image_link
stringlengths 107
241
| annotation_type
stringclasses 2
values | ids
stringlengths 16
96
| languages
stringclasses 180
values | transcriptions_translated
stringlengths 105
7.21k
| culturally_distinct
stringclasses 64
values | culturally_distinct_explanations
stringlengths 5
1.32k
| summary
stringlengths 99
5.83k
| __index_level_0__
int64 0
3.07k
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|---|---|---|---|---|---|---|---|---|
nonnative
|
['16gCBQMOTtd7', '1iRo5DHDss6K', '1d13vwTCcZOH', '149lmlF0r8GM']
|
['English', 'English', 'English', 'Vietnamese']
|
[" yes this picture appears to be outside I see a very long three yellow lines that come together to make a triangle of sorts I see white dots on the street I see a street sign I am not able to read I see a lot of different trees I see a stoplight a bus a bus stop I see a white building on the back a couple different post lamps let's see I'm not able to zoom in but there is none of there's no cars or people walking around I see a lot of different trees a cloudy sky the roof top of the building it seems to be made out of orange brick and yeah", " This image is focused on a roadway and we see that it is partially newly paved with black top and there's a portion of the road on the back right side that looks to have older pavement. And in the center of the roadway there's a big rectangle with an X through it in the middle in yellow paint. And there are dotted, there's a dotted line on the bottom of it on the left side of the image. And there are perpendicular white lines to this cross in the center of the road on the other side of the rectangle in the back. And we can see a green sign that lists this as Passer Panjang Road. And behind that sign it is connected to a yard of greenery with some long grasses and several trees. And then in the background to the right of that is a white building with orange rooftops. And in front of that building we can see perhaps a bus station. And on the other side of that building there are more trees. And the sky is bright but very cloudy.", " So the picture at first glance looks like an image of a city setting but it's potentially not urban because it looks like a garden in the left and a building complex in the right side. The building style is very interesting, it looks like Southeast Asia or some sort of countries nearby and there's nobody on the street. Oh there's one pedestrian I think next to a traffic light in the middle. And the image is mostly just the road or pavement with the yellow sign at the majority parts of the picture. And there are a lot of greens, trees, no text is available but just the road sign which is hard to read from this image. And the color is very bright thanks to the yellow sign on the road and the style is very green-like. Potentially inferred this could be an office building in the far but there are also bus stations so it could be an urban setting as well.", "In the street, it's more accurate to say that if we look closely, we can see about two or three buildings in the distance that catch our eye. It's just a street painted in yellow on a gray ground, resembling a traffic sign with the yellow roads. Additionally, in the picture, there is no sign of any individuals or people; only two or three buildings painted white with orange roofs in the distance and quite a few green trees. The photo was taken in a horizontal style with the horizon still bright and filled with many clouds, presenting a cheerful and vibrant atmosphere."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
The first image presents a scene that appears to be outdoors, likely in an urban or suburban environment. Prominently visible are three yellow lines converging to form a triangular shape on the roadway. Accompanying these lines are several white dots scattered across the street. A street sign is situated nearby, though the text is illegible. The area is rich in vegetation, with a variety of trees present, and there is a stoplight along with a bus stop. In the background, a white building stands out, and there are a couple of different lamp posts visible. Notably, there are no cars or pedestrians present in the vicinity. The sky is overcast, contributing to the subdued colors of the scene, while the rooftop of the building appears to be constructed from orange brick, adding a contrast against the cloudy backdrop. In the second image, the focus is on a roadway that shows signs of having been partially newly paved with a smooth blacktop surface. However, on the back right side of the road, there is an area with older, worn pavement, indicating a potential transition or repair job. Centrally located on the roadway is a prominent rectangle painted in yellow with a bold X through it, serving as a warning or instruction for drivers. Below this, a dotted line runs along the left side of the image. On the opposite side of the rectangle, additional white lines intersect, which further define the roadway. A green road sign identifies this particular street as Passer Panjang Road. Directly behind this sign is a yard populated with greenery, featuring long grasses and several trees. To the right in the background, a white building with distinct orange rooftops can be seen, which appears to be in close proximity to a bus station. Surrounding the structure, more trees add to the natural aesthetic of the area. Above, the sky is bright yet overcast, suggesting a day that is light but potentially lacking in sunshine. The third image conveys an initial impression of a city setting; however, upon closer examination, it may lean more towards a blend of urban and green spaces. The left side of the image features what seems to be a garden, while the right side reveals a building complex. The architectural style hints at influences from Southeast Asia or neighboring regions, characterized by unique designs and materials. Notably, there appears to be a lone pedestrian positioned near a traffic light situated in the middle of the scene. The image prominently displays the road or pavement, with a vibrant yellow sign dominating much of the composition. Lush greenery and trees provide a vibrant contrast to the bright yellow, though the road sign's text is difficult to decipher. The overall color palette is bright and lively, suggesting potential urban functionality with nearby office buildings and transportation options such as bus stations. In the final image, a more detailed scrutiny reveals two or three distant buildings prominent in the background. This street is notably painted with yellow markings against a gray asphalt base, signifying traffic regulations or guidance. The absence of people is striking, with the image presenting a tranquil scene featuring only a couple of white buildings with orange roofs visible at a distance, further complemented by an abundance of green trees. This photograph is captured horizontally, offering a broad view of the horizon which is bright yet filled with numerous clouds, encapsulating a cheerful and vibrant atmosphere, indicative of good weather despite the cloudy conditions.
| 488 |
|
nonnative
|
['1hU8xQkw9KA4', '19fY0lKA8qZo', '1bkUlcU0JM3r']
|
['English', 'English', 'English']
|
[" There are several cars around the road with a motorcycle at the center of the road. There is text on the left side of the road which actually displays a green sign. I think that this place is in Singapore. The positions of the object are as follows. There's a building in the far background of the picture and there are several like chopping moss on the paper along the side of the road as well. The motorcycle is one of the most noticeable objects and it is yellow in color and is right in the middle of the four-path road crossing. There are several pedestrians at the left side and the right side of the picture and the style in color is generally reminiscent of a city-like contact. I do think that there is very little contextual information that will actually seem to suggest where this area is but given that I'm a Singaporean, I am aware that this area is actually in Singapore itself. Apart from a road in a shopping district, it seems that there is a a pretty modern place and therefore it is likely that this is a modern city and it is actually a true road in Singapore.", " The image at first glance looks like an urban setting because there are pedestrians passing the street. There's a delivery guy in the middle wearing yellow and driving a motorcycle. There are also trees, road signs, pedestrian roads, and buildings at FAR. In terms of text, there are some signs on the road but it's hard to read the specific text. The image in the middle is the delivery guy driving a motorcycle, the FAR, the buildings, and also two sides are surrounded by buildings with glass. Based on the pedestrians, it looks like in a city that speaks English but there are a diversity of people because the road signs are in English. But I cannot read the details. The style is very urban, the color is very vibrant. What can be inferred from the image, this is just an urban, very popular street scene. People probably go shopping because in the FAR, it looks like some shops on the two sides as well. To help, basically, this is a big それ manufacturing stand room without letting it rockest. No pick எ between the человек andoma andamba ships in this street. The jacket, theассhing, the weight, the洗ie. Exigency, the as surrendered and airline republicans. Ludwigbraith, theaks and перев Kargischu will transform itsおお товario in a sunny stream of cold Henry and 오� 250. The feather, the riassinky is ofteniva with the seaatic and orany. There is also an這邊 میchsein which wanted to be destroyed by the east of the river,", ' In this image, we see just a roadway, kind of a street, where there are buildings surrounding it, very tall buildings. These roads or these streets are very wide, and it seems pretty empty. We just see one person with a motorbike, and then there are a couple of cars, but it does seem very empty. Besides that, there are kind of the roadways, and there we see a bunch of people kind of crossing, or not crossing, but on the sidewalks. Next to it, yes, there are kind of these tall, tall buildings. Along the street, there are also kind of these trees, these kind of green trees with leaves, very sparse. In the middle, in the street, there\\\'s this giant yellow box. It might be for pedestrian crossing, things like that. It\\\'s nicer than "- It might be for Stella!']
|
[False, False, False]
|
[nan, nan, nan]
|
There are several automobiles positioned around a roadway with a motorcycle prominently placed at the center of the intersection. To the left side of the road, there is a green sign that is clearly visible. Based on various contextual clues, I believe that this location is in Singapore. The arrangement of objects in the scene is as follows: in the background, various buildings are visible, contributing to the urban setting. Alongside the road, there are also patches of greenery, including what appears to be moss on the pavement. The motorcycle stands out as one of the most noticeable elements in the scene; it is yellow and occupies a central position in the four-way road crossing. The image depicts several pedestrians present on both the left and right sides of the picture, enhancing the bustling atmosphere typical of a city environment. The color scheme and overall aesthetic evoke an urban feel that aligns with that of developed areas. Despite there being minimal contextual clues, my familiarity as a Singaporean leads me to confidently assert that this scene is indeed situated in Singapore. The area appears to be part of a shopping district, characterized by modern infrastructure, which reinforces the impression of a contemporary city. Upon further examination, the image resembles a vibrant urban setting, with pedestrians actively traversing the street. Central to the scene is a delivery person clad in yellow, skillfully maneuvering a motorcycle amidst the traffic. Surrounding this central figure, a variety of trees and road signage can be spotted, as well as tall buildings that define the skyline in the background. While there are some signs along the roadway, their specific texts are not legible. The overall tone of the setting is lively and colorful, indicative of a well-frequented shopping area. The composition projects the idea that this is a popular street scene where people likely congregate to shop, with storefronts visible in the far area. As I analyze the scene, the urban environment comes into sharper focus. The street appears spacious yet somewhat sparse in terms of pedestrian activity at a glance, highlighting the presence of a singular motorcycle and a few vehicles. The wide roads are flanked by tall buildings, and while the image does contain some people on the sidewalks, they seem to be in the background, suggesting a dynamic yet relaxed urban pace. Green trees dot the road, introducing a touch of nature amidst the developed landscape. Additionally, in the middle of the street, there is a conspicuous yellow box, potentially signaling a pedestrian crossing or indicating some other important aspect of the roadway's use. This adds an element of safety and facilitates the movement of people crossing the street. The scene encapsulates the essence of urban life, characterized by modern architecture, a diverse crowd, and bustling activity—elements that suggest this area is well accustomed to a busy, vibrant lifestyle.
| 562 |
|
native
|
['1lEsSP4AqOXX']
|
['Korean']
|
['The photo shows a railroad station sign with a blue background. The sign displays the station numbers and names in both Korean and English. The largest station name written is "Oedae Front," and to the left is number 121, while to the right is number 123, indicating that this station is number 122. Below the station name, the Chinese characters for "Oedae Front" are also included. At the bottom center of the sign is the Korail logo, showing that this line is operated by the Korea Railroad Corporation. In the background, the structure of the station platform roof is slightly visible, with the sign hanging underneath the roof for easy visibility for passengers. Overall, the sign features a simple design using blue and white colors, making it easy to intuitively distinguish between the station number and name.']
|
[False]
|
[nan]
|
The photograph captures a railroad station sign characterized by a blue background, which serves as a backdrop for the information presented. Prominently displayed on the sign is the station name "Oedae Front," showcasing its significance as the primary identifier for this location. The bilingual nature of the sign is evident, as the station name is presented both in Korean characters and in English, catering to a diverse population of passengers who may utilize the train services. Adjacent to the station name, the sign features the station numbers clearly. To the left side, the number 121 is indicated, while to the right, number 123 appears. This arrangement indicates that the station in focus is station number 122, a detail significant for travelers who rely on these numerical identifiers to navigate the train system accurately. Additionally, below the station name, the sign includes the corresponding Chinese characters for "Oedae Front." This inclusion reflects the linguistic diversity and the importance of accommodating various languages for travelers, particularly in regions with significant Chinese-speaking populations. At the bottom center of the sign, the Korail logo is prominently displayed. This logo signifies that the station and its services are operated by the Korea Railroad Corporation, providing authoritative branding and assurance about the quality and reliability of the railroad service. The structure of the station platform roof can be seen faintly in the background, reinforcing the overall architecture of the railroad station. The sign is strategically positioned, hanging below the roof to ensure optimal visibility for passengers approaching the station, which is essential for guiding them effectively. In terms of design, the sign adopts a straightforward layout with a color scheme primarily consisting of blue and white. This contrasting color combination facilitates easy visual differentiation between the station number and name, enhancing the functionality of the sign. Overall, the sign embodies a well-organized and thought-out design that prioritizes clarity and accessibility for all station users.
| 1,114 |
|
nonnative
|
['1nJjbKEtKby8']
|
['English']
|
[' At first glance, this image appears to depict a nature background, plus some Chinese text and some Chinese food in the foreground of the image. In the front and right of the image, it depicts a Chinese glutinous rice bowl or dumpling that is commonly eaten on a specific holiday in Chinese culture. In the front left of the image contains some Chinese words appearing to reference food shown in the image. In the back, there is a calming nature scene with green trees and blue water dominating the back of the image. There are also several butterflies and chestnuts around the images of food placed in the foreground of the image. And you can see the corners of several water lilies poking out some of the water in the image. comunities In a hand to mark one for the Old tiet. Make sure the link makes it Gentle of his vorne in The Three plus of paranorations in each stemcus. Take Snow Toast potassium and section沒agele. With the Dark Satanway Roared in Se�ordemus one. With the bomber, theawsze andCUcker resisted the stared extent with the 18th wasatus of should.\\']
|
[True]
|
['Chinese text references specific Chinese holiday - Duan Wu Jie - and food and symbols all reference that holiday as well.']
|
At first glance, the image presents a serene nature background, enhanced by the vibrant presence of Chinese text and traditional Chinese food prominently displayed in the foreground. To the right and front of the image, there is a glutinous rice bowl, also known as a dumpling, which is typically consumed during the Duan Wu Jie, or Dragon Boat Festival. This festival is celebrated to honor the ancient poet Qu Yuan and involves various cultural traditions, including the preparation and enjoyment of zongzi, which are sticky rice dumplings filled with various ingredients, wrapped in bamboo leaves. In the front left section of the image, there are Chinese characters that appear to describe the food depicted, reflecting the cultural significance of meal-sharing and celebration during the holiday. In the background, the scene transitions into a calming portrayal of nature, where green trees flourish and blue water takes center stage. This natural setting contributes to a tranquil atmosphere, emphasizing the traditional value of harmony with nature in Chinese culture. Additionally, several butterflies can be seen fluttering around the images of food, symbolizing joy and transformation, while chestnuts are scattered near the food, which are often associated with autumn harvests and abundance. The corners of several water lilies gently protrude from the water's surface, further enhancing the idyllic backdrop. The combination of these elements—the traditional food, the serene nature scenery, the culturally rich text, and the presence of butterflies and chestnuts—creates a vivid representation of the Duan Wu Jie celebration, serving as a bridge between cultural heritage and the appreciation of nature.
| 2,667 |
|
nonnative
|
['1aX37oPkb3BL', '1b3OQi3oukgZ', '1nzhPyf8l154']
|
['Chinese', 'Chinese', 'Chinese']
|
['This picture shows a street with a cow pulling a small truck. Inside the truck, there appear to be some white, ribbon-like items, likely something like cement. To the left of the cow truck is a white Mitsubishi sedan. Behind the cow truck is a small green sedan. On the right side of the cow truck is a person wearing white clothing who is walking while pulling a bicycle. Next to them is a shop, which has a sign that reads "Amst Corner." The text on the left seems similar to Indian script, suggesting a connection to India.', 'This image showcases a street scene where cars and bicycles are parked beside a street. In the middle of the photo, there is a donkey loading goods, pulling freight, and transporting cargo. It appears that there are some shops selling goods along the street, and the donkey may be delivering these goods to a shop to be sold. This is a common method of transport in underdeveloped Asian countries, as it does not require purchasing any gasoline or electric vehicles. Typically, these donkeys are raised by local farmers, who use them to transport their home-grown crops.', 'It looks like a street in a rural area of a certain country. The ground is not paved with cement but resembles a dirt road. In the center of the scene, a cow is pulling an old-fashioned, single-wheeled cart, which has a canopy made of cotton fabric. In contrast, on this rural road, both the bullock cart and cars are traveling on the same path. We can see a small white car next to it and a blue car behind it. There is also a person next to the bullock cart, while in the opposite direction, another person is pushing a bicycle. From a sign behind, we can see a convenience store with a purple sign. All the buildings are not tall; rather, they are low, single-story houses made of brick with sloped roofs covered in tiles. This all has a very rural style.']
|
[True, False, False]
|
[nan, nan, nan]
|
This picture captures a vibrant street scene featuring a cow working to pull a small truck. The truck appears to be loaded with some white, ribbon-like items which likely resemble cement, indicating a local construction or supply activity. Positioned to the left of the cow-drawn truck, there is a white Mitsubishi sedan adding to the diverse mix of vehicles on the road. Just behind the cow truck is a small green sedan, suggesting normal traffic typical in such areas. On the right side, a person is seen walking, dressed in white clothing, while pulling a bicycle alongside them. Adjacent to this individual is a shop featuring a sign that reads "Amst Corner," which suggests a local business catering to the community. Additionally, the text on the left side of the sign resembles an Indian script, hinting at cultural ties to India, which is renowned for its unique blend of urban and rural life, especially in the way traditional forms of transport are integrated into modern settings. In a different scene, the image showcases a bustling street where various cars and bicycles are parked alongside the thoroughfare. At the heart of this photo is a donkey, which is actively engaged in loading goods, pulling freight, and assisting in the transportation of cargo. This method of transporting goods represents a common practice in underdeveloped Asian countries, where such animals are often utilized due to the absence of the need for gasoline or electric vehicles. The use of donkeys for this purpose is deeply rooted in local customs, with many of these animals raised by farmers who rely on them to move their home-grown produce to local markets or shops. The final image depicts a rural area characterized by a dirt road rather than a paved one, enhancing the rustic appeal of the scene. Located centrally is a cow that is pulling an old-fashioned, single-wheeled cart adorned with a cotton fabric canopy. This rural road supports both the bullock cart and modern vehicles, illustrating the coexistence of traditional and contemporary transport methods. Next to the bullock cart, a small white car can be seen, with a blue car situated directly behind it. A person is visible next to the bullock cart, while coming from the opposite direction, another individual is seen pushing a bicycle, reflecting the varied modes of transportation utilized by the community. Behind them is a convenience store marked by a purple sign, indicating the availability of goods in this rural setting. The surrounding buildings are low, single-story structures made of brick, featuring sloped roofs that are tiled, which is indicative of traditional architectural styles prevalent in rural regions. This entire setting conveys a rich rural lifestyle, blending agricultural practices with the basic conveniences of modern commerce.
| 1,465 |
|
nonnative
|
['18xcAnqG1aAL', '1iqLVCdZq0FI']
|
['Chinese', 'English']
|
["This photo appears to have been taken in a subway in the UK, as indicated by the unmistakable subway sign that closely resembles London's. In the image, we can see a subway train, and on the left side of the train, there is a yellow line on the ground, which indicates the area where passengers are not allowed to cross for their safety. On the left, a person can be seen walking forward. Inside the train, there are two large suitcases, one red and one dark blue, which likely belong to the people aboard. Many passengers are seated in the subway; to the right, there are two young women with blonde hair sitting on the seats. In the middle, a gentleman is also seated. It appears that there are still many other people in the train, though it’s hard to see them clearly. The train doors are open, which suggests that it has just arrived at the station, and now they are boarding.", " This is a subway station. You can see that there is a pink bag and a black bag just at the entrance of the subway. There looks like there's a shadow of a person. There's kind of like a ghost standing by those bags, maybe coming out of the bag. Then there's a ginger girl on the right and what looks like to be her mom on the left, someone who looks kind of similar, but she's bigger and older looking. Subway is, it has its doors open, so the car is not moving. There's a yellow line on the left to probably remind people not to fall over the edge. There looks to be another person who's like somewhat transparent on the left. You can see in the background through the glass that there is a guy in a green jacket with glasses who's mostly bald. It says no smoking in the car in the background there. The floor is black and white, kind of scattered looking. The chairs are rainbow colored on black, kind of like rainbow streaks on black."]
|
[True, False]
|
['British subway', nan]
|
This photo appears to have been captured within a subway station in the United Kingdom, as indicated by a recognizable subway sign that closely resembles those found in London’s transport system. In the image, there is a visible subway train, and on the left side of the train, a prominent yellow line is marked on the ground. This yellow line is a safety feature that warns passengers to remain behind the line and not to cross into the train platform area until the train has come to a halt. To the left side of the image, a single person is seen walking directly towards the train, adding to the busy atmosphere typical of subway stations. Inside the train itself, there are two large suitcases, one strikingly red and the other a deep dark blue. These suitcases likely belong to passengers traveling on the subway, suggesting a sense of movement and transit in the scene. Many individuals are seated throughout the subway car, indicating that it is a busy time for commuters. Notably, to the right side, two young women with blonde hair are occupying a seat, potentially engaged in conversation, while in the middle of the train, a gentleman is also seated, contributing to the varied demographics of subway patrons. Although the image captures a few identifiable figures, there appears to be a larger crowd of passengers in the car, albeit difficult to see clearly due to the seating arrangements. The train doors are currently open, which signifies that the train has just arrived at the station, inviting new passengers to board. In a separate view of what is still recognized as a subway station, a glimpse of the entrance presents several notable items. There is a pink bag and a black bag positioned just at the mouth of the subway's entrance. The bags seem to cast a shadow when viewed in the image, leading to the whimsical interpretation that there is a ghost-like figure standing by these bags, almost appearing to emerge from them. To the right of the bags, there is a young girl with ginger-colored hair, indicating a cheerful, youthful presence, alongside what seems to be her mother on the left side of the frame. The two individuals share a similarity in their features; however, the woman on the left appears to be larger and older, suggesting a maternal relationship. The subway car remains stationary, as evidenced by the open doors, reinforcing the notion that this is a moment captured during a temporary pause in the train's movement. Further enhancing passenger safety and awareness is the yellow line on the left, a common safety reminder intended to prevent accidents as people wait on the platform. Additionally, there is a somewhat ethereal quality to the scene, as another individual appears to have a transparent or ghost-like presence on the left side. Through the glass barrier of the station, a man can be glimpsed in a green jacket with glasses; he is mostly bald and adds another layer to the diversity of subway travelers. In the background, a sign reading "no smoking in the car" is visible, emphasizing regulations that are customary in public transportation settings. The floor of the waiting area displays a black and white pattern that appears somewhat scattered or irregular, while the seating features a vibrant rainbow design on a black background, illustrating an artistic aesthetic that may brighten the daily commute for its passengers. This combination of colors and patterns adds to the visually engaging environment typical of many subway systems, particularly as seen in British subways.
| 1,793 |
|
nonnative
|
['15Qp59UXUooo']
|
['English']
|
[" It looks like we're looking at some sort of advertisement or maybe outline for a handout. There's a lot. It's very small, so I can't really read it. So I'm going to do my best. I'm going to zoom in here. It looks like it's some sort of informational item with some details about different Asian exhibits. Maybe like a museum handout. There's a few languages. The flags here are starting from the top to the bottom. South Korea, Japan, North Korea. I'm going to skip, but I'm going to guess Malaysia, Singapore, Vietnam, Thailand, and then I'm going to guess Malaysia. I'm not sure. There's a few QR codes on the bottom. I have not tried to aim them out. And then there's a phone number, 277-143-662."]
|
[False]
|
[nan]
|
The visual material being analyzed appears to be an advertisement or a draft for an informational handout, possibly intended for distribution at a cultural or educational event. The content on the document is densely packed and printed in a small font, making it challenging to read at a glance; therefore, the observer decides to enhance the view by zooming in for better clarity. Upon closer inspection, it seems that the main focus of the handout is to provide details regarding various exhibitions showcasing Asian cultures, which suggests that it may be related to a museum or cultural center's upcoming events or exhibits. The presence of multiple languages indicates an effort to reach a diverse audience, highlighting inclusivity and accessibility in promoting these exhibits. The top section of the handout features a series of flags representing different Asian countries. The observer identifies the flags beginning from the top with South Korea, followed by Japan, and North Korea. While the observer refrains from explicitly naming all the flags, they make an educated guess that the subsequent flags likely represent countries such as Malaysia, Singapore, Vietnam, and Thailand, culminating in another guess at the end that may refer to Malaysia again. This not only showcases the handout's focus on Asian cultural representation but also emphasizes the variety of countries involved in the exhibitions. Located at the bottom of the document are several QR codes, which are likely intended to provide additional information or facilitate online interactions regarding the exhibitions or related services—although the observer has not attempted to scan these codes yet. Additionally, a contact phone number is prominently displayed: 277-143-662. This inclusion suggests that the creators of the handout are encouraging individuals to reach out for further inquiries or clarification regarding the exhibitions, further emphasizing their commitment to engaging with the public.
| 2,157 |
|
nonnative
|
['1bWnFMyuXcIJ']
|
['English']
|
[' In this image, there appears to be a stroller and a car seat. Both the stroller and the car seat have a gray-out outer layer color and a pink inside either cotton or other material. The car seat is on the floor on the left and the stroller is on the right. On the stroller, it has a price tag that says $400,000. So maybe $400 or $40,000. But the zero is after the $400. So $400,000. And the last two zeros are smaller than the first two zeros. And it says combo. So presumably saying this combo set is maybe $400. On the bottom, it says condoms, Durex, $250,000, presumably to denote the price of condoms.\\']
|
[False]
|
[nan]
|
In the described image, there are two primary objects visible: a stroller and a car seat. Both of these items feature an outer layer color that is primarily gray, while the interior fabric appears to be a pink material, which could potentially be cotton or another similar textile. The arrangement in the image shows the car seat positioned on the floor to the left side, while the stroller is located on the right side of the frame. Notably, the stroller has a price tag affixed to it, which reads $400,000. This figure raises some confusion as it is significantly high for such items, leading to speculation that it might actually be intended as $400 or $40,000 instead. The price is formatted such that the final two zeros are noticeably smaller than the initial two zeros, suggesting that they carry less weight in the pricing structure. Accompanying the price tag is the word "combo," indicating that this price might be for a combined set that includes both the stroller and the car seat, with a more probable figure being around $400. Additionally, the bottom of the image features another price tag that mentions "condoms," specifically the brand Durex, listed at a price of $250,000, which likely serves to denote the price of the condoms displayed alongside the stroller and car seat. This price, similar to the stroller's tag, seems implausibly high and may, in fact, be an exaggerated or erroneous listing rather than an accurate representation of their retail value.
| 2,453 |
|
nonnative
|
['1oSmf2jiMkpm', '1aBhll2qsZW3', '1fZeIAA52hbh']
|
['Chinese', 'English', 'Russian']
|
["The scene depicts part of an urban building. The exterior wall of this building is made of reddish-brown bricks. On the right side of the building, there is an archway. One side of the building has a street sign, but this sign is circular and red with a horizontal bar in the middle. Interestingly, the horizontal bar creatively features the image of an upside-down person's thigh hanging from it. Additionally, there is a poster with a man's face hanging from the street sign. In the center of the scene, there is a small red traffic bollard, and the entire image showcases a red brick archway.", " The picture depicts some sort of arch. The arch appears to be made out of brick, with red brick being used towards the interior, as well as stone brick being used towards the foreground of the picture. There is also a traffic sign that is red with a white horizontal line through it. But there appears to be a sticker attached to it that is an upside down picture of the bottom half of someone wearing shorts and socks, but not including the feet. There also seems to be some sort of poster of a middle aged lady with white hair below the traffic sign. The poster and the sticker could be related, but not certainly so. On the foreground, there is also a traffic pole. It's a red and yellow pole that perhaps signifies additionally that traffic cannot go within the arch. The interior of the arch is perhaps for pedestrian use, or maybe a motorcycle, given that it does not seem wide enough to support a car, for instance. The center of the jungle is the outer Region. Deadly tied herでした. The mural and riotousемонography are also a Markham tomorrow, which contains our listing somewhere on the left list of the seals.긴 pole was marked with the exterior slope, while it was contained in the피 at and where he was activated.", 'This photo was taken in some city. There is clearly a no-passing sign, but someone has stuck a large sticker with feet on it. There’s a person as well, a photo of a person under this sign. Around this, I mainly see only bricks. From the style of the construction, it looks like it’s somewhere in Europe. However, it’s very difficult to determine exactly where this sign is. There’s something at the top and to the left, but it’s not clear what it says. There’s also some graffiti drawn on the white ceiling to the right. But it’s also not visible what it says. The bricks are multicolored. Mainly red. Some are black. Some dark red. Some gray. Some yellow. Some brown. There’s an arch here. Plus some other signs. It’s clear that we are most likely near some road. And yes, there are a lot of stickers. In short, the road is empty. Advertising. D helicopters. Utrikhim. And case. Response. Goodbye.']
|
[False, True, False]
|
[nan, 'Potential sartorial sticker on traffic sign related to political? poster below it.', nan]
|
The scene captures a section of an urban building characterized by its reddish-brown brick exterior. On the right side of the building, a prominent archway is visible. Located on the side of the building is a street sign that is circular in shape and red in color, adorned with a white horizontal bar across its center. Notably, this horizontal bar features a striking and humorous artistic element – an illustration of an upside-down person’s thigh dangling from it, presenting a curious visual juxtaposition. Further enhancing the street view, there is a poster hanging below the sign that exhibits the face of a man, adding a layer of urban character to the space. Centrally positioned within the scene is a small red traffic bollard, which indicates that this particular area is subject to traffic regulations. The archway, constructed primarily from red bricks, frames the street scene while also suggesting that it may serve as an entry point for pedestrians or possibly motorcycles, as the dimensions do not appear accommodating for larger vehicles like cars. In another depiction, an arch made from a combination of red and stone bricks is shown, with the inner part clad in red brick and stone brick forming the foreground. A notable traffic sign, again red with a white horizontal line through it, is juxtaposed against this backdrop. A quirky touch is provided by a sticker affixed to the sign, portraying the lower half of someone in shorts and socks—without the feet included, creating an unusual sight. Below this traffic sign, there exists a poster featuring a middle-aged woman with white hair, which might be contextually linked to the sticker above it, although no definitive connection can be established. In the foreground, a traffic pole painted in red and yellow reinforces the notion that vehicular traffic is restricted from entering the archway. This further implies that the interior is likely designated for pedestrian use or possibly for motorbikes, given the space's limitations for larger automobiles. The setting is recognized as a city space, where the significance of urban elements like no-passing signs merge with eclectic adornments, such as stickers and posters. The general construction style hints at a European locale, although the exact location remains elusive. Surrounding the setting are multicolored bricks—comprising shades of red, black, dark red, gray, yellow, and brown—forming the aesthetic structure of the area. There is graffiti present on the white ceiling to the right of the scene, though it is indistinct and undecipherable from this viewpoint. Evidence of various stickers cluttering the surroundings further emphasizes the vibrant and chaotic nature of urban life. The area appears to be relatively void of traffic at the moment, with various advertising elements also contributing to the lively urban landscape.
| 1,970 |
|
nonnative
|
['1fXCh65Sr5TZ', '17Fp18frIDPy', '19c96yZy34FG', '1i4UFf26EO7p', '1889fZKDwFID']
|
['Chinese', 'English', 'English', 'Chinese', 'Chinese']
|
['In this image, we can see a very famous landmark, which is the Taiji Forest. We can clearly see its iconic building with a round roof, which has a large main roof with a very obvious protruding feature, and two smaller roofs on either side. The entire building is pure white, and in front of it, there is a rectangular entrance along with windows. We can see these details very clearly. The focal point of the entire picture is a panoramic view of the Taiji Forest. Besides the main building, we can also notice four white columns and a small lotus pond in the middle, as well as well-trimmed trees and lawns on both sides. There are also two sets of pedestrian paths for visitors to walk and explore the Taiji Forest. The picture appears to have been taken in fairly good weather, as we can see a blue sky with white clouds. This image may have been captured by tourists or locals for promotional purposes, possibly showcasing the Taiji Forest as part of a daily visitor experience.', " It's a pictures of Tajima hut and there were a lot of visitors in that place. And Tajima hut is in the center of the buildings and in front of the building there's a waterway, street waterway and trees on the side. And it seems like very popular visitor destinations and there's no text in the... In the pictures, the backgrounds were the sky and the skies are blue and there's a couple of clouds on it. And from the pictures it looks like it's some warm season because people wearing soft sleeves and the trees are green and the building is white. And there's a full tower on the four corners and there's beautiful buildings. So, let's see. So, let's see.", " This is a picture of the Taj Mahal from first glance. I recognize the Taj Mahal from its long waterway leading up to it and it has a very distinct look as it is one of the seven wonders of the world. This is a picture that is taken on a very clear day. It captures the entire Taj Mahal in the center of the photo and the path leading up to it with its trees and its bricks leading up to it. It has lots of, it's a very white colored building and no other distinct colors to the building but the brick path leading up to it is slightly reddish brown and there seems to be some tourists in the image. It's rather small because the image is very zoomed out to capture all of the Taj Mahal.", 'I see this is a classic scene of Tai Chi Spirit. This Tai Chi Spirit is set against a blue background, with some white clouds that are slightly gray. The Tai Chi Spirit resembles a yurt, featuring a large central dome and two smaller dome-shaped structures on the sides, sitting on a square base. In the foreground, there is a river flowing directly towards the Tai Chi Spirit, alongside some trees. The entire composition is axially symmetrical, very pleasing to the eye, except for the clouds in the background.', "This scene should be the Tai Chi Forest in India. Although I haven't been there, I have seen many photos online. In the center of the image is the Tai Chi Forest, and in front of it is a well-known viewing pond. On both sides are neatly arranged trees. The Tai Chi Forest features a distinctive white dome, surrounded by four white towers adorned with very beautiful patterns. The Tai Chi Forest is located right in the center of the photo, and we can see some visitors in the foreground who are there to visit the Tai Chi Forest. The overall color of the Tai Chi Forest is white, while the sky in the background is blue with many white clouds. The color of the water in the viewing pond in front of the Tai Chi Forest leans toward a light green, and it reflects the image of the Tai Chi Forest. The trees on both sides are green, and the path that the visitors walk on in front of the Tai Chi Forest is paved with red bricks."]
|
[True, True, True, True, True]
|
['This is a famous building in that country and it is culture specific', 'Taj Mahal is a famous visitor destination in India', 'taj mahal', "It's a place in india", 'this is the Taj Mahal in India, very famous']
|
In this collection of images, we are presented with several notable landmarks, most prominently featuring the Taiji Forest and the Taj Mahal, both of which are significant sites in their respective cultures. The first image highlights the Taiji Forest, showcasing its iconic architecture characterized by a central building with a distinctly round roof structure. This main roof is accompanied by two smaller roofs on either side, further accentuating the building's unique silhouette. The entire edifice is painted in a pure white hue, which reflects a sense of tranquility and elegance. Located in front of this building is a well-defined rectangular entrance, complemented by numerous windows that allow natural light to illuminate the interior. The panoramic viewpoint captures the beauty of the Taiji Forest, where visitors can also observe four white columns that enhance the grandeur of the structure, alongside a serene lotus pond positioned in the middle of the landscape. This pond adds an element of calmness, surrounded by meticulously trimmed trees and lush lawns flanking both sides. Two pedestrian pathways are thoughtfully integrated into the design, inviting guests to stroll through and appreciate the natural beauty of the Taiji Forest. The picture is set against a backdrop of fair weather, portraying a vibrant blue sky interspersed with fluffy white clouds, suggesting a pleasant day for sight-seeing. This direct depiction is likely captured by tourists or local photographers, possibly aimed at promoting the Taiji Forest as a prime destination for daily visitors seeking cultural and scenic experiences. The second image seemingly captures the Tajima hut, surrounded by throngs of visitors, indicating its popularity as a visitor destination. Centrally located amid a collection of buildings, the Tajima hut is enhanced by the presence of a nearby waterway and flanked by trees, illustrating a harmonious blend of nature and architecture. The absence of text in the image leaves the visual to speak for itself, as the azure sky with scattered clouds further emphasizes a warm season ambiance. Guests are dressed in summer attire, with soft sleeves indicative of the pleasant temperature sustained by the flourishing green trees surrounding the prominent white building. The architectural design features elegant towers at each corner, imparting a touch of beauty to the scene. The third image reveals an expansive view of the Taj Mahal, an architectural marvel recognized worldwide as one of the Seven Wonders of the World. Immediately identifiable by its long, picturesque waterway that leads directly to the structure, the Taj Mahal is captured in pristine condition on a clear day. The image focuses on the stunning building itself, primarily characterized by its dazzling white facade that gleams in the sunlight, amidst a slightly reddish-brown cobblestone path that guides visitors towards its grand entrance. The ambiance is enriched by the presence of small tourists visible in the frame, albeit quite diminutive due to the zoomed-out perspective necessary to encompass the magnificent entirety of the Taj Mahal. A classic depiction of Tai Chi Spirit unfolds in another image, set against a serene blue sky sprinkled with soft white and slightly gray clouds. The Tai Chi Spirit resembles a traditional yurt, distinguished by a spacious central dome flanked by two smaller dome-like structures, all resting atop a square base. A river flows gently toward the Tai Chi Spirit, bordered by lush trees that further embellish the tranquil scene. The design exudes axial symmetry, providing a visually satisfying composition, except for the slight irregularity introduced by the clouds overhead. Finally, the depiction of the Tai Chi Forest in India comes to life, noted for its captivating aesthetics that have garnered attention online. At the center of this image lies the Tai Chi Forest, fronted by a renowned viewing pond. Neatly arranged trees frame the structure, which boasts a striking white dome encircled by four ornately decorated towers. Visitors are spotted in the foreground, eager to experience the beauty of this location. The overall ambiance is dominated by the bright white of the Tai Chi Forest, juxtaposed against a clear blue sky dotted with white clouds. The water of the viewing pond reflects a light green hue, harmonizing with the surroundings, while the trees are abundant with greenery, and the pathway leading to the Tai Chi Forest is styled with red brick pavers, enhancing the charm of the landscape. Each of these images not only captures architectural beauty but also the cultural significance of these landmarks, as they reflect the artistry and historical context of their origins, inviting visitors from around the globe to experience their splendor.
