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-1no label
| intense realism in the situation . a young | intense realism in the situation . a yong |
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-1no label
| but there is heart in the telling , and an | but there is heart in the teling , and an |
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| clumsily , but half shyly and half in- | klumsily , but half xyly and half in- |
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-1no label
| first lover is a sailor who leaves her to | first lover is a sailor who leaves her to |
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-1no label
| only mr. lucas's actions , therefore , arose | only mr. lukas's aktions , therefore , arose |
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-1no label
| act oddly like the queer foreigners of | akt odly like the quer foregners of |
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-1no label
| tradition . | tradition . |
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| that , because of their odd accents , they | that , bekause of ther od aksents , they |
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-1no label
| explicably from appreciable motives . the rest , | explikably from apresiable motives . the rest , |
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-1no label
| one feels , were driven to effective action by | one fels , were driven to efektive aktion by |
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-1no label
| hopes that he is not asking us to believe | hopes that he is not asking us to belive |
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-1no label
| with which he had endowed them . one | with whic he had endowed them . one |
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-1no label
| the author in spite of the ineffectuality | the author in spite of the inefektuality |
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-1no label
| even the worn head-stones in the churchyard , | even the worn head-stones in the curcyard , |
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-1no label
| and has made it live . the shabby streets and | and has made it live . the xaby strets and |
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-1no label
| wet pavements , the school play-grounds , the | wet pavements , the scol play-gronds , the |
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-1no label
| public monuments and the rubbish strewn canals - | publik monuments and the rubix strewn kanals - |
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-1no label
| integral part of the story . | integral part of the story . |
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-1no label
| in a taste of honey mr. richardson has | in a taste of honey mr. ricardson has |
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-1no label
| taken a town in the industrial north of england | taken a town in the industrial i of england |
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-1no label
| " sacred to the memory of " - are seen as an | " sakred to the memory of " - are sen as an |
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-1no label
| richardson , who is also part-author with | ricardson , who is also part-author with |
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-1no label
| been produced and directed by mr. tony | ben prodused and direkted by mr. tony |
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-1no label
| leicester square theatre tomorrow . it has | lesester square theatre tomorow . it has |
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-1no label
| miss delaney of the script , and the great | mis delaney of the skript , and the great |
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-1no label
| advantages to be derived from this unity | advantages to be derived from this unity |
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-1no label
| play a taste of honey opens at the | play a taste of honey opens at the |
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| apparent . | aparent . |
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-1no label
| the film version of miss shelagh delaney's | the film version of mis xelagh delaney's |
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-1no label
| of conception and control are everywhere | of konseption and kontrol are everywhere |
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-1no label
| heard . however , miss pinkie johnstone makes her | heard . however , mis pinki johnstone makes her |
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-1no label
| for herself ; we would be altogether clearer | for herself ; we wold be altogether klearer |
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-1no label
| in our minds about her if she remained | in or minds abot her if xe remained |
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-1no label
| a flawed but beautiful enigma , seen but not | a flawed but beautiful enigma , sen but not |
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-1no label
| rare intelligence and restrained power . | rare inteligense and restrained power . |
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-1no label
| landen , in the longest and most exacting role , | landen , in the longest and most exakting role , |
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-1no label
| arguably , the dramatist has committed a | arguably , the dramatist has komited a |
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-1no label
| technical error in allowing irene to speak | tecnikal eror in alowing irene to speak |
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-1no label
| few brief scenes effective , and mr. dinsdale | few brif senes efektive , and mr. dinsdale |
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-1no label
| that of the sergeant , gives a performance of | that of the sergeant , gives a performanse of |
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-1no label
| throughout in terms of the cinema , and again | throghot in terms of the sinema , and again |
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-1no label
| also has its premiere tomorrow , the director , | also has its premire tomorow , the direktor , |
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-1no label
| create the atmosphere of a city . | kreate the atmosfere of a sity . |
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-1no label
| this is not a filmed play . it has been conceived | this is not a filmed play . it has ben konseved |
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-1no label
| story , and the marriage of the central charac- | story , and the mariage of the sentral carak- |
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-1no label
| ters to their background , which bring the | ters to ther bakgrond , whic bring the |
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-1no label
| film so vividly to life . in fanny , which | film so vividly to life . in fany , whic |
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-1no label
