image_link
stringlengths 107
241
| annotation_type
stringclasses 2
values | ids
stringlengths 16
96
| languages
stringclasses 180
values | transcriptions_translated
stringlengths 105
7.21k
| culturally_distinct
stringclasses 64
values | culturally_distinct_explanations
stringlengths 5
1.32k
| summary
stringlengths 99
5.83k
| __index_level_0__
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3.07k
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|---|---|---|---|---|---|---|---|---|
native
|
['12ttbknZpMya', '19E484Jcn1YG']
|
['Hindi', 'Hindi']
|
['In this picture, a boat race is taking place in Kerala, South India. There are about four boats visible, and several men are seated to row them. These men are wearing white lungis and holding paddles. In the first boat, the people standing in the middle are holding a yellow umbrella. At the end of this boat, a flag can be seen. Similarly, in the second boat, the people standing in the middle are holding a red umbrella. The third boat also has an umbrella, which is yellow. Across the river, there is a ground covered in grass and several trees, all of which are green. The sky is cloudy, and this photograph was taken during the day.', 'In this picture, it appears to depict a boat race in Kerala, which is held there every year. People from many villages and towns participate in it. Many people race these boats to see which one comes in front. It is very famous for tourists, and it takes place only once a year. In each boat, it seems there are about fifty people, predominantly men, as women do not participate in this event. They decorate their boats in various ways so that people on the shore can recognize them. This event happens during a special festival. Kerala is a place with considerable rainfall, so there are rivers, and as you can see in the background, there is also a lot of greenery. It looks like this could be during the monsoon season, as there are many rainy season clouds in the sky.']
|
[True, True]
|
['Yes', 'This is boat race from Kerala.']
|
In this vivid depiction, we are presented with a captivating boat race occurring in the state of Kerala, located in South India. The scene features approximately four traditional longboats prominently visible on the water, each manned by several men who are seated and poised to row. These men are dressed in traditional white lungis, a type of garment commonly worn in the region, typically wrapped around the waist. Each boat is equipped with paddles, utilized for the competitive rowing that characterizes this event. In the first boat, notable individuals in the center are holding a bright yellow umbrella, which is often used in such races as a distinguishing feature and decorative element, symbolizing festivity. At the rear of this boat, a flag can be seen fluttering, which likely serves as a marker or emblem of the team or village represented. Similarly, in the second boat, people standing in the middle are seen with a striking red umbrella, differing from the first in color and style. The third boat also features an umbrella, this one being yellow, adding to the colorful tableau. Surrounding this dynamic competition, a picturesque landscape unfolds across the riverbank. The ground is lush with grass, and several trees are present, all showcasing various shades of green. This vibrant greenery is characteristic of Kerala's rich natural ecosystem, which is abundant due to the region's considerable rainfall. The sky overhead is dominated by thick, cloudy formations, suggesting that the photograph was taken during the day but possibly amidst the monsoon season, a time when Kerala receives significant rainfall. Delving deeper into this cultural event, it is notable that such boat races are held annually in Kerala and are celebrated festivals that attract participants and spectators from various villages and towns. The races are highly competitive, with numerous participants vying to determine which team reaches the finish line first. The event has garnered fame among tourists, becoming a must-see spectacle for those visiting the region. Each boat typically holds around fifty individuals, predominantly men, as tradition dictates that women do not participate in these races. The boats are often elaborately decorated to ensure they are easily recognized by onlookers along the shore, further enhancing the festive atmosphere of the occasion. This boat race is an integral part of Kerala's cultural fabric, showcasing the state's deep-rooted traditions and community spirit, particularly during the active monsoon season when the landscape is at its most vibrant and lush.
| 901 |
|
native
|
['11N1MA0bLq3T']
|
['Chinese']
|
['This picture is of an award-winning event in Hong Kong. In the top left corner, it appears to come from a television station called Star Hong Kong. There are five people in total, all of whom seem to be actors or singers who have won awards. In the center, there is a person wearing a black and white off-shoulder dress, holding a microphone while giving a speech. To their right is a woman in a red dress with long black hair and very red lipstick, cinched with a black leather belt. She has both hands in front, somewhat embracing her award. Next to the woman in red is a man in a black suit wearing glasses with a textured design; he is not wearing as glamorous an outfit as the woman in red. So in the middle, we have the woman in red and the man in the red suit. To the left of this woman is a tall woman in black, whose hair is brown. Next to her is a man in a yellow suit with different squares and also wearing glasses, but he is noticeably much taller than the other man.']
|
[False]
|
[nan]
|
This image captures a moment from an award-winning event held in Hong Kong, showcasing the glamour and prestige typically associated with such ceremonies. In the upper left corner of the picture, there is an indication that this image might originate from "Star Hong Kong," a television station that focuses on entertainment and culture in the region. In total, there are five individuals featured prominently in this photograph, all appearing to be accomplished figures in the entertainment industry, likely actors or singers who have received notable accolades. At the center of the image, a person stands out, wearing an elegant black and white off-shoulder dress that accentuates their poised demeanor. This individual is captured mid-speech, holding a microphone, suggesting they are addressing the audience or expressing gratitude for their award. To their right, a striking woman dressed in a bold red gown captures attention with her long, flowing black hair and vibrant red lipstick that enhances her glamorous appearance. Her outfit is cinched at the waist with a black leather belt, demonstrating a keen sense of style. She holds her award in front of her, positioning her hands as if to embrace it tightly, suggesting pride and honor in her achievement. Adjacent to the woman in red is a man adorned in a classic black suit. He wears glasses that feature a unique textured design, adding a touch of sophistication to his appearance. Though his outfit is less extravagant compared to the woman in red, it embodies a refined elegance suitable for the occasion. To the left of the woman in red, there is a tall woman dressed in black attire. Her brown hair cascades down, complementing her overall look. The contrast of her dark outfit and lighter hair adds depth to the composition of the group. Lastly, rounding out this ensemble is a man donning a striking yellow suit adorned with different square patterns. His choice of attire is quite bold and distinct, setting him apart visually. He also wears glasses, and his height is particularly noticeable, as he towers over the other male figure beside him, enhancing the diversity in their physical appearances. Overall, this photograph encapsulates a celebratory moment among notable figures in the entertainment sector of Hong Kong, reflecting the high fashion, vibrant personalities, and the significant achievements recognized at such prestigious events.
| 2,537 |
|
native
|
['1kI4p7Wdmmps', '1ia3qp8ReD7V', '18Uw3RGtjPFo']
|
['Chinese', 'Chinese', 'Chinese']
|
["If it's the first time looking at this picture, I would first notice a girl. This girl is wearing headphones and has brown hair with some black strands, which might have been dyed recently or has grown out. It could also be due to the lighting. She has a light yellow backpack and is wearing a white shirt. As for the items, I just mentioned there’s a headphone wire, a backpack, and there’s another person behind her. Next to her, there are some cosmetics, probably about three cosmetic items, and there’s a backpack as well. Without text, at least, I can't make out any words. The bottles are mostly on the right side, and the girl is positioned slightly left of the center—if we consider a scale from 0 to 10 on the X-axis, she would be around 3 to 5 or between 3 and 5.3. Some details include the headphone wire, the yellow backpack behind the person, and her hair having both brown and black. The background features some girls or other people, and the green areas might be trees, along with some cosmetics. The overall style and color scheme are quite vibrant, leaning more realistic, making it look like a photo taken by a highly skilled photographer or possibly generated by AI.", "This photo is of South Korean idol Lin Yun'er at the airport. In the image, Lin Yun'er has green hair that is very fluffy, reaching about the collarbone, and it is let down. It’s a side profile, and she is listening to music with white wired headphones. She is wearing a white short-sleeved T-shirt and has a yellow bag, although the bag isn't visible, the yellow leather shoulder strap can be seen. In the background, there is another woman with wine-red short hair that is not tied up, wearing a blue short-sleeved shirt. To her right, there is a semi-transparent cargo cabinet with some items that look like beauty products on top. The background is very blurry and not very clear.", 'In this photo, she is a female protagonist with deep reddish-brown and red tones. She is listening to music with headphones on her ears, wearing a white T-shirt and carrying a yellow-strap backpack. She is looking off into the distance, and in the background, there seems to be a row of makeup items or bottles and cans from domestic beverages. There is a white cabinet, and her eyes are focused straight ahead, giving off a sense of enjoyment while listening to music. She is pursing her lips and seems to be holding something, which I predict is the headphones. In the background, there appear to be four people, among whom the most noticeable is a girl with her back turned, wearing a blue polo shirt. She looks somewhat afraid, and there seems to be a sense of admiration or hesitation related to something white, as well as this girl being involved in a context related to vaccines or pods.']
|
[False, False, False]
|
[nan, nan, nan]
|
If it’s your first time examining this picture, your attention will likely be immediately drawn to a girl featured prominently in the foreground. This girl is depicted wearing headphones that suggest she is engaged in listening to music. She has brown hair that contains black strands, which may indicate recent dyeing or simply be a result of natural growth mixed with lighting effects. The hue of her hair appears to shift with the light, contributing to the overall aesthetic of the image. Additionally, she carries a light yellow backpack and is dressed in a simple yet stylish white shirt. Upon closer inspection, you can identify several items surrounding her. The prominent presence of the headphone wire indicates her engagement with her music device. Apart from her, there's another individual visible in the background, hinting at a social context. Nearby, there are also several cosmetic products—approximately three items—alongside her backpack, which adds a personalized touch to her portrayal. The absence of any textual elements makes it challenging to decipher specific details; however, the arrangement of bottles and cosmetics suggests a casual setting, likely capturing a moment in a vibrant lifestyle. The composition places the girl slightly left of center—if we visualize the frame on a scale from 0 to 10 along the X-axis, her position would likely range from 3 to 5, possibly around 5.3. Other notable details include the headphone wire, the distinct yellow backpack positioned behind the girl, and the juxtaposition of brown and black in her hair, which together create a dynamic visual contrast. In the background, you can discern a few more figures, likely other girls or people in a social setting, and green areas that may represent trees or plant life, contributing to a lively and natural ambiance. The overall style and color scheme of the image are vibrant and realistic, suggesting that it could have been captured by a skilled photographer or generated through advanced AI technology. The second description enhances your understanding of the visual by introducing Lin Yun'er, a South Korean idol, in an airport scene. In this image, her fluffy green hair is styled to fall around her collarbone and is prominently displayed in a side profile. Like the previous girl, she is also listening to music, but her headphones are white and wired, which complements her outfit. She wears a white short-sleeved T-shirt and, while her yellow bag is not fully visible, the shoulder strap—crafted from yellow leather—can be clearly seen, adding a touch of color to her outfit. In the background, another woman is noticeable; she has wine-red hair styled in a short, loose manner and is wearing a blue short-sleeved shirt, contributing diversity to the scene. To Lin Yun'er’s right, a semi-transparent cargo cabinet is identified with several items, appearing to be beauty products, adding depth to the narrative of this portrait. The image is slightly blurred, creating an impression that draws the focus towards Lin Yun'er and the immediate context rather than the surrounding details. The final description paints a vivid picture of a female protagonist characterized by deep reddish-brown and red tones in her hair. She, too, is enveloped in the experience of music, wearing headphones that clasp her ears while adorned in a white T-shirt and holding a yellow-strap backpack. Her gaze is directed off into the distance, suggesting a moment of introspection or enjoyment as she listens. In the background, various makeup items and domestic beverage cans can be observed, hinting at a casual setting that intertwines personal grooming with everyday life. There is a white cabinet situated in the background, and the girl appears focused on something captivating ahead, her lips pursed in contentment. She seems to clutch her headphones while seemingly holding something else, potentially something related to her music experience. In this context, the background takes on a slight narrative twist as four individuals are engaged in their own activities, among which the most prominent is a girl, turned away from the viewer, donned in a blue polo shirt. Her expression conveys a hint of anxiety or fear, possibly alluding to an emotionally charged situation involving admiration or hesitation. There are subtle references that hint at discussions around topics like vaccines or pods, heightening the stakes of this moment.
| 2,786 |
|
nonnative
|
['1nq3touavNGp', '186cwGly2vDV']
|
['English', 'Chinese']
|
[" this looks like a hospital room there are three hospital beds two next to each other and one on the other side of a divider there looks to be a nurse's uniform with no nurse in it by one of the beds each bed has a pillow on it the one nearest is risen the one behind it is not there seems to be speakers behind each bed and each bed there are sheets that are white and the pillow is also white and then there's a gray blanket on the foot and then a blue sheet on top of that by the foot of the bed the beds are pretty high off the ground they have black wheels and white frames about in the background has gray bars on the side of it likely to keep patients rolling off the wall back left is white the wall to the right of that is yellow the floor is kind of like a grayish brownish black checker pattern almost looks like pepper on the floor but it's not pepper it looks like it's marble", "The image should depict a hospital ward scene featuring two neatly arranged hospital beds and a model or doll dressed in a nurse's uniform. Each bed is covered with white sheets and pillows, and neatly folded blankets and sheets are placed on them. Each bed has a gray blanket and a blue sheet. There is a partition located on the right side, with no visible text. The two beds are placed side by side against the wall, with the head of the bed against the wall. The left side is closer to the center of the image, while the right side is near the curtains. The partition is situated between the two beds, with a nurse model placed in front of it. On each bed, at the upper center, gray blankets and blue comforters are stacked, and pillows are positioned at the head of the bed against the wall. The partition hangs down from the top, and the beds are white with a metal frame and equipped with wheels. The background includes walls, the partition, and the nurse model, possibly indicating that it's part of a hospital or outpatient medical facility. The walls are light-colored, reflecting a realistic style of a medical scene that emphasizes functionality and cleanliness, likely intended for educational or promotional purposes. The overall tone is calm and hygienic."]
|
[False, False]
|
[nan, nan]
|
The scene presented is set in a hospital room designed to provide a functional and clean environment conducive to medical care. The room features three hospital beds, two of which are arranged side by side, while the third bed is isolated on the other side of a partition. The beds are outfitted with white sheets and pillows, lending an air of sterility to the surroundings. Each bed is distinctly constructed, showcasing a significant height above the ground with notable black wheels and white frames, which provide mobility and practicality. At the foot of each bed, a gray blanket is neatly laid, topped with a blue sheet, creating a layered appearance that signifies readiness for patient use. A nurse's uniform, devoid of the nurse, is positioned next to one of the beds, suggesting preparedness for medical attention, though there's an absence of personnel in the immediate vicinity. This detail may reflect a use of models or props in an educational setting, underscoring a training environment rather than an operational one. The walls of the room contribute to a soothing aesthetic; the back left wall is painted white, while the adjacent wall on the right is a soft yellow hue, promoting a calming effect for patients. The pattern on the floor resembles a checkerboard design in grayish-brown and black tones, which adds a touch of depth to the room’s characterization yet maintains the overall sterile theme. The flooring is additionally noteworthy for its marble-like appearance, contributing to the impression of cleanliness critical in hospital settings. The hospital ward scene is further enhanced by the presence of speakers located behind each bed, which could serve various communication or medical purposes. The partition placed between the beds serves as a privacy barrier, often crucial in healthcare settings to provide patients with a sense of personal space. In this realistic depiction of a hospital ward, the careful arrangement of beds, the attention to detail with the bedding, the positioning of medical props, and the overall use of color and materials reflect a commitment to hygiene, safety, and comfort, suitable for either a medical training setting or promotional imagery for healthcare facilities. The depiction emphasizes the significance of a calm and hygienic environment tailored for patient care.
| 1,877 |
|
native
|
['1kgQ4jc2W54e', '142OfFFXt4ne']
|
['Chinese', 'Chinese']
|
['The first time I saw this image, I saw a poster, and there are about eight people in it. The text reads "Dancing Miracles," and the people are arranged from front to back. The ones in the back might be silhouettes of some dancers while they are dancing. There aren\'t many important details in this image; it looks like they were previously dancing ballet, so this might be a poster related to ballet. The background is in a dark blue light, and there are four people dancing their own ballet. The overall color scheme has a blue background, while the people in front are in color, and the font is quite dynamic and artistic.', 'This image is a character poster featuring four people in the center. The background is ultramarine blue, decorated with the poses of some dancers. Now, let\'s focus on the four individuals in the middle, all facing the camera and smiling. On the left is a man wearing a white long-sleeve shirt. In the center is a woman with a pink scarf, dressed in a red and white striped outfit, her hair pulled back. On the far right, there is a man in a black long-sleeve suit with his hands crossed over his chest; he has deep black hair and is looking at the camera. In the background, there is a woman with long hair, although only her head is visible as her lower body is blocked by the three people in front. This woman is wearing a taupe, or beige, hat. In front of the four main subjects of the photo, there are four large characters that read "Dancing Miracles," rendered in purple Chinese characters. The background retains that ultramarine blue tone, with the figure of some ballet dancers seamlessly integrated into it.']
|
[False, True]
|
[nan, 'Yes Chines TV drama']
|
The first time I encountered this image, it was presented as a poster featuring approximately eight individuals. The dominant text prominently displayed reads "Dancing Miracles." The composition of the individuals is deliberate, arranged from the front to the back of the poster. In the rear, there are what appear to be silhouettes of dancers engaged in movement, suggesting an energetic and dynamic performance. The overall impression is that the individuals portrayed may have previously engaged in ballet, which points to the likelihood that this poster is associated with a ballet-themed event or production. The background of the poster is captivating, enveloped in a deep and atmospheric blue hue, which sets a dramatic stage against the dancers. In the foreground, four dancers are depicted performing ballet, their movements and expressions capturing the elegance and grace of the art form. The color scheme is striking; the blue background contrasts with the vividly colored figures in the front. Additionally, the font used for the title "Dancing Miracles" is dynamic and artistic, echoing the energy of the performance it represents. The image itself can be described as a character poster that centers around four individuals, each exuding charisma as they face the camera with smiles. The background is a rich ultramarine blue, and it features several outlines or poses of dancers, which adds depth and context to the scene. Let’s delve into the details of the four individuals prominently displayed in the middle of the poster. On the left, there is a man dressed in a white long-sleeve shirt, exuding a sense of simplicity and elegance. Moving to the center, we see a woman wearing a pink scarf and dressed in a red and white striped outfit, her hair styled neatly pulled back, creating a polished appearance. On the far right stands another man, who is clad in a black long-sleeve suit. His arms are crossed over his chest, and he gazes directly at the camera, his deep black hair framing his determined expression. In the background, there is an intriguing woman with long hair, although her full figure is obscured by the individuals in front of her, leaving only her head visible. She adds a touch of mystery to the scene, particularly accentuated by the taupe or beige hat she is wearing, which complements the color palette of the poster. In front of the four main subjects, there are four large characters rendered in purple Chinese script that boldly announce "Dancing Miracles." The seamless integration of ballet dancer figures within the ultramarine blue background further enhances the artistic merit of the poster, providing a vibrant link to the theme of dance and movement portrayed throughout the image. This design could very well resonate with audiences familiar with Chinese TV dramas, as it reflects a synthesis of dance with captivating storytelling visuals commonly found within that genre.
| 2,138 |
|
native
|
['1jHtTd9vQoaM', '12dGELmEFx29']
|
['Hindi', 'Hindi']
|
['This picture is of the Hawa Mahal in Jaipur. Although it is referred to as a palace, it is actually just the front façade. The building behind it does not have the same structure. It has five floors and is made of red stone, which makes it look very beautiful because the red stone features chhatris above the windows to protect them from the sun. There are many windows. This is Jaipur, also known as the Pink City, where many grand constructions are made from red stones. It is a major tourist destination in India, and you can see white clouds floating in the blue sky above, indicating that the weather in Jaipur is usually quite clear, with less rainfall. In front of the palace, you can see a person standing.', 'This picture seems to be of the Jodhpur Palace, which is a symbol of the old palaces of India. This place looks like Jaipur, which is also called the Pink City. The photo was taken during the day, and some clouds are visible while the blue sky can be seen clearly. Tourists are also visible below, who have come to visit the palace. There is an auto-rickshaw outside, along with some bikes parked by the gate. In the picture, two trees are seen on the right and left, and this image is unique in itself as it seems to depict the Jodhpur Palace. The palace has five stories, symbolizing the craftsmanship of an old civilization, and its color is pink.']
|
[True, True]
|
['It is a national monument from India.', 'Yes']
|
This picture depicts the Hawa Mahal, also known as the "Palace of Winds," located in Jaipur, India. Although it is referred to as a palace, it is important to note that the structure primarily visible in the image is merely the front façade. The actual building located behind this façade does not share the same architectural structure. The Hawa Mahal consists of five floors and is constructed from exquisite red sandstone, which contributes to its stunning appearance. The façade features a series of intricately designed chhatris, or decorative domed pavilions, positioned above the numerous windows. These chhatris serve a functional purpose, providing shade and protection from the sun for those inside. The Hawa Mahal is situated in Jaipur, which is famously nicknamed the "Pink City." This moniker arises from the distinct color of the buildings, as many of the grand constructions in this city are made from red and pink stones. Jaipur is recognized as a significant tourist destination in India due to its rich history and architectural marvels. The photograph shows a clear blue sky, with white clouds drifting above, indicative of Jaipur's typically pleasant weather that features predominantly clear days and relatively low rainfall. In the foreground of the palace, a person can be seen standing, adding a sense of scale to this majestic façade. The second image seems to capture the Jodhpur Palace, a prominent symbol among the historical palaces of India. It is important to point out that this palace bears resemblance to the architecture seen in Jaipur, reinforcing the cultural connection between the two cities, both known for their heritage and historical significance. The photo was taken during daylight hours, and a few clouds are visible against the stark blue sky. Below, groups of tourists can be seen, each drawn to explore the grandeur of the palace, indicating its status as a significant attraction. In addition to the tourists, the surroundings include an auto-rickshaw parked outside the palace gate, along with several bikes, showcasing the local transportation options available for visitors. Flanking the entrance, two trees stand on either side, contributing to the natural beauty and vibrancy of the setting. This image is particularly notable as it captures the essence of the Jodhpur Palace, which features five stories that exemplify the remarkable craftsmanship of the historical civilization that created it. The distinctive pink hue of the palace further enhances its elegance, making it a popular sight among tourists and locals alike.
| 794 |
|
native
|
['14W6fbUpp92R']
|
['Russian']
|
['At first glance, it looks like some kind of green abstract image from a deposit photo, but there’s a watermark on it. There are many such shapes, like circles and semi-circles, and then there’s a yellow crown inside. There’s no text except for the watermark. They all look so abstract, geometric, and positional, as if a robot or some kind of algorithm made them. The details are all green except for the crown, which is yellow, and there’s no background; this is purely an abstract design. The colors are green and yellow.']
|
[False]
|
[nan]
|
At first glance, the image appears to be an abstract representation featuring a vibrant green color palette that could easily be mistaken for a stock photo typically found on deposit photo platforms. However, upon closer inspection, one notices the presence of a watermark, indicating that the image is copyrighted or owned by a particular photographer or company. The composition is filled with a variety of shapes, predominantly circles and semi-circles, arranged in a seemingly random yet structured manner. Central to the design is a striking yellow crown, which stands out boldly against the otherwise uniform green hue of the surrounding elements. Notably, there is a complete absence of text within the image, further enhancing its abstract quality and allowing viewers to focus solely on the geometric forms and their arrangement. The overall aesthetic conveys a sense of precision that could be reminiscent of designs generated by algorithms or robotic processes, suggesting a modern and digital influence on the artwork. The only colors present are the various shades of green that dominate the shapes and the contrasting bright yellow of the crown, creating a visually striking and harmonious blend. Importantly, there is no background in this image, which emphasizes the elements themselves and reinforces the idea that this is a purely abstract composition focused on color and form.
| 3,057 |
|
native
|
['1ekHjypvHswS']
|
['Hindi']
|
["This is Barack Obama, who has been the President of the USA. He was born in America, I believe. It looks like he is wearing a ring on his thumb, and next to him is Joe Biden, who is currently the President of the USA. Both of them are dressed in suits. Obama is looking at the camera, and Biden is also facing the camera. In the background, it seems like they are inside the White House because the background color is completely white. It looks like they are sitting for some kind of interview. It's a very nice picture."]
|
[False]
|
[nan]
|
This is a description of Barack Obama, who served as the 44th President of the United States from 2009 to 2017. He was born in Honolulu, Hawaii, on August 4, 1961, making him a natural-born citizen of the United States. In the image, he is wearing a ring on his thumb, which is a notable detail often reflecting personal significance or style. Next to him sits Joe Biden, who is the current President of the United States, having taken office in January 2021. Both leaders are dressed impeccably in formal suits, which underlines the professional and serious nature of their roles and the context of the situation. Obama is looking directly at the camera, projecting engagement and confidence, while Biden is also oriented towards the camera, suggesting a sense of camaraderie and shared purpose. The background is notably bright and white, indicating they are likely positioned in the White House, which is the official residence and workplace of the President of the United States. This choice of setting conveys the importance of their discussion or the occasion that brought them together, possibly an interview or a formal meeting. The overall composition of the image captures a moment of significance, showcasing two influential figures in American politics. The photograph exudes professionalism and a warm atmosphere, highlighting the bond between the two leaders as well as the historic nature of their gathering.
| 2,874 |
|
native
|
['12rRH3Xndxca', '1dB5ICsMiNZR', '13JJdNz7JxnS']
|
['Chinese', 'Chinese', 'Chinese']
|
["From this image, we can see three women. Why do we say three women? Because first, their attire is traditional women's ethnic clothing. Additionally, their hairstyles vary; two of the women have their hair tied up, while one has her hair down. The three women are depicted without any text around them. From this image, we can infer that they are likely in an airplane cabin, as seen from the open luggage rack behind them. Each of the women has a name tag, which likely displays their names. Therefore, we can deduce that these three women are likely crew members, specifically flight attendants. The woman in the middle is wearing red ethnic attire, while the women on either side are dressed in beautiful blue ethnic outfits. There is no text visible in this image.", 'This image features three people without any textual information, and they are standing side by side, with no other detailed information provided. The background of the image is the inside of an airplane cabin, and the three individuals are dressed in princess costumes, in red and blue colors. There are no other special locational details. One might speculate that these three individuals could be flight attendants; they all have Asian features, with yellow skin and black hair.', "At first glance, the three women in the image are standing in the center. Upon closer inspection, they are inside an airplane cabin, and the luggage compartment behind them is open with no luggage inside. In front of them, there is a purple seat. These three women are likely ground service personnel because they are wearing uniforms and have identification badges. They are dressed in deep blue, red, and light blue uniforms, each adorned with patterns that represent their airline's identity. All three women have neatly styled hair and are facing forward, looking at the camera. They are standing closely together inside the airplane and appear very professional, and they present a beautiful demeanor as airline staff."]
|
[True, False, False]
|
['their clothings look culturally distinct', nan, nan]
|
In the image under discussion, we observe three women standing together in what appears to be the interior of an airplane cabin. Each woman is dressed in traditional women's ethnic clothing, which reflects distinctive cultural elements. Their attire is intricately designed, suggesting that it may be representative of their backgrounds or specific cultures. The women display a variety of hairstyles: two have their hair elegantly tied up, while one has her hair flowing down. Behind the women, an open luggage compartment is visible, which offers context about their setting—clearly, they are inside an airplane. Each woman presents a name tag, likely indicating their names and roles, which leads us to infer that they are likely flight attendants contributing to the airline's personnel. In terms of specific details about their clothing, the woman in the center is adorned in a striking red ethnic outfit, prominent and vibrant in color. Meanwhile, the other two women are dressed in beautiful blue ethnic garments that are also tastefully designed. The color choices and patterns observed in their outfits may symbolize cultural significance tied to their heritage. Additionally, a closer look at the image reveals that all three women share similar physical characteristics, which may include Asian features, characterized by yellow skin tones and black hair. This notable resemblance might suggest a common cultural background or shared regional ties. Moreover, the atmosphere within the airplane cabin appears efficient and professional, given the women's neat hairstyles and uniform appearances. The presence of other details—such as a purple seat situated in front of them—is noted, setting the context of their work environment. Despite the lack of textual information accompanying the image, the professionalism and beauty of these airline staff members shine through, leaving a strong visual impression of their roles in the aviation industry.
| 605 |
|
native
|
['1bmIZrAeXhVc']
|
['Chinese']
|
['This picture shows many people standing on a stage with what looks like a very grand music concert or award ceremony in the background. These individuals are divided into two groups; one group stands on the left, and the other on the right. It appears they are participating in a music award or a film award, but it seems more like a music award due to the distant view effect. It’s hard to tell exactly who they are or if they are well-known stars, but from afar, it’s noticeable that many of the women are wearing dresses and the men are in black casual or slightly formal suits. It is evident that they are attending a relatively serious award ceremony.']
|
[False]
|
[nan]
|
This image depicts a large group of individuals standing prominently on a stage, set against the backdrop of what appears to be a grand music concert or an award ceremony that carries an air of prestige. The individuals are distinctly organized into two separate groups; one group is positioned on the left side of the stage, while the other occupies the right side. The atmosphere suggests that this gathering is part of a significant award ceremony, likely related to the music industry, although it could also pertain to film awards based on the context. From the vantage point of the photograph, the details of the individuals' identities remain obscured, making it difficult to ascertain whether they are renowned stars or emerging talents within the entertainment field. However, there are noticeable sartorial choices among the attendees that reflect the formal nature of the event. A considerable number of women are adorned in elegant dresses, indicative of the festive and upscale environment expected at such ceremonies. Meanwhile, the men are dressed in attire that ranges from casual black outfits to slightly formal suits, suggesting a blend of style that aligns with the serious tone of the occasion. The distant perspective of the image enhances the sense of grandeur associated with the event, contributing to its overall impression of sophistication and celebration within the music or film industry. It is clear that the gathering is attended by individuals who are likely to be recognized within their fields, and the ceremony itself holds significant importance in the broader cultural landscape.
| 2,634 |
|
native
|
['1AkMXlBXnOJt', '144KbOir1WMx', '12Drv51qGgET']
|
['Chinese', 'Chinese', 'Chinese']
|
["I saw an athletics field. In the middle of the field is a green soccer field, which is also at the center of the photo. Next to the soccer field is the running track, which looks very large, and there are basically no people in the area, with only a few scattered individuals on the track. There are many black cylindrical objects placed on the field; it’s hard to tell what they are at the moment, possibly some turf being arranged for some kind of activity. The venue has spectator stands on all four sides, with colors like red, yellow, and blue. There isn't a single person in the spectator stands. In the background of the photo, some buildings can be seen in the distance, making it look like this photo was taken in preparation for an event.", 'The image depicts a large sports arena, which is circular in shape. In the center of the arena, there is a large green soccer field with what appears to be a person standing on it. On either side of the soccer field, there are two goalposts. Surrounding the soccer field is a large red running track, where some people are also standing. In the semicircular space between the track and the arena, there are some black column-like objects. The seating area for spectators in the arena has many seats, but none are occupied. The seating is divided into three colors: red, yellow, and blue, with the blue section at the center. Above it, there is a display board featuring a clock. Behind the arena, there are several tall buildings that make it look like a sports venue within a city.', 'This is a picture of a sports stadium, and in the center should be a soccer field, the green area. Around this field, there is a circle of running tracks, and on the soccer field, there are two goals. The outermost circle is seating, with some black seats closest to us, and farther away there are red, yellow, and blue seats, which divide the seating into different sections. In the distance, at the center, there is a large electronic screen, and in the middle, there should be a clock. The background features a white sky and several buildings. Near the bottom of the black seats, we can vaguely see a banner, which should have some Chinese writing on it, likely saying something like "Welcome," but it\'s not very clear.']
|
[False, False, True]
|
[nan, nan, nan]
|
The image presents a sprawling athletics field, prominently featuring a verdant soccer field located at the very center of the photograph. Surrounding this central area, there is a substantial red running track that winds around the entirety of the field. The atmosphere appears notably serene, as the area is relatively empty, with only a handful of individuals observed scattered across the running track. The field is dotted with numerous black cylindrical objects, which may be equipment or perhaps portions of turf being prepared for a forthcoming activity. Spectator stands encompass the athletic venue on all four sides, showcasing a vibrant color scheme that includes red, yellow, and blue. However, it is noteworthy that, despite the colorful seating, not a single spectator is present in any of the stands. In the background of the photo, a cluster of buildings is visible, indicating that this venue is situated within an urban setting. This backdrop suggests that the image was captured in anticipation of an event, as the preparations for the facility seem to be in full swing. Another description of the scene highlights that the arena is circular in design. It notes the green soccer field at its heart, with a lone figure standing upon it. The two goalposts are positioned on either side of the field, contributing to its overall functionality. The expansive red running track is also mentioned, with some individuals noted to be present there as well. In the semicircular area surrounding the track, black column-like objects are recorded, perhaps part of the setup or decor for the event. The seating arrangement is rich in colors — the blue section centrally located and flanked by red and yellow sections. An electronic display board showing a clock is positioned above the stands, adding to the modernity of the venue. The description further indicates that the background features not only a clear white sky but also several tall buildings, reinforcing the notion that this sports venue is nestled within a metropolitan area. A banner, although indistinguishable, is seen near the black seats, which likely contains Chinese writing, possibly conveying a welcoming message, although the text is too faint to be read clearly. This cultural element suggests an effort to engage with a diverse audience, possibly further indicating the international or community-oriented nature of the event anticipated at this stadium.
| 2,001 |
|
nonnative
|
['1ebO4TQllNPP', '19zK0YxR77MH', '1fmiGFGnfIAa']
|
['Chinese', 'Russian', 'English']
|
["At first glance, this photo appears to depict a subway or a similar type of ground surface, which doesn't seem particularly special. However, the main subject is a sticker or spray-painted drawing on the ground. This drawing is placed alongside a yellow tactile guide path for visually impaired individuals; it features a semi-circular area filled with green. In the center, there is a red circle, and inside the red circle, on a white background, there are two images. The one on top resembles an oval shape that is somewhat like a surfboard, while the one below is a simple line drawing of a bicycle. The rest of the ground is gray, giving it a cold appearance, resembling the flooring near subways or similar locations, conveying the idea that bicycles can pass through.", "Here we are looking at a photograph of Earth. It's interesting here; there's a yellow patch. It seems like it's next to a train. But there's also a sign on the ground. It's red and round. In the center, there's something white, and there's a bicycle there. And something resembling a surfboard. For water. Why exactly these two items are unclear? The bicycle is ordinary. Around this sign, there's a green border. And besides that, there are some gray tiles. It's evident that something should be written above and to the left in this photograph. But we only see a small part of the word. Perhaps it's a place where you need to stand with large bicycles. And then to catch the train. A special car for that. But other than this, we don't know anything about what is happening. To be continued... To be continued...", " The image at first glance seems to be some sort of sign painted on the ground. There is about eight floor tiles, of which about six the sign is painted on. There is one yellow rubber mat. There is no text in the image, however there is some clear icons on the sign. The sign contains both a surfboard and a bike. And they are in the middle of the sign, which is in the middle of the image. The surfboard and the bike are right next to each other in a white circle that has a red outline. Then the entire sign has a green outline. Above it, this sign is directly below a rubber floor mat that seems to have some level of grip. And is painted yellow as a warning sign. The floor tiles seem to be slightly dirty. And there also seems to be a little bit of dirt on the yellow floor mat as well. So please like this slide , go to the corner. As it fallsarded spot at the 55th street little, but the floor skipped as a sign... ... towards the back of the stairs... So for the one what I know this is, as aanned one is a good person. We are looking for the mirror camera. So naive places jump into the size of the lights, the other thing to see in the ceiling. I'm looking for the because of the targets right here on the spectrum."]
|
[False, False, False]
|
[nan, nan, nan]
|
At first glance, the photo in question seems to represent a subway area or a similar transit space with a modestly unremarkable surface. However, the primary focus is a sticker or a spray-painted drawing located on the ground. This artwork is strategically positioned adjacent to a yellow tactile guide path designed for visually impaired individuals, which serves as a navigational aid for those needing assistance in finding their way through the transit environment. The drawing features a semi-circular area that is filled with a vibrant green color, capturing attention amidst the surrounding gray tones. In the very center of this green area, there is a vivid red circle, and within this red circle is a white background showcasing two distinct images. The image on the top resembles an oval shape akin to that of a surfboard, possibly indicating a connection to water activities or leisure. Beneath it, there is a simplistic line drawing of a bicycle, conveying an idea of mobility and transportation. The rest of the ground surrounding these images is a cold, gray surface reminiscent of flooring you would find near subways or comparable transit locations. This visual context promotes the interpretation that bicycles are permitted to traverse through this space, harmonizing the presence of the bicycle symbol with the environment. In a separate observation, another photograph showcases a view of Earth, noted for its interesting components—a yellow patch located nearby appears to be adjacent to a train setting. The photo additionally features a red round sign on the ground, which has a white center containing an image of a bicycle alongside something similar to a surfboard, suggesting functionality or purpose related to transit. The connection between these two objects remains unclear, raising questions about their significance; the bicycle depicted is quite ordinary while the surfboard alludes to an aquatic theme. The sign is encased within a green border, providing emphasis to the elements it contains. Surrounding the sign are gray floor tiles, which evoke a somewhat utilitarian aesthetic typical of transit areas. It's clear that there is supposed to be text displayed above and to the left of this photograph, but unfortunately, only a fragment of a word is visible. This implies that this area may serve as a designated waiting space for larger bicycles, potentially highlighting infrastructure tailored for accommodating bicycles along with the train. However, apart from these observations, there remains a sense of ambiguity regarding the overall purpose of the imagery, indicating that further explanations or visual details are necessary for a comprehensive understanding. Lastly, a more detailed examination reveals that the sign at first glance appears to be painted on the ground, occupying a space that consists of about eight floor tiles, with six of those tiles directly featuring the painted sign. There is also a yellow rubber mat included in this setup, serving as a visual warning or alert signal. Notably, there is no text present within the image, yet the icons illustrated clearly depict both a surfboard and a bike, strategically aligned within a white circle that is outlined in red. The entire sign is bordered in green, which adds another layer of visibility. Above this sign lies the yellow rubber mat, which exhibits some level of grip, suggesting a safety feature for individuals who may be navigating the area. The accompanying floor tiles appear slightly dirty, further hinting at the wear and tear typical in high-traffic areas, with minor dirt also visible on the yellow mat. The intention behind the design of this imagery is to engage those utilizing the space—likely commuters traveling to and from their destinations, as they maneuver through this bustling environment. Overall, the visual elements present convey important information about transportation options available, specifically regarding bicycle access, but also evoke a curiosity about their placement and intended use in a transit context that integrates various modes of travel.
| 1,556 |
|
native
|
['1lvcjzAWKOyY', '1bPf2ISPl9bZ', '12n4Zb9oZAws']
|
['Chinese', 'Chinese', 'Chinese']
|
["This is a statue of an ancient emperor, dressed in a magnificent dragon robe and wearing a royal crown, with his right arm extended. The overall image is imposing and grand. The background features a gray sky, which may symbolize an important emperor in Chinese history. The statue, a sculpture on a pedestal, is set against a gray background without any obvious information, but the pedestal or surrounding area may contain inscriptions or descriptions. The statue occupies the main portion, with the emperor's jewelry and sleeves creating a sense of movement that symbolizes majesty and power. The background is relatively clean, devoid of distracting elements, highlighting the statue's grandeur. The patterns and carvings on the statue's clothing may include royal dragon motifs or cloud designs. The sleeves of the statue convey a sense of flow, enhancing the figure's momentum and historical significance. The jewelry presents a commanding or authoritative posture, possibly signifying the expansion of territory or the issuance of decrees. The emperor's face is solemn and dignified, with a determined gaze, fitting the image of rulers like Qin Shi Huang or Han Wu Di, known for their ambitions and strategies.", 'The statue of ancient Chinese emperors looks to me like a representation of Qin Shi Huang, who is the first emperor of a unified China. This is mainly because it closely resembles the typical cinematic image of Qin Shi Huang. It should be a stone sculpture, as it appears to be one, and it was photographed outdoors. The statue looks quite large overall and has a brownish-gray color. You can see that the statue is wearing a crown typical of emperors and has a beard. It is dressed in the attire of ancient emperors and is holding a weapon. Behind it, there is a flowing cape. Overall, it appears to be a rather vivid statue. This should be a very traditional Chinese image, clearly depicting an ancient Chinese military king. Next to it, in the lower left corner, there seems to be something shaped like a dome or a wall, with some reliefs of chariots painted on it, but I am not quite sure what it is. Overall, this photo looks like one taken by a tourist at a scenic spot, capturing this statue.', "This is a stone statue that seems to symbolize an ancient Chinese emperor. Behind it is a gray sky, and the emperor is pointing forward, gazing ahead, seeking beauty in the direction he is pointing. There's also an unrelated note about how to support the program by liking, subscribing, sharing, and donating for continued support."]