| 1,362 |
|
native
|
['1kLnOvpwxRUF', '1eekA0N3wW1q', '1bZ1PEzfTQEJ']
|
['Korean', 'Korean', 'Korean']
|
['When I saw the photo, the first thing that caught my attention was the national price. Then, there was the photo of the E-Mart, taken from outside the store. Next to it, I could see a small building with “E-Mart” written on top of it. Below, there was a bus and a truck; the bus was yellow and the truck was white. The photo felt like it was taken in a parking lot, and the building was very large. The sign for the national price was also very big, and the E-Mart sign was clearly visible. It felt like a photo taken outside the E-Mart building, with the sky looking really nice. The building colors were beige, gray, and green, and I could see the windows as well. It looked like the photo was taken when there were no clouds in the sky.', 'This photo captures the exterior of E-Mart, one of South Korea\'s representative large supermarket brands. This store operates as a large discount mart under the Shinsegae Group and is one of the retail companies with the most branches in the country. A large advertisement reading "National Prices" hangs on the front of the building, effectively communicating the marketing message of providing products to consumers at low prices. The building design, featuring a unique combination of yellow and gray, emphasizes E-Mart\'s brand identity, which is also well reflected in the E-Mart logo. Surrounding the store are trees, highlighting efforts to create a pleasant shopping environment even in the urban setting. The image also shows yellow children\'s safety buses and delivery trucks parked nearby. E-Mart is considered an important place in South Korea\'s large mart culture and lifestyle, as many people frequent it to purchase groceries and household items.', 'The photo shows a large shopping center building with the Emart logo prominently displayed in black letters against a yellow background at the top of the structure. The exterior walls are primarily in a light gray tone, and on one side, there\'s a large advertising banner with phrases like "National Prices" promoting discount events or promotions. In front of the building, there is a glass entrance, and a spacious area is set up for people to come and go. The presence of a yellow minibus or van, which likely serves as a shuttle bus or a vehicle for picking up customers, can be seen. Surrounding the area are lined trees, and the road and sidewalk are relatively well-maintained. The sky is clear and blue, suggesting that it is a bright daytime with pleasant weather. Overall, the image showcases the exterior of Emart, a major South Korean supermarket chain, highlighting the modern shopping mall-style architecture, the large logo, and the banners announcing events or sales.']
|
[True, True, False]
|
['korean market', 'It shows Emart that is a major South Korean retail chain supermarket.', nan]
|
When I observed the photograph, the first feature that captured my attention was the prominent display of "national prices," a marketing tactic often used in retail to highlight low-cost items. The image features the exterior of E-Mart, one of South Korea's leading supermarket chains, renowned for its extensive discount mart offerings under the Shinsegae Group, which is known for its numerous branches across the nation. Adjacent to the large discount store, the photograph reveals another smaller building displaying the E-Mart name at the top. The layout gives the impression that the picture was taken from a parking lot area, emphasizing the store's spaciousness. In the foreground, there is a yellow bus and a white truck parked, possibly indicative of the logistics and transportation facets that are essential for a supermarket's supply chain. The overall ambiance of the photograph suggests a vibrant shopping experience, as the building, characterized by its beige, gray, and green tones, showcases well-maintained windows, reflecting an inviting and modern architecture. Notably, the sky in the image is clear, devoid of clouds, contributing to a serene environment perfect for shopping. The image serves as a strong representation of E-Mart's brand identity, displaying an advertisement that communicates its market position effectively with the phrase "National Prices." This banner hangs substantially on the building’s facade and conveys E-Mart's commitment to providing affordable products to consumers. The structure's design deftly combines yellow and gray, which are integral to E-Mart's visual branding. Additionally, the surroundings of the E-Mart are lined with trees, indicating initiatives to incorporate green space into the urban environment and foster a pleasant shopping atmosphere. The sleek glass entrance leading into the store hints at accessibility and modernity, creating an inviting passage for customers. Nearby, a yellow minibus is visible, likely designated for shuttling customers to and from the store, enhancing the shopping convenience. In conclusion, the photograph extensively captures the essence of E-Mart, reflecting its significance as an indispensable part of contemporary South Korean shopping culture. As many locals frequent this supermarket chain for their grocery and household needs, the imagery encapsulates not just a retail location but a cultural hub of daily life for many individuals in South Korea.
| 1,092 |
|
native
|
['1myFacT03wjQ', '1bYC27eSYbqH']
|
['Chinese', 'Chinese']
|
["This image depicts a statue of a deity, with an altar dedicated to that statue. The statue appears to be a warrior, wearing armor, with clouds and rosy glow behind it. The statue's pose shows it gently stroking its own beard. In front of the statue, there is an incense burner with some incense sticks inserted into it, and on either side, there are offerings consisting of items like apples, oranges, and pears. On the left side, there seem to be three apples, while on the right, there appear to be three oranges, and there are also four apples on the left. In front, there are three wine cups, and the background is a white wall. The statue is placed in a red altar, and these offerings are arranged on a black-gray table.", 'In the picture, a table is set up with a shrine featuring the image of Guan Yu, the Chinese God of War. He wears golden armor on his left side and holds a Qinglong Yanyuedao sword in his right hand, resting it on his back while stroking his very long black beard with his left hand. On his head, he wears a golden helmet, and around his neck is a white ribbon. His waist is adorned with green decorations. On both sides of the shrine, there are two electronic candles that are red and lit. On both sides of the table, there are offerings of apples and oranges, while in the center is an incense burner with a number of incense sticks—around ten to twenty—that have mostly burned out. At the far end of the table, there are three bronze wine cups. From the background, it can be seen that the shrine is placed against a simple concrete wall.']
|
[True, True]
|
['This image is about a cultural event in China where people pray to Chinese gods.', 'The figures are mainly originated from the southern China region. It is also viewed in South Asian region due to immigration of Southern Chinese.']
|
This image captures a detailed representation of a shrine dedicated to Guan Yu, who is recognized as the Chinese God of War. The prominent feature of the shrine is the statue of Guan Yu, which is depicted in a warrior stance that conveys strength and valor. He is adorned in beautiful golden armor on his left side, which gleams under the light, reflecting his status and power. In his right hand, he carries the Qinglong Yanyuedao sword, a traditional weapon associated with his legendary tales, and he holds it against his back while gently stroking his exceptionally long black beard with his left hand, illustrating his calm demeanor and wise character. Guan Yu's head is crowned with an ornate golden helmet, signifying his nobility and martial prowess. Around his neck, a white ribbon is tied, which may symbolize purity or victory. Around his waist, vivid green decorations add to the regality of his appearance, enhancing the color palette of the shrine. The statue is placed on a red altar, which is often associated with good fortune and protection in Chinese culture. On the table surrounding the statue, there are various offerings placed with care. On the left side, you can see three apples and an additional four apples; while on the right, three oranges are arranged neatly. These fruits are common offerings in Chinese culture, representing wealth and prosperity. In the center of the altar, an incense burner stands with numerous incense sticks, approximately ten to twenty, most of which have burned out, indicating the prayers and wishes that have been sent up in smoke. Flanking the statue on either side, there are two electronic candles that are red and lit, providing a flickering light that adds a spiritual atmosphere to the setting. At the furthest end of the table, three bronze wine cups are displayed, which are usually part of rituals offering wine to the deities as a symbol of respect and honor. The shrine itself is positioned against a simple concrete wall, which contrasts with the rich colors and ornate details of the altar’s decorations, emphasizing the importance of the shrine within a minimalist setting. This arrangement is typical of cultural events in China, where devotees pay homage to their gods through prayers and offerings. The imagery reflects traditions that chiefly originate in southern China, with their influences also felt in some South Asian regions due to the migration of Southern Chinese communities.
| 251 |
|
native
|
['18gjPdLye6Qa']
|
['Korean']
|
["The towering skyscraper against the backdrop of the Han River in Seoul immediately catches the eye. This building, characterized by its elegant curves and glass exterior, is Lotte World Tower, harmonizing with the lightly clouded sky to create an urban yet sophisticated atmosphere. In front of it, a tranquil lake stretches out, and in the middle of the lake, there stands a small structure and amusement rides that resemble a castle from a fairy tale, creating a striking scene where modern architecture blends with a whimsical landscape. The leaves seen at the edge of the photo are tinted in browns and reds, evoking the essence of autumn. The silhouette of Lotte World Tower gently reflects on the surface of the lake, presenting calm and soft color tones alongside the clear blue sky. In the background, other tall buildings in Seoul's city center add depth and vitality to the landscape. This impressive combination of a massive skyscraper, a lake, and an amusement park exemplifies the modern aspect of the city of Seoul while also showcasing its cultural richness. Even from a single photograph, one can intuitively sense that this place is a beloved spot for both locals and tourists, with the contrast between the tall buildings and the water creating a visually intriguing scene."]
|
[False]
|
[nan]
|
The towering skyscraper prominently positioned against the backdrop of the Han River in Seoul immediately captures attention. This architectural marvel, recognized for its elegant curves and gleaming glass exterior, is the Lotte World Tower. It harmoniously integrates with the slightly clouded sky, cultivating an atmosphere that is both urban and sophisticated. In the foreground, a serene lake expansively spreads out, and at the center of this picturesque lake, there is a charming structure accompanied by amusement rides that evoke the enchanting imagery of a fairy tale castle. This juxtaposition creates a stunning scene where contemporary architecture seamlessly interacts with a whimsical natural landscape. The leaves visible at the edge of the photograph exhibit warm hues of brown and red, effectively channeling the essence of the autumn season. The silhouette of the Lotte World Tower delicately reflects on the lake's surface, presenting a soft interplay of calm and muted color tones against the backdrop of a clear blue sky. As you look further back, other towering buildings within Seoul's city center contribute depth and vibrancy to the overall urban landscape. This striking combination of a monumental skyscraper, tranquil waters, and an amusement park embodies both the modernity of the city of Seoul and highlights its abundant cultural richness. Even from a single snapshot, one can intuitively grasp that this location is cherished by both locals and visitors alike, with the distinctive contrast between the impressive skyscrapers and the serene water creating a visually captivating tableau.
| 984 |
|
native
|
['1nBdXlzUFUKU', '1kn3F0QNMgTT']
|
['Japanese', 'Japanese']
|
['The first impression from looking at the photo is of a large Buddha statue seated inside the temple. Behind the dark-colored statue, there are golden decorations and designs that seem to overlap in a complex manner. The Buddha has its right hand raised and the left hand resting on its knee, with a somewhat serene expression. Surrounding it are red pillars and wooden beams, and the ceiling features a lattice-like pattern. Hanging from above is a circular object that appears to have some writing on it, though it is not clearly readable. In the foreground, there is an altar-like space with small lamps and flowers set up. The background conveys a sense of depth within the temple, creating an overall atmosphere of tranquility. The colors of black and gold, along with the red of the pillars and the hues of the wood, harmonize well, evoking the essence of traditional Japanese architecture. It is not clear which deity the statue represents, but given its immense size, it may be located in a place famous for tourism and worship. The entire photo conveys a calm space steeped in history and cultural significance. Thank you for watching.', "Is this Kamakura? I’m not sure, but it’s a photo of a very large Buddha statue. First, in the center, there is a Buddha statue with its right hand extended forward. Around it are small golden Buddha statues, white, white, white—twelve of them—surrounded by something that looks like chopsticks. It has a sparkling appearance. You can really see how big the Buddha statue is. There are two large bridges around it, and the entire scene seems to be enclosed in a large building indoors. In front of it, there’s something that resembles an altar with two incense sticks, and there are plants that probably aren’t real but made of plastic or metal; I think that's what they are. Surrounding everything there are many delicate decorations displayed."]
|
[False, True]
|
[nan, 'This is a budda statue representing buddaism in Japan']
|
The first impression from examining the photograph is that it features an immense Buddha statue, which is seated prominently within a temple. The Buddha statue is crafted from a dark material, contrasting strikingly with the intricate golden decorations and designs that adorn the walls behind it; these embellishments seem to overlap and intertwine in a stunning, complex manner. The depiction of the Buddha shows its right hand raised, suggesting a gesture of teaching or reassurance, while the left hand rests gently on its knee, contributing to the overall serene expression of the statue. Surrounding the Buddha are vibrant red pillars and robust wooden beams, which serve to emphasize the architectural strength of the space. The ceiling of the temple is decorated with a distinctive lattice-like pattern, adding an element of depth and artistry to the interior. From above, a circular object is suspended, which is adorned with what appears to be written text, although the details of the text are not discernible in the image. In the foreground of the scene, there is an altar-like area, adorned with small lamps and fresh flowers—much like an offering space typical in Buddhist temples. The background of the image creates a sense of depth within the temple space, fostering an overall atmosphere imbued with tranquility and reverence. The color palette of black, gold, and the deep red of the pillars, in addition to the natural hues of the wood, create a harmonious visual experience that reflects the essence of traditional Japanese architecture. It is not immediately clear which specific deity the statue represents, but given its substantial size and the context presented, it likely resides in a location that attracts both tourism and spiritual worship. The entirety of the photograph communicates a serene space steeped in historical and cultural significance. In a different view of what appears to be another Buddha statue—potentially a different location or angle—the focus is on a very large Buddha statue, positioned centrally within this scene. This statue features its right hand extended forward in a welcoming or teaching gesture. Surrounding it are twelve smaller golden Buddha statues, arranged in a circular pattern and highlighted against a white backdrop. Interestingly, these smaller statues are encircled by objects resembling chopsticks, adding an intriguing artistic touch with their sparkling appearance. The enormity of the main Buddha statue is notably emphasized, dominating the scene. There are also two large bridges that arch around the statue, suggesting a sense of enclosure and protection within a spacious indoor environment. In front of this central figure, an altar-like setup is visible, which contains two incense sticks, commonly used in Buddhist rituals as offerings. There are also plants displayed that appear not to be real but are most likely made of synthetic materials like plastic or metal, designed to enhance the aesthetic of the space without the maintenance required for live plants. Throughout the scene, many delicate and intricate decorations are visible, adding layers of beauty and reverence to the temple environment. Overall, these images collectively represent significant representations of Buddhism in Japan, showcasing the cultural and spiritual heritage inherent in these sacred spaces.
| 966 |
|
native
|
['1PgNcy7YW1Cb', '1i1OnQWvaAe4']
|
['Chinese', 'Chinese']
|
['The image shows a person speaking while holding a microphone, and there are a total of eight people in the picture. Among them, four people are only partially visible, and their bodies are shown, but the text above them, written in traditional Chinese characters, reads "Democratic Song Presented to China." It appears to have been created in Taiwan. In the forefront stands a man with a microphone, and in the second row, there are three individuals whose genders are not discernible. In the last row, four people stand; the two on the far left and far right are women, while the one in the middle is a man. Additionally, there may be another person at the very back of the scene who is lifting an arm, but it is also unclear. The colors are mostly white and red.', 'This photo features a person speaking about the Democratic Party; they appear to be at a rally or some demonstration. The main focus is on an individual holding a microphone, with about five or six people standing beside them. The text in the photo reads "Democratic Party, Democratic Song for China." They seem to be singing. Some details include that they are all wearing white clothing, with two lines of text in red on their chests; one line is in English. Additionally, everyone is wearing glasses and hats. I\'ve noticed that the text is in traditional Chinese characters, which suggests they may have a Taiwanese background. There isn’t much of a background; it\'s mostly filled with people, giving it a candid style typical of a gathering. The colors feature their white clothing and the red text, creating a pleasant visual.']
|
[False, True]
|
[nan, nan]
|
The first image depicts a scene where a person is actively speaking while holding a microphone. The setting includes a total of eight individuals present in the photograph. Among these, four individuals are only partially visible; their bodies can be seen, but their features are not entirely discernible. Above these individuals, there are traditional Chinese characters that read "Democratic Song Presented to China." This text suggests that the activity may have connections to Taiwan, given the use of traditional characters, which are more commonly associated with Taiwanese writing rather than simplified characters used in mainland China. In the forefront, a man is prominently positioned with a microphone, presumably delivering a speech or leading a chant. Behind him, in the second row, there are three additional people; their genders are not clearly identifiable from the image. In the last row of the scene, there are four people. It is noted that the two on the far left and the far right of this line-up are women, whereas the individual occupying the middle position is a man. At the very back of the image, there may be another person who is raising an arm, though their presence remains ambiguous and unclear. The color scheme seen in the image is primarily white and red, likely contributing to a vibrant atmosphere typical of rally-style events. The second photo similarly features a person speaking about the Democratic Party. This individual appears to be at a rally or demonstration, actively engaging with the gathered crowd. The main focal point is again on the individual holding a microphone, surrounded by approximately five or six people standing alongside them. The text prominently displayed reads "Democratic Party, Democratic Song for China," suggesting that they may be involved in a musical or artistic expression promoting democratic values. Details in this image provide insight into the attire of the participants; they are all dressed in white clothing, with two lines of text printed in red across their chests, one of which is in English, further indicating a blend of cultural expressions and accessibility. Notably, all individuals present are wearing glasses and hats, which may signify an emphasis on practicality or perhaps a stylistic choice common at such gatherings. The background is not elaborated upon; instead, it is predominantly filled with the people in attendance, portraying a candid style typical of social gatherings aimed at expressing collective sentiments. The visual presentation featuring white clothing and red text creates a striking and harmonious aesthetic that enhances the message being conveyed.
| 2,107 |
|
nonnative
|
['19XI5r4KqMPA']
|
['English']
|
[" At first glance, that image appears to be a final scene from a children's play appearing on television. There are around 20 kids looking from 5 to 15 years old and they're standing in two rows all holding hands with each other, raising them up. They're on a stage that is primarily colors of yellow, red, green, and purple, and there are also lights along the stage. There's an arc overhanging the front of the stage and in the back there are possibly four or more arcs in this shape above the kids. And there also appears to be a bunny rabbit statue and also something that looks like to be wearing a hat statue. And the kids are in, some of them are in costumes including a sashimi costume and a phone costume. And then?"]
|
[True]
|
[nan]
|
At first glance, the image in question appears to depict a final scene from a children's play that is being broadcast on television. In this vibrant scene, there are approximately twenty children, ranging in age from about five to fifteen years old. These children are arranged in two rows, standing side by side, and they are holding hands with each other while raising their arms in unison. The stage on which they are performing is a riot of colors, featuring bright shades of yellow, red, green, and purple, creating a cheerful and lively atmosphere that is often associated with children's theater. Adding to the festive feel of the performance, there are lights positioned along the stage, illuminating the scene and highlighting the excitement of the moment. Overhanging the front of the stage is a decorative arc, which adds a whimsical touch to the overall stage design. In the background, there are at least four additional arcs arranged in a similar shape above the children, enhancing the sense of depth and creativity in the set design. Among the noteworthy elements on the stage are two distinctive statues: one resembling a bunny rabbit and the other appearing to be a figure adorned with a hat. These statues may serve as thematic props that contribute to the narrative of the play, drawing the audience into a fantastical world. As for the children's costumes, they are quite varied, reflecting the playful nature of the production. Some of the children are dressed in imaginative outfits, including a sashimi costume—a humorous homage to the Japanese dish that often features fresh fish and rice—and a phone costume, which likely depicts a whimsical interpretation of a mobile device. The entire composition of the scene, from the children's joyful expressions to the colorful set design and imaginative costumes, collectively creates a captivating final tableau that embodies the spirit of childhood creativity and the joy of performing arts.
| 2,637 |
|
nonnative
|
['1637iCmb00fg', '13J9WWHB8sLJ']
|
['English', 'English']
|
[" So this image shows a beach with golden sand, palm trees, and a connected small island across the water. We see multiple palm trees, roof huts, a wooden suspension bridge, a small island covered with trees, and people walking on the sand and bridge. We also see that the beach occupies the lower half of the image, and the wooden bridge extends from the sand to the small island in the upper part of the image. The island is also surrounded by calm blue-green waters. The beach looks clean and well-metaged. The huts also indicate a relaxing atmosphere. The island has a natural untouched feel, and we also see the oceanic setting beyond the small island. The style and color indicates that this is a tropical beach setting with golden sand, clean trees, and blue water. The wooden bridge and small island suggest that this is a tourist attraction, and the calm warm waters and developed beach apply that this is a safe area and leisure zone. We can also see that the presence of visitors indicates that this is a popular destination. I'll go ahead and의问题 as a walkway. I'll focus on the acompanhautrees and leaves that room. So绿 Baltic Sam Lin is fantastic. The edge of the outdoors. It's beautiful. Then we have the sun Dharmand. That's the pleasure SaaS tragedy forages of jealousy, or Twitch Backstone. Now let's me start with Tempor Raven Tree,ammers. Thanks for magic. They're lasting, and there are great places. We have to collect it. Remember what's got there? I'm coming toeeeee in there during the summer going, and I'm looking out, but we want to look at those new pathways of the city of Jurassic Park this afternoon. Where are the potential issues like so thinking? tenemosock from mundana for description? Many ways in the reserver and the cal� 더� ? Caves of nylon? Mel controll.", ' This is a beautiful beach made of white golden sand and calm blue waters period. There are four people on the beach that appear to be walking towards the pier that extends to an island structure within the water period. The island structure has a U-shaped period on that island structure. There is a building as well as multiple trees period. I suspect the building is a restaurant and this is some type of a resort period. Two other people are walking along the water line in the beach period. There are multiple palm trees on the beach period. Here are the people of the house. I think about a ring that I see for my wife. I had a night plan located here. One hour of the beach potだから I often see mountains. There are two other things that I do. The people that they do even thought could be wrong about.\\']
|
[False, False]
|
[nan, nan]
|
This transcription describes a picturesque beach scene characterized by golden sand, palm trees, and a small island connected by a wooden suspension bridge over calm, blue-green waters. The image captures multiple palm trees that sway gently in the breeze, adding to the tropical ambiance. Roof huts dotted along the beach enhance the relaxed atmosphere, inviting visitors to unwind in a serene setting. The beach dominates the lower half of the image, while the bridge leading to the lush, tree-covered island is prominently displayed in the upper section. The island itself appears to retain a natural, untouched quality, suggesting it may be a protected area that contributes to the overall appeal of the beach as a tourist destination. The clarity of the water reflects the clean environment, and there are several people visible on the sandy shore and bridge, which indicates that this location is quite popular among visitors. Specifically, the transcription notes that the beach is well-maintained, enhancing its attractiveness as a leisure zone. The combination of the warm, inviting waters and well-developed shoreline suggests safety and enjoyment for beachgoers. Adding to the visual imagery, the narrator alludes to various elements of the surroundings: the tranquility of the setting, the activity of visitors, and the natural beauty of the landscape. As the description continues, the speaker seems to veer off into a more personal reflection, expressing thoughts on experiences shared at this beach. There is mention of a potential location for a romantic proposal, highlighting a personal connection to this beautiful location. The narrative reveals a bit of whimsical pondering about possible future visits and relates it to broader themes such as nature and enjoyment. In conclusion, the beach is depicted not only as a beautiful destination but also as a place of personal significance and community engagement, promoting relaxation and joyful experiences. The imagery and emotion captured in this description evoke a deep appreciation for the scenic beauty and allure of tropical beach life.
| 690 |
|
nonnative
|
['1cAEsxXfAvSp', '1eSk1FhXGhEc']
|
['Chinese', 'English']
|
['The entire image gives a feeling of classical elegance. It is clear that this is a photograph of a living room, resembling a scene typical of such a space. In the image, there is a long sofa and several small chairs. On one wall of the room hangs a large painting that resembles an oil painting, depicting a sunset scene with several sailboats drifting on the water. The left side of the wall displays some other styles of oil paintings, while the left wall is filled with a variety of colorful and diverse oil paintings of different sizes. In the center of the image, there is a round table filled with art supplies that resemble oil painting tools. The whole image evokes a classical feel, with bright colors and some darker tones.', ' This is a picture of a living room. This living room has a lot of clutter in it. There is a sofa and there\\\'s also a chair and there\\\'s a chair in the background and then a sofa type chair, like a lazy boy in the middle of the picture. And then on the wall, there\\\'s a big picture with, and inside of this picture is a body of water and then what looks like some sort of land building, building on the land. And there\\\'s a bunch of pictures on the wall, smaller pictures, and you can\\\'t really see the content of them because they\\\'re too small. And there\\\'s a small circular table with a bunch of cups on it or vases or something like that. And then in the background, there is a lamp. There\\\'s a bunch of other pictures. There\\\'s a lot of pictures on the walls, tons of little pictures, bigger pictures. I can\\\'t really see exactly what it is. There\\\'s a red carpet in the background and the wall is yellowish beige. The ceiling is white. There\\\'s a white door in the middle of the picture near the background. There\\\'s a plein de lèmes in the background. There is a black box below it khi people cast their bodies on "\\\' atau atauす']
|
[True, True]
|
[nan, nan]
|
The composition of the image evokes a profound sense of classical elegance, characteristic of traditional interior design. It captures a living room, meticulously arranged to reflect a quintessential example of such a space. Central to the image is a long sofa, accompanied by several quaint small chairs that enhance the seating arrangement. Dominating one of the walls is a large oil painting that portrays a breathtaking sunset scene, with sailboats leisurely drifting on the water, adding a serene touch to the ambiance. Adjacent to this piece, the left side of the wall is adorned with a series of other oil paintings, showcasing various styles that contribute to the room's artistic flair. Notably, the left wall features an array of colorful and diverse oil paintings, varying in size and design, creating a vibrant gallery effect. In the center of the room, a round table is filled with assorted art supplies reminiscent of tools used for oil painting. This detail suggests a creative spirit within the space, inviting artistic endeavors. The overall aesthetic of the image is enhanced by bright colors complemented by darker tones, which collectively evoke a timeless, sophisticated charm. In another description of a living room captured in a separate photograph, the atmosphere presents a stark contrast, leaning towards a more chaotic and cluttered environment. This space features a sofa along with a chair, and a larger, recliner-style chair placed centrally within the scene. A prominent wall-mounted picture draws attention; it illustrates a body of water alongside what appears to be a building situated on land, although the specifics are somewhat obscured. The walls are heavily adorned with numerous smaller pictures, the details of which remain indiscernible due to their size. A small, circular table nestled within the room is cluttered with a variety of items, possibly cups or vases, further contributing to the room's busy appearance. In the background, a lamp stands, along with an abundance of wall decor that captures a haphazard collection of artworks, featuring both larger and smaller images that enhance the visual density of the space. The floor is covered with a red carpet that adds a touch of warmth to the setting, while the walls display a yellowish beige color, softening the overall look. Above, the ceiling is painted white, and a white door can be seen positioned centrally in the background, providing a focal point. This living room, in all its clutter, reflects a less curated but distinctively personal style. Amongst the items, a 'plein de lèmes', a phrase that appears to be unclear or mistyped, suggests potential decorative elements or an artistic reference that connects back to the themes of creativity present throughout the descriptions.
| 1,733 |
|
native
|
['1bClbsokEj9f', '15vzgSVIPrGL', '153GW61LeNcK']
|
['Chinese', 'Chinese', 'Chinese']
|
['This photo features a very famous Mandarin singer, Stefanie Sun, who is from Singapore. It seems to be taken at an event. In the photo, she is holding a microphone in her left hand and waving to the audience with her right hand. You can tell from her smile that she is very happy. Her hair is dyed yellow, and on her left hand, which is holding the microphone, she is wearing three bracelets: one deep blue, one orange, and one green. On her upper body, she is wearing a dark green or black shirt that has patterns of stars, clouds, and planets. For her lower half, she is dressed in loose pants that are black with red and green flowers.', 'This is the Malaysian female singer Stefanie Sun. We can see her holding a microphone and waving at the camera. She is waving, has dyed her hair orange, and is wearing in-ear monitors. She has on a playful printed shirt, and below she seems to be wearing either a skirt or shorts. On her hands, she is wearing several very exaggerated rings. Stefanie Sun is a very famous Southeast Asian singer, and since we all know her, I can recognize her at a glance. She looks very happy and is smiling, waving to the audience below.', 'This looks like a popular singer greeting the audience on stage. His image is quite modern and avant-garde. He has golden hair and is wearing a green shirt adorned with white patterns. Below, he is in a long skirt that is very colorful, featuring a red floral design intertwined with green leaves, making it look very fashionable. On his wrist is a very avant-garde and stylish watch, along with some bracelets. He is holding a microphone and has a smiling expression as he reaches out to the audience. Now, these shows are quite trendy and engaging.']
|
[False, True, False]
|
[nan, 'This is the female singer from Malaysia.', 'no']
|
This photo features a well-known Mandarin singer, Stefanie Sun, who hails from Singapore. The image captures a moment during an event, where she is engaging with the audience. In the photograph, she is holding a microphone in her left hand while waving enthusiastically to the gathering with her right hand. Her smile radiates joy and a sense of connection with her fans. Notably, her hair is dyed a vibrant shade of yellow, which adds to her lively appearance. On her left hand, which is clasping the microphone, she adorns herself with three distinct bracelets: one in a deep blue, another in bright orange, and the last in a vibrant green. This colorful accessory choice complements her outfit quite well. Stefanie is dressed in a striking top, which is either dark green or black, featuring whimsical patterns of stars, clouds, and planets, contributing to an otherworldly aesthetic. For her lower attire, she wears loose-fitting pants that are predominantly black but are embellished with striking red and green flowers, further enhancing the visual appeal of her ensemble. Additionally, there is another depiction of Stefanie Sun, this time described as a Malaysian female singer. In this portrayal, she continues to exude charm while holding a microphone and playfully waving at the camera. Her hair appears to be dyed orange in this context, and she is equipped with in-ear monitors, indicating her readiness for a performance. The playful printed shirt she wears offers a vibrant and artistic flair to her overall appearance, and it can be inferred that below she is wearing either a skirt or shorts, though the exact detail is not specified. She accessorizes with a number of statement rings on her hands, further showcasing her bold style. Again, she looks immensely happy as she interacts with the audience, and her fame across Southeast Asia makes her easily recognizable at a glance. Lastly, there is a description of another popular singer, who presents a modern and avant-garde image while greeting the audience from the stage. This individual is noted for having striking golden hair and is dressed in a green shirt decorated with distinctive white patterns. Below, this performer sports a colorful long skirt adorned with a vibrant red floral design interlaced with green leaves, which adds a fashionable touch to their appearance. On their wrist, they wear a stylish and avant-garde watch, in addition to several bracelets that complement the overall aesthetic. Holding a microphone, the singer beams a smile as they engage with the audience, reflecting the trendy and interactive nature of the show.
| 667 |
|
native
|
['11keftEjhH1m', '1mlvPksyPDIz', '1fnwlWwaAta7']
|
['Chinese', 'Chinese', 'Chinese']
|
['At first glance, this photo made me realize that it is likely the city center of a major Asian metropolis, probably a financial hub. However, upon checking, I found out that it is actually not Shanghai, but rather Central in Hong Kong. The building on the left, the one on the right, and the one behind are all very tall, clearly symbols of prosperity and indeed have the feel of a financial center. The building on the left is adorned with some diamond-shaped light strips decorating its entire façade; it turns out this is the Bank of China Tower in Central Hong Kong. The shape of the building on the right also features numerous light beams, with three or four bright rings surrounding each floor. It appears to be a tall structure, possibly fifty to sixty stories high.', 'This is two buildings, and then the two buildings are located on both sides, and they are very tall. Align them. The iterator has reached the inside of both sides. Please like, subscribe, share, and support Mirror and the Point program.', 'In the picture, four tall buildings can be seen against a pitch-black background, indicating that it is deep night. In the foreground, there are two buildings; the lights on the left building form geometric shapes, outlining its overall shape and giving it a very modern feel. The lights on the right building are very bright, suggesting that people inside are still working hard even in the middle of the night. Additionally, there are no stars visible in the sky, indicating that this location is in a bustling urban area. The brightness of the city lights prevents the stars from being seen by the naked eye. The photographer captured the scene from below, which emphasizes the height of the skyscrapers. From the surrounding tall buildings, it can also be inferred that this location is in a financial center.']
|
[False, False, False]
|
['Modern city center.', nan, nan]
|
At first glance, this photograph evokes the impression that it portrays the city center of a major Asian metropolis, likely a prominent financial hub. After further examination, it is revealed that the image does not capture Shanghai as initially thought, but rather focuses on Central, located in Hong Kong. The composition features three strikingly tall buildings: one on the left, one on the right, and one situated behind these two, all of which strongly symbolize prosperity and convey the unmistakable aura of a financial district. The building on the left is particularly notable, as its façade is decorated with diamond-shaped light strips that change the overall aesthetic of the structure, enhancing its modern architectural design. This building is identified as the Bank of China Tower, a renowned skyscraper in Central Hong Kong. The building on the right is equally impressive; its unique design includes numerous light beams emanating from its sides, with three or four radiant rings encircling each floor. This structure appears to tower at a height of approximately fifty to sixty stories, further emphasizing its stature in the city skyline. In another view captured in the photograph, four towering buildings rise against a jet-black backdrop, suggesting that the hour is quite late. In the foreground, there are two buildings, each lit up in such a way that the lights on the left structure create geometric shapes, outlining its form and giving it a distinctly contemporary feel. The illumination from the right building is exceptionally bright, implying that individuals within are diligently continuing their work late into the night. The absence of stars in the overhanging sky suggests a bustling urban environment, as the abundance of city lights brightens the surroundings to such an extent that they obscure the visibility of stars. The perspective from which the photograph was taken, positioned low to the ground, amplifies the towering presence of these skyscrapers. The juxtaposition of these tall structures against one another reaffirms the location's status as a vibrant financial center, where ambition and progress converge.
| 287 |
|
native
|
['15kdlfmE3xZv']
|
['Korean']
|
["The next photo appears to depict a concert venue. The performance is extravagant, and it seems to feature a group, likely a male group, standing on the main stage. The male group is at the front, with many dancers supporting them in the background, and there seem to be many fans in front. It looks like a scene from a concert. There are no words, just a stage that is long and wide, where people are dancing. In front, there is a circular stage where dancers wearing white outfits seem to be performing as the main dancers. Therefore, those individuals could be seen as celebrities. Behind them, many people dressed in black suits appear to be dancing in supporting roles. The audience can be heard shouting and taking photos with their phones, and those dressed in casual attire can be identified as fans. There are vibrant lights, and the stage is white, with the dancers' outfits in black and white. The fans are wearing clothing in a variety of bright colors. This Mask-Z refers to this event in 3D, leading to a grand presentation. Ultimately, this mega identification highlights that mistakes can be detrimental."]
|
[True]
|
['Most likely kpop concert']
|
The next photo presents a vivid portrayal of a concert venue, characterized by an extravagant performance that captures the excitement and energy of live entertainment. In the foreground of the image, a male group stands prominently on the main stage, exuding charisma and presence as they engage with the audience. Supporting them in the background are a multitude of dancers, creating a dynamic and energetic atmosphere. This scene, clearly reminiscent of a vibrant concert, allows the audience to experience the thrill of the performance. The stage is depicted as long and wide, with a distinct circular section at the front, where the main dancers, donned in striking white outfits, showcase their talent. Their polished choreography likely positions them as the central figures of the performance, reminiscent of celebrities in the spotlight. Behind this core group, there are additional performers dressed in sleek black suits, who contribute to the ensemble with their supporting dance routines. The audience is a lively representation of fans, enthusiastically shouting and capturing the moment with their smartphones, further accentuating the interactive nature of live music events. Many attendees are adorned in casual attire, showcasing a blend of vibrant and varied colors that reflect their excitement and personal style, creating a joyful mosaic of fan culture. The visual elements of the concert are enhanced by a spectrum of vibrant lights that illuminate the stage, creating an engaging and colorful environment. The stage itself is primarily white, providing a clean backdrop that allows the contrast of the dancers' black and white outfits to stand out strikingly. This meticulous design serves to heighten the overall visual impact of the performance, immersing the audience in a captivating experience. This scene is likely a depiction of a K-pop concert, which is known for its high-energy performances, elaborate staging, and a strong emphasis on choreography. K-pop concerts often involve intricate dance routines performed by groups that possess a significant fan following, which can lead to an electrifying atmosphere filled with enthusiasm and adoration from the fans. The mention of “Mask-Z” referring to this event in 3D signals the use of advanced technology to elevate the presentation of the concert, adding layers of depth that enhance the visual spectacle. The concluding remark about "mega identification" reinforcing the idea that mistakes can be detrimental highlights the high stakes often involved in such grand productions, where precision and perfection are key to delivering an unforgettable experience.
| 2,915 |
|
native
|
['18ba8ABIb1Nf', '19XLRi25Sgqy', '1dO53jhJqNff']
|
['Chinese', 'Chinese', 'Chinese']
|
['The scene in this painting depicts a place that resembles a community yard, a school dormitory, or the courtyard of an institution. The background features an entire building that looks like a dormitory. On the left side, there is a corridor, and in the back, there’s a bicycle shed filled with many bicycles. In the center of the image, there is a promotional slogan that states the number of dengue fever cases in your community. The writing is in English, Chinese, and some Southeast Asian languages. The area on the left is marked as a red zone, indicating a more severe condition, showing currently 30 or more cases. At the bottom, there is information likely teaching how to prevent this virus, including recommendations to use insect repellent and to change medical items. On the far right, there are links to relevant organizations and social media contacts for inquiries.', 'In this image, what catches the eye at the center is a red hanging banner, which seems to be a promotional display for a business. It has some text in Chinese and not in English, all in red. In the background, there are buildings resembling dormitories. In front of the buildings, there is a bicycle parking area. The buildings are colored in layers of yellow, white, and green. There are also some green trees in front of the buildings, and this parking area has many bicycles. In front of the parking area, there is a large patch of green grass, and on this grass, there hangs a banner. The text on the banner includes both Chinese characters and English letters, but the writing is too small to read clearly—it mentions something about diseases related to pain in the community, which seems to be a kind of promotional slogan.', "The photo features a red banner on a lawn. Behind the banner, there is a two-tiered covered bicycle rack, and to the left of the rack is a covered pedestrian walkway. In the background, there is a residential building, which is in front of a large tree that is so tall that the top of the tree is not visible. The walls of the residential building are white, blue, and yellow. The bicycle rack is filled with bicycles, almost to capacity. The banner contains messages about preventing the spread of diseases, along with related slogans and preventive measures. It states that if the number of dengue fever cases in Ningxia's community reaches 30 or more, it is considered a red zone. The banner also features circular icons and text in English promoting various measures to prevent the spread of viruses. Additionally, there are two QR codes on the banner."]
