image_link
stringlengths 107
241
| annotation_type
stringclasses 2
values | ids
stringlengths 16
96
| languages
stringclasses 180
values | transcriptions_translated
stringlengths 105
7.21k
| culturally_distinct
stringclasses 64
values | culturally_distinct_explanations
stringlengths 5
1.32k
| summary
stringlengths 99
5.83k
| __index_level_0__
int64 0
3.07k
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|---|---|---|---|---|---|---|---|---|
nonnative
|
['19o7dc6uWKnw', '165rT0PY0iSx', '1894UgoRgACj', '11Pi3MlSMerg']
|
['English', 'Thai', 'English', 'English']
|
[" So in this image at first, this is inside a market because there's a cover at the top. There are tables and chairs and also vendors on the right hand side of the image. And there are a lot of people who are eating, sitting there grabbing their food or drinks. And the person on the left looks like selling eggs because of the containers on the table. The color is very vibrant, very warm, given this is during the day inside a covered market. The Chinese characters on the right side on the red strip shows this could be in Singapore, could be in China, any cities or any Asian countries writing Chinese characters. And people are wearing shorts, so it seems like a summer or tropical weather as well. You want an importantprehensible meaning? Excuse me. This is in Boston wahr Ш & yup. See you next week.", "The transcription discusses a scene involving some people or guests arriving, possibly referring to a gathering or an event. It mentions the presence of about 20 individuals and describes a restaurant that appears to be well-decorated. There is a specific mention of a drink, possibly a smoothie, made from a type of fruit. The narrative hints at some video footage or an image that was captured, which indicates that it has a high likelihood of being taken during the daytime when the weather was quite warm. Furthermore, there's an allusion to certain technological aspects or software that may relate to this scene.", ' There are people sitting at tables in a supermarket area with eating various products from the vending machines in the background with very colorful drinks and little snacks. And in the foreground, there is a woman wearing an apron with a mask and gloves, probably perhaps a cook or a server or something of that nature. There are fans blowing down on the customers. And the entire room is this sort of beige color. And the exterior can be seen in the distance.\\', ' Hello and thank you for listening. This photograph shows what appears to be a busy hawker, center, or open-air food court. In the foreground, there are round pink cables on small stools. Several people are seated, eating or resting, and one man in a blue shirt is focused on his meal. Toward the left, a woman in a face mask walks past. The stalls in the background have metal shutters, with some open and others closed. One stall has bright signs showing pictures of food or drinks, and there is some Chinese text on a vertical sign at the right. Overhead, the roof is high and has a ribbed pattern, along with metal supports and ventilation ducts. Stacks of egg trays sit on one of the tables, possibly for cooking supplies. The color palette includes light browns, pink and gray, which blend into a casual dining setting. We can infer this is a place where people come for affordable meals, likely in a city with a vibrant food culture. The layout suggests a communal atmosphere, with multiple stalls offering different dishes. Overall, it feels like a typical scene of everyday life in a local dining spot.\\']
|
[True, True, False, False]
|
[nan, 'Chinese texts show the culture of China or Chinese-based culture', nan, nan]
|
In this image, we find ourselves in a lively market setting, characterized by a cover overhead that suggests it is sheltered from the elements. The environment is bustling with activity, featuring numerous tables and chairs where a diverse group of individuals are seated, enjoying their meals and drinks. Notably, on the right-hand side of the image, vendors can be seen attending to customers, further adding to the market's dynamic atmosphere. One particular vendor on the left appears to be specializing in the sale of eggs, as evidenced by the containers neatly arranged on the table in front of them. The color scheme of the scene is notably vibrant and warm, indicative of daytime conditions within this covered market space. The presence of Chinese characters displayed on a prominent red strip suggests that this market could potentially be located in Singapore or in various cities across China or other Asian countries where Chinese is commonly used. As we observe the attire of the patrons, many are dressed in shorts, indicative of a summer climate or tropical weather, contributing to the relaxed vibe of the market. In a separate narrative, the description unfolds surrounding a gathering or event where approximately twenty guests are arriving. The ambiance is set in a well-decorated restaurant, which hints at a festive or inviting atmosphere. A focal point of interest within this scene is a drink, likely a smoothie made from tropical fruit, being highlighted. Furthermore, the mention of captured video footage or images points to this event being well-documented, likely occurring during warm daytime hours. The narrative alludes to certain technological elements or software that may be pertinent to this social gathering. In another depiction, people are seated at tables within a supermarket area, enjoying a variety of products sourced from nearby vending machines. The background features an array of colorful drinks and assorted snacks, further enhancing the lively environment. In the foreground, a woman is seen wearing an apron along with a mask and gloves, suggesting her role as a cook or server within this setting. The area is equipped with fans, providing added comfort to the patrons, and the overall palette of the room is painted in soothing beige tones. The visibility of the exterior hints at the bustling atmosphere outside. Another image captures a busy hawker center or open-air food court, where patrons are immersed in the experience of communal dining. In the forefront, round pink tables with small stools are filled with individuals engaged in meals or relaxation. Among them, a man clad in a blue shirt is singularly focused on enjoying his dish. A woman wearing a face mask is seen passing by on the left side of the scene, contributing to the atmosphere of a public dining area that emphasizes health and hygiene. Located in the background are food stalls, adorned with metal shutters that vary between open and closed, each featuring bright signage replete with pictures of tantalizing food and drinks. One particular vertical sign prominently displays Chinese characters, affirming the cultural backdrop of this setting. Overhead, the high roof displays a ribbed pattern supported by metal beams and ventilation ducts, typical of such dining establishments that cater to large crowds. Arranged on one of the tables are stacks of egg trays, likely intended for cooking. The overall color palette comprises light browns, pinks, and grays, fostering an inviting atmosphere conducive to communal dining. The layout of the stalls suggests a harmonious blend of various food offerings, indicative of a vibrant food culture in a city that embraces diversity and accessibility in its culinary scene. This scene encapsulates the essence of everyday life in a favored local dining spot.
