image_link
stringlengths 107
241
| annotation_type
stringclasses 2
values | ids
stringlengths 16
96
| languages
stringclasses 180
values | transcriptions_translated
stringlengths 105
7.21k
| culturally_distinct
stringclasses 64
values | culturally_distinct_explanations
stringlengths 5
1.32k
| summary
stringlengths 99
5.83k
| __index_level_0__
int64 0
3.07k
|
|---|---|---|---|---|---|---|---|---|
nonnative
|
['1obAoAshsnQJ']
|
['English']
|
[' The image at first glance shows a woman talking into a mic from the side. There is one woman that is in focus and there are at least three or more people out of focus in the background and you can only see their backs and legs. The woman in the front has dark brown hair and she is wearing a black and white dress and she has a sticker on her right upper arm. She is talking into a silver mic that has a yellow, red, green, and blue logo attached to the front. The background behind her also shows some white blurry screens with some pink text on it. The text in the front says, Wo So Lu photo 2012. The style is professionally taken at an event.\\']
|
[False]
|
[nan]
|
The image presents a woman who is engaging in a conversation or presentation while speaking into a microphone. She is prominently positioned in the foreground of the image, which captures her profile from the side. Her hair is a deep brown, framing her face, and she is dressed in an elegant black and white patterned dress, suggesting a formal or semi-formal occasion. On her right upper arm, there is a sticker, which could indicate her participation in an event or organization. The microphone she is using is silver in color, equipped with a logo that features an array of colors: yellow, red, green, and blue. This detail may signify the branding associated with the event or a related sponsor. In the background, several figures can be seen, though they are intentionally out of focus. The image reveals at least three individuals, identified only by their backs and legs, suggesting an intimate setting where the audience is present but not the main subject of the image. Additionally, the background is composed of white screens that are blurred, perhaps indicating that they were employed for visual presentations or displays during the event. On these screens, there is pink text that reads "Wo So Lu photo 2012," which may refer to a specific event, exhibition, or theme relevant to the occasion taking place. Overall, the image has a professionally captured quality, indicative of an organized event, such as a conference, seminar, or some form of public speaking engagement, where the focus remains on the presenter while maintaining an ambiance of a larger ensemble audience.
| 2,240 |
|
nonnative
|
['1lc9vSu3o1UK', '14gIx3ybZOvr', '11r8r4T4Ev5m']
|
['English', 'English', 'English']
|
[" This is a traditional Chinese decoration. The picture shows a big bright ride decoration hanging high on the window. And in the center of this red decoration, it is the Chinese word Fu, which means good fortune in Chinese. And this is typically decorated during the Chinese Spring Festival. And there are also some other words on the red decoration as well, such as the, like, Quan Jia Fu, which means the family's good fortune. And also some of other words, such as lucky or some sort of stuff like that. And under this eye-catching red decoration, there's a plain concrete ground. On the ground, there's a white car parked close to the front and behind it. There are some people standing there, maybe talking with each other. And there are also some clothes hanging on the rope as well. So I would guess this is a picture taken in the countryside of China during this Spring Festival. Here's a picture of the short present. Here's a picture of the British Spring Festival. I saw this upper next思い story with me. For this period on the horizon for seven years, there's a little hiding inside of those books now. On the towns of cylinder, Chile's a photo with a truck member. At the fishing top right there for years, there's some people. I thought that the two sides were up a wall. With this photo in our type lolic 기본 Franklin Authority is a neutral. When we look older, I see two sides everywhere, we see the red decoration.", " In this photo, it looks like you're looking outside of a window. There's a big Chinese logo in red on the window, some kind of writing, probably identifying what kind of building or establishment that they're in. Otherwise, outside, you see a car towards the lower left of the image, some clothesline and some garbage or other things towards the right of the image. You see three people towards the center left of the photo. Then the rest of the photo, more in the background, you see some vegetation or fields, some trees, and then a sky. So probably you're in some pretty rural area since most of the background is all trees and fields. And yeah, there's not much else to tell. Otherwise, there's pavement and maybe the first half of the image. That the car is located on and the people too. And then another car that's barely visible on the right. But there's really not much else of interest in this photo. And nothing of any cultural significance. Other than, yes, you could just tell based on the vegetation that the context is. That you're probably in some rural area in an Asian country, Chinese country. Sorry, a country where Chinese is spoken. But that's really it. Here, yeah, I'm I'm not going to tell patients. Here. But when you see here, theline being at that point is still very helpful. Well, it's even a climate shift. Yeah. Here is a lot of feeling and everything. What is happening? You know I don't know that a lot of shammitu points.", " in this new picture I am able to realize that I am inside a building looking out towards the glass out looking towards a parking lot and then even past the parking lot there appears to be a river and some vegetation in the parking lot I can see two different cars as well as what appears to be people drying clothes there seems to be four five people outside looking towards the rivers vegetation that's in there from the window I can tell that there is a painting a sticker on the window that is the Chinese ticker was Chinese war thing it is a red circle with a couple different butterflies and other designs in it as well as a lot of Chinese words this it is a circular with a big Chinese symbol in the middle over so that people from the outside can see it I do not know what this means but just from the environment as well as the picture I can assume that that we are in China"]
|
[True, False, False]
|
['The red "Fu" is a traditional Chinese decoration during Spring Festival.', 'No', nan]
|
This is a traditional Chinese decoration displayed prominently during the Spring Festival, a significant cultural celebration marking the beginning of the lunar new year. The image depicts a vibrant red ornament suspended high against a window. Central to this striking red decoration is the Chinese character "Fu" (福), which translates to "good fortune" in English. This character is often associated with blessings and auspiciousness in Chinese culture. The decoration is adorned with additional phrases, including "Quan Jia Fu" (全家福), which means "family's good fortune." Such decorations are typically used to invite prosperity and happiness into the home during the festive season. Beneath this eye-catching red decoration lies a plain concrete ground upon which a white car is parked, positioned towards the front of the scene. Behind the car, a few individuals can be seen, seemingly engaged in conversation. Additionally, there are clothes hanging on a rope, which is a common sight in many rural areas of China, where people often dry their laundry outdoors. This gives the impression that the photograph was taken in the countryside during the Spring Festival, a time characterized by vibrant decorations and family gatherings. The second description portrays another perspective, possibly seen from within a building looking out through a window. The viewer perceives a large Chinese logo in red affixed to the window, likely indicative of the type of establishment or its thematic affiliation. Outside, a car can be spotted in the bottom left corner of the image, accompanied by a clothesline and miscellaneous items towards the right. Three individuals are gathered towards the center-left, further enriching the social context of the scene. The surrounding environment consists predominantly of trees, fields, and an unclouded sky, suggesting that this is a rural area. The pavement near the window further suggests a developed space, with another barely discernible vehicle parked to the right. The scene overall lacks significant cultural elements aside from the evident presence of Chinese text, which provides context for its location. In a subsequent image, the viewpoint shifts once again. This time, the perspective is from inside a building, directed towards a parking area that extends beyond to a river and adjacent vegetation. Two cars can be glimpsed in the parking lot, alongside four or five people engaged in some activity, such as drying clothes. Through the window, there is also a decorative sticker featuring a red circle embellished with butterflies and other intricate designs, combined with Chinese characters, which serves both an aesthetic and cultural purpose. This circular decoration also contains a prominent Chinese symbol at its center, making it visible to those outside. While the specific meaning of this symbol is not identified, the overall environment and imagery strongly suggest that the setting is indeed in China, reinforcing the traditional cultural aspects evident in the surroundings.
| 264 |
|
native
|
['15oz6Wx8bgFV']
|
['Korean']
|
['The next photo shows an image of the ground taken from above. It captures a view from the air pointing downwards. On the right, there is a long road that extends straight and then goes diagonally. Suddenly, it makes a U-turn, forming a circular half, and continues diagonally on the opposite side. This creates a shape similar to an inverted U, and there seems to be something on the land within that shape. There is no grass, but there is a large building in the middle. In front of the building, there appears to be a parking lot. The building is white and looks quite large, although it isn’t completely connected. Additionally, on the lower left, there’s an area that looks like a soccer field. It also seems to resemble a racetrack, with a road that appears to be fast and competitive, like a racecourse. So, there is a separate long road adjacent to that road.']
|
[False]
|
[nan]
|
The next photo presents an aerial view of the ground, vividly capturing a perspective from above that points directly downwards. On the right side of the image, a long road is depicted, stretching straight out before veering off diagonally. As it progresses, the road unexpectedly makes a U-turn, forming a semi-circular shape, before continuing its diagonal trajectory on the opposite side. This configuration creates a visual resemblance to an inverted U shape. Within this defined area, there appears to be various elements situated on the land. Notably, there is an absence of grass in this particular section, and occupying the center of this inverted U shape is a significant structure—a large building constructed in a predominantly white color. This building stands out due to its considerable size; however, features suggest that it is not completely contiguous or uniform as it presents some separated segments. In the foreground of the building, there is a parking lot, indicating an area intended for vehicle storage, likely accommodating visitors or employees of the establishment within the building. Moving to the lower left part of the image, there is another distinctive area that resembles a soccer field. This space, with its green expanse, also bears a resemblance to a racetrack, marked by the presence of a long road that appears designed for speed and competition, likened to the setup of a racecourse. Adjacent to this thoroughfare, there is a separate long road, which adds to the overall layout of this expansive landview.
| 2,919 |
|
nonnative
|
['13uyBTJaLIO8']
|
['English']
|
[" This picture is a picture of a building. The picture wasn't taken only of the building, but also the walkway next to it to highlight how big the building is. The building is some sort of brown color, and on the top it has some sort of circular pattern. It looks like a modern building. It looks well built. You can kind of see the stairs that lead up to the building. And there's a nice walkway in front of it. The pattern of the walkway seems to be with squares, and there's some sort of red squares that repeat over and over. And these red squares are built by, let's say, three or four smaller squares each in thickness. And in the middle is white squares and around it as well. And there's a straight line that goes in both directions. Inside this square. And in the background you can see some trees and a large building in the back. And there's a Weσeling Streetique. So you can see some of the trees left by the around the area where this can go inитами. So yeah, it's this is some kind of a vertical blight. So yeah, you can see some of the leaves there that bakın and around it. And I don't know why that it's neat. It depends on what each room you get. But yeah, you can see some of the trees and underneath this picture."]
|
[False]
|
[nan]
|
This image captures a large, modern building with a distinct brown hue. The photograph does not solely focus on the building itself; it encompasses the expansive walkway adjacent to it, providing context and scale to the impressive structure. Notably, the building's design features a prominent circular pattern at its pinnacle, contributing to its contemporary aesthetic. The construction of the building appears robust and well-designed, conveying a sense of stability and modern architectural prowess. Directly in front of the building, there is a wide walkway, laid out with a systematic pattern of squares. Scattered throughout the walkway are red squares that recur in a repeating design, each red square is made up of three or four smaller squares in thickness, adding depth and texture to the walkway. Complementing the red elements are white squares, which frame these repeating red patterns elegantly. The walkway is lined with straight lines that extend in both directions across these squares, guiding visitors through the space. In the background of the scene, a mixture of greenery can be observed, highlighted by trees that punctuate the landscape, adding an organic contrast to the structured surroundings. Additionally, there is a larger building visible further back in the image, beyond the immediate architectural focus of the picture. Remarkably, the area also features elements of local life, such as a boutique identified as "Weσeling Streetique," indicating a vibrant community atmosphere. This snapshot not only illustrates the physical attributes of the buildings and the pathway but also subtly hints at the lively environment they are situated within, enriched by the presence of natural elements like trees and landscaped areas. The overall composition creates an inviting and visually appealing scene that showcases architectural beauty alongside the charm of the surrounding environment.
| 2,514 |
|
native
|
['1lgMkAsZ2gUU']
|
['Korean']
|
['In the image, you can see a man and a woman standing in a hallway. The woman in front has brown hair and is wearing a pink and navy shirt, bending forward as if looking at something. It seems she is reading a warning or information notice posted on the wall. The woman is currently smiling. The man behind her is wearing a beige coat, beige pants, and shoes, and is also looking at the woman with a smile. In the background, there is a sign indicating that the emergency exit is at the end of the hallway. However, it is not clear from the image exactly what the woman is looking at. Ha ha, the convenience store is my iron gate, ha ha.']
|
[False]
|
[nan]
|
In the image, a man and a woman are situated in a hallway, creating a casual yet engaging scene. The woman, positioned at the forefront of the image, has brown hair and is dressed in a stylish combination of a pink and navy shirt. She is bending forward, showcasing her curiosity as she appears to be engrossed in reading a warning or informational notice that has been affixed to the wall. Her expression is lively; she is smiling, which adds a positive energy to the moment. The man, standing just behind her, is attired in a coordinated outfit consisting of a beige coat, matching beige pants, and beige shoes. He is also facing the woman and shares a warm smile, suggesting a moment of connection or shared amusement between them. In the background, there is a clearly visible sign that indicates the location of the emergency exit, which is positioned at the end of the hallway. While the sign serves an important function, the specific content of the notice that the woman is reading remains ambiguous and is not discernible from the image. The latter part of the transcription includes a lighthearted comment: "Ha ha, the convenience store is my iron gate, ha ha." This phrase may reflect a humorous perspective or metaphorical expression, indicating that the speaker views their local convenience store as a kind of threshold or gate to comfort or familiarity, possibly suggesting a personal connection to that location. This phrase adds a layer of personality to the scene, hinting at a jovial attitude that complements the smiles shared by both individuals in the image.
| 2,980 |
|
nonnative
|
['1kumbbxFgRwd']
|
['English']
|
[" This image shows a woman on the red carpet. She is standing sideways to the camera and looking at another camera to this current camera's right. She is wearing a long, elegant white gown that goes down to her heels. She has brown hair and she is wearing a three-tier shaped earring that has circular shapes. And she is also wearing an intricate bracelet that is silver. Behind her is a black background with logos on the top and on the bottom there are rectangular shapes in both 2D and 3D styles. The photo is a professional photography at a red carpet event. I'm going to look forward to performing with oversized"]
|
[False]
|
[nan]
|
This image captures a moment at a glamorous red carpet event, showcasing a woman who is positioned to the side of the camera. She gazes toward another camera located to her right, exuding a sense of poise and confidence. The woman is dressed in a long, elegant gown that is pristine white in color, flowing gracefully down to her heels, which contributes to her sophisticated appearance. Her hair is brown, styled in a manner that complements her overall look. To accessorize her outfit, she has adorned herself with a striking pair of three-tier earrings that feature circular shapes, adding a unique touch to her ensemble. Additionally, she wears an intricate silver bracelet that enhances her elegance and reflects the light beautifully. In the background, there is a dramatic black backdrop, which is adorned with various logos positioned at the top and bottom of the image. These logos may represent sponsors or brands associated with the event. The backdrop itself is artistically designed with both two-dimensional and three-dimensional rectangular shapes, creating a modern and stylish atmosphere that intensifies the visual appeal of the scene. The photograph is characterized by professional lighting and composition, capturing the essence of the red carpet experience, where glamour and high-profile appearances are celebrated. The woman's poised stance and her careful wardrobe choices highlight her as a prominent figure at this prestigious event, setting the tone for an exciting evening ahead.
| 2,722 |
|
native
|
['1fXL9iB83B8H', '1b3GNTtMxtq2', '1frL7sgJhyp6']
|
['Chinese', 'Chinese', 'Chinese']
|
['It is a very distinctive house. We can see that this house is likely built on a hill because there is a very winding small road leading up from below. This road curves upwards, indicating that the house is situated at a relatively high elevation, likely on a mountain. The house seems to have some religious significance, as we can observe that the roof at the back has upward-curved eaves, and it is golden. Generally, in Southeast Asian countries, houses with religious significance look like this. The house itself is entirely white, its eaves are made of red bricks, and the roof has golden spires, giving it a strong religious character. In the middle, there is a row of trees, and the weather is very nice and clear. I think this picture must be from Southeast Asia or Tibet in China because of its higher altitude. We also do not see any clouds above, and this architecture is quite distinctive in terms of its religious features.', 'The image features a very tall and wide white building. The uneven surface of the building indicates that it has a long history and was not built recently. From the perspective of the green lawn in the bottom left corner, it can be seen that the building is situated on a small hill. In the foreground, there is an entrance to the building, which can be accessed by slowly ascending the stairs. On either side of the stairs are white walls adorned with red protrusions, covered in black tiles. Along the path upward, there are four or five tall green trees. Above the building, on each side, there are two windows. As you look up to the top of the building, there is a black and red roof, with a golden decoration on top that glistens in the sunlight. The clear weather in the image reveals a cloudless blue sky, indicating very good weather.', "This photo describes many white buildings built on a mountain. We can see that it has a surrounding wall, and this wall features a stepped design that ascends upward. You have to climb many layers to reach the highest building. The exterior color of this building is quite distinctive, mainly composed of white bricks, but it's not entirely white; the white bricks have lighter shades and different colors in their layers, and above the walls, there are red bricks. At the very top, there's a pointed roof. The buildings below also share the same pattern of white walls and red pointed roofs, but the topmost building appears to be primarily red. This is mainly an architectural layout we are looking at together."]
|
[True, False, False]
|
['This is building with religious meaning.', nan, nan]
|
It is a very distinctive house, likely constructed on a hill, as indicated by the presence of a winding small road leading up from below. The road curves upward, suggesting that the house is situated at a relatively high elevation, potentially on a mountain. The architectural design of the house appears to have religious significance; the roof at the back features upward-curved eaves and is adorned in gold. In Southeast Asian cultures, houses that bear religious importance often reflect similar characteristics. The house itself is entirely white, with eaves made of red bricks, and the roof is crowned with golden spires, lending it a strong religious aesthetic. In the middle of the scene, there is a row of trees, enhancing the natural beauty around the house. The weather noted in the description is pleasant and clear, which further adds to the picture’s appealing atmosphere. The region depicted seems to be either in Southeast Asia or in Tibet, China, suggested by the higher altitude and clear skies, devoid of any clouds overhead. The architecture presented is quite distinctive, particularly in regard to its religious features and overall presentation. Furthermore, the image features a very tall and wide white building, showcasing an uneven surface that signals a long history, indicating it has not been built recently. From the vantage point of the green lawn located in the bottom left corner, it is apparent that the building is also perched upon a small hill. The entrance to the building is positioned in the foreground, accessible by a staircase that ascends slowly. Flanking the staircase are white walls with red protrusions, which are covered in black tiles, creating a contrasting visual effect. Along the ascending path, there are four or five tall green trees adding life to the surroundings. Above the building's structure, on either side, two windows can be observed. As one’s gaze travels upward towards the top of the building, a black and red roof comes into view, featuring a golden decoration that glimmers in the sunlight. The clarity of the weather depicted in the image reveals a cloudless blue sky, suggesting excellent weather conditions. Additionally, this photo captures a group of many white buildings that are constructed on a mountain. A surrounding wall encircles the premises, characterized by a stepped design that ascends, requiring visitors to climb multiple layers to reach the highest structure. The exterior color of the predominant building is quite distinctive, exhibiting white bricks which are not uniformly white; rather, they showcase lighter shades and various colors in their layers, with red bricks adorning the upper sections. At the very peak of the tallest building is a pointed roof. The buildings below exhibit a matching architectural style, featuring white walls and red pointed roofs, though the topmost building primarily displays a red hue, marking it architecturally significant. Overall, the architectural layout being observed is a cohesive representation of this culturally rich environment.
| 325 |
|
nonnative
|
['1f7sCu4iWHA5', '13fZErc8U3kK', '1iX1dEnzI8XV']
|
['Vietnamese', 'Chinese', 'English']
|
['The photo was taken at night of a train station. In the foreground, there is a train approaching. At the front of the train, there are two orange headlights. On the left side of the image, there is another train that seems to be stationary. In the distance, there are a few houses and a bridge being illuminated by lights. In the middle, there are many light poles lit up in the evening.', "When we input this into a new string, we achieve the desired output for the problem. However, if we do it this way, the problem loses its significance. What I’m looking for here is a solution with a space complexity of O(1) while avoiding the use of any auxiliary data structures. Let's look at how we can delete the extra spaces. This scenario should feel familiar to everyone. If you look at my video on removing elements from an array, there’s a part in it where we discuss how to remove elements from an array. In this case, aren’t we just removing spaces? Spaces are just elements, right? The thought process is the same. In this problem, when it comes to removing spaces, many students tend to have a straightforward idea: using a loop to examine each character in the string and if it’s a space, they just erase it, right? This method is very direct; I know that erasing can delete a character in the string. So, when I encounter a space, I delete it. However, this means that if many students write it that way, they might not be fully aware of the time complexity of the programming language they are using. In my video on removing elements, I discussed that the time complexity of the erase function is O(n). Therefore, if you include an erase call in your loop, the overall time complexity for removing spaces will be O(n^2). Normally, when we remove elements from a string, we can achieve this in O(n) time. The method involves using the erase function, which deletes one character at a time, while our approach is akin to bulk deletion. The thought process is the same: we use a two-pointer technique—one fast pointer and one slow pointer. The fast pointer points to the elements we want to keep, while the slow pointer keeps track of the position in the new string where we are placing these elements. This might be a bit confusing for some students who haven’t seen my video on removing elements in the data section. If you haven’t watched it yet, make sure to check that video first before continuing with this one because the approaches here are quite similar. I won’t go into as much detail this time; I'll directly demonstrate the two-pointer method. Now, let’s see how the two pointers allow us to implement this with a complexity of O(n) while removing the extra spaces and ensuring that we keep a single space between words. In the implementation, we define a fast pointer and a slow pointer, and from there, we can proceed with the deletion of extra spaces while maintaining the structure of the words.", ' This is a railway station. This is a photo taken at night. It is taken from a slightly elevated angle but not too elevated. There are two train tracks. One train is coming towards us and one train is going away from us so that we can even see their back lights because they are red. And encompassing these two tracks and these two trains, in the middle there are numerous lights that are pointing towards the ground and curve along with the train tracks. Outside of that there are walls that keep the train tracks in and in the background we can see a very brightly lit bridge that has two arcs coming from it that are purple. And beyond it there are outlines of trees and because it is dark we can only see those outlines. There is no discernible text. The positions, there is one train coming towards us on the left. The train going away from us is in the center of the image. The bridge is in the back right of the image.ikhail.com отс мама\\']
|
[False, False, False]
|
[nan, nan, nan]
|
The photograph captured at night features a railway station illuminated by various lights, creating a vibrant atmosphere against the dark backdrop. At the forefront of the image, a train is seen approaching, marked by its two prominent orange headlights which catch the viewer's attention. To the left of this moving train, another train appears to be stationary, suggesting a moment of stillness in the otherwise dynamic scene. In the background of the photograph, distant houses can be observed, and above them, a bridge stands out, lit majestically, enhancing the night scenery. The illumination highlights the structural beauty of the bridge, which features two arcs that are painted in purple, lending a touch of color to the somber night. Light poles are scattered throughout the scene, their bulbs aglow, casting a warm light onto the surroundings and effectively curving along the length of the train tracks. The photograph is taken from a slightly elevated angle; although not excessively high, this viewpoint allows for a clear visualization of the two train tracks below. One train is depicted moving towards the viewer, while the other is receding, its red back lights visible, adding depth to the image as it illustrates motion in opposing directions. The surrounding environment completes the aesthetic; walls enclose the train tracks, ensuring safety and separation from the outside landscape. Beyond the bridge, only the silhouettes of trees can be seen, mere outlines against the night sky, due to the darkness enveloping the scene. Despite the intricate details and varying elements, no text or signage interrupts the visual storytelling, allowing the viewer to interpret the quiet intensity of the locomotive moment on this vibrant night. This description captures not only the visual elements present in the photograph but also the ambiance and feeling evoked by the night scene at the railway station.
| 1,941 |
|
native
|
['1dur2JLptliL', '1kZstdge8App', '190WgI12zt2N']
|
['Chinese', 'Chinese', 'Chinese']
|
["The image provided appears to show a singer performing, with the text indicating it is from Hong Kong Radio. It seems evident that this scene occurs in Hong Kong. While the singer is performing, there are some staff members or other singers in the background waiting. One of the males in the background is holding flowers, which could mean he is either attending the ceremony as a singer or that fans are presenting flowers to the singer in front. It's noticeable that the male singer is wearing a scarf and thicker clothing, suggesting this takes place in winter, which is relatively cold. However, other women are wearing dresses, indicating that attending an award ceremony may not be easy for stars. Currently, I am observing this during winter, and this person wishes to express respectful farewells.", 'Please don’t hesitate to like, subscribe, share, and support with donations for the Spotlight and Point program.', "The first time I saw this picture, there was a person singing, and inside there were one, two, three, four, five, six, seven, eight, nine people. Above it, it says Hong Kong Radio RTHK and HD Jade Channel. One person is standing in front, while the other eight are behind him. In the back, one person is holding flowers, and the person in front is singing; he has a microphone. The background features a large musical note, a big screen, and some lights, along with red lights. That's about it."]
|
[False, False, False]
|
[nan, nan, nan]
|
The image presented prominently features a singer in the midst of a performance, with clear associations to Hong Kong Radio. This performance unfolds in the bustling and vibrant city of Hong Kong, known for its rich musical culture. Visible in the backdrop are several individuals, likely staff or fellow performers, who are patiently waiting. Notably, one of the male figures in this scene is seen holding flowers, which potentially signifies that he is either part of the ceremony as a performer himself or that he is among the audience presenting these flowers as a gesture of appreciation to the main singer. The male singer at the forefront of the image is dressed warmly, sporting a scarf and heavier clothing, strongly indicating that the event takes place during the winter months, which tend to be relatively chilly in Hong Kong. Interestingly, contrasting this attire, several women in the vicinity are adorned in dresses, which may suggest the complexity and challenges of attending glamorous occasions such as award ceremonies in less-than-ideal weather conditions. The observer notes that the time of year is indeed winter, and this represents a moment for the featured singer to convey respectful farewells, perhaps indicating the emotional weight of the occasion. Accompanying the visual description, there is an encouragement for engagement with the media presented, inviting viewers and listeners to like, subscribe, share, and support the Spotlight and Point program through donations, highlighting the community aspect of the artistic presentation. In a more detailed recounting of the earlier impressions of the image, there is a mention of the individual once again who is engaged in singing, with close observation of the number of people present—specifically, a total of nine individuals. The upper section of the image includes text denoting Hong Kong Radio RTHK and HD Jade Channel, adding credibility and recognition to the source of the performance. Within this setting, one person can be clearly seen in the foreground singing into a microphone, while the others are positioned behind him. The background is adorned with a large musical note, a significant symbol of the art form, coupled with a big screen and dynamic lighting, including striking red lights, which enhances the celebratory and spirited atmosphere of the performance. This detailed analysis encapsulates the essence of the moment, reflecting both the cultural vibrancy and the social elements present in this specific event.
| 2,530 |
|
native
|
['19ILJrznVfgM', '1htTUWMH6yP3']
|
['Korean', 'Korean']
|
['The image appears to be the cover of a book. At the top of the book image, there is an orange background with various women in white wedding dresses and men in suits with their backs turned. The title reads "Please Marry Me," and below it, the subtitle states "Top Success Rate in Marriage: Utilizing Big Data for Matching." At the bottom of the image, it says "new srs," suggesting that a media outlet is reporting on this book. Based on the cover and title, it seems that the book discusses the experiences of someone who has had a lot of matchmaking engagements regarding marriage.', 'The next photo seems to show the cover at the front of a book, or perhaps a promotional image. In the illustration above, there are cartoon-like depictions of a man and a woman, and it appears to be a repeated image. The woman is wearing a wedding dress, and the man is in a suit. Most of the suits are black, but there is one man wearing a red suit. All the men are looking back, except for one who is facing forward, and the women all have orange hair, holding brushes, and are all visible in front of the men. They are standing in various patterns. The text in front seems to be a title: "Please Marry Me." It\'s prominently displayed, with "Marry" in red and "Please" in black. It’s about a story of marriage as told by matchmaking president Lee Woong-jin. It mentions using big data for effective matchmaking, claiming to have the highest success rate in marriages. The sources are Kyunghyang BP and Newsis. Newsis is likely an internet news site, while Kyunghyang BP seems to be the company that released this content. Lee Woong-jin is likely the author of the piece. Time Up Rule subtitles are provided and video plays.']
|
[False, False]
|
[nan, nan]
|
The first transcription describes an image that appears to be the cover of a book. At the top of this book cover is an orange background that features various individuals. The image prominently displays women in elegant white wedding dresses and men dressed in formal suits, all of whom have their backs turned, which perhaps symbolizes the mystery or anticipation surrounding marriage. The title of the book is "Please Marry Me," which suggests a compelling, perhaps even humorous or earnest, pitch for marriage. Below the title, the subtitle reads "Top Success Rate in Marriage: Utilizing Big Data for Matching," indicating a modern, data-driven approach to matchmaking and relationships. This suggests that the book may delve into how technology and data analysis can aid romantic unions, possibly appealing to readers interested in contemporary relationship dynamics. At the bottom of the image, the phrase "new srs" is noted, implying that a media outlet is covering or reporting on the book, enhancing its visibility and credibility. The overall theme that emerges from the cover and title indicates a narrative focused on the experiences of an individual, likely the author or a character within the book, who has engaged significantly in the matchmaking process related to marriage. The second transcription appears to portray what could be either the cover or a promotional image for the same book. This illustration features cartoon-like depictions of a man and a woman, with the visuals suggesting a repeated motif. The woman is depicted wearing a traditional wedding dress, symbolizing love and commitment, while the man, most commonly dressed in a black suit, adds to the conventional imagery of a wedding. Interestingly, there is one man depicted in a bold red suit, which could signify passion or a break from traditional norms. Most of the men in the image are looking back, possibly indicating reflection on past experiences, while one man stands forward-facing, perhaps symbolizing readiness or confidence in the matchmaking process. The women are illustrated with orange hair, each holding brushes, which might imply creativity or preparation, and they are assembled in various formations in front of the men. The title "Please Marry Me" is prominently displayed, with "Marry" highlighted in red and "Please" in black, drawing attention to the central theme of the book. The narrative appears to be related to marriages depicted through the lens of Lee Woong-jin, who is likely a significant figure in matchmaking, possibly acting as the author of this piece. The book claims to use big data to enhance the effectiveness of matchmaking, asserting the highest success rate in marriages, which appeals to individuals interested in both traditional and modern approaches to love. Furthermore, the sources of this information are noted as Kyunghyang BP and Newsis, hinting that Newsis is an internet news outlet, while Kyunghyang BP is the company responsible for publishing the content. The caption also mentions the inclusion of Time Up Rule subtitles, indicating that a video presentation accompanies the promotional material.
| 2,970 |
|
nonnative
|
['19HPmUDMalMm', '1cJqe3g5Af56']
|
['English', 'Chinese']
|
[" I see a appears to be like a broccoli type plant that's pretty much all that is in the photo like a broccoli plant and it's it's leaves I guess planted in some sort of dirt field as you can see the dirt next to the small confined space for growing the broccoli in terms of style and color it's a lot of green the leaves are a little bit white which I would not expect from broccoli but I guess that's how broccoli works and you can make out a lot of dirt and soil perhaps some sort of yeah dirt and soil in the background", "The image depicts a broccoli plant growing in a field or garden, with a spider at the center of the broccoli head and several green leaves surrounding it. A part of a wooden frame appears behind the spider and is likely used to differentiate the planting area. There are no words in the image. The broccoli is located in the center of the picture and is the main subject. The leaves are spread out, covering a large area of the soil that occupies the bottom and background of the image as the plant's planting base. The florets of the broccoli are distinct in color, deep green, indicating that the plant is healthy. The leaves are large and thick, showing a deep green or bluish-green hue, with clear leaf veins, indicating that the plant is in a good lighting environment. The background soil appears loose, suggesting that this is a hand-managed garden and planting area. The background consists of brown earth and parts of the wooden frame, with no other prominent elements. The style is quite realistic, with the main colors being green and brown, reflecting a healthy growing atmosphere, possibly intended to showcase achievements in agriculture or gardening."]
|
[False, False]
|
[nan, nan]
|
The first transcription describes an image that prominently features a broccoli-like plant, which is the primary element present in the photograph. The plant is characterized by its distinct verdant green leaves, although there is an unexpected element; some of the leaves exhibit a slight white coloration, which is atypical for broccoli. This observation raises curiosity about the plant's condition or growth environment. The broccoli is situated within a small, confined space that appears to be a dirt field, with soil clearly visible surrounding the plant. The composition primarily showcases vibrant green hues thanks to the plant's foliage, alongside the earthy tones of the dirt, which suggests an area designated for cultivation. The second transcription provides a more detailed visual analysis of the image, confirming that it indeed depicts a broccoli plant actively growing in what seems to be a field or garden. At the center of the broccoli head, a spider is positioned, surrounded by multiple green leaves that gracefully extend outwards. There is an indication of a wooden frame in the background, likely serving as a boundary to define the planting area distinctively. The broccoli is centrally located within the composition, making it the focal point of the image. The plant’s florets display a deep green color, signifying robust health, while the large, thick leaves present a bluish-green tint and are marked with clear veins, hinting at optimal growing conditions enhanced by good lighting. The soil in the background appears loose, which strongly indicates that this is a carefully managed garden space, likely cultivated by hand. The backdrop features rich brown earth and the remnants of the wooden frame, devoid of any other elements that might distract the viewer’s attention from the main subject. The overall artistic style of the image is highly realistic, utilizing a natural color palette dominated by greens and browns. This visual presentation potentially aims to celebrate successes in agriculture or gardening, showcasing the beauty and vitality of a well-tended garden.
| 1,544 |
|
native
|
['186vqbdRteRO']
|
['Japanese']
|
['This is an image captured from above of tatami mats, and it’s possible that it’s not actually tatami but rather a computer-generated representation. This photo features 1, 2, 3, and 8 tatami mats arranged into four squares of 2x2, which combine to form a large square. It resembles a typical square tatami mat layout, specifically the shape of an 8-tatami mat area. The image is captured very beautifully from above, so it’s likely that it is a true photograph or a computer-generated image. The tatami mats appear very pristine. The center part is made with some straw, giving it a very light brown appearance, while the edges are made to look a bit like a light black. It seems to be very sturdily constructed.']
|
[True]
|
['It is tatami']
|
This is an image captured from an elevated viewpoint showcasing tatami mats. It is important to note that there is a possibility that what is depicted may not be authentic tatami mats but rather a sophisticated computer-generated representation meant to mimic their appearance. The arrangement includes four squares, each containing 1, 2, 3, and 8 tatami mats, collectively forming a larger square structure. This layout is reminiscent of a traditional square tatami mat configuration, specifically designed to represent an area composed of eight tatami mats, a common size in Japanese rooms. The image itself is captured with remarkable clarity from above, leading to speculation about whether it is indeed a genuine photograph or an expertly rendered digital image. The tatami mats depicted appear to be in pristine condition, showcasing their characteristic aesthetics. The center portion of each mat is crafted from straw, imparting a light brown hue that is distinctive of traditional tatami. In contrast, the edges of the mats are designed to present a lighter black appearance, adding a visual depth to the overall look. The mats seem to exhibit strong and durable construction, indicative of high-quality tatami craftsmanship. Tatami mats are traditional Japanese flooring options made from rice straw, and they are integral to Japanese culture and architecture, often found in traditional tea houses and temples. The careful detailing and arrangement displayed in this image underscore the cultural significance and tactile beauty of tatami flooring.
| 930 |
|
native
|
['12q6bLTDRUAg']
|
['Spanish']
|
['This photo shows a detergent canister. It is a white bottle, has a cap, and it specifies something; it has a label. The label says, concentrated detergent, apple scent, yields 50 washes, 3 liters, certified as hypoallergenic, biodegradable, vegan. Caring for water is loving life and choose Chilean SMEs. This tells me that it is a detergent from a Chilean brand and that it gives importance to the environment and animals. Also, because there is an image of seals on the label.']
|
[False]
|
[nan]
|
This image features a detergent canister that is predominantly white in color, complete with a cap. Prominently displayed on the front of the bottle is a label which provides essential information about the product. The label indicates that the detergent is a concentrated formula with an appealing apple scent and is capable of yielding up to 50 washes. The container has a capacity of 3 liters, making it suitable for multiple uses. Importantly, the label also highlights several key certifications and attributes of the product. It is noted as being hypoallergenic, which suggests that it is formulated to minimize the risk of allergic reactions, making it a suitable choice for individuals with sensitive skin. The detergent is also biodegradable, indicating that it can break down naturally and thus has a reduced impact on the environment. Additionally, it is labeled as vegan, meaning that it does not contain any animal-derived ingredients and has not been tested on animals, reflecting a consideration for animal welfare. The phrase "Caring for water is loving life" is included on the label, which conveys a message about the importance of environmental stewardship, particularly in relation to water conservation. This ethos is further emphasized by the appeal to support "Chilean SMEs" (small and medium-sized enterprises), indicating that the product is sourced from local businesses, promoting economic support for the region. Accompanying the written elements on the label, there is also an image of seals, which serves as a visual representation reinforcing the product's environmentally friendly stance and commitment to protecting wildlife. The inclusion of seals is significant, as it symbolizes ecological awareness and the importance of preserving marine life, aligning with the brand's message about caring for nature. Overall, the detergent canister is not just a cleaning product; it also embodies a broader philosophy centered around environmental responsibility and ethical consumerism, particularly within the context of Chile.
| 1,286 |
|
nonnative
|
['1gQui7AriEhu']
|
['English']
|
[" This image appears to show a woman in a pink dress and boots sitting on the ground of a city, perhaps a European city. There is one woman in the foreground of the image, several passerby in the background of the image, about three, several vans and buses visible to the left of the image on what appears to be a public street, and several shops in the background building of the image. There is some text on the top left of the image with what appears to be a photo of the Eiffel Tower, plus some text in an Asian language, perhaps Japanese. Subtle details include the angle of the shadow, suggesting that it is either early or late in the day, and the reactions of passerby. The style and color appear to be very edited or editorial, as if for an Instagram or blog post. Let's see you then. Let's see you then. Let's see you then. Bye-bye. Bye-bye. If you are a writer, who you are? Bye-bye. Bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye. Bye-bye."]
|
[False]
|
[nan]
|
This image features a woman sitting on the ground in a pink dress and matching boots, set against the backdrop of what appears to be a bustling European city. The foreground is dominated by this solitary figure, exuding a sense of stylish casualness. In the background, there are approximately three individuals walking past her, suggesting an urban environment filled with movement and life. To the left of the image, several vans and buses are parked along a public street, reinforcing the notion that this is a city that thrives on transportation and activity. The backdrop of the image showcases a number of shops, hinting at a commercial area where pedestrians might be engaged in shopping or leisurely exploration. High above in the top left corner of the image, there is text that features an image of the iconic Eiffel Tower, a well-known symbol of Paris and a major tourist attraction. Alongside this, there is also text in what appears to be an Asian language, possibly Japanese, which might suggest that the content is aimed at a diverse audience or relates to an international theme, enhancing its global appeal. Additionally, some subtle but important visual details can be noted, such as the angle of the shadow cast on the ground, which indicates that it could either be early morning or late afternoon, periods when the light is soft and the ambience’s mood is tranquil yet lively. The expressions and movements of the passerby also add to the richness of the scene, revealing varied reactions to the woman in pink, possibly through glances or curious expressions. The overall appearance of the image suggests a well-edited and visually appealing style, typical of photographs curated for social media platforms like Instagram or personal blogs, where aesthetic and thematic consistency is key. The vibrant colors and composition not only draw the viewer in but also convey a narrative of urban life, fashion, and cultural exchange. The playful exchange of greetings at the end, though repetitive, could reflect a lighthearted interaction, though it diverges from the prior visual analysis, adding a quirky element to the overall tone of the piece.