|
[False, True, False]
|
[nan, 'This is a statue of an ancient Chinese emperor who looks like Qin Shi Huang.', nan]
|
This transcription describes a striking statue of an ancient Chinese emperor, adorned in an elaborate dragon robe, which is traditionally associated with imperial authority in China. The statue features intricate designs and motifs, including royal dragon patterns and cloud designs that are emblematic of grandeur and divine connection. The emperor is depicted in a commanding pose, with his right arm extended, suggesting a gesture of decree or leadership. The overall impression of the statue is one of majesty and power, reinforced by the somber and dignified expression on the emperor's face, characterized by a determined gaze typical of renowned rulers in Chinese history, such as Qin Shi Huang, the first emperor of a unified China, or Han Wu Di, known for their strategic endeavors and territorial expansion. The background is dominated by a gray sky, which could symbolize solemnity or the weight of historical significance, devoid of any distracting elements that might detract from the statue’s commanding presence. Set upon a pedestal that may feature inscriptions or additional descriptions, the statue is prominently displayed, emphasizing its cultural and historical importance. The flowing sleeves of the statue contribute to a sense of movement, enhancing its dynamism and visual appeal, indicating a blend of static permanence with the idea of historical action. In a more detailed observation, it is noted that the statue appears to be crafted from stone, likely due to its texture and color, which gives it a brownish-gray hue. The emperor is depicted not only wearing a traditional crown but also possessing a beard, both of which are characteristic features of ancient Chinese emperors, presenting a vivid imagery typical of historical representation. Additionally, the statue is illustrated holding a weapon, suggesting martial prowess and readiness for defense, an essential aspect of ancient emperor imagery. Adjacent to the statue, in the lower left corner, there is a structure resembling a dome or wall embellished with reliefs of chariots, although its exact significance is unclear. This element may reflect the historical context of the era, hinting at ancient military practices or ceremonial aspects. Overall, this photograph seems to capture a moment at a significant tourist location, highlighting the statue's artistic and cultural relevance, while inviting viewers to admire the craftsmanship and historical narrative encapsulated in this vivid statue of an ancient Chinese military king. A note included in the transcription also suggests ways to support a program, emphasizing engagement through liking, subscribing, sharing, and donating for continued endeavors, which appears unrelated to the statue but points toward broader cultural or educational initiatives.
| 155 |
|
native
|
['1c1TDWX1pnih', '1exds98maxjQ']
|
['Korean', 'Korean']
|
["When I saw the photo, I noticed a lot of mangoes, ice cream, and it looks like something is placed on top. The photo of the mango bingsu has a tray underneath, with a hand and a phone visible. There’s also a picture of mangoes on the table behind. The mango bingsu is right in the center, and in terms of color, there's the mango's orange, the white color of the ice cream, and the hand in the background. Overall, it looks like a picture taken before eating mango bingsu at a café.", 'This photo shows bingsu, a representative dessert of Korea. Bingsu is a traditional summer dessert made with finely shaved ice as the base and topped with various ingredients. The bingsu in the photo is mango bingsu, featuring fresh mango pieces and vanilla ice cream, drizzled with mango syrup, giving it a sweet and refreshing taste. Additionally, it is garnished with almonds on top, and there is a small cup of condensed milk on the side, allowing for a sweeter flavor according to personal preference. This bingsu, placed on a wooden table, is commonly found in Korean cafes or dessert shops and is a perfect menu item to enjoy cool during hot summer days. Bingsu has various variations, evolving from the traditional patbingsu to modern fruit bingsu, tiramisu bingsu, and many other styles.']
|
[False, True]
|
[nan, 'It features bingsu that is a popular Korean shaved ice dessert.']
|
When I saw the photo, I immediately noticed an abundance of mangoes and a generous scoop of ice cream, along with what appears to be additional ingredients or toppings placed strategically on top of the dessert. The photograph prominently features mango bingsu, which is laid out on a tray. In the foreground, there is a hand resting near the dessert, which adds a sense of scale and realism to the image, while a smartphone is also partially visible, suggesting a moment of sharing or capturing this delightful treat. Behind the bingsu, there is an enticing picture of mangoes on the table, further emphasizing the mango theme of the dessert. At the center of the composition, the vibrant orange hue of the fresh mango contrasts beautifully with the pure white of the ice cream, creating a visually appealing combination. Overall, this photo depicts a pre-meal moment at a cozy café, where one is about to indulge in the refreshing mango bingsu. The second part of the description elaborates on the bingsu itself, referring to it as a quintessential dessert of Korea. Bingsu is a traditional summer dish made with finely shaved ice that serves as the base, which can be garnished with a variety of toppings. In this particular case, the mango bingsu is highlighted, showcasing delightful chunks of fresh mango paired with creamy vanilla ice cream. The dessert is further enhanced by a drizzle of sweet mango syrup that adds a refreshing sweetness to the overall experience. Additionally, the dish is garnished with slivers of almonds on top, providing a crunchy texture that complements the softness of the ice cream and fruit. There is also a small cup of condensed milk served alongside, which allows diners to adjust the sweetness of the dessert to their liking, catering to personal preferences. This delicious bingsu is presented on a rustic wooden table, a common sight in many Korean cafés and dessert shops, making it an ideal choice for those seeking a cool and satisfying treat during the sweltering summer months. Bingsu itself has undergone various transformations over time, progressing from the traditional patbingsu (made with red bean) to its contemporary iterations such as fruit bingsu, tiramisu bingsu, and a wide array of innovative styles. This evolution reflects the adaptability of bingsu in combining flavors and ingredients to cater to today’s tastes and preferences.
| 990 |
|
native
|
['1bF0KC8mp11f', '12NekzIelsD3', '1chW1mSdWJkE']
|
['Chinese', 'Chinese', 'Chinese']
|
["This image shows a recently excavated decorative object from an ancient tomb complex in Sichuan, although I can't quite remember its name. This sculpture should be housed in a museum, as you can see many people below it who are likely there to visit the museum. In the distance, there is a projector displaying some specific information about this sculpture, which can provide visitors with further insights into the finer details of this culture.", 'The next scene features an object resembling a human figure standing against a dark background. Upon closer inspection, this is a sculpture of a person made of stone. To the right of the image, we can see a screen providing information about this sculpture. We learn that this sculpture may resemble those from the legendary Sanxingdui site of the Bronze Age. The figure has both hands raised, with a hollow space in between, as if holding a cylindrical object, though that object is currently missing. Light is shining on this sculpture, and aside from the sculpture and the information on the screen, the rest of the environment is quite dim, making it hard to clearly see that many people are visiting this location, likely in a museum. In the distance, there are faint small words describing the situation of this figure, along with other details.', 'This picture seems to have been taken in an exhibition hall. The image features an artwork positioned slightly to the left. It is brown and resembles a person standing there, holding a bowl in their left hand while raising their right arm. This roughly illustrates the appearance of the exhibit; the figure does not have specific features like eyes or a nose. Below this figure, there is something it stands on. From this image, we can see a group of people, but the lighting is very dim, and we can only make out that there is a group that appears to be listening to a presentation about the exhibit. We can see their bodies but cannot discern the features of these people because of the poor lighting; only the exhibit is illuminated.']
|
[True, False, False]
|
[nan, nan, nan]
|
This image displays a recently unearthed decorative artifact from an ancient tomb complex located in Sichuan, though its specific name is not readily recalled. The sculpture is situated in a museum, attracting the attention of numerous visitors who can be observed gathered underneath it. In the background, a projector is visible, showcasing detailed information about this artifact, enabling museum-goers to further explore the intricate aspects of the culture it represents. The subsequent scene highlights an object that resembles a human figure, set against a somber, dark backdrop. Upon closer examination, it is revealed that this is a stone sculpture depicting a person. To the right side of the image, a screen is present, which provides detailed information regarding the sculpture. We discover that this piece bears a resemblance to artifacts from the renowned Sanxingdui site, famous for its Bronze Age relics. The figure is depicted with both hands raised, and there exists a hollow space between them, suggesting it may have originally been designed to hold a cylindrical object, which is no longer present. The sculpture is illuminated by a beam of light, contrasting sharply with the dim surroundings, which conceal the presence of visitors who likely find themselves in a museum environment. In the distance, faint text can be discerned, relaying contextual information about the figure and other relevant details. The third image appears to have been captured in an exhibition hall. It features an artwork positioned slightly to the left of the frame. The piece is predominantly brown and suggests the form of a person who is holding a bowl in their left hand while raising their right arm. While this rough outline conveys the essence of the exhibit, the figure lacks specific facial features such as eyes or a nose, emphasizing its abstract nature. Below the figure is a platform that it stands upon. From the image, onlookers can be noted; however, the lighting is significantly dim, obscuring details of the audience. It seems that a group of individuals is attentively listening to a presentation about the exhibit, but due to the inadequate illumination, only the outlines of their bodies are visible, while the exhibit itself is the primary focus of light and attention.
| 271 |
|
native
|
['192psImTWFX5']
|
['Korean']
|
['The photo appears to show a red box and a red notebook placed on the ground. On the right side of the photo, there are a total of eight red cubic boxes. These boxes are engraved with the logo of a pen and ink company, and all of them are sealed with white stickers. On the left, there is an orange notebook. There are two notebooks in total. There is no text visible in the photo. The boxes and notebooks are positioned on either side and appear to be photographed on a wooden floor. The background features a wooden floor.']
|
[False]
|
[nan]
|
The photograph captures a vibrant scene featuring a red box and a red notebook situated on the ground. To the right side of the image, there are a total of eight red cubic boxes, each one meticulously engraved with the logo of a pen and ink company, suggesting a connection to writing or stationery products. Each of these boxes is sealed securely with white stickers, perhaps indicating that they contain special items, promotional materials, or limited editions from the company. On the left side of the photo, there is an orange notebook, which adds a pop of contrasting color to the otherwise red-themed setup, bringing an element of warmth and diversity to the composition. In total, there are two notebooks visible in the image: one red and one orange. It is noteworthy that there is no text that can be discerned from the photo, implying that the focus is solely on the aesthetics and arrangement of the items rather than conveying any specific message. The boxes and notebooks are artistically placed on each side, contributing to a balanced visual appearance. The photograph is taken against a backdrop of a wooden floor, which likely adds a rustic and natural feel to the image, enhancing the overall ambiance. The smooth texture of the wooden floor contrasts with the stark colors of the boxes and notebooks, creating an appealing visual interest that draws the viewer's attention.
| 2,909 |
|
native
|
['1cPKewPLjx3q']
|
['Hindi']
|
["This is a scene from the Ramayana, where Ram and Lakshman are shown along with Hanuman. When Ravana had abducted Sita, Ram goes to Ravana to free her. Ram, Lakshman, and Hanuman go to Ravana's house in Lanka to bring Sita back. They defeat Ravana by setting Lanka on fire and bring Sita back home. In the meantime, a significant battle takes place between Ram and Ravana, which is depicted in this scene."]
|
[True]
|
['This depicts a famous scene in a Hindu epic, the Ramayana.']
|
This scene is a dramatic and pivotal moment from the epic Hindu text, the Ramayana, which narrates the story of Prince Rama, his wife Sita, and his loyal companion Hanuman. In this particular segment, we find Prince Rama and his brother Lakshman alongside Hanuman, the mighty monkey god and devoted ally. The tension arises from the abduction of Sita by the demon king Ravana, who takes her to his fortress in Lanka, a place known for its grandeur and impenetrable defenses. Determined to rescue Sita, Rama embarks on a perilous journey to confront Ravana directly. The trio—Rama, Lakshman, and Hanuman—make their way to Ravana’s palace, showcasing their bravery and unyielding commitment to restoring Sita to safety. A significant battle ensues between Rama and Ravana, illustrating themes of good versus evil, duty, and righteousness. In this scene, not only is the ferocity of the battle highlighted, but also the strategic ingenuity and strength of Rama and his allies as they devise a plan that ultimately leads to the defeat of Ravana. The climax of the conflict sees Rama and Lakshman setting Lanka ablaze, symbolizing the destruction of evil and the triumph of virtue. The visual imagery of flames consuming the city serves as a powerful representation of the restoration of dharma, or cosmic order, as they succeed in rescuing Sita and bringing her back home. This moment is integral to the overall arc of the Ramayana, embodying the essence of heroism, loyalty, and the relentless pursuit of righteousness.
| 2,878 |
|
nonnative
|
['1dYPgx1oK8sm']
|
['English']
|
[" Okay, we're looking at another image of an award show. There is a man in the center holding two to three awards. He's holding a mic and speaking into it. He has his hair sort of parted to the left, or for the viewer. Yeah, to the viewer is the left to him, I'm assuming. He's also the left. I see that one. No, to the right, my bad. He is holding an award in his right hand and holding the mic in his left. He appears to be seated on a couch with some sort of light projection in the background. I'm not entirely certain what that is. He's Asian. He's not super ecstatic about having all those awards. He looks kind of, you know, just happy. It's not his first time winning. He's wearing a black suit with a red dress of sorts. Yeah."]
|
[False]
|
[nan]
|
In this transcription, we observe a scene from an award show featuring a male presenter who is positioned prominently in the center of the frame. He is holding two to three awards, signifying his achievements at the event. The individual has a microphone in his hand, which he is actively speaking into, suggesting that he may be delivering a speech or accepting an award. The man has a specific hairstyle; his hair is parted to the left from the viewer's perspective, which corresponds to the right side of his own face, indicating a well-groomed appearance. He is clutching an award in his right hand while holding the microphone with his left hand. He appears to be seated on a couch, which adds a relaxed ambiance to the scenario. In the background, there is a light projection, the specifics of which are unclear. This atmospheric element may represent an artistic backdrop designed for the award show, creating a visually engaging environment. Regarding his demeanor, the man exudes a sense of calm rather than overwhelming excitement, suggesting that winning these awards is a familiar experience for him; he seems content rather than ecstatic. His outfit consists of a classic black suit, complemented by a red dress shirt, which conveys a formal and sophisticated appearance appropriate for such a prestigious event. The combination of attire and his composed demeanor reflects his comfortable familiarity with the award-winning process.
| 2,352 |
|
native
|
['1aeLTMEba6Oq', '1jeytKAx4JQ9', '17eSUwEuhhCa']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture shows a person playing the flute. This person is middle-aged and is wearing black framed glasses. He holds the flute with both hands and is positioned with his mouth tilted towards it. The flute has a long shape. He is wearing a watch on his hand and is dressed in a black suit, with a shirt underneath and a gray tie. The background is yellow. This person is a man with black hair. This is special, and my purpose is to emphasize this to everyone here.', "This photo showcases a bamboo flute artist. This is a male who is holding a Chinese bamboo flute, which seems to be one of the longer types. The gentleman has a slightly plump physique, and his hair is fairly tidy. He is wearing glasses with thick frames and also has a slight plumpness. He is wearing a black suit and a silver tie. His right hand's index and middle fingers are raised, while his left hand rests on the bamboo flute with a specific angle. The background is a solid color, very bright, a beige hue. The lighting of the image is quite bright. The flute playing technique and posture are very professional.", 'This image features a man playing a flute. The male is of medium build, approximately middle-aged, wearing black-rimmed glasses and having black hair. He is dressed in a black suit, a white shirt, and a light gray tie. The flute he is playing is a traditional folk instrument made of bamboo, with reddish-brown or reddish-brown circular decorative colors at the air holes. There are also white decorations at both ends of the flute. The overall setting of the image appears to be relatively formal, as the man is dressed quite formally, yet he is playing a traditional folk instrument.']
|
[False, True, True]
|
[nan, 'Chinese flute', 'It is a cultural musical instrument']
|
This picture showcases a man engaged in playing the flute, a traditional musical instrument that is especially revered in various cultures. The subject of the image is a middle-aged male, characterized by his black hair and wearing black-rimmed glasses. He holds the flute gracefully with both hands. His mouth is positioned towards the instrument, suggesting he is actively playing it. The flute itself possesses a long and slender shape, indicative of its construction and design. The man is dressed in a formal black suit, complemented by a white shirt beneath and a light gray tie, which adds a touch of elegance to his appearance. Notably, he wears a watch on his wrist, showing attention to detail in his ensemble. The background of this photograph is bright yellow, which adds a vibrant contrast to his formal attire and the serious act of music-making. In another image, a bamboo flute artist is prominently featured, holding a Chinese bamboo flute that appears to be one of the longer varieties. This gentleman has a moderately plump physique, and his hair is neatly groomed. He, too, sports glasses, this time with thick frames, which emphasize his focused demeanor. His outfit mirrors the previous photograph, consisting of a black suit paired with a silver tie, showcasing a sense of style that is formal yet traditional. In this composition, his right hand exhibits a specific posture, with the index and middle fingers raised, suggesting an intricate playing technique, while his left hand holds the bamboo flute at a precise angle. The background in this photo is a bright beige hue, enhancing the overall brightness of the image, which captures the essence of the performance beautifully. Furthermore, the lighting is bright, contributing to the sharpness and clarity of the details presented in the image. The third image presents a man, likely the same musician, playing a flute. He has a medium build, appears middle-aged, and maintains his black-rimmed glasses. His attire again features a black suit, white shirt, and light gray tie, presenting a consistent formal appearance. The instrument he plays is identified as a traditional folk instrument made of bamboo, detailed with reddish-brown decorative elements around the air holes, alongside white decorations at both ends. This juxtaposition of formal attire with the traditional bamboo flute indicates an intersection of cultural artistry and personal identity, highlighting the significance of music within community and heritage. The overall setting of this image seems formal, characterized by the man's dress, yet he embraces the folklore of his culture through the musical performance of a traditional instrument. This conveys an important message regarding the appreciation of cultural musical instruments and their role in blending formality with tradition.
| 183 |
|
native
|
['1h1AY5CrLoCk', '1kv4tRRpDH1l']
|
['Chinese', 'Chinese']
|
['This image is relatively unclear in terms of what it depicts. Firstly, I think it should be a venue. The left side of the image occupies about 60-70% of the space and features an entire venue, but it is not clearly labeled, as it does not have a name. The whole wall is primarily in a red state, with some blue windows. What’s interesting is that the top part of this building has a curved shape, extending outwards, featuring a white structure. On the white arc, there is also a row of windows. To the left of the building, there is a set of stairs that can be walked up. Next to the building, there is a circular area resembling a blue bike rack. On the right side of the image, there is a row of paths that have a red and white patterned design. To the right of this path, there is a stretch of greenery. In the center of the image, there are two very small figures, likely holding umbrellas, who appear to be walking toward the camera. We should stay low and watch, as we wait for the unexpected. It seems that the family is saying the image is great.', "Can I start this? So here, my background is blue sky and white clouds. It's not yet 60 seconds; please speak for a full 60 seconds. Why do I have to finish in 60 seconds? He said to hurry up, and then it seems that there is a person slowly walking over here, suggesting that it might be the beginning of a story. I guess it’s the opening of a series, and the scene of someone slowly walking over hints that something significant might happen soon. Also, the person is wearing white clothes, which could represent that this person is pure and unblemished."]
|
[False, False]
|
[nan, nan]
|
This image presents a composition that is somewhat ambiguous in its subject matter. The left section of the image accounts for approximately 60 to 70 percent of the visual space and showcases a venue. However, the venue is not labeled, leaving us to speculate on its identity. The wall of the building is predominantly painted in a vivid shade of red, which contrasts with the blue-hued windows that punctuate the facade. A notable architectural feature of the building is its upper section, which exhibits a curved shape that extends outward, topped with a white structure that draws the eye. This curved segment is adorned with a row of windows that adds to its unique visual appeal. Adjacent to the building, there is a stairway that provides access to a higher level, leading up from the ground. Next to this entrance, a circular feature resembles a blue bike rack, adding to the urban ambience. On the right side of the image, a series of paths are visible, laid out in a striking red and white patterned design, which adds a decorative element to the space. Following this, we encounter a stretch of greenery, which introduces a natural contrast to the built environment. In the heart of the image, we notice two diminutive figures who appear to be walking towards the viewer, seemingly holding umbrellas. This detail suggests an element of anticipation, positioning them as potential participants in a narrative that has not yet been fully revealed. Their size relative to the surroundings accentuates the scale of the venue, and the observation encourages a sense of vigilance as we wait for unexpected developments to unfold. The family depicted in the scene seems to convey a sense of appreciation for the overall ambiance, indicating that the image is perceived positively. Shifting the focus, the speaker introduces a separate scene that presents a background filled with a blue sky and fluffy white clouds, contributing to a serene atmosphere. The speaker requests to begin a narrative, expressing a need for their commentary to extend to a full 60 seconds. There is a hint of urgency as someone seemingly encourages them to hasten their speech. As the narrative progresses, a figure emerges, walking deliberately towards the forefront. This slow movement implies the potential onset of a story, indicating that this scene might serve as the initial moment of a series. The choice of white clothing worn by this figure serves a symbolic purpose, evoking a sense of purity and innocence, suggesting that this character might play a significant role in the unfolding narrative. The overall sense of expectancy in both scenes conveys a blend of visual artistry and potential storytelling that awaits further exploration.
| 2,513 |
|
nonnative
|
['1jPCZ06xSdr1', '16I2Tppgi3ZE', '1eCI0QY8hwJt']
|
['English', 'English', 'English']
|
[" This is a supermarket with lots of fruit and bananas hanging from tall stands, banana bunches. And on the bottom we have cut watermelon and wrapped other goods that are various colors. And there are various ads in the foreground. On the right hand side there's a guy wearing a yellow shirt holding a plastic bag. He looks to be talking on his phone. He's wearing a watch. He is smiling. And in the exterior we have people outside conversing and a guy with his back turned. And another guy behind a guy wearing a yellow shirt with his back turned. And there are hanging down lights that hang down and illuminate the goods even though it is daytime. And the top of the market is this kind of metal beaming with some wires that are going down for the lighting. So it's more of a functional roof. So what is this is going to beUND from the roof itself. I put a degrees that we need to show. And this isn't the defining Virginia Haram geography, one nig modern roof called", ' This image depicts the produce section in a supermarket. From the ceiling there are bunches of bananas or plantains hanging. There is also a display of various melons including a row of cut open watermelons as well as other pre-cut packages of fruits on the display. The surface of the display is green with a grass-like texture. There is also a glass display that is enclosed with more foods inside fit. And there are many signs on the right side of the image advertising different products. And there is a man in the middle of the image with short black hair and a yellow short-sleeved collared shirt with long pants. He is holding a plastic bag to his side and smiling while talking on the phone. You can see in the further back more people face in the opposite direction. And the ceiling is open with lighting hanging down and metal platforms running across the ceiling and lots of wiring on the ceiling as well.\\', ' Hello, and thank you for listening. This photograph shows a bustling indoor market or grocery area filled with fresh produce. Bananas hang in bunches from the ceiling, and there are stacks of sliced watermelons, mongos, and other fruits arranged on tables. A man in a bright yellow shirt stands near the center, possibly working or shopping. The floor has large square tiles, and above him are exposed metal beams, pipes, and hanging lights. Various signs are displayed in Chinese, offering prices or product names. Plastic crates and containers hold an assortment of fruits, and the overall atmosphere suggests a busy place where customers can browse and buy. Colors are vibrant, from the yellow bananas to the rimmed pink watermelon slices, and the bright lighting highlights the freshness of the produce. One might infer that this is a typical market in an urban Asian setting, where people come to find a range of fruits and other groceries. The style is straightforward, with no ornate decoration, allowing the focus to remain on the wide selection of goods.\\']
|
[False, False, False]
|
[nan, nan, nan]
|
This is a description of a vibrant supermarket bustling with activity, showcasing an abundance of fresh fruit. The scene is dominated by tall stands from which cluster after cluster of bananas are suspended, creating an inviting visual appeal. Below, a table displays an array of cut fruits, particularly watermelon, presenting pieces wrapped for convenience alongside other visually diverse items, each exhibiting vibrant colors that draw the eye. In the foreground, multiple advertisements vie for attention, emphasizing various products available for purchase. To the right side of the image, there is a man dressed in a bright yellow short-sleeved collared shirt, who appears to be actively engaged in a conversation on his phone while holding a plastic bag in one hand. He sports a watch, adding to his casual yet composed demeanor, accompanied by a smile indicating a positive interaction. The scene extends beyond him, capturing additional figures in conversation, with some individuals positioned with their backs turned, contributing to the bustling atmosphere of the marketplace. A notable aspect of the setting is the hanging lights that illuminate the merchandise despite the availability of natural daylight. The ceiling design features a combination of metal beams and wires that serve a functional purpose, supporting both the marketplace's infrastructure and the lighting fixtures. This aspect of the environment suggests a modern yet practical approach to design, focusing more on utility than aesthetics. The overall impression is one of a dynamic, urban market, where customers are likely to explore a wide selection of high-quality produce and daily essentials, emphasizing an energetic community space often found in lively Asian markets. Further analysis reveals that the produce section is detailed with an open ceiling, showcasing exposed metal beams and pipes, which are common in industrial-style supermarkets. Various product signs printed in Chinese indicate not only the cultural context of the market but also the variety presented—an essential characteristic of shopping hubs in areas with a diverse population. The tile flooring adds to the commercial feel, while the fresh and colorful assortment of fruits, from the bright yellow of the bananas to the pink rim of the watermelon, enhances the overall visual and sensory experience within this busy environment.
| 478 |
|
native
|
['1h14BNsFf8Zw', '1lvjWmfj0xLd']
|
['Tamil', 'Tamil']
|
['Today in Bathroor, they say it comes and adds five ingredients. In this, they have mixed in spice, mustard, cumin, and then chili powder, followed by turmeric and coriander powder. They have added pieces of dried mango and mixed it all together. There is a strong aroma in a clay pot. This has been placed on a block along with some malava to keep it warm.', 'It’s like this, that is, this yellow salt, spicy powder, fenugreek, and then this mustard and mint come together in a container. There are many small containers, and in the center, there is a round big container, where salt is placed in one small container. In the remaining containers, there is no turmeric, instead, they have used this flower powder and mustard, so we can refer to this as a cooking container. It’s like all the ingredients we need are kept in one single container made for cooking, and there’s a large round container with these small little containers. There is also a spoon made for measuring, so according to that, they have placed a spoonful into each of them.']
|
[True, True]
|
['yes', 'Indian spice box with spices typical to India']
|
Today in Bathroor, there is a culinary preparation happening that involves a combination of five specific ingredients. The mixture includes a variety of spices: mustard, cumin, and chili powder, which adds a vibrant kick to the dish. This is complemented by turmeric, known for its earthy flavor and health benefits, and coriander powder, which brings a fresh, citrusy taste. Additionally, pieces of dried mango have been incorporated into the mix, infusing the dish with a unique tanginess. All these ingredients have been thoroughly mixed together, creating a harmonious blend of flavors and aromas. The mixture is being prepared in a traditional clay pot, which enhances the flavors through its porous nature, allowing for moisture retention and even cooking. The pot emits a strong, inviting aroma, signaling the deliciousness to come. It is placed on a block alongside some 'malava', a type of serving dish or heat-retaining container, which helps to keep the food warm. In another part of the preparation, there is a detailed collection of spices being organized. This includes yellow salt, spicy powder, and fenugreek, along with mustard and mint, all carefully arranged in a unique container. This setup includes many small containers, with a larger round container situated at the center of this collection. One of the small containers is dedicated to holding salt, while the others do not contain turmeric. Instead, they feature a flower powder mixed with mustard, indicating alternative seasoning choices. This arrangement of spices is characteristic of an Indian spice box, known as a 'masala dabba,' which is a traditional Indian kitchen essential where a variety of spices are stored for easy access during cooking. The large round container is complemented by various small containers, each filled with different spices crucial for Indian cuisine. A measuring spoon has been specifically designed for this setup, allowing for precise control over the quantities of spices added to the dishes. Each small container is carefully filled according to the measurements, ensuring the perfect balance of flavors in the cooking process.
| 1,448 |
|
nonnative
|
['1bP1hfoLi1Ok', '13IOfZxh3WqZ', '1hHrqxIP1kg5']
|
['English', 'English', 'English']
|
[" In this image we see someone in a costume that is clearly likely Chinese in terms of culture. And they seem to be in some kind of supermarket with people around them. And the people are looking not at the man in the center of the photo in the costume, but they seem to be looking at something else. The objects in the photo, it's a bit difficult to make out very specific objects. We see two banners in the background, actually more like four kinds of ads or banners in the background. In the upper left of the photo we also see at least overall five people and then the man in the costume, so six people overall. In terms of text we see writing in Chinese characters, so I can't make out exactly what it says. And yeah, I did point out a bit some of the positions of the more noticeable objects. And we do see some kind of counters on the right of the photo where they're selling products that I can't exactly make out, but likely food. In terms of the details, I think we would probably mainly notice the details on the costume. So especially the red and gold or yellow of the costume of the man, likely a man, in the center photo. And I did point out a bit the banners in the background already. So I think mainly the style and color of the photo, we would probably notice the costume more than anything else. It's very bright. In terms of the contextual information and the location of the photo, I seem to believe that it's probably in China since the characters are Chinese or at least Taiwan or China. Since the characters, yes, are Chinese. Actually, it's simplified Chinese based on what I see. So probably China on the banners at least. So, and yeah, the people seem appear to be Asian or likely Chinese. And the person in the middle seems to be a Chinese costume with, I think, Chinese characters on the hat. So, and also the colors are very Chinese and would remind me of Chinese New Year celebrations, the kind of colors you might see. And yeah, I think that's about it. Okay, six minutes. Choir. Madness. Madness. Ad NYU. Draining. hashtag. Ad Что slices. Okay? Yeah. X transitions, anybody. On Rider. Ryan. Is it that a BIndama tradition? We, I was the backlog. if you've given you a night for a Russian constitution? Oh yeah, and I, you've been, first of all, No. Oh my goodness. I did it. Alright. There it is. It is that there is a unpleasant thing to say over but just to, your personality that's absolutely unexpected, and I almost lived in a lot of thought, present and I only actually reached a poor connection. waiting... so up, there's a big deal.", " This image represents a shopping mall and in the center of the image will actually be a man dressed in a red and colorful shirt attire. In Chinese culture, this man is commonly known as the God of Fortune and often appears in most festivities during the Chinese New Year period. It appears that this is a festival that is being celebrated in the middle of a shopping mall. In the background, I see two signs that actually says Hao Nian and Goodyear which means Goodyear in Chinese. My guess is that this area is somewhere in China given the Chinese characters. There are several people around apart from the God of Fortune as well. An old man that is on the left side of the picture and also two Asian people who are on the right side of the picture which appear to be buying stuff. I do think that it is likely that this is definitely a location within Asia itself given the text and the back of the picture as well as this cultural depiction of the God of Fortune. I don't know where people are from hers. No, I would point out to give you some였습니다. This decoration just seems to me. The object has been a school that there being an authority. There are three miles of people. We wouldn't want to greet them. Yes, the point has been a pleasure toet liver and the idea there about it. You may see the position of the Buddha handles at this time.", " In this image, we have a photo of three people, looks like, or four people, or a couple people, but three mostly visible. The person on the left is wearing a dark gray shirt with a light gray shoulder stripe, and their hands are behind their back. Then we have a person that's facing the photographer that is wearing some sort of costume with a big red hat and has black hair, has big ears, and a long mustache that extends down to its beard, and is wearing red and gold clothing. And there's a woman behind wearing a green shirt and a black skirt with some white plaids. And in the very back, there are signs hung from the ceiling, which suggests that this might be an indoor shopping situation, maybe a mall or a superstore. The Marina準 Useful Useful"]
|
[True, True, True]
|
['Yes, Chinese costume, red and gold colours often associated to Chinese New Year, Chinese characters on banners', 'Yes. The god of fortune suggests that this is related to the Asian culture.', 'The costume appears east asian']
|
In this collection of images, we observe various scenes that prominently feature elements of Chinese culture, particularly during festive occasions, likely related to the Chinese New Year celebrations. The first image depicts a man dressed in a traditional Chinese costume that features vibrant red and golden colors, which symbolize luck and prosperity in Chinese culture. This costume suggests that he may be portraying the God of Fortune, a popular figure during the Chinese New Year festivities who brings good luck and fortune. Surrounding him are several people in a bustling supermarket environment, though their attention seems directed elsewhere, rather than at the man in the costume. The photo includes several banners and advertisements in Chinese characters, indicating that the scene is likely set in China or Taiwan due to the use of simplified Chinese characters. There are a total of six individuals visible in the image, with the focus on the brightly colored costume of the central figure, which is complemented by the decorations usually associated with festive occasions in Chinese culture. In the second image, we again see a representation of a shopping mall environment where a man, likely dressed as the God of Fortune, is prominently featured. The specific attire he is wearing resonates with the typical apparel associated with this deity during celebrations, further emphasizing the festive context. The signs in the background include phrases such as "Hao Nian," which translates to "Happy New Year" in Chinese, and a sign that reads "Goodyear," reflecting the commercial atmosphere of the mall. The diversity of people present, including an older man and other individuals engaged in shopping, adds to the lively and celebratory nature of the event depicted. The third image captures a more intimate moment with three or four individuals interacting. One person on the left is clad in a dark gray shirt, while another stands in a vibrant costume characterized by an elaborate red hat and distinctive facial features, indicative of traditional cultural representations. Their attire, adorned with red and gold, alongside a whimsical mustache and long beard, complements the joyous and rich visual tradition of Chinese celebrations. A woman positioned behind them wears a green shirt with a plaid skirt, contributing to the mix of attire that hints at a community gathering. Throughout these scenes, the consistent use of traditional attire and Chinese characters is a notable cultural hallmark, suggesting a strong emphasis on heritage and community spirit during festive seasons in Chinese culture. The bright colors, particularly red and gold, not only signify celebration but also highlight the significant thematic elements associated with fortune and prosperity commonly sought during the New Year.
| 714 |
|
native
|
['1bEJaDYnZIVy', '1kBWKKdB8RFN', '13zSQC3dvbiE']
|
['Chinese', 'Chinese', 'Chinese']
|
['From this image, we can see that this is a small shop, and the photo was taken at the entrance of the shop. Firstly, it\'s noticeable that some goods and their prices, as well as the shop\'s name, are visible in this picture. We can see that the shop is called "Meizhenxiang," which has both Chinese and English on the signboard. It is clear that the products being sold include items priced at 2.95 and 5.95, like candies and similar products. In the distance, there’s a salesperson promoting their products to a customer. The overall color scheme is dominated by red and yellow, which indicates that this should be a store from Guangzhou or somewhere similar.', "The image shows a food store named Meizhenxiang, with its English name written on the right. It can be inferred that the store is located in Chinatown, at the left counter. One of the staff members is busy packing and handling food at the register, while a customer is outside the counter. The customer has a plastic bag in their left hand and their right hand on their waist. From the customer's outfit, which consists of a short-sleeved shirt and shorts, it can be deduced that the season is likely summer. Outside the store, there is a refrigerator, which has a display featuring three layered shelves on the right, showcasing and hanging various types of food and products. Above the counter, promotional signs can be seen indicating prices of 2.95 yuan and 5.95 yuan, likely for discounted items. From the angle of the photo, it is clear that the photographer is outside the store taking the picture from inside. Judging by the overall design and decoration of the shop, it seems to be nighttime as the lights are red and all the lights are brightly lit.", 'This is likely in China or Hong Kong or a Chinatown somewhere, with "美真香" written on it and also the English "Bichang." It definitely feels very Cantonese, and I think if it\'s in China, it would probably be in places like Hong Kong or Guangzhou, and if it\'s in Chinatown, that\'s also possible. I noticed the price seems to have shot up to 5.95, which feels more like in USD or Euro, or perhaps it\'s overseas, meaning not in China. The lights are bright, making it hard to tell what this store sells, but it should be quite a unique type of food, as it has a display case. Usually, these display cases show intriguing items. When I looked, it was easy to see, but I still think I need to try it out, so regarding the current price...']
|
[True, False, True]
|
['Chinese Characters', nan, 'It has Chinese characters.']
|
The image depicts a small shop named "Meizhenxiang," which is prominently displayed on a signboard that features both Chinese characters and English text. The shop's name, written in Chinese as "美真香," translates approximately to "Beautifully Authentic Aroma" and gives a strong indication of its cultural roots in Cantonese cuisine. Based on the items and their prices visible in the picture, which include candies priced at 2.95 and 5.95 yuan, we can deduce that this shop sells a variety of food products, likely catering to a local market. The photograph appears to be taken from the entrance of the shop, providing a direct view of the counter area. Notably, there is a salesperson engaged in packing and handling food at the register, indicating that the shop is actively serving customers. A customer can also be seen outside the counter, holding a plastic bag in their left hand, while their right hand rests on their waist. The customer's attire, consisting of a short-sleeved shirt and shorts, suggests that the weather is warm, likely summer, further hinting at the bustling atmosphere typical of such a store during this season. In the background, there is a refrigerator displaying a variety of food items, organized on three layered shelves. The bright promotional signs above the counter indicate the prices of certain items, reinforcing that some offerings may be on discount. The overall ambiance of the shop is enhanced by a color scheme dominated by red and yellow, colors often associated with good fortune and happiness in Chinese culture. The vibrant lighting gives the impression that the photograph was taken at night, as it is brightly lit, with red lights accentuating the shop's friendly and inviting façade. The discussion surrounding the shop's location hints at it possibly being situated in areas known for Cantonese culture, such as Guangzhou or Hong Kong, or potentially in an established Chinatown elsewhere. The mention of prices like 5.95 raises the notion that this could be a currency indication more commonly equated to USD or Euro, suggesting that this location might cater to tourists or expatriates, thus raising the prices to align with foreign currency values. Overall, the vibrant display cases commonly found in such stores are known to attract attention, as they typically showcase unique and appealing food items. The intriguing decor, combined with the lively atmosphere portrayed in the image, reflects the essence of a bustling food market, yet the specific items for sale remain unclear, prompting a desire from onlookers to explore and discover the unique offerings inside this Cantonese-inspired shop.
| 577 |
|
nonnative
|
['1kqgU09S42Gp']
|
['English']
|
[" This picture seems to contain a list that has illegible words. There also seems to be a plate on the right that has a design of some type of blue bird. And the bird is carrying a flower in its beak. In the bottom of the picture, there seems to be a hand and the hand is holding some type of paper. And on the clipboard, there is also what appears to be some type of pen on like a cup of ink. It's very hard to see or read the text. There aren't any other subtle things. No background. I would say the style and color is very dull and not very bright."]