|
[True, False, False]
|
['Asian', nan, nan]
|
The scene in this painting presents a vivid depiction of a location that strongly resembles a community yard, a school dormitory, or perhaps the courtyard of an educational or residential institution. Prominently in the background, one can observe an entire building that appears to serve as a dormitory. To the left side of the painting, there is a corridor that provides access to different areas, and further back, one can see a bicycle shed that is fully packed with a multitude of bicycles, suggesting a vibrant community of residents who utilize cycling as a means of transportation. In the center of the image, there is a significant promotional slogan that addresses the current number of dengue fever cases reported in the community. This message is conveyed through a combination of languages, including English, Chinese, and various Southeast Asian languages, indicating an effort to reach a diverse audience. The section on the left side of the painting is specifically marked as a 'red zone', which is a term used to indicate a higher level of concern regarding public health, as it shows a concerning statistic of currently 30 or more dengue fever cases. Additionally, at the bottom of the painting, there is a section that appears to provide educational information about how to prevent the spread of dengue fever. This includes suggestions such as the use of insect repellent and recommendations for changing specific medical items, providing the community with practical advice for improving health and hygiene to combat the virus. On the far right side of the painting, viewers can find links to pertinent organizations and social media contacts, which would be available for public inquiries and support in relation to dengue fever and its prevention. In another depiction, the focal point is a striking red hanging banner that serves as a promotional display for a local business. This banner is visually arresting, featuring text in Chinese, which is printed prominently in red and does not include any English translation, thereby appealing primarily to a Chinese-speaking audience. In the background of this image, buildings that closely resemble dormitories can be seen, and in front of these structures lies a designated bicycle parking area brimming with bicycles, indicating a strong cycling culture. The buildings are painted in layers of yellow, white, and green, complemented by verdant green trees that are situated in front of them, adding a refreshing natural element to the urban environment. Directly in front of the bicycle parking area is a large expanse of green grass where another banner is displayed. This specific banner features a mix of Chinese characters and English letters, although the script is too small to be easily legible. The content seems to allude to a community health message regarding diseases associated with pain, which aligns with the themes of public health promotion commonly seen in many Asian communities. In a final image, the photo showcases a red banner positioned prominently on a lawn. Directly behind this banner, there is a two-tiered covered bicycle rack, and adjacent to it on the left is a covered pedestrian walkway that provides shelter for passersby. The background features a residential building that is notable for its striking white, blue, and yellow walls, and it stands in front of an enormous tree that rises so high that its apex is obscured from view, further enriching the composition. The bicycle rack is filled with bicycles, indicating a high level of utilization. The banner bears messages aimed at raising awareness and educating the public about preventing the spread of diseases, specifically highlighting actionable steps that can be taken. One crucial detail specifically states that when the number of dengue fever cases in the Ningxia community reaches 30 or more, it escalates to what is termed a 'red zone', highlighting the importance of community vigilance. The banner is also adorned with circular icons and text in English that further promotes various measures intended to prevent the propagation of viruses. Notably, there are two QR codes included on the banner, offering viewers a modern method to access additional information or resources related to public health initiatives and preventive measures.
| 545 |
|
nonnative
|
['14mc5MyxzVMb']
|
['English']
|
[' This picture depicts a 2D cartoon with text in Mandarin Chinese. At the top of the image, there are four flies who each have a Chinese word on them representing something different. At the bottom, there is a red book holding what appears to be a mosquito or fly swatter in his hand. Behind him, he protects the icons of what appear to be a desktop monitor with the Chinese words corresponding to online purchases, as well as some illustrations of fruits and vegetables corresponding to a Chinese sign, which in Mandarin Chinese says fruits and vegetables purchased. At the bottom of the image, there is a caption, again in Chinese text, and the signature likely of the artist who wrote it. All text in this image is in Mandarin Chinese and would not be readable to speakers of another language. All text in this image is in Mandarin Chinese. Here we go.\\']
|
[True]
|
['Appears to be a humorous social cartoon examining Chinese phenomenon, with all Chinese text.']
|
This image is a vibrant 2D cartoon showcasing a humorous representation of a cultural phenomenon in China, presented entirely in Mandarin Chinese. At the top of the cartoon, there are four depicted flies, each labeled with a distinct Chinese word, which symbolizes different humorous concepts or ideas. These words are integral to understanding the joke or message being conveyed, tying into the cultural context of everyday life in China. At the bottom of the frame, there is a prominent red book character, which likely symbolizes knowledge or education. This character is humorously illustrated as holding what resembles a mosquito or fly swatter in his hand, suggesting an intention to defend or protect against nuisance flies, potentially standing in for unwanted distractions or useless information. Behind this character, we can see imagery that includes a desktop monitor, which is inscribed with Chinese characters that correspond to the concept of online purchases. This detail emphasizes the modern aspect of shopping and consumer culture prevalent in contemporary Chinese society. Surrounding this scene are illustrations of various fruits and vegetables, with corresponding Chinese text indicating that these items have been purchased. This connects to the practice of online shopping for everyday necessities in modern China. Additionally, at the very bottom of the image, there is a caption written in Mandarin Chinese, which likely offers further commentary or a punchline related to the cartoon's theme. The signature visible in the corner appears to be that of the artist who created the cartoon, providing a sense of authorship and artistic expression. The entire piece, through its use of visual humor and text, serves as a lighthearted critique or reflection on certain cultural elements of modern Chinese society, particularly in relation to online consumer behavior. However, all of the text is presented in Mandarin Chinese, which may render it unreadable for those who do not speak the language, underscoring the cultural specificity of the cartoon.
| 2,216 |
|
nonnative
|
['13v5waGSagiZ', '1iJLAsDie5X0', '1fd1TVA6o1K8']
|
['English', 'English', 'English']
|
[' Well, this picture shows one of my favorite Chinese dishes, the hot pot. So hot pot or huo guo in Chinese is a beloved cuisinerie tradition that bridges people together over a simmering pot of flavoring broth. Diners gather around a communal pot, cooking a variety of fresh ingredients like thinly sliced meat, seafood, vegetables, and noodles at the table. The broth can range from mild and savory to spicy and numbling, often favored with Sichuan, peppercorn, or other regional spice. Popular across China and beyond, hot pot is more than just a meal. It is a social experience that fosters connection and warmth. Whether enjoyed into a busting restaurant at home, hot pot is a delicious celebration of shared dishing and cultural heritage.\\', " Hello, and thank you for listening. I see a wooden table with a metal pot in the center. The pot looks like a traditional Chinese hot pot, with a tall, cone-shaped section rising from the middle. Around it, there are several small plates and bowls containing sauces or condiments. One plate holds peanuts, while others appear to have green sauce, red chili sauce, and pickled items. There is a bowl with a lead, a glass container, and a pair of chopsticks resting on a small dish. In the background, someone wearing a blue jacket with the word S-B-O-R-T is seated, and on the left side of the frame, another person's hand is holding a tray. The lighting is worn, and the table's surface has a rich brown color. No prominent text is visible except for S-B-O-R-T on the jacket. The overall style is casual, suggesting a restaurant setting where people share a meal. It is possible that this is a typical hot pot dinner, given the arrangement of condiments and the central pot. One might infer that the diners are enjoying a communal dining experience, which is common in many Chinese eateries.", " There's this is an image of some food we have looks like a heating mechanism in the center with some dipping sauces and condiments and look like maybe peanuts in the very front we see some chopsticks a small cup that looks like for tea a glass that's also turned upside down and a bunch of other small dishes of food in the back so this looks sort of something like like a hot pot just based on how many little dishes there are and the chopsticks there's one person sitting behind the heating mechanism and there's some blurred movement in the left hand side which maybe was another person that was moving towards the table and this is all atop a brown wooden table"]
|
[True, False, True]
|
['food', nan, 'Bamboo chopsticks in the photo indicate asian']
|
The image features a scene centered around one of my cherished Chinese dishes known as hot pot, or "huo guo" in Mandarin. This culinary delight represents a treasured tradition that unites individuals over a shared experience of cooking and dining from a communal pot filled with simmering broth. Diners typically gather around this pot, where they cook a diverse assortment of fresh ingredients, including thinly sliced meats, seafood, a variety of vegetables, and noodles, all right at their table. The broth itself is a flavorful concoction that can vary significantly in taste; it may be mild and savory or, alternately, spicy and numbing, often enhanced by regional spices such as Sichuan peppercorns. Hot pot is hugely popular not only throughout China but also in many countries around the globe. However, it transcends the realm of mere sustenance; it embodies a social experience that cultivates connections among participants and instills a sense of warmth and community. Whether relished in a bustling restaurant or in the comfort of one’s home, enjoying hot pot stands as a delicious celebration of communal dining and cultural heritage. In the visual representation accompanying my description, I observe a wooden table where a metal pot is prominently displayed at its center. This pot resembles a traditional Chinese hot pot, characterized by its tall, cone-shaped structure that rises from the middle. Surrounding the pot are numerous small plates and bowls filled with various sauces and condiments essential for enhancing the hot pot experience. Among these dishes, one plate showcases peanuts, while others feature green sauce, red chili sauce, and assorted pickled items. There is also a bowl with a lid and a glass container present, alongside a pair of bamboo chopsticks that rest on a small dish, emphasizing the Asian dining style. In the backdrop of this setting, a person wearing a blue jacket emblazoned with the letters "S-B-O-R-T" can be seen seated, adding a casual tone to the environment. To the left side of the image, another person's hand is visible, suggesting they are holding a tray, possibly bringing more ingredients to the table. The lighting in the scene is warm and inviting, and the table itself has a rich brown hue, further enhancing the cozy atmosphere. In another observation of the food arrangement, I note the presence of a heating mechanism in the center of the table, which appears to be part of the hot pot setup, flanked by an array of dipping sauces and condiments. The setting includes peanuts visible in the foreground, as well as a small cup that seems suitable for tea, in addition to an upside-down glass. There are multiple small dishes of food situated at the back, indicative of the typical layout found in hot pot dining experiences. In this visual composition, there is a person positioned behind the heating mechanism, and a suggestion of movement is captured in the left side of the frame, which could indicate another individual approaching the table, thus reinforcing the communal spirit of dining together. All of these elements, including the rich wooden table, the assortment of sauces, chopsticks identified as bamboo—indicative of Asian culinary traditions—converge to create an inviting scene reminiscent of a hot pot dinner.
| 160 |
|
native
|
['10280VT8L0x6']
|
['Korean']
|
['It seems that the image captures a scene from a concert or festival. On the far right, you can see red fireworks exploding, and a performance is ongoing on stage. Overall, the performance appears to be using blue lighting, and a man\'s face is visible on the LED screen. In front of the stage, you can see an enormous crowd of people. Looking at the general background, it can be inferred that this is an event taking place in an urban area, and considering it\'s dark, it seems to be in the evening. On the far left of the image, the text "mbc mtalk" is visible, which makes it clear that this is a screenshot from a news broadcast. Thank you, thank you, thank you, thank you.']
|
[False]
|
[nan]
|
The image vividly captures a lively scene from a concert or festival, where the atmosphere is electric with excitement and energy. On the extreme right side of the frame, spectacular red fireworks burst into the night sky, illuminating the surroundings with brilliant colors. Meanwhile, on stage, a performance is actively taking place, characterized by the use of dramatic blue lighting that casts a striking hue over the performers and the audience. Prominently displayed on a large LED screen is the face of a man, possibly the lead performer or a guest artist, further engaging the audience. The stage is set against a backdrop of a substantial crowd that appears to be fully absorbed in the performance, creating a sea of bodies that reflects the enthusiasm and enjoyment of the event. In the background, the scene indicates an urban setting. The darkness of the evening not only adds to the dramatic flair of the fireworks and stage lighting but also signals that this event is likely a well-attended nighttime concert, a common occurrence in city landscapes where performances are often held after sunset. To the far left of the image, there is text that reads "mbc mtalk," indicating that this image is likely a screenshot from a news broadcast or a television segment covering the event. This aspect ties the image to media coverage, suggesting that the concert or festival is of significant interest and is being shared widely with an audience beyond just those physically present at the event. The repeated phrase "thank you" at the end implies a sense of gratitude, possibly from the performers or organizers, resonating with the overall uplifting and celebratory mood of the occasion.
| 2,947 |
|
native
|
['1dKzEQKUA7Su']
|
['Hindi']
|
['This picture looks like a Rajasthani painting in which some people are sitting outside a house. Two doors are visible from the house; they are wooden with a brown hue, and they are locked. There are also two handles on the doors. Between the doors, there is a wall with visible bricks; some are small while others are large. Outside the house, three women and one man are visible. The man is dressed in a Rajasthani kurta and has a turban on his head. The faces of all the people are somewhat blurred. The man has a mustache, and the woman sitting on the left has worn a purple sari. Next to her, another woman is sitting with her dupatta draped over her head, and the third woman, who is on the right, is wearing a blue suit along with jewelry. This woman has earrings in her ears. This picture was taken during the daytime, and it is quite clear.']
|
[True]
|
['Yes']
|
The image resembles a traditional Rajasthani painting, which is characterized by its vibrant colors and intricate depictions of daily life and culture in the Rajasthan region of India. In this scene, a group of individuals is seated outside a house that exhibits architectural features typical of Rajasthani homes, particularly the presence of two wooden doors. These doors are depicted with a rich brown hue, indicating a sturdy, handcrafted quality, and they are securely locked, suggesting a sense of privacy and protection. The doors are adorned with two handles, which further emphasize their functional aspect. Between the double doors, there is a wall that is visible, constructed from bricks that vary in size; some bricks are small, while others are larger, indicating a degree of craftsmanship in the wall's construction. This wall adds to the authenticity of the setting, as brick construction is common in many parts of Rajasthan. Outside this house, there are four individuals: three women and one man. The man stands out in his traditional Rajasthani attire, wearing a kurta – a long tunic that is a staple in Indian men's clothing – along with a turban on his head, which is a customary headwear in Rajasthan, symbolizing pride and cultural identity. The man’s mustache adds to his traditional look, reflecting the masculinity often celebrated in Rajasthani culture. Among the women, the one seated on the left is dressed in a vibrant purple sari, which is a traditional garment that consists of a long piece of fabric draped elegantly around the body. To her right, the second woman is wearing a dupatta, a long scarf that she has draped over her head, which reflects cultural practices where modesty is observed, particularly in rural areas. The third woman, who is positioned on the right, is attired in a blue suit, embellished with jewelry that adorns her, including earrings, which are often used to signify beauty and status within Indian culture. The image captures a daytime scene with clarity, allowing for the details of the individuals' attire and the surrounding architecture to be appreciated. The faces of the individuals are somewhat blurred, which may suggest either motion or stylistic choices in the artwork, possibly to evoke a sense of liveliness and the ephemeral quality of everyday life in Rajasthan.
| 807 |
|
nonnative
|
['1isHT2frBb3q', '14TH8I8V9gyW', '1geM9Mcp502d', '19XUQ8MANFBC']
|
['English', 'Chinese', 'English', 'Chinese']
|
[" At first glance, this image is showing three leaves connected by one stem on a plate, which is on some sort of table in the center of the photo. The leaves are green and are oriented in a way such that two of the leaves are horizontal and going outward from the stem. And one leaf is sort of oriented vertically, almost perpendicular to the two other leaves. The plate that it is on is a tannish brown color, looks a bit rusted, the plate or of some bamboo type. And the table that is on has metal ridges and looks to have some sort of dust and dirt in between the ridges. The leaves, the table is also a sort of tan, bronzy color, brownish color, but is more muted and not as shiny as the plate that is on it. And the leaf looks slightly damp and wet. That's cool. Yeah. So.", 'This image conveys a very simple and clear message. It depicts a natural scene filled with simplicity. In the image, there is a light brown round plate, which appears to be made of copper, containing three fresh green leaves that seem to be part of a plant, just freshly cut. The three leaves look very healthy and have a bright luster. There is no text present in the image, so there is no written information to refer to. The leaves are positioned right in the center of the plate, which is placed on a brown wooden table with a textured surface. The overall content is quite simple, and the background does not reflect any cultural context. It is noteworthy that the plate seems to be made of brass and displays a unique luster along with signs of age, possibly representing a certain tradition or cultural significance. In terms of the background, there is only the brown wooden table with no other prominent objects or decorations, which gives a quiet and natural feeling. From a cultural and stylistic perspective, this image has a strong natural characteristic, emphasizing simplicity and may also relate to traditional rituals or herbal medicine in cultural traditions. Overall, we can infer that this photo expresses a sense of simple beauty while possibly representing a particular tradition or cultural custom.', " The picture is showing a green leaf and the green leaf has three leaves and one stem on it and then the leaf was put on top of a very shallow plate and the plate was put on a surface with some sort of pattern on it and there's no text in the pictures. The plate with the leaf is in the center of the pictures and the background looks like it's just like a lot of maybe four or maybe it's a table or maybe it could be anything because it's just a pattern and you can't really see the whole picture. The color mainly is a brownish color and there's not much information we can extract from the pictures except if people recognize the leaves, hopefully they can tell where the picture is coming from or what they use for. And since I don't know what type of leaf is this, so I cannot really tell what this leaf is for. I don't know why the leaves were put on top of the plate and I'm kind of curious about what's the purpose of it and what kind of thing we want to show. So let's go. How about the leaf is this, so I can show you the first leaf. How about the leaf is this, so I can show you the first leaf. What kind of thing is this, so I don't know. So let's go. So let's go. So let's go. So let's go.", 'We are using a golden plate, a small golden plate, which has a leaf on it. This leaf is from a branch that has three leaves on it. The leaf looks very transparent and has some reflection, possibly giving it the appearance of being a fake leaf. The entire golden plate is positioned relatively in the center of the picture, with the three leaves arranged so that one is pointing upwards and one on each side. Below the plate is a textured board or mat. The whole image doesn’t convey much else; we can only see the plate, one leaf with three leaves on it, and the patterned mat underneath. It feels like a close-up photo specifically aimed at capturing the appearance of the coconut on this plate. I’m trying to give you an idea, and I think you should explore this scene. The angle really showcases it.']
|
[False, False, False, False]
|
[nan, 'No', nan, 'No']
|
At first glance, the image presents a delicate composition featuring three fresh green leaves, each attached to a single stem, elegantly placed on a shallow, round plate. The plate is primarily a light brown shade, with a subtle hint of copper, and reveals an aged texture that suggests it might be composed of brass or a similar metal. This plate, with its soft sheen, stands out against the backdrop, which consists of a brown wooden table. The table features a patterned surface with visible metal ridges, hinting at wear and accumulation of dust or dirt, which adds a layer of rustic charm to the setting. Two of the leaves extend horizontally from the stem while the third leaf juts up vertically, creating a dynamic visual contrast. The leaves themselves display a bright, healthy luster and appear slightly damp, suggesting they were recently cut. The simplicity of the scene conveys a sense of calm and natural beauty. The arrangement of the leaves on the plate is clearly deliberate, emphasizing their freshness and vitality without any accompanying text or distractions in the background. This absence of additional elements allows the viewer to focus on the natural characteristics of the leaves and the materials involved. From a cultural perspective, the image does not immediately present any overt symbolic significance, yet the choice of leaves and their presentation could suggest connections to traditional practices or customs associated with nature, such as herbal medicine or seasonal rituals in many cultures. The overall aesthetic evokes feelings of tranquility and a connection to nature, underscoring the natural beauty found in simple compositions. In another interpretation of the image, it is described with an emphasis on the texture and appearance of the leaves and the plate. The leaves, appearing somewhat transparent and reflective, may lead to an assumption that they could be artificial, while the golden tone of the plate enhances the overall luxurious feel of the image. Here, the focal point also lies in the arrangement of the leaves—one extends upwards with the others flanking it. Below the plate lies a patterned mat or textured board, maintaining a cohesive visual narrative centered around the presentation of this natural element. This close-up perspective is intended to draw the viewer deeper into the scene, allowing for contemplation and an appreciation of the natural details. The overall photo aims to communicate the beauty of simplicity and the richness of nature showcased through a carefully curated artistic lens.
| 58 |
|
nonnative
|
['19N9Js5K8ghS', '13FTRnb6WqPu', '1aHQ6m1vmgOn']
|
['English', 'English', 'English']
|
[" This photo shows several Chinese dishes. I guess it's Chinese dishes and on the left side, it seemed to be a vegetable, very likely it's something like a salad, but I'm not sure it's not very clear. And on the right side, it's some kind of salted meat. It's already cut into slices and there are also a dipping sauce. Like below these dishes and the dish, it has some soy sauce in the middle and the meat is more like a yellow, brown color. On top, there's another dish, but it's too small to see what are they? And in the middle, I think there's a soup. The soup is completely yellow. There are some green plants like vegetables on top and there's some sliced tofu in there. And also we see mushrooms and the mushroom bamboo shots and something else as well.", " In this photo we mainly see a plate of food. In terms of objects the central plate of food is some kind of soup like food with vegetables. I'm not quite sure what kind of soup. To the left of the image we see part of a plate with more vegetables on it, green vegetables. A plate that's cut out at the top part of the image we don't see what's in it. Otherwise towards the right you see a mini little bowl of some kind of soy like sauce and another plate with I'm not quite sure what's in it either some meat with sauce or some kind of vegetable with sauce. So it's difficult really to know what kind of food this is. If I would guess probably Asian food but it's really not obvious to me. In terms of text we don't see any text in the photo. We don't really notice too many details that are that interesting other than I guess the color of the kind of soup which is yellow in color. So that might give us an idea what kind of broth they're using but it's not obvious to me. In terms of the style otherwise the the table that all the plates are contained on has a red napkin. Otherwise there's not much contextual information to really know where this is and what kind of food we're looking at at least from my perspective.", ' This image depicts a spread of food on a table covered in a red tablecloth, and it has on the bottom edge a couple of round imprints as though a wet glass was placed there. In the middle, as a focal point, is a glass bowl with a design on the sides filled with a yellow soup along with vegetables and rice and possibly some meat. And on the sides of that bowl, there is a plate with some green vegetables, the edge of another plate on the top of the bowl of the soup, and on the right side, there is a plate of some sliced meat with gravy, and below that, a small container of sauce as well.\\']
|
[True, False, False]
|
['Chinese', 'No', nan]
|
This collection of descriptions revolves around a variety of Chinese dishes presented on a table adorned with a red tablecloth, which contributes to a vibrant and culturally rich culinary aesthetic. In the first description, it is noted that the photo features several Chinese dishes. The left side of the image appears to showcase a dish that resembles a vegetable, which is likely a salad, although the specifics are not entirely clear due to the image quality. On the right side, there is a plate containing slices of salted meat, showcasing a yellow-brown hue, indicative of marinated preparations typical in Chinese cuisine. Accompanying this plate is a dipping sauce, which is commonly used to enhance flavors in Asian dishes. Below these dishes, a bowl of soy sauce is prominently placed, a staple condiment in Chinese cooking. The description also mentions the presence of another small dish at the top of the image, which lacks enough detail to be identified. In the center of the spread, there is a soup that is fully yellow, garnished with green vegetables, sliced tofu, mushrooms, and bamboo shoots. These elements showcase a typical soup found in Chinese cuisine rich in texture and flavor. The second description focuses on a central plate of food that appears to be a soup-like dish filled with vegetables, although it is ambiguous regarding the specific type of soup featured. To the left of this plate, more green vegetables are visible, adding to the colorful presentation of the meal. The upper part of the image includes a plate that is cut off, leaving viewers uncertain of its contents. To the right, a small bowl of sauce resembling soy sauce is present, along with another plate that may contain either meat with sauce or vegetables with sauce, blending flavors common in Asian cuisine. Despite the lack of clear labels or recognizable dishes, the description notes that the soup has a distinct yellow hue, potentially hinting at the broth base used. The narrative acknowledges the minimalist decoration of the table but captures a warm, inviting ambiance with the red napkin, suggesting a casual dining experience. The final description reveals a more detailed scene, emphasizing the spread of food on the table. The tablecloth continues to be a red backdrop, enhancing the visual appeal of the food. The centerpiece is a glass bowl, uniquely designed, filled with yellow soup that incorporates vegetables and possibly rice or meat. Surrounding this bowl are plates of green vegetables, and a plate of sliced meat drizzled with gravy, which aligns with traditional Chinese cooking styles that often combine different textures and flavors. A small container of sauce sits beneath the meat, suggesting the importance of condiments in enhancing the meal's overall experience. The presence of moisture marks on the tablecloth indicates a lively dining atmosphere, where beverages may have accompanied the delightful array of dishes presented. Overall, this collection celebrates the diversity and richness of Chinese culinary traditions, showcasing a variety of flavors, presentations, and the communal aspect of dining that is central to Chinese culture.
| 462 |
|
nonnative
|
['18Bnd7Lsh2In', '12PW3Z2TeOtB']
|
['Chinese', 'English']
|
['The scene shows three ladies parked on the street, making a payment next to their car. They are taking out their wallets to prepare for payment. The lady on the left is wearing a green sweater and jeans, the lady in the middle is dressed in a pink short-sleeve top and khaki long pants, and the lady on the right is wearing a white T-shirt, a maroon sweater vest, and dark denim jeans. The two ladies on the left are wearing sunglasses, and all three of them have deep black curly hair. The setting is sunny, with some trees along the sidewalk. In the background, there’s a FedEx delivery truck and some parked cars, along with city shops visible, including a UPS Store. This scene appears to depict a typical street parking area in the United States.', " This picture appears to be several ladies who are all reaching into their bags to pay for a parking meter. There are three women standing in front of a parking meter that says two hours parking on it for some days, as well as no parking on other days. They're standing in a parking lot next to a number of parking spots in which they have potentially parked in. And they're reaching into the purse in order to get, presumably in order to pay for the parking meter. In the background, there are more parking lots, as well as more parking meters and parking signs, as well as a number of trees that look like palm trees. There's also a FedEx truck in the background, as well as a UPS store and some other store that we do not know the name of. They're standing, it is bright daylight outside, looks like blue skies, relatively clear skies. And in the background on the left, there's also another building with a blue awning that we also do not know what it is. It looks like the parking meter is located on the sidewalk next to the parking lot, as well. Thank you."]
|
[True, False]
|
['Yes, because this roadside parking pile can only be seen in the western world and the people in the image are not Asian as well.', nan]
|
The scene captures three ladies who are gathered together beside their parked car on a sunny street. They are engaged in the act of making a payment at a parking meter, conveying a sense of a casual day out. The first lady, located on the left, is dressed in a vibrant green sweater paired with classic blue jeans. The central figure, in the middle, sports a stylish pink short-sleeve top accompanied by light khaki long pants, while the lady on the right contrasts her outfit with a casual white T-shirt layered under a maroon sweater vest, along with dark denim jeans. Both women on the left are donning fashionable sunglasses, suggesting a sunny day and perhaps a trendy fashion sense. It is noteworthy that all three women have deep black curly hair, which adds to their stylish appearance. The setting is characterized by bright daylight, evident through the clear blue skies and the warm atmosphere that surrounds them. Along the sidewalk, trees can be seen, contributing to the pleasant aesthetic of the urban environment. In the background, the scene reveals a FedEx delivery truck, which indicates a bustling commercial area. Additional parked cars can be spotted, along with several city shops, including a UPS Store. This suggests that the scene is taking place in a lively part of the city where various businesses operate. The parking meter they are using indicates a two-hour limit for parking on some days, while on other days, there are restrictions where parking is prohibited. This adds a practical element to the scene, highlighting the urban landscape’s parking regulations. Furthermore, in the background, more parking spaces and parking meters can be observed, along with parking signs, creating a comprehensive image of a typical street parking area. There are also palm trees nearby, hinting at a warmer climate, likely characteristic of parts of southern California or other similar regions in the United States. A building with a blue awning is faintly visible on the left side of the background, though its purpose remains unidentified. Overall, this detailed image captures a slice of life in a lively part of the U.S., where the women navigate the common task of parking and paying in an urban environment.
| 1,802 |
|
native
|
['1jQZ7MorzcFB']
|
['Tamil']
|
['In this innings, a father and two children are coming from the background, and many people are exiting. If you look at the dominance, many have come down to the South side. Mr. Mark is in front with three people on the right side, and many have fallen; he seems to have given a group orange to them. In another front, there are about four books, and there are different sides added as well.']
|
[True]
|
['yes']
|
In this particular innings, a father along with his two children can be seen entering the scene from the background. At the same time, a significant number of people are departing from the area, creating a sense of movement and activity. Observing the crowd dynamics, it is notable that a large number of individuals have gathered on the South side, suggesting it may be a popular or designated area within the context of the event. In the foreground, Mr. Mark stands prominently. He is positioned ahead of three individuals who are situated to his right side. Amid the hustle and bustle, it appears that a group of people has fallen, perhaps indicating a playful or chaotic moment. Mr. Mark seems to have distributed an orange to this group, which might symbolize a gesture of goodwill or camaraderie, further emphasizing the social interaction taking place. Additionally, in the other front of the scene, there are approximately four books displayed. These books may denote a certain theme or subject matter relevant to the event, and they are surrounded by various other elements that contribute to the ambiance and setting of the scene. Different perspectives or viewpoints are also represented within this gathering, adding to the overall complexity and richness of the interaction among the attendees. The scene is vibrant and filled with a blend of familial bonding, community engagement, and a sense of shared experience.
| 1,349 |
|
nonnative
|
['1fwkWX5o6eFh', '1bGrhAiPSAtK', '1gdlbYFMjnQq', '1c3KNbDKvn7W']
|
['Russian', 'Chinese', 'English', 'English']
|
["Here, everything is quite simple. It's just a photograph of an elephant. This elephant is probably quite old, judging by its appearance. And yes, its skin is all covered in dust, so it looks rather brown, although elephants are usually gray. You can see a bit of gray on its left ear and around its eyes, but other than that, nothing is visible. It seems that behind it there might be either another elephant or a large rock, but nothing else is visible, just the elephant. Yes, it is looking down at something; it's unclear whether it is a male or female elephant. It's hard to determine just from this photograph. Everything is very straightforward.", "This is a close-up photo of an elephant, focusing mainly on its head and expression, with only the head and a bit of its body visible. There is no clear text. The elephant's head occupies the center of the image, with its ears spread out to the sides. The expression appears calm, and its eyes are drooping. The skin is rough and covered in wrinkles, indicating a thick texture with rich details. A layer of mud or dust is on its skin, especially around the ears and forehead, suggesting it may have just been active in the mud. The ears are relatively large, and the top of the head has a slight bulge. The trunk is long, but not fully displayed. This should be an African or Asian elephant. The background is blurry, showing light brown and gray colors, possibly a fence or part of the body of the elephant. The realistic style is quite dominant, mainly showcasing the details of the elephant, highlighting its skin texture and natural state. The overall color tone is brownish-yellow, emphasizing a natural ambiance.", " This is a picture of an elephant, and because the elephant is so close to the camera, you can only see the front of the elephant. The elephant is turning slightly to the right. If looking towards the camera were to be 12 o'clock, the elephant is turning towards 1 o'clock. The elephant is mostly a brownish, beige-ish color, but the color seems to be faded. On the head of the elephant towards the front, there are some streaks of a lighter beige. The top of the trunk is also in field, and you can see that. It seems to be a very leathery animal, leathery trunk, leathery skin. The floppy ears are also in view. And the elephant is looking kind of sad. The ears fall down from the top of the head all the way towards its mouth. And... And... ... ...", " This picture seems to be of an elephant. The elephant seems to be of African descent and is a mostly yellowish color. You can see various amounts of wrinkles on the nose area. Although a majority of the trunk is not visible in the picture as it is mostly zoomed in on the head of the elephant. The elephant is looking to the left of the photo at mostly a 30 degrees angle. You can see all of its eye on the right side of the photo, although the eye on the left side is mostly obscured. You can see that on the tips of the elephant or any of the elephant's features that are more protruding, it slowly turns from a yellow to a more greenish gray. The background of the image isn't very visible, although it's like a grayish creamish color in the back. Probably somewhere very sandy. The image is overall very yellow and only depicting an elephant."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
Here, everything is quite simple. It is merely a photograph of an elephant. Judging by its appearance, this elephant seems to be quite old. Its skin is covered in dust, giving it a brownish hue, even though elephants are typically gray. There is a hint of gray visible on its left ear and around its eyes; however, those are the only areas where the traditional elephant color can be seen. Behind the elephant, there appears to be either another elephant or a large rock, but no other details are clearly discernible. The elephant is looking down at something, but it is unclear whether it is a male or female, as the photograph does not provide enough information for a definitive determination. The composition of the photograph is very straightforward. This is a close-up photo of an elephant, concentrating primarily on its head and facial expression, with some of its body visible but not prominently featured. There is an absence of clear text accompanying the image. The elephant's head occupies the central position in the frame, with its ears fanned out to the sides. Its expression appears calm, and the eyes seem to be drooping, conveying a tranquil state. The elephant’s skin displays a rough texture, characterized by a multitude of wrinkles that exemplify its thick and detailed surface. A layer of mud or dust is evident on its skin, particularly around the ears and forehead, suggesting that the elephant may have recently engaged in rolling in the mud. The ears are notably large, and the top of the head exhibits a slight bulge, typical of many elephant species. Although the trunk is long, it is not fully visible in this shot. The elephant in the photo is likely either an African or Asian elephant. The background has a blurry quality, revealing light brown and gray colors, which could represent either a fence or part of the body of the elephant itself. The realistic style of the photograph emphasizes the intricate details of the elephant, particularly its skin texture and natural state, with the overall color tone leaning towards brownish-yellow, contributing to a warm, natural ambiance. This image depicts an elephant very closely, focusing solely on the front of the animal. The elephant is turning slightly to the right; if we liken looking directly at the camera to 12 o'clock, then the elephant is oriented towards 1 o'clock. The visible portions of the elephant exhibit a mostly brownish and beige coloration, although these colors appear somewhat faded. On the front of its head, there are streaks of a lighter beige. The top of the trunk is in view, revealing its leathery quality, consistent with the elephant's rough, leathery skin. The floppy ears are also prominently displayed, and the expression of the elephant conveys a sense of sadness. The ears droop from the top of the head to just above its mouth, adding to the poignant appearance of the animal. In this picture, the subject is another elephant, which appears to be of African descent. This specific elephant has a predominantly yellowish hue. Numerous wrinkles are visible around the trunk area, though a majority of the trunk itself remains hidden in the photograph, as the focus is primarily on the head. The elephant is gazing to the left at an angle of approximately 30 degrees. The right eye is clearly visible, while the left eye is mostly obscured. Notably, the colors of the elephant’s features transition from yellow on the tips to a more greenish-gray shade. The background of the image is vaguely defined, presenting a grayish-cream color, indicating that the setting might be in a sandy area. Overall, the image carries a dominant yellow theme, narrowly encapsulating the elephant's likeness.
| 1,579 |
|
native
|
['15lz4YqJofys', '12DW9HQQJwsS']
|
['Chinese', 'Chinese']
|
["What catches my eye in this picture is a lot of soldier figurines. From my rough calculation, there are at least four rows, as part of the back rows are not captured in this photo. Each row has at least 30 to 40 soldier figurines. From my estimation, they appear to be placed in something resembling a trench because there are piles of earth nearby that are very similar in height to the figurines. Additionally, I can see that they are lined up in a very neat long line, although there are a few figurines that are uneven, which could also be due to some damage during the excavation process. Furthermore, I've noticed that some figurines are missing their heads, which might have occurred during the digging as well. Based on my personal experience and reasoning, this should be a scene from the Terracotta Army in Xi'an, China.", "This is a photo of the ancient Chinese Terracotta Warriors. We can see there are three rows of warriors: the front row, the middle row, and the back row, with a fourth row that is not fully complete. Each of these warriors is unique; some are positioned more towards the front, while others are further back. They also have different hairstyles, and a few of the figures are missing heads, likely damaged during excavation. This scene appears to be in an underground pit where it looks like the excavation is ongoing. They may have already unearthed nearly three rows of warriors, with the front row possibly containing around 90 figures, and in the recently excavated third row, there might be about 10 warriors. This is a photograph with Chinese characteristics because Terracotta Warriors can only be found in Xi'an."]
|
[True, True]
|
['Because this picture must be shot in China.', 'Clay Warriors only exist in China.']
|
What catches my eye in this picture is a multitude of soldier figurines, specifically the ancient Terracotta Warriors, which are one of the most famous archaeological discoveries in the world and a significant part of Chinese history. From my rough calculation, there are at least four distinct rows of these figures, though some portions of the back rows are not fully captured within this photo, indicating that the excavation is still in progress. Each row has an estimated number of around 30 to 40 soldier figurines. The arrangement suggests that these figures are placed within a structure resembling a trench, as there are piles of earth adjacent to the figurines that align closely in height with them. Additionally, the figures are meticulously lined up in a long, organized row, although it is evident that a few of the figurines are positioned unevenly. This uneven placement could possibly be attributed to some damage sustained during the excavation process, a common issue faced in archaeological digs. Notably, I’ve observed that some of the soldier figurines are missing their heads, which further supports the theory that damage has been incurred, likely during the careful excavation and unearthing of the warriors. Based on my personal experience and reasoning, it appears that this scene depicts the Terracotta Army located in Xi'an, China, a UNESCO World Heritage site that attracts millions of visitors each year due to its historical and cultural significance. This photograph showcases the unique characteristics of the Terracotta Warriors, as each figure is distinctly crafted, some positioned more towards the front of the formation while others are stationed further back, exhibiting variations in hairstyles and postures. In another examination of the photo, it reveals three organized rows of warriors; these consist of a front row, a middle row, and a back row, with a fourth row that is yet to be completed. The front row may contain approximately 90 figures, while in the recently unearthed third row, there are potentially about 10 warriors visible. Also, this setting appears to be within an underground pit, suggesting that the excavation efforts are still ongoing, highlighting the dynamic nature of archaeological work. This scene aligns intrinsically with Chinese heritage and identity, as the Terracotta Warriors are a cultural landmark that can only be found in Xi'an, reinforcing the historical narrative of ancient China and the grandeur of the burial site of Qin Shi Huang, the first Emperor of China.