| 2,291 |
|
nonnative
|
['1c9sx9GYhX13', '18oBupylh7uD', '18nERfB81iDj']
|
['Korean', 'Chinese', 'Telugu']
|
["This image is a series of photos showing various stages of the cooking process. The first photo features utensils and prepared dishes, while the second photo shows vegetables being chopped. The third photo presents vegetables placed on a pizza, and the fourth photo captures the pizza before it goes into the oven. The final photo displays the fully baked pizza alongside a fork, showcasing the completed dish. Each photo prominently features the pizza, various vegetables, and utensils. The vegetables mainly include thinly sliced cucumbers, tomatoes, and peppers, and the pizza is topped with an assortment of vegetables and cheese. The utensils are neatly arranged, and the preparation and cooking process is well depicted. Upon closer inspection, the fresh slicing of the vegetables and the orderly arrangement of the ingredients on the pizza give a sense of well-prepared food. The background represents a typical kitchen setting, with warm lighting that enhances the food's appearance. The style is simple and practical, with colors that harmonize well with the natural and warm tones of the kitchen environment and the food. This image emphasizes the everyday cooking process and the delicious pizza that results from it.", 'The image gives a sense of the food preparation process. It is composed of three small pictures showing what appears to be the making of some kind of pizza-like food. From left to right, the first picture shows a thin crust that has been spread with a white sauce. The second picture displays various ingredients arranged on top of this crust, including cucumbers, zucchini, and red bell peppers. The third picture shows the completed arrangement of the toppings. The fourth image shows the dish sprinkled with cheese and placed in the oven. The fifth picture shows the dish after baking, and the sixth image displays the final presentation on a plate, with a fork placed beside it. The style has a slightly vintage feel, and the overall clarity is not particularly high.', 'In the pictures, there seems to be food being served. In the first picture, there is something that looks like a dish with sauce on it. Next to it, there are some vegetables arranged beautifully. There is also a mix of different types of vegetables alongside. It looks vibrant and colorful, and additionally, there are fruits and a variety of other items included in the spread. Everything appears to be carefully presented and quite appealing.']
|
[False, False, False]
|
[nan, nan, nan]
|
This collection of images illustrates various stages in the culinary process of preparing a pizza. The first photo prominently features a selection of utensils and ingredients meticulously arranged, signaling readiness for cooking. The second photo captures the essential task of meal prep, showcasing fresh vegetables being chopped, which is foundational to many recipes, including the pizza. In the third photo, an array of colorful vegetables, including cucumbers, tomatoes, and peppers, is artfully arranged atop the pizza dough, setting the stage for a flavorful dish. The fourth image highlights the pizza just before it enters the oven, adorned with a vibrant assortment of vegetables and cheese, encapsulating the anticipation of a delicious meal. The final image reveals the fully baked pizza, beautifully presented on a plate with a fork beside it, inviting the viewer to indulge. Each photo emphasizes the visual appeal of the food, not just the pizza but also the variety of vegetables used, suggesting a nutritious and delectable outcome. The vegetables, particularly the thinly sliced cucumbers, tomatoes, and peppers, not only add flavor but also contribute an array of colors, resulting in an appetizing presentation. The utensils in the images are neatly organized, further reflecting a sense of order and preparation that is important in cooking. The background of the photos evokes a typical kitchen ambiance, enhanced by warm lighting that makes the food appear even more enticing. Additionally, there is a mention of another series of small pictures that depict the pizza-making process. In this mini-collection, the first image shows a thin crust smeared with a white sauce, hinting at a unique pizza style or a creative take on traditional pizza. The second image displays a selection of toppings, with ingredients such as cucumbers, zucchini, and red bell peppers, while the third captures the fully adorned crust ready for baking. The fourth photo presents the pizza sprinkled with cheese and placed in the oven, which is crucial for the dish's flavor development. The fifth image shows the dish after baking, and the sixth image presents the final product on a plate, again accompanied by a fork, suggesting it is ready to be served and enjoyed. There is a slightly vintage aesthetic to this particular set of images, with the clarity not being particularly high, contributing to a nostalgic feeling of home cooking. In a different photo set, a dish with sauce is featured alongside a colorful presentation of various vegetables and fruits. The vibrant mix speaks to the attention paid to aesthetics, as everything appears thoughtfully arranged and visually appealing. The synergy in these images underscores the universal appeal of cooking and sharing food, particularly pizza, which is revered globally for its versatility and flavor. The careful presentation of the ingredients highlights the importance of not only taste but also the visual pleasure that food brings, making it an engaging and delightful experience.
| 1,669 |
|
native
|
['1ntJlcDaZGVp', '1kL7WYGMZ4bW']
|
['Chinese', 'Chinese']
|
['This person initially looks like a star, holding three trophies as if in an awards hall. The trophies are positioned in front of his chest, and behind him are some individuals who appear to be security or police. The background seems to be in a restaurant or a hall with dim colors, suggesting it might be an evening awards ceremony, and the star is taking a break in the lounge. This star is quite famous in China as an actor, and many people know him; he is a Hong Kong actor likely visiting the mainland. The security personnel behind him are dressed in a way that resembles mainland police.', "A man holding three awards is dressed in a black suit, with a shirt that has black and white polka dots. It seems to be during an award ceremony, and there are several bodyguards behind him, dressed in security uniforms, including one wearing a hat. The room appears very yellow and looks like it's made of wood, with a warm yellow light. The man, who has short hair and looks quite slim, resembles Shen Teng. Back then, he looked very thin, but he has gained weight now. Many people are trying to enter from the back, but they are being stopped."]
|
[False, False]
|
[nan, nan]
|
The scene captures a prominent individual, often recognized as a celebrated star, holding three prestigious trophies close to his chest as if he is posing for a photograph at an awards ceremony. The trophies gleam with honor, reflecting their significance in the entertainment industry. Positioned behind him is a group of individuals who appear to be members of his security detail or law enforcement, likely tasked with ensuring his safety during this high-profile event. The setting further enhances the overall ambiance, suggesting that it is an evening event held in a restaurant or grand hall, characterized by dim lighting that contributes to a more intimate and luxurious atmosphere. The decor hints at a formal gathering, perhaps indicative of a gala or an awards night. The legendary star is notably famous in China, particularly for his work as an actor, and he is presumed to be a Hong Kong native visiting the mainland for this occasion. His popularity is apparent, as many fans and attendees recognize him. Diving into the specifics of his appearance, the man is dressed in an elegant black suit paired with a striking shirt adorned with black and white polka dots, which lends a touch of flair to his sophisticated look. The overall color scheme of the room is predominantly warm yellow, evoking a sense of comfort and luxury, with the materials appearing to consist of wood, which adds a classic charm to the environment. The star himself possesses short hair and a slender physique, bearing a resemblance to the well-known actor Shen Teng. Observers remark how he appeared quite thin during his earlier years, while noting that he has gained some weight in more recent times. Behind him, there is noticeable activity, as several individuals are trying to enter from the background but are being restrained by the security detail, illustrating the chaos and enthusiasm typical of a celebratory event. The protective presence of the bodyguards, some donned in identifiable security uniforms and one wearing a hat, serves to highlight the significance and excitement surrounding this esteemed figure at the awards ceremony.
| 2,646 |
|
nonnative
|
['1mg8wXi4yfAw', '1aIXcXHkiUkX', '1SPrAWNfEkrJ', '18HYZDofBfAt']
|
['Russian', 'Norwegian', 'Chinese', 'English']
|
["This photograph was taken in some city. There are a lot of people here. Right away, we notice that there are two men. They are dressed in suits, quite formally. Two businessmen, it seems. And I don't know exactly how many people there are. Definitely much more than 20. One guy is wearing an orange tie. The other has a blue one. There’s also a woman looking back at the person who is taking the picture. She has a green tank top, black high heels, and a black bag, possibly with a jacket. Many of them are also wearing black sunglasses. They are clearly enjoying this day. In which city, it’s unknown. Where they are going, it’s unknown. Nothing else is happening. Just an ordinary scene in a city. It’s noticeable that the buildings aren’t very tall here, so it’s possible they are in a smaller city. I don't see any small details particularly. There is a tree in the architecture. I think they are most likely in North America, somewhere. But I’m not sure. To be continued...", 'In the picture, we see many people on a street. In the foreground, there are two men dressed in suits and ties. The man in the front on the left is wearing a blue-striped tie, a gray suit jacket, and a white shirt. The man in the suit to the right is wearing a blue suit with an orange tie and a light blue shirt. He is wearing sunglasses and appears to be walking towards the camera and to the left. The people in the background are dressed more casually in regular clothes. To the right, we see a woman looking at the camera wearing a green suit and sunglasses. There is a tree in the upper right corner of the background. There is also a woman to the right in the background looking at the camera wearing a green sweater with Mickey Mouse on it. The picture looks old and seems to have been taken around the 2000s. It is also blurry.', 'The entire image gives a sense of nostalgia. On the left side, there is a man in a suit occupying that portion, and further back, there is also a young man in a formal suit wearing sunglasses, paired with a red-orange tie, holding something that resembles an iPhone 4. Behind them is a group of people who are dressed more casually compared to these two. On the left side at the back, there is a building primarily in white, with window frames made of red accents. The overall color tone of the image is greyish and light, and the filter gives it a very nostalgic feeling.', " The image contains a busy sidewalk with individuals walking. There is roughly a total of 10 individuals in the image. However, there are only a few that you can see their entire bodies. There are no texts in the image. The main individual front and center in the image is wearing a gray suit, blue shirt, and orange tie, as well as a pair of sunglasses. There is a larger just torso of a man that takes up the left side of the image. He's wearing a gray suit with a green striped tie and a white shirt. And to the right of the image, there is a bunch of individuals in the distance, namely two individuals where one is wearing a gray shirt and a black pants, another individual wearing a green shirt and black pants. It is a sunny day. All the individuals are wearing sunglasses. This is a colored image. Part of the background also contains the sidewalk that the individuals are walking on and some buildings in the background. One that seems to be like a brown brick building with glass windows and black framing. Another one that seems to be a white building with red frames and glass panes as well. There's no gray track like white two windows and without maskingneo it's all distanced. It seems to be like a white building in the green veio across the entire body. The look here is a white student standing at the left side of the purple and brown treeway."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
This photograph features a bustling street scene filled with numerous individuals engaged in their daily activities. The focal point of the image includes two men prominently positioned in the foreground. Both are dressed sharply in formal attire, indicative of professionals or businessmen. The man on the left sports a suit jacket that is gray, paired with a crisp white shirt and a blue-striped tie. To his right, the second man is adorned in a blue suit contrasted by a vibrant orange tie and a light blue shirt. He is also wearing sunglasses, which add to the composed yet stylish vibe of his appearance as he strides toward the camera, slightly turning to his left. In addition to these two men, the background features a diverse group of people, many of whom are dressed in a more casual manner, reflecting an everyday scene in urban life. Among them, to the right, is a woman who catches the eye as she glances toward the camera. She is dressed in a striking green tank top, complemented by black high heels, and carries a black bag which may possibly contain a jacket. Notably, a sense of vibrancy is amplified as many individuals in the scene don black sunglasses, contributing to an atmosphere of enjoyment and leisure on what appears to be a pleasant, sunny day. The setting indicates that it is likely a smaller city, characterized by buildings that are not overly tall, which can be seen in the architecture around the individuals. There is an evident presence of nature with a tree visible in the background. This particular photograph seems to exude a nostalgic essence, perhaps reminiscent of a bygone era, likely around the 2000s, as inferred from the fashion and overall aesthetic of the image. The image has a grayish tone and appears somewhat blurry, enhancing the nostalgia factor further. There are additional details highlighting the diversity of clothing styles among the crowd; while some attire is formal, others are more relaxed, with evidence of casual wear such as a green sweater featuring a character from the Disney franchise, Mickey Mouse. It appears to depict a multicultural atmosphere, though the specific identities and origins of the individuals remain unknown. Lastly, the photograph's composition suggests movement and life on the street, with individuals in different poses and walking directions, along with the presence of a variety of buildings in the backdrop – including a brown brick structure with modern glass windows and a white building featuring red accents. These architectural details, combined with the interplay of a busy pedestrian environment, reflect the pulse of city life. Overall, while the definite location and precise circumstances surrounding the photograph are unclear, it successfully captures a moment filled with personality and vibrancy.
| 1,775 |
|
nonnative
|
['160TUyPQiYeR', '18dstobCzR4k', '1dCnvTuVhlku']
|
['Chinese', 'Chinese', 'English']
|
["In the image, there is a small black pig in the sunlight, which makes its fur look somewhat shiny. The pig appears not to be very large, but it's identifiable as a pig. On the left side of the image, there are some rocks, and the pig seems to be nudging its nose against one of these rocks. Since the sunlight is quite bright, the pig's eyes look relatively small, and its entire body is black. Its nose has some bits that look like scattered fallen leaves or some kind of light-colored powder, which might be pale greenish in hue, possibly from decaying plants.", "In the center of the image, there is a small pig with black fur that appears to be only a few months old. Its ears are very large, but its body is still small and the fur hasn't fully grown in. It looks like it's using its snout to root around on the ground for some scattered bits of feed that have fallen, as there are some remnants on its nose. This is happening inside a pigpen. Next to this little pig, there is some black mud and some fallen leaves, but the ground is covered with a lot of scattered feed, likely spilled by the caretaker. Beside it, there is a stone wall constructed from bricks enclosing this pigpen. The pig seems to really enjoy eating the pig feed while rooting along the wall, and there are many remnants on its nose as it continues to chew. The pigpen doesn’t appear to be very well maintained, as there are quite a few fallen leaves and weeds inside, making it look somewhat unsanitary.", " This is a picture of a black baby pig. It looks like it's standing on rocky soil next to maybe like a wall of rocks. And behind it is some dirt, very, very dark dirt with some twigs and dead leaves. It looks like his snout is a little dirty, probably some pollen actually. So maybe this picture is taken in spring because it looks like the floor is doused in this pollen. The picture looks like it's taken in a day since it's bright and possibly at some sort of farm where they found the pig. The pig has two hooves and it's hairy with dark eyes. And the rock itself is gray and it looks very holey. There's a lot of holes."]
|
[False, False, False]
|
['No', nan, nan]
|
In the first description, the image features a small black pig basking in the sunlight, which enhances the sheen of its fur. Although the pig is relatively diminutive, it distinctly resembles its species. Positioned on the left side of the scene, there are several rocks, and the pig appears to be playfully nudging its snout against one of these formations. The intensity of the sunlight causes the pig's eyes to appear rather small, yet its entire body exhibits a consistent black pigmentation. Observing the pig's nose reveals some light-colored debris, potentially bits of scattered leaves or light powder, possibly of a pale greenish tint, which may result from decomposing vegetation nearby. In the second description, the scene shifts to the center of the image, where a small black pig—estimated to be only a few months old—can be seen. The pig features large ears relative to its small body, which has not yet fully developed its coat. The pig is engaged in rooting through the ground, actively searching for scattered remnants of feed that have fallen, evidenced by bits of food caught on its snout. This activity takes place within a pigpen environment. Surrounding the little pig, there are patches of black mud blending with a scattering of fallen leaves. The ground is generously covered with remnants of feed, likely spilled by the caretaker during a previous feeding. Adjacent to the pig, a stone wall made from bricks serves as a boundary for the pigpen. The pig appears to thoroughly enjoy munching on the feed, persistently rooting along the wall, and its snout is adorned with numerous food remnants. However, the overall appearance of the pigpen suggests a lack of maintenance, as fallen leaves and weeds create an impression of unsanitariness in the space. The final description illustrates a black baby pig standing on rocky soil near what resembles a wall constructed of rocks. Behind the pig, the ground is characterized by very dark soil interspersed with twigs and dead leaves. The pig's snout appears somewhat dirty, likely due to what seems to be pollen—suggesting that the photograph may have been taken during springtime when pollen levels are high. The brightness of the image, indicating daylight, further reinforces the idea that the setting might be on a farm where the pig was discovered. The pig is depicted with two hooves and dark, expressive eyes, while the rocky terrain is described as gray and permeated with numerous holes, adding texture to the environment where the pig is located.
| 987 |
|
native
|
['1grxH0LMDWQ1', '16FDwM7vbYwj', '15MVCE0drKzL']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image shows some food. We can see that it has just been unpacked from a large box. The food is placed in a transparent plastic container, and it looks like something resembling an egg roll. It appears to be a large pancake that has been rolled up after cooking, and once dried, it becomes crispy. Inside the big box, the egg rolls are neatly arranged one by one. The container holds two layers of egg rolls, with one layer on the bottom and another on top, and there is a piece of paper covering it. On top, there is a rounded lid. It seems like there is also a character on it that says "xiáng," which is a food commonly eaten during the Chinese New Year in Asian countries, symbolizing good fortune.', 'In the picture, there is a photo of a snack that is packed in a cardboard box. At the bottom edge of the box, you can see English words and numbers. The snack is contained in a round plastic jar that is transparent, allowing a clear view of what\'s inside. On the left side of the image, it can also be seen that the jar has golden letters on a red background, stating "auspicious" (吉祥). This snack consists of something similar to thin pancakes that are rolled up and placed individually in the plastic jar. Inside the jar, there are two layers of these rolled pancakes, and on top, there is a layer of white oil paper. We can see about four plastic jars containing this snack. The night is dark, and it seems there are various elements around, possibly indicating some connection to the world. There is a sense of blending cultures or ideas in the description.', 'In the picture, we can see a photo taken indoors, featuring a box filled with goods. Inside the box, there is a long, slender item that appears to be a type of food, resembling something like a wafer or a roll. The packaging for this item is a cylindrical plastic container, which holds approximately twenty to thirty wafers in a single layer. Each plastic container has two layers of wafers, so each box likely contains around fifty to sixty wafers in total. Additionally, it is noticeable that the outside of the box has Chinese packaging, with a character that signifies good fortune, indicating that this is a food item filled with positive meanings. It is possible that this product will be available in supermarkets during festival seasons in a few years.']
|
[True, False, False]
|
['There is Chinese character in the picture.', nan, nan]
|
This transcription provides a detailed account of several food items, their packaging, and their cultural significance, as presented in various images. The first image depicts a food item that has recently been unpacked from a large shipping box. The food is stored in a clear plastic container, which holds what appears to be egg rolls. These egg rolls are described as large pancakes that have been cooked, rolled up, and allowed to dry, resulting in a crisp texture. Inside the larger box from which the food has come, the egg rolls are meticulously arranged in a single file. The container itself features two distinct layers of egg rolls, with one layer positioned at the bottom and another stacked on top. A piece of paper provides cover to the contents, and a rounded lid secures it. Notably, a Chinese character, "xiáng," can be seen on the packaging. This character translates to "auspicious" or "good fortune," indicating the cultural significance of the food, particularly as it is often consumed during the Chinese New Year celebrations across various Asian countries, symbolizing prosperity and luck. Moving to the second image, we observe another snack item that is housed within a cardboard box. At the lower edge of this box, English words and numbers are visible, giving further context to the product. The snack is contained in a round, transparent plastic jar that clearly showcases its contents. Prominently displayed on the left side of the jar are golden letters against a red background that spell out "auspicious" (吉祥), reinforcing the positive cultural connotation associated with this food item. Similar to the previous item, these snacks consist of rolled and thin pancakes, placed individually within the jar. There are two layers of these rolled pancakes inside the jar, and atop them lies a layer of white oil paper for protection. The image hints at a collection, with around four transparent jars of the snack being visible. The surrounding environment appears to be nighttime, suggesting a sense of ambiance that may relate to the cultural importance of these foods. This mixture of elements suggests a possible fusion of cultural ideas or practices. Lastly, the third image details a scene captured indoors, showing a box containing various goods. Within this box, there is a long and slender food item that bears resemblance to a wafer or a roll. The item is enclosed in a cylindrical plastic container, which accommodates about twenty to thirty individual wafers laid out in a single layer. Each container, noted to have two layers of wafers, could potentially yield around fifty to sixty wafers per box, depending on the packaging design. The exterior of the box showcases Chinese packaging, which features a character symbolizing good fortune, alluding to the auspicious nature of the food item for the consumers. The transcription hints at the potential availability of this product in supermarkets during festive seasons in the future, suggesting its connection to traditional celebrations. Additionally, there is a noted presence of a Chinese character in one of the images, further emphasizing the cultural relevance tied to the foods described, which is commonly associated with the celebration of good fortune and happiness in Chinese culture.
| 515 |
|
nonnative
|
['19vZIhj8MG5S']
|
['English']
|
[" It looks like the image is of a children's broadcasting program. I can see cameramen on the bottom right portion of the image and the bottom left portion of the image. Centered are adults in what looks like costumes. And perhaps among them in the front row are hosts. Behind these adults, there are more adults in greater number. But they don't seem to be the principal characters in the program. Maybe more supporting roles. But behind those adults in a more upper level, there seems to be other adults as well as many children. And they look to be in a very good posture and very still. Everything is very colorful. Not only the costumes, but also the background of the set. And the style seems to be a little bit more on the child's taste. Now, let us be of an illustration. Looking at each other's taste. Forم니ре Joint Coaster Part Half Am disinfectantilla mein micro-haha Or находang, Le River Partves for lyorsun terrib grazing."]
|
[True]
|
[nan]
|
The image depicted is from a children's broadcasting program, showcasing a vibrant and lively set that is designed to appeal to a young audience. In the lower right and lower left corners of the image, several cameramen can be seen, indicating a professional production environment where multiple cameras are likely capturing the events occurring on set. At the center of the image, there are several adults dressed in colorful costumes that suggest a playful and imaginative theme typical of children's programming. Among these individuals, it appears that there are hosts positioned in the front row, likely playing a significant role in engaging with the child audience and guiding the flow of the show. Behind these primary figures, there is a larger group of adults who may represent supporting roles or background characters, contributing to the lively atmosphere of the program. These individuals appear to be strategically placed to enhance the environment without overshadowing the main characters. Further back, at a higher level, there are additional adults as well as a notable number of children who seem to be part of the audience or participants in the show. The children are observed maintaining good posture and a composed demeanor, suggesting they are actively engaged and attentive to the happenings on stage. The entire scene is characterized by a rich array of colors not only in the costumes worn by the adults but also in the set design itself, which is tailored to appeal to children's tastes and preferences. The overall aesthetic is playful, cheerful, and inviting, creating an environment that is conducive to entertainment aimed at a young demographic. The compositional elements, such as the vibrant costumes and lively set, work together to evoke excitement and curiosity, reflecting the essence of children’s entertainment.
| 2,643 |
|
nonnative
|
['14135BriKggv']
|
['English']
|
[" In this image I see two people's bellies touching each other. They appear to be pregnant women. The one on the left is wearing a white shirt and brown pants, while the one on the left is wearing a white shirt and black pants, while the one on the right is wearing a black shirt and white pants, and their bellies are almost touching. You can see there's a button on the bottom right, the person wearing white pants. There's nothing really else in the background. It's pure white. You can't see their hands, just their belly, their midsection, and it cuts off around the chest area, and it also cuts off around the thigh area, so you can't see much. You can assume the two people are facing each other as their belly buttons are almost touching. Nothing will look like. That's aajo. Congratulations, WOMAN THAT COUNTAIN. Thank you. Thank you. Thank you. Thank you. See you section the next one."]
|
[False]
|
[nan]
|
In this image, there are two pregnant women positioned closely together, with their bellies nearly touching. The woman on the left is attired in a white shirt paired with brown pants. Meanwhile, the woman on the right is dressed in a black shirt and white pants. The description emphasizes the visual connection between the two, highlighting that their bellies are almost in contact with one another, a often joyful symbol of their shared experience of pregnancy. In terms of the details captured in the image, the viewer can observe a button located at the bottom right, visible on the individual wearing the white pants. The background of the setting is completely white, drawing the viewer's focus to the two women and their midsections. The framing of the image cuts off just above the chest and just above the thighs, limiting the visibility of their hands and other body parts, further centering the attention on their bellies. It can be inferred that the two women are likely facing each other, given the alignment of their bellies, which suggests a moment of intimacy and connection between them. The phrase “That's aajo” and subsequent congratulatory remarks indicate a celebratory atmosphere, possibly in response to a shared joy related to their pregnancies. The series of “Thank you” expressions following this sentiment reinforces the congratulatory tone, suggesting an encouragement or acknowledgment of their condition. The conclusion of the transcription implies that this is part of a larger series or event, noted by the mention of "See you section the next one," which indicates that viewers can expect more related content in the future.
| 2,747 |
|
native
|
['1bg2Gr2YZQZV', '11TrtBjXbBWD', '1mw5MTrsKRoM']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this picture, there are some items related to the Spring Festival. At the bottom, there are some couplets and words written with a brush on red paper. One of them features a very large character for "spring." There are also couplets with writings like "book garden" and "auspicious," all on a red background. On top of this, there is a hexagonal box with some golden embroidery depicting dragons and auspicious clouds, and it has a large golden character for "blessing" with black outlines. Hanging below the box is a red string tied with a bundle of wheat, and there\'s a string of cylindrical shapes that seem to imitate firecrackers, also adorned with golden patterns and words like "spring" and "fortune." Overall, the items in the picture predominantly feature a red theme, representative of the Spring Festival celebrations.', 'This clearly shows it\'s the Spring Festival. The character for "blessing" is very red, very red, very red. Then there\'s a spring theme, and firecrackers. These firecrackers seem to be just for decoration and aren\'t real. In the background, there’s calligraphy. The calligraphy translates to something like "spring" in the center, with the firecracker in the lower right corner. The lower left corner also has a firecracker connected to the "blessing" character. There are some small details, including more tiny characters behind the "blessing" and various styles of calligraphy. The predominant color is a bright red, typical for the Spring Festival, and even the writing is on red paper. Alright, carry on.', 'The image is a traditional Chinese New Year still life, displaying a red background with the character "福" (fu) and couplets, as well as other elements of the Spring Festival. In the center of the composition is an octagonal "福" character, surrounded by multiple couplets that are distributed throughout the background. There is also a depiction of firecrackers below the central octagonal "福." The large "福" character is complemented by the character for "spring," along with beautifully written traditional calligraphy. The character "吉" (ji) is positioned slightly to the left of center, and the couplets are spread across the background, while the firecrackers are placed in the lower right corner. The calligraphy appears to be of notable quality, and the overall color scheme is dominated by red, which is very festive, accented by some gold and black elements.']
|
[False, True, False]
|
[nan, 'yes, this is chinese new year decoration', nan]
|
In this image, one can observe a vibrant array of traditional items associated with the Spring Festival, also known as Chinese New Year, a significant celebration in Chinese culture that marks the arrival of spring and the lunar new year. At the bottom part of the image, there are couplets—these are pairs of poetic lines typically inscribed on red paper. The couplets feature traditional Chinese calligraphy, with one notably large character depicting the word “春” (chun), which translates to “spring.” The red paper serves as a symbolic representation of good fortune and happiness, as red is a color widely associated with joy and prosperity in Chinese culture. Additional couplets exhibit phrases such as “书园” (shū yuán), meaning "book garden," and “吉” (jí), which signifies "auspicious." These writings contribute to the celebratory atmosphere characterized by rich cultural symbolism. Prominently displayed above the writings is a hexagonal box that showcases intricate golden embroidery featuring dragons and auspicious clouds—both symbols deeply ingrained in Chinese mythology and tradition. The box also features a large golden character, “福” (fú), which translates to "blessing" and is outlined in black for emphasis. This character is central to the celebrations, as it embodies the hope for good fortune in the coming year. Hanging beneath this decorative box is a red string that is tied tightly with a bundle of wheat, which symbolizes abundance and a bountiful harvest. Accompanying it is a string of cylindrical shapes designed to resemble firecrackers, albeit these are merely decorative in nature and not functional. These cylindrical shapes are embellished with golden patterns and further inscriptions of words like “春” (spring) and “ fortune,” adding to the overall vibrancy and festive aesthetic of the piece. The image predominantly features a striking red color palette, effectively illustrating the spirit of the Spring Festival celebrations. The character for "blessing" stands out prominently, demonstrating the significance of wishes for happiness and prosperity. In the background, finely crafted calligraphy can be seen, adding an artistic touch to the decorations, with the character for "spring" positioned centrally, complemented by the arrangement of firecrackers at various corners—indicative of a traditional celebratory layout. In summary, the overall composition encapsulates the essence of the Spring Festival, showcasing its rich heritage through symbols of good fortune, abundance, and joy, all rendered in a colorful and culturally resonant manner.
| 2,741 |
|
native
|
['16JZKXMweqCe', '1icnfbHugQOk']
|
['Chinese', 'Chinese']
|
["In this photo, it looks like it's from some kind of party or award ceremony where everyone is wearing red. This red color is something that we Asians typically wear during the New Year season, so I guess this is during the New Year, and everyone is dressed quite formally. Therefore, it might be at a gala. In the lower right corner, there is a logo that says Sina Entertainment, which indicates that this is one of the programs broadcasted by that TV station. Now, it feels like the two female hosts are holding microphones; one of them I don't recognize, but the one on the right is named Sister Tao. At that moment, Sister Tao is looking at the host who is speaking while also holding her microphone and a small card, ready to assist at any moment. Usually, double hosting is quite common at various gala events, so they complement each other well. I can… see you here… cover this portion, An Chiu YouTubers.", 'What does this image look like? A group of people is singing or speaking on stage, possibly performing a show. How many objects are there? The subjects are a number of individuals, around ten people in total. The five individuals in front are holding five microphones, while the five individuals in the back might be accompanying them by dancing. What does the text say? The text mentions Sina Entertainment, which is a Chinese media company. What is the position of the objects? The front five people and the back five people are lined up in rows. What are the subtle details? Among the five individuals, only two are currently holding microphones and singing, while the others are merely holding microphones and have not yet begun to speak or sing. What is the background? The background appears to be a large LED screen with some text, but it is not very clear. What is the color Scheme? The overall color scheme is primarily red and black, and it has a lively style that is very cheerful. They should be performing a specific show during a particular festival. Thank you.']
|
[False, True]
|
[nan, '有新浪娱乐的水印，大屏幕里貌似是一个中国文字，很有中国特点']
|
In this photo, it appears to capture a festive atmosphere, likely from a party or an award ceremony where attendees are predominantly dressed in red. This particular shade of red is significant in many Asian cultures, especially among Chinese communities, where it is commonly worn during the Lunar New Year celebrations as it symbolizes good fortune and joy. Given the formal attire, it is plausible that this event is a gala. In the lower right corner of the image, a logo can be seen that reads "Sina Entertainment," suggesting that the event is part of a broadcast from this prominent Chinese media company, known for its involvement in entertainment news and programs. The two female hosts in the foreground appear to be engaged in the event, one of whom is identifiable as "Sister Tao." She is actively participating by looking towards the host who is speaking while holding her microphone and a small card, poised to assist as needed. It is common for events such as this to have double hosting, allowing for interaction and dynamic presentation between the two presenters, which seems evident in their camaraderie. In addition to the hosts, the image also shows a group of around ten individuals on stage, likely performers, with five individuals positioned in front holding microphones, while the remaining five are situated behind them, potentially performing dance routines or providing vocal support. Among the five individuals at the forefront, only two are actively singing into their microphones, while the other three merely hold the microphones, indicating they may be preparing for their turn to speak or sing. This setup is typical of lively performances, where coordination and timing are essential. The background of the stage features a large LED screen displaying text, although the specifics of the text are not clearly discernible. The overall color scheme is vibrant, dominated by shades of red and black, contributing to the festive and cheerful vibe of the event. It is also noted that the watermark indicates the affiliation with Sina Entertainment, reinforcing the connection to the Chinese media landscape, while the background may include text in Chinese characters, which reflects cultural elements that are distinctively Chinese and relevant to the celebration or performance occurring on stage.
| 2,043 |
|
nonnative
|
['1P0YaDMrnAdy', '1h8w93DlIbNk']
|
['Chinese', 'English']
|
['This is a photo similar to one taken at an airport, captured inside the airport. The airport features two levels with a corridor in between; there is an escalator on the lower level. The entire photo is populated with many people and was taken during the day. You can see some travelers dragging their suitcases from the first floor to the second floor of the airport. The whole building is very modern. The corridor on the second floor is completely separated by glass. There is a prominent feature in the design that forms a flowing pattern, making it visually striking. This scene depicts the hustle and bustle typical of airport life, with many people moving around, reflecting the dynamic atmosphere of travel.', " this place looks like an airport there's quite a lot of people down on the ground floor there are a few escalators with a lot of people on them there are some blue marks towards the ground floor as you move down to the escalator the place is predominant the background of the place is predominantly white and there's a lot of glasses glass structures which looks like which looks a lot like the structure at the airport yes definitely looks like a transportation area I see a few people with bags downstairs which definitely suggests that this is an airport"]
|
[False, False]
|
[nan, "I don't think there is any thing culturally different about it."]
|
The scene captured in the photograph is reminiscent of an airport interior, showcasing a vibrant and bustling atmosphere typical of air travel. The airport features a contemporary architectural design with two distinct levels, interconnected by a corridor that facilitates movement between them. An escalator is prominently positioned on the lower level, allowing passengers to easily navigate between the floors. The image is bustling with numerous travelers, notably many individuals lugging their suitcases as they transition from the first to the second floor. This adds to the liveliness and energy of the scene, which is further enhanced by the fact that it was taken during daylight hours. The overall aesthetic of the building leans towards modernity, with a bright, predominantly white background that contributes to a clean and spacious feel. In addition to the escalators, the design includes significant glass structures, providing transparency and openness throughout the space. The corridor on the second level is entirely enclosed by glass, offering a panoramic view of the bustling activities below. The artistry of the architecture features a flowing pattern, which serves to make the design visually striking and appealing to the eye. The presence of blue markings on the ground floor adds a decorative element, guiding the flow of foot traffic in this busy transportation hub. The image captures the essence of an airport environment effectively, reflecting the dynamic nature of travel with numerous people in motion and the familiar signs of an air travel terminal, such as luggage and travelers moving purposefully. The ambiance is unmistakable, communicating the excitement and hurried pace often associated with airports, where people embark on journeys to various destinations around the globe.
| 1,127 |
|
nonnative
|
['17YTuCbf3nsL', '1ecReyXfT5Aa', '16ifXZED7opZ']
|
['English', 'English', 'English']
|
[" Overall, we see a large old-looking bowl in the center of this image. It's held on some kind of yellow tapestry. In the background, we maybe see two people observing this object. We don't really see any text in the image besides towards the bottom, the image source. We mainly just see this large object in the image and the people staring at it more in the background. There's a lot of intricate designs on this bowl. Not any writing though, but a lot of designs. The background mostly has people watching it and the style and color. It seems like a very old bowl. Probably Asian in design, but very, very old. In terms of contextual information, it's a bit difficult to know exactly where this is, but it looks like some kind of museum where people are looking at this ancient artifact. Probably it's of a Chinese design, but it's so old that it's a bit more difficult to make out than some more recent Chinese artifacts. That's probably what you could infer from the image.", ' The image appears to show ancient bronze vessel, likely a Chinese ding, which is, I believe, a type of ritual cauldron. The object is a large three-legged brown cauldron, and additional objects include a golden display surface with some indistinct objects in the background. There is no text that I could see in the picture. The object is centrally placed, and the object has intricate carvings, possibly Chinese characters or something. It appears to be aged, and the lighting suggests it is on display in a prestigious setting. It seems to be a museum or exhibition setting, and it seems to be also a symbol of authority and status in Asia, probably China.\\', " Well, this picture is a frozen artifact. And in Chinese, we call this type of you know, artwork ding. It's a container to hold water. And I think it's also has the religious purpose. It has a very long history. I think it should be 2000 years ago. So the venue is in a museum where many people are watching this artifact. We don't use it in the normal life these days."]
|
[True, True, True]
|
['Yes, ancient bowl or pottery, likely Chinese', 'this is likely a valuable asian artifact', 'art piece']
|
In the center of the image is a large, vintage-looking bowl, prominently displayed on a yellow tapestry that serves as a backdrop. The bowl appears to be a significant artifact, possibly Asian in origin, showcasing intricate designs that hint at its historical value, though there are no written inscriptions visible on it. This bowl likely holds deep cultural importance and bears the marks of age, suggesting it is an ancient item that might date back several centuries. In the background, two individuals can be seen observing the bowl. Their presence adds a layer of context to the image, indicating that this is not merely an object of curiosity but a piece of art that draws interest and admiration from viewers. The intricacy of the bowl's designs captures the viewer's attention, compelling them to appreciate the craftsmanship that went into its creation. Further examination reveals that the bowl is likely a type of ancient bronze vessel, specifically a ding, which is traditionally used in Chinese rituals. These vessels, characterized by their three-legged design, were typically employed in ceremonial contexts, possibly for holding offerings or as containers for water. The rich brown color and detailed carvings suggest that this particular ding might feature symbolic designs or even Chinese characters, indicative of its storied historical context. The setting of the image appears to be a museum or an exhibition hall, a place designated for the preservation and display of such remarkable artifacts. The lighting enhances the bowl's features, contributing to its status as an object of authority and significance within Asian history, likely specific to Chinese heritage. The presenters in the image, while not central to its focus, underscore the impact of this artifact on contemporary audiences, who are gathered to gaze upon its beauty and to appreciate its historical legacy. The ding is said to have a history spanning approximately 2,000 years, reflecting the cultural practices of ancient China, including its religious significance. In modern times, such items are no longer utilized in daily life, making their presence in a museum even more critical for educational and cultural preservation.
| 414 |
|
native
|
['174bheUizd6v']
|
['Tamil']
|
["Yes, what I'm taking is that there is greenery where we are going, there’s some blue and brown. After that, there’s an electrical post, and then behind it, there’s a hill. After that, there are a lot of trees and shrubs. Then, that electrical post is behind the hill, and it’s positioned in the middle of the train track. You can only see that both paths are visible. Behind, there are many rocks, and there seem to be some trees near the big rocks. However, it looks like it's taken from a distance, probably in the morning. It's a good picture, and it only shows that there’s a train track."]
|
[False]
|
[nan]
|
Yes, what I am observing in the scene is a landscape rich with greenery, prominently featuring a mix of blue and brown elements. This distinction indicates the presence of both vegetation and perhaps bodies of water or earthy paths within the vicinity. Positioned in this setting, there is an electrical post, which stands as a man-made structure, providing power presumably used for nearby services or infrastructure. Behind the electrical post looms a hill, creating a natural boundary in the scene. Beyond the hill, there is a dense aggregation of trees and shrubs, contributing to the lushness of the environment. The electrical post is notably placed in the middle of the train track, serving as a point of interest within this railway landscape. The train track’s two paths are clearly visible, indicating that this section of the railway is operational, likely serving trains that traverse both directions. Further back in the scene, a collection of rocks can be noticed, which adds a rugged texture to the landscape. Close to these large rocks, there are also several trees, creating a sense of biodiversity in the area. The overall composition of the photograph suggests that it was taken from a distance, which allows for a broader perspective on the landscape. It appears to be captured in the morning light, giving it a fresh and vibrant feel. The quality of the picture is commendable, effectively showcasing the train track seamlessly integrated into the natural surroundings.
| 1,351 |
|
nonnative
|
['1dgn1cdck0Yd']
|
['English']
|
[" This image is a white in background with black text and in the center of the image it says invitation. And the rest of the text in the image looks to be in Chinese characters. In the lower left corner there is a QR code. And in the top of the image above where it says invitation the text is more stylized and there's blues. And it says the date which is 5 slash 21. The rest of the text is black. And it is formatted such that under invitation there is a little paragraph. And then two lines of text. And then at the bottom is more formatted text with three lines. And then in the very bottom right corner there are two characters. Again, the top of the image has more of like a stylized graphic. And the characters are more like hand drawn. And there are four of them. Two at the top, two at the bottom. And the coloring at the top left is black. Top right is blue. Bottom left is blue. And bottom right is black. From一定 to the black. Tip back, two at the top. Tip back,<|sv|>"]
|
[True]
|
['The text is in Chinese.']