| 604 |
|
nonnative
|
['17VWLobjiFuM', '1e09XBR9i746', '1dSXDuuHxhYT']
|
['Chinese', 'English', 'Chinese']
|
['The background is black, resembling a nighttime setting. The main subject appears to be an outdoor, historically styled columnar building. On this building, there are human-like relief sculptures that resemble flying figures. In the mid-frame, there are four women, arranged from near to far, who look like dancers. They are all posed with their hands on their hips, wearing ethnic costumes with short sleeves, and each has gold accessories on their right hand. They are all made up, with nose rings, and have flowers adorning their hair. Their hairstyles are consistent yet varied. For example, the woman at the front has white flowers and her outfit is gold-brown. The second woman wears a turquoise dress with gold accents, and her headpiece features red flowers. The woman behind her closely resembles the second one but has a distinct hairstyle; her hair is primarily bright red and rose red, with matching red flowers. In the lower right corner, there is another woman dressed in green with gold trimming. They are all gazing forward, where there seems to be light, possibly coming from an outdoor stage where a performance is taking place.', " This is an image of four women standing in a Superman pose with their hands at their hips, facing forward. They're all facing the same direction, one in front of the other. There's actually a fifth woman also on the right side, not in line with these women. They're all wearing a cultural outfit. The two women in the middle are wearing green, as well as the woman off to the side. In the background, the woman in the foreground is wearing a goldish outfit, dress, with some actual gold and orange accents on it. And the woman in the leftmost side in the background is wearing a pink and purple outfit. They're all wearing large and distinct jewelry that's also appearing to be gold, as well as head features. They're standing. It's nighttime. It's dark out in front of these columns with different sculptings in it. There are a lot of different things inscribed in these columns going vertically. The columns are all different shapes, and they're all like a brownish stone. The ones you see are not known as young, and a yellowish stone is put on shoes gavel.", "This image showcases a group of female dancers in deep brick traditional attire performing a classical Indian dance. The first impression is a culturally rich dance scene, with the lead dancer in front and the other dancers arranged behind her, creating a multi-layered composition. Their costumes are elaborate, adorned with exquisite jewelry, and the colors predominantly feature gold, green, and blue. The metallic embellishments add brilliance to the scene. Looking at the details, the dancers' postures and expressions convey elegance and confidence, while their costumes and accessories reflect the unique style of Indian classical dance. In the background, stone columns and ancient architecture can be seen, possibly indicating a historical site or temple in India. This dance performance adds a sense of sacredness and a historical atmosphere. The warm-toned lighting enhances the theatricality of the stage, making the performers stand out and creating a sense of celebration or ritual. Overall, it can be inferred that this might be a cultural performance from India or a traditional dance display during a religious or festive event. The image reflects the elegance and cultural charm of Indian dance and highlights the fusion of dance with historical architecture, showcasing India’s rich artistic and cultural heritage."]
|
[True, True, True]
|
['像是印度或类似文化的表演场景', 'Cultural clothing', 'People are wearing Indian traditional costume']
|
The backdrop of the scene is a deep black, reminiscent of nighttime, which enhances the dramatic effect of the image. The focal point of this visual is a striking outdoor structure that resembles a historically significant, columnar building, adorned with intricate relief sculptures depicting human-like figures that appear to be engaged in flight. In the center of this composition, there are four women elegantly arranged from the foreground to the background, all of whom appear to be performing a synchronized pose indicative of dancers. They each have their hands confidently placed on their hips, emanating a sense of strength and poise. Their attire consists of ethnic costumes that feature short sleeves, highlighting cultural attire rich in tradition. Each dancer is adorned with eye-catching gold accessories prominently displayed on their right hands, further enhancing their graceful appearance. Each woman has been meticulously made up, complete with nose rings, and their hair is embellished with vibrant flowers, adding to the overall aesthetic. The hairstyle appears consistent among the group yet offers a variety of styles. For instance, the woman at the front has her hair adorned with white flowers, and she dons a shimmering gold-brown outfit that catches the eye. The second dancer is dressed in a turquoise ensemble accented with gold, and her headpiece features bright red flowers, adding a beautiful contrast to her costume. The third woman closely mirrors the second one in dress but distinguishes herself with a fiery hairstyle of bright red and rose red hair, also complemented by matching red flowers. In the lower right corner of the frame, another woman can be seen wearing a striking green outfit adorned with gold trimming, completing the ensemble of colors that reflect cultural significance. All the dancers are gazing earnestly toward a light source that appears to be emanating from an outdoor stage, suggesting a live performance is about to unfold or is currently taking place. In a slightly different capture, the scene is described with the same group of women striking a powerful pose, standing with their hands firmly on their hips, facing the same direction in a line formation, except for a fifth woman positioned on the right side. Again, their cultural outfits dominate the scene, with the two central figures and the sideline woman adorned in green attire, while the leading dancer is clad in an elegant goldish dress embellished with vibrant orange accents. The leftmost background dancer contrasts this with a vibrant pink and purple costume, and they all showcase large, distinctive jewelry pieces that further highlight the cultural richness of their attire. The visual experience is framed by the monumental presence of tall stone columns, each bearing unique carvings and inscriptions that seem to tell a story of their own. The columns, constructed from a brownish stone, convey an extraordinary sense of age and historical significance. The overall nighttime setting, coupled with warm-toned lighting, enhances the theatrical ambiance, celebrating the essence of the performance. In a final description, the image reveals a group of talented female dancers clad in deep brick-colored traditional attire, engaged in a classical Indian dance. The lead dancer takes prominence, with the others arranged behind her, creating a visually layered and rich tableau. Their costumes are not only elaborate but also embellished with exquisite pieces of jewelry. The vibrant colors, which include gold, green, and blue, captivate the viewer's attention, while metallic accents elevate the brilliance of their garments. The postures and expressions of the dancers resonate with elegance and confidence, showcasing the unique characteristics of Indian classical dance. The backdrop continues to feature ancient stone columns that suggest a historical site, possibly a temple that adds a sacred dimension to the performance. The warm lighting used in the setup heightens the dramatic effect of the scene, allowing the performers to truly shine and foster a celebratory or ritualistic atmosphere. This rich cultural presentation likely represents a traditional Indian dance performance, illuminating the grace and heritage of Indian artistic expression and its seamless integration with historical architecture, encapsulating the diverse cultural tapestry of India.