| 261 |
|
nonnative
|
['1j0whtHrQSsY', '1iVcktfygceJ', '140NkxGyDD3G']
|
['English', 'English', 'English']
|
[" In this image we see a Chinese Yuan 5 banknote, a person, and what appears to be a stone object with some Chinese characters. The person on the left-hand side of the image is blurry. The person is wearing a yellow jacket and has a blue baseball style hat. The left-hand side of the image is blurry. Behind the person we can see a green tree. The stone object is gray in color and the Chinese lettering on this stone object appears to be red in color. There's a human hand on the right-hand side of the image in the foreground that's holding the Chinese 5 Yuan banknote. And the sky in the background of this image on the right-hand side of the screen is a light gray. On the left-hand side of the screen is a light blue.", " This is an interesting picture that appears to have been taken by a tourist period. Another tourist stands in the left side of the image next to an ancient stone column with Asian script in red letters in a vertical orientation period. It's an outdoor structure period in the right foreground comma. The person, presumably the person who is taking the photograph is holding a dollar bill that is worth five yuan period. This indicates that this is a Chinese image period. So here's an image period. So here's an image period. So here's an image period.", " So this image shows a 5 yen Chinese banknote being held up against a natural landmark, which aligns the landscape on the note with the real-world scenario. So what we notice in this picture is the banknote, the large stone monument, the hand holding the banknote, and the person in the background, probably a tourist, as well as the natural scenery, which includes rocks, trees, and skies. There is text on the banknote and text on the monument. On the hand, the banknote are lines so that the landscape on the banknote matches the scenery, and the large stone monument is in the middle ground, the tourists in the background, so out of focus. The banknote is held at an angle to precisely align with the landscape, and the stone monument suggests a historical or significant cultural location. The person in the background is likely taking a photo or admiring the landmark. The colors in this image are natural with earthy tones. The banknote is purple and brown hues, and the red descriptions on the stone stand out. This setting suggests that it's a popular tourist destination, which probably attracts both local and international visitors. Themartys.いくacept居 united . Again, theуют corners. Theient beber"]
|
[False, True, True]
|
[nan, 'Chinese - 5 Yuan bill in image and Chinese script', 'Most likely taken at a Chinese landmark']
|
In this visual representation, we observe a Chinese Yuan 5 banknote prominently displayed in the foreground. The banknote is being held by a human hand, positioned on the right side of the image. The banknote features various shades of purple and brown, typical of Chinese currency, which adds an element of authenticity and context to the setting. To the left of the banknote, a person is partially visible, depicted in a blurry fashion, wearing a bright yellow jacket and a blue baseball-style hat, suggesting a casual attire typical of tourists. This individual is standing next to a notable stone object that exhibits Chinese characters, which are depicted in a vivid red color. The stone object itself is gray, contributing to the natural and historical ambiance of the environment. The Chinese characters may indicate the object’s significance, possibly a historical landmark or monument, adding a layer of cultural richness to the image. In the background, there is a green tree that enhances the natural scenery, alongside a light gray sky visible on the right-hand side of the image. This combination of elements—the banknote, stone object, and the surroundings—creates an impression of a picturesque tourist destination, likely a significant cultural site in China. The image also suggests an interaction between past and present, as the person holding the banknote acknowledges the historical context represented by the stone object. The alignment of the banknote with the landscape it depicts indicates an intentional framing by the person capturing the photograph, who is possibly another tourist marveling at the location. Overall, this scene merges cultural artifacts with natural beauty, showcasing a moment that reflects the experience of visiting a significant site while also capturing the essence of tourism in a visually striking manner. The earthy tones and vibrant colors convey a sense of realism that invites viewers to appreciate the historical and cultural importance of the location depicted.
| 398 |
|
native
|
['1dC4IcDCh0c6', '1kZA3Gip4lPr']
|
['Chinese', 'Chinese']
|
['The image is a promotional poster featuring seven people, all dressed in red, performing a gesture for the New Year while smiling happily. It is clear that this poster is for a Spring Festival song and dance drama titled "2014 Golden Horse Welcoming Spring." The names of the main cast and crew are also visible, including Zhang Wenying, who seems to be in charge of makeup, and Li Ming, who appears to be responsible for the script and possibly sound recording. This seems to be a DVD, likely a promotional cover for the DVD, with a background of a traditional Chinese stone and wood screen in a deep brown color. Quite nice!', 'This image features seven people making a gesture that at first glance resembles a half-year celebration. The picture includes their names and a reference to the "Golden Dragon Welcoming Spring" strongest New Year song-and-dance drama. The background is a red room with a red floor, accompanied by several screens made of glass with deep red wooden frames. All the individuals are wearing red coats, with white tang suits or black shirts underneath. Then, there’s a hint of something else...']
|
[False, True]
|
[nan, nan]
|
The promotional poster presents a vibrant and festive scene featuring a total of seven individuals, all attired in striking red garments, symbolizing luck and prosperity, which are significant themes during the Chinese New Year celebrations. Each person is performing a joyful gesture that reflects the spirit of the New Year holiday, embodying happiness and goodwill. This poster is specifically for a Spring Festival song and dance drama entitled "2014 Golden Horse Welcoming Spring." Notably, this title implies a celebratory performance marking the arrival of spring, which aligns with traditional Chinese customs of welcoming a new season filled with hope and renewal. In this captivating imagery, the names of key cast and crew members are prominently displayed. Among them is Zhang Wenying, noted for overseeing the makeup, an essential role in theatrical productions that enhances the visual appeal and authenticity of performance through artistic presentation of characters. Additionally, Li Ming is mentioned as potentially responsible for the script and sound recording, indicating his significant contribution to the overall narrative and auditory experience of the drama. The poster likely serves as a cover for a DVD, suggesting that it may be intended for distribution to audiences who wish to enjoy this cultural performance at home. The background design features a traditional Chinese stone and wood screen, adorned in deep brown hues, which adds an authentic cultural touch and depth to the visual representation. In a separate but related image, there are again seven people, who, upon first glance, appear to be making a gesture reminiscent of a mid-year celebration. This photo also outlines their names and references the "Golden Dragon Welcoming Spring," indicating that it is another prominent New Year song-and-dance drama. The setting is within a red room that features a matching red floor and is decorated with several screens constructed of glass framed in deep red wood, contributing to an atmosphere of vibrancy and festivity. All performers are clad in red coats, layered with traditional white tang suits or black shirts beneath, embodying both contemporary and traditional styles, which is common in modern Chinese performances as they merge cultural heritage with current fashion sensibilities. The imagery leaves an impression of anticipation and excitement, suggesting that there is a more profound element or underlying theme yet to be fully explored within the performance.
| 2,855 |
|
nonnative
|
['19PSYMaLaJwQ', '1oDKUjnqYsVx', '1f4agcF7PnMH']
|
['English', 'English', 'English']
|
[" The image at first glance is a statue of an Asian man, a half body statue with the left arm contacts. The statue is made out of stone. Below it has Chinese word carvings and below the Chinese word carvings, I think it's 1901 to 2001, likely the year of something that symbolizes and associated to the man. Maybe the date of the birth to death or of the institution. Behind the statue there is a few structures, that is square structures. On the top you can see a rounded dark CCTV and the floor is made of red light because of the reflective structure. I am told socialism. Hello And więc already here are the two beatings Ohl Half in the natural blue arm. Giving this one stone because of a beautiful current one two by 29 0 зд. Ohl Shopping. His hands big על cystex is soleúl View, the envir of W Most You 11ards.", " In the picture, there's a figure statue who is bolded and with his face expression is blurred. The statue is wearing a traditional Chinese clothes with his only left hand and right hand is missing somehow. Under the statue, there's a big red stone with traditional Chinese character Zhang Xueliang. It indicates the figure statue is Zhang Xueliang, which is really famous in China. Also, it indicates his duration from birth to the death, which is 1901 to 2001. We can infer that it is probably a Zhang Xueliang's memorial hall. Behind the background, there's a wall with a lattice. In every lattice, there's a square hole. From the floor, we can see it is made of marble. Very clean. That indicates it always was cleaned by someone. And at the ceiling, there's a camera on the top, which can record everything abnormal. So these are high passe política! Today isENTYLE cleaning. Here is a check. Anyancies are supposed to edit the exhibit in Ice C�מ. The district here is AREPUL. ALE hat, whichCHIE screens are made by the altar of the death earth, which is normalized as above, because it makes us órgano in an ig entitled. Therefore, this has scannedenuts own gathering in the square basalotes of infected standing through theollar parler, the strength of the Metro. Here is a picture of aкусidential property, where you received the title of the nano-folk, which is published in the Metro.", " This image features a statue. I think it probably is a memorial because I see these sort of what looks to be Chinese characters on this podium and it says 1901 to 2001. So there's this sort of reddish brown podium and on top of that podium is a bust of a person's sort of torso, their left arm. Their right arm appears to be missing or not made stylistically. And this is at the forefront of what I think is just a larger mausoleum because right behind this statue are a sort of bunch of tiles along a wall with these little black play cards dotting that wall. I can't make out any sort of lettering on those play cards. The most prominent thing again is this sort of large statue of this man with these Chinese characters that says 1901 to 2001."]
|
[True, False, True]
|
[nan, nan, 'Chinese characters on bust']
|
The image prominently features a statue, representing a significant figure, likely commemorated within a memorial context. At first glance, the statue depicts an Asian man, specifically a half-body representation of a notable individual. The statue is sculpted from stone, showcasing impressive craftsmanship and detail. Sculpted onto the base of the statue are Chinese characters, which provide a cultural and historical context for the figure. Additionally, there is an inscription indicating the years 1901 to 2001; this timeframe is likely significant as it possibly marks the birth and death dates of the individual or pertains to an important event or establishment associated with him. Beneath the statue, a prominent red stone is visible, upon which the name “Zhang Xueliang” is inscribed in traditional Chinese characters. Zhang Xueliang is a well-known figure in Chinese history, recognized for his military leadership and political influence. This implies that the statue is intended to honor him, possibly within a memorial hall dedicated to his legacy. Surrounding the statue, the environment reveals additional structural elements. Directly behind the statue, there are square structures, indicating that it is part of a larger architectural complex. Furthermore, the ceiling features a rounded dark CCTV camera, suggesting a focus on security and surveillance within this public or semi-public space, indicative of modern governance and the importance of preserving order in such revered locations. The flooring is made of polished marble, which contributes to the overall aesthetic of cleanliness and care in the maintenance of the memorial site. This meticulous upkeep could be interpreted as a sign of respect towards the figure being commemorated and the history associated with him. Latticework can be observed in the walls behind the statue, featuring small square openings that may allow for viewing from various angles. However, there are also elements within the image, such as unspecified tiles with unidentifiable markings, which contribute to the sense of the statue being central to a larger narrative or memorial context. Overall, the depiction of this memorial space, with its reverent layout and significant figure, emphasizes the cultural importance of preserving history and honoring notable individuals in Chinese society.
| 190 |
|
native
|
['1goWTJTz5TD0']
|
['Hindi']
|
["Here is a picture of a lotus flower that looks very beautiful. It seems as if light is coming from above, like the light of a starry night or as if the light is falling only on that lotus flower, while everything else appears engulfed in darkness and blackness. The flower grows in water, in mud, but when this flower emerges from the mud, it is the most beautiful. It is also considered the national flower of India. The picture has been taken very beautifully because the colors of this flower, white and pink, stand out magnificently against a green background, and the light falling on it enhances the flower's beauty tremendously. The petals of this flower are very soft, and the color of the petals at the base is white, transitioning to a red-pink shade towards the tips."]
|
[False]
|
['This flower can be found in many places.']
|
Here is a captivating image of a lotus flower, exuding an extraordinary beauty that commands attention. The scene is illuminated as if by a celestial light originating from above, reminiscent of the mystical glow of a starry night. This ethereal light seems to touch only the lotus, casting it in a radiant spotlight while the surrounding environment fades into an enveloping darkness. The lotus flower, known for its unique ability to thrive in muddy waters, symbolizes purity and enlightenment, emerging from the muck to blossom in stunning elegance. It holds significant cultural importance as the national flower of India, representing beauty and resilience. The photograph is artistically composed to showcase the flower's striking colors. The delicate petals are primarily white at the base, which gracefully transition into a vibrant red-pink hue towards the tips, creating a visually arresting contrast. This color palette stands out magnificently against the rich green backdrop, enhancing the overall beauty of the image. The soft, velvety texture of the petals adds to the flower's allure. Lotus flowers are widely distributed across various regions and can often be found in ponds, marshes, and water gardens, where they flourish in wet, muddy conditions. Their ability to rise above murky waters to display such beauty makes them a powerful symbol in many cultures, particularly in Asian traditions.
| 764 |
|
nonnative
|
['1bgNn3ovZBX1']
|
['English']
|
[" Okay, we are looking at another award show. So I'm excited about that, let me tell you. Looks like it's a big band this time. There are one, two, three, four, five, six individuals. Three men, three women. So, you know, that's good. The women all seem to be wearing different styles of dresses. They're all in black and white. Two of the men appear to be wearing the same outfit. And then one of the men is wearing a nice shirt. Background is sort of this kind of aqua marine diamonds overlaid on a black overlay. There's some text in the corner. The only letters I can read are THK, followed by some Asian lettering iconography. Outside of that, one of the women's quite literally wearing panes of glass on her dress, which is impressive. And it doesn't look around too much."]
|
[False]
|
[nan]
|
Okay, we are looking at another award show, and I am genuinely excited about it. Let me tell you, it seems like a significant event this time around. In attendance, there is a big band comprised of six individuals. The group consists of three men and three women, which is a balanced representation, and that's certainly a positive aspect to note. The women are showcasing a variety of styles in their dresses, all of which adhere to a black and white color scheme. This choice adds a classic elegance to their appearance. Notably, two of the men appear to have coordinated their outfits, wearing the same ensemble, which suggests either a stylistic choice or perhaps a theme they are adhering to. Meanwhile, another man is sporting a sharp, nicely tailored shirt, adding a distinct touch of sophistication to his look. The backdrop of the event features an interesting design, which consists of aqua marine diamonds superimposed on a black background. This visually striking combination creates a vibrant and modern aesthetic that enhances the overall atmosphere of the award show. In one corner of the scene, there is some text; while I can only decipher the letters "THK," I also notice some Asian lettering and iconography, lending a hint of cultural significance that intrigues me. Among the women, one stands out in particular—she is adorned in an incredible dress that incorporates panes of glass as part of her design. This unique choice is quite impressive and reflects a bold fashion statement. The dress does not appear to be overly extravagant or ostentatious, maintaining a balance that showcases her individuality while fitting into the context of the event.
| 2,610 |
|
native
|
['12EiqBs1QnBw', '12pqLSDxoJt3']
|
['Chinese', 'Chinese']
|
['At first glance, this is a person at an award ceremony. The main subject is someone dressed in black holding a trophy. Behind this person is a deep blue backdrop with the Chinese text that translates to "The Sound of Music, The Voice of Spring Water," conveying a feeling of being at the forefront of music. It mentions the "2015 Annual Awards" in the lower right corner, along with the logo and website of Sina Weibo. This photo likely was taken in China, as the backdrop features a Chinese event, along with images of some sponsors and competition logos. On the ground, there are some data cables and a foot in a leather boot, possibly indicating other staff members or attendees in the vicinity. If you were to draw the firework lights, it would be very chic. We\'re here doing exclusive Stalin.', 'This person is holding a trophy, and the logo in the background appears to be related to a music pioneer. It seems that he is a recipient of an award at the 2015 Annual Award Ceremony, indicating he has won some recognition in a music-related performance. He is dressed in a black tuxedo because it\'s a formal occasion, likely as he is about to accept an award. He is holding a star-shaped trophy and stands very straight, probably trying to make a good impression for the photo. His hands are held in a relaxed position, and there is a caption saying he is the "Voice of Water" or "Source of Life," which might be a way of presenting an advertisement. The wall behind is filled with various sponsor names, and there are some lines on the floor, along with a person\'s foot just about to step into the frame of the photo, creating a natural feel to the setting.']
|
[False, False]
|
[nan, nan]
|
At first glance, the scene depicts a person attending an award ceremony, with the main subject being an individual clad in a sleek black outfit who is proudly holding a trophy. The backdrop is a deep blue, adorned with Chinese characters that translate to "The Sound of Music, The Voice of Spring Water," evoking an artistic essence associated with music and the celebration of achievements within this realm. In the lower right corner of the backdrop, the mention of the "2015 Annual Awards" is prominently displayed alongside the logo and website for Sina Weibo, a well-known Chinese social media platform. This suggests that the event took place in China, as the backdrop's design reflects the visual style of local award ceremonies and includes logos from sponsors and competition entities that may be associated with the event. On the floor, there are several data cables strewn about, hinting at the technical infrastructure required for such an event, and a leather-booted foot is just visible, likely belonging to a staff member or another attendee who is nearby. This detail adds a layer of realism to the scene, suggesting that there are multiple people involved in the event’s orchestration. The mention of "firework lights" implies a celebratory atmosphere, with a touch of glamour often associated with award shows. The individual holding the trophy appears to have received quite the honor, specifically in performance related to music, as indicated by the presence of a trophy that is star-shaped, a common design element that symbolizes achievement and excellence. He is dressed impeccably in a black tuxedo, which is fitting for the formal occasion, illustrating that he is likely preparing to accept an acknowledgment of his work. His stance is upright, exuding confidence, and while he holds the trophy steady, his hands are in a relaxed position, suggesting he is composed and ready for the photo opportunity. Adding to the context, the caption alludes to the individual being referred to as the "Voice of Water" or "Source of Life," which may serve as a marketing slogan or thematic representation relating to the nature of his award or the event itself. The backdrop is further populated with an array of sponsor names, contributing to the formal and commercial ambiance of the occasion. Lines on the ground provide structure to the area, and the mention of a person’s foot preparing to step into the frame lends an organic, candid quality to the entire setting, making it feel lively and engaged with activity.
| 2,624 |
|
native
|
['1fjZ6TSJ8hts', '1798W8NIgOi1', '15d3M05eOJLg']
|
['Chinese', 'Chinese', 'Chinese']
|
["This is a bowl of food that includes various animal innards such as duck liver and duck intestines, as well as ingredients like tofu and cilantro. It resembles common Asian dishes that feature braised or stewed flavors. The main ingredients include duck liver, duck intestines, duck blood, fried tofu, and green vegetables, with cilantro sprinkled on top as a garnish. The white bowl holds the entire dish, and there are no visible text details in the image. The animal innards occupy most of the bowl and are darker in color, presenting shades of brown, purplish-red, and dark brown. The fried tofu is positioned at the top of the bowl, lighter in color and yellowish. Observed details include the chewy texture of the animal innards, which display a glossy finish from braising. The cilantro leaves are fresh and vibrant green, creating a color contrast with the darker ingredients. The tofu's outer layer is relatively dry, possibly fried or baked. The background is somewhat blurred, primarily dark, emphasizing the food itself. The style is culinary photography, focusing on the texture of the food. This dish may originate from regions like China, Taiwan, or Southeast Asia, similar to a braised platter from Guangdong, Vietnam’s innards noodle soup, or Taiwan's braised rice. It is suitable as a staple food or late-night snack and can be accompanied by rice, porridge, or noodles. This dish may have high nutritional value, rich in protein and iron, making it ideal for energy replenishment.", 'In the middle of the screen, there should be a bowl of mixed vermicelli. There are no words, but it should be placed in a plastic bowl on a dark-colored table. Inside the bowl, there are three pieces of fried tofu, six pieces of duck blood, and a small pinch of cilantro. I also see some duck tendons and duck skin placed beside it. The colors are quite vibrant, and it looks like it has just been served. I did not see any chili or other spices, so it might have a relatively mild flavor.', 'This image is a photo featuring food. The food is in a white bowl, and I see in the center of the bowl there is cilantro. At the same time, there are yellow items that appear to be tofu, and there are other ingredients that could be either pig blood or duck blood, along with liver and some other organ-like foods. The bowl contains a mix of various animal organs along with tofu, and there might also be some kind of powder at the bottom. It represents a traditional Asian dish.']
|
[False, False, False]
|
[nan, nan, nan]
|
This culinary description begins with a bowl of food that showcases a rich assortment of animal innards, specifically highlighting duck liver and duck intestines. Accompanying these primary ingredients are tofu and cilantro, contributing to the overall taste profile of the dish. The presentation is reminiscent of traditional Asian cuisine, particularly those that emphasize braising or stewing flavors. In the bowl, the predominant components include duck liver, duck intestines, duck blood, fried tofu, and various green vegetables, all garnished with vibrant cilantro leaves. The bowl itself is white, which provides a stark contrast against the darker tones of the innards occupying most of the dish. The animal innards exhibit a glossy finish, a result of the braising process, and display a color palette ranging from deep brown to purplish-red and dark brown hues. The fried tofu rests prominently atop the mixture, its lighter yellowish color adding visual interest. The texture of the animal innards is described as chewy, while the fried tofu appears with an outer layer that is relatively dry, indicating it might have been fried or baked to achieve that texture. The fresh cilantro, vibrant green in color, enhances the dish's appeal and contributes an aromatic element. The background of the image is slightly blurred and dark, effectively directing attention to the vivid food presentation. The style employed is characteristic of culinary photography, emphasizing the intricate textures and colors of the food. The dish is suggested to have origins in various regions across Asia, including China, Taiwan, or Southeast Asia, with comparisons made to traditional braised platters from Guangdong or Vietnam's innards noodle soup, as well as Taiwan's braised rice. It serves as an excellent staple food, flexible enough to function as a hearty late-night snack, and pairs well with accompaniments such as rice, porridge, or noodles. Nutritionally, this dish is noted for its high protein and iron content, making it advantageous for replenishing energy. In a more straightforward composition, a second description depicts another bowl, this time made of plastic and featuring mixed vermicelli atop a dark-colored table. This bowl contains three pieces of fried tofu, six pieces of duck blood, a small pinch of cilantro, alongside duck tendons and duck skin placed alongside. The food is vibrantly colored and freshly served. Notably, there is an absence of spices like chili, indicating that the flavor might be relatively mild. A third description emphasizes an image of food in a white bowl, where cilantro is again a central element. Yellow pieces of tofu are evident, complemented by what appears to be either pig blood or duck blood, liver, and additional organ-like components. The contents represent a traditional Asian dish rich in diverse flavors and textures, possibly incorporating some kind of powder at the bottom of the bowl to enhance the flavor profile.
| 459 |
|
nonnative
|
['1RO8CaxTjzjF', '1lBDj6385y0E', '12ajCM3eRZKh']
|
['English', 'English', 'English']
|
[" This photo, it is centered on a bird. This bird is a waiting bird that has red legs and looks sort of like a stork. The body is white but has a sort of gradient towards gray, towards its head. And there is a bit of red around the eye towards the beak and the beak is mostly black with a bit of red at the very tip. And the shape of the beak indicates that this bird probably pecks through the water to get its food. The rest of the photo in the background is blurred but it just looks like more water. And the reflection of the water shows some green. So we're probably in a, there's probably some trees around this stork. You see in the left hand side there's some text that I cannot read because it's too small. But I see a symbol there that looks like the copyright symbol. So it looks like this is a nature photographer's photo.", " So this image I think is supposed to be a heron or some sort of waterfall slash bird in a river. The river itself is green and the bird is sort of up to its ankles, it seems, in the water. It has red feet, white feathers, but the feathers sort of like turn into this grayish part as it nears its upper torso and neck. This bird has a red face and a black beak. The beak at the very tip has orange and you can see kind of like a droplet of water kind of dripping off that beak. You can also see the reflection of the bird in the water that it's standing on. And it's facing the right of the image and I think it appears to be hunting because its eyes, which are yellowish with black irises, is slightly looking into the water, which I believe is where it's trying to look for fish.", " From the picture I can see a bird with the white weather turning to the black gradually from the tail of the bird to the head. And the feet of the bird is totally red and his face is also red with black mouth. But at the tip of the mouth is red as well. And from the picture I can also see there's a drop of the water at the tip of its mouth which represents this bird is searching something inside of the water and just to get out from the water. So the water is still the drop still at the tip of its mouth. The background of this bird is on the river or on the shallow water because I can also see an inverted reflection at the surface of the river or water. And the river is also has some wavy on the surface of the water which represents a windy weather when the photographer took this picture. And also I can infer that from the bird is very peaceful. The one who took this picture is mainly far away from this bird. Use the long length camera to take this picture."]
|
[False, False, False]
|
[nan, nan, nan]
|
This photograph prominently features a bird that resembles a stork, known for its graceful stance as it patiently waits in the water. The bird showcases striking red legs and a predominantly white body that transitions into a subtle gray gradient towards the head. Around the eye and extending towards the beak, there are hints of red, which adds to its vibrant appearance. The beak, primarily black with the tip adorned in red, has a shape indicative of a bird that forages in water, likely pecking and probing to find food. The background of the image is artistically blurred, focusing attention on the bird while suggesting the presence of water, and showing reflected green hues, which imply that there are trees nearby. To the left side of the photograph, there is some small text that remains unreadable due to its size, but it does feature a symbol that resembles a copyright mark, indicating the work of a nature photographer. In another image, the subject appears to be a heron or a similar bird, standing in a river that has a greenish tint. The bird is positioned in the water up to its ankles, exhibiting red feet and white feathers that take on a grayish hue as they reach toward the upper torso and neck. Its face is strikingly red, while the beak is black with an orange tip, adorned with a droplet of water that hangs from its end. This detail suggests the bird is actively hunting, as it faces the right side of the image, its yellowish eyes with black irises focused on the water below in search of fish. The depiction of yet another bird reveals a smooth transition of colors in its feathers, starting with white at the tail and gradually turning black toward the head. The bird features completely red feet and a red face, with a black mouth that also has a red tip. Notably, a droplet of water clings to the tip of its mouth, indicating it has just emerged from the water, perhaps after searching for food. The water's surface reflects the bird’s image, showcasing the clarity of the scene. The gentle ripples on the water's surface suggest windy conditions when the photograph was taken, while the tranquil demeanor of the bird implies a serene environment. It is evident that the photo was captured from a considerable distance, utilizing a telephoto lens to maintain clarity and focus on the bird.
| 162 |
|
nonnative
|
['1cxA1wknKm3y']
|
['English']
|
[" The following image is what appears to be a bunch of movements from the game of basketball. I think it shows some of the most famous moments in the NBA in the form of hand-drawn figurines. What we can see are images like Michael Jordan's Jumpman. We can see George Mikan. We can see images of dunking and skyhooks. We can also see various overall movements and maybe how to play the game. On the bottom right of the image is some Chinese words and the link redocn.com. So this might be an instructional image from a Chinese website instructing people how to play basketball and what the overall movements should look like."]
|
[False]
|
[nan]
|
The image in question showcases a collection of movements and moments from the sport of basketball, depicted through hand-drawn figurines. Prominently featured is the iconic Jumpman logo associated with basketball legend Michael Jordan, symbolizing his gravity-defying jump and athletic prowess. Additionally, the image honors basketball pioneer George Mikan, who was known for his significant contributions to the game, especially in developing the center position. The artwork illustrates various dynamic actions characteristic of basketball, including dunking—where players leap and score by putting the ball through the hoop from above—and the skyhook, a distinctive shooting technique popularized by Kareem Abdul-Jabbar. These images not only demonstrate the athleticism involved in basketball but also serve as visual representations of the game's fundamental movements, likely aimed at instructing aspiring players. In the bottom right corner of the image, there are Chinese characters alongside a URL, redocn.com. This suggests that the image may originate from a Chinese website dedicated to providing instructional content on basketball, aimed at helping individuals understand the game's movements in a more structured manner. The inclusion of Chinese text indicates the potential for a broad audience, possibly targeting those interested in learning basketball fundamentals in a culturally relevant context.
| 2,472 |
|
native
|
['12q1lHKHoIYK', '1nKboMBw3R5c', '102XylxTBWpp']
|
['Chinese', 'Chinese', 'Chinese']
|
["This is an apartment building with lawns and trees. The colors of the apartment building are blue and white. The footage was likely taken in the evening when the streetlights are on, but it's not completely dark yet, and you can see people walking in the distance. Besides that, the grass is quite green and well-maintained, and the plants also look healthy. There are some signs with text that is not very clear. You can see that the apartment has air conditioning and CCTV, indicating that the security of the building is adequate. Additionally, there seem to be other apartment buildings in the distance, suggesting that this is a relatively densely populated area. So, what we see now is that there are some taller buildings in the background. However, it’s not possible to capture everything clearly, so we hope to refer to this as we have more details.", 'This is a photo taken of a modern building, which seems to be located outside. In the upper left corner of the photo is a sky-blue building that looks like a residential structure, approximately eight or nine stories high. Outside, there is a lawn, and on the right side, there are trees with green leaves. In the more central part of the photo, there is also a traffic sign or something similar with a back facing towards the viewer.', 'From this picture, we can see a building that is about seven or eight stories high. The building has a blue base, with the lower four floors in blue and the upper floors in white. In front of the building, there is a lawn and a small path. This image primarily depicts a building, but in the distance, there should be several other buildings as well. This image seems to represent a residential area since there are many buildings, lawns, trees, and pedestrians. The green lawn is lush, and there are a few pedestrians in the distance. Even without any text on the image, we can infer from this picture that it is a residential community with well-planned surroundings, abundant greenery, clean lawns, and tidy paths.']
|
[False, False, False]
|
[nan, nan, nan]
|
The footage features an apartment building situated in a neighborhood characterized by well-maintained lawns and healthy trees. The apartment building exhibits a color scheme of blue and white, providing a modern and inviting aesthetic. The time of day appears to be in the evening, as evidenced by the illuminated streetlights, while the sky is still displaying some light, indicating that it is not completely dark yet. In the backdrop, the presence of pedestrians walking suggests a sense of community and activity within the area. The grass surrounding the building is vibrant and well-kept, which contributes to the overall attractiveness of the environment. In addition to the pleasing landscape, there are various signs present in the vicinity, although the text on them is somewhat unclear. The building itself is equipped with air conditioning units, and the presence of CCTV cameras indicates a commitment to security and safety for the residents. Furthermore, the view extends to other apartment buildings in the distance, which implies that this is a relatively densely populated area with a variety of housing options available. In a separate image, there is a photograph of a modern building, prominently displayed outdoors. This particular structure, located in the upper left corner, appears to be a residential building, estimated to be around eight or nine stories tall. It showcases a sky-blue facade that complements the surrounding greenery. The area immediately outside consists of a well-manicured lawn, and to the right, a collection of trees with lush green leaves adds to the natural beauty of the setting. In the center of this photograph, there is also a traffic sign or a similar object, positioned with its back facing the viewer, which adds a layer of context to the environment depicted. In yet another image, the description reveals a building that stands approximately seven or eight stories high, featuring a blue base that covers the lower four stories, with the upper levels painted white. This building is accompanied by a lawn and a small pathway that enhances its residential appeal. The surrounding area hints at a community via the visibility of additional buildings in the background, which further emphasizes the residential nature of the locale. The well-planned surroundings, complete with abundant greenery, clean lawns, and tidy paths, suggest a well-managed neighborhood conducive to comfortable living. The presence of pedestrians in the distance reinforces the idea that this area is both welcoming and utilized by its residents.
| 503 |
|
native
|
['1kJ44QNBUsLI']
|
['Spanish']
|
['This photo is of a bullfighting scene. It is taken from the perspective of someone watching a bullfight. The stadium is completely filled with people. There are spectators wearing horse caps, and there is a person currently engaged in battle with the bull. I believe they are wearing black attire, and everyone is watching the fight. Half of the photo shows the sky, which is blue, and the sunlight is bright, suggesting that it might be sunset. In the stadium, the color seems to be red, with some black-green railings. There are just a lot of people, all in different clothing, wearing white and blue shirts. Easy.']
|
[True]
|
['Spanish bull fight']
|
The captivating photograph depicts a dynamic scene from a Spanish bullfighting event, capturing the intense atmosphere of this traditional spectacle. The vantage point of the image is positioned as if the viewer is a spectator in the vibrant stadium, which is filled to capacity with an enthusiastic audience. Numerous spectators are visible, some notably donning traditional horse caps, a common accessory that reflects their connection to Spanish equestrian culture and the grand heritage of bullfighting. At the center of the composition, one can see a matador engaged in a fierce battle with a bull. The matador is clad in a striking black outfit that is often symbolic in the context of bullfighting, representing strength and determination. The audience is completely riveted, their varied expressions conveying the range of emotions that accompany such a dramatic event, from excitement to apprehension. Above the stadium, the photograph features a large expanse of sky that is bright blue, indicating clear weather that enhances the vividness of the scene. The sunlight appears particularly brilliant, suggesting that this moment occurs during the golden hours, likely just before sunset, casting a warm glow over the whole setting. In terms of color, the stadium's aesthetic is marked by striking red hues, tied to the traditional color associated with bullfighting, which is deeply rooted in Spanish culture. Alongside the bold red, there are elements of black and green visible in the railings, creating a juxtaposition that adds depth to the overall visual experience. The crowd is diverse, with individuals dressed in a mixture of clothing styles, including the commonly seen white and blue shirts, which might signify support for specific matadors or simply serve as casual wear for the day’s festivities. This convergence of colors and styles underlines the social aspect of bullfighting, where families and friends gather to witness this age-old tradition together, highlighting its significance in Spanish culture.
| 1,259 |
|
nonnative
|
['1bpJuiMIlLz5', '1jGeW9VGizRX', '11jkYRn7SpH5']
|
['Chinese', 'Chinese', 'Chinese']
|
["The content of the picture shows two drinks, both green, and a small green cake on a black plate shaped like a triangle. There are also two straws and a fork. The black tray is placed on a yellow table. At the top of the picture, there is a person with a pair of hands, and they are wearing red clothing. In the upper right corner of the picture, there is a wallet, which is black. Inside the plate, there is a piece of paper that is written in Korean, but I can't read it, so I don't know the specific meaning of the words.", "This image is also a square, with two cups of drinks and a dessert in the center. Both drinks are green; the one in the middle seems to be a matcha-flavored milk tea or latte, while the cup on the left features a gradient from green to white and is topped with matcha powder. It is estimated to be a latte made with matcha, milk, and some matcha powder. There are two straws and a small fork included because there is also a green triangular cake on the right, which should also be matcha flavor. These three items are placed on a tray, which is set on a table. From the tray, a person's hand can be seen on the opposite side, holding some papers, possibly receipts. The scene suggests that two or more people have come to a dessert shop, purchased two drinks and a dessert, and are just sitting down to prepare to share with the person across from them.", 'In the center of this picture, there is a black tray with three items of food on it. The first is a drink that has matcha powder sprinkled on top and is likely milk with ice. The second drink is also green, but the matcha powder has probably been mixed in, and it is also an iced beverage. The third item is a small black plate holding a multi-layered matcha cake, possibly a mousse cake. In the middle of the plate, there is a small fork for eating the cake, and there are two watermelons that are meant for drinking. Opposite the table is a person wearing a red hoodie, seemingly getting a napkin ready to wipe something off the table, next to which is his wallet. The color of the table is orange, and in the background, the stools of another table can be seen, along with clothes hanging on them. The floor is black. These foods appear to be for a deep matcha enthusiast.']
|
[False, False, False]
|
[nan, nan, nan]
|
The content of the picture showcases an appealing assortment of food and beverages arranged neatly on a black tray. At the center of focus, there are two vibrant green drinks along with a small, triangular green cake, all of which are placed on a black plate that is shaped like a triangle. Accompanying these items are two colorful straws and a fork, which suggests that these items are meant for sharing. The tray is positioned on a bright yellow table, creating a lively contrast. In the upper part of the photograph, a person can be seen whose hands are prominently featured, and they are adorned in bright red clothing, adding a pop of color to the overall scene. Additionally, the upper right corner of the image contains a sleek black wallet, hinting that this gathering may involve a casual outing where payment for the items is required. Inside the plate, there is a piece of paper written in Korean; however, the writer admits to an inability to read the text, leaving its exact significance a mystery. The aesthetic appeal of the scene paints a picture of a cozy dessert experience. Another view of the arrangement depicts the items in a square format, where the two cups of drinks and the dessert are centered prominently. The drink positioned in the middle is believed to be a matcha-flavored milk tea or latte, recognized for its creamy consistency that contrasts beautifully with the vibrant green of the other drink. This alternative drink on the left demonstrates a captivating gradient from deep green to white and is generously topped with matcha powder, further indicating that it contains matcha, milk, and perhaps additional ingredients that enhance its flavor profile. The inclusion of two straws and a small fork reinforces that sharing is encouraged, especially with the small triangular cake, also presumed to be matcha-flavored. These delectable items set the scene perfectly on the tray placed centrally on the table. A hand belonging to the same person seen earlier appears from the opposite side of the tray, grasping some papers—likely receipts—implying that they are comfortable in a setting that allows for relaxation and enjoyment. It seamlessly suggests that a small group of friends or acquaintances has gathered at a dessert shop, where they have purchased these delightful treats to savor together. In a separate description, the focal point of the picture is once again a black tray adorned with three enticing items. First, there is an iced drink dusted with matcha powder, likely a blend of milk over ice, and the second drink, similarly green, indicates that the matcha powder has been mixed in before serving, presenting another version of an iced beverage. The third item is a small black plate housing a multi-layered matcha cake, potentially a mousse cake with its rich, creamy texture. A small fork rests atop this dessert, implying readiness for enjoyment. Additionally, two watermelon wedges are included, which seem to be served for hydration or decoration, adding a refreshing touch to the collection. Visibly positioned opposite the table is a person wearing a comfortable red hoodie, seemingly preparing a napkin to tidy up the surface, next to their wallet, which adds a personal, everyday element to the setting. The table is painted a bright orange, stimulating joy, while the background reveals stools from another table, along with hanging clothes, which contributes to a casual and cozy atmosphere. The black flooring contrasts with the bright colors above, bringing the ensemble together splendidly. These food and drink items appear specifically chosen for those who are passionate enthusiasts of deep matcha flavors, showcasing the richness and variety of matcha-themed culinary offerings.
| 1,023 |
|
nonnative
|
['1mEp8OAnTnKX']
|
['English']
|
[" In this image, it appears to be a map of somewhere. It's not very well labeled. It's all labeled in the Asian language. And there appears to be either borders of a country or state. And then there's outlines as well as three arrows. Two arrows going up in different directions, spinning off to different directions in orange. And the one thicker line that is going horizontally in red. And there's a bunch of circles throughout the image, throughout the lines as well. Maybe to dictate certain cities or locations on this map. And then there's big green circles that the lines pass through. Maybe to denote a certain region or area of some sort. And then this map also shows a blue body of potentially water or liquid on the right corner. And then there's a compass on the top left. As well as some more label in Asian language. And then it says something, something, something in Asian language. And since 2005 something, presumably year to 2020. And again, the character that presumably means year. And then there's a compass on the right corner."]
|
[False]
|
[nan]
|
In this image, we observe a map that lacks sufficient labeling, with the inscriptions primarily in an Asian language, which adds a layer of cultural specificity to the depiction. The map seems to illustrate either an administrative border or geographical boundaries of a country or state, indicated by a series of outlined borders. Furthermore, the map features three arrows: two of these arrows are depicted in orange and are oriented upwards, but they diverge in different directions, suggesting movement or travel routes. The third arrow is represented by a thicker line in red, stretching horizontally across the map, indicating a significant route or the main thoroughfare. Throughout the map, there are numerous circles, which likely signify various cities or important locations. Among these, larger green circles stand out, possibly indicating key regions or areas of interest that the lines intersect with. On the right corner of the map, there is a blue body of water, which could represent an actual lake, river, or sea, adding another geographical element to the map's context. In the upper left corner, a compass is displayed, essential for orientation and navigation, and further enhances the map's utility. Additionally, within the same corner, there are more inscriptions in the Asian language. Notably, there is a phrase that includes references to "something, something, something" along with a date range indicated as “since 2005” up until "presumably 2020." The characters used likely include one that signifies "year," pointing towards significant temporal information relevant to the map. Lastly, there is another compass noted in the right corner, reiterating the navigational focus of the map.