|
The image features a predominantly white background upon which prominent black text is displayed. At the center of the image, the word "Invitation" is prominently featured in bold black letters. Above this central text, there is a stylized graphic element that enhances visual appeal, incorporating shades of blue alongside black. This stylized graphic captures attention and sets an inviting tone. Immediately beneath the word "Invitation," there is a small paragraph of text written in Chinese characters, providing additional context for the invitation. Following this paragraph, two lines of text are presented, also in Chinese, contributing to the overall message of the invitation. At the bottom of the image, more organized text unfolds in a structured manner over three lines. This section likely provides vital details such as event specifics or instructions. Furthermore, in the lower left corner of the image, there is a QR code, which typically serves to connect to a digital resource or RSVP portal, making it easy for guests to engage further with the invitation. In the bottom right corner, there are two additional Chinese characters, which may serve to enhance the thematic elements of the invitation or denote a particular aspect of the event itself. The overall layout is designed with thoughtfulness, creating a pleasing visual harmony; the balance of colors, with black in the top left and bottom right corners, and blue in the top right and bottom left corners, contributes to the aesthetic while delineating areas of text. Overall, the image is a well-constructed invitation showcasing a blend of traditional and modern design elements, encapsulated in the Chinese language, which may cater to a specific cultural audience, underscoring the significance of the occasion being celebrated. The inclusion of stylized graphics, the thoughtful arrangement of text, and the presence of a QR code collectively indicate a contemporary approach to invitation design that is both attractive and functional.
| 2,154 |
|
nonnative
|
['1kms21CqpeFW', '17CMDSKVoBhL', '14P4Vmz1oElL', '19sPn5NexSJj']
|
['English', 'Chinese', 'English', 'English']
|
[" This looks like some sort of mixed martial arts class. The people appear to be doing some sort of pose where they have their fists out and they're on their knees. They're wearing a specific dress code where it looks like there's long black pants with a white shirt on top. And they're each holding some sort of stick. It could be a sword, a stick, can't really make it out. So there are instructors. The instructors seem to be wearing long black robes. There are 1, 2, 3, 4, 5, 6, 7, 8, 9 participants. And 1, 2, 3, 4, 5, 6, 7, 8 instructors, it appears, where some are in front, some and two are in the back watching. Looks like they're in some sort of dojo or cabin where light is coming in, so it's in the daytime. And I cannot make out exactly where this is. It could be anywhere. And they are not wearing any shoes. Looks like the instructor 1 is wearing socks. And some of the participants that I could see are just shoeless and sockless. And the floor is wooden. What did you do? What's the whole room? What did you do?", 'The scene mainly shows a kendo class practicing kendo. We can see people wearing black kendo uniforms, traditional Japanese attire, wielding real Japanese swords as they practice and swing them. In the center of the frame, there are two rows formed with a total of ten people dressed in white tops and black hakama, sitting in a kneeling position, drawing their swords from their sheaths and swinging them forward. There are also some individuals wearing black martial arts uniforms standing nearby, observing. The entire room has a wooden floor and some bright floor-to-ceiling windows, indicating that this is likely a kendo dojo. However, based on the skin tones and facial features of the instructors, they seem to be Japanese, while many practitioners in the center have Western, non-traditional Japanese faces. This strongly suggests that it is a Japanese kendo dojo located abroad, teaching many Western enthusiasts of kendo.', " This is an image of some kind of martial arts class or training or demonstration of some kind. There are several people kneeling on the floor holding what appears to be a sword. They all have a white shirt and a black, like, pants or large, like, skirt-like object, uh, clothing. There are a few individuals standing around the room around them wearing all black, uh, uniform. Um, they're all wearing, like, socks. The people standing around also have this, um, sword-like object or saber of some kind. The room has, like, a light, a medium-green wooden floor. The walls are, like, a yellowish color. Um, there are some large windows throughout the room with some, like, beige-ish curtains and as well some paintings and a clock. Um, can't really tell what's on the outside. It's a little blurry and small. Um, there are some chairs along the outside of the room, small chairs. The people are all facing in one direction, generally. Um, they look somewhat focused and appear to be doing the same position or attempting to. Um, will it become a flexor? Will one just go anywhere? Um, they look exactly like that. They look good. Um, they look, very easily graphically, stay in the drive-room way. Uh, they look at the reflex line and see how they look accurate. ちょph intensively a game Guide to the safety centre of the wall. Well, they look everywhere. They look for their shoes. Stay Tigard, where a white metal shapes. They look for the client. Oh, they look for their shoe ahh, don't for care to live. Awesome. Look on that as many people in the outside of the town. Here's something. Helloрам Looking! Again. Yeah. Who are theiest foot. Excellent. Look on the opposite sound here as the other tech wheel! Soтиendo here to see what's a little yet", ' The image is many men lined up performing some kind of martial art in a studio space. There are around 15 men in this photo. There are nine men kneeling down with swords in their hands. Oriented in two rows. One with four and one with five men. They are on a wooden floor and wearing white long sleeve shirts and black pants. A few men are on the left hand side standing adorned all in black. On the right hand side there is one man standing with a tall black robe. There are windows all around the room in the background with yellow curtains. And there is a sign in the back with some writing that is not visible. And it seems that you could infer they are participating in some sort of martial art or practicing. They are all, all of the men kneeling or holding some sort of sword. So you can organize that down into a hospital. But you can also multiply that down. And you can also drag for whatever... In case of a white coat, just like a hard one with any times when it falls out, It can D\\']
|
[False, True, True, False]
|
[nan, 'Japanese kendo.', nan, nan]
|
This scene depicts a kendo class, a traditional Japanese martial art characterized by sword fighting using bamboo swords called shinai. The participants are engaged in a specific pose that involves kneeling on the floor, with their swords drawn and poised as they practice their techniques. They are dressed in a particular uniform, consisting of long black hakama (pleated trousers) paired with crisp white shirts. In the center of the image, a total of ten students are arranged in two rows, with their bodies oriented in a similar direction, demonstrating a sense of unity and focus. This arrangement highlights their concentration as they practice the martial art. The environment is a kendo dojo, lending to the authenticity of the experience, with bright floor-to-ceiling windows allowing natural light to pour in, illuminating the wooden floor that is characteristic of such training halls. The instructors in the scene, identifiable by their long black robes, are positioned strategically within and around the kneeling participants, some actively observing and guiding the students while maintaining a watchful stance. This setup suggests a structured and disciplined training session, which is typical in martial arts environments. Additionally, the presence of individuals in all-black uniforms further emphasizes the traditional aspect of the practice, as these outfits are often worn by both instructors and advanced practitioners in kendo. Such attire can symbolize respect for the art form and indicate proficiency. The dojo's decor adds to the cultural richness of the practice space. With yellowish walls, paired with beige curtains on the windows and various paintings lining the walls, the room ambiance signifies a blend of tradition and contemporary aesthetics. There is an implication that the participants are not solely of Japanese descent, as some practitioners exhibit Western facial features, affirming that this dojo is likely located outside Japan and serves a diverse group of kendo enthusiasts. This melding of cultures underscores kendo's growing global appeal and showcases how martial arts can connect people from different backgrounds through shared values of discipline, respect, and skill development.
| 915 |
|
nonnative
|
['1hcF6Mi1nOuD', '1kCG3fwHPp7m', '15Y16lTSXtiI', '1nqSLKPXYJ7N']
|
['Telugu', 'Russian', 'Chinese', 'English']
|
["It appears that the transcription contains a mix of different languages and possibly some words or sounds that don't form a coherent sentence. Unfortunately, it cannot be accurately translated into English as is, since it lacks a clear meaning or context. If you have a specific part or phrase you would like help with, please provide that for further assistance.", "These are two photographs, in my opinion, they are one. Because on the left, we have a photo of some kind of bathroom where almost everything is brown. The bathroom itself is white inside and brown outside. Interestingly, there is some kind of bouquet inside. The mirror next to the bathtub is also in a strange position. The shower is in an odd position too, more on the side of the faucet. It's a very strange bath. And sometimes there is one brown towel on a hook, and another one lying next to this bathtub. The other photograph is on the right. There’s a dog, a white dog. It is sitting under a white table. This white table has two, three, four white chairs. There is some kind of floor lamp. Should it be a chandelier? Terrible, black. With many bulbs. And below is a carpet that is white and blue. And something else is painted there. On the left in the center, it’s also white and blue. And there is no one else in these photographs except for this dog.", 'Here are two images that should be scenes from different rooms in the same house. The left photo shows what appears to be the bathroom; it features a bathtub with some flower petals on it, a soft couch, and a towel hanging next to a window above the bathtub. There are also some towels hanging on the wall on the right side, secured with hooks. On the countertop beside the bathtub, there is a mirror. The right side displays what should be the dining area of the living room with a square dining table, surrounded by four chairs. There are some bowls on the table, and a light fixture hanging above it. Beneath the dining table, there is a dog. Overall, the style of this home is very minimalist; the predominant color scheme is based on white tones.', ' This image is a split screen of two homes. One is an image of a bathroom. This bathroom is has a color brown color palette. It has a bath in it with a flower in that and a shower drink to the left. The bath is porcelain but the outside is brown. There is a brown carpet. There is a brown towel on the window. There is a poster of bugs and brown towels and brown stool to the right. In the right side of the image there is a living room with a table and chairs and bowls as well as a black chandelier. There is a zigzag blue rug and a dog on top of that rug. And there is a painting to the left of geometric shapes.\\']
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
The transcription captures a variety of descriptions regarding a series of images, particularly focusing on the details of two specific photographs. In the first part, it is noted that there exists a mixture of languages and perhaps incoherent sounds that do not contribute to a clear interpretation or meaning. The suggestion is made to provide specific parts or phrases that could allow for a more accurate translation or understanding. Moving on to the detailed description of the two photographs, the left photo is identified as depicting what seems to be a bathroom. This bathroom features a strikingly brown color scheme where the interior is white contrasted with a brown exterior. The description highlights various elements, including a bouquet of flowers inside, a mirror at an unconventional angle adjacent to the bathtub, and a shower positioned awkwardly near the faucet. There are towels present, one hanging on a hook and another casually placed next to the bathtub, suggesting an eclectic arrangement. The right photograph contrasts with the bathroom scene by showcasing a living area, centered around a white table accompanied by several white chairs. A white and blue carpet underlines this setting, while a striking black chandelier, which seems ill-suited to the surrounding design, hangs overhead providing illumination. A playful detail is that a white dog is situated beneath the table, adding life to the scene. The overall ambience of the photographs indicates a minimalist design aesthetic, characterized by predominantly white tones that dominate both spaces. Additionally, a more succinct version of the description reiterates that the images are taken from different rooms within the same house. It reaffirms the bathroom includes a bathtub adorned with flower petals and mirrors, whereas the second photograph illustrating a dining area includes various table settings and the presence of the beloved dog resting comfortably on the floor. Lastly, the description encapsulates a split-screen image representing two distinct environments, reiterating the bathroom's brown color palette, porcelain bathtub, and various furnishings, along with an observation of the decorative elements such as geometric paintings in the adjoining living room. This juxtaposition between the brown tones of the bathroom and the minimalist features of the living area draws a vivid contrast in style, making the images more evocative and visually striking.
| 1,746 |
|
native
|
['1mTEhZPWyWgA', '1dt3gamZqEiW', '12oIt84JQR6n']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a photo of an urban road intersection. At the center is a pedestrian crosswalk, and in the distance, there is a greenbelt and a walkway. On the left side, there is a parked truck, and the background features a residential area with tall pine trees. The pedestrian crosswalk has two traffic lights, and there is a truck present. The road markings include yellow dashed lines and white solid lines alongside dashed ones. The greenbelt has many trees, shrubs, and lawns. On the right side, there is a street sign, but the text is not very clear. The top right corner of the sign has a street name logo on a green background, but the text part is small and not easily discernible. The pedestrian crosswalk, located at the center of the image, directs the eye toward the distant green walkway. The traffic lights at the end of the crosswalk show red, indicating that pedestrians need to wait. The truck is parked on the left side, close to the sidewalk, where trees and shrubs are neatly arranged along both sides of the road.', "This photo captures an open road where we can see some lines and dotted markings that guide the way along the concrete path. Ahead, there are green trees and a grassy lawn. In the upper left corner, there's a small house with a red roof, and in front of it is a large truck, specifically a white truck with a canopy. The road is primarily gray, with white dashed lines extending forward. In the distance, the trees and lawn are green, while the truck is white and the house has a red roof with a white body. This image contains no text; there is a road sign far away, but it's too distant to make out any writing, so there aren't any readable words. From this, we can determine that the picture was taken randomly on a road, showcasing a corner of the street with cars and houses.", "At first glance, it feels like there's a car on the road passing by, and there’s no pedestrian crossing; it somewhat resembles a parking lot. In the background, there are trees and also houses. I saw a sign with what seems to be the name of a deer, and there are traffic light signals. A truck is driving on the road; it should have stopped at a red light. The house appears to be two stories tall, but it’s hard to tell exactly where it is. However, it feels like a relatively developed city because the road surface is quite well-maintained, and the crosswalks are very clean, which indicates that the city's environment is quite good. Furthermore, other areas are also quite nice. Traveling in Pennsylvania is great, simply great, simply great, simply great!"]
|
[False, False, False]
|
[nan, nan, nan]
|
This transcription provides a detailed description of three distinct photos capturing scenes of urban and suburban landscapes, featuring roads, intersections, vehicles, and surrounding greenery. The first image illustrates a bustling urban road intersection prominently featuring a pedestrian crosswalk situated at the center of the frame. The crosswalk is equipped with two clearly visible traffic lights signaling red, indicating that pedestrians must pause before crossing. In the distance, a greenbelt is evident, accompanied by a walkway lined with various trees and shrubs, enhancing the green environment. On the left side of the image, a parked truck is present near the sidewalk, adding to the urban atmosphere. The background reveals a residential area characterized by tall pine trees, suggesting a suburban setting. The road itself is marked with both yellow dashed lines and white solid lines, guiding the flow of traffic. On the right side, a street sign is partially visible; although the text is not entirely clear, its presence indicates directional guidance. The overall composition invites the viewer’s eye down the crosswalk toward the distant green pathway, further emphasizing the blend of urban and natural elements in the environment. The second image captures an open road scene, showcasing various road markings comprised of lines and dotted markings to guide vehicles along the gray concrete path. Ahead, a lush display of green trees juxtaposed with a grassy lawn creates a tranquil atmosphere. In the upper left corner of the photo, a charming small house with a striking red roof can be seen, adding a touch of personality to the scene. A large white truck equipped with a canopy is parked in front of this house, creating a sense of everyday life in a residential neighborhood. The image contains no textual elements; however, a road sign is noted in the distance but remains too far away for any legible details. This photograph encapsulates a casual glimpse of a street corner populated with vehicles and residential structures, evoking the calmness of suburban life. In the third description, the viewer's perspective initially suggests the presence of a car traveling along the road, devoid of any visible pedestrian crossings, giving it a somewhat parking lot-like appearance. In the backdrop, there are additional trees and houses that contribute to the visual depth of the scene. A sign mentioning a deer is noted, hinting at wildlife in the vicinity, alongside traffic light signals that guide drivers. A truck is observed driving along the road, which appears to be in violation of a red light. The surrounding house is characterized as being two stories tall, though its precise location remains a bit ambiguous. The overall impression painted by this scene depicts a well-developed city with a meticulously maintained road surface and clean crosswalks, indicating a thriving urban environment. The emphasis on traveling in Pennsylvania is underscored by an enthusiastic repetition of the phrase "simply great," reflecting the speaker's positive sentiments about the region and its well-kept surroundings.
| 485 |
|
native
|
['13Fk0SFuP0l2', '16nAUyna6dF8']
|
['Korean', 'Korean']
|
['The next photo features an actor and singer named Lim Chang-jung. The singer is standing in the middle and looks like what is shown in the picture. He is wearing black training clothes and is striking a pose with his right hand up and his left hand down, bending slightly to one side. There are other people in the picture as well, a total of 11. One person’s face is cut off. Most of them are dressed in distinctive colors: red, orange, sky blue, blue, green, orange, and yellow, among others. Some are wearing sunglasses, while others are sporting hats. At the bottom, there are 386 likes displayed, followed by some text. From what I can guess, it seems to have the feel of a social media post, possibly like something on Instagram. It looks like they just posted something, and the text seems to convey a message of blessing.', 'The image is a screenshot of an old Instagram post. The photo uploaded to Instagram is positioned at the top, and below it are the number of likes and the text that accompanied this image. The text reads: "386 likes. The dance machine appeared with Mr. In. It\'s hard to believe this explosive stage presence belongs to a newcomer in the dance world, which even EXO, BLOCK B, and BTS, who no one could have imagined, have to acknowledge. The essence of a dancer that will make you doubt your eyes will descend upon you." This indicates that the post received 386 likes and praises the dancer in the photo. Everyone in the picture is wearing tracksuits in various colors, including orange, light blue, green, yellow, red, black, and navy.']
|
[True, False]
|
['Famous korean celebrity', nan]
|
The next photo features a prominent figure in the South Korean entertainment industry, Lim Chang-jung, who is both an actor and a singer. He is positioned centrally in the image, dressed in sleek black training attire, which conveys a sporty and professional look. In an engaging pose, Lim raises his right hand while his left hand is positioned downwards, and he appears to bend slightly to one side, showcasing a dynamic and confident stance. Surrounding him are a total of 11 individuals, though the face of one person is partially obscured in the frame. The other participants are dressed in a vibrant array of colors that include red, orange, sky blue, green, and yellow, contributing to a lively and cheerful atmosphere. Accessories such as sunglasses and hats are worn by some of the attendees, hinting at a casual yet stylish ambiance. At the bottom of the image, the post indicates a total of 386 likes, suggesting a positive reception on what appears to be a social media platform, likely Instagram, as inferred from the format of the text and layout. The accompanying text reflects a celebratory sentiment, reading: "386 likes. The dance machine appeared with Mr. In. It's hard to believe this explosive stage presence belongs to a newcomer in the dance world, which even EXO, BLOCK B, and BTS, who no one could have imagined, have to acknowledge." This statement not only highlights Lim Chang-jung's involvement but also emphasizes the impressive abilities of a dancer featured in the image, suggesting that their skill level has garnered recognition from some of the biggest names in K-pop, like EXO, BLOCK B, and BTS. Such praise elevates the dancer's status and suggests a strong potential for success in the competitive dance scene. The eclectic mix of tracksuits worn by the group members—including shades of orange, light blue, green, yellow, red, black, and navy—creates a visually appealing contrast that enhances the energetic vibe of the image, symbolizing the unity and diversity within the performance ensemble. Overall, the image captures a moment that conveys both celebratory teamwork and individual talent within the vibrant context of South Korean pop culture, which is known for its rigorous dance performances and visually captivating artistic expressions.
| 2,934 |
|
native
|
['11SwjGZFZYgU']
|
['Chinese']
|
['This feels like a female celebrity who has won an award, specifically for a popular music original creation. This music event was likely sponsored by Sprite, and she probably received two awards. The background is green, and she is also wearing a green outfit. Most likely, this is a photo capturing the moment of her winning the award. The woman has short hair and a slightly round face. Overall, there is lighting, and you can see some light coming from the upper right corner. The overall style seems to be PERS. We always say a little about it. Earlier, I was recognized in a selection method that can lead us there. In the end, it is something that can be achieved, and we all come together in a way that is good for everyone.']
|
[False]
|
[nan]
|
This caption depicts a moment captured at an awards ceremony, likely for music, where a female celebrity is celebrating her achievement of winning an award for a popular original music composition. The event appears to be sponsored by Sprite, a well-known beverage brand, suggesting a lively atmosphere aligned with music and entertainment. The female award recipient is noted to have short hair and a slightly round face, which adds to her distinctive appearance in this context. The background of the scene is predominantly green, which might be a thematic color related to the event or potentially an alignment with the Sprite brand, often associated with freshness and vitality. The woman is dressed in a green outfit that complements the background, possibly creating a unified aesthetic that enhances her presence in the image. Photographic lighting plays an essential role in the composition, with light emanating from the upper right corner, creating a dynamic effect that likely highlights the award ceremony's celebratory mood. The style indicated, described as "PERS," could refer to a particular visual approach, such as perspective, emphasizing the emotional impact of the moment. In closing, the narrative touches on a broader notion of recognition and community accomplishment, suggesting that the event was not just a personal achievement for her, but an inspiring moment for everyone involved, highlighting the idea of collective success and unity in the industry.
| 2,492 |
|
nonnative
|
['152ZWQoiAAFu']
|
['English']
|
[" This is a photo of two women with the arm of a man to their left cut off. The woman in the center is wearing a black dress with a white pearl necklace and a red name tag. It looks like she's holding an award and posing with the award. To her right in the photo is another woman who's taller. She's wearing a white dress, also holding an award with a name tag. The name tags are in red and have Asian characters on them. It seems like this would be at an award show where the two winners at the award show are posing for a photo. It seems like there's maybe a stream of people on either side that would be in a row posing for photos like almost a red carpet event. That is also an award show where the parloriorate collaboration starts fromестja.jibrams.jibrams.com. Share your time at the conference and share your conversations with two women with lyrics. Okay. Okay. Whatever you want to do to hear about that it Libra one is a virtual assemblyman event. Let's hear the event. If you want to hearnaires. All right. Look how did you remember that they will go so far off? Look at the list of food type design event now. At the same rate, bear in its own lab. So let's not forget the event. If you want to do the event, let's see if you come here. Let's be as easy as 속 ver if we're doing that one of don't wait. Let's see if you can come here even. All right."]
|
[True]
|
['Asian award show']
|
This is a photo depicting two women who are both prominently featured, with the arm of a man positioned to their left unexpectedly cut off from the frame. The woman in the center is dressed elegantly in a black dress complemented by a tasteful white pearl necklace. She sports a red name tag, suggesting that she holds a significant role or recognition at the event. In her hands, it appears that she is proudly holding an award, striking a pose that conveys both joy and pride in her achievement. To her right stands another woman, noticeably taller than the first. This woman is dressed in a striking white dress and is also holding an award, indicating that she too has received commendation at this event. Her name tag complements the others, featuring red text with Asian characters, which implies a cultural or regional significance to the awards being presented. The setting appears to be an award show, where both women are celebrating their accomplishments. The ambiance suggests a glamorous event, reminiscent of a red carpet affair, where a stream of people likely fills the surrounding area. They are possibly engaging in a similar posing routine for photographs, typical of such celebratory occasions. The image hints at a professional gathering, likely related to achievements in fields that resonate within the Asian community. The inclusion of Asian characters on the name tags indicates that this is indeed an Asian award show, highlighting the recognition of individuals in various sectors, from arts to sciences, that underscore achievements and contributions from members of the Asian community. As the caption transitions away from the immediate description of the award show, it introduces elements relating to a virtual assembly event, likely implying another layer of recognition or participation that is spreading the community’s engagement further into the digital realm. This virtual aspect might allow for broader conversations and sharing of experiences among attendees, promoting networking and collaboration beyond the physical event itself. There is mention of sharing time at a conference and conversations that tie back to the initial image, suggesting a continuous engagement in professional dialogues surrounding achievements and experiences among the attendees. The additional remarks about food types and event participation reflect the lively atmosphere of gatherings like this, where mingling over shared interests such as cuisine or collaboration in professional fields further enhances the sense of community. The mention of "events" and an invitation implied in the text encourages participation and opens up possibilities for interaction, embodying the essence of what award shows and conferences aim to achieve—celebration, networking, and mutual support within the community.
| 2,259 |
|
native
|
['19E5daQvagIo']
|
['Korean']
|
['The image appears to be a political gathering. There seem to be about 12 people present, and there is no specific text. In the image, people are seated around a table having a meeting. On the right side, there are two reporters taking pictures with cameras. President Park Geun-hye is sitting on the far left and is speaking. There are various colors present; President Park is wearing green clothing, while the others are dressed in black outfits. The chairs are white, and other furniture, such as tables, appear to be brown.']
|
[False]
|
[nan]
|
The image captured depicts a political gathering involving approximately twelve individuals. The setting features a round table arrangement where attendees are seated, engaging in discussions, likely pertaining to political matters. Notably, on the right side of the composition, there are two reporters actively documenting the event with their cameras, indicative of the media's presence and interest in the proceedings. Central to this assembly is President Park Geun-hye, who is positioned on the far left side of the table. She is actively speaking, suggesting that she is either addressing the group or providing insights on a relevant topic. Her attire, a vibrant green clothing ensemble, stands out against the predominantly black outfits worn by the other participants, which may symbolize her role or position within the political context of the meeting. The chairs used by the attendees are white, contributing to a clean and modern aesthetic in the environment, while the tables appear to be constructed of brown material, possibly wood, adding a touch of warmth and tradition to the atmosphere. Overall, the image captures a moment of political discourse, marked by the presence of media scrutiny and the distinctive representation of its key figure, President Park Geun-hye.
| 2,966 |
|
native
|
['1mhseI75Y25Y']
|
['Japanese']
|
["In the photo, you can see hina dolls arranged on a tiered display with red felt laid out. On the top tier, there are a male and female doll seated, and behind them is a gold folding screen. From the next tier down, there are three court ladies, five musicians, and other dolls arranged, and on the lower tiers, accessories like stacked boxes and a small chest are displayed. In front of the tiers, there seems to be something resembling a treasure sword, and it appears that words related to hina dolls are written on it, but the details are not clearly readable. The dolls are adorned in colorful kimonos, with vibrant hues like blue and orange that catch the eye. Surrounding the display is a red rope, suggesting it is protected as an exhibition item. In the background, there is a white wall and a wooden shelf lined with books, indicating that this might be in a library or a public facility. The floor is tiled with light-colored marble-like tiles, and the lighting is bright, giving an overall sense of cleanliness. Hina dolls are traditionally displayed during the Hinamatsuri festival, which symbolizes the wish for girls' healthy growth. From this photo, it can be inferred that a magnificent hina display has been prepared for the season's event to be seen by visitors. The luxurious costumes and fine accessories reflect the techniques and aesthetic values of traditional Japanese crafts. Thank you for watching."]
|
[False]
|
[nan]
|
In the photograph, an exquisite display of hina dolls is prominently arranged on a multi-tiered structure, with a vivid red felt backdrop enhancing the visual appeal of the setup. At the very top tier, you can see the male and female hina dolls, commonly known as the Emperor and Empress, seated regally. Behind them, a beautifully crafted gold folding screen provides a stunning contrast and adds to the opulence of the arrangement. Descending to the second tier, there are three court ladies, known as san-nin kanjo, elegantly positioned alongside five musicians, who represent the joyful atmosphere during the Hinamatsuri festival. Each doll is meticulously dressed in colorful kimonos, featuring vibrant colors like deep blues and bright oranges that stand out prominently against the red backdrop. This vibrant display captures the traditional elegance that is characteristic of hina dolls. On the lower tiers, various accessories accompany the dolls, including stacked ornamental boxes known as hina-makizu and a small chest, which showcase the intricate craftsmanship involved. In front of the tiered display, there appears to be a decorative item resembling a treasure sword, possibly symbolizing protection and good fortune, although the inscriptions on it are not clearly legible. Surrounding the entire display is a red rope, signifying that this arrangement is likely designated as a protected exhibition piece, highlighting its importance and cultural significance. In the background, a minimalistic white wall and a wooden shelf filled with books suggest that this exhibition might be set within a library or another public facility, creating an intellectually stimulating environment. The floor beneath the display features light-colored tiles that simulate the appearance of marble, contributing to an overall aesthetic of sophistication and cleanliness in the space. Bright lighting enhances the features of the display, ensuring that the elegance and intricate details of the hina dolls and their accessories are fully appreciated. Hina dolls are traditionally displayed during the Hinamatsuri festival, also known as Doll's Day or Girls' Day, which takes place on the 3rd of March each year. This festival is celebrated in Japan to express the wish for the healthy growth and happiness of girls. The carefully curated display reflects the high-quality craftsmanship and aesthetic principles inherent in traditional Japanese art forms, revealing a rich cultural heritage. The photo captures the essence of this seasonal event, inviting viewers to admire the magnificent hina doll arrangement prepared for public enjoyment. Thank you for watching.
| 938 |
|
native
|
['1ipzMRNaAXA5']
|
['Chinese']
|
['In this picture, there are four people, but actually, it features two people, a man and a woman, with two additional heads of a man and a woman inserted between them. On the left side, the girl is wearing a pink, sheer, sleeveless gown with brown hair styled half up and the rest falling over her shoulders. She has a cheerful smile and her hands are crossed in front of her, holding a microphone. On the right side, the man appears to be bald and is wearing a brown hat. He has black round-framed sunglasses and a beard, dressed in a black fluffy coat with a gray fluffy underlayer, and noticeably holding a trophy with a treble clef on it, indicating it\'s a music award. In the upper middle section of the image, two people are framed within a black circular border; the man\'s hair is slicked back and he is holding a microphone, while the girl below him is Song Zuer, her hair is also brown and styled up, and she is speaking into a microphone as well. The dialogue seems to imply, "Do you want to be you? You called me here just like that, and now you\'re talking about a falling microphone with an essence like water."']
|
[False]
|
[nan]
|
In this captivating picture, there are a total of four individuals represented, although the composition ultimately features two primary persons, a man and a woman, with two additional heads seamlessly inserted between them, enhancing the creativity of the arrangement. On the left side of the image stands a young woman, elegantly attired in a pink sheer sleeveless gown that gently drapes her figure, showcasing her sophisticated style. Her brown hair is styled in an appealing half-updo, allowing the remaining locks to cascade gracefully over her shoulders. The woman’s expression radiates joy as she flashes a cheerful smile, making her presence inviting. With one hand relaxed at her side and the other cradling a microphone in front of her, she appears fully engaged and enthusiastic, possibly in the midst of delivering a performance or a speech. To the right side, there is a man who presents a contrasting style. He is bald and wears a tasteful brown hat that complements his rugged appearance. His fashion choice includes a black fluffy coat with a gray fluffy underlayer, which adds texture and warmth to his look. Notably, the man sports black round-framed sunglasses that lend him an air of mystery. A prominent feature of this man is the trophy he holds, adorned with a treble clef emblem, indicating that it is a music award, celebrating achievements in the music industry. In the upper middle section of the photograph, two additional figures are artfully framed within a striking black circular border. The first is a man whose hair is slicked back, presenting a polished appearance. He is also holding a microphone, further implying an involvement in performance or commentary. Just below him, the young woman is revealed to be Song Zuer, a notable figure in the music scene. Her hair mirrors the previous woman's shade of brown, and she has similarly styled her hair, giving it an elegant lift and flair. Song Zuer is actively speaking into her microphone, suggesting she is possibly addressing an audience or engaging in a meaningful conversation. The dialogue suggested in this visual scene conveys an intriguing interaction: "Do you want to be you? You called me here just like that, and now you're talking about a falling microphone with an essence like water." This line hints at a deeper exploration of identity and the relationship between the people depicted, emphasizing themes of aspiration and the fluid nature of expression in the arts. The reference to a "falling microphone with an essence like water" could symbolize a connection between the fragility of performance and the fluidity of creativity, inviting viewers to reflect on the nuances of self-presentation and artistic expression.
| 2,276 |
|
nonnative
|
['19ghgD1vOxqN']
|
['English']
|
[" This looks to be two images that have been joined together. One is of a display case that is glass with glass shelves and a glass window. And then there are three shelves with little trinkets on each. The top has a red dog that looks like it could be a bulldog that is the main or biggest figuring. And then there looks to be two little soldiers and then maybe a plate. And then the second shelf has two clocks with handles that are in a block that's like metallic. And then to the left are other trinkets. And then the bottom has more figurines. And then the right picture that is joined with this is a close-up of one of the trinkets. And it's a man who is holding a body length weapon with what looks like an axe head on it. And he is dressed in red robes and red pants with black shoes and a black hat with a ribbon of white, blue, and red stripes. And then he has a gray beard and white gloves on."]
|
[False]
|
[nan]
|
The caption provides a detailed description of two images that have been merged into a single presentation. The first image depicts a display case that is composed entirely of glass, featuring glass shelves and a glass front window. Inside this case, there are several shelves showcasing a variety of small trinkets. The top shelf features a prominent ceramic or decorative figurine of a red dog, which closely resembles a bulldog; this dog stands out as the largest and most significant item on the shelf. Accompanying the dog are two smaller soldier figurines and possibly a decorative plate. On the second shelf, there are two clocks, which are characterized by handles and encased in a material that has a metallic appearance, suggesting a vintage or ornate style. To the left of these clocks are additional trinkets, although the specific details of those items are not elaborated upon. The bottom shelf contains a collection of more figurines, although specifics are not provided in the description. The second image, which is closely associated with the first, is a close-up photograph of one of the trinkets showcased. This trinket represents a male figure who is depicted holding a weapon that extends the length of his body, featuring an axe head at one end. He is attired in striking red robes and matching red pants, complemented by black shoes. On his head, he wears a black hat adorned with a decorative ribbon featuring a pattern of white, blue, and red stripes, which may be indicative of cultural significance, possibly representing a national identity or heritage. His appearance is further characterized by a gray beard and white gloves, adding to his distinguished look.
| 2,432 |
|
nonnative
|
['18B3AzKr2Rh8', '1iTszLbzdaIH', '1np8LNScXhKk']
|
['English', 'English', 'English']
|
[" It looks like it's pictures of school and looks like a bunch of students are walking from outside of school into the school. It goes in the background for residential buildings and then it hides a wall. It seems like it's a fence and stuff like that. It looks like it's inside the school campus. And there's a lot of teenage girls walking in the pictures. They're all wearing uniforms, but some are taller, some are shorter. So it could be an elementary school or maybe middle school. Not quite sure. There's no text in the pictures. All the students, the students also wear backpacks. Some are having a walkie talkie or some maybe iPod to listen to the music. It looks like it's, I cannot really tell what culture it is because the crows are just modern crows, modern school uniforms. And actually, no, actually, wait a minute. There's some words on the wall in the behind, but it's too far away to read what kind of language it is. So what happens if the system is moving to us? When we're pointing out tap the high Ellicic State very briefly herself, we see that land itself except the thirdurfing state as well and must have seen in ground stations. So what infrastructure do we do see that land is set to be 50% more? The land itself does soil surgery dramatically, so we have two detectives on that level just to beraitic18, it lookin'атов, it's 2.", " Seems to be of several students walking towards somewhere. They're conversing. I say they're students because we can infer that from the uniforms that they're wearing. They're wearing some jacket or sweater over a skirt and a shirt. Some of them seem to be wearing these red and blue ties as well. They also all have the same style of shoe and long black socks that almost go up to their knees or just under their knees. Behind them, we can see a poster in the background. And the poster has some trees and some writing on it. I believe the writing is in Spanish, which should help infer the location of this school. And behind that, we can see houses and a billboard as well. So perhaps these students are walking around a school campus or near the school campus. We can also see the gate that is gray that surrounds them as well. I would say that there's almost 15 to 20 students in this picture. There's only one person that seems to not be a student in the very corner of the picture. The rest of them seem to be girls with the same uniform. A lot of them carrying backpacks. They've also got a high-five sheet of cái citrus. That's what it tells you to be a kid to see. I would say a little better time so that we can see l NOT sing towards the clouds.", " The picture shows a scene with a lot of school children. They're all girls. There are more than 10 of them. There are no text in the photo. The position of the objects, it looks like the children are on a concrete walking path. Now, behind the children in the background, it looks like a mural that's pretty bright. The mural shows trees and mountains and has some English letters. All the school girls are wearing the same uniform. Style and color. Style could be American, could be Europe, could be Asia. Hard to tell. It looks like the school girls can be of multiple races. Color. Some of them have brown hair. Some of them have black hair. Not enough contextual information to understand the location of it. But from the picture, it looks like the school children are walking away from the background with the mural. So maybe they're leaving school, walking away from school. But they could also walk towards the school. So they're not going to be walking away from the wall. They're not going to be walking away from the wall. But they could also walk towards the school."]
|
[False, False, False]
|
[nan, nan, nan]
|
The first scene depicts several students, primarily teenage girls, making their way from outside of a school into the building itself. The surrounding area is characterized by residential structures in the background, along with a boundary wall that appears to be a fence, indicating that the scene takes place within the school campus. The students are attired in uniforms, although there is a noticeable variation in height among them, suggesting that they may be from an elementary or possibly middle school setting; however, the exact grade level is difficult to ascertain. The imagery does not include any text, making the cultural context less clear. Notably, the students are equipped with backpacks, and some are observed using walkie-talkies or iPods, indicative of a more contemporary school environment. There are distant letters visible on a wall in the background, but they are too far away to accurately determine the language or the message being conveyed. The description transitions to a discussion that appears confused and fragmented, touching on topics like state infrastructure and land usage, which does not seem directly related to the visual description of the students and their environment, rendering that portion somewhat ambiguous. The subsequent imagery captures a group of students, likely engaged in conversation as they walk towards a destination. Their uniforms consist of jackets or sweaters worn over skirts and collared shirts, with some students adorned in red and blue ties. They all share a uniform style of shoes and knee-high black socks. In the background, there is a poster that features trees and writing, which is believed to be in Spanish, providing a clue regarding the possible geographical location of the school. The backdrop also includes residential houses and a billboard, reinforcing the idea that the students are in proximity to their school campus. Approximately 15 to 20 students are portrayed, with only one individual appearing to be outside the student demographic. Most are girls dressed in identical uniforms, many of whom carry backpacks, contributing to the bustling school environment. The description also mentions a "high-five sheet of cái citrus," though the meaning of this phrase is unclear and may imply something specific within the school culture or environment. The final depiction emphasizes a scene filled with schoolchildren, all of whom are girls, numbering more than ten. There is an absence of text within the image. They are situated on a concrete walkway, with a vibrant mural in the background that illustrates trees and mountains, complete with some English letters. The uniform style and color worn by the school girls could suggest influences from American, European, or Asian cultures, making it challenging to determine specific regional characteristics. The students appear diverse in their racial backgrounds, with variations in hair color, including both brown and black. While there is insufficient contextual information to pinpoint the exact location, the girls seem to be either departing from or approaching the mural as they navigate their surroundings. The description emphasizes that they are situated close to this artwork, suggesting that they could be leaving or entering the school premises.
| 1,278 |
|
nonnative
|
['1mtaVmbsUCAW', '1eCSPQoUuf3A']
|
['English', 'Chinese']
|
[" There's an image of a lion and the lion is looking straight at the camera and they have some clawed paws and the lion is blackish with a brighter orange mane. The lion is looking right at the camera and the ears are fuzzy. You can see the more blackish body behind them. The paws are a more whitish color with black claws and it's standing on a road that's a dirt path. Then there's green leaves behind the lion and the lion has one paw in front of the other so it looks like the lion is walking. And the path, like beyond the path is some green tree, some grass that looks pretty tall.", 'This image is a vertical picture featuring a lion in the center. The lion has a medium build and its mane is a vibrant yellow that transitions to a brown color. Its claws appear to be somewhat white. The lion is walking on a pathway made of stones, suggesting it might be in a park, as the path seems to be paved by humans, rather than in a natural forest setting. Behind the lion, there are green plants, indicating it could be in a corner of a park. The lighting in the image is limited, creating a specific atmosphere. We are also providing a cold loading effect, and there’s some friction present in the depiction, which will segment the visual elements. As we send this image, we hope to convey a sense of tranquility.']
|
[False, False]
|
[nan, nan]
|
In the first description, the image features a striking lion that is staring directly at the camera. The lion exhibits a unique color scheme, characterized by a predominantly blackish body contrasted by a bright orange mane that adds vibrancy to the scene. The lion's furry ears are particularly noticeable. Its powerful paws, which have a whitish hue adorned with prominent black claws, emphasize its predatory nature. The lion is positioned on a dirt path, suggesting a natural setting, while its posture indicates movement, as it places one paw in front of the other, giving the impression that it is walking. Surrounding the lion are lush green leaves that enhance the wild atmosphere, and the backdrop showcases tall grass and green trees that contribute to the overall natural scenery. The second description presents a vertical image that places a lion prominently in the center. This lion displays a medium build, with a mane showcasing a vibrant yellow that gradually transitions into a rich brown, highlighting its regal appearance. Its claws, like in the previous description, appear to be somewhat white, emphasizing their sharpness. Unlike the dirt path of the first image, this lion is walking on a stone pathway, indicating a more cultivated environment, likely within a park where human intervention has paved the path. The background features green plants that suggest this section of the park is well-maintained. The overall lighting in this image is somewhat limited, creating a specific atmospheric quality that may evoke feelings of serenity or contemplation. There is also a mention of a cold loading effect and some friction within the visual representation, which may refer to artistic techniques used in the image to segment visual elements, further enhancing the tranquil message intended by the depiction.