|
[False]
|
[nan]
|
The image presents a scene with several elements that are both intriguing and difficult to decipher. In the center or possibly off to the side, there is a notepad or clipboard that contains a list, but the words written on it appear to be unintelligible – perhaps due to poor resolution or an odd angle. This adds an element of mystery, as the content of the list is left unknown, leaving viewers to wonder what information could be contained within it. To the right of the clipboard, there is a plate featuring a distinctive design. This plate includes an illustration of a blue bird, notable for its vibrant coloring despite the overall dullness of the image. This bird is depicted carrying a flower in its beak, which might symbolize beauty or a gesture of offering, adding a layer of poetics to the visual. The design on the plate contrasts with the ambient dullness of the surroundings and the paper. At the bottom portion of the image, a hand is seen gripping a piece of paper. The paper's context is not specified; it may be related to the list or perhaps an entirely different subject. The hand's position implies action or perhaps a moment of contemplation or decision-making. Additionally, on the clipboard, there appears to be a pen resting in proximity to what looks like a small cup of ink. This inclusion suggests that writing or some form of manual documentation is taking place, emphasizing the theme of communication, whether verbal or written. The entire composition lacks a discernible background, which contributes to the focus being drawn solely to the objects present, enhancing the image's minimalist quality. The overall color scheme of the items depicted is described as very dull, lacking brightness and vibrancy, thereby creating a somewhat somber or mundane atmosphere. This affects the emotional undertone of the visual and implies a lack of liveliness in the scene.
| 2,668 |
|
nonnative
|
['1nUmaBVcCGmI', '1egO8Rmdhumx', '18hEqRI4CGUN']
|
['English', 'English', 'English']
|
[" This is a group of sightseers, likely tourists, overlooking a large waterway to the right of the image. They're standing on a grassy background with brown walkways in the middle period. The sky is dull gray and it appears to be an overcast day period. There is a tree on the center left of the image period. Beyond the tree on the far left, there is an Asian tower period. Again, this appears to be a view of tourists overlooking some waterway or standing in line next to a waterway in an Asian city period. In the foreground of the image, a young couple is embracing each other period. Several people are wearing red hats in the foreground of the image period. And finally, these are that inverteils with Ny Ink 유 extending each other VJ ID. Old Streetwickies of Holy representation is a great view of the image period. Marianne with a spirit with an instant Turk. Our firstgr orden season is a long-dant stamphead. Point of orthodox Export meter running irradiating. phảia đa lary đã muộnền mai, t eco de lante θ Jos gái %, которую đoán rà larky, ears nữ vôs troke Heart box, đoán rà lнять quả, mới thereof exemple إ Phi khích h abbrevi .", " In this image we have a crowd standing in front of what might be a waterway. The sky is really overcast so it's difficult to see what exactly the crowd is looking at. In the very background there are buildings with sharp points to them that suggest pagodas. There is one big tree. There are a lot of people wearing red hats. There are at least three people wearing red hats. There is a row of people standing right in front of the railing. They might be looking at the water. Maybe they are watching someone perform a water sport. And right after that lining of people by the railing there is like a reddish sidewalk. And then there is some space between them and a further on crowd that is at a more elevated height. There is a tracker on top of their faces. This will see what's going on in front of people standing.", " So this seems to be, I guess, but I'm not sure which is very likely like a once a year event in China. So the people like gather near the side of the Yangtze River to see the huge waves coming down the Yangtze River. So you can see a lot of tourists lining up near the river and there's also a traditional Chinese tower on the left side of the picture. There's also a green tree. So on the right side is just a very vast river or sea. We are, I'm not sure. And the color of the water is kind of yellowish and gray, not very clean. And we can also see the weather is pretty cloudy and there seems to be kind of foggy, like near the river. So So so so so so"]
|
[True, True, True]
|
['Asian tourist spot', 'Appears to be an asian building in the background', 'Chinese']
|
This scene depicts a group of sightseers, likely tourists, gathered to overlook a large waterway situated prominently to the right of the image. The individuals are standing against a backdrop of grass, and there are brown pathways that indicate foot traffic. The sky is dull gray, characteristic of an overcast day, contributing to a somewhat somber atmosphere. In the center-left portion of the image, there is a single tree which adds a natural element to the scene. Beyond this tree, located on the far left, an ornate Asian tower is visible, suggesting the setting is likely in an Asian city, perhaps a notable tourist destination. In the foreground of the image, a young couple is seen embracing each other, an intimate moment that adds a personal touch to the otherwise bustling scene. Several other people in close proximity are identifiable by the bright red hats they are wearing, a detail that draws attention and possibly indicates a collective event or recognition. The image captures a moment where tourists seem to be enjoying a view of the waterway, potentially participating in what could be a significant cultural event held annually in the area. The surrounding crowd appears engaged in the spectacle, although the exact focus of their attention is slightly obscured by the weather conditions. The overcast sky limits visibility, making it challenging to discern the specific activity occurring on the water, which could involve a water sport or another performance. In the distant background, buildings with sharp, pointed structures suggest traditional pagodas, enhancing the cultural geography of the setting. A well-defined row of people is positioned directly in front of a railing, eagerly peering out over the water. The reddish sidewalk beneath them indicates the pedestrian access leading to the water's edge, where more spectators are gathered at a higher elevation, providing a layered perspective of the tourist experience. Overall, the image conveys a sense of curiosity and anticipation among the visitors, enhanced by the atmospheric conditions that lend an air of mystique to the scene. The activity appears indicative of a seasonal event, possibly associated with the Yangtze River, as many tourists seem to have gathered to observe the waves that surge during this time. The water’s color is described as a murky yellowish-gray, not particularly inviting, which may signify the river's environmental conditions. The cloudy weather and slight fog near the river contribute to the ambiance and may heighten the excitement and drama of the event spectators have come to witness. The visual elements presented in this image, from the natural scenery to the architectural structures and the human interactions, collectively reflect a culturally rich and vibrant scene typical of major Asian tourist attractions.
| 124 |
|
native
|
['1bL6uX5u5h3U']
|
['Bengali']
|
['This is a picture of a dish. In the middle of this dish, there is a white or cream-colored bowl, and in this bowl, there is a fresh item. There’s a connection with something oily or fatty, which has a type of glaze. Today, there is a type of greasy stick placed in the bowl, resembling a roadside food stall.']
|
[True]
|
['Type of curry or food']
|
This image features a visually appealing dish presented in a circular format. At the center of the dish, there sits a bowl that is either white or cream-colored, providing a stark yet elegant contrast to the surrounding elements. Within this bowl, one can find a fresh item, likely contributing to the overall flavor profile of the dish. Surrounding the bowl, there is a discernible connection to a rich or greasy component, which has been coated in a glossy glaze. This element suggests a sumptuous quality, indicating that it might be a traditional dish from a roadside food stall, often characterized by its hearty and flavorsome nature. Specifically, within the bowl, there lies a greasy stick, which is likely to be a fried or breaded delicacy often enjoyed in street food culture. The description evokes an image of comfort food that is both enticing and indulgent, typically seen in markets and roadside vendors where the aroma fills the air and draws in hungry patrons. This dish exemplifies a culinary experience that is deeply tied to local flavors and textures, offering a delightful encounter for anyone who appreciates the richness of street cuisine.
| 59 |
|
native
|
['17LpdZf8Dy2T', '1gLuscf9TWWX', '1eDhxPKzy0mN']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a picture of a mooncake. The entire image features just one mooncake sitting in a very smooth, pure white bowl that resembles a crescent moon, bordered by a thin black edge. The mooncake is illuminated by a beam of light, casting some shadows. The mooncake is a traditional delicacy enjoyed during the Mid-Autumn Festival in Chinese culture. Although contemporary people may find mooncakes too sweet, many families still eat them during the festival in honor of this cultural tradition. The color of the mooncake resembles that of slightly roasted flour from baking. The design of the mooncake is relatively simple, with a ring of wavy patterns encircling the top edge, featuring four wave-shaped curves, and some shadows enhancing its appearance.', 'Oh, this picture shows a mooncake, and there’s not much to say about it. I don’t know what filling it has, but it’s just a round mooncake with some patterns on it. It should be placed on a plate that has a black rim. The mooncake itself has no text, just a design that seems to depict a sun. The edge of the mooncake features a repetitive pattern in a concave shape, with 1, 2, 3, 4, 5, 6, 7, 8 of them, which should have been carved out using a mold to make it more standardized. Perhaps there’s something outside of the mooncake that could represent a symbol or theme.', 'The image only shows a physical picture. Upon closer inspection, it appears to be a photo of a mooncake. This mooncake is placed on a white plate, which has some indentations in the center. The mooncake is located in the middle of the plate, and in the image, there is just a plate and a mooncake. The mooncake has a traditional color, it is a yellowish-brown mooncake, and it can be seen that it has some floral patterns on top. These patterns are quite distinctive. The plate also reflects some light, suggesting that the photo was taken in an indoor setting. Additionally, the shadow of the mooncake is visible on the plate, indicating that the light source during the photo shoot was likely on the left side of the image, near the mooncake and the plate.']
|
[True, True, False]
|
["It's a type of traditional Chinese food", 'chinese food', nan]
|
This is a detailed description of a mooncake, a traditional Chinese delicacy especially cherished during the Mid-Autumn Festival. The first image captures a single mooncake positioned in a smooth, pure white bowl that is designed to mimic the shape of a crescent moon, elegantly bordered by a narrow black edge. The mooncake is highlighted with a beam of light, creating distinct shadows that add depth to the composition. The color of the mooncake is reminiscent of slightly roasted flour, showcasing the baking process. Its design is simple yet striking, featuring a ring of wavy patterns that gracefully encircle the top edge of the mooncake. This decorative element consists of four wave-shaped curves, with shadows enhancing its visual appeal. The second image presents another mooncake, described as round and adorned with patterns, although the specific filling inside the cake is unknown. This mooncake is situated on a plate that is accented with a black rim. The surface of the mooncake is devoid of any text, but there is a design that appears to depict a sun. The edge of the mooncake showcases a repetitive pattern featuring concave shapes—specifically, eight carved out elements that suggest a standardized design achieved through the use of a mold. There is an implication that some surrounding decorative elements may convey additional symbolism or themes related to the mooncake's cultural significance. In the third image, the composition focuses solely on the mooncake present on a white plate that has indented patterns in the center. The mooncake is centrally placed on the plate, and the image contains no other objects aside from the mooncake itself and the plate. The mooncake exhibits a traditional yellowish-brown color, prominently displaying floral patterns on its surface that are distinctive and intricate. The plate reflects light, indicating that the photograph was likely taken indoors. The shadow cast by the mooncake on the plate suggests that the light source is positioned on the left side of the image, contributing to the overall atmosphere and composition of the photograph.
| 375 |
|
native
|
['1bApedyyNKYW', '16s4epHv1xeU', '1jlscefT0Gfu']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a scene of a woman performing or expressing herself in a public setting. She holds a microphone, wears a white T-shirt, and appears resolute, likely participating in some social and political activity. If I’m not mistaken, this is the late Hong Kong singer and actress Anita Mui, a legendary and outstanding representative figure from Hong Kong. Her T-shirt has text that reads "Support democracy in China," alongside a map outline symbolizing the theme. In the center of the image, the main subject faces the camera, holding the microphone in her right hand while placing her left hand on her chest, portraying an expression of attitude and emotion. The microphone is held close to her mouth, as her left hand is clearly positioned on her chest. The design and text on the T-shirt are prominently displayed, with the red text creating a strong contrast against the white T-shirt, emphasizing the main subject. Her gaze is determined, and her left hand on her chest seems to convey inner feelings or declarations, full of a sense of strength. The red text and map outline on the white T-shirt directly communicate the theme of the activity, highlighting the core idea of supporting democracy. She is wearing blue jeans with a belt, and her overall attire reflects a simple concept that aligns with the atmosphere of the event. The photography style emphasizes the character\'s demeanor and posture, with clear themes symbolizing faith, strength, and peace, while also resonating with the event\'s message.', 'This picture shows a woman holding a microphone, either speaking or singing. She is wearing a short-sleeved white shirt and has a watch on her right hand. In the middle, there is a string of English and a string of traditional Chinese characters. She is also wearing dark blue jeans and has a black belt. The background is quite blurred, mainly white with some red characters that might be related to the characters in the middle of her white outfit. Behind her, there is either another microphone or a handrail; it seems to be on a stage, and she is looking at the camera while speaking, possibly interacting with some audience members around her.', 'The screen shows a female singer singing. She has black, fluffy hair that looks a bit frizzy and is wearing a white T-shirt with red writing on it. You can see the words "Mid-Autumn" and "China," but the details are not very clear. There are also some red English letters below. She\'s wearing high-waisted blue jeans with a black belt. Her left hand is touching her chest while wearing a black watch or bracelet, and she is holding a microphone with her right hand, singing. The background is white, resembling a poster, which also has red lettering. The text on the poster should match the writing on her T-shirt.']
|
[False, False, False]
|
[nan, nan, nan]
|
The scene depicts a woman who is actively performing or expressing herself in a public context. She is holding a microphone in her right hand and wears a white T-shirt that displays bold text reading "Support democracy in China," accompanied by a graphic of a map outline, a symbol deeply associated with various activist movements and sentiments surrounding democracy and political freedoms in China. The individual portrayed, if correctly identified, is the late Anita Mui, who holds an iconic status as a singer and actress in Hong Kong, recognized for her significant contributions to arts and advocacy for social causes. As she stands in the center of the frame, her posture reflects her determination. She faces the camera with a composed yet passionate demeanor, showcasing a strong emotional presence. Her left hand rests over her heart, which may suggest a personal connection to the message she is conveying, filled with conviction and a sense of earnestness. The stark contrast of the vibrant red text against her white T-shirt captures the viewer's attention, effectively communicating the rallying message of supporting democratic ideals. Anita is dressed in simple but effective attire, sporting dark blue jeans held up with a belt, which aligns with the event's tone of casual yet serious engagement. The overall presentation highlights her confidence and the gravity of the cause she is representing. The photograph's composition accentuates her emotional expression and stance, suggesting themes of faith, strength, and a quest for peace while simultaneously resonating with the larger context of the event focused on advocating for democratic freedoms. In the second image described, the woman is again depicted with a microphone, in the act of either singing or delivering a speech. The short-sleeved white shirt she wears prominently features a mix of English and traditional Chinese characters, which could signify her multicultural identity and the import of her message. Details such as her dark blue jeans paired with a black belt further contribute to her straightforward yet impactful appearance. The blurred background, primarily white with hints of red characters, suggests an atmosphere charged with enthusiasm, potentially indicating that she is on stage and engaging with an audience. In the final part of the scene, the woman's physical appearance is further explored, revealing her black, fluffy hair styled in a slightly frizzy manner. The shirt she dons again carries a red message related to "Mid-Autumn" and "China," connecting her performance to cultural celebrations that often emphasize themes of unity and reflection. Her left hand rests on her chest, adorned with either a black watch or bracelet, as she confidently holds the microphone with her right hand and sings. The backdrop echoes a promotional poster aesthetic, reinforcing the visibility of the message, with the text matching the writing on her T-shirt, solidifying the connection between her performance and the broader cultural context she represents.
| 2,103 |
|
nonnative
|
['1dCNLVFaRVDA', '19QBk7kvUGs0', '1amzFZCUTKKF']
|
['Vietnamese', 'English', 'Chinese']
|
['In the photo, there is a man eating a pastry. The man is wearing a white shirt and is leaning his head to the left. The image captures the moment the man is about to bite into the pastry. The pastry he is holding appears to be a meat-filled one. The man seems to be enjoying it a lot, suggesting that he really likes the taste. He is holding the pastry with his left and right fingers. Behind him, there is a table with a white box and a beige lid, but the background behind the man is slightly blurred.', " This is a picture of a white man holding a sandwich. It seems like he's currently chewing the sandwich. He has food in his mouth and the sandwich has been eating. The man has on a white shirt. He's holding the sandwich even though he's not holding it with all his fingers but he's holding it with most of his fingers. In the background it's difficult to tell what anything is however there is this white and orange item in the background to the far upper left of the picture. The man has on a white t-shirt. He's a white man. He has large ears and brown hair. His eyes look a little bit strange. You can't see the iris very clearly. His iris seem a little bit gray. He currently has his mouth open and food in his mouth. You can see clearly one about seven of his fingers. His tongue is behind the sandwich so you can't really see that.", 'We go through a negative loop of C, convenient C, and then another negative loop to convenient D, D. So what is our target value? Is our target value 0 minus the value of C plus D? Is our target not 0 minus C plus D? This is what we need to check, this target value. Why do we need to check it within this set? I mentioned this earlier, and I explained this equation. Next, we will check if this target has appeared in our map. If this target appears, it means it is not equal to the point in the map. These are the situations in which we find the target in the map. What should we do at this point? Right? What should we do at this point? Is it this value? This value...']
|
[False, False, False]
|
[nan, 'No', nan]
|
In the first photo, there is a man seated, visibly engaged in the act of eating a pastry. He is dressed in a simple white shirt and has tilted his head to the left, which adds a sense of anticipation to the moment captured just before he takes a bite of the pastry in his hands. The pastry appears to be meat-filled, suggesting a savory flavor, and the man's expression indicates he is relishing the experience, which implies a high level of enjoyment and appreciation for the food. His grip on the pastry is firm, with fingers from both hands supporting the item. In the backdrop, there is a table displaying a white box topped with a beige lid, though the area behind him is rendered slightly out of focus, emphasizing the man and his pastry as the main subjects of the image. In the second image, a white man is depicted holding a sandwich while in the midst of chewing it. His mouth is partially open with food visible inside, indicating that he is actively engaged in eating. He wears a white t-shirt, characteristic of casual attire, and although his grip on the sandwich is secure, he is not using all his fingers to hold it firmly. Instead, he manages to grasp it with most of his fingers. The background is less defined, and there is a vague white and orange object located in the upper left corner, but it is difficult to discern its identity. The man's physical features include large ears and brown hair, with his eyes appearing somewhat unusual as the irises are not easily visible and seem to have a grayish hue. His tongue is positioned behind the sandwich, partially obscuring the view of it. In the final section, a complex mathematical discussion unfolds, focusing on loops labeled as C and D. The speaker is questioning the target value in relation to these loops and considering whether the target should be calculated as zero minus the value of C, plus D. The speaker emphasizes the importance of verifying this target value within a given set and refers to a previously discussed equation. They continue to elaborate on the necessity of checking if this target appears on a map, suggesting that if it does appear, it signifies a distinction from the point on the map. They pose rhetorical questions concerning the next steps to take based on the presence of the target, indicating an ongoing problem-solving process.
| 1,578 |
|
nonnative
|
['19Pm18yfXBqA']
|
['English']
|
[" Okay, we're looking at a it kind of seemed like a posed shot seems kind of either a freeze frame from say a film or something or from a viewing but it's a guy who appears to be on a stage seated leaning against either a table or piano and looking away from the camera. The man has hair come to the front of the Asian wearing some rings on his right hand, right hand usually wearing mainly black, some sort of gold pattern as well I guess the background seems like a piano or what he's leaning on is a piano and the background is some sort of stage piece that's red with circles two of the circles are in golden outline two of them are just circles and there's going to be one other person on the stage that I can't really tell who the only part of them you can see is their face and part of the face is covered by the fact that they are wearing a cap on the stage that"]
|
[False]
|
[nan]
|
The scene appears to be a carefully arranged photograph, almost resembling a still frame from a film or a moment captured during a live performance. In this image, a man is seated on a stage. He leans against what seems to be a piano or a table, gazing away from the camera. This individual has hair styled towards the front and presents features characteristic of Asian descent. On his right hand, he is adorned with several rings. His outfit primarily consists of dark colors, accented with a distinctive gold pattern, suggesting a sense of style and flair. The backdrop of the stage is noteworthy; it includes a prominent piano, which the man is leaning against. The background decor features a bold red fabric design, embellished with circles. Among these circles, two are outlined in gold, while the other two are simple, unadorned circles. This color scheme gives the entire setting a dramatic flair. In addition to the seated man, there’s another figure present on the stage, though their identity remains unclear due to the limited visibility; only their face is partially visible. This individual is wearing a cap, which obscures a section of their face, adding an element of mystery to the composition. The combination of these details creates a visually striking and intriguing setting that invites further exploration of the scene and its narrative.
| 2,047 |
|
nonnative
|
['18IwEQwJslGP', '14zhet1cUrOt', '1ngzJZKuuJ8K']
|
['English', 'English', 'English']
|
[' In this image we can see a photograph of a highly populated cityscape. In the front of the image to the left side there are black tall buildings with black straight slats going up the sides. Behind those buildings there is a high-rise white building with many windows going up the sides. And to the right towards the front of the image there are some shorter buildings. In the front there is one that seems to be concrete and behind that next to some water that looks like a river there are lower level houses with orange roofs and white walls on the outside. And behind those houses on the other side of the river there are more high rise buildings that are all grayish or white colored with windows going all the way up the sides. Towards the back there is a building on the right side that is labeled Capital Land. And further back we can see a row of three high-rise buildings that are all connected on top with a platform. And the sky is bright blue but with many clouds on top of it. Connect the table on top of it to the right where the light is angled within the window of the halfway direction they are depicted. And down the rear 1st exit speed down eventually\\', " So this image depicts likely Singapore as it's a city with modern skyscrapers and high-rise buildings. And you can also see within the picture the marine and bay sands, which is a unique towered building with a rooftop structure. This image also has multiple skyscrapers, low-rise buildings, and you can see the sky and clouds. There are no texts in this picture. The skyscraper dominates the right and center of the image. The Marina Bay Sands Hotel is in the left center background, and there are lower buildings and streets occupying the bottom portion of the image. The lighting suggests a late afternoon or early evening time, and there's a mix of modern glass skyscrapers and traditional low-rise buildings showcasing urban development. The background has a blue sky with scattered clouds and the Marina Bay Sands structure. The architecture is contemporary, so the colors would be glass, steel, and concrete. The rest of the colors also are neutral with grays, whites, and blues. And you can see a contrast between the old and new buildings. The mix of skyscrapers and traditional low-rise buildings is typical in Singapore. And what we can take away from this image is that the city appears economically developed with a blend of business, commercial, and residential areas. There's also a presence of both modern and historical architecture, which indicates an effort to preserve heritage while and placing a modern idea.", " So this picture is a landscape in Singapore. The front of the picture, there are a few old buildings. There are one blue white color and a few pretty gold. And at the back of the picture, we can see the very famous hotel, Singapore Sands Hotel in Green Bay. And that's actually a very unique icon in Singapore, which shows the luxury and five-star hotel. And on top of it, the design is like a boat. It's a boat on top of three buildings around the city stores. And there are many nice restaurants in that building. Here we go. Second night, we have been entertaining. There are many restaurants stores including in screeners withаждs. And there are many restaurants there, and multiple restaurants. And aberrad tent счetズズズズズズ to things like research. Want to buy those walkers, can we use the index fare da praxter ? Orね? How much are we gonna kill? Well, here's the grand road here."]
|
[False, True, True]
|
[nan, 'This is likely from Singapore', 'Architecture']
|
In the first description, there is a detailed portrayal of a vibrant and densely populated cityscape, likely depicting a modern urban area akin to Singapore. The image features tall black buildings with vertical slats on the left side of the foreground, suggesting a contemporary architectural style. Behind these structures, a prominent white high-rise building stands out, adorned with numerous windows that reflect a busy urban environment. To the right in the foreground, there are shorter buildings, one appearing to be made of concrete, which indicates a practical and utilitarian design. Adjacent to this concrete building is a serene water body, resembling a river, where lower-level houses with charming orange roofs and white walls can be seen, adding a hint of traditional architecture to this otherwise modern cityscape. Across the river, more towering grayish or white high-rise buildings rise, their uniform exteriors suggesting a coherent architectural theme across the city. Among these structures, one building is distinctly labeled "Capital Land," indicating a notable development in the area. Further into the background, a row of three linked high-rise buildings, unified by a platform on top, captures attention, showcasing innovative urban design. The sky above is a bright blue, punctuated with clouds, providing a picturesque backdrop that contrasts the urban environment below. The second description identifies this cityscape as likely being from Singapore, emphasizing the presence of modern skyscrapers and notable architectural marvels such as the Marina Bay Sands. This unique structure, characterized by its distinct rooftop design resembling a boat resting on top of three tall buildings, symbolizes luxury and serves as an iconic landmark in Singapore. The photograph also depicts a mixture of high-rise skyscrapers and traditional low-rise buildings, which highlight the city’s urban development. The lighting in the image suggests it was taken during late afternoon or early evening, enhancing the urban ambiance cast by the glass and steel buildings against the backdrop of a blue sky scattered with clouds. The architecture in the image showcases contemporary designs with a palette of grays, whites, and blues, symbolizing modernization while still paying homage to historical structures. Moreover, the contrast between newer skyscrapers and older buildings exemplifies Singapore's approach to blending its rich heritage with modernity, reflecting its overall economic development and the diversity of its urban landscape. In the third description, the image continues to focus on Singapore's landscape. The foreground features a few older buildings, one with a blue and white color scheme and a few others adorned in elegant gold accents. Further back, the renowned Marina Bay Sands Hotel is depicted, noted for its distinctive design that combines luxury with innovative architecture. This five-star hotel is recognized as a symbol of opulence in the city and is famous for its unique structure that resembles a boat atop three towering buildings, encapsulating both hospitality and luxury dining experiences. The mention of various restaurants, stores, and entertainment options within the hotel reveals the bustling lifestyle and vibrant social atmosphere in Singapore. The description hints at an array of offerings in the vicinity, from dining to shopping experiences, showcasing the city’s appeal as a global tourist destination. However, the latter part of the description seems to become disjointed, possibly due to transcription errors or distractions, with phrases that do not cohesively connect, suggesting a less structured flow of information, though it maintains the overall theme of urban activity and leisure in Singapore.
| 482 |
|
nonnative
|
['19IGTnBGL5FU', '1j658bdwrp2I', '124Sem7M8iIt']
|
['English', 'English', 'English']
|
[" So in the image, I see multiple signs. These are with Chinese characters. This seems to be in some sort of alleyway and maybe it's front of a restaurant. I do see that the doors are open. There aren't any doors. You can just kind of walk straight in. You also see kind of people in the background. It could be going to the restaurant or going to the store. Additionally, so the most prominent thing here are the signs which contains these Chinese characters. There's two different signs. Each sign contains the same characters actually. One sign is in this gold color. The other one is in this black color. I'm not sure what the Chinese characters mean. So from this image, we do kind of infer that this is either a store or some sort of restaurant that's associated with some sort of Chinese cuisine maybe or Chinese culture, things like that. This is just a basic example. Like that.", " This image is a picture of a shop house. The objects that it counts are as follows. There's a shop house on the left side of the picture and it's actually taken in the middle of an alleyway. There are three Chinese characters that I can't exactly make out the meaning of but the positions of the object will be the fact that there's a large brown sign on top of the shop house on the left and on the right there's a pillar with the same three words as well. In the background I see probably two or three passers-by's and the style of the color would be the fact that this shop house exudes a rather historical hue but the pavement is relatively clean. I could therefore hazard a guess that this is taken somewhere in Singapore given the fact that our buildings do exude a similar contemporary color and culture. There's some contextual information given the fact that the words are in Chinese which do suggest that this picture is actually associated with the Asian culture. As for what is the contents of the shop I'm unable to tell but nevertheless I can say that this is definitely taken within Asia itself. And shut this out. So So So", " This is an image of a shop house with two people walking along the aisles. On the shop house, you can see that there are words called Nam Chiong Porn Shop. In the middle, the Tang is written in red in Chinese words. Below that is in alphabetic words in Malay, Kedai, Pajak. This is most likely in Malaysia. You can see two people dressed in black, the men in black t-shirt and pants, and the women in black dress walking along the aisle. This is a very old building and you can see that the ceiling of the shop house is wooden. It seems like it's quite disheveled."]
|
[True, True, True]
|
['Has Chinese characters', 'Yes. The Chinese characters suggest that this is associated with the Chinese culture.', nan]
|
In the first image described, multiple signs featuring Chinese characters dominate the scene. This particular setting appears to be an alleyway, possibly located in front of a restaurant, as indicated by the open entryway that leads directly inside without any doors obstructing the passage. In the background, there are several individuals, likely patrons either heading into the restaurant or another nearby shop. The focal point of the image is the prominent signage; one sign is adorned in a striking gold color, while another showcases a black hue. Although the meaning of the Chinese characters remains unclear, the overall presence of these signs strongly suggests that the establishment is connected to Chinese cuisine or culture, serving as a basic example of a cultural representation. The second image captures a shop house situated in the middle of an alleyway, with various objects and elements on display. On the left side of the picture, the shop house is framed by a large brown sign at its top, which, alongside a corresponding pillar to the right, features three Chinese characters that are not distinctly decipherable. Observing the background, there are about two or three pedestrians visible, contributing to the liveliness of the scene. The historical character of the shop house is evident, characterized by its traditional architectural style, while the pavement beneath appears clean and well-maintained. This particular imagery hints at a possible location in Singapore, reflecting a blend of contemporary aesthetics with historical undertones. The use of Chinese characters reinforces the notion that the image is interwoven with Asian cultural elements, although the specific nature or contents of the shop itself remains unidentified. In the third image, we see another shop house with two individuals walking along an aisle. Prominently featured on this shop house are the words "Nam Chiong Porn Shop," with the word "Tang" written in red Chinese characters in the center. Below this, the establishment's name is presented in the Roman alphabet in Malay as "Kedai Pajak." This contextual detail strongly suggests that the location is likely in Malaysia. The two individuals observed are dressed similarly in all black attire, with the male in a black t-shirt and pants, while the female is in a black dress. The shop house showcases the appearance of aging, with wooden ceilings that exhibit a somewhat disheveled look, further adding to the image's depth and richness by hinting at its historical significance and the passage of time.
| 708 |
|
native
|
['18DzZFAp8sEy']
|
['Spanish']
|
["This image appears to be a roundabout where cars drive through. It is a roundabout above the water. Essentially, it's almost a bridge, but the bridge is circular. When it's above the water, basically a road approaches the body of water and starts to form a circle. Then, when it reaches the other side, near the river, it gets closer to the land. Each area next to the river seems to be sand. It's not very obvious why it's a roundabout instead of just a bridge."]
|
[False]
|
[nan]
|
The image being described showcases a unique roundabout structure that is built above a body of water. This roundabout bears resemblance to a bridge, as it is designed in a circular form, allowing vehicles to maneuver around it seamlessly. As cars approach the roundabout, they drive on a road that leads directly to the water's edge, where the circular design becomes evident. Upon reaching the opposing side of the roundabout, near the riverbank, the circular path gradually merges into the land. Surrounding the riverbank, there are areas of sand, which adds to the natural aesthetics of the scene. The rationale behind constructing a roundabout in this context, instead of a traditional bridge, remains unclear, leaving one to ponder the benefits of such a distinctive design. The integration of a roundabout above water is an intriguing engineering choice that likely serves specific traffic management purposes, although the precise advantages are not immediately discernible from the provided description.
| 1,233 |
|
nonnative
|
['1edZ1OLkg0b5', '17Da8kaDwdUJ', '1ckrP0V6gko7']
|
['English', 'English', 'English']
|
[" This image is a picture of a plane. At first glance, I'm aware that this is an image of the airlines known as Singapore Airlines, which is a very popular and famous career and probably one of the best airlines around the world. The objects and its counts are as follows. There's one airplane that's flying in the middle of the sky and there is text actually. On the plane itself, it actually says Singapore Airlines. We suggest that the plane is actually a Singapore Airlines plane. There are several subtle details that are noticeable. There are various windows on the plane itself and there's a Singapore Airlines logo located at the rear wing of the plane. There are several small wheels located on the bottom of the plane itself and in the background will actually be some very beautiful white clouds. The star in color is interesting given the fact that the sky is darker in color with the plane being white, nicely contrasted against it. There is a... With regard to contextual information, I'm just aware that this is a location within the sky itself and perhaps I could actually draw a guess that this plane is actually in the middle of flying to its destination.", ' This is an image of one commercial airplane on a climb taken from a side view. We can see a main fuselage body, one of its two wings, one vertical tail, and we can see one of its horizontal fins that are visible in the photograph. We can also still see the landing gear. This plane is probably during the takeoff stage of flight. We can see that it is operated by Singapore Airlines as Singapore Airlines is written on the fuselage of the plane. So we can infer that Singapore could be a destination or origin of the flight. It appears to be a larger plane, so it could be inferred that this is a Boeing 777 or an Airbus A380 plane. The vertical fin of the plane is blue and gold, and we can see the Singapore Airlines logo on the vertical fin. The main fuselage has the colors blue, gold, and white. And we can probably also guess that the people in this flight are majority Chinese, Malaysian, or Indian. Although they could also be people just wanting to travel to Singapore or are coming through Singapore. We can see also the sky in the background is blue and some clouds, although it does appear to be a fairly sunny day. This saham stands for the Australian the Philadelphia Disney World. Thisprax Tire UK which is locally actually rapper and for documentaries. Have a photo\\', " The picture is a picture of an airplane. There are some clouds in the sky, but the sky is otherwise blue. The airplane is of Singapore Airlines. The tail is navy with a light yellow emblem. And they're the same color yellow stripes along the airplane. There is one wing visible, or one side full wing visible, and then there's like a smaller one closer to the tail. And you can see some of the two, or maybe actually one, two, three, four, five, six, seven wheels from this angle. And there is a flag next to Singapore Airlines, presumably with the Singaporean flag."]
|
[True, False, True]
|
["The words 'Singapore Airlines' suggest that this image is related to Singapore.", nan, 'Says "Singapore Airlines"']
|
This image depicts an aircraft soaring through the sky, specifically an airplane belonging to Singapore Airlines, which is widely recognized as one of the premier airlines globally, renowned for its exceptional service and quality. The scene captures one airplane flying gracefully amidst a backdrop of beautiful white clouds, providing a striking contrast against the darker blue of the sky. The words "Singapore Airlines" are clearly visible on the fuselage of the aircraft, further confirming its identity. Several distinctive features of the airplane can be observed. The aircraft displays a series of windows that stretch along its fuselage, a signature characteristic of commercial planes, and prominently features the Singapore Airlines logo, which is located near the rear wing. The plane is designed with multiple wheels underneath, making it readily apparent that it is a large commercial aircraft, likely during the climb phase of its flight operations, indicating it could be a Boeing 777 or an Airbus A380, both of which are among the larger aircraft in the aviation industry. Additionally, there is a vertical tail fin, adorned with blue and gold elements, which further exemplifies Singapore Airlines' branding. The overall color scheme of the airplane harmoniously blends blue, gold, and white. It is reasonable to infer that the passengers aboard this flight might predominantly be of Chinese, Malaysian, or Indian descent, as these are some of the major demographics traveling to and from Singapore. Conversely, it is also possible that the flight serves a broader purpose, attracting travelers from various backgrounds wishing to visit Singapore or transit through the city-state. The image emphasizes the scenic beauty of a clear, sunny day, with a vibrant blue sky peppered with a few clouds. Alongside the Singapore Airlines branding, a representation of the Singaporean flag can be seen, reinforcing the national connection of the airline to Singapore. This not only strengthens the visual identity of the airline but also serves as a symbol of pride for the nation.
| 576 |
|
native
|
['1gYmEToRXGG4']
|
['Chinese']
|
["The image appears to show a singer giving an award to another singer, or possibly two singers receiving awards and greeting each other. On each side, there is a gentleman standing nearby. It looks like the singer is very happy to receive the award because both women are smiling, and the one holding the trophy seems to be a very famous Chinese singer. It's clear that they are probably attending a music festival, as the background has some stage lighting set up, suggesting they might be at an award ceremony for a music festival. The two gentlemen standing on the side also seem very gentlemanly as they wait for the awards to be handed out, likely anticipating that they will soon deliver their acceptance speeches. The stage in the background features a blue and purple effect that matches their outfits very well. In the eleventh part, now you see that this time has become quite magical, with acceptance speeches possibly installed all around. I can create something unique; it might not be the exact place to kill, but I can set it down. You see these tools are about to collide. Impossible! Oh my, now we are seeing what is happening next!"]
|
[False]
|
[nan]
|
The image captures a moment during an award ceremony, presumably at a prestigious music festival. It prominently features a singer who is joyfully presenting an award to another singer, indicating a celebratory exchange likely filled with mutual admiration. Both women portrayed in the image exude happiness, with warm smiles reflecting their excitement and possibly their accomplishments within the music industry. One of the singers, who is holding the trophy, is recognizable as a highly celebrated Chinese artist, known for her significant contributions to music. The scene is set against a backdrop rich with stage lighting, enhanced by blue and purple hues that complement the outfits of the singers, which are likely designed for a glamorous event such as this. The vibrant colors not only add a magical quality to the moment but also create an atmosphere of enthusiasm that typically accompanies award presentations in the music industry. Flanking the two singers are two gentlemen who stand poised and dignified, embodying the essence of being gentlemanly in their demeanor as they await their turn to step into the limelight. Their presence suggests that they too may be recipients of awards, creating a sense of anticipation in the air as everyone present looks forward to the acceptance speeches that will follow. There's an air of excitement, as the audience is likely eager to hear the heartfelt words of appreciation that are customary in such ceremonies. As the atmosphere builds, the description indicates a transition into a more dramatic and enchanting moment where acceptance speeches and further celebratory acts seem imminent. The narrative hints at a collision of emotions and artistic expressions that elevate the event from a mere presentation to a captivating spectacle filled with magic and inspiration. This moment encapsulates the essence of the music festival, where creativity thrives and artists come together to honor each other's contributions to the art form.
| 2,681 |
|
native
|
['1nJDMhIXCnkz']
|
['Korean']
|
["This image seems to capture the moment when the bride enters the wedding, possibly holding her father's hand. The bride is wearing a short-sleeved white wedding dress with blue flowers and a bouquet wrapped in a ribbon. She is wearing white gloves, and the man on her right, whose face is not visible, is also wearing white gloves along with a red tie and a black suit, carefully holding the bride's hand. Traditionally, the bride holds her father's hand when entering, so this can be seen as a photo capturing part of the entrance of the bride and her father."]
|
[False]
|
[nan]
|
The image depicts a poignant moment as the bride makes her entrance into the wedding venue, potentially accompanied by her father, as indicated by her hand being held. She is adorned in a charming short-sleeved white wedding dress, which is delicately accented with blue flowers, adding a touch of color and personality to her attire. Complementing her gown, she holds a beautifully arranged bouquet, elegantly wrapped with a ribbon that enhances its aesthetic appeal. The bride is also wearing white gloves, which is a traditional element often seen in formal bridal wear, signifying purity and elegance. To her right stands a man, whose identity remains obscured as his face is not visible in the image. However, he is dressed in a classic black suit, complemented with a contrasting red tie that provides a vibrant pop of color against the suit's dark fabric. He, too, wears white gloves, continuing the refined and formal theme of the wedding attire. His careful grip on the bride's hand underscores the significance of their bond during this momentous occasion. In many cultures, it is a cherished tradition for the bride to be escorted by her father down the aisle, symbolizing a passage from her family to her new life with her partner. This moment is often filled with emotion, signifying the support from her father as she transitions into this new chapter. The photograph effectively captures the essence of this traditional ritual, highlighting both the joyful and sentimental aspects of a wedding ceremony.
