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-1no label
| power . | power . |
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-1no label
| technical error in allowing irene to speak | tecnikal eror in alowing irene to speak |
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| makes her few brief scenes effective , and | makes her few brif senes efektive , and |
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| mance of rare intelligence and restrained | manse of rare inteligense and restrained |
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| mr. dinsdale landen , in the longest and most | mr. dinsdale landen , in the longest and most |
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| arguably , the dramatist has committed a | arguably , the dramatist has komited a |
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| in our minds about her if she remained | in or minds abot her if xe remained |
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| a flawed but beautiful enigma , seen but | a flawed but beautiful enigma , sen but |
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| not heard . however , miss pinkie johnstone | not heard . however , mis pinki johnstone |
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| for herself ; we would be altogether clearer | for herself ; we wold be altogether klearer |
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| streets and wet pavements , the school play- | strets and wet pavements , the scol play- |
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| grounds , the public monuments and the | gronds , the publik monuments and the |
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| rubbish strewn canals - even the worn | rubix strewn kanals - even the worn |
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| england and has made it live . the shabby | england and has made it live . the xaby |
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| taken a town in the industrial north of | taken a town in the industrial i of |
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| head-stones in the churchyard , " sacred to | head-stones in the curcyard , " sakred to |
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| part of the story . | part of the story . |
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| the memory of " - are seen as an integral | the memory of " - are sen as an integral |
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| in a taste of honey mr. richardson has | in a taste of honey mr. ricardson has |
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| the film version of miss shelagh delaney's play a | the film version of mis xelagh delaney's play a |
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| taste of honey opens at the leicester square theatre | taste of honey opens at the lesester square theatre |
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| are everywhere apparent . | are everywhere aparent . |
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| to be derived from this unity of conception and control | to be derived from this unity of konseption and kontrol |
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| tomorrow . it has been produced and directed by | tomorow . it has ben prodused and direkted by |
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| mr. tony richardson , who is also part-author with | mr. tony ricardson , who is also part-author with |
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| miss delaney of the script , and the great advantages | mis delaney of the skript , and the great advantages |
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| is not asking us to believe that , because of | is not asking us to belive that , bekause of |
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-1no label
| rest , one feels , were driven to effective action by | rest , one fels , were driven to efektive aktion by |
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-1no label
| the author in spite of the ineffectuality with | the author in spite of the inefektuality with |
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| which he had endowed them . one hopes that he | whic he had endowed them . one hopes that he |
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| queer foreigners of tradition . | quer foregners of tradition . |
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| only mr. lucas's actions , therefore , arose | only mr. lukas's aktions , therefore , arose |
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| explicably from appreciable motives . the | explikably from apresiable motives . the |
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| their odd accents , they act oddly like the | ther od aksents , they akt odly like the |
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| and suitably gaudy colour . | and suitably gaudy kolor . |
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| but played with proper efficiency and , | but played with proper efisinsy and , |
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| comically grotesque ; they were not | komikaly grotesque ; they were not |
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| insensitively pushing , miss sheila allen | insensitively puxing , mis xela alen |
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| mr. william lucas ( morris ) is always | mr. wiliam lukas ( moris ) is always |
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| asked to modulate from their set moods | asked to modulate from ther set mods |
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| in the case of mr. richards , with lavish | in the kase of mr. ricards , with lavix |
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| cally abashed by the events , and mr. | kaly abaxed by the events , and mr. |
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| james maxwell , the editor , always comi- | james maxwel , the editor , always komi- |
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| his wife , always palely appealing , mr. | his wife , always palely apealing , mr. |
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| aubrey richards , the father-in-law , always | aubrey ricards , the father-in-law , always |
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| was a morality on the not unfamiliar theme of | was a morality on the not unfamiliar theme of |
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| the destructive power of unbridled ambition . | the destruktive power of unbridled ambition . |
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-1no label
| mr. bryan stonehouse's production is quietly effective , | mr. bryan stonehose's produktion is quitly efektive , |
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| by a strong maternal instinct to the unborn | by a strong maternal instinkt to the unborn |
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| child as much as to the expectant mother , | cild as muc as to the expektant mother , |
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| who acts as a protector and comforter to | who akts as a protektor and komforter to |