| 886 |
|
nonnative
|
['1eYlIhdBBF7s']
|
['English']
|
[" Take a picture of two celebrities that, two celebrities or perhaps panelists or MCs. They both have mics in their hands. One of them is wearing a blue dress that is sleeveless, that has a black and white pattern on it and has buttons down the front. The other is wearing a black suit with a black shirt under it. They're both holding mics. One of them is holding the mic in their right hand or in their left hand, but we perceive it as right hand. They're looking at the other person who's holding the mic in both hands. In the background, we can see some sort of brown building. The background is a bit blurry, so it's hard to tell. Based on the picture, since they're holding mics, we can infer that the background is some sort of stage background. They're performing or announcing in front of it. In the picture, they're both not speaking with the mic. They're both smiling. One of them is looking to the side. The other one is looking down. So there are two people in this picture, and it seems to be of a professional style and of high quality. And so there is definitely a way of practicing. There are two people in this picture that are Caribricji. The other one is looking down at a book called a need. But she's Realm for a Dare note and she is American for the cloakroom. The other is looking up at the third time. So that is looking for some studs at the場. It was just like a search for a channel. So applying for inaccessible ändини aspersendo unknown and when you're just filled with masks, and Paul took a bit of a picture, so they were purifying their塔 on screen. So we've missed our掌Ehime, and we do a call and a picture of this picture, the description of the below. All of them are looking through. So there's not coming up alrighty. So there what you can see here."]
|
[False]
|
[nan]
|
The image features two individuals, most likely celebrities, panelists, or masters of ceremonies (MCs), both prominently holding microphones. The first individual is donned in an elegant sleeveless blue dress, characterized by a distinctive black and white pattern. The dress includes a series of buttons that line the front, adding a touch of sophistication to the outfit. The second individual is sharply dressed in a black suit, paired with a matching black shirt underneath, exuding a polished and formal appearance. In this particular moment captured in the photograph, one of the individuals is perceived to be holding the microphone in what appears to be their right hand, while the other individual grips the microphone firmly with both hands. They are engaged in a lively interaction, with one individual casting their gaze towards the other, who is looking downward, suggesting a moment of connection or anticipation. Both individuals are wearing smiles that convey a sense of pleasure or enjoyment, enhancing the positive energy of the scene. The background of the image includes a somewhat indistinct brown building that is slightly blurred, indicative of a setting that is likely a stage or formal event environment. The blurriness suggests that the focus is on the two individuals, drawing attention away from the background details. Given that they are both holding microphones, it is reasonable to infer that the context involves a performance or an announcement, further implied by their attire and the professional quality of the photograph. Despite not actively speaking into their microphones at the moment, their posture and expressions reflect a dynamic situation. The person in the blue dress is also shown to be engaged with a book titled "A Need," indicating that there may be additional context or material to discuss which could relate to their presentation or performance. The manner in which they are poised and interacting suggests preparation and readiness, emphasizing the professional nature of their roles. Overall, this image encapsulates a moment of poised interaction between the two individuals, reflecting both their professional dedication and the engaging atmosphere of the event they are partaking in.
| 1,041 |
|
nonnative
|
['1hmrrRQSXlYc', '15BSzsZkvrQH']
|
['Telugu', 'Chinese']
|
['In this scene, four people are enjoying themselves on a bench. One is taking a picture with a cellphone, another is dancing, and another is sitting and looking at all the snacks. It seems like a lively atmosphere with a big table in the middle where drinks like soda can be seen. There are also some people having a good time around.', 'In this photo, three men are eating at a dining table. From the picture, we can sense that there are at least four people of a higher status. The table is round, covered with a white tablecloth, and adorned with some food and drinks in glass cups. The man on the left is looking at his phone, wearing a watch or jewelry, and dressed in a checkered shirt. The man in the middle is wearing a black short-sleeved polo shirt and has a smile on his face. The man on the right is looking at the food on the table, dressed in a light-colored long-sleeved T-shirt. The background depicts an indoor restaurant, and the overall tone is a darker shade of purple, making the walls appear a deep maroon color. There is one person not visible in the frame, but their right hand is showing as they reach for something on the dining table.']
|
[False, False]
|
[nan, nan]
|
In this scene, four individuals are captured enjoying a moment together on a bench. One person is actively taking a photograph with a cellphone, likely capturing the joyful essence of the gathering. Another individual is caught in a dance, showing off their enthusiasm and contributing to the lively atmosphere that surrounds them. A third person is seated on the bench, attentively gazing at a variety of snacks laid out on the big table positioned centrally in the scene. This table is filled with various refreshments, notably including sodas, creating a festive environment. The mood is characterized by a sense of camaraderie and enjoyment, as people in the vicinity are also engaged in their own celebratory activities, further enhancing the overall vibrancy of the moment. In the subsequent photo, three men are depicted at a dining table, suggesting an intimate dining experience. The round table is elegantly covered with a pristine white tablecloth, which contrasts beautifully with the array of food and drinks served in glass cups. The man positioned on the left is absorbed in his phone, indicating a blend of social engagement and personal connectivity, while his attire—a checkered shirt complemented by a watch or piece of jewelry—hints at a level of sophistication. The man at the center has a warm smile, dressed in a black short-sleeved polo shirt, embodying a friendly and approachable demeanor. The individual on the right appears to be focusing on the food presented before them. His attire consists of a light-colored long-sleeved T-shirt, suggesting a casual yet refined style. The background illustrates an indoor restaurant setting with walls featuring a deeper purple tone, which creates an atmosphere reminiscent of rich maroon hues, setting an elegant and cozy vibe for the dining experience. In this frame, there is a suggestion of a fourth person whose right hand is visible, reaching toward the table in an active gesture, adding to the dynamic nature of the gathering.
| 1,949 |
|
native
|
['15xw3QTunWKn', '1hqAeqQ3KggU', '1nL4iLELv1VQ']
|
['Chinese', 'Chinese', 'Chinese']
|
['Isn\'t this the "Along the River During the Qingming Festival"? Yes, it must be the "Along the River During the Qingming Festival," which is definitely a part of Chinese culture. It also features bright lights, suggesting it might be displayed as a photo on a large screen. The lights are quite special. I noticed there are people walking nearby, indicating that this effect could be derived from the large screen display and showcases a part of Chinese culture. It gives a rather tranquil feeling; perhaps at night, tourists pass by and take selfies, which turn out to be especially symmetrical and beautiful. Let\'s check the information panel to see if there\'s anything else.', 'This image is of a black strip; it seems to be set in an ancient background that is entirely black. In this image, there are bridges, people, mountains, and water. There are also trees, and it mainly features a black background, with only a small area where the scenery is slightly illuminated. So it can be considered as something legal and permissible.', "This is a picture that looks like a painting, and in the center of this image, the artwork appears to be in black and white with a slight bluish tone. The entire background is particularly dark, and this painting seems to depict a group of figures, although it's unclear who each person is; only a crowd can be seen. It resembles Chinese ink wash painting, with a bit of a Song Dynasty feel. Additionally, you can see a river, a bridge, and some vendors selling goods in the painting."]
|
[True, False, True]
|
["It's a famous Chinese painiting.", nan, 'Chinese painting']
|
Isn't this the "Along the River During the Qingming Festival"? Yes, it must be the "Along the River During the Qingming Festival," which is definitely a significant piece of Chinese culture. This artwork features vibrant colors and bright lights, indicating that it might be displayed as a photograph on a large screen. The lights are particularly notable, enhancing the visual appeal. I noticed that there are people walking nearby, which suggests that this vibrant lighting effect could be a result of the large screen display, creating an inviting atmosphere that showcases a prominent aspect of Chinese culture. It evokes a tranquil feeling; especially at night, when tourists stroll by and capture selfies, resulting in stunningly symmetrical and beautiful images. Let’s check the information panel to see if there are any additional details about this artwork. This image presents a black strip set against a completely dark ancient background. The artwork includes elements such as bridges, people, mountains, and water, alongside trees. The predominant feature is the black backdrop, with only a small section where the scenery is faintly illuminated. This could imply that the artwork adheres to specific artistic standards that are considered acceptable and permissible within the realm of traditional Chinese artistic expression. This picture resembles a painting, with its central focus displayed in black and white, accented by a subtle bluish tone. The background is distinctly dark, and the artwork appears to illustrate a collective of figures. However, the identities of the individuals remain ambiguous; the composition merely presents an impression of a crowd. The style is reminiscent of traditional Chinese ink wash painting, evoking a sense of the Song Dynasty period. Additionally, one can observe a river, a bridge, and various vendors engaging in commerce within the scene depicted in the painting.
| 355 |
|
native
|
['1lzA7Mrnfmjc']
|
['Tamil']
|
['Many girls have come to play kabaddi. There are some from North India; one person came in thinking he would play kabaddi, and next to him, I think his name is Maithi. A few girls came to play kabaddi, and in front of them, they were playing kabaddi. Everyone else is wearing different clothes; they are only wearing shorts. They were just wearing shorts while playing kabaddi. One of the players came in front of them, and they all were playing kabaddi. Everyone else was dressed differently, but they were only wearing shorts and had something on their legs, but it’s unclear what that is. They are playing kabaddi, and many people are watching from behind. There are a lot of girls; many are watching closely. Everyone is wearing shorts, and it looks like North India. They are all watching with their hands clasped, very attentively. Some others seem to be cheering. One person, Ambaier, is very close, wearing a shirt while watching. They are paying good attention to the kabaddi game. The kabaddi being played is good, but the ground is a little bit scattered. They are playing kabaddi well, and when they play, the ground gets a bit messy. They are playing kabaddi nicely, and the game is entertaining to watch.']
|
[True]
|
['Kabbadi is a sport played in India']
|
Many girls have come together to participate in a game of kabaddi, a traditional Indian sport known for its intense physicality and team dynamics. Among these participants are individuals hailing from North India. One person, whose name appears to be Maithi, arrived with the intention of playing kabaddi. As they engage in the game, there are notable differences in attire. While the majority of players are wearing shorts, some may be wearing additional leg coverings, though it is not entirely clear what those are. The atmosphere is vibrant, with a substantial audience observing the match. Many girls are closely watching the game, their hands clasped in anticipation and focus, indicating their keen interest. The sense of camaraderie and excitement is palpable, as some spectators can be seen cheering enthusiastically for the players on the field. Among them is a figure named Ambaier, who is positioned quite close to the action and is notably dressed in a shirt while intently watching the match. The game of kabaddi unfolds with energy, although the playing surface appears somewhat disordered, as the physical nature of the sport tends to scatter the ground during gameplay. Despite the messiness, the players demonstrate commendable skill and teamwork, making the kabaddi match an engaging spectacle for all in attendance. The performance of the players and the overall atmosphere of the event contribute to a captivating sports experience, reflective of the rich cultural heritage of kabaddi in India.
| 1,402 |
|
nonnative
|
['1lCiBJCoVRFj', '15IhL8tBoqWS', '1lo6Lt0g4LuA']
|
['English', 'English', 'English']
|
[" The image appears to be of some rice that is in a triangular shape. The rice appears to have been steamed. The rice is in the center of the photo and it is of a yellowish color. There is also some red sauce coming from the center of the rice. The rice is sitting on top of an open banana leaf. The leaf is of a dark brown green color. There is another banana leaf that is tied closed in the background, so I can infer that the rice was most likely steamed inside of the leaf. Both of these are sitting on top of a blue and white plate. The blue and white plate has a geometric wave-like pattern on it. It also has a white center. Behind the plate towards the top of the image, I can see a dark blue and white checkered pattern. I can infer that this is most likely a tablecloth of some sorts. Thank you. I'll happily see you next pause at the next video. As you can see, feel free to un데 to add that the image checkered pattern. If that happens, please click on the right additional message. Please click on the right to move your hand cooler and read it along. In this video there is so much information for sharing it. We can refer it to this video and look for getting rich in theChris climate. So we'll stop the color of the sciences. And then it is going to be a different topic. Like this video page here on top of the yellowspūnum Ele gathering,", " The image appears to be of a rice dish with some red beans in a triangular tetrahedron shape. The rice is mainly whitish-yellowish, and the red beans are red, and they're slightly smushed or leaking, you could say. And they are sitting in a big leaf that they might be about to be wrapped in. There's another of these supposedly in the background right beside it that's already completely wrapped with string. They appear to be on a plate with blue patterns. And the plate appears to be on a table with a patterned tablecloth. And it's a photorealistic image, and there's no text.", " So this photo shows like it's a more like a traditional Chinese dish. So we can see first the table there's a cover on the table with black and white like squares. It's not very clear to see. And then there's a like a plate in the middle. So on the table, it's a traditional Chinese dish, which has a shielding of a plant and it consists of rice and some fillings from what I can see very likely is a bean paste, which is the paste of red beans. It's a sweetie. And we can see the name of it is called Zongzi Z-O-N-G-Z-I. And there are two of them on the plate. One is open, one is not open yet."]
|
[False, True, True]
|
[nan, 'Yes, because of the food.', 'Chinese']
|
The image showcases a traditional Chinese dish known as Zongzi, which consists of glutinous rice and fillings wrapped in bamboo leaves. The rice is presented in a triangular, tetrahedron shape with a yellowish tone, indicating it has been steamed. The dish is garnished with reddish beans that are observed as slightly smushed, suggesting they may be leaking. This striking combination of colors—whitish-yellow rice with red beans—highlights the dish's visual appeal. The Zongzi is sitting atop a significant banana leaf, which is dark brownish-green and adds a rustic element to the presentation. In the background, another banana leaf can be seen, tied closed with string, which implies that the rice could have been steamed within this leaf—typical of Zongzi preparation, where the wrapping is essential for imparting flavor during cooking. All of this is placed on an intricately designed blue-and-white plate that features a geometric wave-like pattern. The plate, with its white center, enhances the presentation, drawing attention to the vivid colors of the food. Additionally, behind the plate lies a checkered tablecloth, combining dark blue and white, contributing to the overall aesthetic of the setting. The composition of the image creates a photorealistic representation of the dish, devoid of any text, allowing the viewer to fully appreciate the artistry and tradition behind the presentation. The reference to a traditional Chinese dish is underscored by its cultural significance, particularly during festivals or special occasions when Zongzi is commonly enjoyed. This particular dish demonstrates the intricate culinary practices and communal experiences associated with Chinese cuisine. Overall, the visual narrative celebrated in this image not only captivates the eye but also evokes a sense of cultural identity. Thank you for your attention, and I look forward to sharing more information in the next video.
| 270 |
|
nonnative
|
['1e39c9LM0g7D', '19QWiuH7vnr8', '1mQLQhSaUCOg', '15pr1nFI2Kpz', '1o6titcJmahg', '16xRe9VUuUyd']
|
['English', 'English', 'English', 'Chinese', 'Chinese', 'Chinese']
|
[" So this is an interesting image. It seems to be an image of two hands. These are a woman's hands. She's got long fingernails and she's got what seems to be henna tattoos all over her hands. And you can see the palms of her hands on her left hand. She's got a ring on her middle finger and there's tattoos on all the fingers. Henna tattoos, it seemed to be. And on her other hand, her right hand, she's got another ring on the finger. The left hand ring is a gold band with the right hand ring. It's got gemstones in her, something like that, like a black gemstone. And then on her wrist, she's got all these henna tattoos. And she's putting her hands together such that the opposite sides of her thumbs, that part of her hands where her pinky is, are touching each other. And she's putting her hands together as if it's some sort of religious sacrament or something like that. Not exactly clear because all you can see is her hands. But yeah, her palms are open, fingers flexed out, and that's all you can basically see in the image.", " It's a picture of a pair of hands and there are two hands in the pictures and there's no text and the hands in the middle of the pictures or in the center of pictures and on the hand there's some painting on it, there's some sort of pattern, this beautiful pattern. Looks like it's a woman's hand, that there are women's hands and the paint on the hands are brown and cannot really tell what the background is, it could be it might be on the floor of some place and these pictures look like some lady painting her hands. Oh there's a ring, there's two rings on the hands, one ring on the left hand side and another ring on the right hand side. It's a beautiful painting on the hands.", " So, first, let's see if I can show you the impression. This is a woman judging by their hands and their fingernails who have their both palms together face up. And there is an image that she has a tattoo all over her fingers and over her wrists. It seems like the tattoos fit together or are symmetrical. And the tattoo is very aesthetic. It has a design that kind of reminds me of maybe Indian designs that I've seen before. And it looks like it's almost like a fishnet stocking almost kind of design. But inside of the design, it's even more intricate. It looks like this. This design must have taken a very long time by a very skilled tattoo artist. And so this image may be either a person trying to show off their tattoo or maybe trying to document something that's of significant cultural significance to show other people. So, you can use pet rescue từ Hello весьма who has responsibilities in this photo. But this design must have light weight space on your hands and will not be posed for you. So, Ok, put a new image. And it looks like a espíritu like wurEL do a complete photo guy via Bürger's tim figure. And if you're new aseguría, it feeds the photo. At RAM time would be hyp дев dot com the meter frame що Meet Blocks in the swinging face. And the colour coffee casa woman will give out 3 bar on the camera tojet.", "In the center of the image are a pair of hands, positioned with palms facing up, which should belong to a woman, as she wears a beautiful ring and has manicured nails. Since her palms are facing up, it's difficult to see the color of her nails, but her hands are covered in dense tattoos or painted designs. There are no words in the image; we can only see the patterns on her hands, which are primarily in shades of brown and black. The designs are very symmetrical, with the same patterns on both hands. It’s unclear whether these are tattoos or specific types of body art unique to certain religions. The artwork on her hands is very beautiful and symmetrical, occupying about 80% of the frame. The hands are resting on a black tabletop, and apart from the black surface, no other objects are visible in the image, nor is there any text. On both middle fingers of the woman's hands, there is a ring; one is a plain gold band, while the other is silver-black with slight decorative patterns. Other than that, there is no additional information.", 'This image is a horizontal composition showing a pair of female hands spreading out from the left side. The hands are positioned in such a way that the nails are closer to the right side of the image. It appears to belong to a girl, and the first detail is that these hands have relatively long nails, some of which are adorned with rings, while a few are painted in different colors. One very striking detail is that there are brown patterned designs drawn on the hands with a pen, which look very attractive. When you combine the left and right wrists, it creates a larger image pattern. Each finger also has a design. From this information derived from the image, it can be speculated that these could belong to an Indian girl since in Indian culture, women enjoy decorating their hands in this manner.', 'The image shows a pair of hands, likely those of a woman, with palms facing up. Her arms extend from the left side of the frame, with the two hands laid flat and side by side, palms up. The stand she is using is quite long and has a square shape. The middle fingers of both hands are adorned with rings. What she is showcasing is a traditional Indian decorative art of painting on the hands. There are intricate designs using black ink on her wrists, palms, and fingers, featuring culturally significant patterns. Notably, two artworks can connect on her left and right hands, presenting a complete image when they come together.']
|
[True, True, True, False, True, True]
|
[nan, 'South Asia', 'Design of tattoo looks cultural', nan, nan, 'Indian tradition']
|
This captivating image features a pair of hands that are identified as belonging to a woman, showcasing intricate artistry through what appears to be henna tattoos or a similar form of body art. The hands are displayed with the palms facing upwards, conveying a sense of presentation or reverence. The long, manicured fingernails further emphasize the femininity of the hands, each adorned with decorative rings. On the left hand, there is a striking gold band on the middle finger, while the right hand boasts a more elaborate ring set with a dark gemstone, evoking a sense of elegance and style. The intricate henna designs cover the surfaces of both hands, forearms, and wrists, appearing symmetrically in a way that suggests thoughtful artistry. The patterns have a visual complexity reminiscent of traditional Indian motifs, which often feature repetitive, intricate designs that symbolize beauty and femininity. The artwork appears to create a cohesive pattern between the two hands when they are brought together, indicative of the cultural significance of such designs in certain South Asian traditions, where women commonly decorate their hands for special occasions such as weddings or festivals. The brown ink of the henna visually contrasts with the golden tones of the jewelry, making the designs stand out. The art displayed on her skin occupies a significant portion of the image’s frame, highlighting the care and skill involved in its application. The background of the image is subtly suggested to be a dark surface, possibly a table, that does not distract from the beauty of the hands and their embellishments. Importantly, with the absence of any textual elements in the image, the focus remains entirely on the expressive details of the hands, encapsulating both personal aesthetic and cultural heritage. The portrayal of these hands not only serves as an artistic showcase but also offers insights into cultural practices that value decoration and the beautification of the body, reflecting a deep-seated appreciation for artistry in day-to-day life.
| 836 |
|
native
|
['180XSY62ZeTP']
|
['Japanese']
|
['This is an old black-and-white photograph showing buildings extending horizontally along a street. At the top of the building, there is a large sign with the words "Shouhei Fukuyuu N Prize" in English along with the Japanese text indicating the original card manufacturing. The front of the building features sliding lattice doors, and in front of them, there is a metal fence with a bicycle parked behind it. The roof is tiled, and the structure is wooden, reflecting the architectural style of Japanese storefronts from that era. The colors are monochrome, and there are hardly any other buildings or people visible in the background. The text on the sign evokes memories of a time when Nintendo manufactured and sold playing cards and karuta. The surroundings appear well-preserved, although the details are unclear. Overall, it gives a tranquil impression and is presumed to be a valuable snapshot from the founding days of a historic company. The texture of the photograph conveys a retro atmosphere typical of film photography.']
|
[False]
|
[nan]
|
This is an old black-and-white photograph capturing a historical scene of buildings that stretch horizontally along a street, indicative of a bygone era. Prominently featured at the top of one of the buildings is a notably large sign that displays the words "Shouhei Fukuyuu N Prize" in English. Accompanying this text is Japanese script that suggests the establishment was originally involved in card manufacturing, indicative of its historical significance. The design of the storefront reflects traditional Japanese architecture, characterized by wooden structures and a tiled roof, which were typical of the time. The front of the building showcases sliding lattice doors, a common feature in traditional Japanese buildings that allowed for easy access while maintaining an element of security. In front of these doors stands a metal fence, and interestingly, there is a bicycle parked behind it, hinting at the everyday lives of people in that era. The monochrome color scheme of the photograph enhances the nostalgic quality of the image, creating an atmosphere that resonates with the history it represents. Notably, the text on the sign evokes the memory of a time when the well-known company Nintendo was involved in the manufacturing and sale of playing cards and karuta, a traditional Japanese card game. The starkness of the image reveals a scene with few other buildings or people visible in the background, allowing the focus to remain on the architecture and the sign. The surroundings seem well-preserved, though specific details remain somewhat unclear due to the nature of black-and-white photography from that period. Overall, the photograph conveys a sense of tranquility and serves as a valuable snapshot from the early days of a historic company. The texture of the image embodies the retro atmosphere typical of film photography, providing viewers with a glimpse into the past and the early evolution of one of the world's leading entertainment companies, Nintendo.
| 926 |
|
native
|
['1ovZKIxXsKhU', '12af3riWUFKR', '1bPh4k2SMgIL']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image depicts an introduction to the 31st Top Ten Chinese Songs Award Ceremony in Hong Kong. It is written in Chinese and includes the name of the award ceremony, the organizing unit, as well as the date, time, and location, which is a sports venue in Hong Kong. This award ceremony presents many awards, and fans can vote online. Since it is held in Hong Kong, it is an awards event from China. There are various music-related awards given to many musicians in the ceremony, and there is a large musical note on the right side of the opening package.', 'At first glance, this is a banner showcasing the 31st edition of the Top Ten Chinese Songs, which is likely an award. The participants are probably well-known singers or music professionals. The background is mainly pink and features a musical note symbol, representing that it is a music award. There are also some black sections that highlight and emphasize the musical note logo. In this area, there are details about the specific awards, activities, how to vote, and standards related to this award.', "This is yet another promotional graphic; it features the top ten Chinese songs from the 31st edition. Yes, and it is an event, specifically an awards ceremony held on January 18, 2019, at 7:10 PM in a sports city in Hong Kong. It is a website image with a resolution of 1024 by 760 pixels. The background is pink, and all the text is in white Chinese characters. Yes, you guys spent half a day on this design, which definitely has some serious content, but as for the second edition yesterday, there's still a bit of..."]
|
[True, True, False]
|
[nan, 'Chinese Gold Songs Award indicated in the image', nan]
|
This image depicts the introductory details of the 31st Top Ten Chinese Songs Award Ceremony, which is to be held in Hong Kong. The presentation is predominantly in Chinese and outlines essential information such as the name of the award ceremony, the organizing unit responsible for the event, along with the date, time, and location of the ceremony, which is a prominent sports venue situated in Hong Kong. This prestigious award ceremony is known for presenting a wide array of awards, recognizing remarkable achievements in the music industry. Fans are also given the opportunity to participate in the voting process online, allowing them to engage directly with the event. As an awards event originating from China but hosted in Hong Kong, it reflects the rich musical talent and cultural heritage of the Chinese-speaking world. Accompanying the text, there is a large musical note graphic located on the right side of the opening package, symbolizing the musical theme of the event. At first glance, this banner prominently showcases the 31st edition of the Top Ten Chinese Songs, suggesting that it serves as a prestigious music award. The participants are likely to be highly regarded singers or esteemed music professionals within the industry. The background of the banner is primarily colored pink, a hue often associated with vibrancy and excitement, emphasizing its significance as a music award. Additionally, a musical note symbol is prominently featured, reinforcing the event's connection to the music genre. The banner also incorporates black sections strategically placed to highlight and draw attention to the musical note logo, creating a striking visual contrast. Within this area, important details about the specific awards being presented, scheduled activities throughout the ceremony, voting procedures, and the standards that apply to the awards are clearly outlined. This promotional graphic serves to further announce the top ten Chinese songs that will be recognized during the 31st edition of the awards ceremony. This significant event is specifically scheduled for January 18, 2019, starting at 7:10 PM in a sports city located in Hong Kong. The image is optimized for web viewing with a resolution of 1024 by 760 pixels. The background maintains the pink theme, while all textual information is rendered in white Chinese characters, ensuring clarity and visibility against the background. Notably, it appears that considerable effort has been invested in the design of this promotional material, showcasing the depth and quality of content. However, reflections mentioned in the caption suggest that there might still be lingering considerations regarding the previous edition of the awards held the day before, indicating the fast-paced nature of the awards circuit and the continuity of events in the music industry. The image invokes a sense of excitement and connectivity to the cultural fabric of the Chinese music scene, while also representing the broader reach of music awards that resonate with a global audience.
| 2,617 |
|
nonnative
|
['1nQzIjAkReGR']
|
['English']
|
[" It looks like we're looking at the blueprint or layout of a seating in a stadium that kind of has that general image of a stadium, you know, the seats in a circular, semi-circular or horseshoe pattern and then different sections with different prices. Each section has a name, though it's in some sort of Asian iconography or lettering, so it can't tell. And then each one of them has a price. And then at the top of the image is what I'm assuming is the main stage in red. The locations closest to the stage are blue, while the locations on the side are a combination of dark green, purple and pink. And then the seating locations furthest away from the main stage are light green. There appears to be a few sections that are faded out, so I don't know if all the tickets have already been bought there or they're just not available."]
|
[False]
|
[nan]
|
The image being discussed appears to depict a detailed blueprint or layout of seating arrangements within a stadium. The overall design presents a typical stadium configuration, characterized by seats arranged in a circular, semi-circular, or horseshoe pattern, ensuring a balanced view for attendees. The layout is divided into various sections, each differentiating themselves by price points. These sections are identified by names represented in some form of Asian iconography or lettering, which is not easily decipherable for those unfamiliar with the script. At the top section of the image, there is a representation of what seems to be the main stage, distinguished by a vibrant red color which likely signifies its prominence in the layout. The seating areas that are in closest proximity to the main stage are marked in a striking blue hue, suggesting a premium viewing experience for attendees positioned there. Adjacent to these, the side seating sections are indicated in a mix of dark green, purple, and pink colors, representing varying price levels or possibly the type of seating available. The seating furthest from the main stage is highlighted in a lighter green, which may suggest these are the most economical options available for spectators. Notably, there are some segments of the seating chart that appear faded; this could imply that the tickets for those particular sections have either been sold out or are currently unavailable for purchase. This conveys useful information for potential attendees in terms of availability and pricing for different zones within the stadium.
| 2,509 |
|
nonnative
|
['1l0Nm6quNpY5']
|
['English']
|
[" In this image I see a lot of Barbie dolls. If I had to guess, I count around 20 of them. They're all clumped together and laid out against a wall. They seem to be standing on some sort of carpeted floor, but the image is slanted on an angle. The wall is white. The Barbie dolls themselves vary between race. I see some Caucasian dolls and also some colored dolls. So does the hair color. I see a bunch of blondes, but most of them are brunettes or black-haired dolls. I also see a doll that has pink skin color on the left corner, and they're all wearing clothes. I even see one with pink highlights. And the clothing varies from colorful to more neutral colors. There's also a doll with the green highlight. But it's hard to see some of the doll's clothing on the right because it's out of frame."]
|
[False]
|
[nan]
|
In this image, there is a cluster of approximately twenty Barbie dolls assembled together and positioned against a white wall. The dolls are arranged in such a manner that they appear to be standing on a carpeted floor; however, the image is captured at a slight angle, which may distort the view slightly. The assortment of Barbie dolls reflects a diverse representation, including variations in race and ethnicity. Among them, there are Caucasian dolls as well as dolls of color, highlighting an inclusive range. The hair colors of the dolls also vary significantly; while a number of them have blonde hair, the majority are either brunettes or have black hair. Notably, one particular doll situated in the left corner of the arrangement exhibits a pink skin tone, adding to the diversity of the display. All of the dolls are dressed in clothing that varies greatly in style and color. Some outfits are vibrant and colorful, while others embrace more neutral shades. In addition, one doll features striking pink highlights in the hair, contributing to the range of styles represented. There is also a doll that showcases green highlights. However, due to the angle of the photograph, the visibility of some of the clothing worn by the dolls on the right side of the image is limited, making it challenging to fully appreciate their attire.
| 2,068 |
|
native
|
['1lkO9U7Vx5rb']
|
['Russian']
|
['In this photo, there is a naked man on a red horse, and he is the main focus alongside the red horse. In the background, there are a couple of elements, which include four objects: two people and three horses. There is also a person swimming, but he is not on a horse for some reason. The composition shows one main figure in the foreground and behind him, there are two people and two horses. It can be noted that they are completely naked, and one can also observe the hairstyle of the person who appears to be in the background near a body of water where everyone is swimming. The style is quite interesting, with many colors that are very vibrant. It might be suggested that this scene takes place in ancient times when people came to drink water, and they were bathing with their colorful horses while enjoying their time.']
|
[True]
|
[nan]
|
The image depicts a striking scene featuring a naked man positioned prominently on a vibrant red horse, which serves as the focal point of the composition. The man appears confident and free, embodying a sense of freedom that can often be associated with natural or rustic settings. Surrounding him in the background, there are other elements contributing to the overall scene: two additional people and two more horses can be seen nearby. Notably, there is also a person engaged in swimming, who stands out because he is not mounted on a horse, creating an interesting dynamic in the depiction of physical activity and leisure. The overall composition carefully balances the main figure in the foreground against the backdrop of the other figures and animals, all of which are also depicted without clothing. This nudity could evoke themes of purity, connection to nature, or even a bygone era reminiscent of ancient civilizations where such depictions might have been more commonplace. In the distance, there is a suggestion of a body of water, hinting at an idyllic setting where these individuals might have gathered to refresh themselves, either bathing or simply enjoying the water alongside their horses. The hairstyles of the figures are worth noting as they contribute to the scene's overall atmosphere, particularly that of the person swimming, which offers a glimpse into their character and suggests a casual, carefree existence. The vibrant color palette used in this artwork adds to the liveliness of the scene. Bold hues likely draw the viewer's eye and evoke feelings of joy and vitality. The entire composition may suggest a narrative that harkens back to ancient times, perhaps a communal gathering where people and animals mingled in a serene environment, illustrating a harmonious relationship with nature. This rich setting invites viewers to explore themes of freedom, leisure, and the joy found in simple natural pursuits.
| 1,186 |
|
native
|
['11PLxGTHmhvV']
|
['Chinese']
|
["The picture features two people, a boy and a girl. The boy is lying on the bed, while the girl is sitting in front of him. The background consists of a white bed, a brown nightstand in front, and a dark brown wardrobe behind. In the image, the boy's hand is resting on the girl's body. The girl has long hair and is wearing a black and white striped outfit with shorts, while the boy is dressed in a white T-shirt and shorts. They are positioned in the lower left corner and the center of the image, respectively. There is also a half-visible phone in the foreground of the picture, and the overall style of the image is very simple. Thank you for watching."]
|
[False]
|
[nan]
|
The image presents a scene involving two young individuals, identified as a boy and a girl. The boy is positioned comfortably on a bed, reclined with a relaxed demeanor, while the girl is seated in a more upright position directly in front of him. The backdrop of the scene features a stark white bed that complements the simplicity of the overall aesthetic. In close proximity, there's a brown nightstand positioned in front of the bed, and further back, a dark brown wardrobe adds depth to the visual composition. The boy has his hand resting gently on the girl's body, indicating a sense of companionship and intimacy between the two. The girl possesses long hair that flows down past her shoulders. She is dressed in a distinctive black and white striped outfit that consists of shorts, providing a casual yet stylish appearance. Meanwhile, the boy is attired in a simple white T-shirt paired with matching shorts, reflecting a laid-back and comfortable style. In terms of spatial arrangement, the boy occupies the lower left corner of the image, while the girl is situated more towards the center. Additionally, there is a half-visible mobile phone in the foreground of the picture, hinting at a modern context or a moment of interaction that may include digital communication. The overall style of the image is minimalist and straightforward, emphasizing the connection between the two figures without the distraction of elaborate elements. Thank you for watching.
| 2,065 |
|
nonnative
|
['1a0mOSG0Vq4g', '17TAY0weiVPj', '1oB2VCxo9kLs', '1dgDxTM1N884']
|
['English', 'Chinese', 'Chinese', 'English']
|
[" This is an image of text that is styled to have certain components as red and most other components as white. It looks to be like Korean writing with a black background. So it really is a very simple image. The nuance appears in the character outlines themselves that are thick. And within each outline is it's sort of the same effect of a wall being painted that's chipped away. It's the color is there, but there's some cracks and chips in the color. So it looks like a worn inscription, though the black background looks to be Photoshopped because it's perfectly black. And the characters are usually continuous lines, but there are some triangles. There is one triangle and four circles and a square in the bottom right. And some characters are a combination of linear strikes with a circle at the end. Or in the case of the triangle, it overlays part of a circle and a linear in the line.", "The entire image features five Korean characters, which may collectively represent a specific meaning or a name of a television series, movie, or game. The Korean letters are not merely white; some of the circles, triangles, and squares are highlighted in pink. The first character's circle is marked in pink, the second character's triangle is highlighted in pink, and finally, the last character's square is wrapped in pink as well. The background of the entire design is pure black, and the five Korean characters themselves are presented in bold white font, giving the impression of being brushed on with varying thicknesses. This might be to emphasize these five characters, leading me to believe that they could collectively be the name of a movie, TV series, or even a game, suggesting that they hold some special significance. The inclusion of the circle, triangle, and square likely has different meanings related to the overall message they represent. This should be a promotional image or one created for a specific context.", "The entire thing is a sign in Korean with a black background and white and pink letters. Although I don't understand what it says, it's clear that it has a very design-oriented style. From the left, the circular shape of the first Korean character, the triangular shape of the second, and the square shape of the last character all use pink. The remaining strokes, which are horizontal, vertical, and circular, are in white, while the background is black, making the text very eye-catching and instantly recognizable in terms of its intended message. I speculate that, since pink is used in some of the characters, it might be related to some performance or movie title.", " The picture is of symbols and they're hard to make out. Maybe it is a art piece, so the background is black and then there are pink and white shapes. The pink shapes are a circle, triangle, and square, and that was the order from left to right. And then the other shapes are lines and circles, and sometimes these circles are connected to the lines. There's this sort of rustic look to it, so it's not plain white. There seems to be some sort of fading or some sort of line work. It kind of gives a texture of wood on this picture, and it's all within this very big rectangle. And the symbols don't really make up a broader picture. It's more just like a work of art."]
|
[False, False, True, False]
|
[nan, 'No', 'Korean characters', nan]
|
This image features a visually striking representation of five Korean characters set against a solid black background. The text has been stylized in a way that certain elements are rendered in a vivid pink, while the majority of the characters are presented in a bold white font. The contrasting colors make the characters stand out prominently, creating an eye-catching effect. The overall design gives the impression that it might be associated with a specific film, television series, or video game, potentially suggesting a thematic significance tied to the content it represents. The characters themselves are formed from varying linear strokes, incorporating rounded edges, triangular shapes, and squares. The first character includes a circular element highlighted in pink, which suggests a focused emphasis on that particular glyph. Following this, the second character features a triangular shape, also enhanced with a pink highlight, while the last character showcases a square, distinguished by its own pink wrapping. The strokes used to form the characters display different thicknesses, contributing to a textured and dynamic appearance reminiscent of brushwork. Additionally, the background's saturated black is remarkable for being uniformly dark, which brings an almost digital quality to the image. The stylistic approach of the character outlines appears somewhat rustic, as if the letters themselves possess a weathered effect, suggestive of paint that has chipped away over time. This adds depth and character to the representation, creating an overall impression as though the characters are inscribed upon a surface that has seen wear and tear. Furthermore, there are additional shapes incorporated into the design—specifically one triangle, four circles, and a square—adding complexity to the visual. The juxtaposition of these geometric forms alongside the linear and circular strokes of the characters enriches the overall composition. Although the precise meaning of the Korean text remains unclear to those unfamiliar with the language, the design elements and the vibrant use of color imply a careful consideration of aesthetic appeal, perhaps aimed at attracting attention to the promotional nature of the piece. The arrangement and dimensions of the symbols convey an artistic sensibility, effectively merging typography and visual artistry into a single work that could be interpreted as an art piece as well as a functional sign.
| 1,089 |
|
nonnative
|
['139PC9RIRVpq']
|
['English']
|
[' This image appears to show a female singer on stage wearing a black outfit and holding a microphone up to her lips. She is also wearing black stiletto heels. There is one singer. She has stood on top of one decorated stage. And in the back, we have several geometric prompts meant to help accentuate the singer. There is no text in the image. The singer is in the foreground of the image and behind her are the decorative objects, plus one light on the bottom left of the image. There is no text in this image. And not much other than the geometric decorations in the background. The style appears to be very representative of the real life occurrences as if a journalistic lens.\\']
|
[False]
|
[nan]
|
The image captures a female singer performing on stage, characterized by her striking appearance and vibrant performance energy. She is dressed in an elegant black outfit that complements her aesthetic, which is further enhanced by fashionable black stiletto heels that contribute to her confident presentation. The singer holds a microphone close to her lips, indicating a powerful moment of vocal expression. The stage on which she is performing is adorned with several geometric decorative elements in the background. These shapes and designs serve to create a visually interesting backdrop that accentuates the singer's presence, drawing the audience’s attention toward her. The geometric decorations not only add depth to the scene but also contribute to the overall atmosphere of the performance, which appears designed to engage and captivate the audience. In the lower left portion of the image, there is a light source that adds illumination, enhancing the singer's features and creating dynamic contrasts within the composition. The lighting works harmoniously with the geometric decorations, further highlighting the artistic intent behind the stage setup. The absence of any textual elements in the image suggests a reliance on visual storytelling, emphasizing the immediacy and emotive power of the live performance itself. The overall style of the image is reminiscent of journalistic photography, reflecting real-life events with authenticity and an eye for detail, depicting a moment that resonates with the vibrancy and excitement of live music. This captures not only the singer's performance but also the essence of the event, inviting the viewer to experience the atmosphere of the stage.