| and again it is the visual qualities of the | and again it is the visual qualitis of the |
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-1no label
| ceived throughout in terms of the cinema , and | seved throghot in terms of the sinema , and |
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-1no label
| has its premiere tomorrow , the director , mr. | has its premire tomorow , the direktor , mr. |
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-1no label
| create the atmosphere of a city . | kreate the atmosfere of a sity . |
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-1no label
| joshua logan , attempted but failed to | joxua logan , atempted but failed to |
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-1no label
| this is not a filmed play . it has been con- | this is not a filmed play . it has ben kon- |
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-1no label
| the story , and the marriage of the central | the story , and the mariage of the sentral |
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-1no label
| characters to their background , which bring the | carakters to ther bakgrond , whic bring the |
|
-1no label
| film so vividly to life . in fanny , which also | film so vividly to life . in fany , whic also |
|
-1no label
| again and again it is the visual qualities of | again and again it is the visual qualitis of |
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-1no label
| foreigners of tradition . | foregners of tradition . |
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-1no label
| explicably from appreciable motives . the | explikably from apresiable motives . the |
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-1no label
| to believe that , because of their odd | to belive that , bekause of ther od |
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-1no label
| accents , they act oddly like the queer | aksents , they akt odly like the quer |
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-1no label
| only mr. lucas's actions , therefore , arose | only mr. lukas's aktions , therefore , arose |
|
-1no label
| action by the author in spite of the | aktion by the author in spite of the |
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-1no label
| ineffectuality with which he had endowed | inefektuality with whic he had endowed |
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-1no label
| them . one hopes that he is not asking us | them . one hopes that he is not asking us |
|
-1no label
| rest , one feels , were driven to effective | rest , one fels , were driven to efektive |
|
-1no label
| this unity of conception and control are | this unity of konseption and kontrol are |
|
-1no label
| play a taste of honey opens at the leicester | play a taste of honey opens at the lesester |
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-1no label
| everywhere apparent . | everywhere aparent . |
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-1no label
| part-author with miss delaney of the script , | part-author with mis delaney of the skript , |
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-1no label
| an directed by mr. tony richardson , who is also | an direkted by mr. tony ricardson , who is also |
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-1no label
| square theatre tomorrow . it has been produced | square theatre tomorow . it has ben prodused |
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-1no label
| and the great advantages to be derived from | and the great advantages to be derived from |
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-1no label
| gral part of the story . | gral part of the story . |
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-1no label
| head-stones in the churchyard , " sacred to | head-stones in the curcyard , " sakred to |
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-1no label
| taken a town in the industrial north of | taken a town in the industrial i of |
|
-1no label
| in a taste of honey mr. richardson has | in a taste of honey mr. ricardson has |
|
-1no label
| the memory of " - are seen as an inte- | the memory of " - are sen as an inte- |
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-1no label
| play-grounds , the public monuments and | play-gronds , the publik monuments and |
|
-1no label
| streets and wet pavements , the school | strets and wet pavements , the scol |
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-1no label
| england and has made it live . the shabby | england and has made it live . the xaby |
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-1no label
| the rubbish strewn canals - even the worn | the rubix strewn kanals - even the worn |
|
-1no label
| heard . however , miss pinkie johnstone | heard . however , mis pinki johnstone |
|
-1no label
| for herself ; we would be altogether clearer | for herself ; we wold be altogether klearer |
|
-1no label
| in our minds about her if she remained a | in or minds abot her if xe remained a |
|
-1no label
| flawed but beautiful enigma , seen but not | flawed but beautiful enigma , sen but not |
|
-1no label
| mr. dinsdale landen , in the longest and most | mr. dinsdale landen , in the longest and most |
|
-1no label
| arguably , the dramatist has committed a | arguably , the dramatist has komited a |
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-1no label
| performance of rare intelligence and restrained | performanse of rare inteligense and restrained |
|
-1no label
| technical error in allowing irene to speak | tecnikal eror in alowing irene to speak |
|
-1no label
| makes her few brief scenes effective , and | makes her few brif senes efektive , and |
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-1no label
| treatments of its subject by attempting to | treatments of its subjekt by atempting to |
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-1no label
| his characters . | his carakters . |
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-1no label
| it went , perhaps , some distance beyond most | it went , perhaps , some distanse beyond most |
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-1no label
| left its central character and the world | left its sentral carakter and the world |
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-1no label
| around him in complete , unredeemable desolation . | arond him in komplete , unredemable desolation . |
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-1no label
| we could , perhaps , say whether or not the attempt | we kold , perhaps , say whether or not the atempt |
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-1no label
| generate a melodramatic inevitability which | generate a melodramatik inevitability whic |
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-1no label
| promiscuous mother . in such surroundings she | promiskuus mother . in suc surondings xe |
|
-1no label
| learns sex is something sordid , and when she | learns sex is something sordid , and when xe |
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