely hollow, but now has a young poplar sprouting out of its shell. Tradition associates this tree particularly with Dr. Johnson, and though he did not compose his Dictionary under it, it is more than likely he often enjoyed the shade of what must have been a very old tree in his day. For fifteen years he was a constant visitor at Thrale Place close by.
353
“He frequently resided here,” says a contemporary guide-book, “and experienced that sincere respect to which his virtues and talents were entitled, and those soothing attentions which his ill-health and melancholy demanded.” The house stood in 100 acres of ground between Tooting and Streatham Commons, and has since been pulled down and built over. During these years, no doubt, Tooting as well as Streatham Common was often trodden by the brilliant circle who drank tea and conversed with the accomplished Mrs. Thrale--Sir Joshua Reynolds, Burke, Garrick, Goldsmith--to all of them the woodland scenes of both Commons were familiar. To prevent the too free use of the turf by riders, a special track has been made for them, skirting the Common, and passing down one of the finest avenues. It may save the grass from being too much cut up, but to those who don’t feel called to gallop across the Common, the loss of the green sward under the tall feathery elms is a cause of regret. It is such, per
354
haps necessary, alterations which spoil the delusion of genuine country, otherwise so well counterfeited on Tooting Common. A charming time is when the may is out and the gorse ablaze with bloom, the chestnuts in blossom, and birds are singing all around; or if one happens to be there on a winter’s day, when it is too cold for loungers or holiday-makers, there are moments when the nearness of streets and trams could be forgotten. The frosty air, and dew-drops on the vivid green grass, the brown of the fallen leaves, the dark stems clear against an amber sky, with the intense blue distance, which London atmosphere produces so readily, combine harmoniously into a telling picture, which remains photographed “upon that inward eye, which is the gift of solitude.” The dream is as quickly dispelled. A sight, a sound, recalls the nearness of London, which makes its presence felt even when one is trying to play Hide-and-seek with the chimney-pots. How well Richard Jefferies, that inimitable wri
355
ter on nature, describes his feelings in the neighbourhood of London, in spots only a little further from Hyde Park Corner than Tooting Beck:-- “Though my preconceived ideas were overthrown by the presence of so much that was beautiful and interesting close to London, yet in course of time I came to understand what was at first a dim sense of something wanting. In the shadiest lane, in the still pine-woods, on the hills of purple heather, after brief contemplation there arose a restlessness, a feeling that it was essential to be moving. In no grassy mead was there a nook where I could stretch myself in slumbrous ease and watch the swallows ever wheeling, wheeling in the sky. This was the unseen influence of mighty London. The strong life of the vast city magnetised me, and I felt it under the calm oaks.” The most remote of London open spaces in this direction is Streatham, to the south-east of Tooting, close to Norwood, and on the very extremity of the County of London. Much smaller
356
than the other commons, it possesses attractions of its own. It is less spoilt by modern buildings than any of these once country villages, but ominous boards foretell the rapid advance of the red-brick villa. The houses which now overlook the upper part are substantial, in the solid, simple style of the eighteenth century, In those days Streatham possessed a mineral spring, and for a few years people flocked to drink at it. But long before the end of the eighteenth century other more fashionable watering-places had supplanted it, and in 1792 Streatham is described as “once frequented for its medicinal waters.” The spring was in the grounds afterwards belonging to a house called the Rookery, and near the house called Wellfield, on the southern side of the Common. The waters were said to be so strong that three glasses of Streatham were equivalent to nine of Epsom. Although so near London, the journey to the springs presented some dangers, as this was one of the most noted localities fo
357
r footpads and highwaymen. The woods of Norwood, which came close to the Common, afforded covert and an easy means of escape. This road from London, which went on to Croydon and Brighton, had such a bad reputation that the risk of an adventure must have counterbalanced some of the health-giving properties to any nervous invalid! The lower part of the Common, near the road, is flat and open, and not particularly inviting. The charms of the top of the hill are all the more delightful, as they come as a surprise. There are fine old trees, and a wealth of fern, thorns, and bramble, and the short grass is exchanged for springy turf the moment the crest of the steep hill is reached. But by far the greatest surprise is the glorious view. Away and away over soft, hazy, blue country the eye can reach. It may or may not be true that Woolwich, Windsor, and Stanmore can be seen: nobody will care who gazes over that wide stretch of country bathed in a mysterious light, perhaps with the rays of the
358
sun, like golden pathways from heaven, carrying the thoughts far from the prosaic villas or harrowing slums concealed at one’s feet. Only the wide expanse and the waving bracken and tangled brushwood fill the picture--while one rejoices that such a beautiful scene should be within the reach of so many of London’s toilers. Wandsworth is among the least beautiful and the most cut-up of the commons. Large and straggling in extent, it has been so much encroached upon that roads, and houses, and railways cross it. It is narrowed to a strip in places, and all the wildness and all the old trees have gone. Some young avenues by the main road have been planted, and no more curtailments can be perpetrated, as it was acquired for the use of the public in 1871. For many years the encroachments had roused the inhabitants, and about 1760 a species of club was formed to protect the rights of the commoners. When enclosures took place, the members all subscribed and went to law, and often won their ca