| 2,329 |
|
native
|
['11peNT4yCXhn', '1ntkSkFL27dp']
|
['Chinese', 'Chinese']
|
['This image features some Chinese characters, which seem to be promotional material for street dance, as the Chinese text above refers to "Street Dance." Below, there’s a QR code, indicating that this is likely a poster about life in motion. We can scan the QR code below to access more information. The poster includes many logos and images of people dancing, all presented in a very Chinese style, which I believe reflects a distinctly Chinese method of poster design. The presence of Chinese characters suggests this is a campaign promoting movement and conveying that life is about movement. There are hot air balloons, and the colors are a blend of vibrant shades. So, in essence, we are not losing anything by engaging in this; it\'s akin to a collective activity that elevates us all.', 'This is a poster that says "Passionate Street Dance, Radiant Charm," which is likely related to street dancing as a sport. Below it, there is a slogan written in a very lively way, saying "Life is in Motion," indicating that street dance is very beneficial for physical and mental health. The poster uses red and blue as its color scheme, creating a striking contrast, which enhances its appeal significantly. Additionally, there are two hot air balloons ascending, symbolizing vigorous development and vitality. In the background, there is a boy doing B-boy moves, as he is performing actions with his hands on the floor, representing a skillful ability typical of B-boying. Essentially, I believe this poster conveys a sense of energetic creation that we must pay attention to.']
|
[True, False]
|
[nan, nan]
|
This image prominently features Chinese characters, which appear to be part of a promotional material specifically aimed at showcasing street dance. The text at the top of the poster translates to "Street Dance," suggesting that the content is centered around this vibrant and expressive form of movement. Beneath the main text, there is a QR code, which implies that viewers can scan it to access further information related to the event or campaign, highlighting modern engagement methods in promotions. The design of the poster is characterized by numerous logos and images depicting individuals engaging in various dance styles, all presented in a visually appealing manner indicative of traditional Chinese poster design. This method often emphasizes bold graphics and dynamic imagery, embodying a distinctly Chinese visual aesthetic that resonates with cultural values of community and collective expression. Additionally, the presence of hot air balloons in the design contributes to the theme of life's dynamic nature and movement. The color palette is rich, combining vibrant shades that evoke energy and enthusiasm. The overall composition suggests that partaking in street dance is not only about individual expression but also promotes unity and collective upliftment. The poster features the tagline "Passionate Street Dance, Radiant Charm," linking street dancing to both artistry and athleticism. The lively slogan "Life is in Motion" reinforces the idea that engaging in street dance has positive effects on both physical and mental well-being. This statement presents street dance as a beneficial activity that encourages movement, vitality, and personal growth. Visually striking elements, such as the contrasting use of red and blue, serve to enhance the poster’s appeal, drawing the viewer's attention effectively. The imagery includes a boy performing B-boy moves, a skillful display of acrobatic dance that involves hand-to-floor actions, showcasing not only athletic prowess but also the artistic expression typical of the B-boying culture, which originated from hip-hop. In essence, this poster encapsulates a sense of energetic creativity and the importance of movement, inviting viewers to engage and recognize the health benefits and joy of dance. It sends a clear message that life is enriched through motion, embodying a call to action for both individuals and communities to embrace this dynamic lifestyle.
| 2,148 |
|
native
|
['1kDNl3Sy7BzI']
|
['Russian']
|
['At first glance, there are two Russian passports from the Russian Federation, along with divorce certificates. The text indicates that these are passports and certificates. In terms of positioning, the two passports are laid out with the certificates. What details are there? Well, there is a stamp indicating that the certificate is official, all in Russian. There is no background, but it seems everything is placed on a white table. These are either photos or scans intended to be visible for some state or something like that. What else? There is also a signature from the person who seems satisfied, essentially signing that this is the correct certificate and the correct passports.']
|
[False]
|
[nan]
|
Upon closer examination, the scene contains two Russian passports issued by the Russian Federation, accompanied by divorce certificates. The items are organized such that the two passports are displayed alongside the divorce certificates, which clearly indicates their relevance to each other. The divorce certificates bear an official stamp, which verifies their authenticity, and this stamp is inscribed entirely in Russian, reflecting the formal nature of the document within the context of Russian bureaucratic systems. The lack of any background in the presentation suggests a stark and minimalistic approach, with all items placed neatly on a white table, enhancing the focus on the documents themselves. This arrangement implies that these images, whether they are photographs or scans, were likely captured for the purpose of review or submission to a governmental or official body, indicating that they might be required for legal proceedings or other formal engagements. Additionally, one of the documents includes a signature from an individual who appears to express satisfaction with the correctness of the certificates and passports presented. This signature further solidifies the legitimacy of the documents, as it implies that the person is affirming their validity and perhaps acknowledging the completion of the necessary processes related to their marital status change.
| 3,045 |
|
nonnative
|
['12iffcdDZAHY']
|
['English']
|
[" This image appears to be some sort of old clay kettle that's located in the front that's sitting on a pile of bricks outdoors. Looks like it's a sunny day with clouds. And next to this kettle, it looks like there's bags of rocks. There's a number of these bags layered on top of each other. And it looks like this is inside of an alleyway, which is located between two houses. The bricks themselves have holes, plenty of holes. And the bags of rocks seem to be very gray and dark. The pot itself looks old and it has like a circular top, probably a handle where someone can grab and pour from. And the lid can like, can, it looks like the lid is sealed on. Not sure if someone can take that off and on. I think everybody knows. I guess this мест auction is here. Fantastic. Perhaps we're pouquinho, because there's nothing about them. We'll see in paths for a little while the dragon dies. We're touching it. Maybe there's a little bit more. Maybe you can get a little bit more at the estoy-p奇怪 Kart.50 Almost all the slides are cute. Here seems to be the Edgar berry Ooha Leni from far as its 밑ner screen. If I'm peaceful, I'm a littleія. What should I have done with the palace Goodness forbidian? I hope I made a little picture of the Pittsburgh Duck,"]
|
[False]
|
[nan]
|
This transcription captures a detailed description of an outdoor scene featuring an old clay kettle situated on a pile of bricks. The kettle is placed prominently in the foreground, highlighting its antiquity and composition. The day appears to be sunny, with a few clouds scattered across the sky, indicating pleasant weather. Next to the kettle, there are several bags filled with rocks, stacked on top of each other in a somewhat disorganized manner. The alleyway in which this scene is set is located between two houses, creating a somewhat secluded environment. The bricks forming the base have a texture marked by numerous holes, giving them a weathered appearance. The bags containing the rocks are notably gray and dark, adding to the rustic feel of the setting. Focusing on the kettle itself, it is described as having a circular top that likely serves as a handle for pouring. This feature suggests that it was designed for functional use in its time, though it appears that the lid might be sealed on, making it uncertain whether it can be opened or removed. The transcription reflects on the curiosity and nostalgia evoked by the kettle, as well as the surrounding elements. There are some fragmented and unintelligible segments towards the end of the transcription. These lines seem to touch upon other themes, perhaps related to auctions or thoughts on local culture. Phrases such as "I guess this мест auction is here" suggest a reference to a marketplace or auction environment, perhaps indicating that the kettle could have historical value. Other remarks appear to be more abstract or poetic in nature, but they lack clarity and coherence, which renders them difficult to interpret. Overall, the description provides insights into the natural and cultural context surrounding the kettle and the items nearby, weaving a narrative rich with visual detail and historical significance.
| 1,317 |
|
nonnative
|
['15QM81hgv4fO']
|
['English']
|
[" The image shows a classroom and it shows the front of the classroom with students' backs and the teacher talking towards them and towards the camera. There is one teacher in the front and many students, more than ten in frame. Students all have black hair and the teacher in the front is wearing a white collar shirt with jeans and a belt. There is a long black board behind him with a projector screen pulled down in front of the black board that has a white image on it and faintly of a woman eating cake. The classroom walls are all white and there is a fan on the top left corner that is bronze colored. There are also doors on the left and right side that are dark brown. The style appears to be of an academic setting and casually taken of the teachers teaching these students."]
|
[False]
|
[nan]
|
The image captures a vibrant classroom environment, primarily focusing on the front section where a teacher is actively engaging with a group of students. The teacher is positioned at the front of the classroom, facing both the students and the camera, creating an interactive scene. He is dressed in a white collared shirt paired with jeans and cinched with a belt, projecting a casual yet professional demeanor typical of an academic setting. In the vicinity of the teacher, there are more than ten students whose backs are visible. All the students have black hair, indicating a potential cultural or demographic commonality. This detail may reflect the diversity or homogeneity of the classroom's composition. Behind the teacher is a long blackboard, a traditional feature in educational environments, which serves as a place for teaching materials and information. In front of the blackboard is a projector screen that is currently pulled down, displaying a white image. The faint image projected on the screen depicts a woman enjoying a piece of cake, possibly part of a lesson or visual aid connected to a topic being discussed. The classroom itself has white walls which brighten the space and contribute to a cheerful atmosphere conducive to learning. In the upper left corner of the room, a fan is mounted, finished in a bronze hue, likely intended to provide comfort during warmer days. Throughout the classroom, there are dark brown doors on both the left and right sides, which provide access to different areas and can signify a blend of style and function. Overall, the image illustrates a dynamic and engaging learning environment where the teacher interacts with students in a typical classroom while incorporating visual aids to enhance educational experiences. The scene is casual yet structured, emphasizing the importance of teacher-student interaction in a modern academic setting.
| 2,746 |
|
nonnative
|
['1yzztRV5FtJ4']
|
['English']
|
[" this image looks like it's depicting a woman particularly of east asian descent looking out out into the sky it looks like there are some trees behind her maybe there are they are it's fall because they are different colors they are red and they are green and i think i see some part of the trees that even look slightly blue that might be because of the sky's tint on the leaves she additionally appears to be wearing some type of dress of green color and some type of ornament on her arm however the dress does not seem like it was bought at a store it was most probably made on her own or made out of some other type of material and she has a designer haircut it looks like she dyed her hair brown um she has bangs and quite short hair that is about short shoulder length"]
|
[False]
|
[nan]
|
The image in question features a woman who appears to be of East Asian descent, gazing thoughtfully toward the sky. Behind her, a backdrop of trees is visible, exhibiting a spectrum of colors indicative of the autumn season. The foliage displays vibrant hues of red and green, while some leaves take on a subtle bluish tint, possibly reflecting the light blue of the sky that casts its influence on them. In terms of her attire, the woman is dressed in a green garment that suggests a handcrafted quality; it is likely that this dress was either made by her own hands or constructed from unique materials, distinguishing it from typical store-bought clothing. Notably, there is an ornament adorning her arm, which adds an element of personal expression to her outfit. Her hairstyle is quite fashionable; she sports a designer haircut that features dyed brown hair. The cut is notably short, about shoulder length, with bangs framing her face, creating a modern and chic appearance. The overall presentation suggests a blend of individual style and an appreciation for the natural beauty of the changing season surrounding her.
| 2,227 |
|
nonnative
|
['1gb6wNzVQePM', '1dJQ9SYiJfE9']
|
['Chinese', 'English']
|
["The image shows a cat curled up resting on a cushion. The cat is light beige and dark brown, and it has curled into a crescent shape. The cushion is blue with a small floral pattern, and the chair is wooden. The cat has a green and yellow collar, which may be a bow or a scarf. There is no text found in the image. The cat is positioned in the center of the cushion, its body curled into an inverted C shape, with its head close to the front edge of the cushion facing the camera. The cushion completely covers the seat part of the chair, and the edge of the chair is quite clear. The cat's eyes are bright and alert, looking into the distance. The pattern on the cushion is blue with white flowers, and the cat's fur color contrasts distinctly with its dark brown face and tail. The background appears to be an indoor setting, as the floor is light gray tiles. Overall, the background is quite simple, suggesting a home style with a color scheme dominated by beige, blue, and wood, complemented by soft accents of green and yellow.", " This is a picture of a cat. The cat is white and has brownish whiteish fur. The cat has dark brown ears and white whiskers. As you go towards the cat's nose, the cat's hair becomes darker. It has dark eyes and the eyes are looking up towards the camera. The cat is lying down on this surface. The surface is some sort of cushion on a chair. The chair is dark brown. The ground is also visible and it's some sort of dirty white tile. The tail of the cat is dark brown and the cat has a green collar that has a yellow attachment. The pillow that the cat is sitting on is printed and detailed. The pillow is navy and the details are in green and yellow. They are striped details with one section flowers and the other section other designs."]
|
[False, False]
|
[nan, nan]
|
The first image captures a serene moment featuring a cat curled up comfortably atop a cushion. The cat's fur displays a combination of light beige and dark brown hues, forming a visually striking contrast, particularly on its dark brown face and tail. It is curled into a shape resembling an inverted crescent, which indicates a relaxed state, a common position for cats while resting. The cushion beneath the cat is adorned with a blue color enhanced by a delicate floral pattern in white, contributing to a soothing aesthetic. The chair supporting the cushion is wooden, offering a natural texture that complements the overall homey vibe of the scene. The cat sports a vibrant green and yellow collar, which adds a playful touch and may resemble a bow or a scarf, further enhancing its charm. The cat is positioned centrally on the cushion, with its body curled inward, and its head is oriented towards the front edge of the cushion, gazing directly at the camera. Its bright eyes convey curiosity and alertness, suggesting that it is in a moment of watchfulness, possibly observing its surroundings or anticipating movement. In the backdrop, the indoor setting is completed by light gray tiled flooring, which contrasts with the warm tones of the chair and cushion, providing a simple yet inviting atmosphere. The color palette features beige, blue, and natural wood tones complemented by soft accents of green and yellow, which evoke a peaceful and cozy living space. The second image centers on another cat, characterized by its predominantly white fur interspersed with brownish and whitish patches. The cat has distinct dark brown ears, creating a lovely juxtaposition against its lighter body fur. Additionally, its white whiskers stand out prominently and contribute to the overall facial features. As one examines the cat more closely, it is apparent that its fur color transitions to darker shades as one approaches its nose. The cat is depicted lying down on a similar cushioned surface, which is situated on a dark brown chair, contributing to the rich visual contrast. Below the chair, the flooring is revealed to be a dusty white tile, indicating the practical aspects of an indoor living space that may undergo frequent use. The cat's dark brown tail adds to its overall appearance, harmonizing with its darker ear color. Adorning its neck, the cat wears a green collar that features a yellow attachment, potentially indicating a place for identification tags. The cushion on which the cat rests is detailed with navy fabric, showcasing intricate designs characterized by stripes in green and yellow, alongside floral motifs, enhancing its decorative appeal and reflecting a playful yet stylish aesthetic.
| 1,540 |
|
nonnative
|
['1SnfYM6reTar', '12Vyi0Wf8KFk', '1hMdqjoZ5peG']
|
['English', 'Chinese', 'Telugu']
|
[" This image is an image of a fire hydrant. I can see the American flag in the background. And right above the fire hydrant there's a sign that says fire hydrant for some reason. It is right next to the curb on a patch of grass and right next to the fire hydrant there is a tree. And the curb is colored in yellow. Next to the curb we can also see some sort of drain covered with grass. And we can also see an intersection and on the other side of the road there are parked cars. And some sort of building with the American flag right next to the building.", 'This picture shows a red fire hydrant on the roadside, primarily focusing on the hydrant, which is accompanied by a red sign. The fire hydrant stands on a green lawn, next to which some yellow paint has been applied to the roadway. In front of it is a major road, and beyond that, there seems to be a parking lot filled with numerous cars. Adjacent to the parking lot, there should be a building, likely a house. Next to the fire hydrant, there appears to be a tree; in the image, only the trunk is visible, but it should be a tree. These are the main details. The image contains no text, and regarding specifics, there should also be a storm drain outlet visible in the picture, along with some crosswalks. The background typically represents a city street environment, with the primary color tone being green, as it mainly showcases the grass, which looks particularly nice.', 'In the market, this fire seemed like something really striking, and it was unusual. There were many people gathered around it, and I was right there too, very close. Everyone was talking about how intense it was, and the atmosphere was vibrant. The whole place was filled with energy and the sounds of excitement.']
|
[True, False, False]
|
['American flag', nan, nan]
|
This image prominently features a red fire hydrant positioned near the roadside. The perspective captures not only the hydrant but also a red sign situated directly above it that reads "Fire Hydrant" for clear identification, an aspect that could be attributed to safety regulations or community awareness efforts. The hydrant stands on a neatly manicured green lawn, emphasizing the contrast between the vibrant grass and the yellow-painted curb adjoining the roadway. In the foreground, there is a busy road, leading to a parking lot that is filled with parked cars, indicating a bustling urban environment. Just beyond the parking lot, a building is visible, likely a residential structure, which adds to the context of the city street scene. Close to the fire hydrant, there is a tree; although the image only reveals the trunk, it suggests the presence of foliage that contributes to the neighborhood's greenery. Additionally, there is a storm drain outlet partially visible, which is common in city setups to manage rainwater runoff, and crosswalks that denote pedestrian pathways across the road, promoting safety in an area with vehicle traffic. The overall setting evokes a characteristic city street atmosphere, highlighted by the predominant green color stemming from the grass. Separately, a different scene describes a vibrant market where a fire has created a striking and unusual situation, drawing a crowd of people gathered around it. The intensity of the fire captures everyone’s attention, leading to animated discussions about its severity. The atmosphere is described as being charged with energy and excitement, with sounds of chatter and reactions from onlookers filling the air, highlighting a sense of community engagement in an extraordinary event.
| 1,809 |
|
nonnative
|
['14BADPQ7wIyn', '1gzcPyBkOwKH', '1kA0tteUrdzk']
|
['English', 'English', 'English']
|
[" This image is a nature image. The focus of the image is a large drop of water flowing over a vertical drop into a river. In other words, a large waterfall. Where the large waterfall meets the river, mist rises from the base, contrasting against green trees. Lush green trees can be seen on both sides of the waterfall, indicating that the time of year could be spring. In the foreground of the picture, or further downstream, the river flows gracefully over smooth stones before tumbling down a much smaller waterfall. There is sunlight, but it appears to be a cloudier day. There are no people in the shot. So this could be in a remote area or it could be in a national park at a sparsely visited time. This image reminds of the beauty of nature and our natural world and you can imagine a lot of people finding peace in this area. So thank you for takingcel Wet View to the surface mercifuls with RAEyJDON! I'm going to stay in air in a quicknover can take a deep because of India manyняw homes and desires for that's a pleasure. I mean opelView without a entry left, I can hear from those fingers past. I see a ghost who has more relaxed libido from the rightful time. Sometimes it な disk this area of maybe Heiner's having a very deep call of the rightful nuance. After your raising right to comment this particularvellian bit, there have to be a gap of 7 frames.", " The image is a nature scene of a waterfall. The waterfall looks very large and there is quite a lot of water that is running down. In this image, the waterfall looks like it's angled slightly to the left. There is also a lot of spray to the left of the image that is caused by the waterfall hitting the riverbed below. The sky above the waterfall is blue and it seems to be colored very brightly. There is a lot of vegetation on either side of the waterfall, which is mostly just green trees. The waterfall itself is in the center of the image, but it's more in the background. In the foreground, I can see a river. There is a shelf on the riverbed that is almost at a 90 degree angle, so the river flows and there is an abrupt lowering of the riverbed. The water is a white color because of the activity of the water. The riverbed itself can be seen in the more shallow area and it is brownish in color.", " So here we have a waterfall. The waterfall is centered in the image. At the bottom of the waterfall, there's various water vapor slash debris that's kind of just like floating up into the air from the contact with the river below. To the side of the waterfall, there's a bunch of green shrubbery, shrubs, trees, bushes. And one thing I noticed about the river is that it's very brown. It seems a little bit dirty. Or that could just be a reflection of the brownish rocks below the water surface. And there's also a mini waterfall in the river towards the bottom middle and the bottom right of the image. Very small in comparison to the bigger waterfall in the backgrounds. And the sky is also cloudy, but it's also very sunny."]
|
[False, False, False]
|
[nan, nan, nan]
|
This transcription describes a vivid and detailed nature scene centered around a large waterfall. The waterfall dominates the image, showcasing a significant drop of water flowing down into a river below. As the water cascades, it creates a mist at its base which rises into the air, contrasting beautifully with the lush greenery surrounding the waterfall. Both sides of the waterfall are adorned with vibrant green trees, suggesting that it is springtime, a season known for its rejuvenation and blooming flora. The photograph captures the essence of tranquility inherent in nature; the absence of people suggests the location may be a remote area or a national park during a less crowded time, enhancing the feeling of solitude and peace that many seek in natural environments. The sunlight filtering through the clouds adds a unique ambiance, as the day appears to be cloudier, potentially casting a softer light over the scene. This interplay of light and shadow contributes to the overall beauty of the image. In the foreground, the river flows over smooth stones, gracefully meandering its way downstream. The water takes on a white hue due to the turbulence created by its movement, particularly as it tumbles down a smaller waterfall. This smaller waterfall is a delightful detail nestled within the larger scene, adding depth and interest to the composition. There is a mention of various elements in and around the water, including the riverbed, which shows a sharp drop and appears brownish, possibly indicating sediment or the reflection of the underlying rocks. This detail highlights the dynamic nature of rivers and waterfalls, where the clarity and color of water can change based on surrounding materials and environmental factors. The overall impression left by the image is one of serenity and natural beauty. It evokes a sense of appreciation for the natural world and reminds viewers of the peace that can be found in these untouched landscapes. The merging descriptions of water, foliage, and the atmosphere create an engaging narrative that invites the audience to visualize themselves at this picturesque location, surrounded by the sounds and sights of nature.
| 366 |
|
nonnative
|
['14eL0A0Bz7rI', '1meYS5MAJmZW', '1czXZ8UtfKFR']
|
['Chinese', 'English', 'Telugu']
|
['The image shows two men skiing in the snow. On the left, one man is wearing a black down jacket and black pants, with a gray hat. On the right, the other man is dressed in a black top and brownish-yellow pants, wearing a brown hat. They are standing on skis while holding a sled. Next to their snowy area, there are some houses and buildings that are not very tall but look quite luxurious. In the background, a lot of pine trees can be seen, with a thick layer of snow on them, indicating that it has recently snowed heavily. One detail is that there is a small pavilion where it appears a middle-aged woman or possibly an elderly lady is sitting next to it, which might be a resting place or a phone booth. The overall style conveys a winter theme, with a predominant color scheme of white.', " So the image at first glance it appears to be an image at some sort of ski resort. You have a slope to the left of the image that a bunch of skiers are coming down and front facing we have two individuals, a snowboarder and a skier. The skier is wearing pants, a hoodie, a gray hoodie and some sort of jacket. The snowboarder is wearing also like the skier he's not wearing a helmet he's wearing a jacket and some black jacket and some white ski snowboard pants. We also see a lift in the background and people are going up the lift and red and blue fencing. What else do we see also in the background? We have three different like lodge style housing and snow covered trees. So, I like theivers. What else do we see here? Every single einmal现象 I have the same thing, the assassin każdy chaнее looks the same thing if the和積浪 mere. Of course, if do we in the back of the southисьies here at the south side of the south side Wait a minute for a change of the uniform is me. It's a terrible example that my", 'There seems to be a misunderstanding or inconsistency in the text provided, as it contains mixed languages and fragmented phrases that do not form coherent sentences in English. Please provide a clear and accurate transcription for translation.']
|
[False, False, False]
|
[nan, nan, nan]
|
The image depicts two men engaging in skiing on a snowy landscape. On the left side of the image, one man is dressed in a black down jacket and matching black pants, complemented by a gray hat that adds to his winter attire. To the right, the other man presents a contrasting look, wearing a black top along with brownish-yellow pants, topped off with a brown hat. Both men are standing on skis and are holding a sled in their hands, which adds a recreational element to the scene. Adjacent to their snowy surroundings, there are several houses and buildings visible. These structures are not particularly tall but exude a sense of luxury, indicating a well-facilitated area, possibly a ski resort. In the background, a forest of pine trees creates a picturesque backdrop, each adorned with a thick layer of snow, signifying recent heavy snowfall. A noteworthy detail within this landscape is the presence of a small pavilion nearby. It appears that a middle-aged woman or possibly an elderly lady is seated next to it, which may serve as a resting area or perhaps even a small phone booth. The entire composition embodies a quintessential winter theme, predominantly showcasing a color palette of white, evoking a serene and tranquil winter atmosphere. Additionally, at first glance, another interpretation of the scene depicts it as a lively ski resort. To the left of the image, there is a slope where numerous skiers are gracefully descending. In the foreground, the viewer can see a snowboarder alongside a skier, both capturing the essence of winter sports. The skier is attired in gray pants and a gray hoodie, layered with a jacket, while the snowboarder opts for a black jacket paired with white snowboarding pants. Neither of them is wearing a helmet, which could indicate a casual approach to their sport. In the background, a ski lift is visible, with various individuals ascending towards the higher slopes, suggesting the activity and vibrancy of the location. The scene is bordered by red and blue fencing, which is typically used to delineate areas for safety on ski slopes. Furthermore, the background reveals three lodge-style buildings, contributing to the cozy and inviting atmosphere typical of ski resorts, alongside the snow-covered trees that enhance the winter wonderland aesthetic. However, the latter part of the transcription suffers from a mix of languages and fragmented phrases that do not cohere easily into English, leading to confusion and obscuring the intended message. It highlights the need for a clear and coherent translation, free from linguistic inconsistencies.
| 1,861 |
|
native
|
['1gUoxHekYYhT']
|
['Spanish']
|
['This photo shows two boxing players in a boxing venue. It seems like a social event where people go to watch others box. There are also two other people in the area who are also fighting. In part of the background, the words Arena Mexico are written along with "8, 9, 10 years writing the history of lucha libre. CMLL anniversary." It appears that this is something related to lucha libre, and it also states "the best lucha libre in the world." It looks like there are many people watching this lucha libre and they want to see who is going to win.']
|
[False]
|
[nan]
|
This photograph captures an engaging scene at a boxing event, likely held in a venue specifically designed for such competitions. In the forefront, two boxers are actively participating in a match, their focus sharp as they engage in the sport. Surrounding them, a lively audience is gathered, showcasing the social nature of the event as spectators are drawn together to witness the unfolding action in the ring. In addition to the two main fighters, there are two additional individuals in the background who are also competing, adding an element of excitement and competition to the atmosphere. This suggests that the venue accommodates multiple matches simultaneously, providing a dynamic environment for the attendees. Significantly, part of the background features the words "Arena Mexico," a renowned venue known for hosting various wrestling and boxing events. The banner further states, "8, 9, 10 years writing the history of lucha libre. CMLL anniversary," indicating a celebration of the long-standing tradition of lucha libre wrestling, which is a popular form of professional wrestling that originated in Mexico. The mention of the "CMLL anniversary" refers to the Consejo Mundial de Lucha Libre, or CMLL, one of the oldest wrestling promotions in the world, celebrating its history and contributions to the sport. The phrase "the best lucha libre in the world" boldly asserts the prestige and reputation of the wrestling showcased at this particular venue, signaling to attendees that they are part of an elite experience. The crowd is enthusiastic and engaged, indicating their anticipation and eagerness to see the outcomes of the various matches, as they cheer on their favorite competitors with palpable excitement. The combination of boxing and lucha libre in this venue underscores the rich cultural heritage of wrestling in Mexico, where such events are not only sporting contests but also vibrant social gatherings steeped in tradition.
| 1,253 |
|
nonnative
|
['1eio1t7BMY2h', '1exQvAlbC3lm']
|
['Chinese', 'English']
|
['This is a horizontal composition that seems to take place at a night market, as the sky is black. The focal point of this image is a small stall selling cold items or frozen goods in the market. The stall features staff wearing blue promotional uniforms, with images of beverages and ice creams displayed. Inside the stall, there appear to be two glass display freezers, suggesting that they are selling these products. The area around the stall is crowded with many people, including children and adults, indicating that this is happening within a market. The night market has various snacks, and the pedestrians purchase based on their needs. The emphasis of this image is to highlight the characteristics of this beverage stall.', " This looks like a picture of a stall in a market. So you can tell that the market is outside and there's other stalls. But this one in the middle, it looks like it's selling some sort of drink. And you can see the brand name is Amul. And they're selling milkshakes. And it also seems like they have candy. And then they have bags of cones hanging down from the side of their stall. Their stall is just metal. You can see sort of ice cream freezers inside. And then you can see like the there's just like this tarp type material that wraps around the poles of the stall. And then you can see that there's a man who probably works in it because he's inside of this. And then you can see this group of ladies outside of the stall. And they are wearing traditional clothing. They have hijabs on. So this is probably in some sort of Arab, Muslim, South Asian, Central Asian country. And it's nighttime. And this this stall has like a roof over it. And then it's there's like this yellow background behind them. This yellow like sheet behind the stall. And the stall itself has a blue has a blue tarp. And then the words are in white, like the one that says a mole, which is the name of it. So yeah."]
|
[False, False]
|
[nan, nan]
|
This visual composition can be characterized as a horizontal depiction, likely representing a bustling night market scene as inferred from the dark, black sky above. The primary focus of this image is a quaint stall that specializes in selling cold items or frozen goods. The stall is operated by staff members who are attired in blue promotional uniforms, which feature vibrant illustrations of beverages and ice creams, effectively showcasing the products offered to potential customers. Inside the stall, there are two glass display freezers prominently positioned, signifying that the primary offerings include chilled drinks and frozen treats. The surrounding environment appears to be vibrant and crowded, filled with a diverse crowd of market-goers, including both children and adults, which emphasizes the lively, communal atmosphere typical of a night market. Patrons can be seen moving about, exploring various stalls offering a multitude of different snacks and refreshments, further conveying the dynamic energy characteristic of these marketplaces. In a separate view, there is another stall with a slightly different focus, which seems to capture the essence of a traditional market setup. This particular stall, identifiable by its metal structure, prominently features products from the renowned brand Amul, including milkshakes. Notably, there is also an assortment of candies visible, as well as bags of ice cream cones elegantly hanging from the sides of the stall. The design of this stall integrates a tarp-like material wrapped around the structural poles for additional coverage, enhancing its overall functionality. Within the stall, a male employee can be seen engaged in his work, indicating an active operational environment. Outside the stall, a group of women dressed in traditional clothing and adorned with hijabs can be observed, providing cultural context that suggests this scene is likely set in an Arab, Muslim, South Asian, or Central Asian region. The nighttime environment is further complemented by the existence of a roof over the stall, ensuring the vendors and customers are shielded from the elements. Behind the stall, there is a distinctive yellow background that serves as a visual contrast to the blue tarp covering the stall itself, on which the name "Amul" is prominently displayed in white lettering. This detail adds to the stall's branding and aesthetic appeal, reinforcing its identity within the vibrant tapestry of the night market scene.
| 1,377 |
|
nonnative
|
['12HW38pSEsMi', '1cJVHsqzsDRu']
|
['English', 'Chinese']
|
[' This appears to be an image of a cow. The cow has this sort of spotted, not spotted, kind of like a spotted pattern to it. It is partially brown, this sort of light tan brown color, but also has parts of it where it is this sort of creamish white color. And the cow is right next to the stump of a tree, like a tree trunk. And its hide kind of matches, the white of its hide kind of matches the white on the tree trunk. I believe it could be sap or something like that. And it is standing over this sort of dirt grassy area. And in the background you can see these tall birch looking trees. So it looks like a sort of like a foresty woodsy area. And myself and I And myself and I And myself and I And myself and I And myself and I And myself and I As I And myself and I\\', 'This picture shows a photograph of a cow. In the image, there is a cow next to a tree trunk and a patch of grass. There is no text in the image. The cow is positioned next to the tree trunk, part of its body is blocked by the trunk while another part is exposed. It stands on a grassy area, and in front of it, the ground is primarily dirt with no grass. To its right, there are some shorter trees. The grassy area has some patches of grass, and the part in front of the cow is mainly dirt near the tree. The background is a natural setting, and the overall style is pastoral, with colors primarily being green. The cow itself has a mix of brown and white colors.']
|
[False, False]
|
[nan, nan]
|
The image in question features a cow situated in a natural, pastoral environment. The cow exhibits a distinctive coat pattern that includes a blend of colors: a light tan brown that is interspersed with areas of a creamish white hue. This striking pattern enhances its aesthetic appeal, as its color scheme mirrors that of its surroundings. It stands closely beside the stump of a tree, which is a remnant of what was once a full-grown tree trunk. The cow's white patches appear to harmoniously blend with the white of the tree stump, potentially indicating some sap or other organic coloration on the tree that resembles the cow's coat. The cow is positioned on a grassy area, although the ground in front of it primarily consists of dirt with sparse patches of grass, suggesting a recent absence of rain or a high foot traffic. To the right of the cow, there are shorter trees, adding depth to the scene and contributing to the dense, woodsy ambiance typical of birch tree forests. In the backdrop, the towering birch-like trees further emphasize the forested setting, enhancing the overall tranquil and rural aesthetic of the image. The composition of the photograph captures the essence of a serene countryside, dominated by earthy tones and greenery, which reinforces the natural habitat of the cow. The absence of any textual elements within the image allows the viewer to appreciate the visual storytelling purely through the imagery presented, focusing on the cow and its harmonious relationship with the environment around it.
| 1,732 |
|
native
|
['123HalQGzAcb', '1pPNCSK3vZDC', '1luQ12UDxoVy']
|
['Chinese', 'Chinese', 'Chinese']
|
['This scene appears to be a photo of a street, and we can see that it is the entrance to a shop. The shop is named "Nanchang Dangs," which seems to be the name of a stall. We can see its name written on the sign above the entrance and also on the pillars in front of the store. Additionally, there is a red banner written on the glass of the door. In the distance, we can see a few people walking towards the shop. The shop looks slightly dim inside as the lights are off. It is located on a covered walkway, and the floor beneath is made of red bricks, with some yellow bricks in the middle.', "The photo shows a corridor in front of a shop named Nanchang. Its name is engraved on one of the building's pillars and also displayed on a sign above the shop. The shop's sign can be read from right to left, which preserves an ancient Chinese writing and reading practice, differing from the modern left-to-right reading orientation. The entrance of the shop is made of interlocking bricks in red, orange, and yellow colors. The wall in front of the shop features small white square tiles. The corridor ahead has a curved shape, and there are two pedestrians walking from a distance towards the viewer. The roof at the top of the image is dark-colored and has a fluorescent light installed, which is off, suggesting that the photo was taken during the day when additional lighting is not needed.", 'This photo shows what might be a pawn shop called Nanchang, written in traditional Chinese characters. Nanchang is a place name in China, derived from this location. The pinyin below is Cantonese pinyin. The back of the sign is unclear but should indicate a pawn shop. The sign has a black background with golden characters. On the far left of the picture, and on the far right, there are also three vertical black characters that read "Nanchang Pawn." The pawn shop on the left has its door open, but there is no one inside. It is a white shop, and the small window of the shop is also not opened. On the right, closer to the center, there are some foreigners walking, which suggests this may be a location abroad, possibly a pawn shop run by Chinese people. A pawn shop means you give them something and they give you money in return. There are some yellow and red floor tiles. In summary, this is a place rich in Chinese culture.']
|
[False, False, True]
|
[nan, nan, nan]
|
The imagery presented showcases the entrance of a shop called "Nanchang Dangs," indicated by the prominent sign above the entrance and replicated on the pillars at the front of the store. The shop's name is depicted not only in modern characters but also embraces a traditional writing style where textual orientation preserves historical practices—an ancient Chinese custom of writing from right to left, contrasting the contemporary left-to-right format. As we examine the surroundings, it's evident that the shop is situated within a covered walkway, featuring a mosaic of interlocking bricks in vibrant hues of red, orange, and yellow, securing the entrance and defining the path ahead. The floor comprises a blend of red bricks interspersed with yellow, contributing to the aesthetic appearance of the space. Additionally, there is a decorative red banner affixed to the glass door, which further accentuates the shop's vibrant visual identity. The interior of the shop appears dim, potentially indicating that the lights are off, which is typical during daylight hours when natural light suffices. Moving further, the photograph also captures a corridor that exhibits a gentle curve, leading toward the viewer and reinforcing the depth of the scene. On the left side of the depiction is an open door to the pawn shop, characterized by its clean white façade. Notably, the small window of the shop is closed, suggesting vacancy or the absence of customers at the moment. The photo hints at the presence of cultural exchange, as foreigners can be seen ambulating along the passageway. This detail implies an international context—potentially suggesting that this shop serves not only local patrons but also engages a wider audience, possibly indicating that it is a pawn shop operated by individuals of Chinese descent. The significance of a pawn shop is rooted in its function: it allows individuals to exchange items for immediate monetary compensation, a practice that transcends cultural boundaries. The shop's signage employs traditional Chinese characters, evoking a sense of cultural heritage and remembrance of Nanchang, a city in China, which gives the establishment its historical and geographic identity. The visuals are set against a backdrop of yellow and red floor tiles, colors that often symbolize prosperity and good fortune in Chinese culture, enriching the ambience of this culturally significant locale.
| 707 |
|
nonnative
|
['1157WJuvzeuU', '1nB40DUA4Dw6']
|
['English', 'Chinese']
|
[' There are four images of a male skateboarder jumping over five stairs. The stairs are blue. The stairs are in between two sets of, or a set of two red rails. Although the stairs are blue, the floor on the bottom of and on the top of the stairs are both beige. And the skateboarder is leaping over the stairs in the first frame, second, and third. And then in the last frame, he is landing squarely on the skateboard. His skateboard is black with some sort of colorful design on it. And the skateboarder is wearing a dark green hat and a black shirt that has white letters on it. And the letters say zero, the word zero. And in the background, there are a bunch of people watching the skateboarder. And they seem to be at some sort of skateboarding event. The text on the banner on the railing says amnesia, which is not a word as far as I know.\\', 'One of my current limitations is, for example, when I look at this diagram where it is labeled ABC. In this case, my PH3 shows 2K, 2K, and I need to provide a method that can offer ABC. ABC is somewhat predominant, but theoretically, is the diagram of ABC related to PKollarhorn? It seems that our inversion does not include IDRK, so IDRK can be equal to this boundary point. In fact, we are all connected to the first level of this interval, which relates to this area. Everyone can imagine the relationship as an example to try here; there are some smaller elements involved. Speaking of this, we are actually dealing with the inversion related to the disconnected spirits, and there are additional tools regarding Moes.']