| 816 |
|
nonnative
|
['1faycpepdzea']
|
['English']
|
[" This seems to be like a menu or a time schedule. It is not of great design, but there are a lot of, it seems like a table. There's a lot of text in some sort of Asian language. And I can see in the third column from the left to the right that there are times on it. Seems like there are a few different days on it. One has 1530, I think, which is 330. PM, one is 9 o'clock, 1530, 1830, 1530, 9, and so on. There seem to be a few columns with more text, a few columns that are a little bit tighter. And it might be some sort of schedule. But by the design itself, you cannot tell unless you speak that language. There are six columns of different sizes. And pretty much all of them contain dense text."]
|
[False]
|
[nan]
|
The document in question appears to be a multifaceted layout, potentially serving the dual purpose of a menu and a schedule. The overall design lacks aesthetic appeal but is functional in presenting information. The layout features numerous columns, resembling a table format, which organizes a substantial amount of text primarily in an Asian language. Upon examination, the third column from the left to the right is particularly notable for its inclusion of timestamps, suggesting scheduled events or meal times. The times listed include 15:30, which translates to 3:30 PM, alongside other entries indicating various hours such as 9:00, 18:30, and additional repetitions of 15:30 and 9:00. This variation implies that the document spans multiple days, potentially detailing a routine or offering options for different meals or activities throughout the week. In total, the document features six columns, each differing in width, indicative of the diverse amount of content they are meant to accommodate. While a few columns are more densely packed with text, others present information in a slightly more spacious manner, likely to enhance readability for specific details. However, the overall content remains largely inaccessible to those unfamiliar with the language, as deciphering the intended information and purpose relies heavily on language proficiency. Thus, the design does not facilitate understanding for non-speakers, further underscoring the importance of linguistic context in interpreting such documents.
| 2,407 |
|
native
|
['15k36DXFJAiV', '1fsxoGF7haLv']
|
['Korean', 'Korean']
|
['The image depicts two men officially exchanging awards. In the photo, there are two elderly men. One man is holding a large trophy shaped like a horse, while the other is holding a certificate. The certificate has "Korea Language Industry Association" written on it, and another page of the certificate reads "Palma Award." The two men are facing each other and are positioned on either side. In the background, there is a poster commemorating the event. Both men are wearing dark blue suits, and one man has a pink sash draped over his suit.', "Looking at the photo, it seems to be a situation where someone is receiving an award or a commendation. The man on the left is wearing glasses and a red sash, holding a certificate while looking at the camera. It appears that he is the one receiving the award. The man on the right is dressed in an orange tie and a navy suit, smiling as he hands over the certificate. In the background, there is a statue of a horse and a blue curtain, but it's hard to tell exactly what location or situation this award presentation is taking place from the image alone. See you in the next video!"]
|
[False, False]
|
[nan, nan]
|
The image in question portrays a formal award presentation involving two elderly men, both of whom are engaged in the ceremonial exchange of recognition. The man on the left, distinguished by his glasses and a vibrant red sash, is the recipient of the award, currently holding a certificate that acknowledges his achievements. This certificate prominently features the text "Korea Language Industry Association," indicating its affiliation with the promotion and support of language-related endeavors in Korea. Additionally, another facet of the certificate bears the title "Palma Award," signifying a notable accolade that the recipient has earned. On the opposite side, the man on the right is attired in a navy suit complemented by a striking orange tie, and he is smiling warmly as he presents the award to his counterpart. Central to the image, the two men are depicted facing each other, establishing a sense of camaraderie and respect during this momentous occasion. Behind them, a commemorative poster marks the event's significance, while a statue of a horse and a blue curtain subtly adorn the backdrop, though the precise location of the event remains unclear through visual analysis alone. Both gentlemen are dressed in dark blue suits, a choice typical for formal occasions, further enhancing the dignified atmosphere of the award presentation. The presence of the pink sash draped over one man's suit may suggest additional honors or roles, possibly denoting a distinguished position or prior achievements within the context of the ceremony. Overall, this image captures a significant moment of recognition and celebration within the framework of the Korea Language Industry Association's efforts to promote excellence in language-related endeavors.