359
ses. The head was called the “Mayor of Garratt,” from Garratt Lane, near the Common, where a “ridiculous mock election” was held. A mob collected, and encouraged by Foote, Wilkes, and others, witty speeches were made. Foote wrote a farce called “The Mayor of Garratt,” which for some time gave the ceremony no small celebrity. The rowdyism becoming serious at the sham elections, they were suppressed in 1796. When the Common was eventually saved, it was in a bad and untidy state: quantities of gravel had been dug, and holes, some of them filled with water, were a danger; the trees had all disappeared, and the whole surface was bare and muddy. It has improved since then, but there is nothing picturesque left. The “Three Island Pond,” which is supposed to be its greatest beauty, is stiff, formal, and new-looking, with a few straggly trees growing up. Still it is safely preserved as an open space, and makes a good recreation ground. All round London, besides the larger commons, smaller gree
360
ns are to be found, which are survivals of the old village greens. They recall the time when London was a walled city, and thickly scattered round it were the little hamlets which have now been absorbed by the ever-growing, monster town. There is little that is distinctive about them. For the most part they are simply open spaces of well-worn turf without trees. Shepherd’s Bush is one of these. Brook Green, in Hammersmith, not very far from it, has the remains of a few fine elm trees. In Fulham there are Parson’s Green and Eel Brook Common. Away in South London, Goose Green and Nunhead Green are other examples where grass is even more inconspicuous. [Illustration: STATUE OF MRS. SIDDONS, PADDINGTON GREEN] On the north lies Paddington Green, which is small in extent, but close to the large graveyard turned into a public garden. In the centre of the Green a statue to Mrs. Siddons, by Chevaliand, was erected in 1897, as she lived in the neighbourhood when Paddington was still rural. Th
361
ere is nothing beautiful about the asphalt paths between high iron railings surrounding the small space of grass and trees. Some of the other greens are more of the ordinary public garden type. Islington Green has been planted with trees, and outside the railings stands a statue of Sir Hugh Myddelton, who died in 1631, representing him holding a plan of the New River. Stepney was once a very large green, and has still 3¼ acres of garden cut up into four sections. Some quaint old houses, wood with tiled roofs, and good seventeenth-century brick ones, still overlook the gardens. The gardens have been made exactly like every other, with a slightly serpentine path, a border running parallel in irregular curves not following the line of the path, and trees dotted about. One really fine, thick-stemmed laburnum shows how well that tree will do in smoke, and some curious old wooden water-pipes dug up in 1890, dating from 1570, are placed at intervals in the grass. Camberwell has one of the la
362
rge village greens of South London, and has been made into a satisfactory garden. All the trams seem to meet there, but in spite of the din it is a pleasant garden in which to rest. The 2½ acres are well laid out, and the clipped lime-trees round the railings are a protection from the street which other places would do well to copy. When the trees are in leaf the garden is partially hidden even from those on the tops of omnibuses. These greens scattered round London help to connect the larger areas, thus forming links in the chain of open spaces which encircles London. These natural recreation grounds are the admiration of all foreigners, and a priceless boon to the citizens, ensuring the preservation of green grass and green trees to refresh their fog-dimmed eyes, at no great distance from the throng of city life. CHAPTER IX SQUARES _Fountains and Trees our wearied Pride do please, Even in the midst of Gilded Palaces; And in our Towns, that Prospect gives Deli
363
ght, Which opens round the Country to our Sight._ --Lines in a Letter from SPRAT to SIR CHRISTOPHER WREN on the Translation of Horace. Nothing is more essentially characteristic of London than its squares. They have no exact counterpart in any foreign city. The iron railings, the enclosure of dusty bushes and lofty trees, with wood-pigeons and twittering sparrows, have little in common with, say for instance, the Place Vendôme in Paris, or the Grand’ Place in Brussels, or Madison Square, New York. The vicissitudes of some of the London Squares would fill a volume, but most of them have had much the same origin. They have been built with residential houses surrounding them, and though some have changed to shops, and in others the houses are dilapidated and forsaken by the wealthier classes, nearly every one has had its day of popularity. In some of those now deserted by the world of fashion, the gardens have been opened to the public, but by far the
364
greater number of squares are maintained by the residents in their neighbourhood, who have keys to the gardens. But even though they are kept outside the railings the rest of the public receive a benefit from these air spaces and oxygen-exhaling trees. Sometimes the public get more direct advantage, as in such cases as Eaton Square, where seats are placed down the centre on the pavement under the shade of the trees inside the rails, and are much frequented in hot weather; or in Lower Grosvenor Gardens, which are open for six weeks in the autumn, when most of the residents in the houses are absent. Squares are dotted about nearly all over London, but they can, for the most part, be grouped together. There are the older ones, of different sizes, and varying in their modern conditions. Among such are Lincoln’s Inn Fields, Charterhouse, Soho, Golden, Leicester, and St. James’s Squares. Then there is the large Bloomsbury group, and further westward the chain of squares begins with Cavendi