|
[False, False]
|
[nan, nan]
|
There are four images showcasing a male skateboarder executing a jump over a set of five stairs. The stairs are colored blue and are flanked by two sets of distinctive red railings. Notably, despite the stairs being blue, the flooring both at the top and bottom of these stairs is a neutral beige color, which contrasts with the vibrant hues of the stairs and rails. In the first three frames, the skateboarder is captured mid-air, leaping impressively over the stairs. By the final frame, he successfully lands back on his skateboard, demonstrating skill and precision. The skateboard features a solid black color adorned with a colorful design, adding a touch of personality to his gear. The skateboarder himself is dressed in a dark green hat and a black shirt emblazoned with the word "zero" in white lettering. This choice of attire may be indicative of a brand or a personal style preference, common in the skateboarding community. In the background of these images, a crowd of observers is present, suggesting that this is a public event, likely a skateboarding competition or demonstration, where enthusiasts gather to watch and appreciate the tricks performed by skateboarders. Prominently displayed on a banner across the railing is the word "amnesia," which seems to be a catchphrase or branding associated with the event. The term "amnesia" could carry various connotations, potentially referring to the acts of forgetting or losing oneself in the action of skateboarding. On a different topic, there is a complex discussion regarding a diagram labeled with the letters A, B, and C. There is a mention of a measurement indicated by PH3 showing values of 2K. It is noted that a method is needed to provide the outputs labeled as ABC. The speaker suggests that ABC is somewhat significant in this context. There is a query about the diagram's relevance to a concept referred to as PKollarhorn. It is implied that the inversion being discussed does not encompass the term IDRK, which can be equated to a boundary point in this instance. The discussion further mentions a connection to the first level of an interval that relates to an area, hinting at mathematical or theoretical concepts at play. The speaker invites listeners to conceptualize relationships within this discussion by imagining smaller elements involved in the topic. A reference is made to dealing with inversions related to what are termed "disconnected spirits," suggesting a metaphorical or abstract approach in addressing the theme. Furthermore, there is an indication of additional tools regarding another entity or concept named Moes, though details on this are scarce.
| 1,836 |
|
native
|
['1jmK0Qnjv5TM', '15Iv2GUi1FtH', '1djzKaEJphFY']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this image, there are many people. At the center, there is a person who looks like a Taoist priest, and behind him, there are many others, also dressed like priests, holding various items such as flags and signs. The main focus is on these figures, and they are all wearing Taoist robes—there are probably around ten or several dozen people. The positioning of the figures is such that the main person is in the middle, with four rows of people standing behind him. The details include the words "Evade" and "Silence," which indicate that when prominent figures in China are in public spaces, they typically hold two signs to signify their noble identity and to request that ordinary citizens give way and minimize noise. One specific detail is that the Taoist priest in the center is holding a gong that he may need to strike. He has a bamboo staff on his back, possibly carrying something. Since they are identified as Taoist priests, I believe they are likely carrying some kind of divine object as they parade down the street. The backdrop is a daytime scene, indicating that this is taking place on a busy street. The style conveys a sense of mystery, as it is quite rare in China to see Taoist priests in their robes walking down the street, especially while holding the signs "Evade" and "Silence." This could potentially represent a custom from specific regions in China, where such parades may occur during certain festivals.', 'At first glance, this photo shows many people wearing red clothing, which looks very much like the traditional Chinese Daoist robes. It appears they are a group of men dressed in these robes participating in some kind of event. I can see that the person in the middle, at the front, is wearing a black Daoist hat and is carrying a shoulder pole, but it\'s unclear what is hanging from it. Behind him, I see four rows of men, each holding a sign or a banner with the Eight Trigrams drawn on it. Among them, two men are in the center, one holding a sign that says "avoid" and the other holding a sign that says "silence." It looks like a photo capturing them engaged in some religious activities. It truly seems like a photograph that has been taken multiple times.', 'In this photo, we can see many people wearing red robes, and the person in the center, closest to the camera, is also wearing a robe and has something on his shoulder that I can\'t quite make out. It might be a knife, but I\'m not sure. He is wearing a black hat, and behind him, we can see many people arranged in several rows holding some yellow signs. The visible words are two: on the left, it says "Avoid," and on the right, it says "Su Jing." Overall, their outfits are red with black lines, and the signs they are holding are in shades of red and yellow.']
|
[True, True, True]
|
['道袍和中文的牌子', nan, 'I think this is culturally distinct because on one of the flags, there are tachi black and white colors on the symbol.']
|
In this vivid depiction, we observe a large gathering of individuals, prominently featuring a person resembling a Taoist priest at the center. He is flanked by a multitude of others, also donned in traditional Taoist priest garb, emphasizing the significance of this assembly. These individuals are adorned in Taoist robes, which are typically characterized by their flowing design and vibrant colors, in this case, predominantly red, accentuated with black lines. The total number of participants appears to range from around ten to potentially several dozen. The arrangement of these figures is particularly noteworthy; the main priest stands in the forefront while four distinct rows of individuals stand behind him. Among the details captured in the scene are two key signifiers: the words "Evade" and "Silence," which reflect a customary practice in China where prominent figures, particularly during public appearances, utilize such signs to assert their noble status and solicit that the general public yield space and minimize commotion in their vicinity. A significant element in this scenario is the central Taoist priest who holds a gong, suggesting an intention to strike it, which is often associated with ceremonial practices. Additionally, he carries a bamboo staff slung across his back, hinting at the possibility of bearing sacred items as they parade through the streets. The background of this image indicates a daytime setting, which further illustrates that the procession is taking place in a bustling urban environment. The artistic style of this depiction conveys an aura of mystery, as the sight of Taoist priests in traditional attire navigating through city streets is a rare occurrence in contemporary China. This could be indicative of regional traditions or celebrations, such as festivals, wherein such parades are more commonplace. In a detailed examination of this photographic evidence, additional observations reveal that many individuals are attired in red clothing resembling traditional Daoist robes. The leading figure at the forefront is identifiable not only by his black Daoist hat but also by his shoulder pole, the contents of which remain ambiguous at this time. In the rows behind him, many men hold aloft signs or banners emblazoned with the Eight Trigrams, which are integral symbols in Taoist philosophy representing fundamental principles of reality. Notably, among the signs being held are two that convey clear instructions: one reads "Evade," while another bears the word "Silence." The visual elements combined suggest that this group is engaged in a religious ceremony or procession, reinforcing the impression that this image may have been captured at several moments throughout the event. The remarkable visual composition captures a culturally rich tapestry, featuring the distinct elements of the Taoist rituals and signs—such as the symbols present on the flags, which are noted to include the black and white tachi. Overall, this is an evocative portrayal of Taoist culture, highlighting its significance and the nuances of such displays within the broader context of contemporary Chinese society.
| 2,133 |
|
native
|
['1ghSHqVc73ml']
|
['Russian']
|
["Well, in the first shot, it was like a political event, with people from different worlds, and they're all holding these little spikes and they’re going to ribbon-cut or spike some kind of ribbon. There’s how many people on stage—about one, and how many things—one microphone and 899 people in the picture, all positioned in a line. They are all dressed formally in their culture, against a background with decorative flowers, either made of porridge or plastic, or something like a plastic style. This is the photograph."]
|
[False]
|
[nan]
|
In the initial visual captured in the photograph, it is set within the context of a political event. The scene showcases individuals from diverse backgrounds and traditions congregating, each of them holding small spikes, which seem to be ceremonial tools intended for a ribbon-cutting ceremony. On stage, there is a single individual, indicating perhaps a key speaker or a figure of authority, who is positioned at the forefront of the gathering. The photograph features a remarkable assembly of approximately 899 attendees, all arranged in a line, exhibiting a strong sense of unity and collective participation. Each participant is attired in formal clothing that reflects their respective cultural heritage, highlighting the event's emphasis on inclusivity and respect for diverse traditions. The background is adorned with decorative flowers, which contribute to the overall aesthetic of the event. These floral decorations appear to be created from a material that resembles either porridge or a synthetic type of plastic, lending a unique visual element to the scene. This combination of vibrant blooms juxtaposed against the formal attire of the attendees creates a striking and memorable image that captures the essence of the occasion.
| 3,037 |
|
nonnative
|
['1d17L7ra0RJa']
|
['English']
|
[" Okay, we're looking at the picture of a couple or a fan taking a selfie with a celebrity. There are three people in the back in the photo. There's one man in the background, though he's not very important. Always left the focus of the image. The focus is a girl smiling, wearing glasses next to a male who is smirking. Both individuals are Asian. And starting with the woman, she appears to be wearing a gray kind of wool fabric looking sweater of sorts with all of a black dress. She appears to be holding a phone and has a massive ring on her left hand. The gentleman is in all black with black hair, very red lips. And he is wearing a watch. Background, not too much to see. It appears to be like pillars of light or some sort of lighting and mirrors. Overall, it's a pretty bright stage. Thank you. Thank you. Thank you."]
|
[False]
|
[nan]
|
In this image, we see a couple or a fan enthusiastically taking a selfie with a celebrity. Central to the composition are two individuals—the woman and the man beside her—who capture the viewer's attention. The woman, who is smiling broadly, is wearing a stylish gray sweater made of wool, giving her a cozy yet fashionable appearance. Underneath, she has on a black dress that adds a touch of elegance to her outfit. She skillfully holds her phone, likely positioned to take the selfie, while also showcasing a large statement ring on her left hand, which adds flair to her look. Next to her stands a gentleman, who is smirking in a way that suggests he is enjoying the moment just as much as she is. He is dressed entirely in black, which creates a sleek and unified look. His hair is also black, and his very red lips stand out strikingly against his ensemble, giving him a distinctive presence. He is accessorized with a watch, which adds a hint of sophistication to his overall appearance. In the backdrop of the image, there are three individuals; however, they appear to be less significant in the context of this cheerful selfie moment. One man in particular can be seen, but he does not draw attention away from the focal points of the photo. The background features intriguing elements, such as pillars illuminated with bright lights or mirrors, creating a vibrant and dynamic atmosphere. Overall, the setting is bright and lively, contributing to the cheerful essence of the photograph. Thank you. Thank you. Thank you.
| 2,608 |
|
native
|
['145kaUEah0kl']
|
['Russian']
|
["At first glance, it looks like a cake, a traditional Russian cake. There are quite a few things on it. Well, there's just one cake on the table, and there is no text. The cake is sitting on a table. What details are there? Well, there are details like cookies on the cake that look like flowers, and yes, flowers. The background will be the table, and then it seems there are benches or seats as well. This is a photograph taken at home, as if someone photographed it with their phone."]
|
[False]
|
[nan]
|
At first glance, the object in question appears to be a cake, specifically a traditional Russian cake. Upon closer inspection, one can observe a variety of decorative elements adorning the cake. Notably, there are cookies shaped like flowers that contribute to its elaborate presentation. These floral cookies add a vibrant touch, enhancing the cake's visual appeal. The cake itself is the only item on the table, suggesting that it is the centerpiece of this particular setting. The overall composition of the environment features a table as the main backdrop, upon which the cake is placed. Surrounding this table are what seem to be benches or seats, indicating that the setting is likely a cozy home environment. The photograph appears to have been taken in a casual manner, as if captured spontaneously with a smartphone camera, which adds to the intimate and personal feel of the image. There are no accompanying texts or captions within the photograph, allowing the cake and its surroundings to speak for themselves, drawing attention to the intricate details and the warmth of the domestic atmosphere.
| 3,054 |
|
native
|
['16lFTrbhFEeV']
|
['Chinese']
|
['At first glance, this picture shows three teachers giving a lesson to students, consisting of two men and one woman. The female teacher is noted for writing the phrase "give up fame and fortune" on the blackboard, suggesting she might be a language teacher. The male teacher in the middle has written "That is a" followed by something in English, indicating he is likely an English teacher. To the right, there is an older teacher who has some numbers written behind him, which leads to the assumption that he is a math teacher. The positioning of the objects divides the photo into three sections, each capturing a moment of one teacher teaching. You can discern details such as each teacher holding a textbook, presumably their teaching materials. Additionally, the English teacher in the middle is wearing a microphone, and the background consists of a blackboard, indicating this is a classroom setting. The overall atmosphere of the classroom appears to be quite serious, with darker color tones.']
|
[True]
|
['中国的老师给学生上课']
|
At first glance, the image captures a classroom setting where three teachers are actively engaging with their students. The composition features two male teachers and one female teacher. Notably, the female teacher, positioned on the left, is seen writing the phrase "give up fame and fortune" on the blackboard. This phrase suggests that she is likely teaching a language, possibly emphasizing moral or philosophical concepts related to language. In the center of the classroom, the male teacher is writing the phrase "That is a" followed by additional English content. This observation indicates that he is probably an English teacher, focusing on language acquisition or grammar for the students. His presence in the middle of the photo, combined with the English context of his lesson, suggests a focal point for language instruction within the classroom. To the right, there is an older male teacher with several numbers written on the board behind him. This detail implies he is a math teacher, likely leading a discussion or explaining mathematical concepts to the class. Each teacher's positioning effectively divides the photo into three sections, with each section vividly capturing a moment of teaching by the respective educators. In addition to their writing tasks, it is important to note that each teacher is holding a textbook, indicating they are utilizing their teaching materials to assist in their lessons. The English teacher, who occupies the central position, is also wearing a microphone, suggesting that he may be using an audio system to project his voice for better clarity in the classroom, which is typical in larger classroom settings. The background of the image consists of a blackboard, emphasizing the traditional educational environment. The overall atmosphere of the classroom is relatively serious, characterized by darker color tones that may contribute to a focused learning environment. This setting reflects a standard practice in Chinese classrooms, where teachers are highly respected and the education system places significant importance on formal instruction.
| 2,408 |
|
nonnative
|
['1lz7x6vQQ1AC']
|
['English']
|
[" I see some poster, which is what the image appears to be. I see a 10. All the words and numbers are in gold. And it's a mix of numbers, English and Chinese. So at the top there's a 10, and in the middle of the 0 there's a music symbol, a music note symbol. Then JSG 2011. And then some Chinese words, and then best 10 awards presentation. And then some more Chinese words. In the background is like a stage set with lights that are all pink-reddish. And at the top there are even more lights, as if it's like on a stage. I count around 7 or 8 lights pointing downwards. And the words, again, are at the center of the screen for an image. And they span pretty much the entire image going downwards. So let's. Thank you. This is what it ends. This is a critical touch. This part is not just there. trekking for entertaining. No ideas are still there. Which means, just reading yes. At different stages with this. This, you can get to makna of dance and to dance. In the background of the screen and at better. First, return on social media. The page is forer Brock Rangers. And Kurka Sanders."]
|
[True]
|
[nan]
|
I observe a visually striking poster that is prominently featured as the focal point of the image. At the very top, there is a bold number "10" depicted in an eye-catching gold color. The number “0” in the "10" ingeniously incorporates a music note symbol, effectively blending numerical and musical elements. Underneath this prominent number, the initials "JSG 2011" are displayed, suggesting a possible event or organization associated with the year 2011. Further down, there is a sequence of Chinese characters, alongside the English phrase "Best 10 Awards Presentation." This indicates that the poster is likely celebrating a series of awards, perhaps acknowledging achievements in music, performance, or another entertainment field. Accompanying the English text, there are additional Chinese characters that may provide further context or details related to the event or awards. The backdrop of the poster features an elaborate stage set, richly illuminated with lights radiating a pinkish-red hue. These lights give the impression of a vibrant and celebratory environment, typical of awards ceremonies or performances. I estimate that there are approximately seven or eight lights strategically positioned to shine downwards, enhancing the visual appeal and atmosphere of the setting. The textual elements of the poster are centrally aligned, occupying much of the visual space and cascading downward, creating a sense of flow this enhances the overall design of the poster. It’s evident that this is not merely a decorative element; it serves a meaningful purpose in conveying the essence of the event. The message conveyed goes beyond mere aesthetics, emphasizing the importance of the ceremony, which is intertwined with themes of recognition and celebration. There is also reference to social media and a page titled "forer Brock Rangers" alongside another name "Kurka Sanders," suggesting an online presence or community linked to this event, possibly gathering a following on platforms where fans and participants engage and connect. This detailed exploration reveals not just a promotional item but encapsulates an experience filled with significance, as it highlights achievements and fosters a sense of community within the entertainment landscape.
| 2,571 |
|
nonnative
|
['104TBedgr1zv', '18prKz9IE9RR', '1ebxvbapTKaj']
|
['English', 'English', 'English']
|
[" So here it seems to be just a picture from kind of far away of just kind of buildings residing in some sort of mountain landscape. So there's this palace looking building that's fully surrounded with other smaller buildings, but mostly it's surrounded by a bunch of mountains, mostly just green trees. It's very, very green. This palace or this main giant building, it's mostly white on the bottom and then it has this red structure, maybe kind of in the middle going up. This seems to be like kind of a palace, very important looking building, but this does reside in kind of a mountain scape where everything around it is full of just green trees and there are other small buildings as well. So here we go.", " a picture of a village that is located within the mountain. At first glance, what strikes me the most will be the red building in the center of the mountain, which makes me guess that this is likely a hotel located in the picture square mountain area. At the bottom of the mountain leading down from this large hotel, I can see several other small buildings which are rather plentiful in nature and this is connected by a very nice mountain path at the right side of the image. The center of the image is the hotel with red walls flanked by a golden roof and at the background of the image will be other mountains as well. The style and color of this image will be that the hotel itself will be red in color with the stairwells to be white in color. There are other villages that are white, other buildings that are white in color at the bottom of the hotel as well and the mountains is green in color with the sky being white in color. Although there's no contextual information that might help me to understand the image, given that this is on the mountain, I suppose that this is somewhere located near the countryside and therefore likely somewhere in a more rural area per se.", ' The image is of many buildings that are on a hill. And the hill has many green trees and green grass. And there are whitish, the sky is overcast with the sun on the left. And there are even more hills in the background that are kind of faded in the distance. And there are, the buildings are white and rectangular with some red roofs. And the roofs are, well at least some of the roofs are slanted in a pagoda East Asian style. And there is what appears to be a trail or a river on the right hand side of the image going through the hills.\\']
|
[True, False, True]
|
['Chinese traditional buildings', nan, 'Yes, because of the buildings.']
|
The first image presents a picturesque scene taken from a distance, showcasing a collection of buildings nestled within a mountainous landscape. Prominently featured in the center is a large, palace-like structure surrounded by smaller buildings, all of which are enveloped by lush greenery. The mountains themselves are abundant with green foliage, contributing to the overall serene environment. The main building, characterized by its grandeur, has a predominantly white bottom and a striking red section that ascends toward the top, suggesting its importance and royal significance. The surrounding smaller structures blend harmoniously into the landscape, emphasizing the beauty of this natural setting. In the second description, the image depicts a village set against a mountainous backdrop. At the forefront, the most eye-catching feature is a central hotel distinguished by its vibrant red exterior. This building is situated in a picturesque mountain area known as Picture Square Mountain. At the base of this prominent hotel, several smaller buildings are visible, creating a quaint village atmosphere. These smaller structures are interconnected by a charming mountain path that runs along the right side of the image. The hotel is notable for its bright red walls and a golden roof that catches the eye. The architecture reveals a combination of white stairwells and surrounding structures at the base, which also have a white color scheme. The entire scene is enveloped in verdant greenery, with distant mountains forming an impressive backdrop under a bright sky. The third image captures a landscape populated by numerous rectangular, white buildings positioned on a gentle hill. This hill is adorned with green trees and grass, revealing a flourishing natural environment. The sky is overcast, with the sun slightly visible on the left side, casting a soft light over the scene. In the background, additional hills fade into the distance, creating a sense of depth. Among the buildings, some feature slanted roofs that reflect East Asian architectural elements, including pagoda-like designs, which are culturally significant and aesthetically pleasing. A winding trail or river is visible on the right-hand side of the image, threading its way through the hills, adding an element of movement to the tranquil setting.
| 438 |
|
native
|
['19VTSqMVoBeP']
|
['Russian']
|
['At first glance, it looks like three people are drawing, there are three hands, and they are using markers in rainbow colors. There’s one old man, because you can tell by his hand; then it seems there might be a parent on the far right, and above that is a child, drawing with the hand on top. They are all drawing in a circular manner, and each has their own design. There are no texts, just hands drawing with markers. On the far right, I think it’s the mom or dad. Then above the mom’s hand, it could be either a grandmother’s or a grandfather’s hand, but I think it’s more likely a grandfather’s since his fingers are black, maybe from working in a car or in the garden. And then there’s the child’s hand, which is small and clearly shows that the child is left-handed.']
|
[False]
|
[nan]
|
At first glance, the scene presents a captivating visual of three individuals engaged in a creative activity: drawing. The focus is primarily on their hands, which are wielding markers in an array of vibrant rainbow colors, indicating a joyful and colorful approach to their artistic expression. In the composition, one can identify an elderly man's hand, characterized by its age, with distinct lines and perhaps wear that suggests life experience. His hand is positioned above others, asserting a sense of authority or mentorship in the drawing process. To the far right, there appears to be a parent—most likely a mother or father—whose hand is guiding the activity alongside the child’s. The relationship depicted suggests a nurturing environment where artistic exploration is encouraged, likely reinforcing familial bonds through a shared experience. Above the hand considered to belong to the parent, there is another hand that could belong to either a grandmother or grandfather. However, upon closer inspection, it’s more likely identified as a grandfather’s hand. This conclusion is drawn from the hand’s features, which include visible blackened fingers that may indicate a life of manual labor, perhaps from working on cars or spending time gardening—activities traditionally associated with physical work and an outdoor lifestyle. Lastly, the child’s hand is clearly visible, marked by its small size and delicate motions indicative of youth. One particular detail that stands out is that the child is left-handed, which adds a unique characteristic to the drawing experience. This aspect of being left-handed can suggest not only an individual personal connection to the art but also highlights diversity in skills and approaches within family traditions. Overall, this scene beautifully encapsulates a moment of family togetherness, creativity, and the transmission of knowledge across generations, all conveyed through the simple yet profound act of drawing. The absence of text allows the imagery to speak for itself, emphasizing the collective joy and interaction in this artistic endeavor.
| 3,020 |
|
nonnative
|
['11OEU6KCdOAL']
|
['English']
|
[' this looks like an image from maybe a photo shoot of an Asian person I would guess that this is a celebrity he is wearing a purple vest on top of a white t-shirt he has some loose-fitting dark green pants and is wearing a silver diamond watch he also has black leather shoes and black socks he is sitting on top of a white chair a white chair white cushion chair with silver and metal rims and the the chairs legs are also so the background of the image is just plain plain white and the lighting is coming from the top right corner of this image out of frame he has moderately short black hair and looks relatively young\\']
|
[False]
|
[nan]
|
The image appears to capture a moment from a photo shoot featuring an Asian male celebrity. He is dressed in a striking purple vest layered over a classic white t-shirt, which adds a pop of color to his ensemble. His bottoms consist of loose-fitting dark green pants, providing a relaxed yet fashionable look. On his wrist, he sports a silver diamond watch that likely adds a touch of sophistication and luxury to his outfit. Completing his attire, he wears black leather shoes paired with black socks, tying the outfit together elegantly. The subject is positioned comfortably on a white chair, which boasts a white cushion and is designed with silver and metal accents, giving it a modern and stylish appeal. The legs of the chair mirror the metallic elements, contributing to the overall contemporary aesthetic of the furniture. The backdrop of the image is a simple, plain white, which serves to highlight the individual and their fashionable attire without any distractions. The lighting in this photograph comes from the top right corner out of the frame, casting a soft glow over the subject that enhances the clarity and detail of his features. He has moderately short black hair, which adds to his youthful appearance, making him look relatively young. The combination of his outfit, the chair, and the lighting creates an overall polished and professional image that likely reflects his status as a public figure.
| 2,249 |
|
native
|
['17oxZp8Ehs2H']
|
['Spanish']
|
["This photo shows a lot of people, probably walking along a street. It's a nice picture and higher up, there are many flags that appear to be from Chile, and people are walking in a market area. On each side, the right and left, there are some markets. Further back, you can't see many people because of the angle of the photo, but you can see more houses. There's a green house, a white house, a brown house, and many more houses further back. You can see more of the scene from this area of Chile. It's also well foliated, with plants, grass, and trees further back in the photo. But it's a street full of people."]
|
[False]
|
['Chilean flags present']
|
This photograph captures a bustling scene, likely taken in a market area in Chile. It features a large number of people walking along the street, engaging in various activities. The image conveys a vibrant atmosphere, enhanced by the presence of numerous flags prominently displayed overhead, which are identifiable as the national flags of Chile. On either side of the street, there are several market stalls or shops, which suggest a lively shopping environment where vendors might be selling food, crafts, or other goods. The angle of the photo limits visibility of the crowd further down the street, but in the background, a variety of houses are visible, showcasing a range of colors and architectural styles. Specifically, there is a green house, a white house, and a brown house, among others, indicating a diverse neighborhood. In addition to the urban details, the scene is enriched with greenery, showcasing a well-vegetated area filled with plants, grass, and trees. This not only adds to the aesthetic beauty of the location but also indicates the potential for a pleasant climate conducive to outdoor activity. Overall, this image encapsulates a lively street scene in Chile, filled with energy from the people and the environment, effectively highlighting both cultural and urban elements of Chilean life.
| 1,275 |
|
nonnative
|
['1iZPOhc0D7Ci']
|
['English']
|
[" This is a photo of, almost looks like an advertisement for the Radiant Dire Cup. There's like a red background, almost like it's like a red curtain. It's like paneled with almost electricity running through it. There's kind of non-English characters right in the center of the photo in sort of a gold superimposed format in front of a scroll. Below that, there's like a black line across the screen with two gold trumpets coming in saying Dota 2 with some Asian characters. And then below that says the Radiant Dire Cup. To the left of Dota, there's like a red box with two diagonal slashes. The main colors in this are red, gold, black. There's black around the corners. But yeah."]
|
[False]
|
[nan]
|
This is a visually striking image that appears to function as a promotional advertisement for an event known as the Radiant Dire Cup, which is likely related to the popular multiplayer online battle arena game, Dota 2. The backdrop features a vivid red color that resembles a flowing curtain, creating a dynamic and engaging atmosphere. Intriguingly, the red backdrop is accented with an electric pattern that suggests movement and energy, hinting at the competitive nature of the event. At the center of the image, there are characters in a non-English script, which are displayed in a bold gold hue. These characters are superimposed over a scroll, adding a sense of elegance and sophistication to the design. Below this focal point, a prominent black line stretches horizontally across the image, flanked by two ornate gold trumpets that elegantly announce the title “Dota 2.” Accompanying this is additional Asian text, reinforcing the connection to the game's cultural roots and possibly indicating the event's significance in the gaming community. Further down, the title of the event, “The Radiant Dire Cup,” is distinctly placed, contributing to the overall composition of the advertisement. To the left of the word "Dota," there is a striking red box adorned with two diagonal slashes, which may symbolize conflict or competition, themes prevalent in the game itself. The image's color palette predominantly utilizes shades of red, gold, and black; the black accents surrounding the corners of the design emphasize the intensity and seriousness of the tournament. Overall, the imagery captures the excitement and intensity associated with competitive gaming, and the use of cultural elements speaks to the global nature of Dota 2's player base and its events.
| 2,306 |
|
nonnative
|
['1lxwkhuSUHyK', '1631NODUepPS']
|
['Chinese', 'English']
|
['This photo looks like an outdoor art installation set on this yellow land, with a background that resembles a river and an arched bridge or a multi-level structure where the river is not visible but can be felt. In the distance, there is vegetation on a small hillside with plants in yellow and other colors. The upper part of the quiet well also features branches and leaves from trees, suggesting an autumn atmosphere. The art installation depicts a person created from flat pieces forming a three-dimensional figure, with its trunk, limbs, and some facial structures cut from flat surfaces to shape them, and then assembled into a three-dimensional figure. It appears to be a male standing upright, with his arms hanging down and his head tilted back looking toward the sky, with his mouth open as if talking to or shouting something to the sky.', ' At first glance, we can see in the middle left of the picture a mechanical wooden figure of a human with its mouth open and is white and stony in color. It is standing on an expansive dry grass slash hay field. In the background, there is more dry shrubbery and green trees that mostly have lost their leaves and is more of a dry trees. And there are four cars driving in the background on a road. On the left side, there is also a bridge, a white bridge. And the image is in the daytime with bright sun. And the image is in the middle of the picture.\\']
|
[False, False]
|
[nan, nan]
|
This photo features an outdoor art installation located on a vast expanse of yellow land. In the backdrop, there is a river, partially obscured from view, along with an arched bridge or an intricate multi-level structure above the waterway, which while not directly visible, is implied through the surrounding landscape. Stretching into the distance, there is a small hillside adorned with vegetation, showcasing a palette of yellow flowers and various other colors. The upper part of this serene setting includes branches and leaves from nearby trees, contributing to an autumnal atmosphere that envelops the scene. The focal point of the art installation is a striking figure representing a person, meticulously crafted from flat, geometric pieces that have been skillfully assembled to form a three-dimensional likeness. The figure resembles a male, standing upright, with its limbs and torso created from flat surfaces cut to shape. His arms hang loosely by his sides, and his head is tilted back, gazing upward towards the sky. His mouth is open, suggesting that he is either speaking to or passionately shouting something skyward, creating a powerful visual narrative. In a different section of the photo, positioned in the middle left, stands a mechanical wooden figure of a human. This figure, characterized by its open mouth, is painted in a white, stone-like color. It occupies an expansive area filled with dry grass and hay. In the background, there is additional dry shrubbery along with green trees, though many of these trees appear barren, having mostly shed their leaves, presenting a landscape dominated by arid vegetation. Additionally, four cars are visible driving along a road in the background, adding a hint of life to the otherwise tranquil setting. To the left of the image, a white bridge is discernible, complementing the overall composition. The scene is illuminated by bright daylight, showcasing the clear, sunny ambiance of the setting, further enhancing the visual experience captured in this photograph.
| 1,065 |
|
native
|
['17hkktkiIKn3']
|
['Hindi']
|
["This seems to be a fair that feels very attractive, where there is a tent set up for an ice cream parlor. Inside the ice cream parlor, people can be seen, including the seller and the shopkeeper. The company's name is visible above the ice cream display, along with pictures of all the items available inside. Above the parlor, people are seen enjoying ice cream, and the faces of customers are visible because of the privacy policy. There is a man standing next to a freezer, which contains various types of ice cream. Behind the ice cream tent, other attractions of the fair are visible, and it appears to be quite crowded, with people of different religions present. At the very front of the scene, Muslim women can be seen, along with a lively atmosphere."]
|
[False]
|
['Not necessarily culturally distint, this is an image which can be from any fair.']
|
This scene takes place at a vibrant and inviting fair, where a large tent has been set up to host an ice cream parlor. The exterior of the ice cream parlor prominently displays the name of the company, creating a welcoming atmosphere for visitors. Inside the parlor, a diverse group of people can be observed. The seller and the shopkeeper are interacting with customers, showcasing a variety of ice cream options that are visually represented through colorful images displayed above the ice cream counter. Customers are seen enjoying their ice cream, and their facial expressions are clearly visible, although their identities are protected in compliance with privacy policy guidelines. A man stands near a large freezer, which is stocked with a rich assortment of ice cream flavors, enticing passersby with its frozen treats. In the background, additional attractions of the fair come into view, indicating that the event is bustling with activity and participation from a varied crowd. It is evident that many different religious and cultural backgrounds are represented among the fairgoers, contributing to the lively and inclusive atmosphere of the event. Prominently at the front, a group of Muslim women can be seen, their presence adding to the festive scene characterized by laughter and enjoyment. The overall ambiance of the fair is one of joy and community engagement, drawing people in with its diverse offerings and social interactions.
| 805 |
|
native
|
['1jqiIiKZOj6u', '1oK4eLOVD7lr', '1oSSAozJI0cE']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image showcases a traditional Chinese building with a stone statue carved from marble in front of it. You can see what the plaque on the building says, but I’m not certain where this grand gate is located. However, it is very typical of Qing Dynasty architecture, an ancient building that appears to be of high status, possibly constructed by the royal family. Below this stone statue, there is some Chinese text stating "the statue of the First Teacher Confucius," which indicates that this building, or at least the statue, is dedicated to Confucius. Based on this information, I can boldly speculate that it is likely in Shandong Province, as that is Confucius’s hometown. If this were in the Forbidden City, I think it would be unlikely because there would be no reason for a statue of Confucius to appear in the royal gardens.', 'This painting depicts a statue of Confucius. The statue is located in front of a Chinese classical-style gate, which features red pillars. The gate is named "Da Cheng Men," written in golden letters along the side. Above the gate is a traditional Chinese pattern in blue and green, known as a "zǎojǐng," which is a traditional design. Below the statue of Confucius, there is an inscription that reads "Xianshi Confucius Teaching Statue" but some of the text is unclear. In any case, this should be the image of Confucius, who has his hands crossed over his chest and sports a very long beard. Behind him are several steps, with marble and granite handrails on either side, styled with lotus flower patterns. The red gate is a very traditional Chinese style, and behind the gate, in the background of the painting, are green trees along with some withered branches. You can also see a Chinese-style roof.', 'The photo was taken in front of a traditional Chinese building. The main focus of the photo is a stone statue of Confucius. Below the statue, there is a stone plaque with inscriptions describing the esteemed teacher Confucius. This plaque is on a stone base, which is also made of stone. Behind the Confucius statue, there is a white stone staircase, and underneath it is a wall made of gray bricks. Behind the staircase is a red temple, which is adorned with decorations in red, green, blue, gold, and orange patterns. The building also has a plaque, and the two characters underneath say "City Gate." Behind the building, there is a cluster of trees, and beyond them are other traditional Chinese buildings.']
|
[True, True, True]
|
[nan, 'Confucious', nan]
|
This image features a stunning traditional Chinese architectural masterpiece, showcasing a monumental stone statue crafted from marble, which stands prominently in front of the structure. The intricate design of the building suggests it is a classic representation of Qing Dynasty architecture, characterized by its grandeur and elegance, likely indicative of a royal lineage or significant status. Although the specific location of this prominent gate remains uncertain, the traditional features strongly connect it to historical significance. Beneath the statue, there is an inscription in Chinese that reads "the statue of the First Teacher Confucius," indicating this site is dedicated to the revered philosopher and educator Confucius, who is a central figure in Chinese history and thought. Based on this context, it can be reasonably inferred that this location is in Shandong Province, Confucius's birthplace, as it would be atypical to find such a tribute to him within the imperial gardens of the Forbidden City, where the focus would traditionally be on imperial figures. Furthermore, another painting illustrates a detailed depiction of a statue of Confucius, prominently placed in front of a classical Chinese gate, which features striking red pillars. The gate, referred to as "Da Cheng Men," is inscribed in elegant golden letters, creating a striking contrast against the rich red of the pillars. Above this gate, a distinctively traditional Chinese pattern, known as "zǎojǐng," embellishes the top frame, incorporating hues of blue and green. Below Confucius's statue lies an inscription that states "Xianshi Confucius Teaching Statue," although some portions of the text may be obscured or unclear. The statue itself captures the essence of Confucius, depicted with arms crossed over his chest and a long, flowing beard, embodying his wisdom and dignity. Surrounding the statue are several marble steps bordered by elegant granite handrails, intricately designed with motifs of lotus flowers, symbolizing purity and enlightenment. The traditional style of the red gate enhances the aesthetic appeal, while lush green trees and some withered branches are visible in the background, contributing to the tranquil atmosphere. The architectural style of the roof adheres to traditional Chinese designs, adding to the cultural depth of the scene. The final photograph elaborates further on the portrayal of a traditional Chinese building, with the primary focus on the stone statue of Confucius positioned at the forefront. Below the statue, a stone plaque bears inscriptions that honor the esteemed teacher, Confucius, highlighting his significance in Chinese culture. This plaque rests on a substantial stone base, reinforcing the statue's prominence. In the backdrop of the statue, a white stone staircase leads upward, supported by a wall constructed of gray bricks. This elegant staircase is complemented by a striking red temple that is adorned with intricate decorations in a vibrant palette of red, green, blue, gold, and orange—a visual feast emblematic of rich Chinese cultural artistry. The temple itself features another plaque, with two characters beneath it that simply say "City Gate," indicating its historical significance as an entryway. Beyond this building, a cluster of trees adds to the serene surroundings, with additional traditional Chinese structures peeking through in the distance, completing the picturesque scene of this culturally rich environment.