| 2,939 |
|
nonnative
|
['1lcYqlWWMMz2', '14fEFR1p8yLq', '1fYyRvW2IfwK']
|
['Chinese', 'Telugu', 'English']
|
["In this photo, at first glance, there is a group of elephants with a smaller elephant at the very center. In the upper right corner, you can see what appears to be its parent, which has larger tusks. To the front left, there are two elephant rears that seem slightly larger than this smaller elephant, but it's uncertain whether they are fully grown. Altogether, there are four elephants in the image, and there are no words present. The main focus is on the two elephants walking in the front, followed by the smaller elephant and its parent, which seem to be in a fairly desolate playground because the background is yellowish. The ground looks rather flat as they appear to be walking on muddy terrain without much grass, although the yellowish material in the background is somewhat fuzzy, making it unclear whether it is grass. The overall impression gives a sense of being in the wild rather than a zoo, although it could also be a zoo.", 'In the perspective, as soon as three elephants appear, four elephants appear right after. There are two elephants, three babies are seen, and they are looking for elephants. As soon as three are seen, they will see four. One family seems to be thinking that they are watching something.', ' At first glance, this photo contains four elephants walking. There are four elephants, and they are walking in what seems to be like a dusty desert field. There is no text in the image. On the left of the image, you see two rear ends of the elephant, but you do not see their full bodies. And to the right of them, you see an entire one small infant elephant, and then most of a larger elephant, its face and three legs. However, some of its back and rear end are not in the image. It seems to be a sunny day. They seem to be a little dusty. They are walking on what seems to be a dusty land, very dry grass and mud. In the background, you can see some of the dry grass that is a little bit blurrier.\\']
|
[False, False, False]
|
[nan, nan, nan]
|
In this captivating photograph, the viewer's attention is immediately drawn to a group of elephants, featuring a smaller elephant prominently positioned at the center. In the upper right corner of the image, there is an adult elephant identifiable as its parent, as evidenced by its larger tusks which signify maturity and strength. To the left front of the picture, two elephant rear ends can be observed, their size appearing slightly larger than that of the smaller elephant in the center; however, it remains uncertain whether they are fully grown elephants or younger individuals. Altogether, the image showcases four elephants, though it is devoid of any textual elements. The primary focus rests on the two elephants walking in the forefront, closely followed by the smaller elephant and its parent. The setting appears to be a rather desolate playground, with a yellowish background that contributes to a somewhat arid atmosphere. The ground is predominantly flat, as the elephants progress over muddy terrain that lacks substantial grass. This yellowish material in the background emits a fuzzy appearance; it could potentially be grass or another surface characteristic of their natural environment. In terms of context, the overall impression leans towards a wilderness setting rather than a confined zoo environment, although the possibility of it being a controlled zoo habitat cannot be entirely dismissed. Furthermore, as the perspective shifts within the narrative, there is a mention of three elephants being spotted, followed quickly by the appearance of four. This accounts for the presence of two adult elephants alongside three younger calves, all seemingly engaged in observing their surroundings. The family's seemingly inquisitive nature implies that they are captivated by something within their vicinity. Returning to the main elements of the photograph, it remains evident that the setting resembles an arid desert-like field, characterized by dusty land that looks somewhat barren. The visual lacks any textual annotations, allowing the image alone to communicate the serene but dusty environment. To the left in the frame, two rear ends of elephants can be discerned, although their full bodies are not visible. To the right, the viewer is presented with a clear image of a small infant elephant alongside a larger adult; however, some parts of this adult's body, including portions of its back and rear end, are cropped out of the frame. The atmospheric conditions appear warm and sunny, suggesting a typical day in a wildlife setting, further emphasized by the dust present on the elephants as they traverse through the dry landscape, which includes hints of faintly blurred dry grass in the background.
| 1,513 |
|
native
|
['1exnIc0ovuw0']
|
['Hindi']
|
["This picture is of India's former President Abdul Kalam Azad, who is one of the most beloved presidents in India. He was also a significant figure in India's nuclear program and was a distinguished scientist. His teaching method is also very renowned. After he stepped down from the presidency, he gave many speeches at various places and was particularly popular among the youth. In this image, he appears to be delivering a speech, with two microphones visible and the Indian flag displayed. There is also a saffron-colored cloth draped above. His hair was white, and during his speeches, he expressed himself a lot with his hands, greatly inspiring people and igniting awareness through his talks."]
|
[True]
|
['Image is of a very popular Indian president.']
|
This image features India's former President A.P.J. Abdul Kalam, who is widely revered as one of the most beloved leaders in the country's history. Known for his contributions as a distinguished scientist, he played a pivotal role in India's nuclear program, which significantly advanced the nation's capabilities in this critical field. Kalam's reputation extended beyond his scientific achievements; he was also an exceptional educator, renowned for his unique teaching methods that inspired many students. Following his term as president, which lasted from 2002 to 2007, Kalam continued to be an influential figure, delivering numerous speeches across the nation. His ability to connect with young people made him particularly popular among the youth, as he often spoke about the importance of education, innovation, and personal responsibility in shaping the future of India. In this particular photo, he is captured in the midst of delivering a speech. The presence of two microphones indicates the significance of the occasion, suggesting he is addressing a large audience or an important gathering. The Indian flag, a symbol of national pride, is prominently displayed, further emphasizing the patriotic context of his message. Additionally, a saffron-colored cloth draped above adds a cultural touch, as the color saffron is significant in India, often associated with spirituality and sacrifice. Kalam's physical appearance in the image shows his white hair, which reflects his wisdom and experience. Known for his expressive style, he often used hand gestures to convey his passion and to engage his audience effectively. His talks were characterized by an inspiring tone, as he aimed to ignite awareness and motivate people, particularly the younger generation, to dream big and actively participate in nation-building.