365
sh, Manchester, Portman, on the north, and Hanover and Grosvenor to the south of Oxford Street. Then follow the later continuations of the sequence--Bryanston, Montagu, and so on to Ladbroke Square, nearly to Shepherd’s Bush. To the south of the Park lies the Belgravia group, with more and more modern additions stretching westward till they join the old village of Kensington, with dignified squares of its own, or till their further multiplication is checked by the River. To describe most of these squares would imply a vast amount of vain repetition. Few have anything original either in design or planting. The majority have elms and planes mixed with ailanthus, while aucubas, euonymous, and straggling privet form the staple product of the encircling borders, with a pleasant admixture of lilac and laburnum, and generally a good supply of iris facing the gravel pathway. A few annuals and bedding-out plants brighten the borders in summer, and some can boast of one or two ferns. Occasional
366
ly the luxury of a summer-house is indulged in, and here and there a weeping ash has been ventured upon by way of shelter; a secluded walk or seat is practically unknown. The older gardens have some large trees, and the turf in all of them is good, and when it is with “daisies pied” it forms the chief delight of the children who play there. It may be that the distance of Notting Hill Gate from the smoke of the East End has encouraged more enterprise in gardening; certainly the result of the planting in Ladbroke Square is satisfactory. Several healthy young oaks are growing up; and a fountain and small piece of formal gardening round it, on the highest point of the long, sloping lawn, is effective. In the older squares, such as Grosvenor Square, the bushes are high, and the openings so well arranged that the lawns in the centre are perfectly private, and hidden from the streets. In the less ancient ones, such as Eccleston and Warwick, Connaught and Montagu Squares, the long, narrow stri
367
p leaves little scope for variation. An innovation of the usual square is to be seen in Duke Street, Grosvenor Square. This small square, which was laid out as a garden with sheltered seats, was made when the new red-brick dwellings replaced the smaller and more crowded houses. The middle is now the distributing centre of an electric power-station, but the roof is low and flat, and has been successfully transformed into a formal garden, with trees in tubs and boxes of flowers. [Illustration: WINTER GARDEN, DUKE STREET, GROSVENOR SQUARE] Some of the squares have finer trees than others, and in many a statue is a feature. Originally these statues formed the central object towards which the garden paths converged, but most of the central statues have been moved, though in a few, like St. James’s and Golden Squares, they are still in the middle. These statues were evidently a good deal thought of by Londoners, but they did not strike foreigners as very good. In one of Mirabeau’s letters
368
he writes in 1784 from London: “The public monuments in honour of Sovereigns, reflect little honour on English Sculpture.... The Statues of the last Kings, which adorn the Squares in the new quarters of London, being cast in brass or copper, have nothing remarkable in them but their lustre; they are doubtless kept in repair, cleaned and rubbed with as much care as the larger knockers at gentlemen’s doors, which are of similar metal.” The usual plan now is to place the statue facing the street, where a background of green shows it off to the passer-by. Thus Lord George Bentinck is prominent in Cavendish Square, from which the equestrian central statue of the Duke of Cumberland has gone; and from Hanover Square, built about the same time as Cavendish (between 1717–20), Chantrey’s statue of Pitt gazes down towards St. George’s Church. In Grosvenor Square no statue has replaced the central one of George I. by Von Nost, which was placed there in 1726, and is described by Maitland as a “sta
369
tely gilt equestrian statue.” This Square is older than the two last mentioned, having been built in 1695. In those days each of the spacious houses had its large garden at the back, with a view of the country away to Hampstead and Highgate. The garden was designed by Kent, but a plan of it about 1750 shows a considerable difference between the arrangements then and now, although some details are the same. The raised square of grass in the centre where the statue stood has now a large, octagonal, covered seat, apparently formed with the old pedestal. The walk round and the four wide paths to the centre are retained, but the smaller intersecting paths are replaced by lawns on which grow some fine old elms. The railings with stone piers and handsome gates, shown in the engraving, have given place to much less ornamental iron rails. [Illustration: STATUE OF PITT, HANOVER SQUARE] Manchester Square is of later date. It was an open space approached by shady lanes from Cavendish Square for
370
some fifty years after that was built. The houses in Manchester Square were not begun till 1776--some ten years after the commencement of Portman Square. This district was all very semi-rural and unfinished until much later. Southey, in a letter, writes of Portman Square as “on the outskirts of the town,” and approached “on one side by a road, unlit, unpaved, and inaccessible by carriages.” The large corner house, now occupied by Lord Portman, was built for Mrs. Montagu, “Queen of the Blue Stockings,” and during her time “Montagu House” was the salon to which the literary celebrities of the day flocked. When Mrs. Montagu moved there from Hill Street she wrote to a friend, “My health has not been interrupted by the bad weather we have had; I believe Portman Square is the Montpellier of England.” In the centre of the Square garden was planted a “wilderness,” after the fashion of the day, and early in the nineteenth century, when the Turkish Ambassador resided in the Square, he erected a