| 295 |
|
nonnative
|
['1afRwBrFdQIj', '13LLBeqN63qJ', '1maylM4MGR6Z']
|
['English', 'English', 'English']
|
[" In this image, it's a plate of food. In the middle, it's mostly white rice. There's some sort of either tofu or other vegetable in an orange sauce. In the top, it looks like there's possibly some mushrooms. Some of them are black. And then there's some other veggies surrounding those, what looks like woodsy mushrooms. In the bottom, there are two silver, probably not real silver, but metallic, a spoon and a fork. There's one of each of them. There is no text in terms of the position of the objects. The fork and spoon are at the bottom. Rice is in the middle. Tofu to the right. Upper left-ish is the mushrooms and everything else. And under that is one white plate. The background is a table that's black. It looks like some sort of synthetic material. The style is, I guess, food photography, Instagram photography. There's no other context other than the types of food that is on there. It could really be anything. If I had to guess, some sort of Asian. I could not. There's nothing to infer in particular about this.", " So this image shows a plate of food consisting of rice, vegetables, and what looks like eggs and tomatoes. There's a plate of food, there's rice, there's a stir-fried egg, there's cooked vegetables. We can see a spoon and one fork in the picture and a table surface as the background. The rice is centrally placed as the main component of the dish, and the vegetables are on the left with the spoon and the fork placed at the bottom, on the left of the plate. The rice is neatly shaped, the egg and tomato dish looks freshly cooked, and the plate is simple and clean. The background is a dark-colored table surface with white rice as a neutral base. There's bright red and yellow tones from the egg and tomatoes and green from the cucumbers. The meal appears to be nutritious and well-balanced with carbs, protein, and vegetables. This looks to be a dish that's easy to prepare and commonly enjoyed. And it could possibly also be from a home-cooked meal or cafeteria. Yeah. Thank you, Jakie. Thank you. So what I want to do is relate to speculation and mm-hmm, so I'm talking about aica and bio-cooked meal, I want really Миama America. So that's great. Can I talk about science? So I'd like to try to by I client엔 and know what SQL are in their tiny Center prec truthful that I want? Yeah.", " Here we see mainly a plate with some food on it, pretty much taking up the center of the image. In terms of objects, I mean we see some cutlery, so one fork and one spoon towards the bottom left of the photo, hanging on the edge of the plate. Otherwise, we see a scoop of rice in the center of the plate, some meat towards the right, or at least what I believe is some meat towards the right of the plate. Otherwise, vegetables are mostly the rest of the food on the plate, especially towards the upper left. We see at least four small pieces of zucchini, or five pieces of zucchini, and a few other vegetables. And it's all on a table in the background, there's not much to see, it's just like a grey table, mostly, that the plate of food is on. There's really not much interesting in this photo in terms of subtle details, not much in terms of style and color either. The food, I'm not even sure if it's really Asian food or not, it's not obvious at all. So there's not much that we could really infer from this picture, nor on the location, or even really, not much on the kind of food that it is either as well. So there's nothing culturally distinct at all in this photo. So you can see that if there's nothing there to be a home for szcz. And you can see méditer, there is an restroom that is Holly dripping together, and in the room there is an restroom that has embodied photography andAudrey perfectly with være,"]
|
[False, False, False]
|
[nan, nan, 'No']
|
In the first image description, we have a plate of food primarily featuring white rice, which occupies the central position of the plate. The rice appears fluffy and well-cooked, forming a neutral base for the meal. Located to the right of the rice, there seems to be a block of either tofu or a vegetable that is coated in a vivid orange sauce, suggesting that it may be a flavorful stir-fried dish or possibly a curry. In the upper left quadrant of the plate, there are mushrooms, some of which appear to be darker in color, indicating they may be of a woodsy variety. Surrounding these mushrooms are additional vegetables, contributing to the meal's overall visual diversity. At the bottom of the frame, we notice two pieces of cutlery, a spoon and a fork, made of a metallic material that is likely not genuine silver, positioned separately but still close to the plate. The background of this image consists of a black table that seems to be made of a synthetic material, complementing the dish's color palette. The overall photography style is reminiscent of food imagery commonly found on Instagram, focusing on a cuisine that may be Asian in origin. However, there are no explicit indicators to deduce this with certainty. The lack of textual descriptors and contextual elements means that the viewer is left with minimal additional information beyond the visual representation of the food itself. The second image presents a plate of food that includes rice, an assortment of vegetables, along with what appears to be a stir-fried egg and some slices of tomato. The rice is again positioned centrally, a staple of many dishes, while the vegetables—likely including cucumbers which add a refreshing green to the dish—arranged to the left, give a vibrant appearance alongside the bright red and yellow colors characteristic of the egg and tomatoes. A spoon and a fork are placed at the bottom of the plate, skewed to the left, lending a casual yet intentional composition to the arrangement. The dark table surface serves as a contrasting backdrop to the food, enhancing the colors of the dish, visibly exuding a sense of nourishment and balance among carbohydrates, proteins, and vegetables. This plate could be recognized as a typical home-cooked meal or one served in a cafeteria, designed for ease of preparation while also being appetizing. Towards the end of this description, there seems to be a conversation interjected, with mentions of meal-related terms that hint at influences from various culinary practices, possibly indicating a blend of ideas or a cultural interaction, although the details are somewhat unclear. In the third image, the focus is on a plate filled with food, dynamically positioned in the center of the frame. The arrangement consists of a scoop of rice again forming the basis of the dish, with what appears to be meat on the right side. This meat portion is ambiguous, lacking clear definition to easily identify it. The upper left side is populated by slices of zucchini—five or more pieces—alongside other vegetables that contribute to the dish's overall composition. Cutlery is again evident, with a spoon and a fork placed precariously at the bottom left of the plate. The background presents a grey table surface, which adds an understated tone to the scene. An observation is made about the lack of distinctiveness in this photo, noting the minimalist details in style and color. It is unclear if the food depicted is of Asian origin or has influences from any particular culture, leading to the conclusion that the image lacks substantial cultural significance. The review suggests that, at a glance, the food appears common and does not evoke a strong connection to any specific culinary traditions, leaving the observer with a sense of ambiguity regarding the meal's cultural context and overall appeal.
| 746 |
|
native
|
['114srPGU3sx8', '1kF6vna4nC6H']
|
['Chinese', 'Chinese']
|
["This is a photo of a giant panda. In the foreground, there is a pile of leaves, and in the background is the lawn where the panda lives. The panda is not looking at the camera; we can only see the right side of its face and its upper body. The panda is holding something in its hand, but it's not clear from this angle. There is a patch of orangish fur under the panda's ear, and it's uncertain if it's dirty. There are many leaves around it, but they are not bamboo. The background lawn consists mostly of dirt, with little grass. There are also some dry leaves on the lawn, which are red, orange, yellow, and coffee-colored. On the right side of the photo, there is a faint outline of a tree. The tree does not have leaves, but there are some bite marks from insects. I just didn't avoid that.", 'This picture shows a panda eating bamboo, primarily a close-up of the panda. The panda has a white head and a black body. In the foreground, there is some grass, and a little grass surrounds it, while the background is covered in fallen leaves. The ground is entirely covered in leaves. It is focused on eating bamboo, with its hand at one side of its mouth, and it appears to be sitting. The image primarily captures its upper body, including from above the arms, as it seems to be eating bamboo. This season looks like autumn because the fallen leaves are red and yellow, while the bamboo is green.']
|
[False, True]
|
[nan, nan]
|
This is a photograph of a giant panda. In the foreground, there is a sizeable pile of leaves which contrasts with the panda's distinct black and white coloring. In the background, we can see the lawn area where the panda resides, which primarily consists of dirt with sparse patches of grass. The panda appears to be positioned with its right side facing the camera; its gaze is directed away from the lens. We can see only the right side of its face and part of its upper body. In its hand, the panda is grasping onto something, though the specific item is unclear due to the angle at which the photo was taken. There is a notable patch of orangish fur located just underneath the panda’s ear, and it remains uncertain whether this fur appears dirty or simply discolored from its environment. Surrounding the panda, an abundance of leaves is scattered around, although they are not bamboo leaves; this is an important detail as bamboo is the primary food source for pandas. The lawn is covered with a variety of fallen leaves, showcasing vibrant autumn colors such as red, orange, yellow, and shades reminiscent of coffee. These colors indicate that the season depicted in the photo is autumn, a time when many trees shed their leaves. To the right side of the photo, a faint outline of a tree can be discerned. This tree, presumably barren in the autumn season, shows signs of insect activity with visible bite marks on its trunk. In another image, we see a close-up photograph of a panda eating bamboo. The panda features the iconic black and white coloration, with a white head and a predominantly black body. In the foreground of this scene, there is some grass, while the surrounding area is densely covered in fallen leaves, confirming the autumnal setting once again. The ground is completely blanketed with these leaves, which reinforces the idea that the panda is in a natural habitat transitioning into winter. As the panda focuses intently on eating, its hand is positioned at one side of its mouth, suggesting it is seated while consuming the bamboo. The photograph captures the panda primarily from the upper body up, including views above its arms as it engages with its food. The bamboo itself appears green, standing out against the colorful foliage of red and yellow leaves blanketing the ground around it.
| 423 |
|
nonnative
|
['1cx4vl1j6BiD', '1kR8M4F5C5Fm', '1jxcdXdNDFAm']
|
['English', 'English', 'English']
|
[" So this image is a really high quality photo of some type of bird just like with a really bright or with a really green leafy green background. So it looks like this bird is kind of like not hiding but kind of standing amongst like some sort of like foresty area. You see a lot of like these leafy green blades of grass in the background and it looks like this bird is maybe standing like inside of a shrub or like underneath a tree or like underneath a bush or something. So it's a black bird. Its body and neck are completely black. It has a red face and its eyes are also like an orangish red with a really prominent black iris. It almost kind of looks like it has like like a beard that like flows out and turns into like its hair almost like and and this is the only I think part of its feather apart from being red and black. It's white. So it has like this white beard and also this white beak as well. It's staring off into the distance at something and you can tell that the camera is focused in on this bird because even though I can tell it's in this leafy area. The background is like pretty blurred out.", " This is a photo of a bird in wilderness. The bird is in the foreground. The bird's body is black in color. The bird has red on its head and a beak that's whitish in color. The bird also has what appears to be some things that are protruding outward from its mouth area, outward and upward. In the background and also in the foreground is a forest or a vegetation, green in color, very verdant. And apart from that, there are no other noticeable details in this image.", " This image is focused on a bird. The bird has a very long neck coming up from the bottom, and under its beak it has a section of yellowish-white feathers that extend all the way up past the top of its head. Its beak is also yellowish-white and curves out in the front, and curves out and down. Surrounding its eyes, its feathers are a red color, and the eyes themselves have a large black people with a circle of yellow around them, and the rest of the bird is a dark blue or black color. The bird is surrounded by lots of greenery. There are branches with leaves in front of it and above it, and on the other side of it you can also see in the background long grasses coming up from the ground, as well as a darker colored portion on the top right that may be a tree or other object in the forest that it's in."]
|
[False, False, False]
|
[nan, nan, nan]
|
This high-quality image showcases a bird immersed within a lush, vibrant wilderness. The backdrop consists of an array of leafy greens, which creates a striking contrast with the bird in the foreground. The bird has a primarily black body and neck that blends harmoniously with its surroundings while standing amid green blades of grass or possibly within a shrub or under a tree. Notably, the bird's most captivating features include its bright red face and somewhat orangish-red eyes, which are distinguished by prominent black irises. This particular bird displays a unique characteristic: a white beard that seems to flow outward, complementing its white beak, which adds to its distinctive appearance. Its pose suggests it is gazing into the distance, alert and aware of its environment. The photograph is sharply focused on the bird, ensuring that its details are clear, while the background remains beautifully blurred, enhancing the subject's prominence. In another description, the focus remains on this striking bird situated prominently against the verdant backdrop. Its black body is accentuated by the red coloration on its head, while the whitish beak further accentuates its unique characteristics. Distinctive features include protrusions visible around the mouth area, hinting at the bird's unique morphology. This vivid setting is surrounded by a dense forest, emphasizing the wild aspect of the habitat. Additionally, another image also captures a different bird, noted for its elongated neck and vibrant coloration. This bird features a section of yellowish-white feathers extending from beneath its beak, which rises past its head, creating an elegant profile. The beak also shares the yellowish-white hue, prominently curving outward and downward. Surrounding the bird's eyes are striking red feathers, with the eyes themselves exhibiting large black pupils framed by a yellow ring. The remainder of its body is marked by a dark blue or black coloration, providing a formidable appearance against the surrounding greenery, which consists of branches adorned with leaves, long grasses rising from the earth, and a darker area in the background that may indicate a tree or another forest element.
| 118 |
|
nonnative
|
['15v8VYN63ECU']
|
['English']
|
[" This seems like it's some sort of stadium. You can see a lot of seats in an oval pattern. The seats on the north and the south side seem to be red. Other ones on the east and the west seem to be orange. This seems to be like a big stadium. There are some nice lights on the top in a circular pattern. And you can see some small images of people on the bottom. They're all wearing some sort of black. There's one person in the bottom left, a couple in the middle, a few to the right, bottom, a few to the middle right. And some, none sitting down, but some walking between the stands. I'm not sure if this is a sport or if this is for something else. Seems like there might be a boxing ring in the middle, but I'm not sure. Might be in construction. There's a lot of blue spots and brown spots. Looks like a fence maybe for construction. Looks like flying in here. Lookinguras. FCC-Chai Sigma vsTsais realization iso. That's an intensity here. Out of light. Search<|nl|>"]
|
[False]
|
[nan]
|
The scene appears to depict a large stadium, characterized by an oval seating arrangement that is both expansive and well-organized. The seating on the north and south sides of the stadium is predominantly red, creating a bold visual impact, while the seats located on the east and west sides demonstrate a vibrant orange hue. This color contrast adds to the overall aesthetic of the venue, emphasizing its large-scale design. Above the seating, there are several spotlights arranged in a circular formation, which likely illuminate the field or performance area below. At the lower section of the image, small figures of people can be seen, all dressed in black attire. There is one individual positioned in the bottom left corner, a couple located in the middle area, and a few more figures scattered toward the right side. Additionally, there are some individuals visible on the move, traversing between the seating stands, suggesting that the event is still in progress or that the crowd is actively engaging with the environment. It is unclear whether this venue is being utilized for a sporting event or a different type of gathering, as there are indications that a boxing ring may be situated in the center of the stadium. However, the presence of various blue and brown patches raises the possibility that the area is under construction or in a transitional phase. It appears that there may be scaffolding or barriers present, which is common in venues undergoing maintenance or modification. Overall, the atmosphere in the stadium seems electric, with hints of intensity in the crowd and energy levels heightened, although the exact nature or theme of the event remains ambiguous. The partial text towards the end contains references that appear to be related to team identities or event details, such as "FCC-Chai" and "Sigma vs Tsai," which could pertain to specific competitions or teams participating in the occasion. The mention of “realization iso” might suggest a context of media coverage or live broadcasting efforts, capturing the energetic moment at the stadium.
| 2,688 |
|
nonnative
|
['12JDKAsLYWFN', '1fzTgPWIa2Hl']
|
['Chinese', 'English']
|
['This image seems to be from Japan; it is a picture from Japan. In the center of the image, there is a pedestrian traffic light, not for cars, but for people. It is currently a red light. Next to this light, there is a sign that looks like it has Chinese characters, but the characters seem to be Japanese. In Chinese, we usually say "bicycle," but the character used here for "walk" is not the Chinese character but the Japanese one, which indicates it should be in Japan. Additionally, in the background, we can see on the lower left side a place resembling a convenience store, and on the right, there is a building that looks similar to a temple. In Japan, such temple-like buildings have roofs made of tiles, which look quite nice. Yes, that looks really nice, doesn\'t it? Is that person still holding her item?', " Here we have a photo that was taken during the day and it's angled upwards to capture a crosswalk light that is signaling red so that any pedestrians won't cross. And the crosswalk light also has a sign next to it that contains Japanese characters. So there's one light visible in this picture with a sign. There's also a car that can be seen on the bottom right of the photo. And there's also buildings in the background. There's a bicycle, one bicycle in front of the building on the left. And then there's also an obstructive view of another vehicle located in front of a wall in the background on the right side of the photo. And another sign that says that there's an ATM. So the crosswalk sign is pictured and it's positioned towards the top middle of the photo is the subject of the photo. There's also like a blue car located on the bottom of the photo behind the crosswalk sign. Also behind the crosswalk sign there are buildings. And some subtle details are noticeable is that you can see a construction crane on the left side of the video that's just halfway in view. So like there's construction going on further off in the picture. Something else that's noticeable is that the building behind the crosswalk sign has a sort of like Japanese looking historical Japanese architecture. And then also the building next to it is more modern as well as being situated next to a modern convenience store. The background of, again, is just those buildings as well as a blue sky that doesn't have any clouds in sight. In front of the Japanese architecture building, there's a wall and then some shrubbery or plants that run along it. And the style and color of this photo is just like modern and it's also fully colored."]
|
[True, True]
|
['Japan', 'Text in photo contains Japanese characters and a Japanese architecture can be seen from the building in the background.']
|
This image appears to be captured in Japan, showcasing a scene that prominently features a pedestrian traffic light. The traffic light, which is illuminated red, suggests that pedestrians are not allowed to cross at this moment. Adjacent to this traffic light is a sign that bears characters that resemble Chinese script, but upon closer examination, they are identified as Japanese characters. It's worth noting that while the character typically used in Chinese for "bicycle" is different, the character displayed here for "walk" is indeed a Japanese variant, further confirming the location's authenticity as Japan. In the background of the image, on the lower left side, one can observe a structure that resembles a convenience store, a commonplace sight in urban Japanese settings. To the right, there is a remarkable building that appears to take on characteristics similar to a traditional temple. This type of architecture often features intricately tiled roofs, which are visually striking and indicative of Japan's rich cultural heritage. The architecture of the temple-like building is particularly notable and adds an aesthetic appeal to the image. In regard to the overall photographic composition, the image captures a bright daytime setting, with an upward angle focused on the crosswalk light, signaling red to ensure pedestrian safety. The scene includes a single visible car situated in the lower right portion of the photo, alongside various buildings that populate the background. To the left of the frame, there is one bicycle parked in front of the building, while another vehicle obscures part of the view against a wall on the right side of the photo. Additionally, one can see an ATM sign, providing a glimpse into the everyday conveniences available in the area. The crosswalk light is prominently positioned in the upper mid-section of the photograph, surrounded by an urban landscape that includes modern buildings alongside more traditional Japanese architecture, reflecting a blend of the historical and contemporary. A construction crane, partially visible on the left side of the image, suggests ongoing developments in the vicinity. In front of the historically styled building, a low wall is adorned with greenery, enhancing the visual appeal of the scene. The color profile of the photo is vivid and modern, with a clear blue sky that lacks any clouds, creating a serene ambiance. Overall, the photograph encapsulates a slice of life in Japan, illustrating a harmonious blend of tradition and modernity amid bustling urban activity.
| 1,842 |
|
nonnative
|
['16DgHBX4Xi4W']
|
['English']
|
[" The image is showing what seems to be a singer. You can tell because there is some sort of microphone coming from the floor and set up. It seems to be that she's a singer and not a presenter because the microphone is not a traditional microphone. It seems like a circle to isolate noise around it. And the woman is kind of, her body is turned to the side but her face is turning towards the image. She has what seems to be black hair with some sort of bald cut and some hair that goes on her cheek as well. She's smiling. She has very big pink earrings that look like the outline of a diamond. And she's wearing some sort of dress that covers her shoulders and part of her arms with some sort of circle on it. And there seems to be another woman in the background but you can't really tell."]
|
[True]
|
[nan]
|
The image features a singer who is positioned in front of a microphone that is set up on the floor. This particular microphone is distinct from traditional designs; it resembles a circular shape intended to isolate sound around the singer, indicating that she is likely in a performance setting rather than giving a presentation or speech. The singer’s pose is noteworthy; her body is oriented to one side, while her face is directed towards the viewer, creating a dynamic and engaging presence in the photograph. Her hairstyle is characterized by black hair that has been styled into a bald cut, suggesting a modern and bold aesthetic. Additionally, some strands of hair fall delicately along her cheek, adding to her expressive look. The singer is smiling, which enhances the overall warmth and inviting nature of the image. Adorning her ears are large pink earrings shaped like the outline of a diamond, which provides a striking contrast against her attire and adds a glamorous touch to her appearance. She is dressed in a garment that covers her shoulders and a portion of her arms, featuring a design element that includes a circular motif, further enhancing the artistic flair of her outfit. In the background, there appears to be another woman, though the details of her presence are indistinct, suggesting she may be in a supportive role, possibly a fellow performer or band member. The focus remains primarily on the singer, capturing the essence of her performance through both her expressions and her attire.
| 2,264 |
|
native
|
['1mCaRcG8mGlL']
|
['Korean']
|
['The image appears to depict a performance venue. It seems to be composed of two levels, and all the chairs are red. Rather than focusing on the audience, the perspective seems to be from that of the performers, looking out at the audience. The decor is primarily wooden. At the top, various lights, cameras, and monitors can also be seen. In the center of the stage, there is a strong spotlight visible. Other characteristics of this image include an entrance in the middle, with bright light visible outside the entrance. Thank you, Abras and Doug.']
|
[False]
|
[nan]
|
The image in question appears to showcase a performance venue, characterized by a two-tiered structure. The seating arrangement consists entirely of red chairs, creating a vibrant and engaging atmosphere for the audience. Importantly, the perspective of the image is presented as if one is looking out from the viewpoint of the performers, allowing us to imagine the experience of being on stage while observing the audience. The venue's decor notably features a predominance of wooden elements, which contributes to a warm and inviting ambiance. Above the stage, various lighting fixtures, cameras, and monitors are prominently displayed, suggesting that this venue is equipped for a range of performances and productions, with the technology enhancing the overall experience for both performers and viewers. At the center of the stage, a powerful spotlight can be seen, casting a focused beam of light, likely designed to draw attention to the performers during a show. This spotlight not only illuminates the stage but also adds an element of drama to the setting, essential for theatrical presentations. In addition, there is an entrance located at the center, through which a bright light is visible, indicating that it leads to another area, likely serving as the main access point for both performers and audience members. The interplay of light and shadow, along with the overall design of the venue, sets the stage for memorable performances. The transcription concludes with a note of gratitude towards individuals named Abras and Doug, perhaps indicating their involvement or contribution to the event or venue depicted in the image.
| 2,882 |
|
nonnative
|
['1hVZ6weB47bv', '1aPt1Jxyvj0S']
|
['Telugu', 'English']
|
['In the Kanya picture, a group of people known as Mandal are gathering, and many of them are coming together. They are arriving from various places, participating in various activities. This gathering is a significant event; it may present some challenges or opportunities. There are many discussions happening, and the atmosphere is lively as people interact and share their experiences.', " This is an image of multiple people standing on the ground in some kind of a mall. There may be people in that ground, but often there's about 550 people and a few of the glasses screaming. They're sitting and talking to each other. There's many women, these are women standing down. And in that background, there are people just standing and walking. And from the back, you can see a couple of stores. There are people sitting on the ground sitting on the side of the cloth. There are papers under the floor on the ground. They have bags and baskets with the things as well. They appear to be making something, or doing something together. They hold under the floor for reds, and potentially soothing and needing. The floor for colors are rather bright. There's a lot of reds, white, yellows. And it was very hot. In the sky. I haveeze and learned a little over the stairs. So are those enriching or moving. Also showing that they´re in your door. Nice to meet you. I love the color of the fairest. I hold that first. The dirt wrapped into the slide – I wanted to the bear... It wasiantes kavaramya at thishi. It was literally almost half an hour ago. I pretty sure I liked the reds then. The Crafts would also have a bit of redsis."]
|
[False, False]
|
[nan, nan]
|
In the description of the Kanya gathering, a notable group of individuals known as the Mandal is depicted as they come together for a significant event. This gathering draws participants from various locations, emphasizing the communal aspect of their activities. The atmosphere is described as lively, filled with conversations and exchanges among the attendees, indicating an environment rich with engagement and shared experiences. This event may present certain challenges or opportunities for those involved, adding an element of complexity to the occasion. The second description paints a vivid scene of a crowd in a mall-like environment. It suggests that there are approximately 550 individuals present, some of whom are engaged in conversations while others are perhaps in the background moving about. Specifically, a number of women are highlighted as they stand among the crowd, contributing to the dynamic scene. The setting includes visible stores which add to the commercial backdrop, alongside individuals sitting on the ground with bags and baskets, suggesting a communal activity or crafting session. The ground features papers scattered about, and the attendees appear to be working on something collectively, possibly related to crafting or creation. The colors mentioned are bright and vibrant, particularly reds, whites, and yellows, evoking a sense of warmth and energy that often characterizes communal outdoor events. The weather is described as hot, and there is an indication of the sky overhead adding to the overall sensory experience. The term "kavaramya" is presented, which may refer to a cultural element or craft associated with the event, and there is a personal reflection on the colors and the warmth of the gathering, revealing a sense of nostalgia or emotional connection to that particular day. Additionally, there are mentions of crafts that may feature various hues, particularly reds, enhancing the visual richness of the setting.
| 1,553 |
|
nonnative
|
['1fSy1lAxHFbx', '15Zlv6saJ8za', '1nfT8yT4nKuo']
|
['English', 'English', 'Chinese']
|
[' The image is of a large stone slab with a Hindu god or goddess painted on the slab. The goddess looks to be the Hindu goddess Kali, who has multiple arms carrying a trident and also has a golden head crown. The stone is yellow on one side and red in the background of the painting of Kali. There are trees in the background as well as a yellow pole on the left side of the image. And some sort of fencing in front of the giant rock. Um, it may be inferred that because this is a painting of a Hindu god, it is in some location that in which there are many Hindu worshippers. But there is no text, um, visible text in the background that would indicate the location.\\', " The pictures are showing a big rock and there's a painting on it. And the big rock is in the center of the pictures. There's no text or something in it. So I cannot really read the letters or words. And the painting looks like some Indian god on it. And the god pictures have a blue skin. And then the background of the god pictures is red. And the rest of the rock is painted as a yellow. And on top of the rock, it seems like there's a tent set up on it. And there's a fence hanging on the tent. And there's an aluminum stair bar in front of the rocks. It looks like some sort of temples. And the background is very green trees in the background. It looks like some sort of temples.", 'In the middle of this scene is a colored stone. It is a rock with one side that is relatively flat, and on this flat side, a painting has been created. The background of this painting is bright red, and on this bright red background, the main subject appears to be a person who looks like a character from mythology or folklore. This figure has blue skin and wears clothing that is very rich in ethnic or mythological characteristics. It seems to have several arms, which leads me to think this might be a character from a myth or a religious figure. So, it is an image of a human form with blue skin standing on one side of the stone, which has a red base. The other side of the stone is painted entirely yellow. The stone is placed in what looks like a garden, and above it, there’s a sunshade that is red and yellow striped. In front of the painting, there is also a railing, so it may have been placed in a public garden. Now we can see if there’s any connection to the divine or how the issues are resolved.']
|
[True, True, False]
|
['The painting is depicting a Hindu mythological figure, Kali.', 'The god picture on the rock', 'No']
|
The image features a substantial stone slab that is adorned with a painting of a prominent Hindu deity, specifically the goddess Kali. Kali is traditionally depicted with multiple arms, each wielding significant symbols, and in this representation, she displays a trident. She is also crowned with a golden headpiece that signifies her divine status. The artwork itself is set against a vivid backdrop; the stone has a yellow hue on one side, while a bright red background enhances the visual impact of the painting of Kali. Surrounding the stone are various elements of the natural environment, including greenery in the form of trees that rise in the background, providing a rich and serene contrast to the vibrant colors of the painting. To the left of the image, there is a notable yellow pole, which might serve a specific purpose in the context of the location. Additionally, there seems to be a kind of fencing in front of the large rock, possibly indicating an area designated for worship or reverence, suggesting that this slab may serve a significant role in a place frequented by Hindu worshippers. In another perspective described, the painted stone is recognized as being central to its surroundings, with the painting on it prominently showcasing the figure that is representative of a deity, characterized by blue skin which is a common attribute for many Hindu gods. The other details include the stone's yellow paint, a striped sunshade above, and an aluminum stair railing positioned in front of the rock, hinting at the possibility that this location acts as a temple or a space significant for spiritual activities. The rich lushness of trees in the vicinity further implies that the stone has been carefully placed within a garden-like or public setting, enhancing the ethereal atmosphere surrounding the divine figure portrayed in the painting. In summary, the scene encapsulates various elements of Hindu mythology through the depiction of Goddess Kali, alongside thoughtful architectural and natural elements that provide context to its significance as a place of worship.
| 54 |
|
native
|
['1gZBch9p3FgO']
|
['Chinese']
|
['In this picture, what I see looks like a pair of wedding invitation cards. The text on one of the cards says "Double Happiness" and the other says "Dragon and Phoenix Prosperity." On the bottom invitation, I can\'t read it clearly, but I can see the words "Welcome Guanglian," which might be "Welcome Guanglian," and it also includes the names of the newlyweds. The only words I can clearly see are those two characters, "Guanglian." As for the background, there is nothing else; just these two red invitation cards. The style features a very traditional font, as if you were looking at these cards as images, with golden text on a red background. Ultimately, it’s still that wedding invitation.']
|
[False]
|
[nan]
|
In this image, we observe a pair of wedding invitation cards, characterized by their vibrant and auspicious design. One card prominently features the phrase "Double Happiness" which in Chinese culture symbolizes marital bliss and is often used in wedding celebrations. This character is traditionally represented in a stylized red design, conveying joy and well-wishing. The second card presents the phrase "Dragon and Phoenix Prosperity." The dragon and phoenix are powerful symbols in Chinese culture; the dragon represents the male and is often associated with strength and auspiciousness, while the phoenix symbolizes the female and conveys beauty and grace. Together, these symbols represent a harmonious union and the auspiciousness of the marriage. On the lower invitation card, the text is somewhat obscured, but the visible phrase "Welcome Guanglian" can be interpreted as a friendly greeting to guests for the wedding celebration. It implies that "Guanglian" is likely the name of one of the newlyweds or perhaps a familial reference. This additional detail serves to personalize the invitation, welcoming attendees into an intimate celebration. The overall aesthetic of these cards is rooted in traditional designs, featuring a classic font style that enhances their cultural significance. The text is rendered in gold against a striking red background, a color combination that is rich in symbolism; red signifies happiness and good fortune, while gold symbolizes wealth and prosperity. The stark contrast of colors ensures that the invites stand out vividly. In summary, these wedding invitations encapsulate essential cultural elements and traditions surrounding Chinese weddings, reflecting the joy and significance of the occasion through their thoughtful design and chosen phrases. The simplicity of the background elevates the focus on the cards themselves, marking them as special artifacts of matrimonial celebration.
| 2,838 |
|
native
|
['1env68aRsdTZ', '1hanTvflKi2C']
|
['Chinese', 'Chinese']
|
["This picture is quite interesting. Firstly, this image has two main characters: one is our male protagonist, who is holding a girl who seems to be drunk and is walking forward. I can assume that they went to a bar in the evening, and the girl drank quite a bit, so the male protagonist is helping her out. The male protagonist's face is not completely visible as it is pixelated over his eyes, so I might assume that this could be related to some activities that are not particularly legal, but I don't know the specific situation. The male protagonist is wearing a black shirt while the female protagonist is in a red patterned dress. The girl is in a slumped position, her head resting on the male protagonist's shoulder. This incident probably occurred in Taiwan since the watermark in the lower right corner is from Taiwan Straits News. The background appears to be quite crowded, and there is a person in a suit standing upright behind them, so I think it is at least a mid to high-end location. As for the timing, it seems that they are just finishing up whatever gathering they were at.", 'This photo comes from Taiwan Strait News, which is a celebrity news website. So this man is presumably a celebrity; it’s a paparazzi shot. The man is wearing shorts, and the woman is in a little dress. The image has been edited to obscure their eyes, likely to protect their identity. In the background, there’s a man in a suit who looks a bit like a bodyguard. Overall, the picture is quite blurry, and it seems to have been taken from a news website.']
|
[True, False]
|
[nan, nan]
|
This picture is indeed quite intriguing, presenting a snapshot of a moment that tells a story. In this image, there are two primary characters: the first is the male protagonist, who is depicted as holding a girl who appears to be intoxicated, making her way forward with his assistance. It can be reasonably assumed that their evening began at a bar, where the girl likely consumed a significant amount of alcohol, necessitating the support of the male protagonist. His expression, particularly the area around his eyes, is obscured, as it has been pixelated, which raises some questions about the context; it could imply an involvement in activities that may not be entirely above board, though the specific circumstances remain unclear. The male protagonist is dressed in a black shirt, a choice that could indicate a more casual or stylish attire suitable for a night out. The female companion is adorned in a red patterned dress, which may suggest a festive or vibrant personality, contrasting with her current state of leaning against the male protagonist, her head resting on his shoulder in a manner that indicates both trust and vulnerability. Based on the watermark located in the lower right corner of the image, which is attributed to Taiwan Straits News, it is inferred that this incident most likely took place in Taiwan. The backdrop of the photograph appears rather congested, hinting that they may be in a popular or upscale venue. There is also a figure visible in a suit in the background who appears to be standing rigidly; this person might be acting in the capacity of a bodyguard or security personnel, suggesting that the male protagonist could be someone of significance, potentially a celebrity. The overall ambiance of the image implies that they are wrapping up from the event or gathering they attended, indicating the timing is close to the end of their night out. This photograph is further identified as a paparazzi shot, and given the blurriness and editing that obscures the subjects' eyes, it reflects the nature of celebrity culture, where individuals are often photographed without their consent in public settings.
| 2,062 |
|
native
|
['1lzVwU8Hfxgy']
|
['Russian']
|
['In this image, we see some kind of statue or, more likely, a church tower against the backdrop of a city. This suggests that it is probably dawn. There are no texts present in this photograph. The details that can be noticed are quite numerous. Most likely, there is some body of water behind it, and many people. Perhaps they have come for a service nearby. It can be observed that there are not many windows in this tower. In the background, we have the city, with its style and colors. There are many colors here, a colorful picture. And what can be understood? This is a waterfront, somewhere near the city. People come there early in the morning. This might simply serve as a focal point for people passing by. Perhaps it is some kind of religious building, in my humble opinion.']
|
[True]
|
[nan]
|
The image depicts a prominent structure, likely a church tower or statue, standing against a sprawling urban landscape, indicating that it is probably dawn. The lighting suggests the early morning, characterized by soft and subtle hues that accompany sunrise. There is a notable absence of any text within the frame, allowing the visual elements to convey the story. Several details stand out in this composition. It appears that there is a body of water situated behind the structure, which adds to the scenic beauty of the location. A number of people can be observed around, who may have congregated for a religious service or event nearby. This suggests that the tower serves not only as an architectural feature but also as a cultural and spiritual gathering point for the community. The church tower itself exhibits a design that features a limited number of windows, which is common for such edifices, perhaps emphasizing the solemnity often associated with religious buildings. In the backdrop, the city unfolds, showcasing a diverse palette of colors and architectural styles, which provides a vibrant context to the tranquil scene at the waterfront. This location, situated by the water's edge, likely attracts visitors early in the morning, creating a lively atmosphere as people pass by. It stands as a focal point within the community, drawing individuals to reflect, participate in worship, or simply appreciate the picturesque surroundings. In summary, the structure is not just a piece of urban infrastructure; it represents a spiritual landmark that enriches the cultural tapestry of the city.
| 1,214 |
|
native
|
['1dKJutnxeOsZ']
|
['Spanish']
|
["This image shows a statue of a seal at the bottom of the photo, and in the background, there is a very tall building that has the word Habana with two n's at the top. At the bottom of the photo, there are people walking around the statue and this part of the city. On the other sides of the photo, there are not-so-tall buildings with typical architecture, which is not very modern but somewhat from the 1900s and the later parts of the 1900s. There are some columns at the bottom, and it definitely looks like a city that is not very populated."]
|
[False]
|
[nan]
|
This image captures a scene featuring a statue of a seal prominently displayed at the forefront, situated at the bottom of the photograph. Directly behind this statue stands an impressive tall building that prominently features the word "Habana," spelled with two 'n's, indicating a connection to Havana, the capital city of Cuba. In the lower section of the photo, several individuals can be seen leisurely walking around the statue, contributing to the lively atmosphere of this segment of the city. The surrounding area reveals a mix of architectural styles, characterized by buildings that are not particularly tall but showcase a distinctive charm reflective of the early to mid-1900s. These structures exhibit a classical design, often found in historical districts within cities, highlighting an era long past yet still appreciated in contemporary settings. The presence of columns further emphasizes the traditional architectural style of the area, enhancing the visual narrative of the environment. Despite the bustling activity around the statue, the overall impression of the cityscape suggests a relatively low population density, where open spaces are evident. This gives the area a sense of tranquility and allows the historical architecture to be appreciated without the distractions of heavy foot traffic typical of more populated urban centers. The combination of the seal statue, the notable "Habana" building, and the charming old architecture creates a picturesque view that reflects the cultural heritage of Havana.
| 1,294 |
|
nonnative
|
['1bAHDNqXc57t', '1jeYkqiECzFI', '1nG3fMVHy0Ut']
|
['Chinese', 'Chinese', 'English']
|
['This image shows something similar to a fuel pump, resembling a device found at a gas station. On its right side, there is a type of hose, and it has a nozzle designed for inserting fuel. The nozzle is connected to a large screen that likely allows users to select different grades of fuel and their prices. Behind it, there are many water buckets, probably for washing windows or car bodies. On the left side of the machine, there seems to be a large truck, and behind the machine, there are many gas canisters. Thank you!', 'This image might be of a gas station or a fire station because water buckets are typically not hung near gas stations. It is possible that this is some kind of equipment set up by the fire station for firefighting training exercises, where hoses can be directly connected to simulate firefighting training. In emergency situations, sometimes it is also necessary to use water buckets to extinguish fires. This could be due to certain uncontrollable factors affecting fire hydrants or because of traffic issues that prevent fire trucks from reaching the scene in time. At that moment, firefighters need to use water buckets for urgent firefighting to ensure the safety of the public and their property.', " It's pictures of a gas station and the gas station is in the center of the pictures. There's no text on the pictures and in the back end it looks like some industrial area but the pictures looks like it's really old. It seems like some old styles of gas station or maybe some remote place. And also with the distant back of the gas pumping, gas pump is a cage with a multiple gas tank and also behind the gas pump there's a rack, a rack rack hanging a couple rack buckets on it. And the pictures could be happening in any places that have a gas station. But there's a logo on the pump but I cannot recognize what company it is. And there's a text in the yellow sign in the back end but I cannot read what it is. And on the left hand side there's a truck with a blue truck on it. And this picture looks like it has been taken a couple decades ago. It's old pictures. And the gas station is very old-style. Down! Down! Eyespog and Sugar Anker Run! Out! Change data! Backend etätter for an change. Epoch!"]
|
[False, False, False]
|
['no', nan, nan]
|
This image presents a depiction reminiscent of a fuel pump similar to those typically found at gas stations. On the right side of the pump, there is a hose equipped with a nozzle that is specifically designed for the purpose of dispensing fuel. This nozzle connects to a large digital screen, which likely allows users to select various grades of fuel along with their respective prices. Behind the pump, there is an array of water buckets, which serve a dual purpose; they are likely intended for washing car windows or exterior bodies. To the left of the machine, a large truck is visible, adding to the context of the area being depicted. Behind the fuel pump, numerous gas canisters can be observed, suggesting a potentially busy or operational gas station setting. The subsequent image may belong to a gas station or a fire station, as water buckets are not typically a common sight near gas stations. It is plausible that this setup is part of firefighting equipment meant for training exercises, where hoses are utilized to simulate firefighting scenarios directly. In emergency situations, using water buckets can become necessary in order to extinguish fires. This need can arise due to various uncontrollable factors that may impede fire hydrants or create traffic problems that delay the arrival of fire trucks. In such urgent circumstances, firefighters might resort to using water buckets to swiftly respond to fire threats, thereby ensuring public safety and the protection of property. Another image captures a vintage-style gas station prominently centered within the frame. The absence of text in these images accentuates their focus on the structure itself. In the background, an industrial area can be seen, indicating a possibly aged location. The gas station appears to embody an old-fashioned design, potentially illustrating a more rural or remote setting. There is also a series of gas tanks encased within a protective cage situated behind the fuel pump. A rack is visible behind the pump as well, from which several water buckets are hanging. The overall atmosphere of the images feels historical, suggesting they may originate from several decades past. The gas station exemplifies a bygone era, and although a recognizable logo appears on the pump, its identity remains unclear. Additionally, a yellow sign visible in the background contains text that cannot be deciphered. To the left of the gas station, a blue truck is present, further enhancing the scene. This vintage depiction, with its old aesthetics, reinforces the notion of a gas station that has witnessed the passage of time. The imagery conveys a sense of nostalgia while emphasizing its outdated features.