| 809 |
|
nonnative
|
['14x9F7AjNQho', '1gMPguF7CAO9']
|
['English', 'Chinese']
|
[' This is an image of a beach. There are many umbrellas on the sea. There are blue, yellow, green, multi-color umbrellas. This is a green trash can on the left. There are many people under the umbrellas, as well as in the distance. The image is skating out and forced to the sea. You can see people, many people in the ocean, flying. In the background, off of the light, there is a large amount of snow, because there is a sky. There are no clouds in the sky. There is blue and a beautiful sea in the middle of the day. The overall colors are pretty different. The umbrellas have been in different colors. This is something that this image itself was, even from a month or a month.\\', 'At first glance, this is a picture of a beach with yellow sand and a blue sky. On the right side of the image, there is half of a mountain and part of a blue beach umbrella. The beach has numerous umbrellas in green, yellow, and blue, with a total of about six or seven arranged in a row. On the left, there is also a half yellow umbrella. Additionally, on the left side of the image, there is a dark green trash can, with some people sunbathing nearby, along with their flip-flops and personal items. You can also see some people standing by the water, possibly wading. Overall, it looks like a resort-style beach, and these people are likely tourists, though some might be local residents. The only text present is scattered letters that seem to be in English, but they are not very clear.']
|
[False, False]
|
[nan, nan]
|
This is an image capturing a vibrant beach scene. The setting features a multitude of colorful umbrellas populating the seaside area. These umbrellas display a variety of hues, including blue, yellow, green, and multi-colored patterns, adding to the lively atmosphere of the beach. On the left side of the image, a green trash can is visible, which suggests an effort to maintain cleanliness in this popular recreational area. Beneath the umbrellas, many people have gathered, enjoying their time at the beach, while in the distance, more beachgoers can be seen in the ocean. The placement of the people indicates a lively environment filled with activity, particularly in the water where individuals may be swimming or wading, as there is a sense of a bustling summer day. The image appears to be taken mid-day, evidenced by the bright and clear blue sky devoid of clouds, which further enhances the cheerful beach ambiance. In the background, there is an unusual mention of a large amount of snow; this might be a misinterpretation or an error in the description, as the scene depicted is typically associated with warmth and sun rather than winter-like conditions. The overall color palette showcases the striking contrast between the vibrant umbrellas, the golden sandy beach, and the brilliant blue of the sea, painting a picture that reflects a classic idyllic beach vacation. Additionally, on closer inspection, one can see a portion of a nearby mountain on the right side, contributing to the scenic beauty of the location. According to the description, a total of six or seven umbrellas are arranged in a neat row along the shore, with some being half obscured or cut off in the frame. The left side of the scene presents a half-yellow umbrella and, not far from it, a dark green trash can, positioned near individuals who are sunbathing and whose personal belongings, presumably beach accessories like flip-flops, are scattered around. The people present appear to be a mix of tourists enjoying their vacation and possibly some local residents, blending together in this popular seaside destination. Interestingly, there is some mention of scattered English letters within the image, suggesting additional elements or text that might add context or detail but are not well-defined or clear. This adds a layer of intrigue about the setting, leaving one to wonder what message or signage might have been present but is not fully captured in the imagery. Overall, the scene encapsulates the essence of a lively beach day, filled with sun, leisure, and the scenic beauty of nature.
| 1,880 |
|
native
|
['14LMY64n4Tom']
|
['Hindi']
|
['The picture here seems to be from a shop selling sarees, likely from South India or Maharashtra, where the sarees are handmade. These sarees are very popular among women, who often purchase them during various occasions. The sarees come in various colors such as pink, orange, blue, red, green, maroon, and white, all displayed hanging on the wall. They are arranged in a way that anyone who comes to see can admire the designs, the borders, and the overall appearance of the sarees. If counted, there could be one, two, three, four, five, six, seven on top, and below that, eight, nine, ten, eleven, twelve, thirteen, fourteen, and it looks like there might be other sarees on another wall, with some dark colors visible.']
|
[True]
|
['It is an Indian dress, sari.']