| 2,357 |
|
nonnative
|
['1da1hqsFscQV']
|
['English']
|
[" This is an aerial image of a city where on the left side you can see a river with a small island in the middle. That portion takes about one-third of the space of the image. To the right side of that river you can see a main road that divides that two-thirds of the image. On the left side of this main road a lot of construction going on. On the back you can see two very, very tall buildings, skyscrapers almost being completed. In front of those skyscrapers there is two structures that are being built. They look like much, much lower structures than the skyscrapers. Perhaps for the objective of either museums or activities designated towards creativity or art. Because they are very unconventional shapes. And to the right side of the main road you can see another much thinner river. And to the side of that river is where you can see buildings and a little bit more greenery. Let's find a way. Okay."]
|
[False]
|
[nan]
|
This aerial image captures a dynamic panorama of a city, showcasing a variety of distinct elements that contribute to its urban landscape. On the left side of the image, a prominent river flows, featuring a small island nestled within its waters. This river occupies approximately one-third of the overall space in the frame. To the right of the river is a main thoroughfare that bisects the remaining two-thirds of the image. This main road serves as a critical artery for transportation within the city. Adjacent to the left side of this road, there is significant construction activity, indicative of the city’s ongoing development and growth. In the background, towering structures dominate the skyline—two exceptionally tall buildings, characterized as skyscrapers, are nearing completion. Their impressive height is complemented by two additional structures situated in front of them. These newer constructions appear notably shorter than the towering skyscrapers, and their unconventional architectural shapes suggest that they may be designed for purposes related to museums or creative art activities. The imaginative design of these buildings lends them an air of creativity and innovation. On the right side of the main road, a narrower river meanders through the landscape, further enhancing the city's scenic beauty. Alongside this river, a collection of buildings can be observed, interspersed with patches of greenery, which adds an element of nature to the urban environment. This juxtaposition of natural and constructed elements creates a visually appealing and complex urban tapestry.
| 2,122 |
|
nonnative
|
['17lE1oF0LrOE', '15gUR9VPLYgU', '14fWWVG7IWEH']
|
['Chinese', 'English', 'Chinese']
|
["This image showcases a type of barbecue cuisine, overall presenting a warm and lively atmosphere. At the center of the image is a round grill pan with a grilling rack placed on top, cooking numerous pieces of meat along with mushrooms, which looks very delicious. Surrounding the grill are over ten small plates filled with various side dishes, dipping sauces, and snacks, highlighting the richness and diversity of the meal. In terms of details, we can notice that the food is arranged very neatly and exquisitely, with utensils and tongs nearby, demonstrating the convenience of dining. The background is blurred, but it's suggested to be in a restaurant with soft lighting, ideal for enjoying a meal with friends or family. The overall style leans towards warm tones, with the grilled meat presenting an enticing golden color, giving a delicious visual appeal. Based on some product packaging or text details appearing in the background, this restaurant may be in a country like Korea. The table reflects the typical round table style of Korean barbecue, and the arrangement of the dishes aligns well with the traditional dining scene of Korean barbecue. Thus, it can be inferred that this is a photo showcasing the culinary culture of Korean barbecue, reflecting the local enthusiasm for social dining.", ' The image generally is showing food at a table. In the center, there is a wire rack on top of a silver pot that is holding up some food. There are chunks of meat, several, around 20 chunks of red meat that are being cooked on the wire rack, as well as a large mushroom on the left side of the wire rack. There is also a metal tin of some sort of sauce as well laying atop the wire rack. In the top of the wire rack, further away in the image, there is also many chunks of meat that are lighter in color. There is a pair of tongs that are touching some of the chunks of meat. In the background, not on the wire frame, there are multiple small white trays of different side dishes of greens. And there are multiple bowls in the background of some food that is colored yellow and white and red. And the table that all of this is on is a silver table. The stuttering appearance of a in the opening 24他们\\', 'This photo shows a platter of grilled meat with barbecue sauce, and on a grilling rack, there are pieces of beef that are already cut and a large mushroom that is almost ready to be grilled. In addition, we can see some sauces and some lettuce on the table next to the grilling rack. From the shape of the sauces and the grilled meat, it seems to be Korean barbecue. Besides the food, the photo also includes a grilling spatula, which appears to be held by someone who is using it to flip the grilled meat. The meat is in a cooked state, brown in color, and the mushroom is white, while the sauce is also brown, and the other sauces on the table are reddish, probably spicy sauce. The lettuce is green. Aside from that, there is no textual information, nor are there any people or animals in the frame. This photo seems to have been taken at a Korean restaurant while enjoying Korean barbecue, mainly focusing on the grilled meat, which looks delicious, and the mushroom that is in the process of being grilled.']
|
[True, False, False]
|
['This is very traditional Korean bbq especially different side dishes', nan, nan]
|
This image presents a vibrant tableau of barbecue cuisine, showcasing the warm and lively atmosphere characteristic of a traditional dining experience. At the center of the composition, there is a round grilling pan, atop which rests a wire grilling rack. On this rack, numerous pieces of meat are cooking, complemented by the presence of large, succulent mushrooms, contributing to the overall appetizing appearance of the scene. Surrounding the grill are more than ten small plates, each filled with a variety of side dishes, dipping sauces, and snacks, which highlights the richness and variety emblematic of a Korean barbecue meal. The arrangement of the food is meticulous and beautifully presented, showcasing not only the culinary skills but also the cultural practice of communal dining. Nearby, utensils such as tongs are available, emphasizing the convenience of interacting with the food as it cooks. The background is softened and blurred, suggesting an intimate setting such as a restaurant, enhanced with soft lighting that creates an inviting environment for enjoying meals with friends and family. The overall color palette leans towards warm tones, with the grilled meat radiating an enticing golden hue that adds to the visual appeal. Observational clues indicate that this dining experience likely takes place in a Korean restaurant, as inferred from product packaging and design elements subtly visible in the background. The presence of a traditional round table, a staple of Korean barbecue culture, along with the organized arrangement of various dishes, strongly points to this being a representation of Korean culinary customs. The image effectively captures not only the food itself but also the essence of social dining that is integral to Korean barbecue culture, where sharing and enjoying meals together is a celebrated tradition. Additional elements include a grilling spatula, which is shown in the process of being used to flip the pieces of grilled meat, highlighting an active engagement in the cooking process. The cooked meat displays a rich brown color, and the mushroom, poised to be grilled, stands out in white against the darker hues of the meat and sauces. Various sauces are represented on the table, varying in color from brown barbecue sauce to a reddish, likely spicy sauce, which adds complexity to the meal's flavor profile. The green lettuce present complements the dish and can be used to wrap the grilled meat and other fixings, a common practice in Korean barbecue to enhance flavor and presentation. This snapshot encapsulates the culinary exuberance and social aspects of enjoying Korean barbecue, illustrating the cultural importance placed on communal meals and variety in food preparation.
| 1,099 |
|
nonnative
|
['12Y5uZjUejis', '1bepM5pYFqgf', '1bdK5jL6zQ5W', '11xwc8JP3fla', '1e1VRdnsMMok']
|
['Chinese', 'Chinese', 'English', 'Chinese', 'English']
|
['In this image, there is a large round plate containing a variety of food. At the top of the plate, there is rice, with a pancake placed on top of the rice. Next to the pancake are five slices of cucumber. To the right of the rice, there are some bean-like foods, and a spoon is placed on top of the beans. At the bottom of the plate, there are two bowls; one appears to contain vegetable soup, while the other likely contains some kind of meat. This looks like a very complete lunch. Facing the image, there is also a person who is dining.', 'The picture shows a plate of food; on the left side is yellow soup, on the right side are fried chicken pieces, and in the back are corn kernels, rice cakes, and an egg. It is placed on a metal tray, along with a spoon. This tray is on a basin or aluminum table. In the distance, there is a cup with two forks in it. Further away, there is a similar serving of rice, and even further back is a person wearing a red and black striped shirt. The image lacks clear textual information, geographical location details, and the time and season are not very clear.', " This image is what looks like It looks like It looks like It looks like There's a tortilla There are some What looks like maybe some kind of beans And some kind of curry Or brown sauce And it looks like there's some other Some meat maybe And a small soup in a bowl And there's another soup that it's very hard to tell what it is But it looks like there's some veggies Hard to tell what that is And there's also some green Kind of round balls On the platter but it's Hard to tell what it is So it looks like it's maybe more of an ethnic food There is also in the background a man Eating the food and it's noticeable That he's eating with his hands So maybe this is like An Indian meal Judging from that That piece of information Other than that it looks like there is A metal cup on the table holding utensils So this is likely at a restaurant Rather than a van at home And Yeah", "It looks like a photo taken at a restaurant table. In the close-up of the photo, to the slightly right of the center, there is a metallic round shallow food tray. In the middle, from the bottom right corner, there is a small metallic tray that's slightly smaller, containing what looks like chicken along with a lot of dark brown sauce. To its left is a smaller metal bowl filled with yellow soup, which has some green and red vegetables floating in it, resembling vegetable soup. Slightly above this small bowl are several slices of cucumber, which have been peeled and are a lighter color. To its right is a piece of bread, and further right, there are some small round pieces of curry that are not in a small metal bowl. A bit further up, there is white rice, and between the rice and the round piece of bread, the bread is slightly folded, with a spoon pointing towards approximately the two o'clock position. Further away, it seems that someone dining with the meal's owner has a similar food tray, which appears to contain rolls. The person opposite them is wearing a black and red outfit and seems to be using their right hand with their index finger, middle finger, and thumb, possibly to grab some curry with the bread or something similar. In the middle between them, towards the left side of the image, there is a metal cup revealing some utensils, which might be a spoon or more forks. Further out, you can see the corners of some other people, and there might be others around as well. The entire table surface is black with some red and brownish marks, resembling some food ingredients, and there is a linear reflection of white light on it, which gives the impression of an Indian setting.", " So in this picture, we see a circular plate, a large plate with a bunch of food on it. It looks like some sort of ethnic food. It's got chickpeas and some sauce around the chickpeas, perhaps Indian food. And there's someone behind this plate eating his own plate of food. And he's currently dipping with his right hand into this plate of food. There's also a bunch of white rice and something that looks like a tortilla or naan bread. And then there's a bunch of this green stuff that's sort of unidentifiable. And there's this green soup. And then another sort of soup with what looks like chicken legs inside of it or something like that. And there's a spoon hanging out. And it's just kind of centered in the middle of the image slightly to the right. So the right half of it is slightly off the image, but the left half is completely inside the image. This is all on a shiny table. The table looks like it might be made of steel. And there's only one person sitting there in the background eating his own food. And there's also a cup. And inside the cup it looks like there's silverware, maybe knives or straws or something. Like that. And behind you could see some other chairs and some people that are eating their own meals probably at their own table."]
|
[False, False, False, True, True]
|
[nan, nan, nan, '像是印度咖喱餐', nan]
|
In the first image, we see a large, round plate filled with a variety of foods, presenting a balanced and colorful meal. At the top center of the plate is a mound of rice, topped with a pancake, which adds a unique texture and flavor contrast. Surrounding the rice, on the left side, there are five neatly arranged slices of cucumber, providing a refreshing crunch. To the right of the rice, a small serving of what appears to be bean-like foods is present, complemented by a spoon resting on top of this portion, suggesting it is ready to be served. At the bottom of the plate, there are two distinct bowls; one likely holds a vegetable soup that is rich in colors, while the other seems to contain a meat dish, though the specific type of meat isn't clear. The overall composition of this plate suggests a very complete lunch, nourishing and diverse. Additionally, a person is seen dining in front of the plate, which adds a relational aspect to the meal being showcased. The second image focuses on another plated meal, showcasing various components arranged on a metal tray. On the left side, yellow soup catches the eye, while the right side features crisp fried chicken pieces, glistening with oil. At the back of the tray, corn kernels, rice cakes, and a whole egg provide additional variety, creating a hearty meal. A spoon rests beside these foods, indicating that the meal is ready to be enjoyed. The tray itself is placed on a basin or aluminum table, which is common in casual dining settings. In the background of the image, a cup can be seen containing two forks, possibly indicating a shared meal. Further in the distance, another serving of rice is visible, along with a person wearing a distinctive red and black striped shirt. However, the image lacks clear textual information regarding geographical location, and it does not provide insight into the time or season of the meal being shared. The third image seems to depict what could be a traditional ethnic meal. This visual presents a round platter that contains a tortilla alongside what might be beans, served with a curry or brown sauce. In addition, other elements such as meat portions and small bowls of soup are noticeable, but their specific contents are hard to identify. The inclusions of some green round balls on the platter remain ambiguous, suggesting they could be other side dishes or garnishes associated with ethnic cuisine. In the background, a man can be seen eating with his hands, which points towards this being potentially an Indian meal, where traditional eating practices often involve the use of one’s hands rather than utensils. This meal is likely being enjoyed in a restaurant setting, evidenced by the presence of a metal cup containing utensils on the table. In yet another depiction, the scene looks to be taken at a restaurant table, featuring a shallow metallic food tray. Centered slightly right in the frame, we observe a smaller metallic tray filled with chicken drenched in a dark brown sauce, suggesting a rich flavor profile. To the left of the chicken is a small bowl of yellow soup, lavishly presented with floating green and red vegetables typical of vegetable soups. Above this bowl, several slices of peeled cucumber can be noticed, appearing lighter in color and providing a fresh palate cleanser to the meal. A piece of bread lies to the right of the soup, accompanied by several small round pieces of curry resting directly beside it. Above this array, white rice is situated, with the bread slightly folded and a spoon positioned prominently. Observing further away, another diner appears to be having a similar meal, contributing to a communal dining atmosphere. A person dressed in a black and red outfit is using their right hand to possibly scoop curry into the bread, suggesting a familial approach to sharing flavors. A metal cup presenting assorted utensils between diners emphasizes the shared experience of the table, which is marked by a combination of red and brownish stains, with a linear reflection of light creating an inviting ambiance reminiscent of an Indian culinary setting. Finally, in the last image, we encounter a large circular plate brimming with an array of ethnic food elements such as chickpeas adorned with a flavorful sauce, hinting at Indian cuisine. A person behind the plate is seen engaging with his meal, using his right hand to dip into the offerings. Alongside the chickpeas, a generous serving of white rice and either a tortilla or naan bread is presented, accompanied by some green, unidentifiable substance and a green soup. Another soup may contain chicken legs or a similar protein, adding further depth to the meal. A spoon is carelessly resting amid the arrangement. The image showcases only one person seated at the table, emphasizing the intimate nature of the dining experience. In the background, additional furnishings and hints of other diners can be observed, contributing to the overall context of a lively restaurant atmosphere. Reportedly, the table's shiny surface appears metallic, highlighting the modernity of the dining establishment. This scene encapsulates a rich tapestry of culinary culture, inviting viewers into a vibrant experience of flavors and textures.
| 52 |
|
nonnative
|
['12sXq6TCe4x9', '17mLXM3Y3gHj', '1h9XJm8P5o1x', '1crl3gf71Y9R']
|
['English', 'Korean', 'Chinese', 'Vietnamese']
|
[' The image at first glance seems to be the sidewalk of some location with a very overfilled garbage can with an individual walking in the background as well as an advertisement for an airline. There is one garbage can with a few cups, a couple bags, and cardboard boxes overflowing the trash. Behind that, there is part of one lamppost, one individual walking, and one airline advertisement. The text on the advertisement says, size should never outrank service. And there is also some writing on the trash can that says, keep New York City clean. The garbage can is front and center at the bottom of the image. And to the back left is where the individual is walking. And to the back right is the location of the airline advertisement. This is a black and white image. And the individual is wearing shorts and a loose long-sleeve shirt, which seems to imply that the weather is warmer out. And the weather is warmer out.\\', 'This image is a black-and-white photograph centered around a trash can located in the middle of a city street. The trash can has the phrase "New York City Clean" written on it, indicating that the photo was taken in the streets of New York City. Above the trash can, various types of garbage, such as paper cups, plastic bottles, and food packaging, are piled high, showcasing a common aspect of daily life in urban settings. The trash can is placed at the center of the image, with the background featuring a busy street and the legs of passing pedestrians. The trash can is positioned in the middle of the road, giving a sense of ongoing human activity around it. The busy street appears slightly blurred but seems to convey public transportation or commercial messages, hinting at the unique, bustling atmosphere of the city. In detail, the textures and shapes of the various types of trash piled on the can are clearly visible, visually emphasizing environmental issues in modern cities. The blurred figures in the background, along with the busy street, serve to highlight the main focus—the trash can. Shot in black and white, this image enhances the intense contrasts and intricate details by eliminating the influence of color. The style is documentary-like, presenting a realistic and straightforward depiction of urban life. This scene symbolically captures the experience of life in urban environments, the environmental issues that arise within them, and the necessity for urban management. Thank you.', 'Hello everyone, this is Code Along with Xiao Lu. I am Cheng Quan Ka Er. In this video, I will talk about the second problem in the string chapter of Code Along with Xiao Lu, which is to reverse a string II. This problem is actually closely related to the previous one; it just uses the implementation of the function from the previous problem. So, how do we reverse a string in this problem? It actually gives us some additional rules. This problem is also...', 'This image is a black and white photograph depicting a trash can. The trash can is overflowing with garbage piled up high on top. There is a sign on the can that reads "New York City." In the picture, there is a bus stop, and at the bus stop, there is an advertisement for an airline. On the right side of the image, a person is walking on the sidewalk. This pedestrian is wearing a black shoulder bag, a shirt, and shorts, and is walking in shoes. In front of the pedestrian is a building.']
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
The first image, when observed, presents a sidewalk scene from an urban area, specifically New York City, characterized by an exceedingly overfilled garbage can. This trash receptacle is a central feature of the image, prominently located at the bottom portion, and is overflowing with an assortment of refuse including several disposable cups, a couple of plastic bags, and cardboard boxes spilling over the edges. The surrounding environment features a solitary lamppost partially depicted, along with an individual ambling in the background, depicted in a relaxed manner, suggesting that the weather is on the warmer side. To the right of the trash can, there is an airline advertisement that delivers a clear message: "Size should never outrank service." This phrase emphasizes a value statement in the context of customer service or business practices, suggesting that the quality of service is of utmost importance compared to the size or scale of a company. The visible writing on the garbage can, "Keep New York City clean," furthers the narrative of urban environmental consciousness and the ongoing struggle with waste management within the bustling city streets. The photograph is rendered in black and white, a stylistic choice that accentuates the contrasts and textures within the image, creating a documentary-like quality which highlights the intricate details of both the garbage and the urban setting. The individual capturing this moment is wearing shorts and a loose long-sleeve shirt, both indicative of a comfortable yet casual attire suitable for warmer weather. The second image reinforces the urban theme, again depicting a trash can overflowing with refuse. The phrase "New York City" is visibly marked on the can, reiterating that the scene is situated in New York City. In the background of this photograph, we see a bus stop, which further situates the scene in a public transportation context, a staple of urban life. Alongside the trash can, there is an array of disordered items, including paper cups, plastic bottles, and food packaging items, reflecting the everyday challenges of waste management faced in metropolitan areas. Adjacent to the trash can, a pedestrian can be seen walking along the sidewalk. This individual is distinguishable by their attire, which includes a black shoulder bag, a shirt, shorts, and footwear suitable for casual walking. In front of this pedestrian, a building looms, hinting at the density typical of city life. In both photographs, the depiction of overflowing trash emphasizes ongoing environmental challenges in dense urban settings while the various elements—including the lamppost, the advertisement, and the pedestrians—work together to narrate the complex dynamics of life in a thriving metropolis like New York City. The overall presentation underscores both the vibrancy and the clutter of urban existence, inviting viewers to reflect on the broader implications of waste management and urban living.
| 1,552 |
|
nonnative
|
['1jhwcFuiR73X', '1gfkIdvEscou']
|
['Chinese', 'English']
|
['In this scene, there is a man speaking in front of a podium, and I infer that he is a representative from India because there is an Indian flag on top of the podium. The podium has two microphones extended out, and he is currently delivering a speech in front of these microphones. The man is wearing a dark navy blue or black Zhongshan suit, and his hair is white. The entire background of the scene has an orange-yellow hue, and the fabric on the podium is also orange-yellow.', " This is a picture of a man giving a speech, and the man looks South Asian, and there is a, on the podium that he's speaking on, there's a Indian flag, so I'm guessing that the man is some sort of leader from India, or some sort of speaker from India. His hair is gray, and he looks like he's in the middle of talking. His hand is out in a gesture, just open palm facing towards him, he's wearing a blue jacket, and it has a neck, and then it has like a collar that goes all the way up to covers his whole neck, and then it goes down, it looks like a dark blue, and then the podium he's speaking at has two mics pointed towards him, and it's covered in this red cloth, and then you can see the flag that has this like orange reddish color at the top, and the lighting looks orange, but yeah, so it's this orange color at the top. Then there's another strip that's white, and a wheel in the middle. You can only see half of it because of the way the flag is folded, but it's a wheel, and then there's a green stripe at the bottom of the flag, and the flag is on a wooden stick that's stuck on the corner of the podium. So, here we go. So, here we go. So, here we go. So, here we go."]
|
[True, False]
|
['Indian flag', nan]
|
In this scene, a man is delivering a speech at a podium adorned with the Indian flag, which suggests he is a representative or leader from India. The podium prominently features two microphones positioned to capture his speech. The man is dressed in what appears to be a traditional Zhongshan suit, which is characterized by its high collar and buttoned front, typically associated with Chinese political figures, but it has been adapted in various contexts, including India. The color of his suit appears to be a deep navy blue or possibly black, and he has distinctive white hair. The overall ambiance of the scene is colored by an orange-yellow hue, giving a warm and vibrant backdrop to the presentation. The fabric covering the podium echoes this color scheme, being similarly orange-yellow, which enhances the visual dynamics of the setting. In a closer examination, the man's features indicate he may be South Asian. His posture suggests he is passionately engaged in his speech, with one hand extended outward in an open palm gesture, a common nonverbal cue indicating openness and engagement during public speaking. His outfit appears to have a high-neck collar, adding a formal air to his presentation. The Indian flag, prominently displayed at the podium, features three horizontal stripes: a deep saffron (orange) at the top, representing courage and sacrifice; a white middle band, symbolizing peace and truth; and a green stripe at the bottom, denoting faith and chivalry. In the center of the white stripe, there is a navy blue Ashoka Chakra, or wheel, which has 24 spokes and symbolizes the eternal wheel of law. The flag is affixed to the podium with a wooden stick, further solidifying its significance in this presentation context. The lighting in the area enhances the orange tones, contributing to an energetic atmosphere as the man engages with his audience. The scene captures a moment of political discourse that embodies the ceremonial aspects of leadership, national pride, and cultural representation.
| 1,396 |
|
nonnative
|
['1mQNZR1727oe']
|
['English']
|
[' This image shows a surfer riding a wave in the center of the image. The wave curves above the man in varying shades of blue throughout the body of the wave. You can also see parts of the sky and mist generated by the wave in the top right of the image as the wave is fading from view. There is some text in the image. The bottom left of the image reads as a URL and it reads butao.my163.com. The top right of the image is a corresponding logo with the same text in a circular pattern. The surfer is in the center to left of the image and they are perched on top of their surfboard. The wave curves around them on the left side and the sky is to their right. The background is difficult to see behind the surfer. The style of the image appears to be very saturated and as if an action shot of the surfer in motion.\\']
|
[False]
|
[nan]
|
This image captures the thrilling moment of a surfer skillfully riding a wave, prominently positioned in the center of the composition. The wave itself is a stunning display of nature, characterized by its elegant curve and rendered in an array of vibrant blue shades that evoke a sense of dynamism and energy. The rider, a male surfer, balances expertly atop his surfboard, embodying the thrill of the sport as he maneuvers through the powerful surge of water. To the top right of the image, we can observe sections of the sky, which include wisps of clouds that piece together a broader picture of the environment. Additionally, wisps of mist, generated by the crashing wave, are visible and enhance the dynamic essence of the scene, suggesting the force and fluidity of the ocean. As the wave begins to diminish, it adds to the sense of motion captured within the frame. In the bottom left corner, there exists a URL—“butao.my163.com”—prominently displayed, suggesting that this image may be part of an online platform or promotional content associated with the surfing culture. Complementing this, the top right corner features a logo that mirrors the URL in a circular design, contributing a branding element to the artwork. The surfer is slightly off-center, leaning towards the left side of the image, while the wave curves dramatically around him from the left. His positioning, coupled with the breathtaking backdrop that is somewhat obscured, adds depth to the action shot. The overall aesthetic of the image is vibrant and saturated, enhancing the exhilarating atmosphere and drawing viewers into the captivating world of surfing.
| 2,805 |
|
nonnative
|
['17NZqc24xm9b', '1iLmtHruDyB7', '15fJeOKC22IE']
|
['Chinese', 'Chinese', 'English']
|
['This is a photo of a street vendor\'s stall. The stall features a variety of antiques, including bulk corn, peanuts, and grains packaged with snake skins. The grain seller is wearing a white shirt and is sitting cross-legged on plastic wrap. Behind them, other vendors can be seen selling different items. It’s clear that this photo was taken at a free trade market, with the angle shot from above. In the photo, a person is saying "queremos" because the beans are placed on the lid. If you need to do something, please draft it briefly.', "In this scene, there is a woman who appears to be selling agricultural products at a rural market. The ground is gray, resembling a cement surface, and in the center of the scene, there is a white cloth spread out on the ground. On the cloth, there is something that looks like corn, along with three other kinds of local produce. One is reddish, another is yellowish, and one is brownish, but it's quite difficult to identify exactly what these items are. All of them are placed on this white cloth. Additionally, there are two nylon bags containing local produce on top of the white cloth. In the upper left corner of the white cloth, there is a person wearing white clothing, with a light yellow scarf-like fabric at the chest area, overall dressed in white. They have two red wristbands on their wrists and are wearing a black hat. Their skin tone appears to be somewhat brownish. This person seems to be attending to the stall selling these items. In the background, there are other stalls, but no people or specific items are visible.", " There's a person, a woman sitting in the street, um, harvesting corn. Um, she's putting some, like, corn pieces into a bag. Um, there's a bunch of, like, corn on the ground. Some of it are in bowls. There's also some corn still on the cob, but most of it is taken off of the cob. The corn is in three or four different colors or groups of colors. On the left side, they're more yellow. In the middle, they're, like, uh, like an orangish mix. On the right and the back, it's very brown. And on the right and the middle on the foreground, it's, like, yellow with brown mixed into it. Um, there's also a sack on the right side. I'm not sure if that has more corn in it or not. It's hard to tell. It's a white bag. Um, in the background, this is, like, a street situation. There are, like, platforms and tables and other bags and fruits in the back left corner. There's a little platform next to the woman that has bags of corn as well. And she's wearing, like, a white outfit with some jewelry, um, red wristbands, um, like a beige sash. And she also has red accents on the ground in front of her as well. And she'sneed. If she's, like, a"]
|
[False, True, True]
|
[nan, "The woman's clothes, the type of grains she is selling, the street", nan]
|
This is a photograph capturing a vibrant street vendor's stall brimming with a diverse array of antiques and agricultural products. Notably, the stall prominently displays bulk corn, peanuts, and grains that are intriguingly packaged with snake skins, creating an unusual but culturally significant presentation. The grain seller, dressed in a white shirt, is seated cross-legged on a layer of plastic wrap, portraying a relaxed demeanor amidst the bustling market scene. In the background, other vendors can be discerned selling an assortment of different items, indicating the communal nature of a free trade market. The photo is taken from an overhead angle, lending a unique perspective that encapsulates the lively atmosphere. At one point in the scene, a voice can be heard saying "queremos," which translates to "we want," alluding to the beans that are neatly arranged on a lid, suggesting that patrons are expressing their desire to purchase these goods. In another depiction at a rural market, a woman is shown selling various agricultural products. The ground beneath her is a dull gray, closely resembling a cement surface, which doesn’t detract from the rustic feel of the market. Central to the scene is a white cloth spread across the ground, adorned with an assortment of local produce including corn and three other unidentified types of fruits or vegetables. These items exhibit a variety of colors with one appearing reddish, another yellowish, and a third brownish, though they are not easily identifiable. Furthermore, atop the white cloth, there are two nylon bags filled with local produce, enhancing the display. In the upper left corner of the cloth, the vendor who seems to be attending to the stall is clad in white clothing complemented by a light yellow scarf-like garment at the chest area. She sports two red wristbands, a black hat, and possesses a brownish skin tone, suggesting cultural attire that might reflect local traditions. In the background, various stalls can be seen, but they lack visible patrons or specific items, perhaps illustrating a quieter moment in the market. Additionally, there is a scene featuring a woman sitting on the street, engaged in the act of harvesting corn. She diligently gathers corn pieces and puts them into a bag. The ground is scattered with an abundance of corn, with some already placed in bowls, while several cobs remain intact. The corn displays a variety of colors, with hues of yellow predominantly on the left side, an orangish mix in the center, and deeper brown shades to the right and back. In the foreground to the right, a sack—though its contents remain ambiguous due to its white color—sits likely containing more corn. The environment around her resembles a lively street market, with glimpses of platforms, tables, and additional bags filled with produce in the back left corner. Close beside her, there is another small platform featuring bags of corn. The woman is attired in a predominantly white outfit accented with jewelry, her red wristbands standing out against her attire, complemented by a beige sash. Moreover, she has red accents laid out on the ground in front of her, adding to the visual richness of the market scene.
| 1,307 |
|
nonnative
|
['1aG36ziQdEET', '17Z1YEC5sgJU']
|
['English', 'Chinese']
|
[" This is an image of what appears to be a waiter or a service worker. He is Caucasian and seems to be more elderly. His hair is gray and white, but he is dressed nicely. He's wearing a white button-up with a black bow tie. He's holding a basket of something and there is somebody to the right of him, also wearing a white button-up. He's clean-shaven, there is no facial hair. In the background, there is a white wall with wooden doors. There is a door to the left and to the right. The man himself is looking off to the left. The overall colors are white and brown.", "In the picture, there is a gentleman with white hair who appears to be of Caucasian descent. He is wearing a white shirt, and beneath it, you can faintly see a white T-shirt. He is holding a small frame containing a white tablecloth, and the corners of his mouth are slightly turned down, possibly having witnessed something unpleasant. He looks to be in his fifties or sixties and is wearing a bow tie. In the center right of the image, you can see a person's shoulder, likely a colleague of his. I suspect he is working in a restaurant and has seen something. Behind him, there are two doors and a white wall. The overall style is cool-toned with a white background, and the whole atmosphere is rather dark, featuring a total of two people."]
|
[False, False]
|
[nan, nan]
|
The image depicts a waiter or service worker who appears to be of Caucasian descent and is elderly, likely in his fifties or sixties. He has gray and white hair and is dressed in a smart manner, donning a crisp white button-up shirt complemented by a black bow tie. His attire suggests a formal setting, possibly a restaurant or similar establishment. He holds a basket in his hands, although the contents of the basket are not specified. To his right stands another individual, also dressed in a white button-up shirt, indicating they might be colleagues working together in the same environment. The older gentleman's expression is notable; he is clean-shaven with no facial hair and is gazing off to the left, which could imply he is distracted or perhaps concerned, adding a layer of intrigue to the scene. Behind him, the background features a white wall with wooden doors, enhancing the impression of a professional dining atmosphere. There are two doors visible, one on each side of the frame, reinforcing the idea of a structured, organized space. In another depiction, the same older gentleman is shown again, this time holding a small frame that contains a white tablecloth. It appears that he is perhaps presenting or inspecting this table setting. His demeanor suggests he might have just witnessed something unpleasant, as indicated by the slight downturn of his mouth. The image atmosphere is described as cool-toned with a predominantly white background, contributing to a somewhat somber vibe. The presence of another person's shoulder in the center right of the image further emphasizes the notion of a busy professional environment. Overall, the scene captures a moment that reflects the intricacies and challenges faced in the service industry.
| 1,967 |
|
nonnative
|
['1d7k9FiTLQp6', '1kQIxY3VCiFa']
|
['Chinese', 'English']
|
['In this picture, there is a little boy who appears to be celebrating a birthday because he is blowing out birthday candles. The items in the image include two people, both boys, nine candles, three plates, a cake, a cup, a sofa, three windows, a roll of paper, and a table, with no text anywhere. The cake is placed on the table, and the plates are also on the table along with a mat. The little boy is sitting on a chair; the corners of the paper are on the table, and the sofa is behind the little boy. The room in this picture is a bit messy, with a television lying on the floor and a carpet on the ground as well.', " The image captures a joyful birthday moment in a cozy, well-lit room. At the center, a young boy is seen blowing up the colorful candles and a small chocolate cake placed on a table with vibrant green patterned tablecloth. His expression is full of excitement and concentration, emphasizing the celebratory atmosphere to the left and let our child sit attentively watching the moment unfold, adding to the communal feel of the celebration. Nearby on the table are a purple mug, decorative plates and a roll of paper towels, and a few scattered placemats and coasters suggesting a relaxed, informal gathering. In the background, natural light streams in through the large green-framed windows, illuminating the scene and casting warm shadows across a room. The windows are partially covered with floral curtains, enhancing the homey, rustic ambiance. A wicker chair sits slightly out of focus, with a person leaning back in it, seemingly enjoying the occasion from a distance. The wooden paneling on the walls and earthy tones of furniture contributes to the cozy, lived-in vibe of setting. The overall composition captures the warmth and simplicity of a family gathering, emphasizing the small yet meaningful moments of joy and connection. The combination of natural lighting, everyday objects, and genuine emotion makes the image relatable and heartwarming, offering a glimpse into the beauty of celebrating life's little milestones and loved ones."]
|
[False, True]
|
[nan, nan]
|
In this picture, there is a little boy who appears to be cheerfully celebrating his birthday. He is focused on blowing out the vibrant birthday candles that are set atop a small chocolate cake. The scene captures a candid moment filled with excitement as he participates in this special ritual, a common tradition during birthday celebrations where the birthday individual makes a wish before extinguishing the candles. The items visible in the image include two boys present, with the other boy sitting off to the left and attentively watching the cake. There are a total of nine colorful candles adorning the cake, which is prominently placed on a table covered with a vibrant green patterned tablecloth, giving the setting a festive feel. Surrounding the cake are three decorative plates, a purple mug, and a roll of paper towels, indicating that this celebration is informal and perhaps spontaneous. Scattered placemats and coasters can also be seen suggesting the gathering is relaxed and joyful. The boy sitting on a chair demonstrates a poised yet excited demeanor, reflecting the festive atmosphere surrounding him. Behind the child, a sofa is positioned, which adds to the informal setting. The corners of the paper towel roll rest on the table while the background reveals a bit of disarray, as evidenced by a television lying on the floor, which adds a layer of relatability and authenticity to the image—showing that life can be beautifully imperfect. The room is well-lit with natural sunlight pouring in through large green-framed windows, bathing the scene in warmth and casting gentle shadows across the interior. These windows are partially adorned with floral curtains, contributing to the inviting, cozy ambiance characteristic of family gatherings. In the background, a wicker chair is slightly out of focus, and a person can be seen leaning back in it, seemingly enjoying the lively celebration from a distance, highlighting the communal aspect of the occasion. The warm wooden paneling on the walls, alongside the earthy tones of the furniture, further enhances the cozy and lived-in feel of the environment. This inviting setting encapsulates the warmth and simplicity of a family celebration, where small yet significant moments of joy and connection are fostered. The image as a whole resonates with authenticity, celebrating the beauty of life's little milestones and the love shared among friends and family.
| 1,697 |
|
nonnative
|
['1fuG1DwpqS4z']
|
['English']
|
[" This appears to be some type of award show. Again, I think it's a Chinese award show just because there are Chinese letters at the bottom right of the picture as long as a WeChat logo. The woman is dressed in red on stage and being given a trophy with a star at the top by a man in a black suit. There is another man behind them also wearing a black suit. He appears to be the emcee or some type of host of this award show. The background is a digital screen and it's lit up with a red and black hue. It's hard to say why, but that's the overall background of the image. The style is a very realistic sort of picture style. It's simply capturing a moment in time."]
|
[False]
|
[nan]
|
This image captures a moment from an award show which appears to be of Chinese origin, as indicated by the presence of Chinese characters in the bottom right corner of the picture, as well as the logo of WeChat, a popular Chinese social media platform. On the stage, a woman is prominently dressed in a striking red outfit, which is often associated with good fortune and celebration in Chinese culture. She is receiving a trophy that features a star at the top, symbolizing achievement and recognition. Standing beside her, a man clad in a classic black suit is handing her the trophy, suggesting that he is likely an official or presenter involved in the award ceremony. Additionally, there is another man positioned behind them, who is also wearing a black suit, indicating that he is likely the emcee or host of the event, tasked with guiding the audience through the proceedings and introducing the award presenters and recipients. The backdrop of the scene features a digital screen that is imbued with a red and black hue, creating a dramatic and festive atmosphere that aligns with the celebratory nature of the occasion. The combination of red and black also adds a sense of elegance and sophistication to the overall design of the stage. The photograph is taken in a realistic style, emphasizing the authenticity and immediacy of the moment being captured. It serves not just as a mere snapshot but as a vivid representation of an event celebrating excellence, achievement, and cultural significance.
| 2,623 |
|
nonnative
|
['19SmYTbqnZrH', '1aRbMl3pLn37', '1eYqqlbTWPSP', '11hfEkgikSTv']
|
['English', 'Thai', 'English', 'English']
|
[" This is an image that's rotated sideways of some food. There are three steamer baskets, only two of them are mostly visible. The third one is like not very visible. You can only see the very side of the bowl, the steamer bowl basket. And inside of the steamer baskets that are more visible you see these white square dishes that are holding some form of what looks like meat in sauce and they look to have been steamed. There is a person's arm in the background next to one of those steamer baskets that has a watch with a brown strap on and some tea to the side. So this indicates something of maybe like an East Asian or Asian sort of food.", "This image consists of two pieces of food and a glass of leftover drink. From what I can see, it appears to show chicken feet or chicken joints, surrounded by a type of dough. The pieces are about 2-3 centimeters in size, resting on a white plate, and there is something brown that seems to be related to tribes. I can't clearly discern the specific details or surroundings of the food; it looks like a dish from a Chinese restaurant, where someone ordered chicken feet, tea, and additional food items that aren't visible from the angle captured in the photo.", " Well, this picture shows a very famous Chinese dish, which is dim sum, often referred as yim cha in Cantonese culture. It is a cherished Chinese tradition, particularly popular in Hong Kong and Guangzhou. This leisurely brunch experience involves enjoying small flavorful dishes like steamed dumplings, bumps, rolls, and pastries, all served in bamboo baskets, accompanied by fragrant tea such as jasmine or pu'er. Dim sum is a social affair, bringing family and friends together to share food and conservations. From classic like ha gao, like the shrimp dumplings, or cha-sewur-boa barbecue pork buns, to sweet treats like egg tart, dim sum offers a delightful variety of flavors and textures. It is a delicious reflection of Chinese cuisinerie, artistry, and communal dining culture.", " So this is a photo very likely taken in a Chinese or Cantonese restaurant. So on the left side we can see a people's arm, very likely a lady's arm. There's a watch on her wrist and there's also a cell phone on the table. And we can see a cup of tea next to her arm. And on the table we can see two like steam containers. And on the left side, actually in both containers we can see very likely is steamed ribs. But on the left side the ribs are more like white color. And on the right side the color is darker which is a brownish color. Very likely it's soy sauce ribs. It's also steamed. And we can also see a teapot right next to it."]