| 1,238 |
|
nonnative
|
['1jVf4w3clJrE']
|
['English']
|
[" So here we see an image of a kind of maybe some sort of show with lanterns, things hanging. We see that it's mainly like one character or item. And it's the main show is the actual shadow that it projects. On the right, we see a bunch of like clumped up things that I'm not too sure what they are. But this is kind of broadcasted maybe at night. But this just shows that the show itself is kind of based on the shadow that this kind of character creates in the background. That's the main kind of attraction for the show, it seems like. The shadow is being projected on this just very clear white background. These like lanterns that's hanging above, there are five of them. With the one in the middle being the biggest with some Chinese characters."]
|
[True]
|
['Chinese shadow puppet show']
|
In the image, we observe a captivating scene that appears to be part of a Chinese shadow puppet show. This traditional form of storytelling combines intricate artistry and performance, where characters are manipulated behind a screen to create enchanting shadows. The focal point of the spectacle seems to be a singular character or puppet that projects a distinct shadow onto a clear, white backdrop, which serves as the canvas for the action of the show. The backdrop highlights the shadow’s prominence, and it is this mesmerizing silhouette that draws the audience's attention, making it the main attraction of the performance. The lanterns hanging above the scene contribute to the ambiance, symbolizing cultural elements often associated with festivities in Chinese culture. There are five lanterns in total, and notably, the largest lantern in the center is adorned with Chinese characters, possibly conveying a greeting or the title of the performance. To the right of the image, there are several indistinct, clumped-up items that remain unclear in their identity, potentially representing props or additional elements used within the show. The overall setting suggests that this performance takes place during the evening or at night, as evidence by the presence of the lanterns, which typically illuminate the surroundings and enhance the visual beauty of such traditional performances. This setup embodies the essence of celebration, creativity, and the rich heritage of Chinese storytelling through shadow puppetry.
| 446 |
|
native
|
['104bXMZWcvN0']
|
['Spanish']
|
["This photo shows, I believe, two people on horses in a sandy area. On the sand, there are also men on the ground in gentleman's attire or riding gear. They are wearing riding caps. Additionally, this photo has an audience. There are people sitting watching those on their horses. Further back from them, there’s not quite a mountain, but a higher area with some grass. It slopes upward."]
|
[False]
|
[nan]
|
This photograph captures a scene set in a sandy environment, featuring two individuals mounted on horses. The riders are central figures in the frame, and their presence is complemented by several men situated on the ground nearby. These men are dressed in gentleman's attire or riding gear, complete with riding caps, which are traditional headwear often associated with equestrian activities and formal riding events. Surrounding the main subjects, an audience is visible, seated and attentive, as they observe the activities taking place involving the horse riders. This crowd adds a layer of engagement to the scene, suggesting that a performance or display could be underway. In the background of the composition, there is a geographical feature that is not quite a mountain but rather a gently sloping elevation covered in grass. This higher area creates a visual contrast with the sandy foreground and enhances the depth of the photograph, drawing the viewer's eye toward the horizon. The combination of the sandy terrain, the dressed gentlemen, the equestrian focus, and the observing audience creates a rich narrative in this captured moment, reflecting a cultural setting that appreciates equestrian traditions and public displays of horsemanship.
| 1,308 |
|
native
|
['1kRJOgvtKe1h']
|
['Hindi']
|
["Here is a picture of a very famous Indian snack called samosa, which is triangular in shape and filled with a potato filling. It is one of the spicy snacks, and two samosas are placed on a plate, which is called a 'thal.' On one side, green chutney is also visible, and it all looks as if it is set on a table. The samosa is savory, and when eaten with chutney, it provides a delightful experience. Sometimes, the filling inside the samosa can be quite spicy, which is why it falls under the category of tangy snacks. To make a samosa, a round dough is first prepared, and then the filling is added inside it. It is then shaped in this way and deep-fried in oil. When it comes out hot from the oil, the taste is distinct, and it has its own unique aroma that is enough to make anyone’s mouth water."]
|
[True]
|
['special Indian food.']
|
The image depicts a very famous Indian snack known as a samosa. Samosas are distinctively triangular in shape and are traditionally filled with a savory potato filling that often contains a blend of spices, giving it a characteristic spiciness. In the image, two samosas are neatly arranged on a traditional Indian plate, commonly referred to as a 'thal.' Accompanying the samosas is a vibrant green chutney, which adds a refreshing contrast and enhances the overall flavor profile of the dish. The entire setting appears to be on a table, suggesting a casual dining or snacking experience. Samosas are recognized as one of the spicy snacks in Indian cuisine. The preparation of samosas involves creating a round dough, which serves as the outer shell. After rolling out the dough, the spicy potato filling is placed inside, and the dough is then deftly shaped into a triangle before being deep-fried in hot oil. Upon emerging from the frying process, the samosas are hot, crispy, and emit a distinct aroma that is tantalizing and mouthwatering, making them an irresistible treat. The filling inside a samosa can vary significantly; while potato is the most common, it can sometimes include other ingredients such as peas, lentils, or even meat, each bringing its own level of spiciness and flavor complexity. When enjoyed with chutney—often made from fresh herbs and spices—the combination elevates the samosa into a delightful sensory experience, appealing to both the taste buds and olfactory senses. As a staple in Indian street food, samosas are not just a snack but also represent a cherished culinary tradition that holds a special place in the hearts of many.
| 781 |
|
native
|
['14hIR5B2dFqd', '15UkLdbeDHsg', '19n6dWBy2xY6']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this picture, I can see a smiling man dressed quite formally. He seems to be holding something in his hand, which looks like a microphone. The text behind him says "SYM Taipei City," and there are many supporting organizations. That item is likely in his microphone or in his hand, but it\'s not very clear because he and his pants are both black. The background features an award sign, and I could see the guiding unit; I noticed a group of organizations but could only see these. The style is very simple, with lots of logos printed and a view of the city from above. His style is quite straightforward, and the color scheme is black, matching the colors of these sponsors\' logos.', 'Some people appear to have a more relaxed demeanor. Is it their smile or perhaps the lightness in their demeanor? One might say, "What does he mean? He refers to the yellow themes on the outer side; this looks like a program or entertainment event. He doesn\'t have this guidance." Taipei might be one of many locations in Taiwan, which has a somewhat straightforward relationship with Hong Kong. It seems this could be an award ceremony or a live show. It might also be for promotional photos taken for this announcement. The attire is particularly stiff, featuring black clothing combined with a black Chinese variant and red accents. A photo was released, similar to this one. Then it talks about Taipei again and gives special thanks to the media that covered this event. This black-and-white theme might suggest a lack of familiarity with Taiwan among these media outlets. In fact, the photo itself appeared on Tencent Music, indicating some decision-making on Tencent\'s part, with these costs being changes. However, Tencent remains relatively budget-conscious, suggesting it may not be entirely successful.', 'In this picture, there is a man standing at the front of a stage facing the camera. His background features several panels painted with logos and brand symbols. The images on the background display the names of guiding units, partner units, sponsoring units, and media partners, among others. In the lower left and right corners, there are watermarks of some websites and platforms. The man has blue hair and a very bright smile, showing his teeth. He is dressed in a black suit, a black bow tie, and black dress pants, along with black leather shoes. Both of his hands are in his pockets, with one hand having all four fingers inside the pocket, while the thumb of the other hand is also in a pocket. The overall style of the man is very casual, comfortable, and pleasant.']
|
[False, True, False]
|
[nan, '腾讯还有台北', nan]
|
In this image, we observe a cheerful man outfitted in formal attire, which includes a tailored black suit complemented by dress pants and leather shoes, all contributing to a polished appearance. He is holding what appears to be a microphone, although this detail is somewhat obscured by the similar color of his clothing. Behind him is a backdrop that reads "SYM Taipei City," accompanied by a multitude of logos representing various supporting organizations. The simplicity of the design, predominantly in black and featuring numerous printed logos, enhances the professional ambiance, while a cityscape can be seen from an elevated perspective in the background. There is an intriguing contrast in the demeanor of the attendees; some exhibit a relaxed and joyful expression, perhaps signaled by their smiles or overall lightheartedness. This observation raises questions about the nature of the event, which could be an award ceremony or a promotional gathering, likely tied to the city of Taipei in Taiwan. The reference to "yellow themes" suggests potential branding or thematic elements present in the program's design, hinting again at a celebration or entertainment event. The attire discussed is described as somewhat austere, nevertheless stylish, featuring black clothing with a Chinese variant style snippet accented by red. Subsequently, gratitude is extended to the media for their coverage of the occasion, which hints at an effort to promote the event broadly. The black-and-white color scheme utilized in the promotional materials could allude to a certain level of unfamiliarity or lack of engagement with the nuances of Taiwanese culture among some media outlets. The imagery originates from Tencent Music, a significant player in the digital media space, signaling possible strategic decisions made regarding finances and resource allocation, even while highlighting budget constraints. Another visual captures the essence of the event further, focusing on a man positioned at the forefront of a stage, engaging directly with the audience through the camera lens. The backdrop he stands against showcases an array of logos, including those of guiding and partnering units, sponsorships, and media affiliations. Notably, the man boasts striking blue hair and a wide, inviting smile, effectively reflecting the upbeat atmosphere of the event. His attire remains consistent with the formal yet comfortable theme: a sleek black suit, a matching bow tie, and dress pants, with the overall effect aiming for a balance between formality and casual ease. His body language adds to this atmosphere; with both hands in his pockets, one hand exhibiting a relaxed posture with fingers tucked inside, while the thumb from the other hand also nestles within another pocket. The overall impression is one of approachability and warmth, suggesting a friendly and inviting environment that complements the purpose of the gathering.
| 2,727 |
|
nonnative
|
['19bEPIsw48Mv']
|
['English']
|
[" In this image, it shows someone sitting in front of a computer. The computer has a bunch of Asian characters. It seems to be a very old Windows operating system. The email application appears to be open, and there is an email that is partially written. On this desk, there is some envelopes, some paper with some Asian writing on them. There appears to be a very messy desk with a lot of things. So two envelopes, a lot of pens in the background. On the background, on the right corner, it says caramel macchiato. But then there is also an animal toy sticking out of the back that says that. So maybe this is a former box that is repurposed to be this home for the toy animals. There seems to be an office setting in this man's cubicle, or this person's cubicle. There is a pen on the paper, so maybe this person is working on her work. There's a lot of pens throughout, some binder clips. Just a very office setting, and they're using a BenQ old monitor. Stay upwards. Stay with2019. Jim新 that says actual Away Amarit, is it one of those of us who is responsible for the Old Spider-Man 2,救助? Egyptians come to missing when ph miserable animals, any midnight purposes. Hill 110 takes off a on that other midvoirs, and we're getting out there. And at least for is it?. So if the human質 comes out… Of course, вроде is, maybe you can see the魂イ Unity videos. Those are the ones that build a lot of sex with liberties and Cemil.na. And then you are esc водыcito, which is the Meat"]
|
[False]
|
[nan]
|
In the image under discussion, there is an individual seated in front of a computer that is displaying an array of Asian characters, suggesting that the content is likely in a language such as Chinese, Japanese, or Korean. The computer itself appears to be running a very old version of the Windows operating system, which indicates that it may not have been updated in quite some time. The individual seems to be engaged with an email application that is currently open, showcasing an email that has been partially drafted but is not yet completed. The workspace surrounding this person is characterized by a significant level of disorganization. On the desk, there are two envelopes and several sheets of paper, seemingly adorned with additional Asian writing that further emphasizes the cultural context of the workspace. Various pens are scattered throughout the area, indicative of a busy, perhaps chaotic, working environment. In the background, located in the right corner of the image, there is a reference to a "caramel macchiato," which could imply that the person enjoys this popular coffee drink, linking the workspace to a coffee culture that many people find comforting while working. Additionally, there is a toy animal evident in the background that appears to be emerging from a box, possibly suggesting that the box has been repurposed as a storage space for toys, contributing to the playful and personal touch within this office setting. This individual is likely female, as inferred from the description "this person is working on her work." The systematic clutter includes more pens and some binder clips, alluding to typical office supplies one would expect in a cubicle. The monitor being used is a BenQ model, which is also an older piece of technology, reinforcing the image of a long-standing and possibly cherished workspace. The text transitions into a more incoherent section where phrases like “Jim新” and “actual Away Amarit” emerge, possibly snippets of other discussions or chaotic thoughts that are overlapping with the original description. Other elements such as "the Old Spider-Man 2" and various confusing phrases indicate a shift away from the clarity provided in the earlier part of the transcription, veering into a more fragmented narrative about diverse and perhaps unrelated topics. Overall, the scene paints a vivid picture of a work environment that is both personal and indicative of cultural elements, while also reflecting a busy lifestyle where work, playful distractions, and personal taste coalesce.
| 2,424 |
|
nonnative
|
['1a2YmUNZx2b3', '1hxzKf9M5Sju']
|
['Chinese', 'English']
|
["This picture shows a brightly lit tower at night, which may be Seoul's Namsan Tower, also known as N Seoul Tower. The main objects in the image include the glowing tower, a path in the foreground, and the surrounding trees. The lights of the tower present a blue and white hue, highlighting its iconic appearance and making it more prominent against the dark night sky. The tower's position is centrally located in the frame, giving a distant and slightly cold feeling, while the path and the railing in the front form elements that guide the viewer's gaze naturally towards the direction of the tower. The surrounding trees add a natural atmosphere to the image, emphasizing the quietness of the nighttime setting. The background consists mainly of dark night sky, further enhancing the brightness of the tower and making it the focal point of the scene. Stylistically, this photo features distinct light and shadow effects, with the cool-toned lights and dark background creating a sharp contrast. From the angle of the shot, it is highly likely that this tower is located in Seoul, South Korea; it is a famous tourist attraction symbolizing the city's modernization and romantic vibe. Typically, Namsan Tower serves not only as a broadcasting and television signal tower but also as a popular dating spot for couples, with many choosing to leave tokens of their love there. Therefore, this photo may suggest a romantic atmosphere, depicting an experience of nighttime or urban exploration. In summary, this is a night scene photograph full of urban flair, showcasing a landmark building at night. The composition and lighting of the scene make the tower the central focus, revealing a part of the city at night.", " This looks like a picture of a very late at night shot, so it's a bit hard to tell where exactly is going on. There's a dim light along the path where this picture was taken from, and in the far distance there is a very tall building. The building has a blue light in the middle of it. It looks like a kind of size skyscraper, but there's nothing else of particular note in this image. It doesn't look like there's any other buildings in the skyline other than this particular skyscraper. There's no text in the image as it's very dark, and there's also no real context to this image because of how dark it is as well. So it's anyone's guess where this building actually is, but it looks like it's a picture taken very normally, maybe by someone who's going on a late night walk and saw the view of this skyscraper and wanted to take a picture, rather than a very professional picture. Moreover, it left the Man- horror mark. Made the brand-s livro. Tra hormonal wonder Yeah. the last time"]
|
[True, False]
|
['This is Namsan Tower', nan]
|
This photograph captures a stunning nighttime view of a brightly illuminated tower, which is likely Namsan Tower, also known as N Seoul Tower, located in Seoul, South Korea. The main elements in the image include the glowing silhouette of the tower, a softly lit pathway in the foreground, and lush, surrounding trees that create a serene atmosphere. The tower is adorned with vibrant blue and white lights, which enhance its iconic appearance and make it stand out dramatically against the pitch-black backdrop of the night sky. Positioned centrally within the frame, the composition evokes a feeling of both distance and a slight chill, drawing the viewer’s eye toward the tower. The path and the railings in front serve as guiding lines that naturally direct attention to the tower, further emphasizing its significance. The presence of trees in the surrounding area contributes to the tranquil vibe of the scene, capturing the stillness of nighttime. In the background, the sky is predominantly a dark hue, which accentuates the luminosity of the tower, making it the undeniable focal point of the image. The photograph is characterized by its striking contrasts of light and shadow, highlighted by the cool-toned illumination of the tower against the dark sky. This angle suggests a definitive connection to Seoul, a bustling metropolis known for its modern architecture and romantic ambiance. Namsan Tower is a prominent landmark that not only functions as a broadcasting and telecommunications hub but also serves a social purpose, being a favored romantic spot for couples who often leave love locks as tokens of their affection. In essence, this photograph encapsulates the essence of urban exploration during the night, portraying a landmark bathed in light. The overall composition and thoughtful lighting make the tower the centerpiece, revealing an intimate slice of city life at night, where the beauty of the urban landscape shines through. In contrast, the second description hints at another late-night observation, where a photograph appears to have captured a dimly lit and somewhat ambiguous scene. It describes a faintly illuminated path leading towards a distant, towering skyscraper that emanates blue light. This image lacks distinctive characteristics or surrounding buildings, creating a stark isolation of the skyscraper within the dark skyline. The vague nature of the scene, along with minimal light, suggests it may have been taken by someone on a casual late-night stroll, perhaps drawn by the sight of the skyscraper. This shot does not convey a professional quality but carries a sense of spontaneity—a moment captured in time by an observer taken by the urban nightscape. However, the context remains unclear due to the darkness, leaving the location of the building and other details open to speculation.
| 1,123 |
|
nonnative
|
['1bHh5GOw4C1J']
|
['English']
|
[" The image is of a bowl of food. There seems to be a wooden spoon on the left side with a little bit of food on it, a white bowl with a sort of broth that is like a brownish color, some chunks of vegetables, some are orange, some are like pale, and some are green. And then there looks like there's a piece of chicken in the very middle of the bowl. The bowl is situated on a table with a checkered red and white tablecloth. There's also a silver spoon right beneath it. And in the background, there seems to be a salt shaker or something like that, and perhaps a napkin. There's also text in the bottom right in a language other than English, and just below it, it says Muckin, and then www.masa.fw below that. It seems like this is a meal that someone is about to eat. It's very vibrant colors. The chicken looks relatively cooked and crispy, but the foods are not perfectly distinguishable. There's also a lot of food and very far. It's like I want to play a whole process with a bowl of many other names. Do you know the individuar gods?"]
|
[True]
|
[nan]
|
The image features a bowl of food that serves as the focal point of the composition. On the left side of the bowl rests a wooden spoon, which displays a small portion of the food. The bowl itself is white and contains a broth that presents a brownish hue, indicative of a rich, hearty soup. Within this broth, there are various chunks of vegetables; some are orange, possibly carrots or sweet potatoes, some are pale, likely potatoes or turnips, and others are green, probably representing peas or leafy greens. A piece of chicken is prominently positioned in the center of the bowl, appearing to be well-cooked and crispy, adding a protein element to the dish. The bowl is placed atop a table that is adorned with a checkered tablecloth, featuring a classic red and white pattern which adds a homey, rustic charm to the presentation. Beneath the bowl, there is a silver spoon, suggesting readiness for the upcoming meal. In the background, various items can be seen, including what appears to be a salt shaker, perhaps used to season the meal as needed, and a napkin, likely intended for use during the dining experience. Additionally, there is text located in the bottom right corner of the image that is rendered in a language other than English. Just below this text, the word "Muckin" is visible. Further beneath, it features a website URL, "www.masa.fw," which could imply a connection to where this dish might be featured or its origin. The vibrant colors of the food convey freshness and an appetizing quality, drawing attention to the meal that appears to be just about to be enjoyed. Although the individual components of the dish aren't perfectly distinguishable, the overall presentation suggests a hearty and inviting meal that evokes a sense of comfort and satisfaction. The mention of "the individuar gods" seems to indicate a cultural reference that may pertain to culinary traditions, where food preparation and consumption hold significance, though the context of this reference is unclear without further information.
| 2,188 |
|
native
|
['14qnIaU1Wox0', '1ozBZA68l06J']
|
['Chinese', 'Chinese']
|
["When I first saw this picture, it appears to be a gymnasium, with a stage above it. On the stage, there's a camera, and inside, there are many chairs—red and green chairs—with a number likely in the hundreds or thousands. The image does not feature any text, and the objects are positioned in all directions: east, west, north, and south. As for more minute details, there are several staff members at the center of the stage, and the gymnasium has a very ornate chandelier, reminiscent of golden mountain decorations. In the background, there is a 360-degree white wall with many exits. The primary colors are red and yellow, complemented by some white and a small touch of blue.", 'The image depicts a large indoor sports arena in an oval shape. The seating is a mix of orange and red colors, arranged in a tiered, sloped manner. In the center of the venue, there is a blue boxing ring, suggesting that this arena is used for watching boxing matches. To the left of the ring, there are six yellow seats, likely for judges. The central area is enclosed with yellow fencing. All the seats are empty, but it can be seen that at the entrance and exit areas below, there are about ten people dressed entirely in black, possibly staff members. The center of the arena features a circle of hanging chandeliers, with many lights, some emitting warm colors and others cool colors.']
|
[False, False]
|
[nan, nan]
|
When I first observed this image, it struck me as a gymnasium, characterized by a distinct stage positioned above the main floor. The stage is equipped with a camera, indicating that it could be set up for filming or broadcasting purposes. The interior of the gymnasium is furnished with numerous chairs, predominantly in vibrant red and green hues, which collectively number in the hundreds or possibly even thousands, suggesting that it is designed to accommodate a large audience. The layout of the chairs is notably diverse, with the furniture facing various directions, including east, west, north, and south, creating a dynamic and multi-faceted environment. In terms of finer details, several staff members can be seen at the center of the stage, actively engaged in some form of coordination or preparation. The gymnasium itself boasts an ornate chandelier, which draws inspiration from elaborate mountain decorations, presenting a striking visual focal point. Furthermore, the backdrop features a 360-degree white wall, providing multiple exit points that likely facilitate the movement of people in and out of the venue. The overall color scheme is vibrant, dominated by primary colors such as red and yellow, with white accents and a subtle hint of blue, contributing to a lively atmosphere. In a separate image, there is a depiction of a large indoor sports arena, designed in an oval shape. The seating arrangement consists of a mix of orange and red chairs, meticulously organized in a tiered, sloping manner to afford all spectators an unobstructed view of the action below. At the very center of this venue lies a blue boxing ring, which clearly indicates that this arena serves the purpose of hosting boxing matches and similar sporting events. Adjacent to the boxing ring, specifically to its left, there are six yellow seats reserved for judges, who are tasked with scoring the bouts. The central area of the arena is securely enclosed with yellow fencing, adding a layer of safety and organization to the setting. While the seats are currently empty, the entrance and exit areas positioned below reveal the presence of approximately ten individuals clad entirely in black attire, likely staff members tasked with overseeing the operations of the event. The arena is further illuminated by a series of hanging chandeliers, positioned in a circular formation at the center. These chandeliers are equipped with numerous lights that emit a range of colors—from warm hues that create a cozy ambiance to cooler tones that introduce a more dynamic contrast, enhancing the overall visual experience within the venue.
| 2,687 |
|
native
|
['1bgXUJ1lkzTB', '16xEhTqmhUPg', '1c5gIwdsUt3Y']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a photo taken inside a scenic spot. In the lower right corner of the photo, a person\'s hand is holding a five yuan banknote. The banknote features a landscape as well as an image of Chairman Mao. To the left of the photo, a tourist is taking a picture. The tourist is wearing a white hat and yellow clothing, holding a white object in their hand. In the upper left of the photo are some plants and foliage. In the center of the background, there is a tongue with words engraved on it that read "Five Desires are Supreme." Overall, the photo is somewhat blurry. The focus is on the banknote and the hand in the lower right corner. It is apparent that this is an outdoor photo taken during the day. In the blurry background, there appear to be other tourists in the lower right corner.', 'This photo seems to be a travel picture. In the foreground, there is a person holding a five-yuan banknote, which is slightly translucent. The back of the banknote appears to have a depiction of Moto Dong, while the front features some mountains and a defensive emblem. In the background, there is a blurred image of a person taking a photo next to a sign, which is a large rock that reads "Five Sacred Mountains Are Supreme." This should be a photo taken after reaching the summit of a mountain. The background has some trees, which are not very clear, with sparse leaves. The "Five Sacred Mountains Are Supreme" is likely one of the most famous mountains in China. The tones of this photo are quite bright because the right side has some sunlight, but there are also darker areas on the left.', 'The information in the picture is about a tourist attraction, and the text mentions "May\'s Unique Honor," which suggests it is related to a mountain in Chinese culture. There is also a five yuan bill that has the name of this mountain printed on it, but I do not know which specific mountain it is. Additionally, there is a tourist in a yellow jacket taking a picture, and the background indicates it is summer since the leaves are green. The color of the five yuan bill is purple, and there isn\'t any additional information.']
|
[False, True, True]
|
[nan, 'Chinese mountain, Chinese yuan', 'It is one of the famous mountain in China']
|
This image captures a moment in a scenic spot, predominantly showcasing the vibrant details of a five yuan banknote held in the lower right corner by an unseen person's hand. The banknote prominently features an intricate landscape depiction alongside the iconic image of Chairman Mao Zedong, a significant figure in Chinese history and the founding father of the People's Republic of China. To the left of this focus, a tourist can be seen engaged in taking a photo, distinguished by their white hat and bright yellow clothing, suggesting a spirited and lively atmosphere. In their hand, they hold a white object, possibly a phone or camera, further indicating the contemporary nature of this outdoor excursion. The backdrop of the photograph contains various plants and foliage in the upper left corner, contributing to the natural beauty of the scene. More intriguingly, in the center background, a large rock displays a tongue-like feature with engraved words stating "Five Desires are Supreme," which could allude to philosophical or cultural concepts concerning aspirations and fulfillment in life. The overall quality of the photo leans towards being somewhat blurry, with the primary focus effectively on the banknote and the hand holding it. This image was undoubtedly captured in daylight, with the presence of other tourists subtly discernible in the lower right corner of the blurred background, enhancing the sense of a bustling tourist site. In a separate travel photo, the focus again returns to a five yuan banknote, described here as possessing slight translucence. This banknote features an illustration of Moto Dong on its reverse, while the obverse side is adorned with a striking depiction of mountains accompanied by a defensive emblem, signifying geographical importance and cultural heritage. The blurred background reveals another person, indistinct yet evidently engaged in photography, situated next to a large rock. This rock features the inscription "Five Sacred Mountains Are Supreme," likely referencing one of China's renowned mountain ranges which holds cultural reverence among locals and offers breathtaking vistas. The trees in the background appear slightly out of focus with sparse leaves, hinting at a lush summer season during which the photo was taken. The lighting in this image suggests bright tones on the right where sunlight bathes the scene, contrasted by darker areas on the left side, illustrating the intricate play of natural light in outdoor photography. Additionally, another detail emerges from this collection of images, revealing a tourist attraction highlighted by the phrase "May's Unique Honor." This phrase hints at a significant cultural or historical aspect linked to one of the famed mountains in Chinese heritage, although the precise identity of the mountain remains unspecified. The presence of the five yuan bill yet again reinforces a connection to the location and its cultural significance, underlining that it may bear the name of the mountain depicted. The tourist, donned in a yellow jacket, adds further depth to the scene, and the vibrant green leaves confirm that these snapshots were captured amidst the lively summer season. The five yuan bill itself, colored in purple, serves as yet another layer of cultural identity reflected in this visual narrative, though further details beyond this description are scarce.
| 397 |
|
nonnative
|
['1l2LQpZy8gqA']
|
['English']
|
[" This looks like two mascots dancing in front of a wall on a blacktop. It looks like the mascots are for the 2012 London Olympics. They are dancing on top of a blacktop in front of a brick wall. Behind them on the brick wall is painted a rainbow. The mascots themselves have one large head and a singular eye, which takes up a majority of the head. One on the right is white and blue. The one on the left is white and orange. It looks like on the blacktop there's a series of circles labeled 0 through 3. The circles are orange, red, blue, and purple on the very left. I think they're doing... It's hard to tell what position they're doing, but they have their right arm bent towards their face and their left arm bent away from their face."]
|
[False]
|
[nan]
|
The scene depicts two playful mascots energetically dancing on an asphalt surface in front of a striking brick wall. The backdrop features a vibrant, painted rainbow that adds a festive touch to the environment. These mascots are reminiscent of those used during the 2012 Summer Olympics held in London, known for their unique and engaging designs. Each mascot is characterized by an oversized head, which dominates their small bodies. Notably, both mascots possess a singular large eye that occupies a significant portion of their heads, contributing to their whimsical appearance. The mascot positioned on the right displays a color scheme of white and blue, while the one on the left is adorned in white and orange. Their contrasting colors and designs enhance their visual appeal and charm. On the blacktop surface where the mascots are dancing, a sequence of circles is visible, marked with numbers from zero to three. These circles are painted in bright colors, specifically orange, red, blue, and purple, with the bright orange circle placed furthest to the left. The arrangement of these circles sets a playful context for their movements. As for the dance positions, the mascots appear to be engaged in a synchronized routine, showcasing their joyful spirit through their choreography. Although it is challenging to determine the exact nature of their dance, it is evident that their right arms are bent towards their faces while their left arms extend outward, creating a dynamic and playful pose. The overall atmosphere is one of fun and excitement, perfectly capturing the celebratory vibe often associated with sporting events like the Olympics.
| 2,012 |
|
native
|
['1UsOw3TMNG74']
|
['Japanese']
|
["This is one of the pieces in shogi. I don't really understand shogi, but at the base, there are two pieces of earth and a horse, which is one of the shogi pieces. There's no shogi board; it's just a piece shown in a photo, all set against a white background with shadows cast over it. This piece is beautiful, and while it’s a very simple piece, I'm not quite sure about its role. I think there's something written on the back as well. When flipped over, it might have a slightly stronger effect, but it's just one of the shogi pieces. The shogi piece looks large, but in reality, it’s quite small. In this photo, it appears very big, with its size clearly indicated. That's about it. Also, the lettering is written very beautifully, in black. Thank you for watching. Thank you for watching."]
|
[False]
|
[nan]
|
This transcript features a discussion about a specific piece used in the Japanese strategy board game known as shogi. The speaker begins by expressing their limited understanding of the game, emphasizing that shogi involves two players and various pieces, one of which is a horse. While noting that there is no actual shogi board present in the image, the focus remains on the shogi piece itself, which is depicted in a photograph set against a stark white background, casting distinct shadows that highlight its features. The speaker describes the shogi piece as beautiful in appearance, acknowledging its simplicity while admitting uncertainty regarding its strategic role within the game. This piece, they suggest, potentially has inscriptions or markings on its reverse side, which, when flipped, might evoke a stronger visual impact or significance. Despite appearing large in the photograph, the speaker clarifies that the actual size of the piece is quite small, creating an interesting contrast with its presentation. The transcript further notes the exquisite quality of the black lettering on the piece, which adds an element of artistry to its design. The speaker concludes their remarks by thanking the audience for their attention, reiterating their appreciation for the viewers who engaged with the content.
| 962 |
|
nonnative
|
['1m1lTpxNfJqw', '1nZkLAmWsE1E', '1gn34XySg1dK']
|
['English', 'English', 'English']
|
[" This picture is of an archway. On the left and right hand side of the archway, there is writing that looks like in Chinese characters. The writing is in what looks like gold-colored text and it's on a red background. In front of both columns of writing, there are two red lanterns, one on each side, that also have gold text on them and gold tassels hanging down. And over the very top middle part of the archway, there's some art there. Looks like some sort of visual where I see some bamboo illustrated and I think some florals. And then there are three people in the photo. One person appears to be hanging something up. The other two are sort of looking at the person doing the hanging.", " in the image I can see three people I can see a woman and two men now there is two people standing holding a ladder while the third man is up in the ladder they appear to be putting up different signs I do not know what the occasion is but the signs are in Chinese there is a wall and a hallway there's a painting on the top part of the doorway and there are multiple little red lamps they are this seems to be a cultural event they are all wearing jackets which and kind of indicates that it is called outside so it could be about the Chinese Luna New Year because everything's red yeah they are cold they are setting up for what appears to be going to be a festival", " This image is three people with one person standing on a red ladder hanging up a red tapestry on the right-hand side of the entrance, the doorway entrance. And there are paper lanterns with Asian characters hanging down from the ceiling with gold embroidered strands hanging down. And the two people at the bottom appear to be watching the man. Looks like he's watching the ladder. The woman looks like she's watching what he is hanging up. And there also appears to be a little boy next to the man on the bottom looking up at the man hanging up the red tapestry on the right-hand side of the doorway. The enclosure, the room is tiled with white and red tiles. And the painting hanging across the top is of bamboo leaves and is yellow. And in the background, there is another room which leads outside with one of the walls being the exterior. And there appears to be Asian writing across the wall in the background that is red and many more red paper cylindrical like spherical lanterns. So, you"]
|
[True, True, True]
|
['There are what look like Chinese characters in the photo and Chinese cultural lanterns', 'Chinese new year', 'Hanging up red tapestries with gold writing and paper lanterns with similar colors is a celebration of New Year common to Asian culture']
|
This photograph features an ornate archway, prominently displaying inscriptions that resemble Chinese characters, rendered in a striking gold color against a vibrant red background. Flanking both the left and right sides of the archway, each column of writing is accompanied by a beautiful red lantern, adorned with gold lettering and delicately hanging gold tassels, which add to the festive atmosphere. At the very top center of the archway, there is artistic imagery, including illustrations of bamboo and floral elements, which are often associated with prosperity and good fortune in many Asian cultures. In the foreground of the image, three individuals are captured in action. One person is positioned on a red ladder, seemingly engaged in the task of hanging something up, possibly decorative items related to the event. The other two individuals are observing this operation; one appears to be focused on the task at hand, while the second person is monitoring the safety of the ladder. Additionally, there is a young boy standing near the base of the ladder, gazing up with curiosity at the man who is hanging the item. The scene conveys an air of preparation and communal effort, suggesting that they are setting up for a significant cultural event. The attire of the individuals indicates that the weather is cool, prompting them to wear jackets. The ambiance created by the red elements in the image strongly points towards a celebration, reminiscent of the traditional Chinese Lunar New Year, a time associated with family gatherings, feasting, and various symbolic decorations. To further elaborate, there are two people stationed at the base of the ladder, diligently supporting it while the third person hangs a red tapestry, embellished with gold text, on the entrance's right side. The entrance is adorned with numerous paper lanterns showcasing Asian characters, further enhancing the festive decor. The bottom individuals' expressions suggest a mix of support and focus as they assist in this setup. The interior space is covered in a visually striking tiled floor, featuring a combination of red and white tiles that could symbolize joy and purity, while a decorative painting at the top of the doorway illustrates bamboo leaves, painted in a yellow hue. This specific color choice can symbolize wealth and prosperity. In the background, another room is visible that leads outside, where the walls are adorned with more red lettering. The atmosphere is further enriched by multiple red, cylindrical paper lanterns that are reminiscent of traditional decorations used during festive occasions, emphasizing the cultural significance of the event taking place.
| 320 |
|
native
|
['13vmdtX6rRSD', '1eLC3F1lCF6c']
|
['Chinese', 'Chinese']
|
['The screen shows a colorful report about 400,000 people participating in the July 1st anti-epidemic march in Hong Kong. The title of this colorful report should be "Selections from Beijing Spring." So this is a newspaper from Beijing reporting on the Hong Kong march. The image is divided into two parts: the left side features the title of the selection and a large picture depicting the daytime march in Hong Kong. We can see that everyone is holding umbrellas, indicating that it might be raining. The backdrop of the image is the tall buildings of Hong Kong, and all the crowds are densely gathered in an open area surrounded by green trees. Everyone is holding signs while participating in the march. Then, on the left side of the image, there is a nighttime photo with the caption: "On June 4th, 180,000 people in Hong Kong attended a candlelight vigil at Victoria Park to commemorate the June 4th Tiananmen Square incident of 1989, honoring the martyrs of June 4th." Thus, this photo is likely showing the mourning for the martyrs who lost their lives in that event.', 'At first glance, it appears to be some sort of magazine anthology, definitely something comparable to a magazine or a small booklet. Regarding the objects, there are two photos along with some text; one is positioned slightly to the top left, and the other is towards the bottom right. In terms of text, the largest writing in the top right corner reads "Beijing Spring Anthology," which leads me to infer it is some kind of small booklet. The text suggests a certain compact format. Earlier, I mentioned some small details; for instance, "Beijing Spring" is in bright red at the top right corner, and the font actually has an older style, which makes me think it’s from around the year 2000. Additionally, some of the small annotations below are written in traditional Chinese characters, so it might be an anthology from Taiwan or Hong Kong, or even older selections. Regarding the background, if you\'re asking about the images, they depict two scenes with a lot of people, and the overall style seems very valuable and rich in detail. The colors include a lighter, ink-green hue in the background, while other elements lean towards red and black, making it quite personal.']
|
[False, False]
|
[nan, nan]
|
The screen displays a vibrant and colorful report detailing the participation of approximately 400,000 individuals in the anti-epidemic march held on July 1st in Hong Kong. The report is entitled "Selections from Beijing Spring," indicating that it originates from a publication in Beijing that is covering the events of the march in Hong Kong. The image is artistically divided into two prominent sections: on the left side, there is a striking title along with an expansive image capturing the march during the daytime in Hong Kong. In this scene, a multitude of participants can be seen holding umbrellas, suggesting that it was a rainy day during the event. The backdrop of this image features the tall and iconic buildings of Hong Kong, and the crowd appears to be densely packed in a large open area, surrounded by greenery and trees, which adds a touch of nature against the urban landscape. Participants are seen holding various signs as they engage in the march, expressing their views and sentiments. Adjacent to this daytime depiction, the left side of the image also includes a second photograph that showcases a nighttime scene. This photo is captioned: "On June 4th, 180,000 people in Hong Kong attended a candlelight vigil at Victoria Park to commemorate the June 4th Tiananmen Square incident of 1989, honoring the martyrs of June 4th." This suggests that the image is a tribute to those who lost their lives during the Tiananmen Square protests, highlighting the significance of memorializing the martyrs from this historical event. Upon first observation, the overall presentation resembles a type of magazine anthology, likened to a small booklet. The layout features two distinct photographs accompanied by textual elements; one notable photo is positioned slightly towards the top left, while another rests on the bottom right of the display. Prominently featured at the top right corner, the largest text declares "Beijing Spring Anthology," reinforcing the notion that this piece is a collection of various writings or reports—contributing to the compact and anthological format. The title "Beijing Spring" is presented in a bright red font located at the top right corner, rendered in an older typography style which may suggest the publication dates back to around the year 2000. Furthermore, beneath the main title, some smaller annotations are written in traditional Chinese characters. This could imply that the anthology was produced in Taiwan or Hong Kong, or it may feature older selections from these regions. Concerning the visual elements, both images capture scenes filled with large gatherings of people. The artistic style is rich in details, evoking a valuable and significant representation of the events depicted. The predominant color palette includes a gentle ink-green hue in the background, while other graphic elements lean towards striking shades of red and black, creating a personal and impactful emotional resonance.
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