| 3,013 |
|
native
|
['164IKqDOXHT5', '1gkBrkKYczb2']
|
['Hindi', 'Hindi']
|
['The picture depicts a major festival where women are performing a communal dance, and their faces are all smeared with colors. It seems to be from a region like Assam, Manipur, or Mizoram. During this specific festival, all the women are dressed in red and white sarees, and their way of wearing them is quite different from the rest of India. They are engaging in the dance together; it appears there are about ten to twelve women. However, with the tree in the background, there might be more hidden behind it. Surrounding them, it looks like there are many tourists, suggesting it is happening at a fair where these women are enjoying the dance. They are dancing beautifully, with synchronized postures and expressions. They have also tied yellow-colored cloths on their heads, resembling scarves, and they wear white bangles on their wrists.', 'In this picture, some women are performing a folk dance around a tree. Approximately ten women appear to be dancing, dressed in white sarees with red borders and red blouses. They are adorned with jewelry, and it seems they are wearing mangalsutra. This is a folk tradition from Northern India. Around the tree where they are dancing, there is a board with some numbers written in an unknown language. The audience is enjoying this folk dance. The location where the dance is taking place is a field with green grass, and there are some stones placed there. The lower part of the tree is painted white with lime, while the upper part of the tree appears black. In this image, there are also other trees with green leaves. On the right side, there is a tent with a canopy that is red, white, and has yellow stripes. Spectators are standing on both the left and right sides, and some of them have raised mobile phones to take pictures or videos.']
|
[True, True]
|
['Image is from north-east Indian festival.', 'Yes']
|
The picture vividly portrays a vibrant and culturally rich festival celebrated in the northeastern region of India, likely in states such as Assam, Manipur, or Mizoram. In this lively scene, a group of women, estimated to be around ten to twelve in number, are joyfully engaged in a communal dance, their faces adorned with colorful smears that add a festive ambiance to the occasion. Each woman is elegantly dressed in traditional red and white sarees, which are distinctive in their styling compared to other regions of India, showcasing the unique cultural fabric of the area. Notably, they are also wearing yellow cloth tied as scarves on their heads, complementing their traditional attire. The camaraderie and synchronization among the dancers are palpable, as they move in harmony, reflecting the essence of their joyous celebration. A tree stands tall in the background, hinting that there might be even more women participating in this vibrant display of tradition, although they remain obscured from view. The atmosphere is further enriched by the presence of numerous tourists surrounding the performers, indicating that this event is likely part of a larger fair or festival where both locals and visitors are absorbing the cultural spectacle. In a separate yet related picture, the focus shifts to another group of women performing a folk dance around a tree, reinforcing the regional flavor of the event. Approximately ten women are captured in motion, dressed in beautifully crafted white sarees adorned with red borders and matching red blouses, enhancing the visual appeal of their dance. Their attire is complemented by various pieces of jewelry, and some women can be seen wearing mangalsutra, an important cultural ornament signifying marital status in many Indian communities. The setting for this dance is a lush green field, sprinkled with stones that add to the rustic charm of the scene. The tree around which the women are dancing displays a distinctive touch of tradition, with its lower trunk painted white with lime and the upper portion appearing in a contrasting black. Surrounding the dancing women, other trees can be seen flourishing with green leaves, contributing to the idyllic environment. A board with numbers, written in an unfamiliar script, stands beside the tree, inferring a deeper cultural context or significance to the performance. The audience is captivated by the folk dance, with many spectators positioned on both the left and right sides of the scene. Several attendees raise their mobile phones to capture the vibrant moment through pictures and videos, emphasizing the merging of tradition with contemporary means of communication and expression. To the right, a colorful tent can be seen, adorned in a lively mix of red, white, and yellow stripes, which likely serves as a resting place for viewers and participants alike within this festive gathering.
| 903 |
|
native
|
['1bynAiKEnheD', '1goQ0zYKKWyN', '13wWOaYou2rI']
|
['Chinese', 'Chinese', 'Chinese']
|
["I saw something similar to an artifact, and overall there are five levels. Each level has a lot of sculptures, and each sculpture has very small people, both men and women, as well as adults and children. This place looks a bit like Thailand because it has a strong religious atmosphere, and it appears somewhat underdeveloped. The sky isn't very blue; it seems a bit overcast. This place also feels like a tourist attraction because there are many people at the entrance, and there is a yellow sign that seems to indicate it is a certain artifact. Then, we went to explore, and decades later, it's still a majestic place.", "This image primarily features a tower, which has cultural significance. It's unclear in which country this tower is located. The photo mainly captures this tower, which has a total of about five stories and is quite impressive and tall, showcasing its cultural characteristics. The background of the image includes some clouds and a blue sky, indicating it was taken during the day. There are also some high-rise buildings in the background, and it appears to have been taken from across the street, as there are cars and people in the foreground. Although only half of the scene is shown, it seems to be a popular tourist spot, with many people and cars present, creating a lively atmosphere.", "It is a temple located in the center of a city. Outside the temple, there are many people taking pictures, which makes it feel like a tourist attraction. This temple is special; its base is shaped like a door, but it has five levels, and each level is adorned with many statues of people, each different from the others. Some appear to be women, some men, some elderly, and some children. Some statues are dressed in green clothing, and each one has a different color as well. This is the temple gate, and around the walls of the temple, there are several statues of lions or other animals. It's clear that it's situated in the center of the city because the background features many tall buildings."]
|
[False, True, False]
|
['no', nan, 'no']
|
I observed something akin to an artifact, and it appears that this location comprises five distinct levels. Each level is decorated with a multitude of sculptures, depicting very small figures representing both men and women, as well as adults and children. The ambiance of this place is reminiscent of Thailand, primarily due to its strong religious atmosphere, which conveys a sense of being somewhat underdeveloped. The sky above is not particularly blue; instead, it presents an overcast appearance. Moreover, this area feels like a popular tourist attraction, enhanced by the presence of numerous individuals at the entrance. Notably, there is a yellow sign that seems to indicate the significance of a particular artifact. Upon exploring further, it is clear that decades later, this place retains its majestic aura. In another image, a tower of notable cultural significance is prominently featured. However, the specific country in which this tower resides remains unclear. The photograph captures this impressive structure, comprising around five stories and boasting considerable height, effectively showcasing its cultural characteristics. The backdrop of the image is adorned with clouds and a blue sky, suggesting that the photo was taken during daylight hours. Additionally, there are high-rise buildings visible in the background, and it appears the photograph was taken from across the street, as evidenced by the cars and pedestrians in the foreground. Although the scene is partially captured, it is evident that this location is a favored tourist spot, bustling with activity from many individuals and vehicles, contributing to a vibrant atmosphere. Furthermore, there is a temple situated in the heart of a city. The exterior of the temple is alive with activity, as numerous individuals take pictures, indicating its status as a tourist attraction. This temple possesses unique architectural features; its base is shaped like a door, while it consists of five levels, each elaborately adorned with a variety of statues of people, each differing from one another. Among the figures, some appear to be dressed in green clothing, while others represent different demographics, including women, men, the elderly, and children. This particular structure is noticeable as the temple gate, with several statues of lions or other animals placed around the temple's walls. The temple's central location is underscored by the presence of tall buildings in the background, emphasizing its urban setting.
| 597 |
|
nonnative
|
['1ncfguhGsX3f', '17Eld2WBUyGm', '1fdWBoVTwcmI']
|
['English', 'Chinese', 'English']
|
[' Shown here is a spread of different kinds of fruit. In the foreground we have a sliced mango, sliced into sort of a hash or a square shape. We then have some, what looks like more mangoes, still whole and in their original packaging. We then have what looks like cut strawberries and a bushel of bananas as well as some sort of chopped up or basically a mixture of fruit. In addition, beside the mango on the cutting board is a knife as well as some electronic object that is partially off screen. The scene is well lit with a couple of shadows but mostly lit. It looks like a normal photo, no normal levels of exposure.\\', 'The image depicts food on a table, including mangoes, diced mangoes, and strawberries. It seems to capture a moment during food preparation in the kitchen. At the bottom of the image, there is a cutting board with a knife and a halved mango scored with crosshatches, its two halves placed on either side, with a mango shell that has had its flesh removed placed in the middle. Next to that, there is a complete mango wrapped in plastic bags, resting on a black tray. At the top of the image, there is a large glass bowl containing finely diced mango and some paste-like substance, with a white spoon placed inside. To the right, there is a slightly smaller glass bowl with chopped red strawberries. At the very top of the image, there are four bananas and some canned goods.', " So I see a lot of fruit. I see a lot of mangoes and maybe some banana and also a lot of strawberry. So this looks like someone's just about to have breakfast or some type of fruit salad. So on the top left, I see it looks like a mango mix, mango puree type of thing. Looks like there could be some banana in there too. And then the bowl next to that is full of red strawberries. I see some crushed pineapples. That's kind of a discernible feature you can notice from the background. And yeah, a couple of bananas. What seems to be potentially mangoes as well as the mangoes that have been cut up. And the middle mango looks like it's being eaten. So yeah, it's been cut up on a chopping board and looks like it's eaten. And it looks like there's like three more what seem to be mangoes that haven't been opened yet."]
|
[False, False, False]
|
[nan, nan, nan]
|
The scene presents a vibrant arrangement of various fruits laid out on a table, providing a rich visual tapestry indicative of a food preparation moment in a kitchen environment. In the foreground, a cutting board is prominently featured, showcasing a yellow mango that has been sliced into a square or hash shape, revealing its juicy, golden interior. Beside this sliced mango, there is a knife, indicating that the preparation process is underway. To the left of the cutting board, there are whole mangoes still encased in their plastic packaging, a detail that suggests either freshness or a convenience purchase. Nestled nearby are cut strawberries, their bright red color contrasting beautifully with the yellow mango. This array of fruits hints at a delightful fruit salad or a similar dish being prepared, a wholesome and refreshing option, likely for breakfast or a snack. In addition to the sliced fruits, a large glass bowl is visible at the top of the image, filled with finely diced mango and what appears to be a paste-like substance, possibly a mango puree. A white spoon is inserted into this bowl, ready for serving or further mixing. Adjacent to this bowl is a slightly smaller glass bowl overflowing with chopped red strawberries, adding to the assortment of ingredients. At the very top of the composition, a handful of bananas is discernible, resting alongside some canned goods, which provide a hint of additional possibilities for the meal. The overall lighting of the scene is bright and inviting, with a few shadows adding depth but predominantly showcasing the colorful and appetizing display of fruits. The description implies a well-organized and enthusiastic approach to fruit preparation, hinting at culinary creativity. Observing the whole mangoes and noticing the half-eaten mango on the cutting board suggests that the preparation process is not just practical but also enjoyable, perhaps indicating a personal touch in the kitchen. The mention of crushed pineapples in the background adds another layer of flavor possibilities, further enhancing the appeal of the entire arrangement.
| 1,576 |
|
native
|
['1kibTTjy9CVM']
|
['Russian']
|
["Well, at first glance, it seems that a man is marrying a woman, they are both in white, he is putting a ring on her finger, one ring, three hands, in the photograph there are two people. There are no texts, in the picture there are two hands, one holding the woman's hand, the other putting on the ring, and the girl is just lying there, her hand on the man’s. What are the details? Well, all the details are white, the hands, the ring is silver, the jacket is white or silver, it's hard to see. And the dress is also white, everything is white, the background is white, almost everything in this painting is white."]
|
[False]
|
[nan]
|
In the image, a man is depicted performing the traditional act of placing a wedding ring on the finger of a woman, symbolizing their union. At first glance, the focus is on the couple, both dressed in white attire, which is a common choice for weddings, symbolizing purity and new beginnings. The man’s hand reaches out to carefully slide a single silver ring onto the woman’s finger. Notably, there are three hands featured in the photograph: one belonging to the woman, resting softly, and the other from the man, engaging in the ring ceremony. The visual composition emphasizes the hands, which are central amid a predominately white tableau. This use of white extends beyond the couple's attire; the man is wearing either a white or silver jacket, creating a harmonious blend with the woman’s white dress. All visual elements converge towards a thematic unity of white—reflecting a serene and minimalist aesthetic. Even the background is stark white, enhancing the purity and simplicity of the scene. The entire image conveys an atmosphere of tranquility and beauty, enveloped in a soft, almost ethereal quality that is characteristic of wedding imagery.
| 3,046 |
|
nonnative
|
['190Pa4olsg6a', '1lO8rrPgVjWO', '1oAaOjeivfZi']
|
['Chinese', 'English', 'English']
|
['In the image, there is a gentleman who occupies a large portion of the frame. You can see his head and upper body. He is wearing a dark blue jacket and has an orange-red bracelet on his wrist. Underneath, he has on a beige shirt and white pants. He wears glasses, and his hair is black with some white mixed in. His beard is also a bit grayish-white, giving him an appearance of being in his fifties or sixties. It looks like he is sitting at a table or on a stool; the table has a colorful tablecloth that can be faintly seen. The background appears to be a rural area, as there is yellow soil visible along with some green farmland and plants.', " This is a picture of a man, an older man that is wearing glasses, has gray hair. A lot of hair does not look like he's balding. And he has a gray beard that seems to be very clean cut. He's wearing a jacket that's unzipped in navy blue, and he has an orange bracelet. Under that, he looks like he's wearing a white button-down shirt. And he's sitting in some sort of garden, it looks like, probably a public garden, where it's dirt roads, trees in the background with flowers. It looks like there's red flowers to his left, a lot of greenery in the back and grass. And it looks like he's sitting on a bench that's covered with a felt that has different colors, such as red, yellow, blue. And it looks like it's daytime. Not too sunny. Probably cloudy, since there's a slight dim. Imagine those colors. Again, we have jeans. Look like we're on usually a ring.rated colors. Again, if there's pictures on the front desk, it is gray. And you'll have to be labeled pal, and you don't have to be labeled as stated as the example of flowing with gray soap separate. And you know? And when it looks like the light of the outside, you have to literally animals. And that direction comes out of chilain. And we match the leg. And you eight to a feast. And you do not have to readünstler tuning in this can't be labeled anymore. We have to 접종해 them little crowe Also really an gäller asking them on purpose.", " So this is a picture of a man. The man has a blue jacket and he's got a full head of hair, but the hair is gray and black. And the man appears to be Indian. He has glasses on. The glasses have no rims. He's gently smiling at the camera below his blue jacket. He's got a white shirt on and he's holding his hands together. And what else is going on? Behind him is a green and beige background. The green is from grass. There's a bunch of green grass and leaves, sort of tall looking grass. And there's flowers. The flowers are the color magenta, it looks like. And he's sitting on a bunch of blankets. The blankets seem to be culturally distinct. But everything else is not. There are trees in the background. And there's a bunch of trees and there's a bunch of sand below where he's sitting. And he's just kind of sitting there. He's got white pants on and he's got one sleeve out, one sleeve in. And that's all that's going on in that image."]
|
[False, False, False]
|
['No', nan, nan]
|
In the image captured, there is a gentleman who takes up a significant portion of the frame, revealing his head and upper body prominently. He is dressed in a dark blue jacket, which is unzipped to expose a beige shirt underneath. Additionally, he is wearing white pants, which provide a stark contrast to his dark jacket. The man's glasses, which have a rimless design, rest upon his nose, highlighting his features. His hair is predominantly black, though there are streaks of gray intertwined, lending him a distinguished appearance typically associated with someone in their fifties or sixties. This grayish-white aspect is also reflected in his neatly groomed beard, which is a clean cut and well-maintained. The gentleman appears to be seated, possibly on a stool or a bench, which is indicated by his posture. The bench or stool is adorned with a colorful felt covering featuring a variety of hues such as red, yellow, and blue. He is accessorized with an orange-red bracelet on his wrist, which adds an element of vibrancy to his overall look. The backdrop suggests a rural setting, characterized by yellow soil interspersed with patches of green farmland and various plants. Further details reveal that the scene may take place in a public garden. Behind him, there are trees casting soft shadows, and red flowers bloom, enhancing the natural beauty of the area. The light in the image seems to indicate that it is daytime, although the atmosphere appears moderately cloudy, providing a dimmer ambiance rather than a bright, sunny environment. Overall, the image conveys a serene moment, where the man, appearing calm and composed, is sitting comfortably, most likely enjoying the tranquility of the garden around him, surrounded by nature's beauty. The cultural elements hinted at in the description of the blankets he is seated on suggest a connection to his heritage, though additional details about their significance are not provided in the captions.
| 832 |
|
nonnative
|
['1jtComWZWkSG', '15ZpMdggeAP1']
|
['Chinese', 'English']
|
['At first glance, this photo appears to show a scene from a training session or a game, with a player preparing to hit a baseball while others watch from behind a railing. They might be his teammates since they are wearing the same uniforms. There’s also a referee in blue and a pitcher wearing a helmet. In total, there are seven people in the image, including two with partial body positions edited. In the center, there’s a batter, and to the lower left, a teammate in a helmet is crouching. In the background, a line of players stands, bringing the total to seven: about five players in white uniforms and two referees in blue. Other details indicate that the ground is yellow, perhaps it’s winter, and there are no spectators visible, so it’s unclear whether it’s practice or an official game.', " This is a picture of a baseball game. It looks like it is the Quakes versus another team. The Quakes are all wearing blue helmets and hats and white jerseys that have red numbers. Right now there's one guy batting. He's African-American. He's wearing the number nine in red. His uniform is all white. It says LA on the sleeve and Quakes across his chest, but his arm is covering that. He's wearing white gloves. He has a black bat and he looks like he's ready to hit. The catcher looks like he's ready to catch. The catcher is wearing orange. In the background, you can see there's one, two, three, four, five, six, seven, eight, nine, ten guys. It looks like in the dugout. One, two, three, four, five, six of them are out in the open. Yeah. The grass is green. The dirt is brown. The hitter's a righty hitter."]
|
[False, False]
|
[nan, nan]
|
At first glance, the photograph in question presents a dynamic scene from a baseball game or a training session. In the center of the image, a player, assumed to be the batter, is poised to hit a baseball. He has a powerful stance, ready to make contact with the ball. Behind him, several individuals, likely his teammates, are observing the action from behind a protective railing. All these teammates are clad in matching uniforms, which contributes to the sense of camaraderie often present in team sports. Prominently featured in the image is a referee dressed in blue, alongside a pitcher who is notably wearing a helmet, a common sight in baseball games to ensure player safety. The photograph captures a total of seven people, including two figures whose body positions have been partially edited out, making their exact identities unclear. To the lower left of the batter, there is a teammate in a helmet, crouching low—a position often assumed by players waiting for the game to unfold. In the backdrop, a line of players stands, impeccably dressed in uniforms that are predominantly white, while the two referees are dressed in blue, which typically signifies their role in the game. Interestingly, the ground appears yellow, indicating potential seasonal themes, perhaps suggesting that conditions are wintery or the field's surface is made of dirt or sand that has oxidized. There are no spectators visible in this scene, making it challenging to determine whether the event is a practice session or an official game. The second part of the description complements the visual by examining specific details about the baseball game, identifying the teams involved as the Quakes against a rival team. The players representing the Quakes are adorned in blue helmets and hats, paired with white jerseys that prominently display red numbers. The focal point is a particular batter, an African-American player wearing jersey number nine in red, whose uniform is entirely white, further signified by 'LA' on one sleeve and 'Quakes' across the chest—which is unfortunately obscured by his arm. He sports white batting gloves and wields a black bat, showcasing his readiness to engage with the pitch. The catcher, who is poised and ready behind him, is outfitted in orange, creating a striking contrast against the predominantly white and blue uniforms of the batters and other players. In the background, the scene is enriched by the presence of ten individuals visible in the dugout area, with a clear indication that six players are out in the open, possibly involved in warm-up or strategizing before their turns. The natural elements also play a role in the imagery, with the lush green grass contrasted against the brown dirt of the baseball diamond. The batter is identified as a right-handed hitter, which is pertinent information for interpreting his batting technique and style during the game.
| 1,549 |
|
nonnative
|
['12mFT7wOzqct']
|
['English']
|
[" All right, this image at first glance seems to be some kind of festive ornament that's hanging on a tree. There are two of them. There are two of these objects. They are both red with gold characters on them as well. They seem to be festive given the adornment. They both hang by red strings attached to a golden little piece at the top of both of these ornaments. And then below there are two additional strings, each with a green or one of them at least has a green bead. And some more festive red string below with gold attachments as well. So there is text on each of these in some characters but it's unclear to me what that text is. So these ornaments are both hanging from what seems to be a tree on some sort of red background. It's not entirely clear what the background is but the ornaments that are hanging are hanging from if this is a tree and those are the branches and they're hanging from what looks to be some kind of cherry blossom type tree with pink flowers on it. Overall this is definitely styled to be a sort of festive image."]
|
[True]
|
['This appears festive, and the right context might have more to say about what the objects represent.']
|
In this captivating image, at first glance, one might perceive two vibrant ornaments that are elegantly suspended from what appears to be a tree. Both ornaments exude a rich red hue, adorned with intricate gold characters that lend them an air of festivity and significance. They are delicately hung by red strings that are fastened to a small golden piece at the top of each ornament, allowing them to sway gently. Below the main ornaments, there are additional strings, one of which features a striking green bead, while the other string showcases more of the festive red string, also incorporating gold attachments. Each of these elements contributes to the overall extravagant and celebratory aesthetic of the scene. The text inscribed on each ornament consists of characters that remain somewhat ambiguous in meaning, indicating a lack of clarity regarding their significance. The intricate details of the characters suggest a carefully considered design, likely rooted in cultural traditions. The ornaments are depicted as hanging from an overarching tree, which, upon closer inspection, resembles a cherry blossom tree. This type of tree is known for its beautiful pink flowers, which add a soft and delicate contrast to the vibrant red of the ornaments. The background of the image is a rich red, although it is not entirely clear whether it is a solid color or features additional elements that enhance the overall festive atmosphere. In conclusion, the image encapsulates a theme of celebration and joy, although the precise cultural context and meaning behind the ornaments remain somewhat elusive. Their presence, together with the cherry blossom tree, suggests a harmonious blend of festivity and tradition, evoking a sense of wonder and curiosity about what the ornaments might represent within their cultural framework.
| 2,734 |
|
nonnative
|
['11OzQsFB2KG9', '1iRa7yLkpM1W', '145fHqSiMxIt']
|
['English', 'English', 'English']
|
[" The image is of a collection of female synchronized swimmers. They are partially below water, but all of their, they're all upright. And they all have their arms outstretched towards vertically in some sort of demonstration or pose. And in the background, there appears to be two spectators or coaches or teammates. And there are some posters or signs on the left-hand side with the names of some companies or other organizations. And there are also some chairs, white plastic, it seems, chairs in the back. And the swimmers are wearing white caps and multicolored swimsuits.", " This is a photo of people in a pool. There are nine people in the pool. They appear to be young females. In the background, there is a blue board with signs on it. There are four signs with white background. One of the signs says EMS. Another sign says 100 plus. Another sign says Sunplay. And the fourth sign that's toward the bottom of that blue board, the text is partially concealed by one of the people. So difficult to tell what it says. All the people in the photo appear to be wearing swimming caps and they appear to be female. They appear to be younger, perhaps teenagers. In the background, there is also what appears to be two people, one of whom appears to be male. And there in the background is also a white object that could be concrete. In the far background, there also appears to be a structure that's beige in color. The water is completely flat, almost glass colored with reflection. And the people in the water are splashing upward and that is creating water in the air.", " This is an image of some swimmers. They are wearing caps so it looks like this might be an artistic swimming event. There are four sponsor signs to the left. There's EMS 100 plus, Sunplay, and something that I can't... The text is covered up by someone's arm but the icon looks like a grill. And there is a glass wall behind the swimmers and someone looking out behind that glass. And there are one, two, three, four, five, six, seven, eight swimmers that I can see. And all of their arms are in the air. And they are in a swimming pool. So the pool water is sort of turquoise blue. And you can see some of the reflection of that along the white wall banisters next to the pool. And there's water being flung out into the air by the swimmers. with water being Vilas. with utilities by the swimmers. Thank you so much for watching this podcast gonna be fun, and it's one of my favorite shows. We're gonna go back and see some mountain waste. You just gottanahme youlaing your... by the swimmers."]
|
[False, False, False]
|
[nan, nan, nan]
|
The first image depicts a captivating performance by a group of female synchronized swimmers who are partially submerged in a swimming pool. The swimmers are arranged upright, demonstrating a synchronized pose with their arms elegantly outstretched vertically, showcasing their coordination and artistry. In the background, there are two figures present, likely spectators, coaches, or teammates observing the performance. The left-hand side of the image features several posters or signs that display the names of various companies or organizations, emphasizing the potential sponsorship or support for the event. Additionally, a few white plastic chairs are visible in the background, suggesting a seating area for onlookers. The swimmers are adorned in white swim caps which complement their brightly colored swimsuits, further enhancing the visual appeal of the event. The second image captures a vibrant scene inside a swimming pool, where a total of nine young female swimmers are engaged in a lively activity. They appear to be teenagers who are actively participating in a swim event. In the background, there is a blue board mounted on the poolside, displaying four distinct signs, all with a white background. The visible signs include one labeled "EMS," another reading "100 plus," and a third marked "Sunplay." The fourth sign’s text is partially blocked by one of the swimmers, making it difficult to discern the complete message. In addition to the swimmers, there are two people observed in the background, one of whom appears to be male. A white object, potentially made of concrete, is also present in the background. Farther back, there is a beige-colored structure evident. The surface of the water is remarkably still, resembling glass with its reflective quality, while the swimmers are shown splashing upward, creating a beautiful spray of water droplets suspended in the air. The third image features a dynamic scene filled with swimmers, likely partaking in an artistic swimming competition. The swimmers are sporting swimming caps, aligning with the aesthetic typical of such events. Positioned to the left are four sponsor signs that include "EMS," "100 plus," "Sunplay," and an additional sign, whose text is obscured by a swimmer's arm, but includes an icon that resembles a grill. A glass wall is visible behind the swimmers, beyond which a spectator can be seen watching the performance. The image reveals a total of eight swimmers, all with their arms raised, contributing to a sense of harmony and synchronicity in their movements. The turquoise-blue water of the swimming pool reflects beautifully against the surrounding white wall banisters. As the swimmers engage in their routines, water is flung into the air, adding a sense of dynamism and excitement to the performance.
| 644 |
|
nonnative
|
['1c8HUqTj1JTA', '14eUfwLp6Iew', '1fbFLOPJ5o6F']
|
['English', 'English', 'English']
|
[' This image depicts a roadway with traffic moving towards the right direction. In the image we can see two taxi cabs driving down the road which are colored yellow and one has doors on the side that are colored blue with some writing on them. On the road it is a dark pavement with dashed lines and arrows pointing in the direction of traffic and those are colored white. Behind the road there is a sidewalk that is full of people sort of waiting for cars on the side and behind them there is a building with windows and further in the distance there is a tall white castle and spread throughout the buildings. There are tall trees with green leaves and in the background the sky is bright and blue with some clouds covering it.\\', ' The photo describes an outdoor environment in the city. So the bottom part of the photo is a grey road. And there are two yellow taxis driving on the road. On the side of the taxis there are blue ads. And on the side of the road we can see a lot of people. And there are a lot of people coming out from a white building. There is a red sign on the building. And it looks like it might be a subway station. And then behind the station there is a white building. And it looks like a church with these white towers. And aside from that there are multiple trees on the side of the road. And behind the building.\\', " So this photo is very likely taken in the middle of a city and it's like a single direction lane. There are three lanes and there are two taxis. We can see yellow taxis. And on the other side of the road, we can see a bus stop. There are like around 10 people waiting near the roadside for the bus. And there's also something like a shop. We can see like on the side of the road, there are also several trees. And further side, we can see a building like a big church. The church is pretty white. And behind the tree, we can on the further side, we can also see like another building. So this is a pretty blue sky. There are a few clouds on top."]
|
[False, False, False]
|
[nan, nan, nan]
|
This image presents a busy urban roadway characterized by vehicles moving in a rightward direction. In the foreground, there are two distinct yellow taxi cabs navigating the street; one of these taxis features blue doors adorned with various advertisements or writing, enhancing its visual appeal. The road itself is constructed of dark pavement, which is marked with white dashed lines and directional arrows that guide traffic. Adjacent to the roadway, there is a bustling sidewalk populated by pedestrians, indicating that people are likely waiting for various forms of transportation. Behind this area, a large building is visible, showcasing numerous windows which suggest it may serve a commercial or administrative purpose. Further in the background, one can observe a tall white castle structure, adding a historical or cultural element to the cityscape. The scene is punctuated by lush green trees that line the edges of the road, providing a sense of nature amidst the urban setting. In the sky above, the weather appears bright and inviting, with a clear blue expanse punctuated by a few fluffy clouds, contributing to a pleasant atmosphere. The overall composition of the image reflects the vibrant life of a city, where movement, architecture, and nature coexist harmoniously. The second description accentuates the urban outdoor environment, reiterating the presence of the grey road where the yellow taxis are prominently featured. The blue advertisements on the taxis are again noted, providing visual interest to these vehicles. The photo captures a lively scene with numerous individuals emerging from a prominent white building, which is likely a subway station given the red signage that suggests some form of public transport. Behind the subway station, another white edifice with tall towers is revealed, which is identified as a church, further enriching the city’s architectural diversity. Green trees intersperse the vicinity, contributing to the overall aesthetic of the environment. The third transcription emphasizes the lane structure of the roadway, describing it as a one-way street with three lanes and confirming the presence of the two yellow taxis. The account of people waiting at a nearby bus stop adds to the dynamic atmosphere, with approximately ten individuals positioned along the roadside. Additionally, a shop is mentioned nearby, creating a lively commercial ambiance. The presence of the white church adds a significant landmark to the scene, making it notable. The sky continues to be described as a bright blue, laced with a few clouds, reinforcing the image's cheerful and bustling urban character.
| 584 |
|
nonnative
|
['1khSksp2dZtj', '1bw6hBB6pgN4', '1hblyZwuNgJj']
|
['English', 'English', 'English']
|
[" This is an image of a motorcycle. The motorcycle is blue, period. On its seat, there's a helmet, period. On the back, there is a container that has the word Singapore on it, period. This is clearly a motorcycle in Singapore, period. It has two wheels on the back and one wheel on the front, so it qualifies as a tricycle, period. It is located over a road made of asphalt, period. There are yellow lines on each side of the road, period. The motorcycle is parked along the proximal side of the road, period. In the background, there is a parking lot with several white cars, period. There are also a line of motorcycles in the left upper corner of the image, period. There is another building in the background of the image on the left side, period.", " This picture represents an image of a Singapore Post motorbike. The objects and its counts are as follows. The motorbike is right at the centre of the picture, and in the background will be several three or four parked cars with actually an additional three lorries, and also several other parked bikes in the background. There is text on the left side of the motorbike which actually says Singapore Post. The positions of the object will be the fact that this motorbike is actually located in the centre of the picture, and at the background will actually be a car park. The subtle details will be that I can also see some shops, some buildings located in the background of the picture and several parked cars which will suggest that this is somewhere within a Singapore housing estate. And the fact that the postman's helmet is actually placed on the motorbike may suggest that the postman has went on to deliver hostel letters to the people living in this residential area. The style in the colour is interesting. The motorbike is blue in colour, and this contrasted against the green backdrop of the grass and also the nice silvery cars alongside the red buildings. There is some contextual information given the fact that this motorbike is State Singapore Post. It helps me to understand that this is somewhere in Singapore. So, this is a very interesting example.", " This image shows a parked tricycle in the middle of a road on the double yellow lines. The tricycle is painted a dark blue color and it has black handles and a black seat. There is a white helmet sitting on the seat and at the back of the tricycle, there seems to be storage and or a motor and that box has writing on it that says Singapore Post. Behind the tricycle on the other side of the street, we can see a curb that has some ground behind it with grasses growing and there are more bikes and motorcycles parked in bicycle parking spots. On the other side of that curb, there's also a parking lot for cars and there are several white and gray cars parked there with their own license plates. Behind those cars, we can see several trucks parked as well that are colored white with some images on them. On the other side from the parking lot, there is a brick building with metal doors that have a sign on them that says danger. And there is another parking lot in the further distance with more cars and bikes, as well as another building that has a balcony or porch.patro"]
|
[True, True, False]
|
['Singapore motocycle', "Yes, the motorbike has the words 'Singapore Post' which suggests that this picture is associated with Singapore.", nan]
|
This is an image depicting a motorcycle prominently featured in the foreground. The motorcycle is painted a striking shade of blue. Positioned on its seat is a white helmet, suggesting readiness for use. Attached to the rear of the motorcycle is a container emblazoned with the word "Singapore," indicating the geographical context of the image, which is clearly a motorcycle situated within Singapore. This vehicle possesses two wheels at the back and one at the front, which classifies it as a tricycle. The motorcycle is parked neatly on an asphalt road that is marked with yellow lines on either side, which are typically used to delineate lane boundaries or parking restrictions. In the background of this image, a parking lot can be observed, showcasing several white cars parked in an organized manner. Toward the upper left corner, there is also a line of additional motorcycles parked, creating a lively motorcycle parking area. On the left side of the background, there is a building, adding to the urban context of the scene and emphasizing that this motorcycle is part of a bustling environment. This photograph also captures a Singapore Post motorbike, central to the composition of the picture. In the backdrop, one can identify three to four parked cars along with an additional three lorries, as well as several other parked motorcycles, showcasing the abundance of motorcycle traffic common in Singapore. The motorbike prominently displays the text "Singapore Post" on its side, reinforcing its role as a designated postal service vehicle. The placement of the postman's helmet on the seat hints at the presence of a postman who may have just stepped away momentarily to deliver mail to residents in this housing estate. The color scheme enriches the scene, as the blue motorbike is set against a verdant backdrop of grass and accompanied by the silvery sheen of the parked cars, alongside the vivid red of the buildings in the vicinity. This imagery encapsulates a typical segment of life in a Singapore housing estate, characterized by its dense residential areas, mixed vehicle types, and the convenience of postal services close at hand. Moreover, the image reveals a parked tricycle situated directly on the double yellow lines of the road, reinforcing the motorcycle theme. This tricycle, adorned in a dark blue color and equipped with black handles and a black seat, also features a white helmet atop its seat. At the rear, it contains storage that includes a motor, to which a box attached carries the inscription "Singapore Post." Across the street from this tricycle, a curb leads to a grassy area, and numerous bicycles and motorcycles are parked in designated bicycle parking spots. Adjacent to the grassy curb is a parking lot filled with gray and white cars, each bearing their respective license plates. Positioned further back, several trucks can be seen, also painted white and adorned with images indicative of their purpose. Opposite this parking lot, a brick building with metal doors exhibits a warning sign reading "Danger," contributing a contrasting element of caution to the otherwise vibrant scene. In the distance, a further parking lot can be discerned, housing a mixture of cars and bikes, alongside another building with a balcony or porch, indicating a multi-layered view of this bustling urban environment in Singapore.
| 650 |
|
native
|
['128SelrwmgUe']
|
['Chinese']
|
['The cover of a book shows its title "A History of Chinese Culture" written in the center. Underneath this title are the names of the editors and the authors, totaling five people. At the bottom is the name of the publisher. In the upper left corner, it states "Revised Edition" indicating that this is the third edition of "A History of Chinese Culture." Additionally, we can see that the background is divided into two parts. One part features an image that appears to be a very typical Chinese painting, while to its right, the background has some faint text that looks like characters written in Chinese calligraphy, transitioning from light to dark and quite eye-catching. Furthermore, the style of the text, as well as the composition and the background used, gives this book a distinctly Chinese character.']
|
[True]
|
[nan]
|
The cover of the book prominently displays its title, "A History of Chinese Culture," positioned in the center of the layout, which immediately draws the attention of the viewer. Beneath this main title, the names of the five contributing editors and authors are listed, signifying the collaborative effort behind the creation of this comprehensive text. At the bottom of the cover, the name of the publisher is clearly indicated, providing important information about the entity responsible for bringing this work to the public. In the upper left corner, the phrase "Revised Edition" is printed, indicating that this book is not the first iteration; specifically, it is the third edition of "A History of Chinese Culture," suggesting that the content has been updated and refined based on previous publications. The background of the cover is artistically divided into two distinct parts. On the left side, there is a striking image that appears to be a very typical representation of a Chinese painting, which may encompass traditional themes, colors, and motifs commonly found in classical Chinese art. This inclusion emphasizes the cultural heritage that is central to the book's subject matter. To the right of the painting, the background features faint text that resembles Chinese calligraphy. This text transitions subtly from light to dark, creating a visually engaging effect that captures the eye while not overpowering the main title and imagery. The calligraphy likely reflects the elegance of the Chinese writing system and adds a layer of cultural significance to the design. Overall, the style of the text, the artistic composition, and the specific background elements work in harmony to impart a distinctly Chinese character to the book cover, effectively signaling to the reader both the theme of the book and its deep cultural roots. This thoughtful design aims to resonate with those interested in the rich history and cultural landscape of China.
| 2,095 |
|
native
|
['15PcpOoJN0Ii']
|
['Korean']
|
['The photo features a white Jindo dog standing outside, giving off a rural vibe as if it was taken in a countryside setting. The Jindo dog is predominantly white, and in the background, there are elements that suggest a house or a rural environment. The dog takes up most of the photo, and aside from the outside context, there isn’t much else in the background. When looking down, there are pebbles and dirt, particularly noticeable in the summer; the house in the background of the Jindo dog is somewhat visible. Overall, it feels like the photo was carefully framed to focus on the Jindo dog within a square layout.']
|
[True]
|
['korean dog']
|
The photograph prominently features a white Jindo dog, a breed recognized for its loyalty and intelligence, standing outside in what appears to be a rural setting reminiscent of the picturesque countryside. The dog, which is predominantly white, occupies a significant portion of the image, drawing the viewer’s attention immediately. In the background, there are subtle hints of a house or other structures that suggest a rural environment, although these elements do not distract from the dog itself. The ground beneath the dog is composed of pebbles and dirt, which are particularly visible and accentuated by the summer light, suggesting a warm, sunlit day. This choice of focus on the ground adds to the rustic feel of the scene. The house, while somewhat obscured, can be identified in the background, contributing to the overall ambiance of a peaceful rural life where the Jindo is a beloved companion. It is important to note that the Jindo is a distinctive Korean dog breed known for its unique characteristics and cultural significance in South Korea. Its presence in the photograph evokes a sense of pride and affection commonly associated with this breed, considered a national treasure in Korea. The careful framing of the image, which maintains a square layout, signifies thoughtful composition, directing the viewer’s gaze toward the Jindo dog while retaining the essence of its countryside surroundings.
| 1,082 |
|
nonnative
|
['1g1BEi4Be5Wf']
|
['English']
|
[" We're looking at the inside of a bedroom. The back wall has paintings all over it, including one of some people in the snow. And then the other paintings are kind of dark and hard to see. There's like white along the bottom of the wall and then the flowery wallpaper along the top of the wall. There are white chairs in the room, two white, four white chairs in the room. There's a bed, brown bed frame and all the sheets of pillows and blankets are white. There's a brown dresser with a lamp on it. There are two lamps. There's two dressers, one on either side of the bed. There's also a big dresser in the back right that has mirrors on it. There's another white chair by that. That was one of the four we counted before. There's also a red flower on it. There's a mirror close to the front here on some sort of table. There's a white door frame in the background of the brown door on it."]
|
[False]
|
[nan]
|
The scene unfolds within a cozy and aesthetically pleasing bedroom. Upon entering, one’s eyes are immediately drawn to the back wall, which is adorned with an array of paintings. Among these artworks, a notable piece captures a serene winter scene featuring people amidst snow, evoking a tranquil and picturesque ambiance. In contrast, the other paintings present a darker palette, making them somewhat difficult to discern, yet they contribute an intriguing depth to the room’s character. The architectural elements of the room are charmingly detailed. The lower portion of the wall is accented with a crisp white finish, while the upper section is embellished with delicate flowery wallpaper, adding a touch of elegance and softness to the overall decor. In terms of furnishings, the room showcases four white chairs strategically placed throughout the space, adding a blend of comfort and style. The bed is fitted with a rich brown frame, and the bedding—comprising sheets, pillows, and blankets—is uniformly white, providing a fresh and inviting feel. Flanking the bed are two identical brown dressers, each topped with lamps that illuminate the space, enhancing its warmth during the evening hours. The larger dresser situated in the back right corner features several mirrors that reflect light and add a sense of depth. Accompanying this dresser is another white chair, consistent with the overall aesthetic of the room, and it is adorned with a single red flower, introducing a vibrant pop of color amidst the neutral tones. Additionally, a mirror is positioned on a table near the entry point of the room, serving both a practical purpose and acting as a decorative element. In the background, a white door frame houses a brown door, marking the entrance to the bedroom and completing the space’s inviting and stylish atmosphere.