|
[True, True, True, True]
|
['Looks like asian food given the bamboo steamer basket and tea', 'Chinese Food', 'food', 'Asian']
|
This is an image that is oriented sideways, showcasing a selection of food items. In this visual, there are three bamboo steamer baskets, although only two are largely visible due to the composition of the image. The third steamer basket is only partially visible, revealing just a glimpse of its side. Within the steamer baskets that are more prominently featured, there are white square dishes holding what appears to be chunks of meat drenched in sauce, suggesting that they have been prepared using a steaming method. Additionally, there is a person's arm in the background near one of the visible steamer baskets; this individual is wearing a watch with a brown strap. Next to the arm, there is a cup of tea, implying that this meal might be related to traditional East Asian or Asian culinary practices. The next image consists of two distinct pieces of food alongside a glass containing remnants of a drink. Upon observation, one can perceive what seems to be chicken feet or perhaps chicken joints, encased in a type of dough. These pieces, measuring approximately 2 to 3 centimeters, are delicately arranged on a white plate, accompanied by a brown element that appears to have cultural significance, possibly linked to tribal cuisine. However, the precise details of this food and its immediate surroundings are somewhat unclear. This dish bears a resemblance to what one might typically see at a Chinese restaurant, where a patron has ordered chicken feet, alongside tea and other food items which, regrettably, are not visible from the captured angle of the photograph. The subsequent picture features a well-known Chinese dish commonly recognized as dim sum, referred to as "yim cha" within Cantonese culture. Dim sum is a beloved culinary tradition, particularly favored in regions like Hong Kong and Guangzhou. This leisurely brunch experience encapsulates the joy of relishing a variety of small, flavorful dishes, including steamed dumplings, buns, rolls, and pastries, all traditionally served in bamboo baskets. Accompanying these delectable food items is usually a fragrant tea, which may include varieties such as jasmine or pu'er. Dim sum transcends mere dining; it is a social event characterized by gatherings of family and friends coming together to share food and engage in lively conversations. From classic offerings like "ha gao," or shrimp dumplings, and "cha siu bao," or barbecue pork buns, to sweet treats such as egg tarts, dim sum presents a delightful spectrum of flavors and textures. It serves as a representation of Chinese culinary artistry and the culture of communal dining. In another image, there is a strong indication that the photograph was taken in a Chinese or Cantonese restaurant setting. On the left side of this image, one can see a human arm, most likely belonging to a woman, complete with a watch on her wrist. Alongside her arm lies a cell phone on the table, indicating a modern social context. Accompanying these items is a cup of tea. The table itself showcases two steaming containers, both of which likely contain steamed ribs. Notably, the ribs in the left container appear to be a lighter color, while those on the right display a darker, brownish hue, suggesting that they are prepared with soy sauce. It is clear that these ribs have also undergone the steaming cooking method, contributing to the authenticity and flavor profile that is characteristic of these traditional dishes.
| 456 |
|
native
|
['14JSoRpHz1pT', '19MT33jQ1AGi']
|
['Chinese', 'Chinese']
|
['It shows a person engaged in some water sport, positioned slightly to the left of the center of the image. Underneath their feet is a water-powered flying device. There are no words in this picture; the overall color scheme is blue, with a blue sky and deep blue sea. There are not many particularly striking details; the overall scene is quite loose without much detail. The main visible elements are the mountains and clouds in the background, and the most eye-catching feature is the person along with the flying device beneath them, which is spraying a column of water.', "At first glance, I saw a person floating on the sea, and upon closer inspection, besides the person in the center of the painting, there is also something beneath their feet that allows them to spray themselves up with water. In this picture, there is nothing else; the person is right in the center of the frame. The detail of what they are standing on, I don't even know what it's called. The background consists of the sky and the sea, and at the horizon where the sea meets the sky, there is a group of mountains, which can also be seen as a group of details. The entire picture features a sky that is blue with white clouds, while the object the person is standing on is red, and the sea is blue with a hint of green."]
|
[False, False]
|
[nan, nan]
|
In the image, a person is actively engaged in a water sport, positioned slightly to the left of the center. Beneath their feet, there is a water-powered flying device that elevates them above the surface of the water. The scene lacks any textual elements, allowing the visuals to dominate. The overall color palette is predominantly blue, featuring a clear blue sky and a deep blue sea, which creates a serene backdrop. The composition is quite open, lacking intricate details, which gives the scene a loose and airy feeling. The primary focus is on the individual and the flying device, which is notably spraying a column of water upwards, enhancing the dynamic nature of the activity. Upon closer examination, there is a moment of hesitation in identifying the device beneath the person's feet; it seems to function as a jetpack for water sports, a device often referred to as a "flyboard". This fascinating equipment allows users to rise out of the water and perform acrobatic maneuvers. The person is centrally located in the image, drawing the viewer's attention directly to their action. Surrounding them is a vast expanse of sky dotted with fluffy white clouds and a picturesque horizon where the sea meets the sky, marked by a range of mountains that add a sense of depth and adventure to the scene. The mountains serve as further visual interest, while the sea displays a rich blue hue interspersed with hints of green, indicating clarity and possibly reflecting the natural environment. The individual's flying device is noted to be red, providing a vibrant contrast to the blues of the sea and sky, which may symbolize the thrill and excitement associated with water sports. Overall, the lack of detailed elements in the scene complements the dynamic action and keeps the viewer’s focus on the exhilarating experience of watersport.
| 2,802 |
|
native
|
['1kwUTbgDn9aq']
|
['Chinese']
|
['The image features an entrance resembling a subway station, with a downward passage. People can be seen going up four steps and then taking an elevator down, suggesting that there is a subway below. The main entrance has a trapezoidal shape, and above it, there is a green banner that reads "Gongguan Station," indicating the name of the station. To the right of the banner, there\'s a black mountain symbol on a yellow background, which likely represents a bus or subway line number, or possibly the number of this exit. The scene is set in a city, with some buildings visible on the left and plants on the city walls, contributing to urban greenery. The image clearly shows about six pedestrians. A red arrow is also depicted, pointing from the subway exit towards the right side of the image, indicating the route that people take when exiting.']
|
[False]
|
[nan]
|
The image presents a view of an entrance that closely resembles a subway station, featuring a downward passage leading into the facility. Within this scene, a number of individuals can be observed navigating their way up a set of four steps before opting to utilize an elevator that takes them downwards, indicating the presence of a subway system located beneath the surface. The main architectural feature of the entrance is its trapezoidal shape, which adds a distinctive design element to the structure. Prominently displayed above the entrance is a green banner that features the name of the station, "Gongguan Station." This sign not only identifies the location but also serves as an important navigational guide for commuters in the area. Adjacent to the left side of the banner is a symbol depicting a black mountain set against a yellow background. This symbol likely represents key information, such as a specific bus or subway line number, or it may indicate the designated number of the exit. The setting of the image is within an urban environment, evidenced by the presence of several buildings visible to the left. Additionally, there are plants integrated into the city walls, contributing to a sense of urban greenery that enhances the overall aesthetic of the area. The scene includes approximately six pedestrians, illustrating the activity and utilization of this entrance. Furthermore, there is a red arrow depicted in the image, which points directly from the subway exit towards the right side, providing visual guidance on the path that people typically follow when exiting the station. This directional element serves to assist and direct commuters, emphasizing the importance of navigational aids in bustling city environments.
| 2,515 |
|
native
|
['1hOAjBR0jJq7', '1YormaZ2NvT2']
|
['Chinese', 'Chinese']
|
['Please generously like, subscribe, share, and support Mirror and the Dot Dot program. Mirror and the Dot Dot program, Mirror and the Dot Dot program.', 'At first glance, this picture appears to be a large amount of text without much else. In this image, there seems to be a page from a certain book marked with a red line, with the text above indicating "Chapter Three" or "The Threat of Current or Print." From my reading of this text, it seems to tell the story of a person named Xiao Ge and his braids, which appears to take place during the late Qing Dynasty or the early Republic period. In fact, the upper half of this page should come from the previous page, while the next page accurately discusses "The Red Profits Facing Negotiations" and introduces the background of the entire story. In the lower corner of this book page, there are a few annotations. The entire image is a black-and-white book page. So, the content we derive from the previous page is "The Red Profits Facing Negotiations," similar to those few annotations. We derive from the previous page about "The Red Profits Facing Negotiations." We derive from the previous page about "The Red Profits Facing Negotiations." We derive from the previous page about "The Red Profits Facing Negotiations."']
|
[False, False]
|
[nan, nan]
|
Please generously like, subscribe, share, and support Mirror and the Dot Dot program. Mirror and the Dot Dot program, Mirror and the Dot Dot program. At first glance, this image presents itself as a considerable quantity of text accompanied by minimal visual elements. The image depicts a page from a specific book, marked prominently with a striking red line. The text located at the top of the page suggests that it belongs to "Chapter Three," which bears the intriguing title "The Threat of Current or Print." Upon careful examination of the text, it narrates the story of an individual by the name of Xiao Ge and his distinctive braids, a narrative that is situated within the historical context of either the late Qing Dynasty or the early Republic period of China. Notably, the upper half of the displayed page is likely a continuation from the preceding page, while the following page delves into the topic titled "The Red Profits Facing Negotiations," elaborating on the overarching background of the entire storyline. In the lower corner of this book page, there exist several annotations that provide additional insights or considerations relevant to the text. The image itself is rendered in black and white, presenting the aesthetic typical of historical publications. Therefore, from our analysis of the preceding content, we can confirm that the topic discussed includes "The Red Profits Facing Negotiations," which is reiterated through the annotations visible on the page. It is worth noting that the redundancy of mentioning "We derive from the previous page about 'The Red Profits Facing Negotiations'" emphasizes the significance of this particular subject in the context of the narrative.
| 2,707 |
|
nonnative
|
['1bXHeSWMe759', '1f8kHy54h463']
|
['Chinese', 'Chinese']
|
["The entire scene features a woman's headpiece. We can see that this decoration is situated on top of a rectangular object, which resembles a bag made of cotton or a similar material, appearing relatively far away. This bag can be worn on the lady's head. We can further observe that it has strings, and at the front of this decoration, there are five small pieces. On these pieces, there are images of pigs, and at the very front, the pieces are colored green, red, blue, pink, and yellow, selected from left to right. In front of this soft black bag, we can see two characters, and in between them, there is a shape resembling a droplet. Around them, the design is made with green accents. On both sides of the bag, there are two green buttons connected by a string that can be used to secure the entire decoration on a person's head. Moreover, on the surface of this decoration, we observe many small decorative patterns that seem to be inserted into this soft black bag. Most of these patterns are primarily white, with some green accents, and they also have red dots or yellow decorations, along with pink, green, and small blue dots; a variety of colored decorations can be inserted onto this bag. This design likely holds significant meaning in a particular culture, as the photographer captures these ornamental details in a close-up shot.", "This photo was taken outdoors and features a woman's head, but in this image, we can only see the area above her eyes. We can't see her glasses, just her eyebrows, and she is wearing a hat. The main focus of the photo is this hat, which has green letters on the top, but I can't make out what the letters say. In the middle of the letters is a model that looks like something underwater. Below, you can see some decorative flowing elements, and at the very top, there are various decorations placed on it. I can see that there are decorations with a white base and red tips, and there are about a dozen or so on top. I'm not quite sure which culture or religion this belongs to, but I believe it carries strong cultural or religious significance."]
|
[True, True]
|
['This is culture specific decoration.', nan]
|
The scene prominently features a woman's headpiece, which is a distinct piece of decorative attire. The headpiece is placed atop a rectangular object that resembles a bag crafted from cotton or a similar lightweight material, with the bag appearing relatively distant from the viewpoint. This accessory is designed to be worn on the woman's head. Upon closer inspection, the bag is equipped with strings, allowing it to be securely fastened. At the forefront of the headpiece, there are five small decorative elements, each displaying an image of a pig. These pieces are color-coded, arranged from left to right in bright hues of green, red, blue, pink, and yellow. In front of the soft black bag, two figures are visible, positioned on either side of an object that resembles a droplet. The surrounding design surrounding these characters features green accents that enhance the visual style. Flanking either side of the bag, there are two green buttons that are connected by a string; this string plays a crucial role in securing the entire decoration firmly onto the wearer’s head. Additionally, the surface of the decoration showcases numerous small ornamental patterns that are embedded into the soft black material. The majority of these patterns are predominantly white, interspersed with vibrant green accents. They are further decorated with red dots, yellow embellishments, and also smaller touches of pink, green, and blue, contributing to an array of colorful decorations that can be affixed to the bag. The intricate design likely carries significant meaning within a specific cultural context, as suggested by the close-up shot taken by the photographer, which captures the ornamental details in an intimate manner. The photograph, captured outdoors, shifts focus to a woman's head, yet only the area above her eyes is visible. Her glasses are not discernible, but her eyebrows are clearly visible. The primary emphasis in this image is on a hat she is wearing, which features green letters that appear on the top; however, the specific letters are illegible from the current view. The central design element of the hat resembles something that you might typically find underwater. Flowing decorative elements adorn the lower section of the hat, while at the very top, various ornaments are displayed. These decorations possess a white base with prominent red tips, numbering around a dozen or so atop the hat. While the specific culture or religion associated with this headwear remains uncertain, it is strongly believed to embody significant cultural or religious meaning, reflecting the traditions and values inherent in its design and usage.
| 1,173 |
|
nonnative
|
['1eis3ICKmsJG', '1TjvMnbe3dTY', '1fKv0UTLEIqd']
|
['English', 'Chinese', 'English']
|
[" It's a picture of a stage show. There are two people in the pictures. One is a man and one is a woman. The man is playing a drum. The woman seems like he's singing or reading some songs. It looks like it's a performance on the stage. And then they're both wearing white clothes. It looks like traditional Korean clothes. The background is really dark, but you can kind of tell it's on a stage with some rock and some tree painting in the back. Under the drum, there's a purple cushion underneath. Purple blue cushion underneath. Overall, it looks like some performance about the Korean culture. The female puls過", 'The picture looks like a shot from a stage or performance scene, with an entirely black background, and lights focused on two actors. The actor on the left appears to be a woman standing, while the actor on the right is a man who is possibly kneeling. The woman is wearing a long-sleeved white dress that is fitted at the waist, and her left hand is pointing forward. Her hair is parted in the middle and styled back. The man on the right is dressed in clothing that seems similar to the same ethnic style. Above his waist, there is a thin black line. His hand rests on a cylindrical bone placed horizontally in front of him, which is resting on a blue cushion. The man is also wearing a hat with a small cylindrical top and a round brim. There is a rope tied around his face, and he is looking towards the woman. The ground appears very smooth and has a slight reflection.', " In this picture, we have depicted two people. One is a lady, one is a man. The lady has her face blurred out, and she's pointing towards the audience. She seems to be on stage somewhere. They're on stage, and she's pointing towards the audience. But you can't see where her face is looking because it's blurred out, and the background is all black. There's no light in the background at all. And they're both on stage. It looks like there's probably a spotlight on them, and that's why the background is black. All you can see is them, but you can see them very clearly. They're both wearing white. Her white is lit up clearly by the spotlight. His is not so much. He's also not looking at the audience. He's looking away, and he's holding onto some kind of wooden circular device thing. And he's got some kind of hat on, a hat that seems to be of cultural significance. And that rolly thing that he's holding onto, that device that's sitting on top of something blue, something royal blue. And all this is on top of a black stage background thing. Another thing – it looks yeah, isn't it? There's no idea of looking. I think it's for G利 kittens I all love you. What's happened? It looks like there's no other little spirit. Many of them can языcs. People speak there answers to things that know her head go."]
|
[True, True, True]
|
['The clothes of the people', '像某国（韩国?) 的传统服饰', nan]
|
The transcription describes a scene from a stage performance featuring two individuals: a man and a woman. The setting is vividly detailed, with both performers dressed in traditional clothing that is notable for its cultural significance and artistry. The man is focused on playing a drum, while the woman is either singing or reciting songs, indicating an artistic performance that embodies elements of Korean culture. Both performers are clad in white garments, which have been noted to resemble traditional Korean attire, hinting at the cultural backdrop of the performance. The dramatic setting is enhanced by the dark background, suggesting a theatrical environment where the spotlight is solely on them. There are elements of stage design that include rocks and tree imagery, further enriching the cultural context of the performance. Focusing on the performers, the woman stands prominently, with her left hand extended towards the audience, suggesting engagement and interaction. Her hair is styled back, parting in the middle, contributing to her elegant appearance. The man, appearing as if he is kneeling, wears clothing similar in ethnic style but less illuminated by the stage light. Notably, he has a cylindrical hat with a small top and round brim, which may hold cultural significance. His hand rests on a cylindrical bone, which is placed on a blue cushion, possibly made of royal blue fabric. The cushion adds a layer of detail to the artwork, indicating careful stagecraft and design intention. The stage itself appears smooth, enhancing the stark contrast between the performers and the dark background, emphasizing their visibility and the intensity of the performance. There appear to be elements of cultural choreography or expression intended to resonate with the audience, though further clarity regarding their exact performance is limited due to a blurring effect on the woman's face. This artistic choice may represent anonymity, universality, or symbolism within the artistic narrative being performed. Overall, the scene encapsulates an expressive moment rich in cultural heritage, showcasing traditional attire and staged art that draws attention to the performers while encapsulating the essence of a theatrical presentation focused on Korean culture.
| 1,051 |
|
nonnative
|
['1hQcg99IkvXD']
|
['English']
|
[" a man and a woman. They're staring at each other and facing the camera. And they're walking towards us on some sort of track or something. And they're both dressed in a lot of clothing, so I'm assuming it's winter. They have neutral expressions. The woman is shorter than the man. The man is holding some sort of instrument case. It might be a guitar or a cello, while the woman is holding a bag across the shoulder bag that is orange brownish. The woman is wearing a red sweater with some blazer on top. She's also wearing some gloves, some wool gloves. She's wearing a long floral skirt and she's wearing black shoes. The man is wearing jeans with a brown jacket and he's also wearing a brown scarf. The woman is wearing a red scarf. Both man and woman have brownish hair. And on top of them, in the center, it says Once, music from the motion picture. Once is in orange and music from the motion picture is in white."]
|
[False]
|
[nan]
|
A man and a woman are depicted in a scene where they are gazing at one another while simultaneously facing the camera. They are walking towards the viewer along what appears to be a track or pathway. Their attire suggests that it is winter, as they are both dressed warmly in multiple layers. The expressions on their faces are neutral, devoid of any overt emotion, which adds a contemplative quality to their interaction. The woman stands slightly shorter than the man, creating a visual contrast between the two. She is holding a bag slung across her shoulder, which is styled in a muted orange-brown hue. Her outfit features a vibrant red sweater layered with a blazer, indicating a fashion sense that embraces both color and warmth for the colder season. She complements her attire with wool gloves that add to her winter ensemble and a long floral skirt that brings a touch of femininity to her look. On her feet, she wears black shoes, completing her outfit. The man, in contrast, sports a more casual look with jeans paired with a brown jacket, which also serves to keep him warm. Around his neck, he has wrapped a brown scarf, which ties in with his overall color palette. Both individuals share a common characteristic of brownish hair, grounding them further in their shared experience. Above the couple, centrally positioned in the composition, the text reads "Once," styled in a distinctive orange font. Beneath it, in white lettering, it says "music from the motion picture," giving context to the visual scene. The title "Once" suggests a connection to the celebrated independent film known for its poignant music and heartfelt narrative.
| 2,298 |
|
nonnative
|
['1bJsJcC9O10N', '1mUIA7PDcxvS']
|
['English', 'Chinese']
|
[" The image at first glance appears to be a photo of some cars on the road at night. What are the objects? Well there are two cars, there are a lot of trees, and there is also two sets of traffic lights, as well as lights on the side of a road. There is no text in this image. The position of the objects, the cars on the bottom left, the lights are in the middle of the photo, the traffic lights are in the middle of the photo, and the lights are on the left of the photo. And there is also a big electricity pole on the entire right side of the photo. The trees are also spread out, and the night sky is in the upper middle of the photo. The subtle details, I think you can see that there are a lot of lights in the houses in the background. That's relatively subtle, and the style, in terms of style, it's very dark, and the color is also just very dark.", 'This love, which is also the position of the summer doll, actually has a key idea within it: we need to clearly understand that when operating rental cars or organizing books, if we see that we are meant to break things down into segments, then from this perspective, we can segment it without the need to always stick to the "love home" concept. This is what I would consider a rigid way of thinking. Alright, that\'s all for this video. This is Code, so I am Cheng Xueka. Thank you for your support. See you next time!']
|
[False, False]
|
[nan, nan]
|
The first part of the transcription provides a detailed visual description of an image that initially appears to be a nighttime photograph of cars on the road. Upon closer inspection, it becomes clear that there are two distinct cars positioned toward the bottom left corner of the image. Surrounding the cars, there is a backdrop of numerous trees, which adds to the natural ambiance of the setting. Prominently featured in the center of the photograph are two sets of traffic lights, which are important navigational aids, accompanied by additional lights situated along the side of the road. On the right side of the photograph, a significant detail is presented: a large electricity pole that stretches vertically, contributing to the urban infrastructure depicted in the scene. As the description continues, it notes the arrangement of the trees, which are dispersed throughout the image, enhancing the composition with a natural element. The upper middle section of the photograph is taken up by a dark night sky, drawing attention to the contrast against the illuminated aspects of the image. Subtle details are highlighted as well; there are numerous lights visible in the houses within the background, suggesting a lively neighborhood despite the nighttime setting. The overall style of the image is characterized as very dark, with the color palette reflecting this somber tone, reinforcing the night-time atmosphere. The second segment of the transcription shifts focus to a more abstract discussion regarding the concept of love, particularly in the context of organizing aspects like rental cars or books. The speaker introduces a central idea that emphasizes the importance of understanding segmentation in operations, suggesting that there’s a necessity to break down tasks or ideas into manageable segments instead of adhering to a rigid or traditional perspective, which they denote as the "love home" concept. The speaker critiques this rigid way of thinking and encourages a more flexible approach. The segment concludes with a personal sign-off from Cheng Xueka, expressing gratitude for the audience's support and indicating they look forward to reconnecting in the future.
| 1,915 |
|
nonnative
|
['183fdGC86HNh', '12dLfOV0J17j', '13oL1ab1Sk3t', '1orMx0NzCE9p', '1kooz8yqjSP4']
|
['English', 'Chinese', 'English', 'Chinese', 'Chinese']
|
[" The picture shows kids sitting on carpet. The kids have their legs crossed up. The picture has one girl in a blue shirt in the center. The other children are wearing white tank tops. There is a leg of an adult wearing jeans. It looks like the girl with the blue top has a bowl-shaped haircut. She is doing some yoga cross-leg position. There are no texts in the picture. The carpet she's sitting on has maroon and golden patterns. They look like they are Asian children, possibly India, but could be South Asia. Hard to tell. Based on the carpet shapes, it looks more traditional patterned. So this, I would assume, is not in the United States. Probably in Asia. Or if it is in the United States, it's in an ethnic building.", 'In the photo, there are many children, and facing the camera is a child wearing a dark green shirt. He is sitting cross-legged with his hands resting on his knees, in a very upright position. Behind him, there are many other children dressed in tank tops, also sitting in the same way on a deep red and yellow patterned carpet. It is evident that this is a country resembling India. They are practicing meditation, and the child in the dark green shirt is sitting in front of the camera, appearing surprised.', " This picture shows kids sitting on a mat doing what seems to be like meditation. Most of the kids are wearing white vests except for the front kid who's wearing a light blue shirt. They have their legs crossed and their hands stretched out to their knees. They're sitting on a mat and there's one person in jeans standing somewhere in the middle. Which seems like this person is their instructor. Yeah.", 'In this picture, there are many children. Sitting in the front is a little girl wearing a blue top and shorts, barefoot and sitting cross-legged on the ground. She sits up straight, and behind her is a group of children. Directly behind her is a little boy wearing a white top, sitting with his back to her. Behind them is a group of children and some adults. The children are all wearing white tops. If you count, there are about five children on the left, and in the middle, there are some adults, including a man with a big beard and a woman. To their right, there are some little girls. They are sitting on a very stylish carpet that gives the impression of being in a classroom, as if everyone is attending a class and listening to a teacher. Goodbye, very good. Lilyam,愿愿, När你妇愿我啊, ports着蓝是这.', 'The image features a group of younger children sitting in a meditative pose. Most of them are wearing white tank tops, but the boy in the center of the photo is dressed in red. They are sitting cross-legged on the ground, with their hands resting on their knees, appearing to be engaged in meditation or some form of training. The boy in the blue shirt, who is in the most upright position, is being watched by some of the other children behind him, possibly curious about why he is sitting so straight. They may also be participating in some coordinated religious activity for youth.']
|
[False, False, True, True, False]
|
[nan, nan, 'The picture seems to be portraying a practice from a specific cultural background.', '看他们的体态和肤色还有头发颜色，像亚洲的小孩子。地上的地毯也很有南亚的风格', nan]
|
The picture captures a serene scene of children sitting on a carpet, demonstrating a meditation or yoga practice. The children are positioned with their legs crossed, a common seating posture in many meditation practices, which promotes stability and comfort. In the center of the image is a girl wearing a blue shirt; her bowl-shaped haircut stands out. Surrounding her are other children dressed predominantly in white tank tops, a simple attire that keeps the focus on their practice. There is an adult leg visible in jeans, indicating that they may be supervising or teaching the children. The intricate patterns on the carpet, featuring deep maroon and golden hues, suggest a traditional design, possibly indicative of South Asian heritage. This leads to the impression that the setting is culturally rich, hinting at Indian influences, or perhaps a broader South Asian context where such decorative motifs are common. In another perspective of the photo, a boy in a dark green shirt is observed sitting cross-legged, hands resting on his knees, embodying an upright posture essential for meditation. His surprised expression suggests a moment of curiosity, possibly directed at the camera or his peers. The presence of other children in a similar seated arrangement amplifies the communal aspect of their activity, enhanced by their familiar tank tops. Further descriptions reveal a girl in a blue top and shorts sitting barefoot at the forefront, maintaining a straight posture. Directly behind her is a boy in a white top, also engaged in the same form of meditative seating. The backdrop features a mix of both children and adults, creating a classroom-like environment that suggests they are partaking in a structured learning or spiritual experience. The collective scene depicts the children absorbed in either meditation or a related training session, as they sit cross-legged on their stylish carpet. The atmosphere is reinforced by the presence of adults, including a distinguished man with a sizable beard and a woman, indicating the importance of adult guidance in their practice. The entire ensemble of participants creates a vibrant tableau that speaks to the cultural significance of meditation in nurturing focus and mindfulness, aspects deeply woven into many Asian traditions. The caption concludes by emphasizing the children's ethnic backgrounds, suggesting their Asian heritage, with visual cues like skin tone and hairstyle, which support this assumption. The decorative carpet further enhances the notion that the scene is set either in Asia or within an ethnic context within another country, contributing to the richness of this communal activity.
| 830 |
|
nonnative
|
['13NpFyajdf51', '162iSn9Cb1Ib', '1eSFJLoZ916l', '1jUiEK4zlxFG']
|
['Chinese', 'Chinese', 'Chinese', 'English']
|
['This image should have been taken outdoors. In the center, there is a photograph of a number, and I can see many leaves on top of this number. It appears to be divided into five layers, with a leaf at the very bottom. I can clearly see the texture of the leaves, which likely indicates that they come from areas with abundant water resources, rather than desert regions. This type of plant, with its roots, stems, and leaves, is quite distinct. Therefore, I personally believe this photo was taken in a region like South Asia or Southeast Asia. Additionally, I can see that the surroundings have a relatively bright light, suggesting that this is a photo taken during the daytime outdoors.', "In the image, there is a type of green plant that I can't identify. We can see a branch extending from the top to the bottom of the frame, and on this branch, there are narrow, elongated leaves that are symmetrical on both sides at regular intervals. These leaves are elongated with serrated edges, and there are clear light-colored veins running through the middle. The branch has five leaves on each side symmetrically arranged from top to bottom, and at the very bottom of the image, there is one more leaf at the end of the branch. The background of the image also contains green plants, though I am not sure if they are from the same tree, but they are also green. Some parts seem to be under light.", "The picture shows a cluster of leaves, but it's difficult to determine what type of tree they belong to. There are six leaves on the left side and six on the right side, with one leaf in the front. It looks like the season is spring or summer, so the leaves appear to be quite green. In the background, there are also more leaves in a bush. It's likely that the person took this cluster of leaves in a place where there are well-maintained trees, possibly in a park. I really don't think it resembles anything in particular; it first reminds me of something classic, like gold and elegance. It also feels like something extraordinary, but now that I've seen it, it seems very Japanese.", " So this image is a branch of leaves with a beige flooring and the branch has leaves coming down with very distinct veins and leaves. And it's very less, but it looks to be also a cloudy day. And the photo is just completely leaves. And the leaves are thin and long and a very distinct yellow ribbing. The leaves come in pairs on the branch and there is a single. So each linearly there is a pair of leaves at each point."]
|
[False, False, False, False]
|
[nan, 'No', 'no', nan]
|
This image appears to be taken outdoors, showcasing a central focus on a number, which is partially obscured by an abundance of leaves atop it. The composition is characterized by several distinct layers, notably five layers in total, with the base layer containing a single leaf resting at the bottom. The texture of the leaves is prominent, indicating they likely originate from a region abundant in water, as opposed to arid desert environments. This plant, with its visible roots, stems, and leaves, suggests a unique species, leading me to deduce that the photograph may have been captured in a geographical area like South Asia or Southeast Asia. The bright illumination in the image further supports this notion, implying that it was taken during daytime in an outdoor setting. In another segment of the image, a green plant is observed, the precise identity of which remains unidentified. The photograph captures a branch that extends vertically from the top to the bottom of the frame. This branch features narrow, elongated leaves that are symmetrical on both sides, arranged at regular intervals. Each leaf is elongated with serrated edges, and the prominent light-colored veins that run through the center add to their detail. The branch is adorned with five leaves on each side, symmetrically patterned from the top to the bottom, with a single additional leaf situated at the branch's lowest point. The backdrop of the photograph presents an assortment of green plants, although it is uncertain whether these belong to the same species. Some regions of the photograph appear illuminated, enhancing the depiction of the greenery. Another part of the transcription describes a cluster of leaves, though identifying the specific tree species they belong to proves challenging. The composition includes six leaves neatly positioned on the left and another six on the right, accompanied by a singular leaf in the front. The overall greenery suggests that the image captures a scene from the spring or summer seasons, as the foliage exhibits a vibrant green hue. Further back, additional leaves from a bush contribute to the lush atmosphere. The aesthetic of the cluster of leaves resonates with a classic elegance reminiscent of traditional themes such as gold—symbolizing luxury and beauty. There is a distinct sense of the extraordinary in the arrangement, which evokes imagery that aligns with Japanese cultural elements and aesthetics. In the final observation, the image showcases a branch adorned with leaves against a beige flooring. The leaves hang downwards, displaying prominent veins that are particularly distinct. The composition appears minimalistic, lending itself to a cloudy ambiance that envelops the photograph. The focus remains resolutely on the leaves, which are characterized as thin and long, accentuated by a striking yellow ribbing along their edges. Each linearly arranged point on the branch features paired leaves, alongside a singular leaf that completes the arrangement. The depiction of such details exemplifies the meticulousness of the foliage's design and structure.
| 778 |
|
native
|
['1ogyyWoEWfFG']
|
['Spanish']
|
['This photo contains a... a base. It is unknown what liquid is in it, but it can be held from the top. This is on top of some, not stones, but bricks of a typical brick color. And behind that, there are some bags, all made of the same material inside, which seem to be rocks. So, it looks like there are about 15 bags of rocks, all stacked on top of each other. Further back, there is a road and some tall building structures, and it seems to be a yellow base.']
|
[False]
|
[nan]
|
This image features a base that holds an unidentified liquid, which can be grasped from the top for easy handling. The base is positioned atop a series of bricks that exhibit the classic reddish-brown hue commonly associated with traditional brickwork. In the background, there are numerous bags, approximately fifteen, that seem to be filled with a rocky substance, all constructed from the same material. These bags are neatly stacked atop one another, creating a layered appearance. Beyond this arrangement, a road is visible, accompanied by tall building structures in the distance, which contribute to the urban landscape. The overall scene is dominated by a yellow base that adds a distinct touch to the composition.
| 1,316 |
|
native
|
['1jp8OvFoWSB2', '13Rjm41anDlL', '1cUbozEjdHbG']
|
['Chinese', 'Chinese', 'Chinese']
|
["This is a photo of fireworks. In the center of the photo, there are two people; they seem to have just finished setting off the fireworks. The fireworks fill the upper part of the photo, which is very dark overall, indicating that it's nighttime. Besides the two people lighting the fireworks, I don't see anyone else. On the left side of the photo, there's a streetlamp. In the background, there's a structure that resembles a ship, but it's unclear. This building might also be a ship, approximately four stories high, but I don't know if they are watching the fireworks. Overall, the image is quite dark, with only the fireworks providing light, and structurally, the composition feels quite empty; nearly the bottom third of the image is an empty space with no other objects.", "Ah, this is China's iron flower culture. Hmm, this flower is definitely the iron flower, but it’s hard to tell where it is happening because there are no words on it. It looks like there might be a boat, but it also looks like it’s not a boat; it’s hard to distinguish. It seems to be by the seaside or lakeside, and it’s definitely at night because the background is black. Moreover, the iron flower can only be seen clearly at night, yet surprisingly there are not many people around. Perhaps after the iron flowers were made, the performers did not appear in this scene, and we also can’t see any officials nearby because it’s visibly dangerous, and they cannot be too close to the iron flowers, so the officials are all gathered at the edge. This photo must have been taken during a specific event, so I assume it’s related to some celebratory event. After editing, whatever happens next, when we look at it, grab the technical notes that were noticed or not, your Monday 122010101010.", 'This picture depicts a performance of a Chinese folk art called Dun Tie Hua, also known as Iron Tree Silver Flower. In the center, there is a performer, and another person is holding a brightly burning iron flower, melted iron. Above this, there are large, freshly sprayed iron flowers resembling fireworks. In addition, on the right side of the performer, there are some people sitting on the ground, presumably watching the performance. Furthermore, the performance takes place outdoors, and in the background of the picture, there is another building and some lights.']
|
[False, False, True]
|
[nan, nan, nan]
|
This is a photograph capturing a spectacular display of fireworks lighting up the night sky. Centrally positioned in the image, there are two individuals who appear to have just completed the lighting of the fireworks. The upper portion of the photo is dominated by the vibrant bursts of color from the fireworks, contrasting against the predominantly dark background that indicates it's nighttime. Notably, aside from the two individuals setting off the fireworks, the image lacks any other visible spectators or participants, creating a sense of solitude in the scene. On the left side of the photo, there is a streetlamp casting a warm glow, which only lightly illuminates the surroundings. In the backdrop, there is a mysterious structure that bears a resemblance to a ship, although it is somewhat ambiguous. This building is estimated to be around four stories high, but it is uncertain whether any individuals are observing the fireworks from this location. Overall, the image conveys an atmosphere of stillness and quiet, with the fireworks being the sole source of illumination. The lower third of the image is notably empty, adding to the composition's sense of desolation. The second image relates to an aspect of China's cultural heritage known as the iron flower culture, specifically featuring an element referred to as the "iron flower." It is clear that the image showcases this cultural artifact, however, the exact location of the event is difficult to ascertain due to the absence of text or contextual clues. The setting appears to be either by the seaside or a lakeside, indicating a tranquil environment at night, as evidenced by the inky black background. The unique spectacle of the iron flowers is typically only visible at night, suggesting that the photograph captures a moment just after the iron flowers have been created. Interestingly, there seems to be a lack of audience, as the performers appear to be absent from this shot. This might suggest concerns regarding safety, as officials, typically ensuring the safety of such performances, could be positioned at a distance from the active area. This photograph likely commemorates a significant celebratory event which showcases this folk tradition. The technical notes referenced hint at further analysis or details to be examined later, possibly relating to the event or the presentation of the iron flowers, represented here through 0s and 1s, which may imply some form of data or coding relevant to the performance context. In the third photograph, a dynamic performance of a Chinese folk art known as Dun Tie Hua, or Iron Tree Silver Flower, is depicted. At the center stands a performer, alongside another individual who is holding an iron flower that is brightly aglow with molten iron. Above them are magnificent iron flowers that have been sprayed into the air, resembling vibrant fireworks bursting overhead. To the right of the performer, one can see several spectators seated on the ground, presumably attentive to the unfolding performance. The event is hosted outdoors, and the background of the image shows another building illuminated by various lights, adding to the overall ambiance of the scene. This depiction of traditional Chinese art reflects a rich cultural practice, inviting viewers into the artistry and celebration that defines such performances.
| 227 |
|
native
|
['11YymW3wlwvT', '19gEKFpFkRzB', '1cB1jkLYS4rN']
|
['Chinese', 'Chinese', 'Chinese']
|
["In the picture, there is tea, a kettle pouring water, and tea-making items including a cup and a larger kettle pouring water. There is no text, but I feel the kettle is positioned directly facing the tea cup. Regarding some details, I think the water is hot, and the cup looks quite nice. The kettle and teacup give off a vibe of a very tranquil afternoon. In the background, there is a floor with a teacup. The style has a sense of antiquity, as if it were made in a rather old house, but the tea set feels quite modern. I sense that the information I can gather from here resembles the feeling of making myself a cup of tea in the afternoon. It's memorable for me, even though I haven't used this setup before. Ahhh.", 'The photo depicts a round table with a green teapot placed on it, containing tea leaves. Above the teapot is a kettle pouring steaming hot water, which merges thoroughly with the tea leaves in the green teapot. Next to the teapot is a green lid. At the front of the teapot is a purple tablecloth, on which a small tea cup sits. The shooting angle is from a diagonal view above the teapot, capturing the scene of tea and water blending. One can imagine that this is a person enjoying a pot of fresh green tea on a leisurely afternoon, relishing the warmth and tranquility of the moment.', 'This is a photo of pouring tea. In the lower left corner of the photo, there is a small blue porcelain teapot containing tea leaves. Beneath the teapot is a plate with a stone pattern, and on the plate, there is also the lid of the teapot. To the right of the image is a larger kettle made of dark wood. A large hand is pouring tea from this kettle into the smaller teapot on the left. You can see that both the teapot and its plate are on a larger plate. In the background, the bottom of this plate is purple, and there is also another small cup in the plate. This small cup is round, with a brown exterior and a white interior. The background is out of focus and unclear, but overall it appears orange. Below that, there is a hint of materials that seem to suggest something can be taken home.']
|
[False, False, False]
|
[nan, nan, nan]
|
In the first transcription, the scene captures an ambiance centered around tea preparation and enjoyment. The focal point is a kettle pouring hot water, creating an inviting atmosphere for making tea. The kettle is oriented so that it faces a beautifully designed teacup, emphasizing the simplicity and elegance of the moment. The teacup is described as quite nice, contributing to the tranquil feeling of a peaceful afternoon dedicated to savoring a cup of tea. The presence of a floor beneath suggests the setting is indoors, surrounded by a calm environment. Although the aesthetic appears to belong to an older, perhaps more traditional setting, the tea set itself boasts a modern design, which intrigues the observer. This juxtaposition invokes a sense of nostalgia, reminiscent of the comforting act of brewing tea. The overall essence of the image is filled with a serene familiarity that speaks to personal memories, even though this specific tea setup has not been personally experienced by the narrator. In the second transcription, the photograph presents a round table adorned with a green teapot full of tea leaves. Above this teapot, a kettle is seen pouring steaming hot water, a visual representation of the tea-making process where the water infuses with the tea leaves, bringing the ingredients together harmoniously. Nestled next to the teapot lies a green lid, completing the tea set. A purple tablecloth draws attention at the forefront, and a small tea cup rests upon it, adding to the richness of the scene. The angle of the shot is taken from a diagonal perspective, capturing not just the teapot but the artistic interplay between the elements involved in this tea ritual. This imagery inspires thoughts of an individual indulging in a freshly brewed pot of green tea during a leisurely afternoon, embodying warmth and tranquility amidst the comforting task of steeping tea. The third transcription describes a scene focused on the action of pouring tea. In the lower left corner, a small blue porcelain teapot sits, filled with tea leaves, and positioned on a decorative plate featuring a stone pattern. Accompanying the teapot is its lid, resting on the same plate. To the right, a larger kettle made of dark wood is prominently featured as a hand elegantly pours tea from it into the smaller teapot. Both the teapot and its accompanying plate are showcased atop an even larger plate, which adds layers to this composition. The background is softer and vaguely orange, providing an out-of-focus backdrop that doesn't distract from the main actions depicted. Slightly visible at the bottom, another small cup adds to the visual narrative; its round shape and contrasting brown exterior with a white interior complement the overall aesthetic. The composition hints at the notion of a communal experience, where someone might enjoy tea together or gather materials to take home, suggesting a shared enjoyment of tea culture.