|
The photograph depicted in this description appears to be taken inside a shop that specializes in selling sarees, a traditional garment worn by women in India. These particular sarees seem to originate from South India or Maharashtra, regions known for their rich textile heritage and exquisite craftsmanship. Each saree is handmade, reflecting the intricate artistry and cultural significance behind this timeless attire. Sarees are extremely popular among women in India, often purchased for various occasions, including weddings, festivals, and family gatherings. The sarees in the shop are showcased in a vibrant array of colors, including shades like pink, orange, blue, red, green, maroon, and white. These colors not only represent the diverse choices available to customers but also symbolize different meanings and associations within Indian culture. The sarees are elegantly displayed, hanging on the walls of the shop in a visually appealing arrangement that draws the attention of anyone who enters. This thoughtful presentation allows visitors to appreciate the exquisite designs, the detailed borders, and the overall aesthetic of each saree. Upon closer examination, one can observe that there are several sarees. If counted meticulously, there are seven sarees hanging on the top row, followed by another set below that consists of eight, nine, ten, eleven, twelve, thirteen, and fourteen sarees, indicating a wide selection available for potential buyers. Furthermore, it appears that there are additional sarees on another wall, where some darker colors are also visible, suggesting even more variety within the collection offered in this shop. The saree itself is a long piece of cloth, typically measuring around six to nine yards in length, which can be draped in various styles, making it a versatile garment celebrated for its elegance and grace. The cultural significance of the saree is profound, as it represents the identity and tradition of Indian women, making it an essential part of their wardrobe.
| 867 |
|
nonnative
|
['1htgAUxkbvCh', '1jh5nshtmr0g', '1h8NapQmUkP9', '1amUmnZV57Jf', '1dcJ9jTkWJ1q', '1h8L6OCLmKqN']
|
['English', 'English', 'Chinese', 'Chinese', 'English', 'Chinese']
|
[" This seems like a professional image of some sort of monument that's located right in the center of it. Blue skies, sunny day. It looks like it's possibly evening, with the sun set slightly, based on the lighting, although the sun is not in the image. It looks like this monument is perched up on a small hill that contains grass and some rocks. There's also a little white structure on the bottom right of the image. I cannot make out what it is, but it's also man-made. And the structure itself looks like it has a wall around it, a small wall. And the structure in the middle has a point at the top. With some windows, it appears, and it could be possibly a lighthouse. There's nothing else in the image to tell the size of this monument or lighthouse. I do not see any people. It is just there. Use the picture.ULUS", " This image is an image of a sky and in the foreground is the main event, which is the building coming out of the top of the very shallow hill surrounded by the same material fencing that the building is made out of. And at the top, it has a cage and also a tower coming out of the top. And so there are, the hill is mostly green with some rocks, bare patches of rock. And there is a, looks to be a white kind of little structure in the bottom right that's very small. The building has some very small windows and looks to be quite old. All right.", 'This garden first gives me the feeling of a high tower, like a scene on a mountaintop. In this scene, against a nearly blue-purple sky, there is a patch of jade-like grass. On this grass, there is a tower that looks like a water tower, or perhaps like the kind of tower that traps a long-haired princess in a fairy tale. It has no color; it appears to be a tower made purely of brick and stone materials. There is nothing around it, giving it a very lonely and ethereal look. Such a scene we place into adjustment.', 'This picture shows a tall cross lighthouse located in an open area of hills or coastal land. The design of the lighthouse features a square base that gradually extends upwards into a spire, giving it a classical and sturdy overall style. It may be an ancient maritime landmark. The lighthouse is built using beige or light brown stone, which appears very solid and may have existed for hundreds or even thousands of years. Its elevated position is surrounded by grassy and rocky terrain, indicating that it was likely built on high ground near the coast to guide ships safely. The background features a clear blue sky with no modern urban buildings, suggesting that the lighthouse might be located in a relatively remote or protected historical site. There is a small path leading to the lighthouse along with a fence, possibly indicating a historical attraction for visitors. From the architectural style, this could be the Torre de Hércules, located in Galicia, Spain, one of the oldest lighthouses still in use in the world, built during the Roman Empire. This design exhibits Roman engineering style and is a UNESCO World Heritage site. Overall, this lighthouse is not only an important relic of maritime history but also a significant symbol of historical culture, reflecting ancient navigation techniques, Roman architectural styles, and the evolution of coastal defense systems.', " Alright, we got a picture of some sort of a building. It's all alone. Maybe some sort of a monument. This particular building is tall, has at least four windows facing me. There's a plinth also. Maybe this is some sort of like memorial or maybe like an old lighthouse. It looks like, except I don't see an actual place to put the light. Also the building is all by itself. The background is a blue sky. Foreground, somewhat rocky terrain. I also see something in the bottom right that's white. I can't make out what it is. On the left, there's either a very large rock or it's showing a background far away of some sort of mountainous terrain. On the right, I'll be almost like one shzus again. This is also a quella marty in theinteriel area. We're all in the areas, and last night we get back to Dr. Stephanie Sweetie Scalcul cake. On the right, it's got a good idea of the GUYoo. Once you creates a video from performing익ity. I wanted to make an element of the world where I've been processing a little bit more of this, that 같이 こうよろしく姐姐 activate, of course, the uğ or Auntie She said you can'tpty a little bit to it because of this sled. And eventually Tower will be configurable. You know how much oh, not shower, if we can't be habe or something to do it? I could do some way. I feel like that here to keep it up with my speed, but in a minute.", 'This photo shows a building on the grass. The building looks very tall, with a pointed roof that resembles a type of tower. This structure seems to be standing on an open plain, and it looks less like a castle tower and more like a monitoring station used for troops or during past wars. Due to its height, soldiers could stand at a higher level, which means that if there were an invasion by outsiders, they would quickly become aware of the approaching danger and be able to take appropriate measures. Thus, the strategy becomes simpler and more effective. Additionally, the stability and clarity of the structure are important for its function.']