| 1,720 |
|
native
|
['15wko3R13k6z', '1nuVqd7wJjpH', '1dWQFay1Wkdx']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image depicts a pedestrian path in a park, with two people walking along the path. There are no words in the image. The path occupies most of the space in the picture, and its background shows a park or a forest. A notable detail is that the two or three people in the distance appear to be of Asian descent, specifically of East Asian ethnicity. Therefore, it can be inferred that this could possibly be in an Asian country, although this is not definitively certain. Another important note is that this scene takes place during the daytime, giving it a bright color palette. There are no other specific details confirmed, but the architectural style and construction period suggest it resembles something found in Asian countries.', 'This is a photo of an outdoor space that is very high, as you can see in the background there are tall trees, but this outdoor space is even taller. The background features a blue sky with large white clouds, almost obscuring the blue sky. The photo was taken during the day. This outdoor area is constructed from some dark-colored bricks and has a long, wide path suitable for running. There are a few pedestrians on the path; on the left, there is a person wearing a green shirt and gray shorts, and on the right, another person wearing a black shirt and brown shorts. We can also see a building to the right with a designed roof, and next to the roof, there is a white railing.', 'This image appears to depict a contemporary large building. It might just be a walkway, but it has a well-considered design, and the construction is very meticulous. There seems to be a series of composite materials or grayish wooden strips, and these strips are arranged together to form a base. The entire walkway seems to connect one area to another, possibly leading to a park. On the left side of the walkway, there are extensions with metal railings marking the boundary. On the right, there is a lifted semi-covered roof structure. This roof has a large arc shape that rises quite high before curving down to meet the ground. The arc is smooth and rounded, which would allow someone to perform various tricks if they were skateboarding here, although it appears that skateboarding is not allowed. Below, there are some protruding angles where people can engage in activities, and there are additional railings on the right to prevent others from climbing up onto the roof.']
|
[False, False, False]
|
[nan, nan, nan]
|
This image depicts a pedestrian path in a park, with two individuals leisurely walking along the beautifully paved path. Notably, there are no words or text present within the image. The pedestrian pathway occupies a significant portion of the visual space, seamlessly leading the viewer's eye through the serene environment, which appears to be either a park or a lush forest. A significant detail observed is that the two or three individuals in the background seem to be of Asian descent, specifically of East Asian ethnicity. This observation may imply that the scene is set in an Asian country, although this inference is made with caution and cannot be definitively confirmed. Another key element to note is that the scene unfolds during daylight hours, contributing to a vivid and bright color palette that enhances the overall aesthetic of the image. While no additional specific details are confirmed, the architectural style and construction elements suggest it closely resembles structures typically found in Asian countries. In another visual representation, there is a photograph of an expansive outdoor space that appears exceptionally high. The background features majestic tall trees that soar upward, complemented by a sky painted in rich blue, adorned with large white clouds that almost obscure the azure backdrop. The photograph captures the outdoor area during the day, showcasing its vibrancy. The space is constructed with dark-hued bricks, establishing a substantial and durable foundation, while a long, wide path runs through it, making it suitable for running and outdoor activities. There are a few pedestrians on this path; to the left, one can see a person dressed in a green shirt paired with gray shorts, whereas on the right is another individual wearing a black shirt along with brown shorts. Additionally, a building can be observed to the right, characterized by its architecturally designed roof, next to which a white railing adds a touch of modernity and safety. The final image appears to portray a contemporary large building that might function as a walkway. Its design indicates careful consideration, reflecting meticulous construction techniques. The walkway features a series of composite materials or grayish wooden strips that are thoughtfully combined to establish the base structure. This entire walkway seems to connect different areas, possibly leading toward a park or recreational zone. On the left side, there are extensions with metal railings that delineate the walkway's boundary. To the right, a lifted semi-covered roof structure stands out, characterized by its large arc shape that rises significantly high before seamlessly curving down to meet the ground. This smooth and rounded arc design suggests the potential for various activities, such as skateboarding, although it is noted that skateboarding may not be permitted in this vicinity. Below the roof, protruding angles create spaces where individuals can engage in different activities, while additional railings on the right serve to deter others from climbing onto the roof structure, ensuring safety and preserving the integrity of the space.
| 565 |
|
nonnative
|
['1ef4TA56C5Xu', '1lmxJSKS20fs', '17Ytd7F0W4Qi']
|
['English', 'Chinese', 'Vietnamese']
|
[" This image has a lot of red in it. It's mostly red. It's taken from below and you can see a red sort of like a tent, a top of a tent. And it's super red and there's a woman in it and she's wearing red. There's a man in it. He's wearing a shirt that's red and white. And then there's another man who's wearing what seems to be an orange colored shirt and maybe just a white shirt that has a tint of red in it because of the atmosphere, the surrounding environment. And the woman is holding her face. She's touching her nose or something like that. And then the man is seemingly doing nothing. He's just kind of standing there. Both men are. They seem to be maybe a Southeast Asian country, judging by the appearance of the men. And they seem to be at a place where there's some eating going on because there's a bunch of containers that it looks like there's like hot dog stuff or whatnot. But it's unclear what they're doing. They're probably eating.", 'The scene features two people under red sun umbrellas, captured from a low-angle perspective. In total, there are three individuals in the frame. On the left is a slightly older middle-aged man wearing a red and white color-blocked T-shirt. In the middle, a woman looks down at the ground, touching her nose with her left hand while holding what looks like a dollar bill with her right. She is dressed in red. The man on the far right is wearing glasses and looking to the left, dressed in a light-colored T-shirt as well. Above them are large, square red sun umbrellas that neatly cover the sky, and the stay rods of the umbrellas are black.', 'This picture captures vendors in a market. At the top of the image, there are red umbrellas. In the center of the image is a woman wearing a red shirt looking down at her feet. On the left side of the image is a man wearing a red and white striped shirt. On the right side of the image is a man wearing an orange collared shirt. There are many other people in the background. In the lower left corner of the image is a plastic container. Inside the container are glass cups filled with water.']
|
[False, False, False]
|
[nan, nan, nan]
|
The image vividly showcases a bustling market environment, predominantly featuring hues of red. It is captured from a low-angle perspective, which adds depth to the scene. Above the three individuals, large, square red sun umbrellas create a vibrant cover, enhancing the overall visual impact. Prominently positioned on the left side is a middle-aged man, slightly older, clad in a distinctive red and white color-blocked T-shirt. His attire stands out against the backdrop of the bright market. In the center, a woman, dressed entirely in red, appears engrossed in her actions as she looks down at the ground, using her left hand to touch her nose. With her right hand, she holds what resembles a dollar bill, which hints at a transaction or an intention to buy something. The presence of the bill introduces a subtle narrative element, suggesting a moment of contemplation amid the lively market atmosphere. To the right of the woman stands another man in a light-colored shirt adorned with glasses, who is looking toward the left side of the frame. His relaxed demeanor contrasts with the visible activity surrounding him. The men's attire, influenced by local culture, suggests they might belong to a Southeast Asian region, although specifics are not definitively stated. In the background, there is a plethora of other market-goers, although they remain somewhat obscured, providing context but not detracting from the main subjects. Notably, in the lower left corner, a plastic container is visible which holds glass cups filled with water. This detail indicates a provisionary aspect common in such market settings, often seen where vendors cater to customers' basic needs. The entire scene radiates a vibrant, communal feel of a marketplace, where interaction, commerce, and cultural exchange converge under the striking canopy of red umbrellas, encapsulating a moment of everyday life.
| 1,717 |
|
nonnative
|
['1dVCDaxO85gg']
|
['English']
|
[" uh this appears to be image of a kid's bedroom we see a beanbag a ball on the ground a couch some posters uh that says one of them says like great great lake fishes um and there's appears to be also like a gum advertisement um put like stuck to the wall as well as these like uh the map of i guess the geographical map of the world also um put up on the wall and uh we see in the foreground it appears to be a kid playing the wii um there's these wii controllers uh probably like a younger kid uh in their low teens uh or perhaps like eight or nine or even ten years old um with these with uh blonde hair and he's looking at the tv uh playing his wii um the tv is this older style black tv that is on top of a small tabletop um and underneath the um tabletop such yeah that the tv is on we see a bunch of different it appears to be either games or books you you you"]
|
[False]
|
[nan]
|
This transcription describes an image depicting a child's bedroom filled with various items and decorations that reflect a youthful and playful atmosphere. In the room, there is a large, colorful beanbag positioned on the floor and a ball that adds to the leisure theme of the space. A couch is visible, providing a comfortable seating area. One of the walls is adorned with several posters, with one prominently featuring a design related to the "Great Lake Fishes," which showcases the region's fish species and promotes awareness about aquatic life in the Great Lakes of North America. Additionally, there is a gum advertisement that has been affixed to the wall, suggesting the child’s interest in this product or its branding. Another wall hosts a geographical map of the world, offering both aesthetic appeal and educational value for the child, as they can explore different countries and continents. In the foreground of the image, a young boy is engaged in playing video games on a Nintendo Wii console, which is indicative of the interactive gaming culture prevalent among children during the time the Wii was widely popular. The boy appears to be of a younger age, likely between eight and ten years old, with blonde hair and an expressive focus as he concentrates on the TV screen. The television itself is an older model, identified as a traditional black tabletop TV, resting atop a small furniture piece. Beneath this table, there is a collection of items that includes several video games and books, hinting at a blend of interests the child has in gaming and reading. This setup emphasizes an inviting and engaging environment typical for a child's bedroom, where gaming and learning coexist harmoniously. The details reflect both the personal interests of the child and the broader cultural influences on childhood play and entertainment.
| 1,569 |
|
native
|
['17lRol1WMBdn', '18cn96zE1QSk']
|
['Korean', 'Korean']
|
['This photo captures a traditional Korean performance and can be described as a very culturally unique scene. The two individuals in the picture are wearing hanbok, the traditional Korean attire, and the stage background appears to create a traditional atmosphere. The person standing on the left is a woman dressed in a white jeogori, which is part of the hanbok, and she is holding a fan, suggesting that she is likely performing pansori. Pansori is a form of traditional Korean music where a singer stands and conveys a story through dramatic gestures and expressions. The man sitting on the right is wearing a gray dobok and a gat, and he appears to be playing the drum, which is a role known as the gosu, important for keeping the rhythm and setting the mood in Korean pansori. The dark background and lighting emphasize the stage and create an emotional and narrative atmosphere typical of traditional Korean art.', "In the photo, two people dressed in traditional costumes stand out on stage. The background appears to be a dark, subtly lit set designed for a performance, with lighting focusing intensively on the two figures. One person is seated, wearing a white durumagi or hanbok, along with a gat on their head, while the other is dressed in a white hanbok, with a white towel wrapped around their head. It seems they are holding traditional musical instruments, and notably, beside the seated person, there appears to be a round janggu or drum. It is likely that these two are acting out a scene or performing traditional music while singing. For example, it could be related to pansori, gugak, or changgeuk, which are forms of Korean traditional performing arts. All the costumes are unified in white, which is one of the symbolic stage costumes often seen in Korean traditional performances. Furthermore, the presence of a gat on the man and the white head covering on the woman suggests a theatrical or musical performance set in a traditional era. Overall, with only the two individuals illuminated on the dim stage, the audience's gaze is naturally drawn to them, clearly showcasing the unique tension and immersion characteristic of the performance. The combination of traditional Korean attire, stage direction, and props presumed to be musical instruments creates a scene that seems to either recreate or modernly reinterpret traditional art. While it is impossible to definitively determine what the performance actually is from just one photo, it is certainly a moment that resonates with the essence of Korean traditional performances."]
|
[True, True]
|
['it captures a traditional Korean performance that is Pansori.', 'Yes, this image is culturally distinct. It shows performers wearing traditional Korean attire (such as hanbok and a gat), likely participating in a form of Korean traditional stage performance (e.g., pansori, changgeuk, or a similar art). These elements—the clothing, setting, and style—are strongly tied to Korean cultural heritage and thus meet the criteria for being culturally distinct.']
|
This photo captures a traditional Korean performance, illustrating a scene that is culturally rich and unique. The two individuals featured are adorned in hanbok, the traditional attire of Korea, indicating a deep connection to Korean cultural heritage. The background of the stage is dark and subtly lit, which serves to create a traditional atmosphere, emphasizing the performers and their actions. The woman standing on the left is elegantly dressed in a white jeogori, which is the upper garment that forms part of the hanbok ensemble. She is holding a fan, a prop that suggests she is likely engaged in a performance of pansori. Pansori is a form of traditional Korean music characterized by a vocalist who conveys a story through dramatic gestures and expressive singing. It is known for its emotional depth and narrative style, engaging the audience in a compelling manner. On the right side of the image, the man is seated and dressed in a gray dobok, which is another type of traditional costume, complemented by a gat, a traditional cylindrical hat made of horsehair that symbolizes elegance and scholarly status. He appears to be playing a drum, assumed to be a janggu, which is essential for maintaining rhythm in Korean pansori performances, in a role known as the gosu. The gosu is crucial for setting the mood and supporting the vocalist, creating a partnership that enhances the storytelling experience. The overall ambiance is created by the dark background and careful lighting, which underscores the emotional narrative typical of traditional Korean art forms. The specific choice of white for their attire is significant, as it reflects a symbolic aspect of Korean culture, where white often represents purity and simplicity. In addition to the attire and props, the performance engages elements of cultural expression inherent in Korean art. The combination of traditional costumes, the theatrical setting, and the presence of musical instruments suggests a moment where tradition is either being recreated or reinterpreted in a contemporary context. While the photograph does not provide explicit confirmation of the performance being executed, it resonates with the essence of Korean traditional performances, such as pansori, gugak, or changgeuk, all of which are significant forms of Korean artistic expression. The careful curation of lighting draws the audience's attention directly to the two performers, showcasing the intense focus and immersion that characterizes these art forms. This scene embodies the cultural distinctiveness of Korean performing arts, highlighting garments and musical elements integral to the tradition and strongly tied to the cultural heritage of Korea.
| 1,050 |
|
nonnative
|
['1eHzq8WokJyy']
|
['English']
|
[' This image is a drawing of what seems like a chef, but also could be a scientist as he is looking in a microscope. Under the microscope, you can see a hamburger with the drawings of perhaps different viruses or bacteria enlarged. One is pink or purple and is standing on top of the burger on the right side. There is one on the left side standing up and is green. And in the middle, you can see perhaps a blue little organism. On the right side of the microscope, you can see the chef slash scientist holding a stamp. And he just stamped a bread with characters that seem like Chinese characters. So I do not know what is written. Beside the stamped bread, you can see a stamped cake. On the left side of the image, which is also to the left of the microscope, you can see other food and beverages that are going to be analyzed by this man. You can see apples, pears, onions, bottles of some drink, cans of some soft drink, and other organisms that seem to be ready for battle.\\']
|
[False]
|
[nan]
|
The image depicts a creatively illustrated character who embodies both the role of a chef and a scientist. He is intently examining a microscope, which suggests an intersection between culinary arts and scientific inquiry. Underneath the microscope, a hamburger is visible, but it is not just an ordinary hamburger; it serves as a substrate for various pathogens or microorganisms that are exaggeratedly rendered. On the right side of the hamburger, there is a microorganism illustrated in shades of pink or purple, which appears to be standing atop the burger, emphasizing its prominence in the scientific study of food safety. To the left of the hamburger, another organism, colored a vivid green, is displayed in an upright position, indicating that it is part of the microbiological examination. In the center, a smaller organism, represented in blue, adds to the kaleidoscope of microbial life that is crucial in understanding food science. On the right side of the microscope, the chef/scientist is depicted holding a stamp, which he has just used on a piece of bread. The stamped impression showcases characters resembling Chinese writing, although the specific meaning of these characters remains unclear. This element adds a layer of cultural context, highlighting the significant importance of language and symbolism in food labeling and safety practices. Additionally, beside the recently stamped piece of bread, a stamped cake can be seen, suggesting that various food items are undergoing similar analysis. To the left of the microscope, there is a diverse array of other foods and beverages poised for scientific scrutiny. This includes fresh fruits such as apples and pears, various onions, several bottles of unspecified drinks, and cans of soft beverages, all of which may be part of the ongoing study into the health implications of the microbiological content in food. The overall scene encapsulates a playful yet serious engagement with food science, indicating a need to explore what resides in our food and how it can affect our health and well-being. It creates a narrative that bridges culinary creativity with scientific understanding, reflecting the ongoing dialogue between these two fields.
| 2,210 |
|
native
|
['17y80p0JtYiK']
|
['Korean']
|
["This image depicts a man and woman lying on a bed. The woman's face is not visible, but she appears to have blonde hair and is wearing white pajamas. The man has brown hair and a slight beard, and he is also dressed in white pajamas. Judging by the man's expression, it seems that this couple is lying next to each other without looking at one another, possibly due to an argument. The image features white pajamas, and all the pillows and the background are also white, which draws more attention to the man's expression."]
|
[False]
|
[nan]
|
This image portrays a couple—a man and a woman—reclining together on a bed. The woman's face is obscured from view, however, her long blonde hair is noticeable, flowing softly against the white fabric of her pajamas. She is dressed in a set of white pajamas, which complements the neutral and serene aesthetic of the scene. The male figure in the image has distinct brown hair and sports a slight beard, adding to his rugged appearance. He is similarly attired in white pajamas, merging with the overall color scheme and creating a sense of uniformity and calmness in the visual presentation. The couple lies side by side but does not appear to be engaged with one another; their body language hints at a disconnect, potentially suggesting the aftermath of an argument or emotional distance. The man's facial expression, which is prominently featured and clearly conveys a range of emotions—perhaps frustration or sadness—serves as the focal point of the image. The backdrop consists of white pillows and a white bedspread, which enhances the ethereal quality of the setting while simultaneously drawing the viewer’s eye to the man's expression. This use of white not only contributes to an overall sense of calm but also highlights the tension in the scene, contrasting the softness of their surroundings with the palpable emotional strain creating an intriguing visual and narrative dynamic.
| 2,974 |
|
native
|
['16SUI8XDNBjm', '1cenfHjNXFnQ', '1nrOud4f6FDy']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image features a red base with three Tangren, which are part of traditional Chinese Tangren art. One Tangren is shaped like a dragon, another like a snake—essentially, they are Tangren. In the background, there is a lamp; one bulb is lit while the other is off. Next to it stands a person dressed in a white cotton jacket, and beneath it, there is a small pot with a lid on top.', 'Then here is an image, the image shows a dragon made of candy, and on the right side, there is a red tower. In the background, it seems like there’s a person wearing a white outfit, and I guess this should be some people selling these candies. Behind those candies, there are some white balls, but I don’t understand what those are. Thank you everyone. Thank you everyone.', 'This close-up in the photo displays a traditional Chinese maltose candy art, which is a type of snack. Behind it, the person wearing a fluffy white outfit is likely the artisan skilled in this craft. The maltose candy is made using maltose, heated in a pot until it becomes soft, allowing the artisan to create designs on a flat surface. It can then be molded onto a bamboo skewer for children to eat. The photo features such a stall, with many bamboo skewers on the right side, presumably for the artisan to continue using. The maltose candy figures prepared look like there are five of them, placed in a plastic stand at the front. One is shaped like a snowman, another like a dragon, one resembles a swallow, there seems to be one shaped like a snake, and possibly others modeled after a horse or a rabbit. This is a very traditional Chinese street culture snack. Behind the artisan, the lights highlight their work, making the stall look golden and beautiful. People can see and appreciate this art. In the photo, it seems like everyone wants to experience this unique art form.']
|
[False, False, True]
|
['no', nan, 'Special sugar snack of China.']
|
This image features a vibrant red base adorned with three Tangren, which are intricately designed figures characteristic of traditional Chinese Tangren art. Among them, one Tangren is sculpted into the form of a majestic dragon, while another takes the shape of a snake. These figures are integral elements of Tangren art, showcasing the rich cultural backdrop of Chinese craftsmanship. In the background, a lamp can be seen, with one bulb illuminated, casting a warm glow, while the other bulb remains unlit. Standing next to this lamp is an individual dressed in a stark white cotton jacket, which contrasts with the vivid colors surrounding them. Beneath the lamp, a small pot with a lid rests, adding to the overall scene. The following image captures a fascinating representation of a dragon crafted entirely out of candy. Positioned on the right side of the frame, a striking red tower is also visible. In the background, there’s a person dressed in a white outfit who likely is involved in the sale of these delightful candies. Behind the array of colorful candies, there are some mysterious white balls, the identity of which is unclear, providing a curious element to the scene. The smiling acknowledgment, "Thank you everyone. Thank you everyone," suggests an atmosphere of celebration or appreciation surrounding these delightful treats. In a close-up shot, the photo highlights traditional Chinese maltose candy art, a popular snack deeply rooted in Chinese street food culture. Behind the vibrant display, the artisan, clad in a fluffy white outfit, is showcased as the skilled individual responsible for this intricate craft. Maltose candy is created by heating maltose in a pot until it reaches a soft, malleable consistency, allowing the artisan to sculpt elaborate designs on a flat surface before transferring them onto bamboo skewers tailored for children to enjoy. This visually appealing stall is brimming with bamboo skewers on the right side, indicating an active and ongoing preparation of more candy figures. The maltose candy figures prepared at this stall appear to be five in total, prominently displayed in a clear plastic stand at the forefront. Among these whimsical shapes is a snowman, a dragon, a swallow, a snake, and possibly additional figures resembling a horse or a rabbit. This snack stands as a testament to the traditional Chinese street culture, exuding charm and nostalgia. The ambient lights in the background illuminate the artisan's workspace, casting a golden hue that enhances the beauty and allure of the crafted candies. Observers appear eager to witness and engage with this unique and culturally rich art form, highlighting a sense of community appreciation for such traditional practices.
| 399 |
|
nonnative
|
['1hk8Wj6L6QvJ']
|
['English']
|
[" First glance, this image looks like a sport arena of some kind. There is a volleyball court in the middle, and it appears to be in Asia, given there is some sort of Asian writing on the side of the stadium. There's a big, ornate circle with a star on top of it in the middle of the ceiling of the stadium, and there are lights illuminating the center. The stadium has yellow, red, and blue seats likely to indicate the theme of whatever home team is a part of that stadium. There are some people there, but it looks to be as if they're setting up for some sort of event or about to begin an event. There's a scoreboard at the stadium, and it is, due to the quarterly picture, it's unclear who is playing at the moment."]
|
[False]
|
[nan]
|
At first glance, the image depicts what appears to be a sports arena, specifically designed for indoor activities. Central to the arena is a volleyball court, which is marked out with clear lines and a net set up for play. Notably, the setting seems to be in Asia, as indicated by the presence of text in an Asian language adorning one side of the stadium. This suggests that the venue may or may not be hosting a volleyball match, but rather is a multi-purpose facility that could accommodate various events. Looking up at the ceiling, you can observe a large, decorative circular structure that features a prominent star at its apex. This design element is particularly striking, and it contributes to the overall grandeur of the stadium. Additionally, various lights are strategically positioned to illuminate the court area, highlighting its importance as the focal point. The seating arrangement in the stadium is colorful, showcasing chairs in vibrant shades of yellow, red, and blue. These colors may relate to the branding or theme of a home team, suggesting a deep engagement with local sports culture and community pride. Despite the presence of attendees, the atmosphere is somewhat anticipatory rather than lively; it appears that the crowd consists partly of people setting up or preparing for an event to commence, rather than a fully engaged audience. A digital scoreboard is visible in the arena, but due to the lack of detailed visual cues in this specific observation, it remains unclear which teams are slated to compete in the ongoing activity at the moment, leaving a sense of uncertainty about the event taking place.
| 2,697 |
|
native
|
['19pjLCneFbnQ', '1mCVq9GT7vz5']
|
['Hindi', 'Hindi']
|
["This picture depicts a plate of food served during mealtime, featuring various types of dishes that are predominantly consumed in Northern India. I'm mentioning this because there are two rotis on one side, and then there is a bowl that looks like it contains paneer curry. Next to it, there's dal and a pink-colored raita. In the center bowl, there is rice, and beside it, there is green chutney, along with some dry vegetables. There is a lemon on the steel container, and a spoon is placed on a brown table. This type of meal is commonly eaten during lunch and dinner in Northern India and constitutes the main diet of Indian people. The rotis are made fresh every day and are cooked on a griddle, resulting in brown specks on them.", 'In this picture, there is a plate containing four bowls. The bowls are made of steel. The middle bowl has rice in it, along with two rotis placed beside it. The second bowl contains a pink liquid, resembling yogurt. The third bowl has lentils with mint leaves placed on top. The fourth bowl appears to have cheese, along with a spoon. Additionally, the salad includes chopped onions, lemon, and green chutney. This plate is placed on a wooden table, which has a light brown color with darker brown shades. This image was taken during the day.']
|
[True, False]
|
['It is typical north Indian thali.', 'No']
|
This image showcases a beautifully arranged plate of traditional North Indian food, commonly served during mealtime, particularly for lunch or dinner. On one side of the plate, there are two freshly made rotis, which are unleavened flatbreads that have been cooked on a griddle, resulting in slight brown specks on their surface, a testament to their fresh preparation. Adjacent to the rotis, a bowl contains a delicious paneer curry, a popular dish made with paneer, which is Indian cottage cheese, often cooked in a rich tomato-based gravy. Next to the curry, another bowl holds dal, a staple in Indian cuisine made from lentils that are simmered with spices, providing a nutritious and flavorful option. There is also a bowl of raita, which is a cooling side dish made with yogurt, featuring a pink hue, perhaps indicating the inclusion of beets or spices for flavor and color. In the center of the plate, a bowl holds fluffy white rice, which is a common component of North Indian meals, often served to complement various curries. Alongside the rice, there is a serving of vibrant green chutney, which typically consists of fresh herbs and spices, adding a refreshing zest to the meal. The assortment of dry vegetables complements the main dishes, offering a healthy balance to the plate. A lemon, placed on a steel container, is likely intended to enhance flavors, as squeezing fresh lemon juice can brighten up hearty Indian dishes. In the second image, we observe a slightly different arrangement. The plate is adorned with four stainless steel bowls, showcasing the same essence of a North Indian thali. The central bowl features rice, mirrored by the presence of two rotis on the side. Next to it, there is a bowl filled with vibrant pink raita, reminiscent of the previous meal. The third bowl is filled with lentils, garnished with fresh mint leaves, indicating attention to presentation and flavor. The fourth bowl presents a portion of paneer, accompanied by a spoon for serving. Additionally, the accompanying salad includes finely chopped onions, slices of lemon, and more green chutney, offering a refreshing crunch and burst of flavor, a typical accompaniment in Indian meals. The entire arrangement is set on a wooden table with a light brown hue interspersed with darker shades, creating a warm and inviting atmosphere for the meal. This arrangement of dishes reflects the common variety found in a North Indian thali, showcasing the diversity and richness of Indian culinary traditions.
| 887 |
|
native
|
['12qKEJ3B33yc']
|
['Bengali']
|
['There is a big line in the background of the picture, and a round, lightly colored drawer is visible. In the background, there’s a typed image with a big line and “nine zero” written on it. It seems to be a picture of a person holding something, indicating that it might be some advertisement.']
|
[False]
|
[nan]
|
In the background of the image, there is a prominent vertical line that draws attention. The line may serve a framing purpose or could be part of the overall design aesthetic. Additionally, there is a round drawer that is lightly colored, likely suggesting a soft or pastel palette. This drawer may be an object of focus or serve as a decorative element within the scene. Moreover, there is a typed image visible, which features another large line along with the text “nine zero” prominently displayed. This text can indicate a brand name, a product line, or potentially a slogan within an advertisement context. It suggests that the image is part of a marketing material or promotional campaign. The central figure appears to be holding an unspecified object, which further supports the idea that this composition is visual in nature, aimed at promoting a product or service. The overall arrangement of these elements contributes to the image’s potential role in advertising, effectively combining visual cues and textual information to attract the viewer’s interest.
| 37 |
|
nonnative
|
['1aAhQxEUS9y3', '1ke83SwBksNk']
|
['English', 'Norwegian']
|
[" This picture is of an airport. The picture is taken from within the airport looking out. There are three planes lined up behind each other in front of the image. There are multiple vehicles on the airport ground. There are about seven of them. There are yellow, white, and blue. In the far background, you can see many high-rises. This appears to be a very dense urban area, likely some Asian country. There are also mountains behind those buildings. There are many clouds. It's a very cloudy day. Overall, the colors are rather muted, with the exception of the yellow on the ground vehicles on the airport.", 'The image is of an airport with three large passenger airplanes in the center. The passenger planes are white and have the same logo on their wings. At the bottom of the image, we see several vehicles designed for use at an airport. The vehicles at the bottom are yellow, white, and blue. There are six vehicles in the image. The ground is asphalt with several white lines. To the left, we can see part of an airport gate. In the background of the image, there are several tall peaks partially covered with snow. We also see several tall white buildings in the background. The picture appears to have been taken through a glass window, as there are reflections in the foreground. The three passenger airplanes are lined up behind each other, and only the front plane is mostly visible.']
|
[False, False]
|
[nan, nan]
|
This image captures a bustling airport scene, taken from within the terminal and looking outward. Front and center, there are three large passenger airplanes elegantly lined up behind one another, dominating the composition of the photograph. Each of these airplanes is primarily white and features a consistent logo emblazoned on their wings, indicating a common airline affiliation. The foreground of the image is populated with various airport ground vehicles, totaling approximately six to seven in number. These vehicles are painted in vibrant shades of yellow, white, and blue, contributing to a lively array of colors against the muted backdrop. The ground surface is asphalt, marked with several white lines that likely designate parking areas for the planes and routes for the vehicles maneuvering around the airport. To the left side of the image, a portion of an airport gate is visible, hinting at the operational aspects of the airport environment. In the background, the scene transitions to an urban landscape characterized by tall buildings, likely part of a densely populated city, suggesting that this airport is situated in an area with significant urban development—possibly in an Asian country, given the hints within the reflections and context. Beyond the skyline, majestic mountain peaks rise up, partially cloaked in snow, which adds a dramatic contrast to the urban setting. The photograph conveys a cloudy day, with the sky filled with clouds that cast a soft, diffused light over the scene. The overall color palette of the image is muted, emphasizing the surrounding textures and forms, with the exception of the bright yellow of the ground vehicles, which pop against the subdued tones. Additionally, there are reflections visible in the foreground, indicating that the photo was likely taken through a glass window, which adds a layer of complexity to the visual narrative, blending the interior of the airport with the dynamic outdoor activity.
| 1,827 |
|
nonnative
|
['12rfv99MG5w6', '19Htk5spJ7oH']
|
['English', 'Chinese']
|
[" This image appears to be in someone's room. There is an old style TV on the top right corner. You have a fridge and a microwave on a table. And a bag of chips. A half empty cup, plastic, I guess disposable cup, that we get from a fast food restaurant. There is a mirror on the wall. And we can see, make out, I believe, two bikes. And also, on the edge, in the edge of the photo, you can barely make out the bed that the person seems to be lying on and the person's feet. Subtle details. I guess you can see a bunch of different wiring. And also, I guess I mentioned, the bag of chips on the table. And also there appears to be some sort of backpack underneath the wooden tape. The style and color, I would say, it appears to be an older photo, as the TV is quite old. And the lighting in the room is mostly very yellow. But everyone know as a car. Nevada has been marveled. And I will just play an area of an electricensa. This is for people right now. Using the Vit peoples and the ones.", 'Hello, it\'s like this: we aim to reverse the words in a string of subtitles. However, this task is actually a bit more complex because the subtitle strings may have leading spaces, multiple spaces in between, and trailing spaces. We not only need to reverse the words in the string but also remove any extra spaces—removing leading and trailing spaces, and keeping just one space between two words. If you have multiple words, there should still only be one space between them, and there should be no space at the end. Previously, everyone has been reversing the entire subtitle string; now we will focus on reversing the words. Let\'s see how we should do the reversal. On the right, there\'s a row of Pollanire, which no one seems to know, and it\'s already upset. What else can we use? We could utilize "tekrar" to upload directly, which would be fine. Our rookie solution tends to be continuous, but I think you...']
|
[False, False]
|
[nan, nan]
|
This image is clearly set in a personal space, likely someone's bedroom. In the upper right corner, there is an old-style television, suggesting that the setting may have a nostalgic or retro aesthetic. On a nearby table, one can find a refrigerator alongside a microwave, indicating that this room may serve a dual purpose as a living space and an area for preparing snacks or meals. On this table, there is also a bag of chips, suggesting a casual, laid-back environment where snacking is common. Additionally, there is a half-empty plastic cup, which appears to be the kind typically obtained from fast food establishments, reinforcing the idea of a relaxed, informal atmosphere. On the wall, a mirror is present, and it reflects elements of the room, possibly adding depth to the image. The lower part of the photo hints at the presence of two bicycles, which might indicate an active lifestyle or a specific interest of the occupant. On the edge of the frame, one can barely see the bed where it seems a person is lying down, as indicated by their feet, which further personalizes the scene. The presence of various wires scattered throughout the area suggests that the room might be home to electronic devices or perhaps a setup for hobbies that require such equipment. The bag of chips resting on the table underscores a casual and possibly youthful vibe, while underneath the wooden table, there appears to be a backpack, hinting at the occupant's possibly mobile or student lifestyle. The overall ambiance feels reminiscent of an older time, particularly due to the vintage appearance of the television. Moreover, the lighting in the room casts a warm, yellow hue, contributing to a sense of comfort and familiarity. The mention of Nevada might imply a connection to a geographic location, possibly where the image was taken. The use of "electricensa" appears to be disrupted, suggesting that there is a larger context or narrative that is not fully captured in the image alone. Lastly, the second part reflects a conversation about a technical challenge, focusing on reversing the order of words in subtitle strings while maintaining appropriate spacing. The discussion highlights the complexities of handling subtitles, emphasizing the need for careful formatting to ensure clarity. The mention of "tekrar," which translates to "again" in Turkish, suggests a suggestion to upload content again, perhaps in another format or iteration. This section encapsulates a different tone, shifting away from the personal setting of the first description to a more technical, problem-solving approach in communication.
| 1,756 |
|
native
|
['1jOS68GKnUE5', '1aoTGv1oIULL', '1fX1e9oNx8b0']
|
['Chinese', 'Chinese', 'Chinese']
|
['This photo looks like a book, or an image from an advertisement website. It’s more likely to be a book, titled "Photoshop Advertising Design Video Tutorial," which basically occupies the entire image. It is either in the center of the image or takes up the whole picture. Some details include that it mentions a three DVD room service guide for 68 yuan of content files. This book basically explains what it is about, what it does, how much it costs, and so on. The background doesn’t feature anything else, just the book. The overall style resembles an old-fashioned poster or an advertisement promoting something. In terms of color, the upper half of the book is blue, accented with red stripes, while the lower half is yellow. The lower part notes "Kalimoo 18 yuan", so when it\'s related to ys plans and Peach Shade State, it indicates a certain water quality value. At least that much. Is that okay? Because, like investment countries for senators have to give you, can’t let that one slide? Let’s say the plan is this Sage yuan but, I discovered it in a scope piece that this is something certain. It largely implements cracks in Europe because our elevation is high, using main roads and primary selections. So, regarding the currency conversion,', 'This image is not a photograph; it appears to be a DVD cover. Firstly, it has "3DVD ROM" written in the lower left corner, and it mentions financial guidelines for a price of eight yuan, including raw materials and source files. Therefore, I think it should be one of those older types of DVD tutorials, as nowadays, videos are mostly available online, but previously, they were shared on DVDs. This DVD mainly teaches Photoshop and practical experience in C56 graphic advertising design. The main speaker is Sun Hao. The overall image has a retro and classic style. The title "PS Advertising Design" is at the top, while the bottom features engaging images related to learning Photoshop and advertising design. One image on the left shows a girl possibly promoting some product, such as a shampoo or other items, while the right side might contain promotional advertisements. The design clearly indicates it is a DVD cover. The entire background alternates between blue and orange, giving it an appealing look.', 'This is a video about a PS advertisement design, indicating that it was created as part of a practical application after the work process. This might be a rather older piece, probably from a year or zero years ago, detailing how to conduct advertisement design and explaining Footchop. I see that this is a DVD, so it should be a video, along with supplemental materials collected. Yes, yes, it contains guide materials and original files. Therefore, this is a relatively old resource on how to create advertisements and use PS, and it includes examples of their work. However, viewed from a current perspective, some elements seem outdated. The main color scheme features a striking blue highlighter, while the overall base is orange. This color combination could effectively highlight the content it aims to emphasize, such as the title and the price, though I am unsure about the specific pricing being prominently displayed.']
|
[True, True, True]
|
[nan, nan, '中文教材']
|
This photo resembles a book cover or an image typically found on an advertisement website, highly likely depicting a book titled "Photoshop Advertising Design Video Tutorial." The book’s title is prominent and occupies much of the image, either centrally positioned or dominating the entire scene. Key details are presented, such as a mention of a package that includes three DVDs available for 68 yuan, which contains various content files. The book serves to explain its purpose, content, pricing, and related specifics. The background of the image is devoid of any additional visual elements, focusing entirely on the book. The design evokes a vintage poster or advertisement style that aims to promote a product. In terms of color scheme, the upper half of the book cover is primarily blue, enhanced by striking red stripes, while the lower half is bright yellow. Additionally, on the lower portion, it notes "Kalimoo 18 yuan," which, when examined in connection with the context of different investments and the Peach Shade State, appears to suggest a certain quality of waterlinked to the cost. There seems to be a reference to investment regulations that suggest lawmakers must adhere to this financial disclosure, as it couldn’t simply be disregarded. The text theorizes about the pricing structure surrounding "Sage yuan," linking it to market insights discovered from a specific piece of informational footage, revealing underlying economic factors at play in Europe due to higher elevations, which impact logistics and transport routes. Moving on, the image is identified not as a traditional photo but rather as a DVD cover. Noteworthy is the presence of "3DVD ROM" inscribed at the lower left corner, alongside mentions of financial guidelines tagged at a price of eight yuan, which include information about raw materials and source files. This indicates that the item is an older DVD tutorial type, a format that was prevalent before online video resources became common. The DVD is primarily focused on teaching Adobe Photoshop and providing real-world applications of C56 graphic advertising design, with Sun Hao featured as the main speaker throughout the tutorial. The DVD cover showcases a retro aesthetic. The title "PS Advertising Design" prominently appears at the top, while the lower section of the cover features engaging and relevant images tied to the themes of learning Photoshop and advertising techniques. Among the visuals, one distinct image on the left portrays a young woman who appears to be promoting a product, potentially a shampoo or similar consumer item, while the right side likely includes additional promotional advertisements. The design elements clearly indicate that this is meant to be recognized as a DVD cover, and the background features alternating blue and orange hues, lending an appealing and eye-catching quality to the overall look of the design. Furthermore, the video serves as an instructional guide for PS advertisement design, indicating that it was crafted as part of a practical application following a work process. The piece appears to be relatively dated, possibly originating from a previous year or an earlier era, illustrating methods for advertisement design while discussing the software Footchop. It indeed contains DVD-based instructional content complemented by supplemental materials that are intended for learning purposes, which include guide materials and original files. Viewed from a modern perspective, some elements represented in this resource may seem outdated. The principal color palette features a vivid blue highlighter, paired with an orange base, which works effectively to accentuate important content, such as the title and pricing details, although uncertainty lingers regarding the visibility of the specific cost noted. The mention of "中文教材" suggests that there are Chinese educational materials incorporated within this context, adding an additional layer to the understanding of the instructional content being presented.