371
kiosk in this “wilderness,” where he used to smoke and imagine himself in a perfumed garden of the East. It is still one of the best kept-up of the squares. Berkeley Square dates from nearly the same time as Grosvenor, having been begun in 1698, on the site of the extensive gardens of Berkeley House, which John Evelyn so much admired, and where flourished the holly hedges of which he advised the planting. The central statue here was one by Beaupré and Wilton of George III., which was removed in 1827, and the base of the statue made into a summer-house. In the place of the usual statesman, a drinking fountain, with a figure pouring the water--the gift of the Marquess of Lansdowne--has been placed outside the rails at the southern end. The plane trees are very fine, and were planted at the end of the eighteenth century, it is said, by Mr. Edward Bouverie in 1789. The plane has been so long grown in London these cannot be said with certainty to be the oldest, as is so often stated. Some
372
in Lincoln’s Inn Fields are decidedly larger. In 1722 Fairchild writes in praise of the plane trees, about 40 feet high, in the churchyard of St. Dunstan-in-the-East. Loudon mentions one at the Physic Garden, planted by Philip Miller, which was 115 feet high in 1837 (a western Plane--not the great oriental Plane which fell down a few years ago). The western Plane (_Platinus occidentalis_) was introduced to this country many years after the eastern Plane (_Platinus orientalis_). The tree most common in town is a variety of eastern Plane called _accrifolia_, known as the “London Plane”: this must have been a good deal planted all through the eighteenth century, so it is difficult to assign to any actual tree the priority. St. James’s Square is older than any of the squares already glanced at, having been built in the time of Charles II. It was known as Pall Mall Field or Close, originally part of St. James’s Fields, and the actual site of the Square was a meadow used by those attached t
373
o the Court as a sort of recreation ground. Henry Jermyn, Earl of St. Albans, leased it in 1665 from Charles II., and began to plan the Square or “Piazza,” as it was called at first. The deadly year of the Plague, followed by the Great Fire, delayed the building, and the houses were not finished and lived in till 1676. No. 6 in the Square, belonging to the Marquess of Bristol, has been in his family since that time. Every one of the fine old houses has its story of history and romance. Here Charles II. was frequently seen visiting Moll Davis, Sir Cyril Wyche, and the Earl of Ranelagh. The Earl of Romney, and the Duke of Ormond, and Count Tallard the French Ambassador, are names connected with the Square in William III.’s time, and Josiah Wedgwood lived at No. 7. But these and many other historical personages did not look from their windows on to a well-ordered garden, and the Court beauties did not wander with their admirers under the spreading trees. The centre of the Square was left
374
open, and merely like a field. The chief use to which the space seems to have been put was for displays of fireworks. One of the great occasions for these was after the Peace of Ryswick, but unfortunately they were not always very successful. An eye-witness, writing to Sir Christopher Hatton, says of Sir Martin Beckman, who had the management of them, that he “hath got the curses of a good many and the praises of nobody.” The open space eventually became so untidy that the residents in 1726 petitioned Parliament to allow them to levy a special rate to “cleanse, adorn, and beautify the Square,” as “the ground hath for some years past lain, and doth now lie, rude and in great disorder, contrary to the design of King Charles II., who granted the soil for erecting capital buildings.” So badly used was it that even a coach-builder had erected a shed in the middle of it, in which to store his timber. Strong measures were taken, and any one “annoying the Square” after May 1, 1726, was to be f
375
ined 20s., and any one encroaching on it, £50. No hackney coach was allowed to ply there, and unless a coachman, after setting down his fare, immediately drove out of the Square, he was to be fined 10s. The whole place was levelled and paved, and a round basin of water, which was intended to have a fountain in it, and never did, was dug in the centre. Round it ran an octagon railing with stone obelisks, surmounted with lamps at each angle. A road of flat paving-stones with posts went round the Square in front of the houses; the rest was paved with cobble stones. As early as 1697 it was proposed to place a statue of William III., and figures emblematical of his victories, in the Square, but nothing was done. In 1721 the Chevalier de David tried to get up a subscription for a sum of £2500 for a statute of George I. to be done by himself and set up, but, as he only collected £100 towards it, that scheme also fell through. Once more an effort was made which bore tardy fruit, for in 1724 Sa
376
muel Travers bequeathed a sum of money by will “to purchase and erect an equestrian statue in brass to the glorious memory of my master, King William III.” Somehow this was not carried out at the time, but in 1806 the money appeared in a list of unclaimed dividends, and John Bacon the younger was given the commission to model the statue, which was cast in bronze at the artist’s own studio in Newman Street, and put up in the centre of the pond. Thus it remained until towards the middle of last century the stagnant pool was drained. In the 1780 riots the mob carried off the keys of Newgate and flung them into this basin, where years afterwards they were found. It was 150 feet in diameter, and 6 or 7 feet deep. When the pond was drained, the garden was planted in the form it now is, and the statue left standing in the centre. St. James’s is still one of the finest residential squares in London, and the old rhyme, picturing the attractions in store for the lady of quality who became a duch