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| sexual , estranged from women but yet moved | sexual , estranged from women but yet moved |
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| panionship and sympathy - " you need someone | panionxip and sympathy - " yo ned someone |
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| by an old man . here it is a young homo- | by an old man . here it is a yong homo- |
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-1no label
| her in her hour of need . he shares her room | her in her hor of ned . he xares her rom |
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| and gives her his forlorn gift of com- | and gives her his forlorn gift of kom- |
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-1no label
| in fanny the pregnant girl is befriended | in fany the pregnant girl is befrinded |
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| to love you while you are looking for | to love yo while yo are loking for |
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| intense realism in the situation . a young | intense realism in the situation . a yong |
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| first time herself it is incoherently , clumsily , | first time herself it is inkoherently , klumsily , |
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-1no label
| her first lover is a sailor who leaves her | her first lover is a sailor who leaves her |
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| to bear his child and sails away . | to bear his cild and sails away . |
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-1no label
| but half inquisitively . as is the case in fanny | but half inquisitively . as is the kase in fany |
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| but there is heart in the telling , and an | but there is heart in the teling , and an |
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| her slatternly , promiscuous mother . in such | her slaternly , promiskuus mother . in suc |
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-1no label
| surroundings she learns sex is something | surondings xe learns sex is something |
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| sordid , and when she experiences it for the | sordid , and when xe experinses it for the |
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-1no label
| girl lives in a single dingy room with | girl lives in a single dingy rom with |
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| around him in complete , unredeemable desolation . | arond him in komplete , unredemable desolation . |
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-1no label
| left its central character and the world | left its sentral carakter and the world |
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| generate a melodramatic inevitability which | generate a melodramatik inevitability whic |
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| we could , perhaps , say whether or not the attempt | we kold , perhaps , say whether or not the atempt |
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| succeeded if we had a little more faith in the | sukseded if we had a litle more faith in the |
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| treatments of its subject by attempting to | treatments of its subjekt by atempting to |
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| characters . | carakters . |
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-1no label
| it went , perhaps , some distance beyond most | it went , perhaps , some distanse beyond most |
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-1no label
| as a protector and comforter to her in her | as a protektor and komforter to her in her |
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-1no label
| estranged from women but yet moved by a | estranged from women but yet moved by a |
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-1no label
| strong maternal instinct to the unborn child | strong maternal instinkt to the unborn cild |
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-1no label
| as much as to the expectant mother , who acts | as muc as to the expektant mother , who akts |
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-1no label
| you are looking for someone to love " . | yo are loking for someone to love " . |
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-1no label
| her his forlorn gift of companionship and sym- | her his forlorn gift of kompanionxip and sym- |
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-1no label
| in fanny the pregnant girl is befriended by | in fany the pregnant girl is befrinded by |
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-1no label
| hour of need . he shares her room and gives | hor of ned . he xares her rom and gives |
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-1no label
| pathy - " you need someone to love you while | pathy - " yo ned someone to love yo while |
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-1no label
| pulated his characters . | pulated his carakters . |
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| treatments of its subject by attempting to | treatments of its subjekt by atempting to |
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-1no label
| the attempt succeeded if we had a little more | the atempt sukseded if we had a litle more |
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-1no label
| faith in the way in which mr. ferris mani- | faith in the way in whic mr. feris mani- |
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-1no label
| it went , perhaps , some distance beyond most | it went , perhaps , some distanse beyond most |
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-1no label
| which left its central character and the world | whic left its sentral carakter and the world |
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-1no label
| around him in complete , unredeemable de- | arond him in komplete , unredemable de- |
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-1no label
| solation . we could , perhaps , say whether or not | solation . we kold , perhaps , say whether or not |
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-1no label
| generate a melodramatic inevitability | generate a melodramatik inevitability |
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-1no label
| surroundings she learns sex is something | surondings xe learns sex is something |
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-1no label
| girl lives in a single dingy room with her | girl lives in a single dingy rom with her |
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-1no label
| sordid , and when she experiences it for the | sordid , and when xe experinses it for the |
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-1no label
| bear his child and sails away . | bear his cild and sails away . |
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-1no label
| quisitively . as is the case in fanny her | quisitively . as is the kase in fany her |
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-1no label
| first time herself it is incoherently , | first time herself it is inkoherently , |
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