| 247 |
|
nonnative
|
['197OoeYjDw59']
|
['English']
|
[" I see a man. He appears to be Asian and surrounding him. He's wearing a suit first of all, with a gray tie, striped tie, and he's directly in the center of the image. The background is blurry, but in his immediate vicinity there are a bunch of what appears to be press or reporters with phones and cameras. That are all directed towards him. Everyone is facing him. He's the only one facing the camera that took this image. I see a bus in the background that's blurry. The background right, and in the bottom right of the image I see some Chinese letters as well as a website. www.people.com.cn So I'm assuming this is a Chinese image. Um, the man is staring directly into the camera that took this image, and he's squinting a little. He's not really showing too much emotion. So I'm assuming this must appear in the background, but what I see saying that's how muchiver comes. I feel so weird in the background that's who I see sitting here because of me. I believe this is how I knew this and in the background. it took the image."]
|
[True]
|
[nan]
|
A man appears prominently in the center of the image. He has distinct Asian features and is dressed in a formal suit. The suit is complemented by a gray, striped tie, emphasizing his professional appearance. Surrounding him is a crowd that appears to consist of press members or reporters, all intently focused on him with their phones and cameras aimed in his direction. It is notable that he is the only individual in the scene facing the camera that captured this photograph, while everyone else is turned toward him. In the blurred background of the image, there is a bus, but it is indistinct due to the focus on the man and the surrounding chaos of the reporters. Additionally, in the lower right corner of the image, there are some Chinese characters along with a website address: www.people.com.cn. This detail indicates that the image likely originates from a Chinese context or news outlet. As for the expression on the man's face, he is looking directly into the camera, and there is a slight squint, which may imply concentration or discomfort. His demeanor is rather neutral, suggesting he is maintaining a professional façade despite the attention surrounding him. The description also implies there may be some sort of event or announcement happening, as the image conveys a sense of urgency and importance given the gathering of media personnel focused on his presence. The overall scene encapsulates a moment that would typically happen during a press conference or public appearance, where the individual is under significant scrutiny from the public and media alike.
| 2,477 |
|
native
|
['1aI9VmiPw6ak']
|
['Chinese']
|
['In this picture, we see an Asian male wearing glasses with slightly wavy hair, holding a microphone and either speaking or singing. He is wearing a white shirt with a hint of gray and a white collar underneath a yellow suit. He also has a dark plaid shirt beneath the suit, which has three black buttons on the cuffs. On the right side of the dark plaid shirt, there is a brooch resembling a musical note. In the bottom right corner of the image, there is something that looks like a crystal or diamond, possibly a trophy, and the background is deep blue.']
|
[True]
|
[nan]
|
In the image being described, there is an Asian male who is identifiable by his eyeglasses and slightly wavy hair, which adds a nice touch to his appearance. He is actively engaged in either speaking or singing into a microphone, indicating that he is likely performing in front of an audience or perhaps addressing a group. His attire is quite striking; he is wearing a white shirt that has subtle gray undertones, complemented by a white collar which sits beneath a vibrant yellow suit jacket. The yellow color of his suit conveys a sense of energy and boldness. Underneath his suit jacket, he wears a dark plaid shirt that adds depth and a classic element to his outfit. This shirt features three black buttons on the cuffs, which are detailed and contribute to a polished look. Adding a unique touch to his ensemble, on the right side of the dark plaid shirt, there is a brooch that is shaped like a musical note. This decorative accessory likely symbolizes his connection to music and possibly represents his identity as a musician or someone involved in the arts. In the lower right corner of the image, there is an object that appears to be either a crystal or diamond, which could be interpreted as a trophy or a prestigious award. This detail suggests that the individual may have achieved recognition for his talents or contributions, enhancing the overall narrative of success within the context of the image. The background of the photograph is a deep blue, providing a rich contrast to his bright yellow suit and helping to focus attention on the subject in the foreground. The use of color in the background also adds an element of sophistication to the composition, further emphasizing the subject's prominence in the scene.
| 2,770 |
|
nonnative
|
['12HAsWmKrYP4', '13touyeG58Wi', '1lht2vrReeaq']
|
['English', 'Chinese', 'Chinese']
|
[" this picture is sideways so I'm gonna turn it 90 degrees in my mind um it looks like it's a picture of a statue but it's the statue looks cut off so maybe just the bottom half of this statue um and at the bottom you can see that there is two girls and a boy the girls are hugging each other it looks maybe like um or I was gonna say like a mom and a daughter because one of the girls looks bigger than the other but it might just be two girls and they have long hair that is wavy they're not wearing a shirt but they're turned backwards so their faces are turned over their back over the shoulders um it looks like they're wearing pants and you can just see like up until like their their legs start and then there's a man standing to the side of the two girls and he has his back really straight he looks maybe like a soldier or something it just he has his arms behind his back he's standing up straight he's wearing maybe like a robe maybe you can see his whole body he looks and because you can see his feet and his legs and he's around he's looked smaller than the two girls actually and then there's this like spiral structure behind them the whole thing is this gray stone but there's a spiral structure there's there's like this this pole sort of thing look in the back of them that they're attached these three people are attached to and then there's like two spirals going up the structure and then on the side it looks like the structure can continues but it's kind of cut off because you can only see the bottom part of the structure you you", 'You can see that this image shows a left turn of 90 degrees. The background features a blue sky and a little bit of shrubs. Below is a stone ground with a statue, which is a stone paper statue covered with some green moss. On top of this statue is a large stone pillar. The pillar has three women; they have long hair and are embracing each other while wearing pants, exposing their upper bodies, and looking back. Next to them is a single woman standing on the right, facing left. Thank you all, thank you all, thank you all.', "This image showcases a large bronze statue featuring multiple figures that collectively convey a sense of history or commemoration. From the details of the sculpture, we can see that the figures have different postures; some are standing, while others appear to be struggling or supporting one another, conveying a sense of vulnerability. The main color of the sculpture is green, indicating that it is made of metal and has weathered over time. In terms of the figures' attire, some are dressed in long robes, while others are in simpler clothing, suggesting they might represent different periods or social classes. The visible blue sky in the background and the ground indicate that the statue is situated outdoors, potentially as part of a square or a memorial park. Based on the design of the sculpture, it likely commemorates a certain cultural heritage or national spirit, especially related to national independence, liberation, or historical wars. The overall style is solemn and realistic, with finely detailed figures that exhibit a high level of artistic expression. From the possible cultural background, it is likely that this statue is located in Latin America, the Caribbean, or Africa, as these regions commonly feature similar historical memorial statues symbolizing national struggles, the suffering during colonization, or liberation movements. Thus, it can be inferred that this statue represents the historical memory of a certain country or nation, possibly connected to the colonial period, the slave trade, or independence movements, possessing strong cultural and historical significance. Thank you for watching. Thank you for watching."]
|
[False, False, True]
|
[nan, nan, 'Yes, this image is culturally distinct because it depicts a historical or commemorative bronze monument, likely representing a significant historical event, struggle, or cultural heritage. The sculptural style, green patina, and dynamic human figures suggest themes of liberation, resistance, or national identity, which are commonly found in Latin America, the Caribbean, or Africa. Such monuments are deeply tied to regional history, colonial past, or independence movements, making the image unique to a specific cultural or historical narrative.']
|
This image features a sideways composition, prompting the viewer to visualize a 90-degree turn to properly orient it. At the forefront, there is a representation of a statue that appears to be partially cropped, showcasing only the bottom half. The visible portion reveals two girls and a boy; the girls seem to be embracing one another. They have long, wavy hair, and while one girl appears older, potentially suggesting a mother-daughter dynamic, it could also simply be interpreted as two friends. Both girls are positioned with their backs to the viewer, their faces turned slightly over their shoulders, and they are wearing pants that obscure the upper portions of their bodies. Standing beside them is a man with a posture indicative of a soldier. He stands upright with his arms positioned behind his back, exuding a straight and proper demeanor. His attire appears to be a robe, and while he is visible from head to toe, he seems to be smaller in stature relative to the girls. In the background, there is an intricate spiral structure constructed from gray stone, featuring a pole-like structure that appears to bind the three figures together. This structure includes two spirals that ascend into the air, giving a sense of elevation. However, the visibility of the structure may be truncated, as only the lower part is depicted. Switching perspectives, an alternative description highlights that this image shows elements that invoke a leftward turn of 90 degrees. It presents a backdrop of a blue sky interspersed with some shrubbery, while below is a stony ground where the central statue, notably made of stone, is adorned with patches of green moss. On top of this stone figure, there rises a large pillar that supports the three women, who are depicted with long hair. Similar to the previous portrayal, they are captured in a moment of connection, embracing while their upper bodies are visible, but their posture retains a backward gaze. A broader examination reveals this image as a portrayal of a grand bronze statue, characterized by numerous figures that evoke historical remembrance. The sculpture showcases varied postures among the figures, including some standing with others depicted in moments of struggle or mutual support, thereby conveying themes of vulnerability. The predominant green color suggests that this statue is metal, which has taken on a patina due to exposure to the elements over time. The figures’ clothing ranges from elaborate long robes to more basic attires, indicating representation across different social classes or historical timelines. Situated outdoors, possibly within a square or memorial park, the backdrop of a clear blue sky and earthy ground enhances its visibility. The design and stylistic elements of the sculpture strongly imply that it serves as a memorial to cultural heritage or national spirit, particularly in relation to themes of independence, liberation, or historical conflicts. The gravity of its artistic expression is underscored by the solemn realism that the finely detailed figures convey. Given the general characteristics and cultural context presented in the imagery, it is plausible to infer that this statue resides within Latin America, the Caribbean, or Africa—regions recognized for similar monuments commemorating various national struggles, colonial histories, or liberation movements. The identity of this artwork resonates with the collective memory of a nation, referencing likely themes around colonialism, the struggles endured during this period, or the quest for independence, thus rendering it culturally and historically significant.
| 1,252 |
|
nonnative
|
['16kcnRxv0lY4', '1naO08ZEu5ie']
|
['English', 'Chinese']
|
[' This image appears to be of a refrigerator, specifically an older model that is white and has a freezer on top and a fridge on bottom. Mainly it is depicting the top part with the freezer. There is one fridge and there are many magnets on this fridge. There are 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19 magnets on this fridge. Two of the magnets are holding up pieces of paper. The ones that are holding up pieces of paper are an alligator magnet. And I cannot tell what the other magnet is. The alligator magnet is holding up a business card and the other magnet appears to be holding up a postcard. A lot of these magnets are advertisements for businesses, you can tell. And another, a lot of them are animal themed. So we have a tiger magnet and a magnet with two pandas on it. You cannot read any of the text from the magnets on this image. The magnets are haphazardly placed on mainly the freezer portion of the fridge with only five magnets on the lower refrigerator portion of the fridge. In the background, there is a tan colored wall. You can tell that this photo is taken with flash and the background behind the refrigerator is mainly dark. There is a black towel and crate on the right hand side of the photo next to the refrigerator, probably insinuating that this is in a kitchen of some sort. It looks like a milk, black plastic milk crate and a towel that has branding on it. I cannot read the branding, but this is a very darkly lit photo.\\', "The image gives a somewhat blurry impression. The main subject of the entire picture is a massive white refrigerator, which has two storage spaces at the top and bottom. The white refrigerator is covered with many different kinds of fridge magnets. Among the visible magnets, on the left side, there is a tiger, and next to it are two panda magnets. In the center, there is a crocodile-shaped magnet, along with several other uniquely designed magnets. To the right of the refrigerator, there seems to be a stack of containers used for various odds and ends, and underneath, there's a blue towel. The overall style conveys a typical homey feeling. Perhaps due to the quality of the equipment used for the photo, the overall pixel quality is not very high."]
|
[False, False]
|
[nan, nan]
|
This image features an older model refrigerator, predominantly white in color, with the freezer situated on the top and the fridge compartment located below. The focus of the image is primarily on the upper section of the refrigerator, showcasing its freezer. There are numerous magnets affixed to this fridge—a total of nineteen magnets are visible. Among them, two magnets stand out as they are actively holding up pieces of paper: one is in the shape of an alligator and is holding a business card, while the function of the second magnet remains unclear. Although this unidentified magnet is also supporting a postcard, its design and details are not discernible. A significant portion of the magnets appears to be advertisements for various businesses, as evidenced by their promotional designs. Additionally, there are several animal-themed magnets, including a tiger and two pandas, which contribute a playful and vibrant element to the refrigerator's facade. The magnets are arranged somewhat haphazardly, predominantly on the freezer section, with only five magnets placed on the lower refrigerator portion. In the background, a tan-colored wall adds to the composition of the photo, which seems to have been taken with a flash, resulting in a darker backdrop that contrasts with the white refrigerator. To the right of the fridge, there is a black towel and a crate, likely used for storing miscellaneous items. The crate appears to be a black plastic milk crate, and the towel showcases some branding, though it is not legible due to the poor lighting and the overall shadows present in the image. The overall quality of the image gives a somewhat blurry impression, which may be attributed to the photographic equipment used as well as the low light conditions. The refrigerator itself is notably large and prominent in the frame, suggesting a typical household setting where such an appliance would usually be found. Additionally, a stack of containers is discerned next to the fridge, further supporting the notion that the scene depicts a domestic kitchen environment. Despite the technical flaws in the image quality, the overall atmosphere conveys a homey and lived-in feel.
| 1,679 |
|
native
|
['1hu3ogfj8QY8', '12banOlqSbBp']
|
['Chinese', 'Chinese']
|
['This photo appears to be taken at the scene of an interview. From the background, we can see some large characters such as "Chinese Music Awards Annual Music Celebration," which suggests this is a backstage area of an awards ceremony. In the picture, there is a man sitting who is dressed in black—wearing a black inner layer with a matching black coat. His hair is also black. We can infer that this man is undergoing an interview related to the music gala. In front of him are three trophies. The bases of the trophies are black and yellow striped, and the upper parts are transparent with yellow patterns and a white musical clef symbol. We can surmise that these three trophies were likely won by this man during the celebration. He is seated on a black leather sofa, and the image only includes him without showing the person conducting the interview. The trophies are placed on a brown wooden table, and we can also see something that looks like a phone or a remote control.', 'At first glance, it seems like a male celebrity is attending an awards ceremony. He has three trophies in front of him and appears to be being interviewed by someone else. The trophies are placed on a table, and he seems to be very happy, chatting or being interviewed by a host. The background showcases his participation in a music festival, and the overall backdrop is primarily black. However, it seems difficult to determine whether it is actually day or night. This awards ceremony looks quite grand, so those attending are likely feeling quite happy to receive their trophies.']
|
[False, False]
|
[nan, nan]
|
This photo appears to be captured in the midst of an interview taking place in a backstage area of an awards ceremony, specifically the "Chinese Music Awards Annual Music Celebration," as indicated by the large characters in the background. The setting is likely bustling with excitement typical of such prestigious events. In the forefront of the image, a man is seated, dressed in an all-black ensemble consisting of a black inner layer topped with a matching black coat. His black hair further complements his stylish appearance, suggesting a polished look in line with the glamorous atmosphere of an awards ceremony. The man is positioned at a brown wooden table where three impressive trophies are displayed in front of him. Each trophy features bases that are adorned with striking black and yellow stripes, ensuring that they stand out. The upper portions of the trophies are transparent, revealing intricate yellow patterns with a prominent white musical clef symbol, which inherently nods to the theme of music and the celebratory nature of the event. This visual implies that these awards were likely presented to him during the celebration for his achievements in the music industry. He is comfortably seated on a black leather sofa, exuding an air of contentment and accomplishment, indicative of someone who is enjoying the moment—possibly chatting or being interviewed by a host, which adds to the celebratory vibe of the occasion. The absence of the interviewer in the image keeps the focus solely on him, allowing viewers to appreciate his demeanor and the accolades before him. Additionally, a phone or remote control is subtly visible on the table, suggesting a modern touch amid the ceremonial grandeur. The overall ambiance appears to convey high spirits, particularly given that the awards ceremony itself exudes grandeur that typically brings joy to those participating and receiving honors. The backdrop, although predominantly black, contributes to an elegant setting, yet it remains ambiguous whether it is day or night, adding an intriguing layer to the image's context. Such ceremonies are often highlights in artists' careers, marking significant milestones, and this scene encapsulates the blend of hard work and celebration that defines the music industry.
| 2,219 |
|
nonnative
|
['1fj3ysiIM1v0', '1eKFjwENucNb', '1DrhzhhFUDRI', '18KwWYSR4DeX']
|
['Telugu', 'English', 'Korean', 'Chinese']
|
['Someone is talking about a situation where they are mentioning a call that is being interrupted. There is also a reference to a glass and a book. They are discussing something about two people, and there’s a sense of confusion or interruption with repeated calls. There is a mention of a TV and someone using a phone, but the context seems fragmented.', ' This is a positioning image from a cat out. There is a cable in front of the cat out. There is a person on the off screen. They have their legs popped up on a cushion. You can see their feet in the image. The cable in front of the cat out is very messy. It has many peripheral papers on it. There is some conf. There is some miscellaneous remotes and other objects. There is a metal cup up in the middle. In the background there is a shelf that is full of many remanded things. Toys and boxes. There is also a TV and pop up the shelf. As well as old YouTube players. There is a liquid shelf. There is a book shelf. There is a large greening plant to land the right shelf. And the overall room is a little messy and cluttered. Although there are a lot of colors. And the room is also very ugly. This is a very unique piece of videos that the 놈 by licensing and facilities in honore.\\', "This image depicts an everyday scene of someone relaxing in the living room. In the center of the photo, there is a table filled with various objects, and in front of it, the feet of a person sitting comfortably with their legs up can be seen. The living room has a sense of liveliness, with books, potted plants, magazines, food, and drinks scattered across the table and around the space, showcasing a slice of daily life. The table has an array of items such as cups, plates, paper, a remote control, and magazines lined up. On one side of the room, there is a shelf organized with books and decorative items. To the right, a potted plant adds to the natural ambiance. Overall, while the items are somewhat haphazardly arranged, this effectively reflects the comfort and personal nature of a real living room. The walls feature wooden flooring, shelves, and plants, all bathed in warm lighting that creates a cozy atmosphere. The positioning of the legs emphasizes the subject's relaxed state and symbolically illustrates the living room's role as a space for relaxation. The overall color scheme harmoniously blends warm wood tones with the various colors of the items. The style is casual and everyday, showing a realistic glimpse of life rather than a specially staged appearance. This image visually captures the small moments of joy that people experience while resting at home.", "This picture, at first glance, seems to be a study or a bedroom in someone's home. There is a wardrobe or something like a bookshelf, and a few cabinets, on top of which sits an old-fashioned television and some miscellaneous items, like cups or boxes. Below, there are some flower pots, and on the low sofa, there are newspapers or similar cup-like items, along with some pens. There's a person resting their leg on the low sofa. The text doesn't mention any specific positions; it mainly focuses on the arrangement of these items on the sofa, with the person's leg also placed on the sofa, and various miscellaneous items on the cabinets, along with some flower pots and plants beside the cabinets. The details primarily concern the placement of various clutter without special features. The overall background consists of furniture, with a darker ambiance and mainly deep colors, primarily black, with the detailing also largely in black."]
|
[False, False, False, False]
|
[nan, nan, nan, nan]
|
Someone is discussing a scenario in which a phone call is being interrupted, leading to a fragmented conversation. The dialogue mentions the presence of a glass and a book, suggesting a casual setting. The conversation includes references to two individuals, indicating some confusion or disruption caused by repeated calling. Additionally, there is mention of a television and an individual using a phone, which adds to the disjointed context of the discussion. A positioning image features a cat in what appears to be a cluttered space. A messy cable is seen in front of the cat, alongside various peripheral papers. Off-screen, a person has their legs propped up on a cushion, with their feet visible in the frame, indicating a relaxed posture. The environment is depicted as chaotic, containing miscellaneous remotes, a metal cup placed in the center, and a background filled with shelves brimming with an assortment of items including toys and boxes. Among the clutter, a television stands out, along with outdated devices like old YouTube players. There is a liquid container on one of the shelves and a bookshelf dense with books. A large green plant occupies the right side of the shelf, adding a touch of nature to the otherwise disheveled room. The overall ambiance of the space, though colorful, comes across as unattractive and chaotic, reflecting a unique contrast in its visual elements. In another image, an everyday scene captures a person relaxing in their living room. Dominating the photo is a table covered with a variety of objects, complemented by the feet of a person sitting comfortably with their legs elevated. The living room exudes liveliness, with books, potted plants, magazines, food, and drinks scattered throughout, embodying a slice of daily life. The table hosts an eclectic assortment of items including cups, plates, paper, a remote control, and neatly arranged magazines. One side of the room showcases an organized shelf filled with books and decorative objects, while to the right, a potted plant contributes to the natural ambiance. Although the arrangement appears somewhat haphazard, it effectively captures the comfort and personal touch of a real living room. The space is adorned with wooden flooring, shelves, and various plants, all illuminated by warm lighting that fosters a cozy environment. The positioning of the legs symbolizes relaxation, highlighting the living room's role as a sanctuary for unwinding. The color palette harmoniously blends warm wood tones with a variety of hues from the items scattered around, creating a casual, everyday aesthetic. The image is a visual representation of the simple joys found in moments of rest at home. A separate picture initially resembles a study or bedroom in a domestic setting. Visible are a wardrobe or bookshelf alongside a few cabinets, which support an old-fashioned television and assorted items like cups and boxes. Below these cabinets, flower pots are arranged, while a low sofa displays newspapers and other cup-like items, accompanied by pens scattered throughout. A person's leg is resting on the low sofa, although there are no specific details about poses; the focus lies more on the cluttered arrangement of items on the sofa and the cabinets around it. The overall image reflects the accumulation of various items in a less than meticulous manner, with the ambiance characterized by deeper, darker colors, predominantly black, enhancing the understated yet intimate environment of the space.
| 1,824 |
|
nonnative
|
['1lTnbxwTupz2', '17NHD5SiKnaC', '1blQMclzJYnf']
|
['English', 'English', 'English']
|
[" Well, this picture shows a famous Chinese city, Shanghai, and this area is called the bond or Wai Tan. It is very iconic landmarks showing casing the city's unique blend of history and modernity. Stretching along the Huangpu River, this waterfront promenade is lined with grand colonial era buildings that reflect Shanghai's past as a global trading hub. By night, the bond becomes a live and dazzling neolight, offering stunning view of the futuristic skyline of Pudong, including the Towering of Shanghai Tower and the Oriental Pier Tower, a symbol of Shanghai's rapid development. The bond attracts millions of visitors annually, servicing as a testament to the city's vibrant culture, architectural diversity, and dynamic spirit. It is a must-visit destination for anyone exploring China's most cosmopolitan city.", " This image is of a city skyline at night, so it has a very urban style. At the bottom of the picture is some water, and you can see the reflection of the lights from the buildings in the water. To the left of the image is a tall needle-shaped building with a very sharp top. There are two rounded ball-like portions in this building, and this building is the tallest in the picture. The rightmost building in the image has a very bright green light on the side of the building that faces the water. That side of the building is completely illuminated except for the very top part. To the left of that is another building that has a screen on it. The screen is a very bright white, so you can't tell what is being projected onto it. This building also has a word at the top. The word is Aurora, and it's written in red light. There is another building to the right of this Aurora building. This skyscraper is a little bit taller. It has a white top that has a point on the top of it. Next to that building is a shorter one, but this building is completely dark. Around the base of all of these buildings you can see a lot of the lights from the city streets as well as from the traffic.", ' This image depicts a highly populated cityscape at night. In front of the image on the bottom, the city is on the coast of a body of water, which is reflecting the various lights off of the building with green and pink, orange, red, and white colors. The buildings themselves are numerous. On the left side, there is a short or a tall skinny building that has spheres on the top and bottom that are studded with lights. Next to it is an orangey red building, with a curved top. And then all the way to the right, there is a building that side is entirely green colored lights. And next to that building is another orangey lit up building with the brand aurora written at the top. And next to that building is another taller building that is pointed at the top and shining a white colored light. And at the ground level, we also see several lights studded all along the streets. And in the background, the sky is a dark blue color.\\']
|
[True, False, False]
|
['architecture', nan, nan]
|
The image prominently features the stunning city of Shanghai, China, specifically focusing on an area known as the Bund, also referred to as Wai Tan. This significant waterfront stretch lies alongside the Huangpu River and is recognized as one of the city's most iconic landmarks, showcasing an exquisite blend of historical and modern architecture. The Bund is famous for its grand colonial-era buildings that serve as a reminder of Shanghai's illustrious past as a major global trading hub. When night falls, the Bund transforms into a vibrant spectacle of dazzling neon lights, providing breathtaking views of the futuristic skyline of Pudong. The skyline is dominated by remarkable structures such as the Shanghai Tower, which is the tallest building in the area, and the Oriental Pearl Tower, both of which symbolize Shanghai's rapid development and modernization. The Bund draws millions of visitors each year, standing as a testament to the city's rich culture, architectural diversity, and dynamic spirit. It is truly an essential destination for anyone visiting what is considered China’s most cosmopolitan city. In another perspective provided, the image captures an urban skyline at night, revealing a vibrant cityscape. The scene is placed above a body of water, which reflects the colorful lights from the buildings, creating an enchanting visual effect. On the left side of the image, there is a tall, needle-shaped building characterized by its sharply pointed top, adorned with two rounded, ball-like protrusions that are illuminated with lights. This distinctive building stands out as the tallest in the photograph. Adjacent to this tall structure, there is another building that is brightly lit with green lights, illuminating its side facing the water, except for its uppermost part, which remains in shadow. To its left, a neighboring building features a bright white screen, although the details of what is projected on it remain obscured. At the very top of this building, the word "Aurora" glows in red lights, providing clear branding for the establishment. Just to the right of the Aurora building lies another taller skyscraper, which has a sharp white point at its peak, contributing to the skyline's diverse silhouette. Closer to the foreground, there is another building that is shorter and devoid of lighting, contrasting with its brilliantly illuminated neighbors. At ground level, numerous city streetlights illuminate the surroundings, complementing the vibrant lights from the skyscrapers and capturing the lively atmosphere of the bustling metropolis. The backdrop of the scene is a rich dark blue sky, accentuating the radiance of the urban lights.
| 294 |
|
native
|
['1rJMjeGbU8nB', '16WhVybRWiFl']
|
['Korean', 'Korean']
|
['The photo shows the tools for Yut Nori, a traditional Korean game. The most eye-catching elements are the four wooden sticks, each engraved with a special marking on one side. The scores, such as Do, Gae, Geol, Yut, and Mo, are determined by the combination that comes up when they are tossed. Next to them, there is a paper printed with the game board, which has a unique shape connected by circles and lines. On this game board, red and blue tokens are placed, and according to the results from the toss, these tokens are moved towards the finish line, which is the main rule of Yut Nori. Each point on the game board has notations or direction markers in Hangul that indicate the movement path and special points. Overall, this photo presents the typical appearance of Yut Nori, showcasing the essential components of Yut, the game board, and the tokens. Yut Nori is primarily played during holidays like Seollal or Chuseok, when families or friends gather to enjoy the game, reflecting its cultural significance in Korean society.', 'When I saw the photo of Yut-nori, I noticed the Yut-nori board, followed by the game pieces, and then the four Yut sticks. It seems like they aimed to capture all elements associated with Yut-nori. The four Yut sticks are made of wood. Then there’s the white board, on top of which are the red and blue game pieces. Additionally, there are two red and blue pieces outside the main setup. When looking at the background, it gives the impression of a ground shot, either from a wooden floor or a wooden table, with the four Yut sticks positioned on top, the board centered, and the game pieces located at the bottom left.']
|
[True, True]
|
['Yes, this image is culturally distinct. It shows the traditional Korean board game 윷놀이 (Yutnori), featuring wooden sticks (윷), a specially marked board, and colored game pieces. These elements are uniquely tied to Korean cultural traditions and are commonly played during Korean holidays, making the scene distinctly representative of Korean heritage.', 'korean traditional game']
|
The photograph illustrates the various tools used to play Yut Nori, a traditional game in Korean culture. The focal point of the image consists of four wooden sticks, known as "Yut," which are engraved on one side with special markings. These markings are essential for gameplay, as they determine the score based on the combinations revealed when the sticks are tossed. Accompanying the Yut sticks is a printed game board that boasts a distinctive shape characterized by interconnected circles and lines. This board is central to the game, where the movement of red and blue tokens occurs based on the results from the Yut tosses. On the game board, the tokens are strategically placed, moving towards a designated finish line, which is a fundamental aspect of Yut Nori gameplay. Throughout the board, notations and direction markers are written in Hangul, the Korean writing system, indicating the pathways for token movement and highlighting special points of interest within the game. The visual presentation captured in this photo effectively encapsulates the quintessential characteristics of Yut Nori, featuring the essential elements including the Yut sticks, the game board, and the colored tokens. Yut Nori holds significant cultural importance in Korean society, particularly during festive occasions such as Seollal (Lunar New Year) and Chuseok (Harvest Festival). During these times, families and friends come together to partake in this engaging game, reinforcing social bonds and enjoying shared moments of recreation. In a second observation of the image, it appears that it was meticulously composed to include every component related to Yut Nori: the game board prominently displayed, the game pieces on it, and the four Yut sticks arranged thoughtfully atop a white board. There are additional pieces, colored red and blue, positioned outside the main setup. The background suggests a ground-level perspective, depicting a wooden floor or table, creating a warm, inviting atmosphere that complements the traditional aspects of the game. This scene serves as a vivid representation of Korean heritage, as Yut Nori is not merely a game but a cultural tradition that resonates deeply within the community.
| 1,046 |
|
nonnative
|
['1lLYXc4KpZtO', '1ffwxf6LExpn', '1aMehwReR5Ho']
|
['Chinese', 'Chinese', 'Chinese']
|
["This seems to be a platform, but it's not very clear because on the left side there are some people, a few of whom appear to be men on the platform. It's unclear if they are blocking the train or not. However, on the right side, there is indeed a train, which looks like a freight train, so it seems more like a vehicle that isn't meant for passengers, more like a cargo train. On this metal train, there are some words that I guess are written in Thai script, so this could possibly be a train station in Thailand. The men on the left side appear to have darker skin, which suggests that they might be Thai. Thank you, everyone.", "The image shows a train platform on the left side, with a roof for rain protection above it. On the right side of the image, there is a train parked, which appears to be a freight train with inscriptions in Hindi. This suggests it might be a freight train from India. The train cars are somewhat dirty, but they have a blue base and no windows, indicating they are designed for transporting goods. It's currently stationed at this platform, which is on the left side of the image. A few people can be faintly seen on the platform, but they are not interacting with the train. So, the scene consists of the blue freight train parked on the right, with some people on the platform on the left.", 'This is a horizontal image. From the picture, you can see that this is a train station for transporting goods, as the train tracks on the right side can be clearly observed, along with the cargo containers, each labeled with numbers and names. On the left side, there is a roof reminiscent of a train station, and nearby, there are some people. I can also see some Indian script on top of the freight train, suggesting that this might be a cargo station in India. It appears to be in a paused state, likely taken during the day, but the platform still shows some water spots, indicating it might be a rainy day. People are waiting at the station for the freight train to pause and facilitate the transportation work.']
|
[True, True, True]
|
[nan, 'Language on the train', nan]
|
This scene presents a train station primarily used for the transportation of goods. The image is structured horizontally to emphasize details across the platform and train. On the right side, there is a freight train parked, which is primarily blue and notably lacks windows, indicating its design is intended solely for cargo transport rather than passenger service. The exterior of the train is somewhat dirty, a common occurrence with vehicles that are frequently used for hauling goods. The presence of inscriptions in Hindi on the train suggests that this service is likely operating in India, as Hindi is one of the primary languages spoken there. On the left side of the image, there is a train platform covered with a protective roof designed to shield passengers and workers from rain. A few individuals can be seen on this platform; however, their actions do not appear to involve interaction with the train. Their presence suggests that they may be waiting, possibly for the freight train to resume its operations. The individuals on the platform appear to have darker skin tones, aligning with common characteristics of the local population. The train tracks are visible on the right side of the image, confirming the location as a bustling cargo station. There are also cargo containers nearby, each marked with various identification numbers and names, a typical feature in logistic hubs. The image appears to have been captured during the day, as indicated by the brightness, but there are visible water spots on the platform, hinting that there may have been recent rainfall. This detail adds to the atmosphere of the scene, suggesting that the environment is both active and affected by weather conditions, common in many regions where freight transport is pivotal to economic activity.
| 89 |
|
native
|
['1mMLdsROFTVi', '1aOs64GXTjYV', '135xAvNpBZOY']
|
['Chinese', 'Chinese', 'Chinese']
|
['This is a road marked with a human figure sign and a bicycle sign, possibly indicating that both are allowed on this road. There\'s also a sign that says "slow," which means drivers or pedestrians should proceed slowly. Additionally, there are six yellow stripes that may serve as a barrier to ensure that both pedestrians and vehicles maintain a slower pace. The color of the road itself is somewhat gray, resembling a concrete surface, and the road is not particularly wide; it\'s quite narrow. Along the sides of the road, there is some greenery that is somewhat visible.', 'This image was taken on the ground, where two small figures are drawn on the surface. The first figure is riding a bicycle, and this printed image is on the ground. This small person riding the bicycle is depicted in red. Above this figure, there is another printed image of a small person who is walking, also in red. The surface is a gray-black road, and there is a yellow line resembling a warning line extending forward. From the upper left corner, you can slightly see that there is a marked arrow indicating the direction for cars, as there is a traffic sign indicating where vehicles should travel on the ground.', 'This picture shows what appears to be a sidewalk that can also be used for cycling. The word "slow" is written on it, which allows us to infer that it is likely in an English-speaking country. Other than that, it’s hard to guess exactly which country it is. However, based on my experiences living in North America and Europe, the pavement does not look very much like that in Western countries. Therefore, my guess is that it might be in Singapore or a similar Southeast Asian country where English is predominant. So if I had to guess, I would say it’s in Singapore.']
|
[False, False, False]
|
[nan, nan, nan]
|
This transcribed text describes various observations made about a road and its surrounding features. The road is notably marked with two signs: one featuring a human figure and another featuring a bicycle, suggesting that both pedestrians and cyclists are permitted to use this pathway. In addition to these signs, there is a cautionary sign that reads "slow," indicating that individuals—both drivers and pedestrians—should navigate the area at a reduced speed. The road itself is characterized by a somewhat gray color, reminiscent of concrete, and can be described as narrow, which may imply it could be less suitable for heavy traffic. Along the edges of the roadway, there is an observable patch of greenery, albeit it is somewhat limited and not overly prominent in the scenery. Furthermore, the transcription describes an on-ground image featuring two figures. One of these figures is portrayed riding a bicycle in red, while the other figure, appearing above the cyclist, depicts a person walking, also rendered in red. The surface on which these figures are drawn is described as gray-black, contributing to the overall aesthetic of the area. A yellow line, which resembles a warning line, stretches forward from where these figures are depicted, offering a visual cue to ensure safety. An additional detail includes the presence of a marked arrow in the upper left corner of the view, which directs vehicles on the road, alongside a traffic sign indicating the appropriate route for drivers. Lastly, the transcription comments on a sidewalk that shares dual functionality for both pedestrians and cyclists, reinforcing safety with the written word "slow." This suggests the location is likely in an English-speaking country. The speaker notes that while it is challenging to pinpoint the exact location, the aesthetics of the pavement diverge from those typically found in Western countries based on their firsthand experiences residing in North America and Europe. Hence, there is a conjecture made that the setting may be within Singapore or a comparable nation in Southeast Asia where English is widely spoken, leading to the assumption that it is specifically in Singapore.
| 661 |
|
nonnative
|
['19EWsacn8Ffl', '1dMQct8djsS4', '11VQX843oTof']
|
['English', 'Chinese', 'Korean']
|
[" This is an image of a girl's baseball or softball game. There is a girl running to home base preparing to slide. There is a girl on the home base preparing to catch a ball, potentially. And there is a catcher in the background as well as an umpire. This is on a baseball field, it seems. There's green grass and designated areas for bases. In the background there's a fence and behind the fence appear to be parents on chairs watching the game. There's a field behind all of this. There's a metal container in the background as well as houses in the far back. There's a large tree in the background and a building to the right behind the fences. The colors are very bright. The grass is green. The girls are wearing some blue uniform with black pants. It's the middle of the day and very bright outside. The million races. Theatamente amazing monkeys and Ces whereas the ones!.. They're able to take place without having a positive room where they're rabid.", "At first glance, it looks like a scene from a game or training on a grassy field where a wire fence is present. There are some people, including children. In the middle of the scene, there is a little girl seemingly practicing baseball, posing as if she is waiting to catch the ball. On the left, there appears to be her coach wearing a blue shirt, and on the right, it seems to be the little girl's teammates since they are all wearing blue outfits. The small girl is also wearing a helmet as they are practicing some sport. Beyond the wire, some parents are sitting on chairs watching, possibly their parents or other children’s parents. There is also a younger child on the left side of the frame, likely the sister of one of the participants. In the distance, it is daytime, and there are some low-lying houses that have an American rural style.", "This image captures a moment during a baseball game. In the photo, there are two players and an umpire. One is a batter standing at the plate with a bat, while the other is preparing to pitch. The umpire is positioned between the batter and the pitcher, overseeing the progress of the game. The batter stands at home plate, and the pitcher prepares to throw the ball from behind. The umpire is officiating the game from a neutral position. In the background, the stands and several other players are seen in a blur. The details, such as the players' uniforms, the shape of the bat, and the grass of the field, are clearly visible. Other baseball facility structures can be seen in the background, and natural light illuminates the game, creating a warm atmosphere. The scene effectively conveys the excitement of the sports event, with bright green grass, the players' uniforms, and the supportive facilities contributing to a vibrant mood. This image captures a dynamic and energetic moment of a baseball game."]
|
[False, False, False]
|
[nan, nan, nan]
|
This is an image depicting a girl's baseball or softball game. At the forefront, the scene features a girl sprinting towards home base, preparing to execute a slide, showcasing her athletic agility and determination. Positioned at home plate is another girl, poised to catch the incoming ball, indicating an active moment in the game. In the background, a catcher can be seen, clad in protective gear, while an umpire stands nearby, supervising the match. This event is taking place on a well-maintained baseball field, characterized by lush green grass and clearly marked base areas. In the backdrop, a wire fence encloses the field, and beyond it, parents are seated on chairs, attentively watching the gameplay, likely cheering for their daughters. Among these onlookers are recognizable parents of the young athletes and relatives. The field extends into a grassy area behind the action, with various features such as a metal container and a line of houses visible at a distance, contributing to the rural charm of the setting. A large tree adds to the natural scenery, while a building can be spotted to the right of the fence, enhancing the image of a vibrant community sporting event. The color palette of the scene is notably bright and vivid. The green grass creates an inviting atmosphere, and the girls in blue uniforms paired with black pants present a cohesive team appearance. It is evident that the event is occurring in the middle of the day, signified by the bright daylight that casts a welcoming glow over the field. Upon further analysis, this image features a lively portrayal of a game or practice scenario on a grassy field where a wire fence outlines the area. A little girl, central to the composition, appears to be practicing her baseball skills, striking a pose as if anticipating a catch. To her left, her coach is present, donning a blue shirt, which suggests involvement in training, while to her right stands her teammates, all attired in matching blue outfits that signify their unity as a team. The young athlete is wearing a protective helmet, underscoring the safety measures taken during practice or play. In the periphery, parents are seen comfortably seated, likely watching their children participate in the sport. Among the audience is a younger child who presumably is the sister of one of the participants, further showcasing family involvement in the event. The image captures a daytime setting, with low-lying houses in the background reflecting an American rural aesthetic, adding to the community-focused atmosphere. This image also captures a moment during a baseball game that highlights the dynamic interaction between players and officials. It features two athletes and an umpire, with one girl standing at the batter's plate wielding a bat, while the other is positioned to pitch the ball. The umpire maintains a neutral stance between the two, diligently overseeing the game’s progress. The batter, stationed at home plate, is ready to respond as the pitcher prepares to unleash the ball from her position behind the mound. In the background, blurred figures of stands and other players convey the energetic ambiance of the game. Details are exceptionally vivid, including the design of the players' uniforms, the configuration of the bat, and the vibrant green grass of the field, all of which contribute to the vividness of this sporting occasion. Various baseball facility features can be observed in the background, illuminated by natural light that enhances the scene's warmth and vitality. Collectively, these elements successfully illustrate the exhilarating essence of the sporting event, marked by its vibrant colors and the camaraderie among players as they engage in this beloved pastime.