|
[False, False, False, True, False, False]
|
[nan, nan, nan, 'Yes, this image is culturally distinct because it depicts the Tower of Hercules, an ancient Roman lighthouse in Spain, recognized as the oldest functioning lighthouse in the world and a UNESCO World Heritage Site. Its historical significance, Roman architectural style, and maritime heritage make it a unique cultural landmark representing Spain’s and Europe’s naval history.', nan, nan]
|
This appears to be a professional image capturing a monument that stands prominently at the center of the photograph. The sky is a brilliant blue, suggesting it is a sunny day, and the lighting implies that it could be evening, with the sun having set just beyond view. The monument is situated atop a small hill that is adorned with green grass and scattered rocks, creating a natural ambiance around the man-made structure. In the bottom right corner of the image, there is a small white structure, the purpose of which remains unclear, but it has the appearance of being human-made. The monument itself features a pointed top and several windows, which may suggest it is a lighthouse, although there are no other elements in the photograph that indicate its size. Notably, the image is devoid of people, emphasizing the solitary nature of the monument. Another image presents a scene with a building emerging from the top of a gently sloping hill. The foreground features this building, which is surrounded by a fence that matches its construction material. The structure includes a cage-like feature atop a tower, contributing to its distinctive profile. The hill, mostly covered in green grass with some rocky patches, provides a vibrant backdrop. Additionally, there is a small white structure in the bottom right corner of the frame, which is quite diminutive compared to the main building, adding to the perceptions of scale. The building is characterized by its small windows, hinting at its age and possibly historical significance. In another photograph, the scene evokes a feeling of height and isolation, reminiscent of a tower situated on a mountaintop. The sky exhibits a gradient of blue and purple, framing a patch of exquisite jade-like grass beneath the tower. This structure resembles a water tower or perhaps the traditional tower depicted in fairy tales that is often associated with capturing princesses. It appears to be constructed entirely from bricks and stones, lacking any color, which adds to its ethereal charm. Surrounded by nothingness, the tower embodies a lonely yet beautiful presence. A separate image showcases a tall cross lighthouse set in an expanse of hills or coastal land. Its classical design features a square base that tapers into a spire at the top, suggesting a sturdy and enduring construction style possibly dating back to ancient maritime history. Made from beige or light brown stone, the lighthouse emanates a sense of permanence, likely having existed for hundreds or even thousands of years. Elevated above its grassy and rocky surroundings, the lighthouse is ideally positioned on high ground near the coast, serving its purpose of guiding ships safely through treacherous waters. The background boasts a clear blue sky, devoid of modern urban structures, indicating the site's historical and preservation status. A small path and fence leading to the lighthouse hint at its significance as a historical attraction. The architectural style suggests that this could be the Torre de Hércules in Galicia, Spain. This iconic lighthouse is recognized as one of the oldest in the world, built during the Roman Empire, and designated as a UNESCO World Heritage site, symbolizing ancient navigation techniques and the evolution of coastal defense systems. Another capture of a solitary building hints at its status as a monument, with its towering height and at least four windows facing the viewer. The structure, which may resemble a memorial or an old lighthouse, stands alone against a background of blue skies. The foreground reveals rocky terrain, with a white structure appearing faintly in the bottom right corner. To the left, there may be a large rock formation or a distant mountain range, while to the right, the photograph suggests a natural or man-made element in the landscape. However, the description becomes somewhat fragmented, mentioning individuals and activities that are not visually clear within the context of the image. Lastly, this photograph depicts a building situated on a grassy plain. The architectural form appears tall with a pointed roof, reminiscent of a tower. Unlike typical castle towers, this structure seems to serve a practical purpose, potentially functioning as a monitoring station during past conflicts. Its considerable height would enable soldiers to observe their surroundings effectively, providing an early warning system against invasions. The clarity of its design underlines the importance of stability and visibility, enhancing its strategic functionality during historical military encounters.
| 1,315 |
|
nonnative
|
['12Y5xbx33ZQQ']
|
['English']
|
[" In this image, it shows a group of people, it appears to be one, two, three, four, at least four police officers, and a man laying on the floor, another woman riding on top of the man, sitting on top of the man, another man standing next to both the people. So there's a couple people in the background as well who do not appear to be police officers, and they might just be bystanders. They're outside on the concrete, the floor is really wet, so this may be a raining day, or it may be somewhere where there's a lot of water. All the people look Asian. Some of the police officers' uniforms are very hard to read. One of them at least says something SWAT, S-W-A-T, so maybe this could be a special police force, and they may be taking this man to custody. The woman sitting on top of the man looks really sad. She looks like she's either yelling or crying, very upset, and the man does not appear to be on the floor, does not appear to be moving or conscious."]
|
[False]
|
[nan]
|
In this image, a scene unfolds depicting a tense encounter involving law enforcement and individuals on the ground. The focus is on a group of at least four police officers, identifiable by their uniforms, which are somewhat difficult to read due to the angle or the quality of the image. One of the officers is adorned with a patch or insignia that reads "SWAT," indicating that this might be a special weapons and tactics team, often utilized in high-stakes situations requiring specialized law enforcement capabilities. The central figures in the image include a man lying on the wet concrete floor, appearing unresponsive or unconscious, suggesting he might be in distress or facing a serious situation. Perched on top of the man is a woman who expresses profound emotions—her demeanor suggests she is either yelling out, possibly in anguish or frustration, or she is crying, indicating a deep sadness about the circumstances unfolding. This portrayal evokes a sense of urgency and desperation. Beside the woman and the man on the floor stands another man, possibly a bystander or an individual involved in the situation, and in the background, there are several other people present who do not appear to be police officers. These bystanders may be onlookers witnessing the incident, contributing to the overall atmosphere of tension in the scene. The environment is outside on what appears to be a rainy day or an area that is particularly wet with standing water, further adding to the gravity of the moment. The collective expressions of those present, particularly the woman on top of the man, denote a significant emotional weight to the situation, compelling the viewer to contemplate the reasons behind this confrontation and the possible implications for everyone involved. All individuals present in the scene are of Asian descent, which could suggest cultural or contextual factors that may underlie the encounter.
