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power .
power .
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technical error in allowing irene to speak
tecnikal eror in alowing irene to speak
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makes her few brief scenes effective , and
makes her few brif senes efektive , and
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mance of rare intelligence and restrained
manse of rare inteligense and restrained
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mr. dinsdale landen , in the longest and most
mr. dinsdale landen , in the longest and most
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arguably , the dramatist has committed a
arguably , the dramatist has komited a
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in our minds about her if she remained
in or minds abot her if xe remained
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a flawed but beautiful enigma , seen but
a flawed but beautiful enigma , sen but
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not heard . however , miss pinkie johnstone
not heard . however , mis pinki johnstone
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for herself ; we would be altogether clearer
for herself ; we wold be altogether klearer
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streets and wet pavements , the school play-
strets and wet pavements , the scol play-
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grounds , the public monuments and the
gronds , the publik monuments and the
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rubbish strewn canals - even the worn
rubix strewn kanals - even the worn
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england and has made it live . the shabby
england and has made it live . the xaby
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taken a town in the industrial north of
taken a town in the industrial i of
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head-stones in the churchyard , " sacred to
head-stones in the curcyard , " sakred to
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part of the story .
part of the story .
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the memory of " - are seen as an integral
the memory of " - are sen as an integral
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in a taste of honey mr. richardson has
in a taste of honey mr. ricardson has
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the film version of miss shelagh delaney's play a
the film version of mis xelagh delaney's play a
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taste of honey opens at the leicester square theatre
taste of honey opens at the lesester square theatre
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are everywhere apparent .
are everywhere aparent .
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to be derived from this unity of conception and control
to be derived from this unity of konseption and kontrol
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tomorrow . it has been produced and directed by
tomorow . it has ben prodused and direkted by
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mr. tony richardson , who is also part-author with
mr. tony ricardson , who is also part-author with
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miss delaney of the script , and the great advantages
mis delaney of the skript , and the great advantages
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is not asking us to believe that , because of
is not asking us to belive that , bekause of
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rest , one feels , were driven to effective action by
rest , one fels , were driven to efektive aktion by
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the author in spite of the ineffectuality with
the author in spite of the inefektuality with
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which he had endowed them . one hopes that he
whic he had endowed them . one hopes that he
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queer foreigners of tradition .
quer foregners of tradition .
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only mr. lucas's actions , therefore , arose
only mr. lukas's aktions , therefore , arose
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explicably from appreciable motives . the
explikably from apresiable motives . the
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their odd accents , they act oddly like the
ther od aksents , they akt odly like the
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and suitably gaudy colour .
and suitably gaudy kolor .
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but played with proper efficiency and ,
but played with proper efisinsy and ,
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comically grotesque ; they were not
komikaly grotesque ; they were not
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insensitively pushing , miss sheila allen
insensitively puxing , mis xela alen
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mr. william lucas ( morris ) is always
mr. wiliam lukas ( moris ) is always
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asked to modulate from their set moods
asked to modulate from ther set mods
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in the case of mr. richards , with lavish
in the kase of mr. ricards , with lavix
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cally abashed by the events , and mr.
kaly abaxed by the events , and mr.
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james maxwell , the editor , always comi-
james maxwel , the editor , always komi-
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his wife , always palely appealing , mr.
his wife , always palely apealing , mr.
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aubrey richards , the father-in-law , always
aubrey ricards , the father-in-law , always
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was a morality on the not unfamiliar theme of
was a morality on the not unfamiliar theme of
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the destructive power of unbridled ambition .
the destruktive power of unbridled ambition .
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mr. bryan stonehouse's production is quietly effective ,
mr. bryan stonehose's produktion is quitly efektive ,
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by a strong maternal instinct to the unborn
by a strong maternal instinkt to the unborn
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child as much as to the expectant mother ,
cild as muc as to the expektant mother ,
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who acts as a protector and comforter to
who akts as a protektor and komforter to
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sexual , estranged from women but yet moved
sexual , estranged from women but yet moved
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panionship and sympathy - " you need someone
panionxip and sympathy - " yo ned someone
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by an old man . here it is a young homo-
by an old man . here it is a yong homo-
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her in her hour of need . he shares her room
her in her hor of ned . he xares her rom
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and gives her his forlorn gift of com-
and gives her his forlorn gift of kom-
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in fanny the pregnant girl is befriended
in fany the pregnant girl is befrinded
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to love you while you are looking for
to love yo while yo are loking for
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intense realism in the situation . a young
intense realism in the situation . a yong
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first time herself it is incoherently , clumsily ,
first time herself it is inkoherently , klumsily ,
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her first lover is a sailor who leaves her
her first lover is a sailor who leaves her
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to bear his child and sails away .
to bear his cild and sails away .
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but half inquisitively . as is the case in fanny
but half inquisitively . as is the kase in fany
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but there is heart in the telling , and an
but there is heart in the teling , and an
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her slatternly , promiscuous mother . in such
her slaternly , promiskuus mother . in suc
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surroundings she learns sex is something
surondings xe learns sex is something
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sordid , and when she experiences it for the
sordid , and when xe experinses it for the
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girl lives in a single dingy room with
girl lives in a single dingy rom with
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around him in complete , unredeemable desolation .
arond him in komplete , unredemable desolation .
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left its central character and the world
left its sentral carakter and the world
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generate a melodramatic inevitability which
generate a melodramatik inevitability whic
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we could , perhaps , say whether or not the attempt
we kold , perhaps , say whether or not the atempt
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succeeded if we had a little more faith in the
sukseded if we had a litle more faith in the
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treatments of its subject by attempting to
treatments of its subjekt by atempting to
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characters .
carakters .
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it went , perhaps , some distance beyond most
it went , perhaps , some distanse beyond most
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as a protector and comforter to her in her
as a protektor and komforter to her in her
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estranged from women but yet moved by a
estranged from women but yet moved by a
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strong maternal instinct to the unborn child
strong maternal instinkt to the unborn cild
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as much as to the expectant mother , who acts
as muc as to the expektant mother , who akts
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you are looking for someone to love " .
yo are loking for someone to love " .
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her his forlorn gift of companionship and sym-
her his forlorn gift of kompanionxip and sym-
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in fanny the pregnant girl is befriended by
in fany the pregnant girl is befrinded by
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hour of need . he shares her room and gives
hor of ned . he xares her rom and gives
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pathy - " you need someone to love you while
pathy - " yo ned someone to love yo while
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pulated his characters .
pulated his carakters .
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treatments of its subject by attempting to
treatments of its subjekt by atempting to
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the attempt succeeded if we had a little more
the atempt sukseded if we had a litle more
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faith in the way in which mr. ferris mani-
faith in the way in whic mr. feris mani-
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it went , perhaps , some distance beyond most
it went , perhaps , some distanse beyond most
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which left its central character and the world
whic left its sentral carakter and the world
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around him in complete , unredeemable de-
arond him in komplete , unredemable de-
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solation . we could , perhaps , say whether or not
solation . we kold , perhaps , say whether or not
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generate a melodramatic inevitability
generate a melodramatik inevitability
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surroundings she learns sex is something
surondings xe learns sex is something
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girl lives in a single dingy room with her
girl lives in a single dingy rom with her
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sordid , and when she experiences it for the
sordid , and when xe experinses it for the
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bear his child and sails away .
bear his cild and sails away .
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quisitively . as is the case in fanny her
quisitively . as is the kase in fany her
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first time herself it is incoherently ,
first time herself it is inkoherently ,