377
ess and lived in the Square, might have been written in the twentieth instead of the eighteenth century. “She shall have all that’s fine and fair, And the best of silk and satin shall wear; And ride in a coach to take the air, And have a house in St. James’s Square.” [Illustration: STATUE OF WILLIAM III. IN ST. JAMES’S SQUARE] Less cheerful has been the fate of Golden Square, which has a forsaken look, and the days when it may have justified its name are past. Originally Gelding Square, from the name of an inn hard by, the grander-sounding and more attractive corruption supplanted the older name. Another derivation for the word is also given--“Golding,” from the name of the first builder; but anyhow it was called Golden Square soon after it came into being. The houses round it were built about the opening years of the eighteenth century, when the dismal memories of the Plague were growing faint. For the site of Golden Square, “far from the haunts of men,” was
378
one of the spots where, during the Plague, thousands of dead were cast, by scores every night. These gloomy scenes forgotten, the Square was built, and at one time fashionable Lord Bolingbroke lived here, while Secretary for War. It is still “not exactly in anybody’s way, to or from anywhere.” The garden is neat, with a row of trees round the Square enclosure, and a path following the same lines. In the centre stands a statue of George II., looking thoroughly out of place, like a dilapidated Roman emperor. It was bought from Canons, the Duke of Chandos’s house, near Edgware, when the house was pulled down and everything sold in 1747. There are a few seats, but they are rarely used, and it has a very quiet and dreary aspect when compared with the cheerful crowds enjoying the gardens in its larger neighbour, Leicester Square. This was known as Leicester Fields, and was traversed by two rows of elm trees; and even after the houses round it were begun, about 1635, the name of Fields clung
379
to it. The ground was part of the Lammas Lands belonging to the parish of St. Martin’s-in-the-Fields, and Robert Sydney, Earl of Leicester, who built the house from which the Square takes its name, paid compensation for the land, to the poor of the parish £3 yearly. The house occupied the north-east corner of the Square, and in after years became famous as a royal residence. It has been called “the pouting-place” of princes, as it was to Leicester House that the Prince of Wales retired when he quarrelled with his father, George I.; and there Caroline the Illustrious gathered all the dissatisfied courtiers, and such wit and beauty as could be found, round her. When he became George II., and quarrelled in his turn with his son, Frederick, Prince of Wales, the latter came to live in Leicester House. The statue of George I. which stood in the centre of the garden was, it was said, put up by Frederick, with the express purpose of annoying his father. A view of the Square in 1700, shows a ne
380
atly-kept square garden with four straight walks, and trees at even distances, and Leicester House standing back, with a forecourt and large entrance gates, and a garden of its own with lawns and statues at the back. Savile House, next door to Leicester House, on the site of the present Empire Theatre, was also the scene of many interesting incidents, until it was practically destroyed during the Gordon Riots. The list of great names connected with the Square is too long to recite, but four of the greatest are commemorated by the four busts in the modern garden--Sir Joshua Reynolds, Hogarth, John Hunter, the eminent surgeon, and Sir Isaac Newton. But before these monuments were erected Leicester Square Garden had gone through a period of decay. It was left unkept up and uncared for; the gilt statue was tumbling to pieces, and was only propped up with wooden posts. The garden from 1851 for ten years, was used to exhibit the Great Globe of Wylde, the geographer, who leased the space from
381
the Tulk family, then the owners of the land. Leicester House, after it ceased to be a royal residence, was in the hands of Sir Ashton Lever, who turned it into a museum, which was open from 1771 to 1784, but failed to obtain much popularity. The collection was dispersed, and soon after the house was pulled down and the site built over, and the Square was allowed to get more and more untidy. Several efforts were made to purchase it for the public, but the price asked was prohibitive, as the owners wished to build on it. When, however, after much litigation, the Court of Appeal decided it could not be built on, but must be maintained as an open space, they were more ready to come to terms. A generous purchaser came forward, Mr. Albert (afterwards Baron) Grant, who bought the land, laid it out as a garden, and presented it to the public, to be kept up by the Metropolitan Board of Works. The plans for the newly-restored garden, were made for Mr. Grant by Mr. James Knowles, and the planti
382
ng done by Mr. John Gibson, who was then occupied with the sub-tropical garden in Battersea Park. The statue of Shakespeare in the centre, and the four busts, were also the gift of the same public benefactor, who presented the Square complete, with trees, statues, railings, and seats, in 1874. Soho Square was another of the fashionable squares of London, now gloomy and deserted by its former aristocratic residents. The gardens are kept up for the benefit of those living in the Square only, and are not enjoyed by the masses, like Leicester Square. Maitland describes the building and consecration of St. Anne’s, Soho, or, as he calls it, St. Anne’s, Westminster, which was in 1685 separated from St. Martin’s-in-the-Fields, and a new parish created, just in the same way as scores of parishes have to be treated nowadays, to meet the needs of the much more rapidly-growing population. Of the new parish, he says the only remarkable things were “its beautiful streets, spacious and handsome Chur