| 2,461 |
|
native
|
['16imwm4n85nd']
|
['Chinese']
|
['This image features a beautiful girl, and she is the only one in the center of the picture, seemingly holding a trophy. The text above includes some somewhat strange English, like "photo by" and something else, clearly indicating it\'s a piece of art. There is also a watermark from Sina News. In the finer details, it\'s evident that the girl is very happy; she is wearing a ring and seems to be covering her mouth with her hand, laughing joyfully. The background is white, and the overall style is vibrant and cheerful, with a color palette primarily of white. It looks like this person is being interviewed after receiving an award, and she appears extremely delighted.']
|
[False]
|
[nan]
|
This image presents a striking portrayal of a young girl who stands prominently at the center of the composition. She is holding a trophy, a clear indication of her recent achievement or recognition. The expression on her face radiates pure happiness; her joy is palpable as she covers her mouth with her hand, a gesture often associated with genuine laughter and surprise. This poses an emotional and celebratory moment that suggests she has just received an award. Above the girl, there is text that contains somewhat peculiar English phrases, including "photo by" followed by additional words. This text enhances the understanding that the image is not just a casual snapshot but rather a crafted piece of art meant for display. A watermark identifying the source as Sina News is also present, which suggests that the image has been published or distributed through this media outlet. The background of the photograph is stark white, which serves to amplify the vibrant and cheerful atmosphere of the scene. The predominant color palette centers on white tones, further reinforcing a sense of joy and purity surrounding the subject. This aesthetic choice complements the girl's exuberance, making her the focal point of the artwork. It is reasonable to conclude that the context of this image is one of celebration, possibly depicting the girl in the aftermath of receiving a prestigious award or honor, and her exuberant delight confirms the significance of the moment.
| 2,237 |
|
native
|
['1hG13fEoL34Y', '1e9x5TcL4G5X', '1mEho5DhfeqO']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this photo, there is a little girl dressed in traditional Chinese attire performing on stage. Her performance features the guzheng, which is also a very classic Chinese musical instrument. The girl has her hair styled in pigtails and is wearing a set of ethnic minority clothing in a pale purple color. The edges of her clothes, as well as the cuffs and collar, have very intricate embroidery. The stage also displays large red decorations in the background. During her performance, a microphone is positioned at the base of the guzheng to capture the sound. The girl appears to be performing very seriously, just like other professional guzheng players. While playing, she needs to use band-aids on her fingers for better playability. The rooftop above seems to be part of a larger backdrop.', "This picture features a girl playing a drum. In front of her, there's a microphone, and the backdrop consists of black curtains. There’s also a decoration that resembles a Chinese festive theme; I guess this might be during the New Year celebrations. A girl is performing this drum act, and then she turns around.", 'This picture features a girl playing the traditional Chinese instrument, the guzheng. In the background, it appears to be on a stage with a gray curtain, and there are also some red decorative items. The girl has long hair styled in two braids on either side and is wearing an outfit typical of a Chinese ethnic minority, with a purple hue. She is performing on the guzheng, which is a traditional Chinese instrument.']
|
[True, False, True]
|
['Traditional Chinese music instrument', nan, 'Traditional Chinese instrument']
|
In this captivating image, a young girl is depicted dressed in traditional Chinese attire as she performs on stage. The girl's outfit is characteristic of an ethnic minority style and showcases a delicate pale purple color. The clothing is adorned with intricate embroidery along the edges, cuffs, and collar, enhancing its cultural aesthetic. Her hair is styled in two playful pigtails, giving her a youthful and lively appearance. The performance prominently features the guzheng, a traditional Chinese musical instrument known for its beautiful sound and long history within Chinese music. To ensure the quality of her performance, a microphone is strategically positioned at the base of the guzheng to capture the notes she plays. The expression on her face indicates a serious dedication to her craft, mirroring the focus often seen in professional guzheng players. Notably, she uses band-aids on her fingers, a common practice among musicians who play string instruments to reduce friction and enhance comfort while playing. The stage is vibrantly decorated with large red ornaments, contributing to a festive atmosphere. The presence of red decorations is culturally significant in Chinese traditions, as red symbolizes good fortune and joy. The backdrop above the stage appears to be part of a larger design, potentially enhancing the overall visual appeal of the performance. In another image, a different girl is engaged in playing a drum, positioned in front of a microphone. The backdrop consists of black curtains, creating a dramatic contrast that emphasizes her performance. The decor suggests a festive theme, possibly linked to Chinese New Year celebrations, a time filled with joyous activities and traditional performances. The girl performs an energetic drum act and, at one point, turns around, showcasing her enthusiasm and connection with the audience. Lastly, another depiction of a girl performing on the guzheng reaffirms the importance of this traditional instrument in Chinese culture. She stands on a stage set against a gray curtain backdrop, accompanied by red decorative items that echo the previous performance's festive spirit. With her long hair styled in two braids, she wears an outfit typical of a Chinese ethnic minority, again featuring a purple hue. Her engagement with the guzheng speaks to the richness of Chinese traditional music, offering a glimpse into the cultural heritage that continues to be celebrated through performances today.
| 137 |
|
nonnative
|
['15xdbnRf5RRn', '1ecT1IPRyqjL', '1bNUBODkrKEH']
|
['English', 'English', 'English']
|
[" In this image we see a cafeteria tray with food. We mainly see that it's probably Asian food. We see two plates, one towards the bottom left with some kind of vegetables and some kind of tofu or meat and a tomato piece. The other one that mainly has a bowl of steamed rice towards the right of the image, that plate and something else behind it. I'm not quite sure what, some kind of vegetable with sauce. And then we have a little bowl, a small bowl on the top left of the tray with some kind of little soup and then some kind of mini tray between that soup and the rice bowl plate and it has, I'm not sure, what kind of sauce in it. In terms of writing we see that the two plates have some kind of logo on it and Chinese characters, maybe the restaurant that did the food or it's maybe the company that made those plates, I'm not quite sure. And that would be it for text. In terms of subtle details there's not much else that I noticed. The background is mainly a table, a white table. Not much that's interesting in terms of the style and color. And probably we would guess that if this is a cafeteria based on the style of the Asian food it's probably in Asia since that's not usually the kind of food they would serve here at a mall. That's Asian food. So you'd probably guess it's in Asia but based on the style of this kind of like cafeteria, restaurant or mall-like food. But really it's still not a very culturally significant image. It's some pretty basic Asian food that you see. I don't see it as culturally significant at all.", " In this photo we have some food on a tray. The tray is brown with some texture on the part of the tray that's being used to carry stuff, probably for traction, and the tray is mildly wet. There is a dish in the left-hand corner with some what looks like Chinese, potentially, text, and it's got some steamed chicken and some greens with a slice of tomato. And there's another plate to the right that has a bowl of white rice and something that is yellow-tinged in oil next to it. And then above the plate holding the chicken, there is a black dipping sauce container, one of which looks like it's holding maybe some brown sauce, potentially soy sauce, with some ginger in it and a red sauce beneath it. And then what looks like a soup with a soup ladle in it next to the sauce, to the left of the sauce.", " So this looks to be like a lunch. So on a black tray on what looks to be kind of like a marble or some sort of like whitish stone tabletop, we see to the right there is a generous scoop of white rice on a plate. It's not just white rice though, there appears to be some sort of like stewed vegetable or like some sort of stewed yellowish vegetable thing like right above the rice sitting on the plate. Next to that white plate is this black kind of small plate with kind of like a dam in the middle separating two different sauces. There's a reddish sauce on the bottom and some sort of like maybe like garlic or yellowy sauce on the top. Right next to that sauce plate is this small bowl. It's like a gray bowl and it has some sort of soup or broth in it. Uh, the soup or broth, there's, there's a spoon in the broth and there looks to be like some green in the soup as well. Uh, I can't tell if it's like maybe like cilantro or some other type of leafy vegetable. So sort of the main dish, um, like to the bottom of that gray bowl, um, is a bowl with what appears to be, um, stir fried bok choy topped with like some type of like garlicky, um, sauce. Uh, and then right next to that bok choy, I think is, uh, hanau chicken. Uh, it's like a boiled chicken, um, with like some sort of sauce on it as well. Um, there's like a tomato slice, um, also garnishing the chicken. And then what I think is like a cucumber underneath the, the boiled chicken as well. Mmm. TheOS incorporating the top. Whoms. Toété pitcher'scome could be some audio whether in Korea'salu"]
|
[False, True, True]
|
['No', 'Asian text on the plates', 'I recognize this dish as a popular asian-style chicken plate.']
|
In this image, we observe a cafeteria tray displaying an assortment of food items predominantly influenced by Asian cuisine. The tray appears to be a standard brown cafeteria tray, featuring a textured surface designed to provide traction. It is slightly wet, indicating recent use. On the left side of the tray, we see a plate adorned with what appears to be Chinese characters, possibly indicating the restaurant that prepared the meal or branding from the manufacturer of the plate. This plate contains a serving of steamed chicken accompanied by a mix of greens and a slice of tomato. Moving to the right, another plate is present, predominately featuring a bowl of white rice that is piled generously. Accompanying the rice is a yellow-hued dish, likely some sort of vegetable that has been cooked in oil. Above the plate containing the steamed chicken is a small black dipping sauce container, which holds a brown sauce, potentially soy sauce, that may be flavored with ginger. Beneath this sauce container, a red sauce can also be seen. Adjacent to the dipping sauces, there is a small bowl filled with soup, which comes equipped with a ladle. The soup appears to contain some green ingredients that could include herbs or leafy vegetables, although the specific types are ambiguous. Further details reveal that this scene captures what is likely a standard lunchtime offering in a cafeteria setting. The overall arrangement indicates a somewhat Asian-inspired meal, although the specific cultural significance and regional characteristics are not pronounced; it could be implied that this is typical of cafeteria fare in an Asian context rather than being representative of a specific culinary tradition. The style and presentation are casual, suggesting that the meal is more oriented towards convenience rather than elaborate gastronomy. The meal consists of accessible family-style dishes such as stir-fried bok choy topped with a garlicky sauce, along with what appears to be boiled chicken, enhanced with sauce and garnished with a slice of tomato for added color and flavor. A cucumber is also present beneath the chicken, adding a refreshing element to the dish. Overall, while the food is certainly recognizable and may evoke aspects of Asian culinary practices, it lacks a deep cultural narrative and is primarily reflective of the more general approach to cafeteria-style dining, which often prioritizes practicality over authenticity in this context.
| 616 |
|
nonnative
|
['16exnC7e3SmT', '1c5AesdxTAT7']
|
['English', 'Chinese']
|
[' It is a plate of food. The food contains vegetables like broccoli and potato, carrots and bell peppers. There is also beef and there is also rice. This is all on a green plate on top of a wooden table. There are black chopsticks and it seems to be a curry of some kind. There are numerous vegetables and it seems to be about four to five chunks of meat. And there is no text in the image. The positions, the food is in the center of the image. The chopsticks are on the top, kind of slanted towards the right. And there is a slight dribble of curry on the top right side. It seems to be when someone poured it in. The spoon dribbled a little bit on that. There is no background besides the wooden table. On the wooden table, there are some scratches on it. And there seems to be light coming from the left side. And this seems to be someone, as a son, just took out their phone and took a picture of it. Not much editing. And, yeah.\\', "This picture shows a plate of Chinese stir-fried rice on the dining table. This stir-fried rice is the kind of style from China, containing some braised beef, cauliflower, potatoes, carrots, and bell peppers. It's served on a green plate, placed on a wooden tabletop. To the right side of the plate, there are black chopsticks. The image does not display any text or other details; it primarily showcases this dish. The background color is that of the wooden tabletop, which is a yellowish-brown wood. Overall, the style is not particularly unique, just a normal dining table style, a simple and minimalistic decor. The color of the plate is green. Thank you all. Thank you all. Thank you all."]
|
[True, True]
|
['i consider food to be relatively culturally distinct in general', nan]
|
The image showcases an appetizing plate of food featuring an assortment of vegetables and meat presented on a vibrant green plate. The dish includes various vegetables such as broccoli, potatoes, carrots, and bell peppers harmoniously arranged alongside tender pieces of braised beef. Accompanying the protein and vegetables is a serving of rice, completing this hearty meal. The plate sits atop a rustic wooden table, characterized by visible scratches that add a layer of authenticity and warmth to the dining experience. Placed to the right of the dish are a pair of black chopsticks, slightly slanted towards the right, which suggests that they might have just been set down or are positioned in an inviting manner for use. A notable detail is the presence of a slight dribble of curry on the top right side of the plate, hinting at the preparation process, possibly from when the curry was ladled over the food. The photograph captures the dish centrally, devoid of any text or distracting elements, allowing the vibrant colors and textures of the food to stand out. The lighting appears to come from the left side, illuminating the dish and enhancing the visual appeal. The overall composition reflects a casual and intimate dining moment, possibly taken by a family member who just sat down to enjoy the meal. Additionally, this image presents a traditional dish often found in Chinese cuisine, emphasizing that food can be a culturally distinct and personal experience. It encapsulates the simplicity of everyday dining, where the focus is on wholesome ingredients and the pleasure of sharing a meal with loved ones. The minimalistic decor of the dining table complements the simplicity and homely atmosphere of the scene.
| 1,745 |
|
nonnative
|
['1mJkPKFBJstJ', '1hpfEauFiubl', '1lpgADhKbe69']
|
['Chinese', 'English', 'Chinese']
|
['This image shows a person holding a small paper cup containing a pastry. It seems that he has just bought this item, which resembles a cake or round pastry, and it looks like it has filling inside. Many people can be seen walking nearby, likely enjoying food from nearby vendors or a shopping mall. This pastry has distinct Chinese characteristics, making it appear to be a Chinese delicacy, while it has Korean characters written on it, indicating it may be a Korean food item. Therefore, it reflects Korean cultural traits, and this person seems to be about to eat it but first wants to take a picture to capture the moment.', " This picture is rotated 90 degrees, so it's a little hard to tell what's going on. It might have to be rotated back, but it's of a person holding a cup with some kind of fried food in it. Some kind of latke or other fried flour kind of dish or food. It's in a short coffee cup. It has some words written on it. I can't tell what language it is. Either some kind of characters. It might be East Asian language. I can't tell. It's kind of blocked off by the person's fingers, and it's a little blurry. Also on the cup, there's pictures of a cafe, tables and chairs, and a background of a cafe. In the background of the image, there are probably 10 people walking. There's a yellow stripe on the floor. There's a pole that has yellow striping on it as well. The people are wearing coats. It might be kind of cold in this place. There's also a lot more people further in the background, but they're a lot more blurry than the people in the foreground. So it's kind of hard to tell where they're going or what they're looking at. There's a lot ofrades and floaty on at the top. The Walker sank a little bit, which was fueling. So I'm amazing. I've found applicants from a local group. Some of them on the floor wrapped around. So I'm adjusting to what's going on with. That's what it is. Then it's a rescue of all parties. But look, I'm doing some of the KLV! And you find examples of black bars in the front. And I'm doing wave, and I'm doing some of the KLV! Those are all the two parts that I'd like doing on there, especially during theвар bus. We dive in such a little bit for not part of the idea. I expect that if there's a little выход, I think we've been moving ahead, everything is probably some new weird places.reu.", 'In this picture, a hand is holding a disposable plastic cup filled with a type of snack that looks like a stuffed pancake made from some kind of wheat. After being fried, it becomes a local delicacy. Pancakes made with wheat flour and filled with ingredients are a very common food in many Asian countries. For example, in China, there are similar chive-stuffed pancakes, taro-stuffed pancakes, and pork-stuffed pancakes. They usually serve the savory pancakes as a staple food and the sweet ones as desserts, making them one of the very common street snacks.']
|
[True, True, False]
|
[nan, nan, nan]
|
This image features an individual holding a small paper cup, which contains a pastry delicacy that closely resembles a cake or round pastry filled with various ingredients. It is evident that the person has just purchased this item, possibly from a nearby vendor, as they prepare to take a picture before indulging in it. The pastry showcases distinct Chinese characteristics, suggesting that it may be a traditional Chinese delicacy, yet it also bears Korean characters written on it. This duality implies that the pastry possesses cultural traits associated with both Chinese and Korean cuisines, showcasing the interplay of Asian culinary traditions. In a different picture, the focus shifts slightly due to the image being rotated 90 degrees, which initially complicates the interpretation of the scene. It features a person grasping a disposable cup containing what appears to be a type of fried food. The snack may resemble latkes or another type of fried flour-based dish. The cup is akin to a short coffee cup and displays some text, though it is partially obscured by the individual’s fingers, making it difficult to determine the specific language—hinting at East Asian origins. The background is somewhat chaotic, with approximately ten people seen walking nearby, likely also enjoying food from various vendors. Notably, these individuals are bundled up in coats, suggesting a chilly atmosphere. A yellow stripe is visible on the floor, accompanied by a striped pole, giving the scene an urban feel. The photograph captures the busy essence of street life, with many faces blurred in the background, enhancing the lively environment. In another depiction, we see a close-up of a hand gripping a disposable plastic cup that contains another variation of a delicious snack, appearing to be a stuffed pancake made primarily from wheat flour. Once fried, these pancakes take on a crispy texture, qualifying them as a local delicacy. In many Asian countries, this style of pancake is quite prevalent. For instance, in China, variants like chive-stuffed pancakes, taro-filled pancakes, and pork-infused pancakes are well-known. These savory pancakes are often consumed as staple foods while the sweeter versions are enjoyed as desserts, establishing their status as common street snacks that appeal to a wide array of tastes.
| 1,015 |
|
native
|
['1d2kiqlqbTgJ']
|
['Korean']
|
['The image appears to consist of six posters. These posters are related to movie screenings, sports events, performances, exhibitions, cultural heritage sites, and other cultural spaces. The first movie screening poster provides information on cinema discounts, while the sports event poster mentions discounts for professional basketball, volleyball, soccer, and baseball viewings. The performance section indicates that major venues such as the Seoul Arts Center and the Sejong Center offer discounts on performances. The exhibition poster states that museums and galleries, including the National Museum of Modern and Contemporary Art, offer discounts and free admissions. The cultural heritage section notes that visiting the four main palaces, such as Gyeongbokgung and Changdeokgung, as well as the royal tombs of the Joseon Dynasty, is free of charge. Lastly, the other cultural spaces section includes information about street performances and flea markets that are not covered by the other five categories. Thank you.']
|
[False]
|
[nan]
|
The image under discussion features a total of six distinct posters, each dedicated to promoting various cultural and entertainment offerings. The posters encompass a wide range of events and experiences, including movie screenings, sports events, live performances, art exhibitions, cultural heritage sites, and additional cultural spaces. The first poster focuses on movie screenings and includes important information about special discounts being offered for patrons who attend the screenings. This initiative encourages film enthusiasts to take advantage of reduced ticket prices, making cinema more accessible to a wider audience. The second poster highlights sports events, specifically mentioning affordable viewing options for several professional sports, including basketball, volleyball, soccer, and baseball. This promotes engagement with local sports teams and events, likely aimed at increasing attendance at games while nurturing a sense of community among sports fans. The third poster pertains to live performances and showcases major cultural venues such as the renowned Seoul Arts Center and the Sejong Center. It indicates that these venues are providing discounts for attendees, making it easier for individuals to experience live theater, concerts, and other artistic showcases without the burden of steep ticket prices. This is particularly beneficial in a city known for its vibrant arts scene. Next, the exhibition poster confirms that a variety of museums and galleries, including the National Museum of Modern and Contemporary Art, are offering discounts as well as free admissions. This encourages exploration of artistic and historical collections, allowing individuals from diverse backgrounds to engage with Korea’s rich cultural heritage. The section focused on cultural heritage sites emphasizes that visiting the four main palaces—Gyeongbokgung and Changdeokgung among them—along with the royal tombs of the Joseon Dynasty, incurs no charge. This initiative promotes historical awareness and appreciation among both locals and tourists, granting them the opportunity to delve into Korea's regal history without any cost. Finally, the fifth poster covers additional cultural spaces, including information on various street performances and flea markets, which provide unique and vibrant experiences not covered by the preceding categories. This section highlights the eclectic mix of cultural activities available in the city, appealing to those seeking spontaneous and lively entertainment options beyond structured events. Overall, the collection of posters serves to enhance cultural participation and foster a deeper connection to the arts and heritage within the community.
| 2,911 |
|
nonnative
|
['1mPrD2WvGVHw']
|
['English']
|
[" Okay, we are looking at a group photo. I'm sure he's in the group photo, but it looks like from a ward ceremony, maybe a high school. It has to be some sort of event, I would guess, given that everyone is dressed up, mainly being all the guys are wearing suits of some sort, but given that many are wearing dress shoes with their suits, it can be more of an event. Let's count how many people are in a 1, 2, 3, 4, 4, 5, 6, 7, 8, 9, 10, 11, 13, 14, 15, 16, 17, 18, 19, 21, 13, 13, 14, 15, 16, 17, 20, 19, 20, 21, 13, 13, 14, 15, 16, 17, 20, 21, 32, 32, 33, 34, 35, 36, 37, 39, 40, 41, 42, 43, 44, 45, 36, 37, 39, 40, 41, 42, 43, 44, 45, 36, 37, 39, 41, 42, 43, 43, 44, 45, 36, 37, 42, 45, 42, 45, 52, 52 individuals. They are standing on a stage with four steps. The background is some sort of background image, just the award show or whatever event they are at. There clearly is a lot more men than women, at least like a two-to-one ratio."]
|
[False]
|
[nan]
|
We are observing a group photograph that appears to have been taken during a formal ceremony, likely associated with a high school event, such as an awards ceremony. The individuals captured in the image are dressed in formal attire, which reinforces the idea of a significant occasion. Notably, a majority of the males in the photo are wearing suits, and several of them are also donning dress shoes, further indicating that this is a special event rather than a casual gathering. As I count the number of individuals present, I initially list them methodically. Starting from one side of the image, I count: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen, twenty, one, twenty-two, and on. Upon careful examination, I acknowledge a total of fifty-two individuals in the photograph, which seems to reflect the scale of the event well. The group is arranged on a stage, which features four distinct steps, suggesting a structured setup for the ceremony that could lead to better visibility for those who are presenting awards or being recognized. The backdrop of the photo is a specially designed image that complements the occasion of the awards show. Moreover, the demographic distribution of the group is noticeable, with a pronounced predominance of male figures compared to female, estimating a ratio of approximately two males for every one female present. This observation may reflect the typical attendance patterns of such events, where certain demographics may be more heavily represented.
| 2,275 |
|
nonnative
|
['18WmxVgqWDSY']
|
['English']
|
[" This is a photo of a woman seemingly giving an acceptance speech at an awards ceremony. She's standing at a microphone looking off to her right. She's wearing a white and black dress with what seems to be the name of the award show behind her. There's a number of different what seem to be Chinese characters kind of all around her on the screen behind her. In front of her is a bouquet of flowers sitting on kind of a dais that she's giving her speech from. It seems to be that this would either be like a corporate event or an award ceremony where she's giving an acceptance speech. It seems like just kind of above to the left of the bouquet of flowers, it seems like there might be a star attached to an award that she's holding that she just won. There are three letters, three kind of English character letters that can be distinguished. A GRT in a red background with white lettering off to the left of the photo. And the year which seems to be 2015, but the five is cut off behind the woman. . . . . . . . . . ."]
|
[True]
|
['Asian award ceremony']
|
This image captures a moment during an awards ceremony, where a woman is delivering what appears to be an acceptance speech. She is positioned at a microphone, gazing towards her right, indicating a connection with the audience or perhaps acknowledging someone in that direction. The woman's attire consists of a striking dress that features a combination of white and black colors, reflecting both elegance and formality, suitable for such an event. In the background, the name of the award show is prominently displayed, along with numerous Chinese characters, suggesting that the event celebrates achievements within an Asian cultural context. The presence of these characters indicates the significance of the event in celebrating contributions to the community or industry represented. At the forefront, a bouquet of flowers rests on a dais, which is the platform from which she is delivering her speech. This setting is typical of award ceremonies, where floral arrangements symbolize appreciation and beauty. Just above and to the left of this bouquet, there appears to be a star, indicative of the award she has received, signifying achievement and recognition. To the left of the image, there are discernible letters spelling out "GRT" against a vivid red background with white lettering—these letters could represent the name of the specific award or organization associated with the ceremony. The year noted in the image is 2015, although the last digit is partially obscured, which might suggest limitations in visibility but implies this event took place around that time frame. This moment exemplifies a significant cultural celebration, likely honoring accomplishments within a specific field—perhaps entertainment, the arts, or business—recognizing excellence and contributions made by individuals of Asian descent or related to the Asian community.
| 2,314 |
|
nonnative
|
['13LavwI1YIrS', '1jnKS7xG4g7v', '1oNZg2uWpUQP']
|
['Korean', 'Chinese', 'English']
|
['Apple and cutting board, apple and cutting board, apple and cutting board.', "This is an image of a gray background featuring a plate of apples, which includes four sliced apples and one whole apple placed on a wooden table. Additionally, there is a small knife designed for cutting apples. This knife can cut the apples nicely, and the overall atmosphere of the scene appears very somber, aiming to convey an expansive yet dark feeling. It’s a rather interesting picture, where many elements express a sense of eeriness. The color scheme is quite dim, without any bright background, creating a generally dark composition that reflects the author's feelings of discomfort and aversion towards such themes.", " Yeah, so now I see a cutting board with a knife and also some apples. So there's one apple not on the board, it's behind the board and the cutting board and it's just kind of sitting there. And then on top of the cutting board, we have the knife and we have also four evenly chopped up pieces of the apple. It seems like there's a distinct style to this type of photo. It's black and white. It just seems to be... Yeah, it's black and white. So it seems to be like some type of commercially taken photo or some type of artistically motivated. There's definitely some artistically motivated intrinsic motivations behind this photo. Yeah, I think that is kind of the style and the color seems to be like there's definitely very stylistic and artistic. And yeah, black and white."]
|
[False, False, False]
|
[nan, nan, nan]
|
The scene presented is characterized by a gray background, which serves as a backdrop for a thoughtfully arranged plate of apples. The plate contains four neatly sliced sections of apples alongside one whole apple, contrasting the sliced segments with its intact form. This arrangement is set upon a wooden table, lending a natural element to the composition. Prominently featured in this scene is a small knife, specifically designed for slicing apples, resting on the cutting board. This particular knife is noted for its efficiency in cutting apples cleanly and precisely, an essential tool for preparing such fruit. The overall atmosphere of this visual presentation is described as somber, deliberately constructed to evoke an expansive yet dark emotional response. The picture emanates a peculiar sense of eeriness, with its dim color palette contributing to the unsettling ambiance. The absence of vivid colors and bright backgrounds enhances the generally dark and heavy composition, which seems to reflect the creator's discomfort and aversion towards such themes. In a more detailed observation, the cutting board becomes the focal point, accompanied by the knife and the apples. One of the apples is positioned behind the cutting board, adding a layer of depth to the arrangement. The knife, alongside four evenly chopped pieces of apple positioned on the board, reinforces the theme of preparation and consumption. The description notes a distinct stylistic approach to this image; it is presented in black and white. This choice of monochrome not only emphasizes the stylistic qualities but also suggests that the photograph may have been taken with a commercially artistic motive. The artistically driven intentions behind the image are apparent, as it evokes a strong sense of subjectivity through its stylistic and aesthetic choices. The overall depiction reflects a meticulous curation of elements that contribute to its artistic and emotional weight.
| 1,736 |
|
native
|
['1mZlKePLBiKZ', '1b1l1zw9lLos']
|
['Chinese', 'Chinese']
|
['At first glance, this image seems to be a poster featuring a water droplet or a microphone with headphones in the center. In the upper left corner, it says "Top Ten Chinese Golden Songs," while on the right it reads "My Era, My Song." This is likely related to the 38th edition of some music festival. The background is predominantly yellow, and there appears to be a silhouette of a city, which is in red. The headphones are also red, while the water droplet or microphone is blue on the outside and yellow in the middle. At the very bottom, there is a white section that lists the names of sponsors, which includes over ten sponsors numbered 1, 2, 3, 4, 10. Additionally, there is a QR code indicating some sponsorship details related to "fingertip," along with numbers 1, 2, 41, 3, 42, etc.', 'This resembles a poster with something in the center that looks like a combination of a microphone and a person wearing headphones. In the upper left corner, it states "Top Ten Chinese Golden Songs Award Concert," while on the right side of the poster, it says "My Era, My Song." Below, there are some smaller notes mainly discussing where it will be held, the time of the event, sponsors, etc. This object is positioned in the center of the poster against a primarily yellow background, with some city illustrations at the bottom. Overall, the design is quite bright and lively, utilizing vibrant colors.']
|
[False, True]
|
[nan, nan]
|
At first glance, this image appears to be a vibrant and eye-catching poster centered around a music event. The poster prominently features a distinctive design element that resembles either a water droplet or a microphone equipped with headphones at its center, symbolizing the combination of music and emotion. In the upper left corner, the text reads "Top Ten Chinese Golden Songs," indicating that this event likely honors popular music in China. On the upper right side of the poster, another phrase states "My Era, My Song," which suggests a theme of nostalgia or celebration of personal musical experiences across different generations. This poster is associated with the 38th edition of a music festival, although the specific name of the festival is not mentioned in the caption. The background of the poster predominantly showcases a bright yellow color, contributing to an overall lively aesthetic. Additionally, there is a silhouette of a city that is rendered in red, which could symbolize the bustling and dynamic atmosphere of urban life often associated with music events. The headphones, which are also red, complement the city silhouette, while the central element—either the microphone or the water droplet—has a blue exterior and a yellow interior, creating a visually appealing contrast. At the very bottom of the poster, a white section lists the names of several sponsors, with more than ten sponsors noted, and their numbers sequentially arranged as 1, 2, 3, 4, and 10. This section not only acknowledges the event's financial backers but also adds credibility to the concert. Additionally, a QR code is presented, which likely leads to further information or details concerning sponsorship associated with a term referred to as "fingertip," accompanied by numbered references such as 1, 2, 41, 3, 42, and so forth. This QR code serves as a modern tool for audience engagement, allowing viewers to interact with the promotional material dynamically. Moreover, another observation describes the poster with an element that looks somewhat like a blended representation of a microphone and a person wearing headphones. This reinforces the connection between the audience and their listening experiences. The upper left corner states "Top Ten Chinese Golden Songs Award Concert," further specifying that this is an awards event celebrating top-tier Chinese songs. The right side of the poster reiterates the theme "My Era, My Song." Beneath the central imagery, smaller notes provide logistical details including the venue, time of the event, and additional acknowledgments of sponsors. This central artwork is positioned against the same bright yellow backdrop, with allusions to city illustrations at the bottom, enhancing the festive feel of the design. Overall, the entire composition is crafted to evoke an energetic and celebratory atmosphere, suitable for a musical event that actively engages its audience with vibrant colors and dynamic visuals.
| 2,598 |
|
native
|
['1bg2kwlO1wlx', '14vYWeoqHC81', '11Qo8sY99WZC']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture appears to be of a parking lot gazebo, possibly the entrance or exit of the parking lot. In the background, there are some large trees and some coconut trees, so based on my speculation, it should be a country in Southeast Asia. The entire image does not contain any text description; the only thing visible is a sign prohibiting playing football. It does not seem like a sign from mainland China or European and American countries, which leads me to believe it could be from a Southeast Asian country. The architectural style resembles those of China or Southeast Asia, suggesting it might be Malaysia or Singapore.', 'In this photo, what I can see is a passageway leading to what seems to be a parking lot or a roadside pavilion. This is a relatively standard modern structure that appears to be common everywhere. At the top of the pavilion, there is a sign that seems to indicate that playing football is prohibited in this area. In front of the pavilion, there are large planters with greenery on both sides. Looking through the center corridor of the pavilion, we can see an open space; behind this space, there seems to be a road. On the road, we can faintly see one or possibly two or three cars driving by; the first car in front may be parked. This is just a typical scene of a parking lot. The sky is filled with many clouds, and the sky seems to be getting toward evening, with some small lights on the pavilion already lit. There are quite a few big trees in the background.', "Alright, what we can see now is a place that looks similar to a parking lot. I believe this seems to be an entrance and exit to the parking lot. I can see that when exiting this parking lot, you cannot turn right. How do I know this is an entrance and exit of a parking lot? Because I can see from this spot that right in front is a large road with cars coming and going. So I can confirm that once you exit this parking lot, it leads onto a main road. Currently, on this main road, I can see about two cars: one is a gray SUV, and the other looks like a small gray sedan. The entrance of this parking lot has a very distinctive look, so it’s quite likely to be the entrance and exit of a resort's parking lot."]
|
[False, False, False]
|
[nan, 'Just a modern style parking lot.', 'no']
|
This picture features a gazebo located in a parking lot, which likely serves as the entrance or exit of the parking area. Surrounding the gazebo, there are towering large trees along with coconut trees, leading to the inference that this location is in a country within Southeast Asia. There is no text description visible in the image, apart from a sign explicitly stating that playing football is prohibited in this area. This sign does not reflect styles or language typically found in mainland China or in European and American countries, reinforcing the assumption that the site may be situated in a Southeast Asian nation. The architectural design of the gazebo bears resemblances to styles prevalent in China or Southeast Asia, prompting speculation that it could potentially be in Malaysia or Singapore. In another view captured in this photo, a passageway can be observed that leads toward what appears to be a parking lot or a roadside pavilion. The structure is relatively modern and seems to resonate with architecture that could be found in common areas globally. At the top of this pavilion, there is signage indicating that playing football is not permitted in the vicinity. Flanking the front of the pavilion are sizable planters filled with greenery, enhancing the visual appeal. As one looks through the central corridor of the pavilion, an open space is visible; beyond this area, a road is apparent where a few vehicles, including possibly two or three cars, can be detected driving by. The first vehicle, situated at the forefront, may be parked. This scene encapsulates a typical parking lot environment. The sky above is populated with clouds, indicating an impending evening, and small lights affixed to the pavilion have begun to illuminate. The backdrop features several large trees contributing to the natural setting. Lastly, the scene reveals what resembles an entrance and exit of a parking lot. From this vantage point, it is evident that when exiting this parking lot, turning right is not allowed. The confirmation of this being a parking lot's entrance or exit is substantiated by the sight of a major road ahead, bustling with vehicular activity. Presently, two cars can be observed on this main road, one identified as a gray SUV and the other as a smaller gray sedan. The distinguishing architectural features of the entrance suggest it is likely associated with a resort's parking lot, reinforcing the impression of a well-designed entry point.
| 527 |
|
native
|
['16dQDn4JTcBl', '17hWfeVqmyxf', '1nAr4jv7qTUi']
|
['Chinese', 'Chinese', 'Chinese']
|
['This should be the Potala Palace in Tibet. The Potala Palace is a very large building, with red on top and white below, situated on a mountain. Behind it is a blue sky filled with clouds. This Potala Palace, this building is extremely grand, and there are many mountains around it. This is a photo taken of the Potala Palace in the mountains of Tibet.', 'It should be a place that looks like a palace, and if we look closely, this is a palace on a mountain. This palace is predominantly red and white, and the mountain itself is also very high. We can see that this palace is probably the Potala Palace in Tibet, China, because its distinctive shape clearly represents the Potala Palace. Additionally, there are many tiers of steps leading from the bottom to the top; you need to climb many, many steps to reach the palace. The palace also has red and white accents, surrounded by white structures. It is apparent that this was taken outdoors, as there is a blue sky and some white clouds, and the sky appears very clear since sunlight is shining on the palace and its steps, creating a very dazzling and glaring light.', "The main subject of this picture is the Potala Palace in Lhasa, Tibet. Since I have been there before, I can recognize it at first glance; it's definitely in Tibet. The cultural style is very evident because this building clearly embodies Tibetan architectural style with its pristine white walls built on a very high mountain. Worshippers need to climb many stairs to reach it, which symbolizes their dedication. The mountain in the background is not particularly typical, perhaps because this photo was taken in summer, so the snow on the mountain has already melted, making it difficult to infer the location through the shape of the mountain. However, this building is so famous that one can immediately tell it belongs to Tibetan architecture. You can see people below, and I am grateful for their presence as well."]
|
[False, False, True]
|
[nan, nan, nan]
|
This should be the Potala Palace in Tibet, which is an iconic and majestic structure renowned for its unique architectural style. The Potala Palace is an extensive edifice that features a combination of vibrant red at its upper levels and pristine white on the lower levels. It is strategically situated on a high mountain, enhancing its grandeur and visibility against the landscape. The backdrop includes a clear blue sky adorned with fluffy white clouds, adding to the picturesque quality of the scene. The photograph captures the Potala Palace, an awe-inspiring monument nestled amidst towering mountains in Tibet, underscoring its importance in this region. Upon closer inspection, the building resembles a traditional palace, confirming that it is indeed situated on a mountain. The strong presence of red and white hues characterizes the design of the palace, with the mountain itself reaching impressive heights. Based on its distinctive architectural features, it is likely that this is the Potala Palace located in Tibet, China. The structure is notable for its tiered design, which includes numerous steps that visitors must ascend to reach the palace's entrance. These steps significantly contribute to the building's imposing stature. Surrounding the palace are additional white structures that complement its overall appearance. It is evident that this photograph was captured outdoors, as the bright blue sky and white clouds indicate a clear day, with sunlight streaming down upon the palace and illuminating the steps, resulting in a striking, almost dazzling light effect. The central focus of the image is unmistakably the Potala Palace located in Lhasa, Tibet. As someone who has visited this place before, I can recognize its distinctive features immediately. The architectural style unmistakably reflects Tibetan culture, typified by pristine white walls that rise prominently against the backdrop of a lofty mountain. The journey to reach the palace involves a considerable ascent up many stairs, which symbolizes the dedication and reverence of worshippers who make the pilgrimage. The mountain in the background is somewhat atypical compared to other potentially snow-capped peaks, perhaps due to the photograph being taken in the summer, during which the snow would have melted. This condition may obscure any clues one might draw from the shape of the mountain regarding the location. Nonetheless, the Potala Palace is so renowned that its link to Tibetan architecture is immediately recognizable even from afar. The image reveals people positioned below the palace, which adds a human element to the scene, allowing for a sense of gratitude towards their presence, as it highlights the cultural significance of this location as a place of worship and pilgrimage.
| 351 |
|
native
|
['19vGNPlGBMTx']
|
['Russian']
|
["Okay. This image shows a statue in a nautical style, likely a statue of a ship's sail with a captain standing at the edge of the ship. The statue is located in the middle of a body of water, partially covered with ice. The weather is overcast, and signs of heating are clearly visible in the houses along the shore. The architecture is very beautiful, neat, and the streets are well-lit. The waterfront is very clean. Additionally, all signs in the picture suggest that it is likely the winter season. It is already evening, which is why many buildings are lit up... lighting is on in many buildings. The very gray coloring of this image further indicates that the weather is very dreary. The time is not just... To be continued... To be continued..."]
|
[False]
|
['No']
|
This image features a striking statue designed in a nautical style, which appears to represent a ship's sail. At the forefront of the statue, a captain is depicted standing confidently at the edge of the ship, embodying the spirit of maritime adventure and leadership. The statue is situated in the midst of a large body of water that has partially frozen over, an indication of the cold temperatures typical of the winter season. The sky above is overcast, casting a grayish hue over the entire scene and contributing to the melancholic atmosphere of the moment. Despite the dreary weather, the homes lining the shoreline exhibit visible signs of warmth and comfort, with heating evident in their structures. The architecture of these houses is noteworthy; it is not only aesthetically pleasing but also meticulously maintained. The streets adjacent to the waterfront are well-lit, suggesting an organized and cared-for environment. The waterfront area is impressively clean, hinting at a community that values its natural surroundings and takes pride in maintaining them. As evening sets in, many buildings along the shore are illuminated, creating a soft glow that contrasts with the grayness of the skies. The overall coloring in the image amplifies the sense of a chilly, wintry day, with the dull tones of the landscape emphasizing the cold. The scene effectively captures the tranquility and beauty of a winter evening by the water, leaving viewers with a sense of calm anticipation for what might come next, as the image appears to be part of a larger narrative that remains to be continued.