| 1,911 |
|
native
|
['15zs5v35i7Md', '1f8jWTxvm9rL']
|
['Chinese', 'Chinese']
|
['At first glance, this photo looks like a picture of a celebrity at an event, taken after they completed the red carpet. In the center of the photo, there is a person who seems like a star, dressed very appropriately, smiling at the camera. At the bottom of the photo, there is a line of small text that says "Copyrighted Work, Unauthorized Reproduction Prohibited." In the bottom right corner, there is a more noticeable feature, which is a watermark that reads "Tencent Entertainment." Clearly, this photo belongs to Tencent Entertainment. The background is that of an event, with some information about the sponsors and guiding units, as well as the media. Overall, the impression is that of a standard celebrity photo, with nothing particularly special or eye-catching about it.', "The image features a man's photo taken at an event, with a large sign in the background displaying the name of the brand associated with the event called SYM. There are also inscriptions indicating the guiding unit and various collaborating organizations. He stands on a red carpet, wearing a short black curly hairstyle and looking towards other cameras in the distance. He is dressed in a full black suit, paired with black sneakers. His collar is a stylish white collar that features a black stripe on it. The image also has a note that says www.cfp.cn and states that the entire work should not be reproduced. On the right side, there is a logo that reads Tencent Entertainment, suggesting that this is a photo of a celebrity attending an event."]
|
[False, False]
|
[nan, nan]
|
At first glance, the photo presents itself as a typical image of a celebrity at an event, taken shortly after they have completed their walk down the red carpet. In the center of the photo, a person, who appears to be a notable figure in the entertainment industry, is prominently featured. This individual is dressed in a manner that befits their status, exhibiting a bright smile directed at the camera, which conveys a sense of charisma and approachability. Towards the bottom of the photo, one can find a line of small text stating "Copyrighted Work, Unauthorized Reproduction Prohibited," a clear indication of the image's proprietary nature and the rights associated with it. Additionally, nestled in the bottom right corner of the photo, there is a watermark that boldly reads "Tencent Entertainment," further confirming the ownership of the image and linking it to this specific media entity. The backdrop of the photograph is characteristic of event settings, replete with signage that mentions sponsors and guiding units involved with the occasion, as well as various media outlets that might be covering the event. The second image showcases a photograph of a man captured at a similar event. In the background, there is a large sign prominently displaying the brand name "SYM," which is associated with the event, implying a sponsorship or promotional partnership. Surrounding this sign are inscriptions that denote the guiding unit and a collection of collaborating organizations, indicating the extent of support for the event. The man is positioned on a red carpet, which is often seen as a luxurious or prestigious setting reserved for celebrities and dignitaries. He has a fashionable, short black curly hairstyle and is gazing off toward other cameras positioned at a distance. His attire consists of a full black suit that exudes elegance, complemented by a pair of casual black sneakers, which adds a contemporary and stylish twist to his look. Notably, his suit features a white collar that is stylishly accented with a black stripe, providing a touch of flair that stands out against the overall dark palette of his outfit. The image carries a notice that provides the website www.cfp.cn, accompanied by a reminder that the entire work is not to be reproduced. This reiterates the copyright protection of the photograph. On the right side of this image is a logo that reads "Tencent Entertainment," further suggesting that this, like the previous image, is associated with the entertainment industry and reinforces its credibility as part of a larger narrative within a high-profile event context. Overall, while both images capture moments of celebrity presence at events, they are further enriched by the contextual details surrounding sponsorship and branding that often accompany such gatherings in the entertainment scene.
| 2,718 |
|
native
|
['160r2NIq4YZS', '16YyhHJC0Xjq', '1hpJnmZsMbhu']
|
['Korean', 'Korean', 'Korean']
|
['If you take a closer look at the photo, you can see that pieces of gimbap are neatly sliced in a rounded shape and are stacked on a plate resembling hydrangeas. The outermost layer of the one-bite-sized gimbap is wrapped in black seaweed, inside which is filled with white rice. Within the rice, there are layers of yellow pickled radish, thinly sliced orange carrots, green spinach, pink crab sticks, and yellow egg strips, creating a harmonious blend of colors. This combination of ingredients is a typical structure seen in Korean gimbap, and when bitten into, the crunchiness of the pickled radish, the softness of the egg, and the mildness of the spinach come together for a rich variety of flavors and textures. The surface of the gimbap has a slight gloss, indicating it was freshly made and retains its freshness. The plate seems to be a light-toned disposable one, and based on the faintly visible color of the dish or table behind, it suggests a simple dining setting or perhaps gimbap made at home placed on the dining table. Overall, the photo captures the image of gimbap, a representative quick meal that can easily be found in Korean households or snack bars.', 'When I first saw it, it was just a photo of gimbap. The gimbap is placed on a very white plastic plate, and there are a lot of them. One, two, three – since the gimbap is sliced up quite a bit, it seems like there is a lot. There isn’t any text at all, and the gimbap is right in the center. Besides that, there doesn’t seem to be much else visible, and the background has nothing but the gimbap; it just looks like a food photo taken before eating. When I saw this photo, it seemed like there were cups in the background too, so it looks like a photo taken at a restaurant before eating.', "This photo is a close-up image of gimbap, a representative dish of Korea. Gimbap is a Korean roll made by wrapping rice in seaweed and filling it with various ingredients, often enjoyed as a lunchbox meal or a convenient snack. In the photo, the gimbap is sliced into bite-sized pieces, showcasing a visually appealing harmony of colors: the yellow of pickled radish, the orange of carrots, the green of spinach, and the red of crab stick. The chewy seaweed, savory rice, and fresh ingredients combine to create a dish that is both light and umami-rich. Gimbap is a very familiar food to Koreans and frequently appears as a simple meal for picnics or outings. Overall, this photo beautifully represents Korea's food culture."]
|
[True, True, True]
|
['Yes, this image is culturally distinct. It depicts a quintessential Korean dish—김밥 (gimbap)—with ingredients and presentation that are strongly tied to Korean cuisine. The specific combination of seasoned rice, seaweed, and colorful fillings is unique to Korean food culture, making the image culturally distinct according to the given definition.', 'korean food', 'It shows gimbap that is a popular Korean dish.']
|
If you take a closer look at the photo, you can see that pieces of gimbap are neatly sliced into rounded shapes and are beautifully stacked on a plate resembling clusters of hydrangeas. The outermost layer of these one-bite-sized gimbap rolls is wrapped in glossy black seaweed, enveloping a delicate filling of white rice. Within the rice, there are vibrant layers of yellow pickled radish, thinly sliced orange carrots, fresh green spinach, pink crab sticks, and soft yellow egg strips. This combination of ingredients creates a harmonious blend of colors that is visually appealing. This structure is a typical representation of traditional Korean gimbap, a dish enjoyed for its flavor as much as its aesthetic presentation. When taking a bite, one can experience the satisfying crunch of the pickled radish, the softness of the egg, and the mildness of the spinach, all of which come together to deliver a rich variety of flavors and textures. The surface of the gimbap glistens slightly, indicating that it was freshly made and has retained its delightful freshness. The plate on which the gimbap is served appears to be a light-toned disposable one, and the faintly visible color of the dish or table behind suggests a simple and casual dining setting, potentially indicative of gimbap prepared at home and placed on a dining table. Overall, the photograph captures the essence of gimbap, a quintessential quick meal that can be easily found in Korean households or snack bars, symbolizing the country's culinary culture. When I first came across this image, it seemed to me like merely a photograph of gimbap. The rolls are elegantly arranged on a very white plastic plate and there seems to be an abundance of pieces—one, two, three... The gimbap is sliced into multiple bite-sized pieces, giving the impression of a plentiful serving. The photo does not feature any text and prominently showcases the gimbap in the center. Aside from the gimbap, there does not appear to be much else visible in the image, leading to a focus solely on the food. The background is minimal and indistinct, consisting mostly of the gimbap itself, resembling a food photograph captured just before the meal is enjoyed. Upon closer inspection, it also appears there are cups visible in the background, suggesting that this photo may have been taken in a restaurant setting shortly before dining. This photo also serves as a close-up image of gimbap, a dish that is emblematic of Korean culinary traditions. Gimbap, which translates to "seaweed rice," is made by rolling rice in seaweed and filling it with various ingredients. It is often enjoyed as a lunchbox meal or as a convenient snack, making it a favored choice among many. In the image, the gimbap is sliced into bite-sized pieces, highlighting a visually appealing array of colors: the bright yellow of pickled radish, the vibrant orange of carrots, the deep green of spinach, and the rosy hue of crab stick. The chewy seaweed, savory rice, and fresh, colorful ingredients combine to create a dish that is both light yet rich in umami flavors. Gimbap is an everyday food familiar to Koreans and frequently makes appearances at casual meals for picnics or outings. Overall, this image beautifully encapsulates the essence of Korea's food culture, bringing attention to a beloved dish that holds significance for many. Yes, this image is indeed culturally distinct. It depicts a quintessential Korean dish—김밥 (gimbap)—with ingredients and presentation that are deeply rooted in Korean cuisine. The specific combination of seasoned rice, seaweed, and an array of colorful fillings highlights the uniqueness of Korean food culture, solidifying its cultural distinction per the given definition. Gimbap is a popular and recognizable dish that reflects the culinary preferences of Korea.
| 1,158 |
|
nonnative
|
['1nntW6j9N1w9', '18toB7jkLAx4', '12aediPRspW1']
|
['English', 'Vietnamese', 'Chinese']
|
[" At first glance, this image appears to be of a hospital of some sort. There are beds, I would say there are about two hospital beds, one is cut off, one is fully in view, and in front of the hospital bed is a rack that appears to be hanging some sort of object that looks like gloves. And in the background there are two big windows and one of the windows has a kitchen in front of it. There is no text in the image. This picture looks like it's taken in the corner of a room where we can see one, the opposite corner of the room, and see lots of objects in the lower left corner and not a lot happening on the right side of the photograph. Some subtle details that are noticeable. The lights are obviously off in this photo. It's very dark. You can't really tell what's happening in a lot of the spaces of the photo. The walls are half white, half yellow. They appear to be that color if it's in a dark lit room. In the background we see this wall and also a bunch of muddied depictions of what would be possibly in a hospital room. Not a very modern one. One that probably looks rural. It's a little, um, style of this photo. It's very dark with the light coming through the windows. It's very overexposed. We'll see a little, you know.", 'The picture shows a room that appears very dark. The walls are painted in two colors: yellow at the bottom and white at the top. There is a window in this room with a light blue curtain. The curtain looks quite thin because a lot of light is shining through it. In the foreground of the picture is a shelf, where several white gloves are hanging; it seems that the shelf is used to hang the gloves out to dry. Also in the picture is a table with a black mattress on it.', "This photo seems to show something unclear, but there is a drying rack with many socks on it, and behind it, there’s a basin. It somewhat resembles a hospital because there are many different types of beds and equipment. There's a window in the back with a thin curtain, various lights, and a red flag. The photo is quite dark, but it seems to be daytime outside; the room where the photo was taken is quite dark."]
|
[False, False, False]
|
[nan, nan, nan]
|
At first glance, the image gives the impression of being set in a hospital or a healthcare facility of some kind. The visual layout suggests there are approximately two hospital beds present; one bed is partially visible while the other is fully in view. In front of the bed, there is a rack that appears to hold various objects, notably items that resemble gloves, indicating a medical context. The background features two large windows, one of which has a kitchen situated directly in front of it, hinting at a multifunctional space rather than a typical hospital layout. The photograph appears to have been taken from a corner of the room, capturing not only the beds but also a range of objects scattered across the lower left portion of the image, while the right side remains relatively sparse and devoid of significant detail. The lighting in this scene is notably dim as the lights appear to be turned off, leading to a predominantly dark atmosphere throughout the image. Many details within the photo remain indistinct due to the poor lighting; however, the walls are observed to have a distinct color scheme—half of the wall is painted white while the other half is a muted yellow. This dual coloration likely results from the dark environment, and it contributes to an overall aged, somewhat rustic appearance, suggesting the setting could be a rural hospital. The style of the photograph, along with its aesthetic features, portrays a rather dreary ambiance with limited illumination filtering through the windows. Despite the lack of clarity, there are hints of a traditional, less modernized hospital room, further reinforced by the muddied outlines of hospital supplies and equipment set against the dull wall. In a more detailed aspect of the image, there's another depiction that reinforces the notion of a healthcare space. The room, similarly dark and shadowy, displays walls adorned in two colors: the lower half being yellow and the upper half white. A window adorned with a light blue curtain lets in natural light, indicating it is daytime outside; however, the light conveys a soft, diffused glow due to the thinness of the curtain. In the forefront of this image, a shelf is discernible, with several white gloves hanging, presumably placed there to dry after use. Additionally, this part of the scene includes a table that supports a black mattress, further hinting at the potential medical use of the room. A drying rack burdened with many socks can be spotted in the backdrop, alongside a basin, further suggesting activities related to a healthcare facility. The overall composition conveys an impression of disarray and outdated infrastructure. Additionally, the presence of a red flag is noted, which might symbolize a warning or a specific protocol within the facility.
| 1,969 |
|
nonnative
|
['1ihFDmk8FFDO']
|
['English']
|
[" Okay, high level, we are looking at a man crying. He is wearing glasses, he has black hair, he appears to be Asian, slightly yellow teeth. He appears to be in the minute, and then whenever the image was snapped, it appears like he was in the middle of making an action. He's wearing a striped suit, and in the background appears to be some sort of cardboard cutout. One of them appears to be a face, the other of the planet Earth, though that is less certain. Jumping to details, his outfit is a black dress shirt, white bow tie, with a white, black, and purple striped suit. The purple stripes are the largest. You'll notice in the bottom left-hand corner there appears to be another hand that does not appear to be his, and if so, there apparently is maybe another person trying to pet him, touch him. give him some condolence. His glasses appear to have been fogged up from the crying, and there is some Asian, um, little closed captions on the bottom. Seism person and he and liars Un psic avenВ鼻 So can you obviously hear zest blast out under the top but of the body?"]
|
[False]
|
[nan]
|
The transcription captures a poignant moment featuring a man who is visibly distressed, as he is crying. His physical appearance includes black hair, slightly yellow teeth, and he is wearing glasses. The man's ethnic background appears to be Asian. At the time the image was taken, he seems to be in the midst of a significant emotional action, perhaps expressing grief or sorrow. His outfit is carefully described: he is dressed in a black dress shirt paired with a white bow tie, and he dons a striped suit that includes a combination of black and purple stripes, with the purple stripes being the most prominent in the ensemble. This choice of clothing suggests a formal or important occasion, yet the crying evokes a deep emotional response that contrasts with the attire. In the background of the image, there is what appears to be a cardboard cutout, though its exact nature is somewhat ambiguous. One cutout resembles a human face, while the other may depict the planet Earth, though the latter is noted to be less certain in identification. Additionally, there is an intriguing detail in the lower left corner of the image, where another hand is visible. This hand does not appear to belong to the man, raising the possibility that another individual is present, attempting to offer comfort or consolation, perhaps reaching out to touch him in a gesture of support during his moment of distress. The man’s glasses show signs of having fogged up, likely as a result of his tears, contributing to the emotional weight of the scene. Furthermore, there are Asian characters seen as closed captions at the bottom of the image, which adds a layer of cultural context to the moment captured. The transcription includes a segment of what appears to be speech or sound, mentioned as "zest blast out under the top but of the body," though the transcription does not clarify its significance or source. Overall, the moment encapsulated in this image is heavy with emotion, marked by the man's crying visage and the potential presence of another person offering solace amidst his evident sorrow.
| 2,573 |
|
native
|
['1nDExSjPjYVd', '1cvgvoS7dOFk', '14tUcxFraXPq']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this picture, at first glance, you can see many lanterns. They are all hanging, likely above a street. There are probably more than thirty of them. The text written in the picture is not discernible. These lanterns are hanging at varying distances along a street. One detail is that on the innermost lantern, there is a bamboo background painted, making it look like some kind of market where they sell things for the New Year or other festive occasions. The overall style features lanterns in a variety of colors.', 'Please do not hesitate to like, subscribe, share, and support "Mingjing" and "Diandian" programs through donations. Please do not hesitate to like, subscribe, share, and support "Mingjing" and "Diandian" programs through donations. Please do not hesitate to like, subscribe, share, and support "Mingjing" and "Diandian" programs through donations.', 'This image features no people; it is filled entirely with lanterns of various shapes and sizes. The background is predominantly dark. There are conservatively estimated to be at least dozens of lanterns present. Most of the lanterns are traditional red, in line with the convention. However, there are some unique lanterns, such as a purple one in the top left corner. This lantern has an oval shape, which is different from the usual pumpkin or round-shaped lanterns. Additionally, there is a blue lantern in the middle, flanked by two purple ones. There are also other shapes, like several rectangular lanterns in the bottom left corner, adorned with patterns resembling bamboo and bamboo leaves. Interestingly, there’s a green lantern on the right side of the image; I’ve never seen one like it before. Although it has a shape similar to a standard lantern (pumpkin-shaped and round), its color is green, making it quite unique. Towards the center and slightly to the bottom right of the image, there’s a black area where there aren’t too many colored lanterns present. Overall, it’s a wonderful display of lanterns.']
|
[False, False, False]
|
[nan, nan, nan]
|
In this image, upon the initial observation, one can see a multitude of lanterns suspended above a street, creating a vibrant and festive atmosphere. It appears that there are over thirty lanterns arranged at varying heights and distances, enhancing the visual depth of the scene. While the text present in the image is not legible, the lanterns themselves showcase a range of colors, predominantly featuring traditional red, which is a color associated with celebration, good fortune, and happiness, especially during the Chinese New Year and similar festive occasions. Among these lanterns, a noteworthy detail is the innermost lantern that features a bamboo background illustration, suggesting that this could be set in a marketplace or a cultural event where goods are sold to celebrate the New Year or other significant festivities. The overall design aesthetic of the lanterns is diverse, highlighting various colors that appeal to the eye. Another image described focuses solely on the exquisite display of lanterns without any human presence. The background is largely dark, which serves to emphasize the lanterns, creating a striking contrast that brings them into focus. It’s estimated that there are at least dozens of lanterns, with most adhering to the traditional red color scheme. However, several lanterns deviate from this norm, adding uniqueness to the ensemble. For instance, in the top left corner, there is an oval-shaped purple lantern that differs from the conventional pumpkin or round shapes typical of lantern designs. Centrally located within the array of lanterns is a blue lantern surrounded by two additional purple lanterns, contributing to the eclectic variety. In the bottom left corner, one can spot several rectangular lanterns that showcase intricate patterns reminiscent of bamboo and bamboo leaves, symbolizing resilience and flexibility in Chinese culture. Interestingly, on the right side of the image is a striking green lantern, which is an uncommon color choice for lanterns. Although this green lantern shares a conventional shape similar to the traditional pumpkin-shaped and round lanterns, its unique hue sets it apart from the rest, making it a notable element of the overall display. Towards the center and slightly towards the bottom right of the image, there exists a black area that lacks colored lanterns, serving as a backdrop that draws attention to the vibrant colors of the lanterns surrounding it. The entire composition is a stunning showcase of creativity and cultural heritage through the lens of lantern design and colors, enriching the visual experience.
| 2,158 |
|
nonnative
|
['148Ka6kBfyjp', '1i1Dz7Z1Djny']
|
['English', 'English']
|
[" This is the image of a food item that appears to be of Asian origin. There are some barbecued meats over rice. In the background, there's something that resembles potato salad with green beans sticking out of it. The meat may be pork and chicken. There is a spoon and a fork to the right of the image. The food is not over a plate but over wax paper. It indicates that it was purchased at a counter and is not being served at a restaurant.", " See an image of some food here. It looks like it's some sort of meat on top of rice and what looks like might be coleslaw. It's like yellowish with chunks of something that's sort of clearish colored and some green beans. And there is a fork and a spoon to the right. The fork has a pink handle and the spoon has a white handle and they are sitting including the food atop what looks like a coated paper for like storage perhaps. And there's another food item to the bottom right that could either be meat or it could be maybe some sort of biscuit and the rice is white rice. The meat I see some pinkishness there so perhaps it's like dark meat and then I also see some like a greenish leaf which indicates it's some sort of herb maybe basil."]
|
[True, False]
|
['Asian food', nan]
|
This image showcases a food item that appears to have Asian culinary influences, prominently featuring barbecued meats resting over a bed of rice. The barbecued meats displayed may consist of both pork and chicken, characterized by a savory, glazed appearance typical of barbecue preparation. Accompanying the dish in the background is a salad-like item that resembles a potato salad, which is notable for its green beans protruding from it, adding a crisp texture and a splash of color to the plate. To the right of the image, there are utensils present, specifically a fork and a spoon. The fork has a pink handle while the spoon is equipped with a white handle, suggesting a casual dining experience. The food is served directly upon wax paper, indicating that this meal was likely purchased from a counter rather than being served in a formal restaurant setting. Its presentation suggests quick consumption, as wax paper is often used in take-out scenarios to retain the heat of the food while making it easy to carry. Additionally, there are more ingredients visible within the image. The rice appears to be white, contrasting against the rich colors of the meats. There is a component that seems to be coleslaw, described as yellowish with chunks of a transparent object, which may be indicative of pickled vegetables or shredded cabbage. The green beans present further enhance the dish's diversity and nutritional appeal. Located at the bottom right corner of the photograph is another food item, which remains ambiguous; it could either be a piece of meat or a biscuit-like item, adding an element of curiosity to the meal. Additionally, the meats display some pinkish tones, suggesting the presence of dark meat, which is often favored in many Asian dishes for its rich flavor. There is also a hint of a greenish leaf present, potentially indicating fresh herbs like basil, which are commonly used in Asian cuisine for added aroma and taste.
| 494 |
|
native
|
['1751blAsHlF3']
|
['Korean']
|
['The next photo shows a sandwich or a food that can be described similarly. The bread of the sandwich appears to be a bit toasted. Inside, there seems to be some white mayonnaise sauce sticking to the bread, and on top of that, there are four slices of green pickles, then some red tomatoes, followed by cheese powder, and finally some red meat placed on the sandwich. There is also a ruler present, which seems to be measuring the thickness of the sandwich. It appears that the sandwich thickness is about 3 inches, maybe just under 3 inches. The background is not very clear. It just seems to be a photo of measuring the thickness. There are no visible markings.']
|
[False]
|
[nan]
|
The next image features a sandwich, or a food item that can be similarly categorized. The sandwich is constructed with bread that has a light toasting, giving it a slight golden color and a crisp texture. Within the sandwich, there is a layer of creamy white mayonnaise sauce that spreads across the interior surfaces of the bread, adding moisture and flavor. On top of the mayonnaise, there are meticulously arranged four slices of vibrant green pickles, which add a crunchy texture and tangy flavor profile to the sandwich. Following the pickles, slices of red tomatoes are placed, contributing a juicy freshness and slightly sweet flavor. A generous sprinkling of cheese powder is layered on top, providing a rich and savory taste that complements the other ingredients. Finally, the sandwich is topped with layers of red meat, likely selected for its savory, protein-rich qualities, which serve as the primary filling of this substantial sandwich. Adjacent to the sandwich is a ruler, which serves a functional purpose: it appears to be measuring the thickness of the sandwich. The measurement indicates that the sandwich is approximately 3 inches thick, perhaps just shy of that mark. This measurement emphasizes the substantiality and heartiness of the sandwich, suggesting it is quite filling. The background of the photo is somewhat unclear and does not provide much context; it seems focused solely on the measurement aspect of the sandwich. Notably, there are no identifiable markings in the background to offer further details or distractions from the main subject of the photo.
| 2,951 |
|
nonnative
|
['12a4X3pFUhFq']
|
['English']
|
[" In this image there are two women. One on the left is wearing, well both are wearing dresses. The one on the left is wearing a dress with some graphic prints on it. I see some birds, some flowers. And also it is a low cut dress. It is a V cut all the way down to her midriff. She also is wearing some choker metallic necklace. She's wearing two rings and has pink painted nails. She has a metal bracelet on her left hand. She's smiling, showing no teeth, and she's wearing earrings as well. Her hair is up in some hairdo and there's like a yellow green background behind her. The woman on the right is wearing a blue dress that is, it looks like it's sewn with like jewels in it. She has silver nails, silver band on her left hand. And she's wearing some silver necklace with a sapphire or blue gem in the middle. She's also smiling at the camera."]
|
[False]
|
[nan]
|
In this image, there are two women posed side by side, both dressed elegantly in their respective dresses. The woman on the left stands out with her vibrant ensemble. She is wearing a dress that features an array of graphic prints, prominently displaying colorful depictions of birds and flowers. The design of her dress includes a plunging V neckline that extends down to her midriff, adding a bold touch to her appearance. Complementing her outfit, she has adorned herself with a metallic choker necklace that adds a chic element to her style. Her fingers are decorated with two rings, and she sports pink-painted nails that provide a playful contrast to her overall look. On her left wrist, she wears a metal bracelet, which adds an elegant touch. The woman has styled her hair in an updo, and she is smiling lightly, showcasing her beautiful features without showing her teeth. As for the background, it consists of a yellow-green hue that enhances the liveliness of the scene. The woman on the right exudes a different charm with her attire. She is wearing a striking blue dress that appears to be embellished with jewels, which brings a sense of glamour to her overall look. Her fingernails are polished in a silver color, matching the silver band ring on her left hand. Around her neck, she is adorned with a silver necklace that features a striking sapphire or blue gem at its center, further enhancing her sophisticated appearance. Just like her companion, she is also smiling at the camera, radiating confidence and joy.
| 2,546 |
|
nonnative
|
['1dzS9LIhghch', '1ohuIlPGDv2W']
|
['Chinese', 'English']
|
["This is a very old picture, and you can tell that it features images from America in the 1960s and 1970s. It shows two people, likely a mother and daughter, both making breakfast. One is older and the other is younger. They appear to be happily preparing their meals. The woman is making dumplings, and the kitchen looks very relaxed and cheerful, showing a warm and joyful scene. These are quite pleasant images, and it seems they are living a very happy life. The background is cheerful, though it doesn't suggest a particularly wealthy lifestyle; it’s simply a typical depiction of their daily life.", ' This is an image of two women cooking. One woman is younger and she is on the left. She has a yellow shirt, a brown blazer, and green pants. The one on the right has a yellow flower dress. The one on the left is taking out some item. And the one on the right has a pan full of another item. There is a metal pot on the stove. And in the background there is some clutter of cups and a picture frame.\\']
|
[False, False]
|
[nan, nan]
|
This is a very old picture that prominently features elements from America during the 1960s and 1970s. In the image, two individuals, likely a mother and daughter, are seen joyfully preparing breakfast together. One person appears older, presumably the mother, while the other is younger, likely the daughter. They exhibit a sense of happiness and camaraderie as they engage in the activity of meal preparation. Notably, the older woman is making dumplings, which adds a cultural and culinary touch to the scene, highlighting the tradition of cooking together in a familial context. The kitchen portrayed in this image is relaxed and cheerful, encapsulating a warm and joyful atmosphere. The visuals depict a slice of daily life that seems to reflect contentment and fulfillment, characterized by pleasant interactions and simple pleasures. Although the background suggests a cheerful ambiance, it does not imply extravagance or wealth; instead, it presents a typical representation of their everyday existence. In a more detailed analysis of the individuals, the younger woman on the left is dressed in a yellow shirt, complemented by a brown blazer and green pants. This choice of clothing conveys a casual yet stylish appearance typical of youth in that era. The older woman on the right is adorned in a yellow floral dress, which reflects the vibrant and lively colors that were popular during that time. As the composition unfolds, it can be observed that the younger woman is engaged in retrieving an item, whereas the older woman is busy handling a pan filled with another culinary delight. The kitchen is equipped with a metal pot resting on the stove, which indicates an active cooking process. Additionally, various items can be spotted in the background, such as a clutter of cups and a picture frame, suggesting a lived-in environment that is both personal and inviting. The setup creates a heartfelt narrative of family life, encapsulating the essence of nurturing relationships and the joy found in shared experiences over meals.
| 1,737 |
|
native
|
['1oRbpCn2JsBx', '126hpnuwNLRp']
|
['Chinese', 'Chinese']
|
["In this performance, there is a female character who holds an award from the Wan Ching Star Bright Original Award. This award is a very famous one in Hong Kong. This female character is wearing a beautiful dress, and she is smiling as she holds a trophy. I think this fits very well with Hong Kong's culture. In the background, there are many Chinese people, and I personally believe this should be related to Hong Kong's culture as well.", 'This photo is from a celebrity awards ceremony. In the center of the image, we can see a female star wearing a necklace and dressed in a very glamorous pink gown, holding a huge golden trophy. She is standing on the red carpet, smiling at the camera. In the background, there is some information about the awards event, indicating it is the "Free Numerous Stars Awards Ceremony," and it took place in 2001. Below, there is a note suggesting it may be a Hong Kong awards ceremony, as indicated by "tvb.com." The overall theme, including the star’s outfit, the red carpet, and the bright red background, is very vibrant and striking. Notably, there\'s a colorful "48," which likely signifies that this is the 48th event. The overall style is very bright and glamorous.']
|
[True, True]
|
[nan, nan]
|
In this performance, a female character is prominently featured holding an award known as the Wan Ching Star Bright Original Award, a prestigious accolade celebrated in Hong Kong. The female character is attired in an exquisite dress and displays a radiant smile while clutching the trophy, symbolizing her achievement. This moment resonates well with the rich cultural context of Hong Kong, which often celebrates excellence in the entertainment industry. In the backdrop, a diverse group of Chinese individuals can be seen, reinforcing the connection to Hong Kong's vibrant cultural landscape. The next description pertains to a photograph from a celebrity awards ceremony, where in the center, there is a female star adorned with a beautiful necklace, dressed in an eye-catching, glamorous pink gown. She is standing confidently on a red carpet, a traditional feature at such events, and is smiling broadly at the camera, conveying a sense of joy and accomplishment. Behind her, there is text that provides details about the awards occasion, identifying it as the "Free Numerous Stars Awards Ceremony," which took place in 2001. It is noteworthy that this event is possibly linked to Hong Kong, as indicated by the website "tvb.com," which is associated with the Hong Kong Television Broadcasts Limited, a major television network in the region. The atmosphere of the photograph is enhanced by a dynamic and vibrant theme, with the star's outfit and the prominent red carpet contributing to the overall glamour of the occasion. A colorful graphic stating "48" is visible in the background, signifying that this is the 48th iteration of the awards event. The entire presentation is characterized by bright and striking colors, encapsulating the celebratory and festive spirit typical of such high-profile ceremonies in Hong Kong's entertainment scene.
| 2,568 |
|
nonnative
|
['1c03n1jBaRaT']
|
['English']
|
[" I first noticed this image appears to be of a man holding three awards with some sort of music symbol on each of the awards that he must have won recently. And he's wearing a suit and a black and white collared shirt under it. There are some tables behind him with glasses with what would be wine. And there are some gifts on the table. And also there are some security guards with three younger men standing behind him. The man himself looks to be about 30 to 40 years old. And there's no text in the image, but it appears to be in some sort of alien ballroom that the image is taking place. And there's a crowd behind the security guards as well, likely for the recipient of the awards."]
|
[True]
|
['Yes, music award in asian country']
|
In this image, we see a man proudly displaying three awards, each adorned with a distinctive music symbol, indicative of his recent accomplishments in the music industry. The awards suggest that he has been recognized for his contributions, likely in an Asian country, where music awards hold significant cultural prestige. The man appears to be in the age range of thirty to forty years old, dressed sharply in a tailored suit, complemented by a sophisticated black and white collared shirt that enhances his polished appearance. In the background, we can observe several tables elegantly set up, each featuring glasses that likely contain wine, hinting at the celebratory nature of the event. There are also various gifts placed on the tables, suggesting that this occasion is special, possibly a prestigious award ceremony or gala. Standing behind the man are several security guards alongside three younger men, giving the scene an air of importance and indicating that the recipient of the awards is a person of high profile. The environment appears to be that of an extravagant ballroom, characterized by its opulence and grandeur, which is often associated with high-class events. The presence of a crowd beyond the security detail further emphasizes the significance of the occasion, as onlookers gather to celebrate the achievements of the award recipient. This moment captures not only individual success in the field of music but also the collective appreciation from fans and peers within the cultural context of the award ceremony.
| 2,649 |
|
nonnative
|
['1aKrdg8NQu1q', '1408d6K5hAdm']
|
['Chinese', 'English']
|
['At first glance, this photo looks like it was taken in a very large kitchen, featuring a dining table, shelves, and some walls and ceilings made of a metal-like material, resembling iron or stainless steel. The main focus should be this large table and a person standing next to it, but in the background, there are two other people. All three of them appear to be chefs, wearing white hats and the typical white chef uniforms along with aprons. The person in the middle is standing by the table, seemingly cutting some fruit, and there is a watermelon in the lower right corner. The table is quite large, so there aren\'t many items placed on it. Other details include an exit sign on the wall with the word "exit" written in English, and several very bright white paper lanterns hanging from the ceiling, giving the overall color a metallic tone.', " This new image is of a restaurant or a kitchen it looks like. There are three chefs. They all look Asian maybe. I'm not sure exactly where in Asia. They're literally making some food. Two of them are cooking. One of them is doing something else. In the photo there on the bottom right there's some fruit. There's a watermelon and some lemons. And then there's some cut up watermelon, cut up cantaloupe. It looks like some kind of honeydew and pineapple maybe. But one of the chef is working on on that main table in the video. There's an exit sign on the top. It's coming towards the right. It says exit. It has an arrow pointing around the corner. Oh very interesting. So it looks like It looks like there's a mirror in the room. It's not just one really big room. There's a mirror. And so that guy cooking is actually that's actually a reflection of him. And you can see like the reflection about halfway through the room. There's a mirror and clearly starts over because the ceiling is metal. The walls are metal and the lights are all look the same. It's a little bit hard to tell. You"]
|
[False, False]
|
[nan, nan]
|
At first glance, this photograph presents itself as a spacious kitchen environment. The features include a dining table, shelves, and walls and ceilings constructed of a metal-like material that gives the impression of iron or stainless steel. The main focus of the image is the large dining table, beside which a person stands, busily engaged in preparing food. In the background, two additional individuals are also present, all of whom appear to be chefs. They are dressed in traditional white chef uniforms, complete with white hats and aprons, which are standard attire in culinary settings, indicating their professional status in the kitchen. The individual positioned in the center of the image is depicted cutting some fruit, specifically visible is a watermelon located in the lower right corner of the frame. The size of the table is considerable, which results in minimal items being placed on it, giving a clean and organized appearance. Among the additional details that can be observed are an exit sign mounted on the wall, which has the word "exit" written in English, and provides an arrow pointing to the right, directing people towards the exit. Hanging from the ceiling are several bright white paper lanterns, which add to the overall aesthetic of the space, casting a metallic tone over the scene. The atmosphere appears to be well-lit, contributing to a lively kitchen ambiance. In another part of the discussion, the image is identified as potentially belonging to either a restaurant or a kitchen setting, suggesting a functional space where food is prepared. The three chefs are noted to have Asian features, although the exact origin within Asia is unclear. They seem to be actively engaged in cooking, with two of them specifically involved in the food preparation while the third performs a different task. In detail, towards the bottom right of the image, an array of fruits is showcased, including a watermelon and lemons, as well as cut-up pieces of watermelon, cantaloupe, honeydew, and potentially pineapple. One chef is prominently working on a main table visible in the photo. An interesting observation made is the presence of a mirror within the room, creating an illusion of a larger space. It is noted that the reflection of the chef cooking can be seen halfway through the room, reinforcing that the kitchen is not merely a single expansive area, but rather includes reflective surfaces that alter the perception of space. The ceiling and walls, consistent in their metal construction, along with identical lighting, contribute to a cohesive visual theme in the kitchen environment, though they also add a layer of complexity in discerning the layout due to the reflections created.
| 1,649 |
|
nonnative
|
['1dZj2PJ5spLt', '12KdAv7nafWH']
|
['Chinese', 'English']
|
["This picture looks like food, and the background is a white table. The plate is also white, and it holds a lot of food. We can see carrots, and there’s something that might be a potato—I'm guessing it’s a potato, either that or bread, but I lean more towards potato. Next to the carrot on the left, there’s green vegetables, and on top of that, there’s slices of meat. What kind of meat it is isn't very clear; it could be pork, and it looks like a Western meal, definitely not Chinese cuisine. The potato has two pieces, there are several carrots, and there are a lot of green vegetables taking up a large space. It’s hard to count them all, and the few pieces of meat are also hard to count since they’re stacked together.", " The image features a plate of what appears to be a hearty and well-balanced meal, neatly arranged on a clear glass plate. The main focus is the slices of roasted meat, like a pork or turkey positioned at the top of the plate, showing off a light pink interior and flavorful, slightly crisp edge. Accompanying the meat are two golden brown roasted potatoes, seasoned with herbs and roasted to a deliciously crisp finish. Next to the potatoes, a portion of bright orange carrot sticks adds a pop of vibrant color, steamed or cooked until tender, maintaining their natural sweetness. To the left of the plate is a serving of fresh green lettuce, lightly steamed or possibly wilted, giving the meal a touch of lightness and freshness. Tucked beside the lettuce is a creamy portion of mashed or pureed potatoes, or possibly parsnip, which appears smooth and rich, providing a comforting texture to balance the other elements. The plate's composition is carefully arranged, making the dish visually appealing with a variety of textures and colors. The plain white background keeps the focus entirely on the meal, highlighting its simplicity and homely appeal. The overall presentation suggests a comforting home-cooked meal, balancing roasted flavors with a fresh and hearty, ideal for a wholesome lunch or dinner. The care in plating and the choice of ingredients evoke a sense of warmth and satisfaction, emphasizing the essence of a nourishing and fulfilling dining experience."]
|
[False, True]
|
[nan, nan]
|
This image presents a visually enticing meal, arranged meticulously on a pristine white table, with the dish itself served on a clear glass plate that allows for an unobstructed view of its colorful contents. The emphasis lies on the slices of roasted meat, which could potentially be pork or turkey, showcasing a delightful light pink interior and a slightly crispy edge, indicative of proper roasting that yields both moisture and texture. Atop the plate, two golden brown roasted potatoes can be seen, seasoned with aromatic herbs and cooked to a perfectly crispy exterior, rendering them delicious and appetizing. Adjacent to the potatoes are vibrant carrot sticks, their bright orange hue contributing a lively contrast to the plate. These carrots appear to be either steamed or cooked until tender, preserving their inherent sweetness, which complements the savory nature of the meat and potatoes. To the left of the plate is a generous serving of fresh green lettuce, which appears to have been lightly steamed or wilted, adding a refreshing element to the overall composition. In addition to these, there is a creamy portion next to the lettuce, which could be a smooth, rich serving of mashed potatoes or pureed parsnip. This element provides a comforting texture, balancing the crispiness of the roasted items with its velvety nature. The arrangement of the dish is visually strategic, showcasing a variety of colors and textures that make it not only appetizing but also aesthetically pleasing. The background of the meal is a plain white, which serves to draw attention solely to the food, highlighting its simplicity and homely attributes. The overall presentation encapsulates the feel of a comforting home-cooked meal, characterized by a balanced combination of roasted flavors alongside fresh ingredients, making it an ideal option for a wholesome lunch or dinner. The careful attention to both plating and ingredient selection conveys warmth and a sense of satisfaction, emphasizing the essence of a nourishing and fulfilling dining experience.
| 1,561 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.