383
ch, and stately Quadrate, denominated King’s-Square, but vulgarly Soho-Square.” Various suggestions have been made as to the origin of the name, and the most popular explanation is that it was a hunting-cry used in hunting hares, which sport was indulged in over these fields. The word Soho occurs in the parish registers as early as 1632. When first built the Square was called King Square, from Geoffrey King, who surveyed it, not after King Charles II. But the old name of the fields became for ever attached to the Square, to the entire exclusion of the more modern one, after the battle of Sedgemoor. Monmouth’s supporters on that occasion took the word Soho for their watchword, from the fact that Monmouth lived in the Square. In 1690 John Evelyn notes that he went with his family “to winter at Soho in the Great Square.” Monmouth House was built by Wren, when the Square was begun in 1681, and it was pulled down, to make room for smaller houses on the south side of the Square, in 1773. The
384
re are some fine old trees in the garden, and a statue of Charles II. used, till the middle of last century, like the one in St. James’s Square, to stand in a basin of water, with figures round it, emblematic of the rivers Thames, Severn, Tyne, and Humber, spouting water. Nollekens, the sculptor, who was born in 28 Dean Street, Soho, in 1738, recalled how he stood as a boy “for hours together to see the water run out of the jug of the old river-gods in the basin in the middle of the Square, but the water never would run out of their jugs but when the windmill was going round at the top of Rathbone Place.” The centre of the Square was in 1748 “new made and inclosed with iron railings on a stone kirb,” and “eight lamp Irons 3 ft. 6 in. high above the spikes in each of the Eight corner Angles”: the “Channell all round the Square” was paved with “good new Kentish Ragg stones.” Beyond Oxford Street are collected a great number of squares in the district of Bloomsbury. They are all surround
385
ed by solid, well-built houses, which seem to hold their own with dignity, even though fashion has moved away from them westward. Before the squares arose, this was the site of two great palaces with their gardens. One of them, Southampton House, afterwards known as Bedford or Russell House, was where Bloomsbury Square now is. In 1665, February 9, Evelyn notes that he “dined at my Lord Treasurer’s the Earl of Southampton, in Bloomsbury, where he was building a noble square or piazza, a little town; his own house stands too low--some noble rooms, a pretty cedar chapel, a naked garden to the North, but good air.” This house was pulled down in 1800, and Russell Square was built on the garden. Both Bloomsbury, or Southampton Square, as it was sometimes called, and Russell Square have good trees, and in each garden there is a statue by Westmacott. Charles James Fox, seated in classical drapery, erected in 1816, looks down Bedford Place, where stood Southampton House, towards the larger stat
386
ue, with elaborate pedestal and cupids, of Francis, Duke of Bedford, in Russell Square. This is one of London’s largest Squares, being only about 140 feet smaller than Lincoln’s Inn Fields, and included most of the garden of Southampton House, with its fine limes, and a large locust-tree, _Robinia pseudo acacia_. The laying out is more original in design than most of the squares, having been done by Repton in 1810. In Repton’s book on Landscape Gardening he goes fully into his reasons for the design of Russell Square. “The ground,” he said, “had all been brought to one level plain at too great expense to admit of its being altered.” He approves of the novel plan of placing the statue at the edge instead of in the usual position in the centre of the Square. “To screen the broad gravel-walk from the street, a compact hedge is intended to be kept clipt to about six feet high; this, composed of privet and hornbeam, will become almost as impervious as a hedge of laurels, or other evergreen
387
s, which will not succeed in a London atmosphere.” He says he has not “clothed the lawn” with plantation, so that children playing there could be seen from the windows, to meet “the particular wishes of some mothers.” “The outline of this area is formed by a walk under two rows of lime-trees, regularly planted at equal distances, not in a perfect circle, but finishing towards the statue in two straight lines.” He imagines that fanciful advocates of landscape gardening will object to this as too formal, and be “further shocked” by learning that he hoped they would be kept cut and trimmed. Within were to be “groves in one quarter of the area, the other three enriched with flowers and shrubs, each disposed in a different manner, to indulge the various tastes for regular or irregular gardens.” He ends his description by saying: “A few years hence, when the present patches of shrubs shall have become thickets--when the present meagre rows of trees shall have become an umbrageous avenue--and
388
the children now in their nurses’ arms shall have become the parents or grand-sires of future generations--this square may serve to record, that the Art of Landscape Gardening in the beginning of the nineteenth century was not directed by whim or caprice, but founded on a due consideration of utility as well as beauty, without a bigoted adherence to forms and lines, whether straight, or crooked, or serpentine.” Repton always put forth his ideas in high-sounding language, often not so well justified as in the present case. The lime-trees have been allowed to grow taller than he desired, and yet are not fine trees from having at one period been kept trimmed; but they certainly form an attractive addition to the usual design, and looking at them, after nearly a hundred years, from the outside, where they form a background to the statue, the effect in summer is very attractive. Bedford Square is on the gardens of the other great house--Montagu House, built by the Duke of Montagu. Evelyn