| 1,198 |
|
nonnative
|
['1kfDaVEAbVPb', '1fCy0MTzSAfv']
|
['English', 'Chinese']
|
[" This is an image of people skiing. In the image you have some little children and you have some adults as well. They're all on snow. The trees have all lost their leaves and they're all brown with snow on them. So the trees look brown and white. And there are a few people in the image. You can see some children and you can see some adults. I can clearly see three adults. One of them has a red coat on. The other two have black coats on. There's a child who has his ski mask on and a blue coat. And there is a red orange cone in the far left of the picture. In the background are the trees and on the floor is the snow. We have some children lined up as well. I'm assuming they are putting on their ski. They're getting their ski items. They're too small but they are blue Core 4365-27673-458-6iko4-2598ouv.com So the new car is numerous ways to which Freddie Green is a beach insurance provider. They're going to snow in the back of the sense they don't want to put oates into a little aire-", "This is a snowy landscape with a child and several adults. The first thing you notice is a child skiing on a pair of skis. Behind the child is an adult, the coach, who is wearing a red outfit and is closely watching the child. The coach is also skiing. There are other children and an adult behind them, and another adult is on the far left of the image, looking around. One of the adults is watching the children. The child is wearing a size 10 outfit, while the man is wearing a size 18 outfit. The children are standing in a straight line in the snow, possibly listening to the adult's instructions. They are all positioned in the center of the image, with the child in blue and the coach in red standing at the front, while the other children are standing further back. The scene takes place in a snowy area with many squirrels and some dry branches covered in snow. This might be at a ski resort; it looks very good for now."]
|
[False, False]
|
['No', nan]
|
This transcription describes a winter scene where individuals are engaged in skiing activities. The image portrays a snowy landscape, highlighted by the presence of both children and adults. Among the featured participants, children are notably conspicuous, wearing brightly colored ski attire. A particular child is prominently skiing on a pair of skis, demonstrating an active engagement in the sport. Behind this child, an adult coach is present, distinguished by a striking red outfit, which suggests a position of authority or guidance. The coach is skiing alongside the child, closely monitoring their progress, indicating a supportive instructional dynamic. In the background, additional children and adults are introduced into the scene. One adult on the far left appears to be surveying the area, possibly offering insight or encouragement to the children. The remaining children are gathered together, forming a straight line in the snow, which hints that they are awaiting instructions or are in the process of preparing for skiing. The clothing sizes of the individuals are noted, with the child wearing a size 10 outfit and the adult in a larger size 18 outfit, emphasizing their differing physical statures. The landscape is characterized by the accumulation of snow covering the ground, creating a pristine backdrop for winter sports. Additionally, elements of nature are included in the description, such as squirrels and dry branches that bear a blanket of snow, which adds to the aesthetic appeal of the ski resort setting. It evokes a sense of winter wonderland, ideal for skiing activities, and captures a moment of community and learning on the slopes.
| 1,515 |
|
native
|
['1lweEKaBBtcD', '1mgBfcmF2Ui6', '1bQRYf9G669w']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture shows a very beautiful landscape with layers of mountains in the background. These mountains are covered with dense trees, which makes one feel very uplifted. The sky in the background is also a bright blue, and near the mountains, there are fluffy clouds resembling cotton candy. In the foreground, there seems to be a building with distinctive local features. Some of the eaves and rooftops of the building have bright colors, and from the top of the roof, many colorful flags are hanging down. Each flag has colors like blue, yellow, green, red, and white, arranged in an alternating pattern. This whole line of colorful flags stretches out on the ground, perhaps two or three dozen of them closely spaced, creating a fantastic visual effect reminiscent of a cascading waterfall, showcasing a beautiful scene.', 'This picture was taken outdoors where a very beautiful landscape can be seen, featuring a blue sky and white clouds. In the distance, there are two mountains covered densely with greenery and trees. In the foreground, there is the exterior of a building, and at the point where the roof connects to the ground, there are many ribbon-like decorations, each in different colors, extending from the roof down to the ground, creating a triangular shape. Oh, I see one of our outfits we wore.', 'This picture features some ribbons, primarily focusing on the ribbons that are hanging on the house. They are hung diagonally in one corner of the house and extend down to the ground. These ribbons are colorful with many strands fluttering. The colors of the ribbons include white, blue, yellow, green, and red, making for a vibrant display. The background includes mountains, clouds, and blue sky. Additionally, there is a small path behind the ribbons that extends diagonally from the house down to the ground.']
|
[False, False, False]
|
['Decorations are not very specifically local to any culture.', nan, nan]
|
This picture presents a stunning landscape adorned with layers of majestic mountains situated in the background. These mountains are lushly covered with dense trees, evoking a sense of upliftment and connection to nature. The expansive sky above is a vibrant blue, scattered with fluffy white clouds that bear resemblance to cotton candy, adding to the dreamy quality of the scene. Dominating the foreground, there is a building that showcases distinctive local architectural features. The eaves and rooftops of this structure are painted in bright, eye-catching colors, capturing the essence of the landscape. From the apex of the roof, a multitude of colorful flags cascade downward, each displaying an array of colors including blue, yellow, green, red, and white, arranged in an alternating pattern. These flags stretch across the ground in a spectacular line that spans perhaps two or three dozen of them closely spaced together, creating a visual spectacle that evokes the imagery of a cascading waterfall. The overall scene conveys a sense of beauty and celebration, highlighting natural and man-made elements harmoniously. Additionally, this particular image was captured outdoors, showcasing a remarkably picturesque landscape characterized by a blue sky dotted with white clouds. In the background, two mountains rise, densely shrouded in a lush blanket of greenery and trees. In the foreground, we find the notable exterior of a building, where the roof intersects with the ground and features an array of ribbon-like decorations. These decorations, adorned in various colors, extend down from the roof, forming an elegant triangular shape that draws the eye. A charming aspect of the scene is the recognition of one of the outfits that was worn during this memorable occasion, evoking fond memories associated with the location. In another aspect of this scene, the focus shifts to the decorative ribbons that hang from the house. These ribbons are positioned diagonally in one corner and gracefully extend down to the ground. The vibrant display consists of numerous strands fluttering gently in the breeze, with colors like white, blue, yellow, green, and red contributing to the overall vividness. The backdrop remains consistent, with mountains, clouds, and the blue sky serving as a harmonious setting. There is also mention of a quaint small path that runs behind the ribbons, stretching diagonally from the house to the ground, adding further depth to the picturesque scene.
| 205 |
|
native
|
['1h91PDMti3Vf']
|
['Russian']
|
['At home, there is no detection; they have one character who is apparently portrayed in the detection and stands out on his own. Without any background objects, we see that this is most likely in a park, with trees in the background. The text says, "What is the strength, brother?" We have the main character alone, here are several people. What details can we write? We notice that he is framed by a white line to make the image striking, but for now, he has nothing. Silver is very calm, moderate, in muted tones. This character is related to the film "Brother," or is truly a brother figure. From his key phrase, "What is the strength, brother?" everything has become a symbol.']
|
[True]
|
[nan]
|
In this scene depicted at home, there is a noticeable absence of detection elements, allowing a singular character to take center stage. This character stands out prominently and appears to be in a park setting, as suggested by the trees visible in the background. The environment contains no additional background objects, which further emphasizes the character himself, contributing to the focused atmosphere. The accompanying text features a poignant phrase spoken by the character: "What is the strength, brother?" This line profoundly reflects the character's thoughts and possibly his quest for understanding or reassurance, establishing a connection that suggests a deeper relationship, indicative of brotherhood or camaraderie. The main character is presented alone, yet there is an implication of others present, as the reference to "several people" suggests an audience or group that might be influencing the character's reflection. The visual presentation of this scene is striking: the character is framed by a white line, which serves to enhance the visual impact and draw the viewer’s attention to him. The character's demeanor is calm and composed, which is mirrored in the muted color tones surrounding him. The muted palette creates a serene mood, complementing the character's tranquil disposition. This character is reminiscent of themes from the film "Brother," hinting at underlying themes of familial bonds and personal strength. The key phrase, "What is the strength, brother?" has transcended mere dialogue and has transformed into a symbol rich with meaning, suggesting explorations of power, support, and the essence of brotherly ties.
| 1,179 |
|
nonnative
|
['1ioEISveDtgO', '14ino3gTqwWt', '1iFzkvJlejDK']
|
['Chinese', 'English', 'English']
|
["At first glance, this picture looks like a vegetable market where one person is buying vegetables, and another is also buying vegetables. There are two people sitting inside the stall, and there are many vegetables and fruits such as bananas and apples. There are no texts. The person buying vegetables is standing on the right side of the stall, while the others are on the left side. Some bananas and red decorations are hanging down from above the stall. The background feels like a house with some light, possibly from early morning, giving it a vibe reminiscent of a Southeast Asian market. At the same time, the stall is blue, resembling a farmer's market.", " In this image, you can see a fruit stand, and this seems to be in India or a surrounding country, and there are a bunch of apples in the foreground. Behind the apples are bananas. The apples are multicolored, but the bananas are all green. It seems that the bananas aren't quite ripe yet. Behind the bananas are these giant sacks of something red, maybe a spice, maybe a pepper, a dried pepper, or something like that, and behind those giant sacks, there's about a dozen other sacks of equal size, and they are filled to the brim with something that you can't quite see. And there are three women in the background wearing red, and there's one man in the foreground who seems to be a buyer, while the women are the sellers. And the male buyer is looking at the sacks of grain or spice or peppers or whatever they are, and he's wearing a green shirt and blue shorts. And these are just happens that could be the same as a man or sheんだ Aruna атмос. And the other guy is that I want to give Sarah and brings in the dark question.", " Yeah, so in this next photo, we kind of see this photo is being taken outside, potentially in, you know, I'm very inclined to say, I think, maybe some Middle Eastern country or in India. And the reason I say this is because if we look at the words hidden behind on the sign, hidden behind the cloth in the top right, you know, we can see that there are like some words, you know, it seems could be like Arabic. It could also be potentially, yeah, Hindi. And yeah, so in the front, we also see, you know, they're selling a lot of goods on the street side. This is very culturally distinctive because not many, you know, Western or more developed countries would typically do this. This is, you know, something that, you know, like we would see very much more commonly in an undeveloped country like India or maybe like Sri Lanka, something like that. And they're just selling fruit. Yeah."]
|
[True, True, True]
|
[nan, nan, nan]
|
At first glance, this picture presents itself as a bustling vegetable market, characterized by the lively interaction of individuals engaging in the purchase of fresh produce. One person can be seen on the right side of the stall, actively selecting vegetables, while another individual is positioned on the left, also participating in the purchase. Within the stall, there are two individuals seated, presumably vendors or helpers, facilitating the shopping experience. A variety of vegetables and fruits are displayed prominently, including bananas and apples, highlighting the abundance of fresh produce available to customers. Notably, the bananas, along with vibrant red decorations, hang overhead from the stall, adding a colorful touch to the market scene. The background suggests a domestic setting, with a hint of natural light that evokes an early morning ambiance, reminiscent of the typical hustle and bustle found in Southeast Asian markets. The stall itself is painted blue, resembling those traditionally seen in farmer's markets. In another image, a fruit stand is depicted, likely located in India or a neighboring country. In the foreground, a plethora of multicolored apples is showcased, immediately drawing attention. Behind them, green bananas are stacked, indicating that they have not yet ripened. Further back, large sacks, potentially containing spices or dried peppers, are prominently displayed, suggesting a rich offering of local goods. Behind these enormous sacks, a dozen more sacks can be observed, all filled to the brim with contents that remain partially obscured from view. Among the vendors, three women dressed in red can be seen engaging in commerce, while a male buyer, dressed in a green shirt and blue shorts, inspects the sacks filled with grains or spices, indicating a possible interest in making a purchase. This scene encapsulates the vibrant market culture where gender dynamics are also evident, as the male customer interacts with predominantly female sellers. In a subsequent photograph, the setting appears to be outdoors, possibly in a Middle Eastern country or India. The presence of words partially concealed by a cloth in the top right corner of the image suggests the possibility of Arabic or Hindi script, lending cultural context to the scene. The foreground features a variety of goods being sold at a street-side market, which is a culturally distinctive practice rarely seen in Western or more developed nations. The vibrant atmosphere captures a sense of community and trade that is prevalent in less urbanized areas, such as India or Sri Lanka. Fruits fill the display, showcasing the local agricultural bounty and the rich culinary traditions associated with these cultures, underlining the stark contrast between developed and developing economies in their market practices.
| 1,594 |
|
native
|
['1c7ijJuvRyP1', '17ckaMyDwquA', '1ij5W8S8ueB5']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture was taken in a square where there are some people standing. The ground is gray and black. In the distance, there is a tall tower. Behind this tall tower, there is a cylindrical tower. The tall tower has a slender, oval shape, and on top, it has a pointed, cylindrical shape. Next to this cylindrical tower, there appears to be what looks like a two-story structure that can sway above. Behind it, there is a cylindrical yellow building.', "This picture features a tree composition, and in the image, there is a house that resembles a castle, accompanied by many people. I noticed a scene where parents are with their young children. So, aside from this central house in the town and the adults and children nearby, it feels like a scene in a park or amusement area where parents are taking their children to visit or play. There are also some details in the lower right corner of the image, where there is a road, so these parents and children are standing by the roadside, and this house is also located at the road's edge. Overall, the color tone of the picture has a slightly grayish hue, while the castle is white and golden, creating a rather romantic atmosphere.", 'Is this Italy? It feels like tourists are taking pictures there, and it reminds me of Macau. It’s hard to tell because many places have dome-shaped buildings, but it seems like a family is taking pictures, and there are about four or five tourists nearby walking around. I saw some cars and people walking by; I think I noticed a bicycle too, which is quite lively. The sky is blue, there are small stones and trees, so it must be during the day when the weather is nice. Everyone is wearing short clothes, so it should be summer when the weather is relatively cool. There are no words above to tell exactly which country it is. You can’t say separately.']
|
[False, True, False]
|
[nan, nan, nan]
|
This picture captures a vibrant square bustling with activity, where a number of individuals are standing together. The ground is an interesting mix of gray and black hues, suggesting a cobblestone or architectural feature typical of busy public spaces. In the backdrop, there is a strikingly tall tower that possesses a slender, oval structure. At its pinnacle, it transitions into a pointed tapering form reminiscent of traditional Gothic architecture, possibly suggesting a cultural or historical significance. Adjacent to this impressive tower, a cylindrical structure rises, adding to the architectural diversity of the scene. This cylindrical tower is accompanied by what appears to be a two-story building that has an ability to move or sway, indicating it might be designed for specific purposes or symbolic gestures. Further behind, a notable yellow cylindrical building contributes to the colorful architectural landscape. In another image, there is a captivating tree composition that frames a picturesque house resembling a castle, creating a fairy-tale-like ambiance. This enchanting house is surrounded by families, with parents accompanied by their young children, reflecting a joyful scene reminiscent of a park or amusement area. The adults and children seem to be enjoying a leisurely day, possibly engaged in play or visiting attractions. The lower right corner of the image has significant details, illustrating a road by which these families are gathered, suggesting the house is conveniently located at the edge of the roadway. The overall color palette of this picture exhibits a soft grayish tone, contrasted beautifully by the castle’s white and golden hues, evoking a romantic atmosphere. The third observation raises a question about the geographical location, pondering whether this scene might be in Italy. The ambiance reminiscent of tourist hotspots suggests that visitors are capturing memories through photographs. It also brings to mind Macau due to the prevalence of dome-shaped buildings shared by both regions. The keen observer notes a family taking pictures and identifies a small group of four or five tourists leisurely exploring the area. The lively environment is enriched by the presence of vehicles and pedestrians, and even a bicycle is spotted, enhancing the dynamic nature of the scene. The clear blue sky and presence of small stones and trees hint at a sunny day conducive to outdoor activities, likely during the summer months when light clothing is worn for warmth. However, without any explicit identifiers in the scene, it remains a challenge to ascertain the precise location.
| 559 |
|
nonnative
|
['1bxjMgCmfTOO', '1cDui4nfUni6', '147ZjI6SM6Ax']
|
['English', 'Chinese', 'English']
|
[" This is a close-up image of a salad bowl. The salad bowl is turquoise teal with a black stripe and a white interior. It is placed on top of a white marble countertop. Inside the bowl, which is most of the picture, contains a lot of broccoli, beets, onions, and other green vegetables cut up and mixed all together. There is also a metal spatula inside that is presumably used to mix the vegetables. They appear to be wet and very shiny and presumably coated in some sort of white salad dressing. And there's also a metal spoon inside.", "This is a bowl of fresh salad primarily made of broccoli and onions with ingredients placed in a light green bowl. The broccoli is the most abundant component, accompanied by sliced red onions, some nuts, and raisins or red dates scattered throughout the salad, along with some celery slices. The utensils include a golden fork inserted into the salad, reflecting a golden shine at the top center of the image. The colors of the salad are very vibrant and appealing, making it look very healthy and clean. The countertop appears to be a light-colored surface, perhaps smooth kitchen material, with a simple color that highlights the salad's content, giving a fresh, natural, and healthy impression.", " This is an image of a close-up of a salad. We can see the edge of the bowl and the stone white table underneath it. The bowl seems to be a sort of turquoise, a mix between blue and green, with a dark blue stripe going through the top of the bowl. Inside the bowl, we can see broccoli, onions, and various vegetables mixed together with some sort of sauce, a white sauce. There seems to be a utensil, although we can't really see it very well, it seems to be a fork. The inside of the bowl is mostly white and the majority of the vegetables seem to be broccoli, as there is one in the very middle of the image. I don't know. I don't know."]
|
[False, False, False]
|
[nan, nan, nan]
|
This is a close-up image of a salad bowl. The salad bowl itself is a striking turquoise teal color, accented with a dark black stripe along its upper rim, and features a clean white interior. It is positioned atop a pristine white marble countertop, which provides a sophisticated backdrop that highlights the vibrant colors of the salad inside. Within the bowl, which dominates the visual frame, is a medley of fresh vegetables including a substantial amount of broccoli, sliced beets, and various green vegetables that have been chopped and skillfully mixed together. The vegetables appear glistening and wet, suggesting they are likely coated in a rich, creamy white salad dressing. Additionally, there is a metal spatula resting inside the bowl, presumably used for mixing the ingredients, and a metal spoon that sits alongside it, ready for serving. In another description of a bowl of fresh salad, the emphasis is placed on the vibrant colors and healthy composition of the dish. The salad is primarily made up of broccoli, which is the most prominent ingredient, visually enhanced by the inclusion of sliced red onions, some nuts, and either raisins or red dates sprinkled throughout. Celery slices add another layer of texture and color. The ingredients are artfully arranged in a light green bowl, which enhances the overall presentation. The utensil in this instance is a sleek golden fork that is inserted into the salad, reflecting a warm golden shine at the top center of the image, suggesting a touch of elegance in the presentation. The overall colors of the salad appear vivid and appealing, conveying a sense of freshness and cleanliness. The countertop is described as a light-colored surface, likely made of smooth kitchen materials, which serves to highlight the salad's vibrant and natural qualities, promoting a healthy impression. The final detail recounts yet another close-up of a salad. Here, the edge of the bowl can be seen along with the solid white table beneath it, reinforcing the upscale setting. The bowl is again described as a turquoise hue, reflecting a blend of blue and green, characterized by a dark blue stripe at its top edge. Inside this bowl, an abundance of broccoli, onions, and an assortment of vegetables are visible, mixed with a creamy white dressing. While the specifics of a utensil are less clear in this rendition, there is the suggestion of a fork present in the mix. The interior of the bowl primarily showcases a white surface, and the central focus appears to be a large piece of broccoli, anchoring the image in vibrant vegetable forms.
| 1,531 |
|
nonnative
|
['1nh9fo8UCiMA', '16B7zSyAFHMO', '14p2s6EjTZ8Z']
|
['English', 'English', 'English']
|
[" I see an image of what looks like a floor sticker. The floor has white and black tiling, and the sticker has a white border with a purple background. And on the left-hand side, there is an image of a mangosteen. There's a whole mangosteen that's not cut open, and then there's a halfway cut open one in front of that whole mangosteen. And there are some numbers to the right-hand side. It says bus number, and it says 172, 180, 180A, and 240. And there is the image of someone's left foot in some black sneakers. The floor is shiny, so it indicates that there is some overhead lighting.", " The image is of a sign on perhaps the floor that has some text on the right hand side that says bus number 172. Underneath that is 180. Underneath that is 180A. Underneath that is 240. And on the left side, and sort of dominating the sign, are what appears to be two fruits of some sort that I cannot identify. They are brownish on the outside, and one of them has a white and red inside. And the other one has some greenish leaves and a greenish stem at the top. The floor is in a sort of checkered white tile, black tile pattern. And there is also a person's shoe that's slightly visible on the right hand side. A black shoe and blackish pants. And there is wax. And there is also a singlecient white tile other than the five my probably doesn't see on the right one of these wings. The from the top. And the greenish floored is not on the front. Designedさん in white instead is on the right hand side,373. It is a black不好. And something is like a blues thing that bridge the secret to see on the left hand side. And there is an iceberg on where the sky whatever usage comes next. And the whiteicking soil divides into the Musset amer quadrato has an idea. And the humanitarian vivnorン like in this mass. And the original view of this little treat world is not one of them bravely as it has been multicultural. And it resembles the Frederick Melody's Youth. Right箇 Harrower and Sr. Secondary Temple has changed over by the fact the most recent years.", " This is the image of a bus platform period. A portion of the foot of a passenger is visible on the right side of the image, indicating that we're looking at the floor of the bus platform period. The floor is made of rectangular white and black tiles period. In the center of the photograph, there is an image of two pumpkins or other fruit in cartoonish stop period. On the right side of the image, bus numbers 172, 180, 180A, and 240 are noted, indicating that these are the buses that will stop at this particular stop period. So now place thebox number 3 will be Invisible drive for the yük Background E watershed for the intensity of traveled by thepassors on the right side of the air to grab Europe, and the base of the 멋있 path is going in between 15 bay and 7-6 years"]
|
[False, True, False]
|
[nan, 'Yes, because of the fruit.', nan]
|
I see an image of what appears to be a floor sticker prominently displayed on a bus platform. The flooring features a striking contrast of white and black tiles arranged in a checkered pattern. Centered on this sticker is a vibrant design with a white border encompassing a purple background. On the left-hand side of the sticker, there are illustrations of a mangosteen, which is a tropical fruit known for its sweet flavor and distinct appearance. One whole mangosteen is depicted, uncut, while in front of it lies another that has been cut halfway open, revealing its juicy white interior, characterized by its off-white segments that resemble small cloves. To the right of these fruits, crucial information is displayed: bus numbers that read 172, 180, 180A, and 240. This indicates the various bus routes that serve this particular stop. Accompanying these details, an image of a person's left foot, shod in black sneakers, is visible, suggesting someone is standing nearby on this bus platform. The flooring is quite glossy, reflecting overhead lighting that enhances its shine, indicating a well-maintained environment. Another angle of the image presents a sign, which is also located on the floor and contains similar bus number information, starting with 172 at the top, followed by 180, 180A, and finally 240. This sign seems to emphasize the direction and order of the routes, aimed at assisting commuters. Additionally, the two fruits displayed on the left are somewhat unidentifiable at first glance but are brownish on the outside, giving them a distinctive appearance. One has a complex internal structure that is white and red, while the other features greenish leaves and a green stem, suggesting it belongs to a different species. The description continues on, and while some details become convoluted, it mentions the presence of someone's shoe, again confirming a bustling atmosphere at this bus stop. Despite the added complexity of the text, it seems to reflect on the vibrancy and multicultural elements of the area, noting some unique characteristic features in the design and perhaps historical context associated with the bus platform. Furthermore, the narrative transitions to a broader observation regarding the design of this bus stop, culminating with an affirmation that it caters to a diverse commuter base, all contributing to the lively ambiance of this transit location.
| 570 |
|
native
|
['1lQK0tSGzrA3', '1jWkN4uXsaSB', '1hCFJ7Q5Xih7']
|
['Chinese', 'Chinese', 'Chinese']
|
["The main subject of this picture is a relatively low hill covered with trees. Amidst these woods, there is a large-scale temple complex built. At the foot of the hill lies a large lake, which has a beautiful and vibrant blue color. The temple complex extends down to the lake, with many corridors built over the water, allowing people to walk on the lake's surface. There also appears to be a boat, though I'm not certain if it is indeed a boat. If I were to speculate on the building's style, it seems to be a very typical Chinese architecture. The walls are yellow, leading me to believe it could be a Taoist temple. I can see that some of the trees have shed their leaves, so I speculate it may be located in a temperate or subtropical region in China, possibly resembling similar structures.", "This scene, captured in the photograph, depicts a temple nestled within the mountains. The mountain itself is adjacent to water, as can be seen. At the very bottom of the photo, there is a blue area showing some rivers. Moving upwards, one can see a white bridge alongside the river, as well as a red and yellow boat. Looking further up, there are many green plants, and within this greenery, there's a green-roofed structure with a red peak. This is the central focus of the photo. The peak is sharp and octagonal, and there are other buildings surrounding it. Overall, the image conveys a serene and picturesque landscape, showcasing the blend of nature and architecture.", 'This is a scenic photography spot that looks like it’s in the middle of the Yiheyuan (Summer Palace). In the center of the picture, there is a pavilion, and nearby are some buildings that all have Chinese characteristics. Below, there is a lake that is quite large, and there are boats on the lake. These buildings are clearly on a hill, as it is evident from the picture, which has many trees. The distribution of the trees is quite dense. The pavilion has a red base and a roof made of glazed tiles and yellow, resembling architecture from the Ming and Qing dynasties. However, this is my... I don’t have the oil... you all ID on 5 companions... I feel quite...']
|
[True, True, True]
|
[nan, 'This photo shows some Chinese temples', 'chinese traditional construction']
|
The main subject of this photograph is a relatively low hill that is densely covered with greenery and a variety of trees. Nestled amid this verdant forest is a significant temple complex, which is a notable architectural feature of the landscape. At the base of the hill, a large lake stretches out, displaying a captivating and vibrant blue hue that enhances the serene atmosphere of the scene. The temple complex gracefully extends toward the lake, incorporating numerous corridors that are ingeniously constructed above the water, allowing individuals to walk across the lake's surface in a unique and immersive experience. There appears to be a boat present in the vicinity, although it is unclear whether it is indeed a boat or simply a structure resembling one. Speculating on the architectural style of the temple complex, it showcases characteristics typical of traditional Chinese architecture. The walls of the temple complex are painted in a distinctive yellow, which suggests that it could likely be a Taoist temple, given the color association with this philosophical and religious tradition in China. Observations note that several trees in the area have shed their leaves, leading to the hypothesis that this location lies within a temperate or subtropical region of China, reminiscent of similar architectural wonders found throughout the country. In another captivating scene, the photograph captures a temple thoughtfully nestled within mountainous terrain. The prominent mountain formation is adjacent to a body of water, as evidenced by the blue area at the lower section of the image, indicating the presence of rivers. Ascending in the photograph, viewers can see a pristine white bridge gracefully arching over the river, accompanied by a red and yellow boat that adds a pop of color to the landscape. Further up the image, a lush tapestry of green plants envelops a striking green-roofed structure, which features a distinctive red peak that draws the eye. This central focus of the photograph showcases a sharp octagonal peak, while various other buildings surround it, all contributing to the overall beauty of the landscape. The composition of the image conveys a sense of tranquility and picturesque beauty, perfectly blending the elements of nature and architectural craftsmanship. Additionally, this scene appears to be a picturesque location that likely exists within the context of the Yiheyuan, commonly known as the Summer Palace in Beijing. In the foreground, a charming pavilion catches the attention, surrounded by traditional buildings that exhibit strong elements of Chinese architectural style. Below this intricate setup lies a vast lake adorned with boats gently floating on its surface. The photograph reveals that these structures are perched upon a hill, evidenced by the dense distribution of trees surrounding the area. The pavilion itself features a striking red base and a roof constructed from glazed tiles in a vivid yellow shade, evoking the architectural styles prevalent during the Ming and Qing dynasties, which are well-known for their artistry and cultural significance.
| 211 |
|
nonnative
|
['1iOj0V5FYVTU']
|
['English']
|
[' So this appears to be an image of the All-Star Game in 2008 for the Major League Baseball League, MLB, that happened in New York City. As you can see the words, All-Star Game 2008, New York City, in the background. There appears to be a camera crew filming and interviewing one of the players with number 20 on the back of his jersey. As well as in the background, we can also see a number 17 shaking hands with a man in a suit. Almost all of the individuals have on these sort of baseball caps, except the man, number 17, who is currently shaking the hand of one of the suited men. And yeah, it appears to be in some sort of stadium. In New York City, as you can make out the grass and also the dirt of the diamond.\\']
|
[True]
|
['MLB baseball all star baseball game']
|
This image captures a moment from the Major League Baseball (MLB) All-Star Game held in 2008 in New York City. Prominently displayed in the background are the words "All-Star Game 2008" alongside "New York City," which signifies the location and the event year. In the foreground, a camera crew is actively filming and conducting an interview with a player who is wearing jersey number 20. This suggests that the player may be participating in media engagements, typical during such high-profile events. Additionally, in the background, another individual wearing jersey number 17 is seen engaged in a handshake with a man dressed in a suit, indicating a significant interaction, possibly a congratulatory exchange or a welcoming gesture. Most of the individuals present are adorned in baseball caps, which is a common attire at baseball events, showcasing team spirit and a casual atmosphere, while the man in the suit stands out due to his formal attire. The setting appears to be a stadium, evident from the visible grass and dirt of the baseball diamond, adding to the authenticity of this sports environment. The scene encapsulates the excitement and camaraderie of the MLB All-Star Game, an annual exhibition matchup featuring the league's standout players. This event highlights the athleticism and talent within baseball and serves as a celebration of the sport's best, drawing fans and participants together in a vibrant showcase of competition and community.
| 1,952 |
|
native
|
['1jciUAK8xdAH']
|
['Korean']
|
['The photo in question is a captured image of a book poster. The image features the characters from the book illustrated in a drawing. In the very center of the picture, a young boy, presumed to be a character from the book, is running forward. This boy is wearing a red outfit and yellow shorts, and he has a white necklace around his neck. To the boy\'s left, there is one boy, one girl, and a puppy. On the boy\'s right, there are two other boys depicted. The image has the text "Shin Chan: Dance to the Legend, Amigo," which signifies the title of the book. Additionally, at the bottom of the image, there is the text "Seoul Cultural", suggesting it is the name of the publishing company that published this book.']
|
[False]
|
[nan]
|
The image in discussion is a vivid and engaging representation of a book poster, specifically showcasing the vibrant characters from a particular book. At the heart of the illustration is a young boy, who is presumed to be one of the main characters in the narrative. This boy is depicted in mid-run, suggesting an action-filled scene, which captures the viewer's attention and curiosity. His outfit comprises a bright red top paired with yellow shorts, adding a playful contrast to his appearance. Around his neck, he wears a white necklace, potentially indicating a significance to his character or a cultural motif that adds depth to his persona. To the boy's left, the composition includes a gathering of three figures: one boy, one girl, and a cute puppy, creating a sense of camaraderie and adventure among the characters. This suggests themes of friendship and fun prevalent within the book's storyline. On the boy's right, there are two additional boys, enriching the scene with more character diversity and interaction, which hints at collective experiences that might be central to the plot. The poster prominently displays the text “Shin Chan: Dance to the Legend, Amigo,” which serves as the title of the book. This title is colorful and likely appeals to a younger audience, suggesting a whimsical or adventurous theme. The use of the word "Amigo," translating to "friend" in Spanish, might reflect cultural connections or broader narratives within the story, possibly touching on themes of friendship across different backgrounds. At the bottom of the poster, the text "Seoul Cultural" indicates the publishing company responsible for bringing this book to life, suggesting a connection to Korean culture. This detail not only attributes the work to its creators but also situates it within the larger context of literary offerings from Seoul, emphasizing the cultural significance of the publication.
| 2,938 |
|
native
|
['12SRsWZjptSb', '12gnEua4J0BY']
|
['Chinese', 'Chinese']
|
['The star is dancing on stage wearing a red outfit. There’s a sense of layering to his costume; the bottom layer is black and the top layer is red. His legs are crossed, and he might be dancing. On the stage, there are a few red lights in the background as well. He has short hair and is wearing a necklace. Although he appears to have short hair, it could also be styled up in curls.', 'In this image, there is a woman wearing a sleeveless red mini skirt with a green and black collar. She is adorned with a string of silver jewelry, and her hair is dyed brown with a side bang, styled up. She is smiling, with her left forearm resting against her belly and her right hand extended forward, open. Her legs are crossed, one in front of the other, and she is wearing a pair of silver leather shoes. The background appears to be a recording studio with various patterns on the floor, several steps, and geometric-shaped backdrops, with the steps being red and the backdrops in dark blue and gray.']
|
[False, False]
|
[nan, nan]
|
The scene unfolds on a vibrant stage where a male performer captivates the audience with his dynamic dance moves. He is dressed in an eye-catching costume that features a striking layering effect: the base of the outfit is a sleek black, while the outer layer is a vivid red, creating a bold contrast. The dancer's legs are elegantly crossed, suggesting a moment of poised motion amidst his performance. The stage is illuminated by red lights, enhancing the dramatic atmosphere of the presentation. The performer sports short hair, which could be styled with curls, adding to the overall striking aesthetic. A necklace adorns his neck, providing an additional touch of flair to his ensemble. In a parallel moment, we see a woman who exudes confidence and style, dressed in a fashionable sleeveless red mini skirt complemented by a distinctive green and black collar. She enhances her look with a string of shimmering silver jewelry that catches the light as she moves. Her hair, dyed a rich brown, features a stylish side bang and is styled upward, giving her an energetic and fresh appearance. The woman’s expression is bright, characterized by a warm smile. Her left forearm rests gently against her belly, indicating a relaxed but poised demeanor, while her right hand extends outward with an open gesture, as if inviting interaction or engagement. Her legs are crossed gracefully, with one leg positioned in front of the other. Completing her stylish outfit, she wears a pair of chic silver leather shoes that add a touch of sophistication. The backdrop reveals a bustling recording studio environment, characterized by an intriguing patterned floor, several steps accentuated in red, and geometric shapes in dark blue and gray, creating a contemporary and artistic setting that enhances the visual experience.
| 2,052 |
|
native
|
['1l9SE9OwqbXo', '1mkEAf5EQ7fx']
|
['Chinese', 'Chinese']
|
['At first glance, there is a large text saying "Global Chinese Music Annual Awards," and above it there are the avatars of 20 individuals numbered 1 through 20. The text states "Creating the First Chart of Chinese Pop Music CNTN, 8th Annual Jing Ge Wang Golden Melody Awards, Global Chinese Music Annual Music Gala" scheduled for November 18, 2011, at 19:30 in Guangzhou, Haixing Mountain. The positioning has the text at the forefront, above which are the avatars of 20 individuals. In detail, some avatars feature three people, some contain four, and most avatars feature a single person. The background has a yellow section on the left with a loudspeaker, a pink section in the center, and a blue section on the right. The style resembles a poster and promotional material, with colors including yellow, pink, blue, black, and gray.', 'This image is about the annual music festival for the global Chinese music scene. The event took place in 2011, with the venue located in Guangzhou. The picture features many artists, with the most famous ones placed in the center. There are also some new-generation singers visible, indicating the intention to inform people about the date of the music festival and which artists will participate. At the same time, it likely aims to attract audiences to attend the event and support their favorite singers. This promotional poster appears quite appealing, with yellow on the left and blue on the right, as it is quite trendy and resembles a popular awards ceremony. Therefore, I believe many people will attend.']
|
[False, False]
|
[nan, nan]
|
At first glance, the visual presentation showcases a prominent text reading "Global Chinese Music Annual Awards," positioned prominently at the top. Above this text, there are avatars of 20 individuals, labeled numerically from 1 to 20. The accompanying text elaborates on the event, stating, "Creating the First Chart of Chinese Pop Music CNTN, 8th Annual Jing Ge Wang Golden Melody Awards, Global Chinese Music Annual Music Gala," which is scheduled to take place on November 18, 2011, at 19:30 in Guangzhou, specifically at Haixing Mountain. The layout design features the text prominently in the foreground, while the avatars serve as a visual representation of participants or nominees associated with the awards show. Some of these avatars feature groups of three individuals, others contain four, while the majority display individual portraits. The backdrop of the poster is divided into three color sections: a vibrant yellow on the left which includes a graphic of a loudspeaker, a central pink section, and a calming blue section on the right. The overall aesthetic of the design resembles that of a promotional poster, incorporating a color palette of yellow, pink, blue, black, and gray. This image serves as a representation of an annual music festival that celebrates the global Chinese music industry. The event itself took place in the year 2011, with the venue established in Guangzhou, a major city in southern China known for its rich cultural heritage and music scene. The poster features various artists, with notable figures placed centrally to attract attention, while also showcasing emerging artists, indicating an effort to highlight both established and new talent in the industry. The intent behind this promotional material is both to inform the public about the date and details of the music festival, and to encourage attendance by fans wishing to support their favorite singers. The poster’s appealing design, with vibrant yellow hues on the left and tranquil blue on the right, aligns with current trends and evokes the essence of a celebrated awards ceremony. This likely suggests a large turnout, as it taps into the excitement surrounding the event and the featured performances.
| 2,650 |
|
nonnative
|
['1cAYL83jhXtG']
|
['English']
|
[" This is a photo of a woman. She is looking off to the left of the photo, which would be to her right. She's sort of pouting. She has red kind of hazelnut hair. It's an Asian woman wearing a white, almost turtleneck sweater or coat with kind of yellow patterning on it, like a yellow C underneath the flaps of her coat. Right to the left of her face, there's lettering. It looks like it says in English www.dearyuna.com with a photo of a deer. And then what could be possibly Chinese characters or Korean characters above that. The characters are outlined in red and they're in white. The woman seems to almost be like disappointed. She's like a disappointment on her face."]
|
[False]
|
[nan]
|
This image features a woman who appears to be deep in thought, gazing off to the left side of the photograph, which corresponds to her right. Her facial expression suggests a sense of pouting or mild disappointment, with her lips slightly pursed. She has striking red hair that has a hint of hazelnut, giving it a warm, rich tone. The woman is of Asian descent, and she is dressed in a stylish white garment that resembles either a sweater or a coat, which features intricate yellow patterning. Notably, the yellow design includes a prominent “C” that is visible beneath the flaps of her outerwear, adding an element of flair to her appearance. Positioned to the left of her face, there is text that appears to read in English as "www.dearyuna.com." This is accompanied by a small image of a deer, which might be a branding element associated with the website mentioned. Above this English text, there are characters that could be either Chinese or Korean. These characters are outlined in red, which contrasts with the white fill, making them stand out prominently against the background. The overall expression on the woman’s face conveys a sense of disappointment, adding an emotional layer to the photograph that may resonate with viewers.