389
also notes going to see that. In 1676, “I dined,” he says, “with Mr. Charleton and went to see Mr. Montagu’s new palace near Bloomsbury, built by Mr. Hooke of our Society [the Royal] after the French manner.” This house was burnt down ten years later, and rebuilt with equal magnificence; but when the Duke moved to Montagu House, Whitehall, in 1757, it became the home of the British Museum. The old house was pulled down and the present building erected in 1845. The Square was laid out at the end of the eighteenth century on the gardens and the open fields of the parish of St. Giles-in-the-Fields beyond. Lord Loughborough lived in No. 6, and after him Lord Eldon from 1804 to 1815. At the time of the Gordon Riots in 1780, when Lord Mansfield’s house was plundered, troops were stationed near, and a camp formed in the garden of the British Museum. That garden was also of use when, in March 1815, Lord Eldon’s house in Bedford Square was attacked by a mob, and he was forced to make his escap
390
e out of the back into the Museum garden. Of Queen’s Square, built in Queen Anne’s time, but containing a statue of Queen Charlotte, and all the other squares of this district there is little of special interest to record directly connected with their gardens. They all have good trees, and are kept up much in the same style. Red Lion Square is an exception. It has a longer history, and now its garden differs from the rest, as it is open to the public, and a great boon in this crowded district. It takes its name from a Red Lion Inn, which stood in the fields long before any other houses had grown up near it. It was to this inn that the bodies of the regicides Cromwell, Ireton, and Bradshaw were carried, when they were exhumed from Westminster Abbey and taken, with all the horrible indignities meted out to traitors, to Tyburn. A tradition, probably without foundation, was for long current that a rough stone obelisk, which stood afterwards in the Square, marked the spot where Cromwell’s
391
body was buried by friends who rescued the remains from the scaffold. The houses were built round it at the end of the seventeenth century, but the space in the middle seems, like all other squares at this time, to have been more or less a rubbish heap, and a resort of “vagabonds and other disorderly persons.” In 1737 the inhabitants got an Act of Parliament to allow them to levy a rate to keep the Square in order. A contemporary, in praising this determination to beautify the Square, “which had run much to decay,” hopes that “Leicester Fields and Golden Square will soon follow these good examples.” The “beautifying” consisted in setting up a railing round it, with watch-houses at the corners, while the obelisk rose in the centre out of the rank grass. The present garden, when first opened to the public, was managed by the Metropolitan Gardens Association, but since 1895 the London County Council have looked after it; the inhabitants having made a practically free gift of it for the
392
public benefit. The nice old trees, flowers, seats, and fountain make it a much less gloomy spot than during any time of its history since the Red Lion kept solitary watch in the fields. The largest of all the squares is Lincoln’s Inn Fields. The garden, which is 7¼ acres in extent, was, after many lengthy negotiations, finally opened to the public in 1895. The fine old houses which survive, show the importance and size of Inigo Jones’s original conception. It has been said that the Square is exactly the same size as the base of the Great Pyramid, but this is not the case. The west side, which was completed by Inigo Jones, was begun in 1618, but the centre of the Square was left an open waste till long after that date. The Fields, before the building commenced, were used as a place of execution, and Babington and his associates met a traitor’s death, in 1586, on the spot where it was supposed they had planned some of their conspiracy. The surrounding houses had been built, and the gro
393
und was no longer an open field when William, Lord Russell, was beheaded there in 1683. The scaffold was erected in what is now the centre of the garden. The Fields for many years bore a bad name, and were the haunt of thieves and ruffians of all sorts. When things reached such a climax, that the Master of the Rolls was knocked down in crossing the Fields, the centre was railed in. This was done about 1735, with a view to improving their condition, and they remained closed, and kept up by the inhabitants, until a few years ago. The chief feature in the pleasant gardens now are the very fine trees. There are some patriarchal planes, with immense branches, under which numbers of people are always to be seen resting. The houses, Old Lindsay House, Newcastle House, the College of Surgeons, Sir John Soane’s Museum, with long histories of their own, and all the lesser ones, with a sleepy air of dingy respectability and ancient splendour, now look down on a most peaceful, well-kept garden, an
394
d Gay’s lines of warning are no longer a necessary caution:-- “Where Lincoln’s Inn wide space is rail’d around, Cross not with venturous step; there oft is found The lurking thief, who, while the daylight shone, Made the walls echo with his begging tone; That crutch, which late compassion moved, shall wound Thy bleeding head, and fell thee to the ground.” Adjoining the Fields is New Square, which used to be known as Little Lincoln’s Inn Fields, and earlier still as Fickett’s Field or Croft. It was built in 1687. Fickett’s Fields occupied a wider area, and until 1620 they, like the larger Fields, were a place of execution. The site of New Square was planted and laid out in very early days. The Knights of St. John in 1376 made it into a walking place, planted with trees, for the clerks, apprentices, and students of the law. In 1399 a certain Roger Legit was fined and imprisoned for setting mantraps with a “malicious intention to maim the said clerks a
395
nd others,” as they strolled in their shaded walks. This Square, like all others, went through phases of being unkept and untidy, but was finally remodelled, into its present neat form, in 1845. Eastwards, into the heart of London there are the squares which are the remains of the open ground without the City walls. Charterhouse Square, which is now a retired, quiet spot with old houses telling of a former prosperity, has a history reaching back to the fourteenth century. In the days of the Black Death, when people were dying so fast that the Chronicler of London, Stowe, says that “scarce the tenth person of all sorts was left alive,” the “churchyards were not sufficient to receive the dead, but men were forced to chuse out certaine fields for burials: whereupon Ralph Stratford, Bishop of London, in the yeere 1348 bought a piece of ground, called _No man’s land_, which he inclosed with a wall of Bricke, and dedicated for buriall of the dead, builded thereupon a proper Chappell, which
396
is now enlarged, and made a dwelling-house: and this burying plot is become a faire Garden, retaining the old name of Pardon Churchyard.” It was very soon after this purchase, that the Carthusian monastery was founded hard by; but although the land was bought by the Order, Pardon Churchyard was maintained as a burial-ground for felons and suicides. After the dissolution of the monasteries, when Charterhouse School and Hospital had been established by Thomas Sutton, the houses round the other three sides of the Square began to be built. One of the finest was Rutland House, once the residence of the Venetian Ambassador. It is still a quiet, quaint place of old memories; and the garden, with two walks crossing each other diagonally, and some fair-sized trees, has a solemn look, as if, even after all the centuries that have passed, it had some trace of its origin. Finsbury Circus and Finsbury Square are very different. They are more modern, bustling places which have entirely effaced the p
397
ast. That they were, for long years, the most resorted to of open spaces, where Londoners took their walks is well-nigh forgotten, except in the name Finsbury, or Fensbury, the fen or moor-like fields without the walls. Bethlehem Hospital, known as Bedlam, was, for many generations, the only large building on the Fields. Finsbury Square was begun more than a hundred years ago, and but for the few green trees, nothing suggests the former country origin. Trinity Square, by the Tower, is so unique in aspect and association that it must be mentioned. In the sixteenth century the “tenements and garden plots” encroached on Tower Hill right up to the “Tower Ditch,” and from the earliest time some kind of garden existed at the Tower. When it was a royal residence, frequent entries appear in the accounts of payments for the upkeep of the garden. Although so much has changed, and the wild animals that afforded amusement for centuries are removed, it is pleasant to see the moat turned into walks,
398
and well planted with iris and hardy plants, and making quite a bright show in summer, in contrast to the sombre grey walls. Away in the East End there are numbers of other gloomy little squares whose gardens are the playground of the neighbourhood. They are useful spaces of air and light, and the few trees and low houses surrounding them give a little ventilation in some of the very crowded districts. They are all much alike; in some more care has been taken in the planting and selection of the trees than in others. There is De Beauvoir Square, Dalston; Arbour Square, off the Commercial Road; York Square, Stepney; Wellclose, near the Mint and London Docks; Trafalgar Square, Mile End; and many others dotted about among the dismal streets. Turning to the West End again, the largest of the square spaces is Vincent Square, which forms the playground of the Westminster boys. It derives its name from Dr. Vincent, the head-master who was chiefly instrumental in obtaining it for the use of
399
the boys. It was first marked out in 1810, and enclosed by railings in 1842. The 10 acres of ground were part of Tothill Fields, and the site was a burial-place in the time of the Great Plague. There is nothing of historical interest in the Squares of Belgravia. The ground covered by Belgrave Square was known as Five Fields, which were so swampy that no one had attempted to build on them. It was the celebrated builder, Thomas Cubitt, who in 1825 was able by draining, and removing clay, which he used for bricks, to reach a solid foundation, and in a few years had built Belgrave and Eaton Squares and the streets adjoining. The site of the centre of Belgrave Square was then a market-garden. Ebury Square, the garden of which is open to the public, and tastefully laid out, was built about 1820. The farm on that spot, which in 1676 came to the Grosvenor family, was a farm of 430 acres in Queen Elizabeth’s time, and is mentioned as early as 1307, when Edward I. gave John de Benstede permissi
400
on to fortify it. There was only one road across the swampy ground from St. James’s to Chelsea, and that was the King’s Road, which followed the line of the centre of Eaton Square. There were, however, numerous footpaths, infested by footpads and robbers at night, and bright with wild flowers and scented by briar roses by day. There is a great sameness among all the squares between Vauxhall Bridge and the Pimlico Road. Of this latter original-sounding name there seems no satisfactory explanation. The space between Warwick Street and the river, was in old times occupied by the Manor House of Neyte, and in later days by nurseries and a tea garden, known as the Neat House. The ground near Eccleston Square was an osier bed. The whole surface was raised by Cubitt, with soil from St. Katherine’s Docks in 1827, and the houses built, and square gardens laid out; Eccleston in 1835, Warwick 1843, St. George’s 1850, and so on until the whole was covered. The gardens are all in the same style, and