| 2,790 |
|
nonnative
|
['19gpTIizB3QA', '1mjA9GJVDwnQ', '18hkkFzYXQzS', '1beVjwdF2hTl']
|
['English', 'German', 'Russian', 'Chinese']
|
[" This is a picture of a pizza. Because the camera is so close to the pizza, it's not perfectly clear how big the pizza is, but it seems to be a small pizza just based on the dimensions of each slice. It seems to be a personal pie and sort of cut up in a hasty way. The pizza looks decent, but it's got a bunch of stuff on it. It's got maybe some mushrooms or meat or something like that on it. It's not perfectly clear what it is. It's got red sauce on it and the pizza is sitting on some sort of pizza box. And you can tell there's a light shining from on top of the pizza onto the pizza. And there's not much else in the picture besides the pizza to the right of the pizza. On the side, there are some crumbs. They look like black crumbs and they've maybe fallen off the side of the pizza or maybe they went onto the box when the pizza was shoved into the box. And the pizza is sitting on some sort of napkin or something like a napkin or a tissue or something like that, maybe for the grease. And then we're gonna try to find the Killer Kindaian wrap because the is.", 'The photo is an image of a pizza. There is only one pizza and the pizza box in which it is placed. The picture contains no text. The pizza starts in the center and occupies most of the photo. The pizza toppings include red sauce, cheese, and chicken. The pizza looks finished and has a nice, golden-brown crust. The pizza is cut into 8 pieces, but all the pieces still need to be removed. The pizza box is brown and has a thin piece of paper on which the pizza rests. There is nothing else in the background. The pizza itself is very clear, while the parts of the box are blurred.', 'This is a photograph of a pizza. An ordinary pizza photograph. There’s almost nothing interesting here. On this pizza, there’s some chicken. Just regular. There’s cheese, red sauce. It’s a thin pizza, most likely American. This pizza is in a box. A brown paper one. Like that. This pizza has already been cut into 8 different slices. Regular triangular ones. And yes, the pizza itself is sitting on a white paper. What else? There’s quite a bit of light here. This photograph was clearly taken intentionally. As if it’s some kind of marketing. Someone is selling it. But aside from that, there’s really nothing else noticeable.', "This photo shows a pizza, and on the pizza, there is chicken, which looks quite delicious. I can also see some mushroom slices and pepperoni, and of course, there is cheese. What else can I say? This pizza has five slices and is in a brown box. The photo is very close to the food, so you can really only see the pizza and nothing else, but it looks quite tasty. It seems to be slightly overcooked because there are some blackened areas, but it's still edible and not burnt too much. The chicken is also cut into pretty large pieces."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
This is a visual representation of a pizza captured in a photograph. The camera angle is quite close to the pizza, making it challenging to ascertain the overall size. However, it appears to be a small, personal-sized pizza, as inferred from the dimensions of each individual slice. The pizza has been cut into eight triangular pieces, although none have been lifted from the pie yet, resulting in an unchanged appearance on the surface. The photograph showcases a variety of toppings: there seems to be red sauce enveloping the base, a generous layer of cheese, and pieces of chicken that are visually prominent. Some slices may also contain mushrooms or pepperoni, contributing to the overall assortment of toppings. The pizza resides on a brown pizza box, which has a thin piece of white paper underneath it—likely serving to absorb grease and keep the pizza from sticking to the box. The lighting in the image is bright, illuminating the pizza quite effectively, which suggests that the photograph was deliberately staged, possibly for marketing purposes. The focus of the photograph is primarily on the pizza itself, while the pizza box is somewhat blurred in areas, emphasizing the culinary item. Surrounding the pizza on the box are some small, dark crumbs, which could have fallen off the pizza during handling or placement in the box. In another description of the pizza, it is noted that the pizza might appear slightly overcooked due to some darkened sections on the crust, indicating potential caramelization or burnt edges, yet it remains edible. Overall, the pizza presents itself as an appetizing meal despite its slight imperfections, inviting pizza enthusiasts to indulge in a personal slice of comfort food.
| 1,728 |
|
nonnative
|
['12l07NbUfgCy', '1bLCXsTuszLr']
|
['Chinese', 'English']
|
['This photo primarily looks at first glance like a baseball game. The main members of this baseball game are three people in the center of the image. The person on the far left is wearing a white baseball uniform with "Bei" written on it, which might be his name, and below that, there\'s a relatively large number 12, which is his number. He is dressed in a white short-sleeved top, white pants, and white shoes, holding a bat and wearing a black helmet, facing away from the camera. The second person in the middle is squatting and seems to be a catcher. He is wearing a red cap and is fully dressed in white but has red protective gear. His glove is black. The person on the far right seems to be someone akin to an umpire; he is wearing a black hat and is dressed all in black, with a belt, and is squatting as if he is doing something. The background of the image features many spectators, a variety of men and women, as well as a batter who is not currently playing. The overall style of the photo is quite realistic and sporty.', " we're looking at a baseball game here it's the Mariners versus the Angels the Angels are wearing red the Mariners are wearing gray a little bit of navy blue and cyan there's in the main shot here coming up to home plate there's a batter Bay number 12 he's wearing a blue hat he has a black bat and during the Mariners uniform behind him just the right of him I guess in the picture there is a catcher for the Angels wearing a black glove he's wearing red and a white jersey there's an A on his jersey and then there's an umpire just to the right of him the background you can see I got his jersey at Seattle because they are the Mariners and he's in the on-deck circle then there are some fans wearing Angels jerseys there's one two three four five six seven eight fans two wearing blue shirts two wearing Angels shirts one wearing gray one wearing reddish one wearing black you can only see part of her one wearing white they're all watching the game you you you you you you you"]
|
[False, False]
|
[nan, nan]
|
This photograph captures a dynamic moment during a baseball game, specifically featuring a matchup between the Seattle Mariners and the Los Angeles Angels. At first glance, the image prominently showcases three central figures on the field. On the far left, there is a player clad in a white baseball uniform adorned with the name "Bei" and the number 12 prominently displayed. He is attired in a pristine white short-sleeved top, white trousers, and white cleats. The player holds a baseball bat in one hand and dons a black helmet, positioning himself with his back to the camera, creating a sense of anticipation. In the center of the frame, a catcher appears to be squatting in preparation for the action. He is outfitted in a vibrant red cap and a white uniform, complemented by red protective gear that signifies his role behind the plate. The contrasting colors add a striking visual element. Notably, he wears a black glove, indicating readiness to catch any pitches thrown his way. To the far right of the composition, a figure resembling an umpire is highlighted. This umpire, dressed entirely in black, including a black cap, squats down, possibly indicating his engagement in the game’s proceedings, whether it be calling a pitch or observing the players closely. The background of the image reveals a lively audience composed of a diverse group of men and women, all engrossed in the game. Some spectators showcase their team spirit by wearing jerseys, particularly fans sporting Angels gear. In a more detailed observation, one notes that behind the batter, who is in the Mariners' on-deck circle, an array of fans can be seen. Eight individuals are identifiable: two wear blue shirts, while others sport Variations of Angels attire, including red and white jerseys, a gray shirt, and a black shirt. These spectators add vibrancy and a sense of community, showcasing the communal nature of baseball games. The photograph exhibits a clear, realistic aesthetic, emphasizing the spirited atmosphere of sportsmanship and the excitement of a live baseball event. The combination of player attire, spectator engagement, and the environment encapsulates the essence of a baseball game, celebrating both the competitive spirit of the teams involved and the shared experience of the fans.
| 1,942 |
|
nonnative
|
['1kn47tSPYdzQ', '18NbcF1tpl2q']
|
['English', 'Chinese']
|
[" This image is of a street with some houses in the background. There are some people that are on the sidewalk. One individual has a red coat with a backpack, is wearing blue jeans, and is carrying a yellow umbrella. Another individual is on the right side of the previous one and is wearing a blue jacket and is carrying a pink umbrella. There is also a third person on the right side of both these individuals that is wearing brown khakis with a red sweater. There is also a bike that is leaning against the street sign that is also on the sidewalk. On the street, there are multiple cars. There are two cars near the front. One is a small silver car that has the lights on, and the other is on the left side of the first car and is bigger, and it is black. There are several houses in the background, particularly six different houses. On the other side of the street, there is a sidewalk where a person with a white jacket and white umbrella is standing. The ground appears to be wet. This is an everyday-style picture. It's a metal situations like a yellow. This is an everyday picture. This is anemia called today. This is anémonie- exempttoned distraction. This is an empty choppy encounter. This is a hiking ski Você bravery-tied. This is aistan's birthday. This is an White voulait. This is an najbardziej-� Beach, çevie or kanye. This is a yoga West to the rest of the edge. The elements of makini are lanaming.", 'This picture depicts an outdoor scene on a rainy day. There are several objects in it, primarily showing some people walking on the ground with umbrellas, a few tree branches that are protruding, and some vehicles on the road. Next to the cars, there are several relatively low houses. There is no text shown in the image. In terms of positioning, the people are standing close to the road under their umbrellas. The road has some black and white cars driving on it, and various types of houses alongside, as well as some trees. Directly above them, there is a power line with a thin cable and something hanging from it, though it is not very clear what that object is. The background resembles that of a rural town, with houses that are not very tall but numerous. Overall, the style is simple and tranquil, with a color palette primarily consisting of dark tones, such as deep gray, and the trees are mostly black in this image.']
|
[False, False]
|
[nan, nan]
|
This image captures a street scene characterized by a backdrop of houses. Prominently, several individuals are observed on the sidewalk amid a rainy ambiance. One particular person stands out, clad in a vivid red coat paired with blue jeans and carrying a bright yellow umbrella. Positioned to the right of this individual is another person dressed in a blue jacket, who is also shielding themselves from the rain with a pink umbrella. Further along the sidewalk, a third person can be seen wearing brown khakis and a red sweater. Leaning against a street sign on the sidewalk is a bicycle, adding a casual touch to the urban environment. In the street itself, multiple vehicles are present. Near the foreground, a small silver car, its headlights brightly illuminated, stands adjacent to a larger black car on the left side. Behind these vehicles, a total of six houses populate the background, showcasing a neighborhood setting. Across the street, another individual in a white jacket holds a white umbrella, also sheltering from the rain. The ground beneath is noticeably wet, indicative of the recent rain. The overall atmosphere of the image conveys an everyday scene typical of a small town, with a focus on the interactions of pedestrians in inclement weather. As for the artistic elements, the image features a simple, tranquil style, dominated by a color palette of dark tones, including deep grays and black silhouettes of trees. Above the scene, a power line stretches across, with a thin cable and an unclear object dangled from it, which further adds to the ordinary yet visually interesting nature of the depiction.
| 1,616 |
|
nonnative
|
['1ckVHkBkT9w3', '1iMyXFtTrE4P', '14iWQt5BhXTd']
|
['English', 'Chinese', 'Chinese']
|
[" The image is of five women who appear to be on stage. They are each holding a microphone. They are all wearing t-shirts and pleated tennis skirts. They appear to be giving some type of performance, possibly singing or dancing. The woman on the right is talking so it appears they are introducing themselves or talking to the audience before or after the performance. The woman on the left is smiling and tilting her head to the right. She is wearing a maroon t-shirt with yellow letters and a light yellow skirt. The woman to her right is looking off into the distance. She is wearing a gray shirt with red letters and a dark purple skirt. The woman to her right is looking to her left and is wearing a navy shirt with red letters that says Minnesota Twins and light purple skirt. The woman to her right is wearing an orange shirt and dark green skirt and dark green baseball cap. The woman to her right is wearing a dark green shirt and light blue skirt and yellow baseball cap. They all appear to be wearing baseball shirts, but the names are not visible. In the foreground there is black equipment such as music stands. In the background there is an audience. The woman to her right is wearing a black tape. The woman's in front of theaires that we are wearing a mask. The woman eyes are Mikasa. The woman whittles. The man is a light purple hat means no one- Haiti's dress. The woman's in front of the Bett. The body of she left and yellow.", 'This image is a horizontal composition featuring five tall girls in the center. They are wearing colorful, youthful t-shirts and short skirts, and they all have long hair, resembling a certain K-pop girl group performing. You can see them holding microphones, with two girls speaking, and there are various audience members visible below, some even taking pictures with their phones. It looks like they are having a concert and greeting the audience in this scene. The girl group gives off a feeling of youthfulness and vibrancy, especially with their outfits, and everyone has a tall and striking figure.', 'On the screen, there are five girls standing on this stage, resembling a concert. They are standing side by side from left to right, all with long hair. From left to right, the hair colors are black, brown, light brown, brown, and light brown. They are all dressed in T-shirts on top and short skirts on the bottom. It looks like they are in the middle of a conversation segment at a concert. It appears to be a concert because in the background, the blurred image shows some audience members watching their performance. However, since they are not dancing or singing, it seems that the girl on the far right is speaking, resembling a talk segment in a concert. Based on their clothing style and appearance, they look like a K-pop girl group.']
|
[False, True, True]
|
[nan, nan, 'Style of clothes look like Korean pop music groups']
|
The image depicts five young women who are on stage, likely performing or preparing to engage with an audience. Each of them is holding a microphone, indicating that they may be singing or contributing to a lively presentation. All five women are dressed in casual yet vibrant attire, consisting of t-shirts paired with pleated tennis skirts, which reflects a youthful and energetic atmosphere typical of performances by K-pop girl groups. Focusing on the individuals from left to right, the first woman is cheerful, smiling and tilting her head slightly to the right. She is clad in a maroon t-shirt adorned with yellow lettering, complemented by a light yellow skirt. To her right, the second woman appears to be gazing off into the distance while wearing a gray shirt with red letters and a dark purple skirt. Next to her, the third woman has a navy shirt featuring red letters that read "Minnesota Twins" paired with a light purple skirt. The fourth woman dons an orange shirt with a dark green skirt and a matching dark green baseball cap, showcasing a sporty vibe. Finally, the fifth woman is dressed in a dark green shirt and a light blue skirt, topped off with a yellow baseball cap. The foreground of the image contains music equipment, such as black music stands, which hints at the performance setting. In the background, there is a blurred audience, suggesting an engaging atmosphere where attendees are likely enjoying the performance. Some audience members can be seen capturing the moment with their smartphones, which further emphasizes the lively environment of a concert or public performance. The group project an image of youthfulness and energy, with their vibrant outfits enhancing their striking appearance. Furthermore, there are additional descriptive elements, such as the mention of a black tape on one of the women and references that appear to be incomplete or jumbled, such as "The woman eyes are Mikasa" and "The woman whittles," which might indicate further context that is unclear or misinterpreted. Overall, this scene is representative of contemporary pop culture, particularly the influence of K-pop in fashion and performance styles.
| 1,119 |
|
nonnative
|
['195m3Rdade0P', '1cTRSEW5eSMF', '1dybDtaAN0WY']
|
['English', 'Chinese', 'Chinese']
|
[" This picture is of a person who is doing a TED Talk. Behind him it says TEDxBitsGOA. And behind him it says Artificial Glacier, but you can't see the AR part of the word artificial. The guy is holding a microphone in his left hand. And he is talking towards the audience. Looking at the audience. And he's got a blue shirt on. Kind of a bluish-greenish shirt. Beige khaki pants. And beige tennis shoes. And he's got full head of hair. Some gray hair. Some black hair. And he's standing on a stage. And there's a bit of a reflection going on. On the floor of the stage. And there's also a black background behind him. And he looks like he's in the middle of giving a speech. But then, you can see his next life. And I can see him. If you can see the Sarah's back, he will feel like it's still nice. And we have to go, forage. And there's no movement behind him. And I can see. And it's back, it's down to the structure of the outerwear. And I can see. And I can see. And there's another sense of a model.", 'In the center of the scene, there is a person giving a TED talk. It is clear that he is standing at the podium, holding a microphone and dressed in very traditional attire. There is only one person at the podium, and the background features TED\'s translation Bits, School, specifically B-I-T-S-G-O-A, indicating that this is a joint presentation by TED and this organization. The man appears to be standing slightly to the left of the center, gesturing while speaking into the microphone. He looks to be in his thirties or forties, likely of South Asian descent, and his clothing shows distinct ethnic characteristics. He is likely discussing topics related to glaciers or environmental protection, as the large screen in the background displays the word "Glacier." The overall setting has a white background, while he is dressed in dark blue clothing and brown pants, and he is positioned on the stage of the conference venue. However, there is no additional information to confirm the specific location or provide further context about the country.', 'The image shows a TED talk stage, and in the front there is a person wearing brown pants and a blue T-shirt. They are holding a flower tube in their left hand, and they appear to be of Asian descent. Behind them is the TED logo with the letters TEDXBITSGAO. To the right, there are small black, white, and red boxes. In the background, there is a large screen displaying English text that reads "TIFICIALJLACIER." The person looks to be around 40 years old and is of Asian descent.']
|
[False, False, False]
|
[nan, nan, nan]
|
This image depicts a scene from a TED Talk, showcasing a speaker who is standing prominently at the podium. Behind him is a backdrop that prominently features the logo of TEDx, specifically indicating "TEDxBitsGOA." A segment of the screen displays the word "Artificial Glacier," although the initial "AR" of "Artificial" is obscured, creating a slight ambiguity in the word. The speaker is holding a microphone in his left hand, engaging with the audience as he addresses them directly. He is dressed in a shirt that can be described as a blend of blue and bluish-green tones, combined with beige khaki pants and beige tennis shoes. His appearance is complemented by a full head of hair that includes strands of both gray and black, indicating he is likely in his thirties or forties. He stands confidently on the stage, and an intriguing aspect of the scene is the slight reflection observable on the polished floor of the stage, which adds a visually appealing quality to the presentation. The background behind him is solid black, a common choice for stage presentations, allowing the speaker and the content to be the focal points of the audience's attention. The overall atmosphere suggests he is deeply engaged in delivering his speech, and although there are no apparent movements in the background, the audience's attentive presence can be felt. The specific subject matter appears to relate to environmental issues, particularly focusing on glaciers, as indicated by the word "Glacier" displayed prominently on the background screen. In conclusion, the essence of the event appears to center around themes of climate change and natural resources, aligning with the ethos of TED Talks, which are known for their emphasis on innovative ideas and important global conversations.
| 1,381 |
|
nonnative
|
['1gkW4gg5qTEX']
|
['English']
|
[' The image at first glance shows a man in his 50s or 60s holding up a microphone. He appears to be speaking to some audience that is not in frame. He is wearing a light purple shirt and grey pants and a belt. The microphone is black and he is bald. Behind him there is a screen that is purple and the wall is white and it shows some text with a Rocket logo. On the rightmost side there are window blinds. The style is professionally taken and appears to be a speaker or professor lecturing. Benjamin podéis so\\']
|
[False]
|
[nan]
|
The image prominently features a man who appears to be in his 50s or 60s, confidently holding a microphone as he addresses an unseen audience. His attire includes a light purple shirt that contrasts subtly with his grey pants, complemented by a belt that adds a touch of professionalism to his appearance. The microphone he holds is black, an element often associated with public speaking and presentations. Notably, the individual is bald, which may suggest maturity and experience, reinforcing his authority as a speaker. In the background, there is a vibrant purple screen, enhancing the visual interest of the setting. This screen displays text accompanied by a Rocket logo, suggesting that the presentation might be related to technology, innovation, or a related topic, as rockets are often symbolic of advancement and exploration. The wall behind him is painted white, contributing to a clean, professional atmosphere conducive to learning or engagement. Visible on the rightmost side of the image are window blinds, which likely indicate that the setting is within an indoor space that may have natural lighting, enhancing visibility without overpowering the scene. The overall style of the photograph is professional and polished, suggesting that he is either a speaker or a professor delivering a lecture, aimed at informing or inspiring an audience. The context implies a gathering centered around knowledge dissemination, professional development, or perhaps a conference setting.
| 2,487 |
|
native
|
['1mkJfRHBPd53', '1lP0EtVs6nzt', '1cnDtV45rCbQ']
|
['Chinese', 'Chinese', 'Chinese']
|
["This picture shows a tugboat pulling some cargo. If you look closely at the image, you can see in the upper right corner there is a flag on the boat, which looks very much like the national flag of China. Therefore, it can be inferred that this boat is likely Chinese. However, based on the shape of the boat, I don't know if there are similar boats in other countries, but this type is very typical in China for hauling cargo in rivers, such as minerals or gravel, and transporting silt and similar materials. So I think it's very likely that this is a boat operating in China, isn't it?", "In the photo, there is a ship on the sea. This ship has only one layer and is divided into two parts. The part on the left side of the image is a longer section floating on the water, while the right side appears to be the bow of the ship, which has one layer of building space. The ship's hull is relatively short, and it seems to have only two doors and six windows. There are no people visible on the ship; they might be inside. The ship is flying China's red national flag, which is visible along with the large outline of the yellow star. It seems that the right part of the ship is towing the left part as it moves across the sea, with no other vessels or creatures in sight. The background of the image shows some dark outlines, possibly of high mountains, as they are uneven and do not resemble buildings. Overall, the image is quite blurry, making it difficult to see many details.", "In this image, at first glance, we can see a boat navigating on the river, with a forest in the background. It primarily shows a boat, which has a national flag on it. The boat is sailing on the river, and behind the river is the forest. There are no words in this picture, and the boat is positioned at the center of the image. Notable details include the presence of a national flag, which is red and represents China's five-star flag. The background of this image features a river, and its colors lean towards white. In terms of information, the Chinese five-star flag indicates that this is a boat operating within Chinese territory. From this image, we can infer that it is a transport boat carrying materials on a Chinese river."]
|
[False, False, True]
|
[nan, nan, 'The flag shows the country']
|
This picture features a tugboat engaged in the task of pulling cargo along a waterway. Upon closer inspection of the image, particularly in the upper right corner, one can discern a flag prominently displayed on the boat. This flag closely resembles the national flag of China, which consists of a red field with five yellow stars, one large star and four smaller stars arranged in a semicircle. As a result, it can be reasonably inferred that the tugboat is likely of Chinese origin. The design and shape of the vessel suggest that it is representative of typical boats used in China, especially for the transportation of cargo along rivers. These vessels are commonly employed to haul various materials, such as minerals, gravel, and silt. Given these observations, it stands to reason that this tugboat operates within Chinese waterways. In another image, a ship is captured navigating across the sea. This particular vessel appears to have a single layer and is bifurcated into two distinct sections. The left portion of the image showcases a longer section that is afloat on the water, while the right side appears to represent the bow of the ship, which features a single layer of building space. The hull of the ship is relatively short, characterized by a sparse design that includes only two doors and six windows. Notably, there are no individuals visible on deck, suggesting they may be situated inside the cabin. The ship is prominently displaying the red national flag of China, which can be recognized by the bold outline of a large yellow star against its background. It seems that the right side of the ship is responsible for towing the left section as it glides across the sea's surface. The image reveals no other vessels or oceanic creatures nearby, emphasizing the isolation of the scene. In the backdrop, one can observe dark, shadowy outlines that are likely indicative of high mountain ranges, given their uneven contours, which do not hint at man-made structures. The overall quality of the image is somewhat blurry, rendering it difficult to discern finer details. In yet another image, the viewer is presented with a boat gracefully navigating a river, set against a serene backdrop of forested terrain. The focus of this image is predominantly on the boat, which also flies a national flag. Positioned centrally, the vessel is seen sailing along the river, while a verdant forest lies in the background. Notably, the image contains no textual elements, allowing the visuals to convey the message. The national flag depicted is red, emblematic of China's five-star flag, which symbolizes Chinese sovereignty. The river in the background appears to be shades of white, possibly signifying a reflection or the frothy surface of the water. The presence of the Chinese five-star flag strongly suggests that this boat operates within the territorial waters of China. This image implies that the boat is indeed a transport vessel engaged in the task of conveying various materials along a river in China.
| 345 |
|
nonnative
|
['1avZW1ouuaNf', '1aUPIIKCkr0s', '1dGMj0KbRfle']
|
['English', 'Korean', 'Chinese']
|
[" This picture is of a baseball game right before the pitch is thrown. The pitcher already went through his windup. It looks like the team that's pitching and playing defense is the Braves. It's unclear what the hitting team is, but they're at the baseball field. We're looking for behind home plate. The home team is the Braves. Unclear what the away team is, but it looks like they're in orange, so probably the Giants or Orioles, more likely the Giants. The stands are mostly empty. There aren't too many people in them. They're all wearing red or white or navy blue. The umpire is on one knee. The third baseman can be seen in the shortstop in your second base because they're in the shift. The backstop, the wall is blue. It says Warren Spahn, Dale Murphy, and Eddie Matthews. The number is 21, 3, and 41 next to each of them. It says Bud Light on the poster on the left. It says 380 is how far it is to the wall. In yellow that's written, the field is grass, dark and light green. And then there's dirt for the baseball diamond. The baseball bases on home plate are white.", "This image captures a scene from a baseball game. In the photo, the pitcher is throwing the ball, and the batter is in a ready stance to receive it. The pitcher is at the moment of delivering the ball from the mound, while the batter is positioned at the plate, preparing to respond. Additionally, the catcher is ready to receive the ball behind the batter. The principal objects in the scene are the baseball, the bat, and the players. The pitcher and batter are at the center, with the catcher positioned behind the batter. Furthermore, various baseball-related items can be seen throughout the field. Specifically, the players' uniforms, the trajectory of the baseball, and the audience stands stand out, effectively conveying the lively atmosphere of the game. In the background, the baseball field's spaciousness and the seated audience are visible, along with some exposed advertisements. The style emphasizes the intensity and dynamism of a sports event, with colors harmonizing the blue and green of the uniforms and field, alongside the bright colors of the advertisements. This image captures an important moment in a baseball game, successfully conveying the energy and vibrant atmosphere of the sport. Thank you.", 'This is a lively and vibrant baseball game taking place in a very large baseball stadium. In this stadium, there are many baseball players participating in the game. This perspective is from the viewpoint of the baseball catcher. I can only see one player starting his baseball journey, and the game has not officially begun yet. It can be observed that there are not many spectators, or perhaps the game is gradually reaching a climax. Many things are difficult to predict, and it seems that this match is very vivid and thrilling. I saw the catcher picking up his bat, trying to push forward. This game is also a very tense and exciting activity. I truly find this moment to be quite intense.']
|
[False, True, False]
|
[nan, 'This image is culturally distinct, particularly in the context of American sports culture, where baseball is often referred to as "America’s pastime." The visual markers of the game and the setting suggest a distinct American cultural experience.', nan]
|
This picture captures a moment in a baseball game, specifically just before a pitch is delivered. The pitcher has already completed his windup, poised to throw the ball. The team in the field, playing defense, appears to be the Atlanta Braves due to their red and navy blue uniforms. The identity of the opposing hitting team is not fully clear, but they seem to be dressed in orange, indicating they are likely the San Francisco Giants; however, there is a possibility that they could also be the Baltimore Orioles. The perspective of the image is from behind home plate, which places emphasis on both the pitcher and the batter at the moment of anticipation just before the pitch. The scene is set in a baseball stadium where the stands appear mostly empty, with only a few spectators in attendance, all donning the colors of the home team—red, white, and navy blue. In this detailed view, the umpire can be observed on one knee, positioned behind the catcher, who is prepared to receive the pitch. The infield players, including the third baseman and shortstop, are visible as they are positioned in a defensive shift, indicative of modern baseball strategies. In the background, the backstop is highlighted in blue and features the names of three legendary players: Warren Spahn, Dale Murphy, and Eddie Matthews, with their respective jersey numbers—21, 3, and 41—displayed nearby. A Bud Light advertisement is positioned on the left side of the frame, and there is a yellow sign indicating that the distance to the outfield wall is 380 feet. The baseball field itself showcases a natural grass surface, comprised of shades of dark and light green, paired with the infield dirt that creates the classic baseball diamond appearance. The bases at home plate are painted white, drawing attention to the focal point of the action. Another image captures a different aspect of the game, focusing on the actual delivery moment from the pitcher to the batter, who is ready to swing his bat. The intensity and excitement of the moment can be felt as the catcher awaits behind the batter to catch the ball. The field is filled with the essence of baseball, where players’ uniforms add splashes of color against the green of the grass and the brown of the dirt. The expansive field and seated audience create a lively atmosphere of anticipation. This depiction emphasizes the vibrant energy of the baseball game, showcasing not only the players but also various baseball-related elements in the scene. The colors of the uniforms contrast with the advertisements around the field, enhancing the dynamic spirit that baseball is known for. The description illustrates a critical moment in the game, encapsulating the essence of this beloved American pastime, also hinting at the cultural significance that baseball holds in American sports history. Another perspective notes that the spectator viewpoint from the catcher’s position reveals an engaging image of the gameplay environment, demonstrating the excitement of the players. Although the game is in its early stages, with some uncertainty regarding its progression, the catcher is actively engaged, visibly preparing for the action. This moment reflects the thrill that encapsulates live baseball, marking it as an exhilarating experience for both players and fans alike.
| 1,950 |
|
nonnative
|
['1gJaGbskWQh9', '15OoNPuiLHr3', '1jsuImXzuVob', '1kFVHqdcQQk3']
|
['Chinese', 'Chinese', 'Chinese', 'English']
|
["The image depicts a painting with a white background, and in the backdrop, there are white buildings. At the foreground, which is also the bottom of the painting, there's a water pool filled with numerous lotus flowers and leaves. On the shore of the water, as well as on the open space in front of the buildings, there are two people who seem to be playing with paint. There are several jars of different paints at their feet, and they have made quite a mess on the ground with paint. It appears they are playfully splashing paint on each other, as their clothes are covered in it. The most prevalent color on the ground is red, along with some yellow and cyan. It seems these two people are enjoying their time with the paint.", 'This is a painting featuring two figures. The background color is white, and there are white buildings behind. At the bottom, there are lotus flowers, and various watercolors mainly in red and yellow create different colors. The painting depicts two people dressed in traditional attire. Additionally, there seems to be the signature of the artist on the right side of the painting.', "This image is clearly a painting depicting two people dressed in very religious or ethnic costumes, likely a male and a female based on their attire. There's some text in the image, probably the artist's signature and the date of the artwork's creation. This text appears to be neither English nor Chinese; judging by the shape of the letters, it could be either Arabic or Hindi. The numerical part states 2012, indicating that the painting was created in that year. In the painting, the man and woman are positioned in the center, with the main colors being black and white, while the floor in the center is red. It seems to be a watercolor painting, but it is still unfinished. The man in the painting is holding a sword, aiming it towards the woman, who raises her hand to block the sword. Both the man and the woman have varying degrees of red and yellow colors on them, and there's some pale blue in the background. Overall, the painting looks like an incomplete watercolor piece, with some uncolored lotus flowers in the foreground. The background resembles a building but has not been painted yet.", " So in this image, this is a picture, a painting or a drawing. And in this drawing, you've got two people, one person, they look like they're both women. One person is holding what looks like some kind of spray gun or something like that. And he's spraying out pink onto the other woman. And it kind of looks like there's a bunch of spray paint in the background of the picture. It looks like she sprayed everyone in the image and she's been spraying her. And the reason why the image has all that spray on it is because she sprayed it. But really, of course, the artist created that to make an illusion that looks like the person in the picture created all the paint in the picture. So she's spraying her on a spray all over each other and a pink spray on the ground. There's pink spray everywhere. There's also yellow and blue spray, but it's mostly pink everywhere. There's a big chunk of pink paint that she's been using to refill her paint gun. And it's just spraying everywhere. And behind her, there's all these buildings and it's all white. But all the color in the picture comes from that paint. And yeah, it's very interesting."]
|
[False, False, False, True]
|
['No', nan, nan, nan]
|
The image presents a captivating painting characterized by a predominantly white background. In the backdrop, there are white buildings that contribute to the serene aesthetic of the piece. At the forefront of the painting, which forms the bottom section, a tranquil water pool teems with an array of lotus flowers and their vibrant leaves, adding an element of natural beauty. On the shore of this water pool, as well as in the open area in front of the buildings, two individuals are depicted engaging in a playful art activity with paint. Scattered at their feet are several jars containing different colors of paint, suggesting a creative exploration. It’s evident that the two are thoroughly enjoying themselves, as they splash paint onto each other, resulting in their clothes being splattered with vibrant hues. The ground is predominantly coated with bright red paint, interspersed with patches of yellow and cyan, creating a lively and dynamic atmosphere reflecting their merriment. Additionally, this painting features two figures dressed in traditional attire, which adds a cultural richness to the artwork. While the background remains white like the buildings behind them, the bottom of the painting is alive with the colorful motifs of lotus flowers. Notably, on the right side of the painting, one can discern the signature of the artist, affirming the piece’s authenticity. In another segment of the painting, the two figures, likely to be a man and a woman based on the traditional costumes they wear, find themselves at the center of the artwork's narrative. The painting appears to be unfinished, showcasing a dynamic interaction where the male figure holds a sword, directing it toward the female figure, who raises her hand in a defensive gesture. The primary colors here are shades of black and white, offering a striking contrast to the red ground beneath. Surrounding them, pale blues decorate the background, hinting at the presence of unfinished buildings that blend into the horizon. Moreover, in this artistic depiction, it seems that one of the female figures is utilizing a spray gun to unleash a burst of pink paint onto the other. The background is engulfed in an array of colored sprays that the artist has constructed to create an illusion, suggesting that the figures are the source of the colorful chaos surrounding them. Meanwhile, the surroundings remain starkly white, bringing a unique juxtaposition between the vibrancy of the paint and the simplicity of the background. The atmosphere is further emphasized by large splashes of pink paint dominating the composition, alongside accents of yellow and blue, which together create an exhilarating scene filled with joy and artistic expression.
| 787 |
|
native
|
['1aFOPE6BdmrH', '1oteptg46VmE', '15derfNrzse3']
|
['Chinese', 'Chinese', 'Chinese']
|
['This photo features Chinese specialty snacks, specifically hot pot, and it appears to be the old Beijing style of hot pot, using a copper pot, with a basin in the center for charcoal, allowing the heat to rise. It is a type of hot pot that tastes exceptionally good. On the left, there is a large basin of sliced lamb for hot pot, likely containing about fifty to sixty pieces of frozen lamb slices presented in a glazed ceramic basin. Among them are various dipping sauces, the farthest being a plate of sesame oil, followed by plates of coriander, spicy oil, and fermented bean curd. In front, there might be a plate of chive sauce, and at the very front is a square plate filled with peeled peanuts. These are all essential items for enjoying hot pot in northern China. On the left, it reads "Jincheng Lamb Hot Pot." There is a box on top, which should have restaurant paper or something similar, indicating that this place is a Jincheng-style restaurant.', "In this picture, we can first see a bowl of frozen lamb or beef rolls. There’s a bowl of these rolls, and next to them are some condiments like cilantro, scallions, chili sauce, and so on. There’s also a plate of peanuts in front of a copper hot pot. So we have the lamb rolls on the left, the copper hot pot on the right, and these small bowls of condiments in the middle, with the peanuts in the front. From this image, we can conclude that it's from a hot pot restaurant where people are eating hot pot because there are vegetables, meat, and the pot. The lamb rolls are red, and the hot pot has a copper color. The peanuts have a meat-like color. This type of hot pot should be a traditional copper hot pot, and inside, there are also some red dates and seasonings in the pot, along with soup.", 'This image mainly features food, specifically what looks like a hot pot. The hot pot is partially visible, showing one corner of the pot on the right side. In the center, there are some dipping sauces, including a red chili sauce and a green sauce, along with a plate of peanuts as an appetizer. To the right, there is a bowl of meat slices, which appear to be lamb or beef rolls, and on top of the meat rolls is a spoon. The whole image resembles a scene of dining at a hot pot restaurant. To the left of the meat slices, in the background, there is a plate with some items on it. The entire setup is on a yellow wooden table, specifically a brown-yellow wooden table.']
|
[True, True, True]
|
['Chinese hot pot, Peking style.', 'hot pot', nan]
|
This photo showcases an array of Chinese specialty snacks, prominently featuring hot pot, particularly in the traditional old Beijing style. The hot pot is crafted using a copper pot, which is characteristic of this style, and it includes a central basin designed for charcoal, which allows the heat to rise effectively. This cooking method contributes to a uniquely rich flavor profile that is distinctly enjoyable. On the left side of the image, there is a substantial basin filled with sliced lamb intended for the hot pot. This basin likely holds approximately fifty to sixty pieces of frozen lamb slices, beautifully presented in a glazed ceramic dish. Surrounding the lamb are several dipping sauces, which are essential for enhancing the hot pot experience. The farthest sauce is a plate of sesame oil, often used for its rich and nutty flavor, followed by plates of coriander, spicy oil, and fermented bean curd. Additionally, there appears to be a plate of chive sauce in the foreground, while the very front holds a square plate filled with peeled peanuts, a popular garnish and snack choice when enjoying hot pot in northern China. On the left side of the image, the text reads "Jincheng Lamb Hot Pot," signaling that this establishment specializes in Jincheng-style hot pot, a specific regional variety that has its own unique characteristics. Above the pot, there is a box that seems to contain restaurant paper or a related item, reinforcing the notion that this is a dedicated hot pot restaurant. In another image, we see a bowl filled with frozen lamb or beef rolls. Next to this bowl, various condiments are displayed, including cilantro, scallions, and chili sauce, which complement the hot pot experience. A plate of peanuts sits in front of a striking copper hot pot, adding texture and flavor to the meal. The lamb rolls, which feature a vibrant red color, sit proudly to the left of the distinctively copper-colored hot pot. The pot itself, boasting a warm copper hue, contains an array of additional ingredients, including red dates and various seasonings simmering within, adding depth to the broth. The third image primarily focuses on food, notably capturing what appears to be a hot pot meal. The edge of the hot pot is partially visible on the right side of the frame. Centrally located are several dipping sauces, featuring a bright red chili sauce and a green sauce designed to enhance the flavor of the meal. Also present is a plate of peanuts, typically served as an appetizer. To the right of the sauces, there is a bowl filled with meat slices, likely composed of lamb or beef rolls, topped with a spoon perhaps used for serving. The entire dining setup evokes the vibrant atmosphere typical of a hot pot restaurant where communal dining is encouraged. In the background to the left of the meat slices, a plate containing additional culinary items can be observed. All of this is artistically arranged on a brown-yellow wooden table, giving the scene a rustic yet homely look, perfect for sharing a hearty meal with friends and family. The combination of these different images and items highlights the rich tradition and communal experience intrinsic to enjoying Chinese hot pot, particularly in the Peking style, which is distinguished by its particular cooking methods and ingredients.
| 145 |
|
native
|
['16OCwWlpJx98']
|
['Chinese']
|
["In this photo, I see many children. At the front center, there's a girl whose gaze is directed to her left. She has a pink hair clip on her head and her hair is tied in two braids, one secured with a purple rubber band and the other with a green one. Next to her, there are two little boys with dark skin, dressed in very ordinary clothing, as if they are participating in some kind of activity. In the background, there are a few more little boys; although most are blocked from view, it seems they are chatting together and discussing something. It looks like they might be involved in a school activity, and this candid photo captures that moment for you."]
|
[False]
|
[nan]
|
In this photograph, a vibrant scene unfolds with many children gathered together. At the front center of the image, a young girl captures attention with her engaging expression; her gaze is directed toward her left side. She sports a playful pink hair clip that adorns her hairstyle, which consists of two neatly tied braids. One braid is secured with a purple rubber band, adding a pop of color, while the other is held in place with a green rubber band, showcasing a delightful contrast. Adjacent to her are two little boys, both of whom have dark skin. They are dressed in very ordinary, casual clothing, which suggests they are partaking in some sort of playful activity or engagement that is typical of childhood experiences. Their innocent demeanor seems to indicate enjoyment in the moment. In the background, a few additional little boys are present; however, their figures are mostly obscured from view. It appears that these boys are engaged in conversation, perhaps animatedly chatting among themselves about a shared interest or activity. The overall ambiance of the photo hints at a school setting, where these children might be involved in some educational or recreational endeavor. This candid moment, skillfully captured, reflects the joy and camaraderie of childhood, as well as the essence of their interactions in a social environment.
| 2,857 |
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