| 2,230 |
|
native
|
['1diV0EPe18S6', '1bmt3j2A6HTC', '17ykNZtzLRXo']
|
['Chinese', 'Chinese', 'Chinese']
|
['The picture shows a somewhat dim room with many boxes on the floor. On the right side, there is a table and some people wearing blue and black clothes, while another person on the right is dressed in white. In the center, towards the back, there are three individuals: one standing on a chair, another is standing and looking around, likely arranging the room, and to the left of the standing person, another person is crouched on the floor, presumably taking items out of the boxes. To the left, there’s a light that looks like a stage light with the words "2016" or something similar written on it. The floor is black and reflective, and in the distance, it is also brighter with a vending machine that looks nice.', "This scene seems to be set in an office or a studio, and it could possibly depict the moving process of a certain office because there are many boxes on the floor, as well as suitcases and some small carts used for moving boxes. It may show that they are bringing in a lot of things to arrange this office, which could be newly opened, or perhaps they are preparing for a specific event. Everyone is engaged in different tasks; some appear to be putting things on the walls, while others are arranging items on tables. However, they are all surrounded by boxes, which may indicate they are getting ready to move or are in the process of cleaning up their desks. Some people might be taking things off the walls, while others are packing items from the tables into boxes. It's possible that they need to quickly organize everything, as there seems to be some urgency.", 'At first glance, this picture appears to be very dark, and it seems that there are a few people within it—about five in total. There are many boxes placed on the ground. On the left side of the image, there are some decorations they have put up, with the characters "2015" written on them. One detail to note is that in the deep left corner of the image, there is a white figure lying down, but it\'s unclear if it is a man or a woman. The background of the image looks like a hall, and these people seem to be decorating this hall. Overall, the image is predominantly black, making it difficult to see much detail, and these individuals appear to be busy with their work.']
|
[False, False, False]
|
[nan, nan, nan]
|
The image in question captures a somewhat dimly lit room filled with numerous boxes scattered across the floor. On the right side of the frame, a table is visible, surrounded by several individuals dressed in blue and black attire. Among them, an additional person stands on the right side, distinctively attired in white. Central to the scene, towards the back, three individuals are highlighted: one is elevated on a chair, while another stands and surveys the area, likely engaged in the task of organizing the surroundings. To the left of this standing figure, a third person is crouched down, presumably rummaging through the boxes to unpack items. On the left side of the image, a stage-like light emits illumination, inscribed with the year "2016" or a similar identifier. The flooring, which is black and reflective, contributes to the overall aesthetic, and in the background, a vending machine stands out, appearing well-maintained and appealing. This depiction suggests a setting that likely resembles an office environment or a studio space. The arrangement of the boxes, suitcases, and small moving carts hints at the process of relocating or reorganizing a workspace. The scene may imply that the group is in the midst of setting up for a forthcoming event or preparing to establish an office that may just be opening. Each individual appears engaged in various responsibilities, with some busy affixing or arranging items on the walls, while others focus on placing things on tables, creating a sense of industriousness. However, the overwhelming presence of boxes signals that many are involved in packing up or clearing their desks. Given the nature of the images, there’s an implication of urgency, suggesting that there is a need for swift organization amidst the apparent chaos. Upon further reflection, the photograph radiates a predominantly dark tone, further obscuring details, while the heads of about five individuals can be discerned. On the left side, decorative elements are showcased, featuring the characters "2015", hinting at a theme or a prior event. Of particular note is a white figure reclining in the far left corner, though the identity of this individual—whether male or female—remains indeterminate. The background suggests the image is set within a hall, confirming that these individuals are engaged in the act of decorating. Overall, the murky ambiance of the setting creates a challenging visual, yet the people are portrayed as diligently occupied with their respective tasks.
| 2,841 |
|
nonnative
|
['1bwY1Y7AgN6k']
|
['Chinese']
|
['At first glance, this picture shows a kitchen. In the middle-right position is a plate of food that appears to have sweet potatoes, Brussels sprouts, bread, and some sauce that looks like curry. The upper right corner seems to have a plate of berries, while the upper left corner features a pot, which should have just cooked sweet potato rice, and a white box. There are mainly mosquitoes on the packaging bag, but it seems difficult to see clearly. Besides that, the kitchen looks quite chaotic and presents a kind of Chinese style, but there are many straws, a teapot, and something wrapped in paper. From these details, it is hard to determine which country this is happening in, or to say definitively where the owner is from. Saying she is a "gashi panas" and "onir" doesn\'t really make sense either; it’s all rather unclear.']
|
[False]
|
[nan]
|
At first glance, the image presents an arrangement within a kitchen setting. In the middle-right section of the scene, there is a plate filled with food that includes sweet potatoes, Brussels sprouts, a piece of bread, and a sauce that has the appearance of curry, suggesting a fusion or eclectic style of meal preparation. The upper right corner of the image features another plate that appears to contain an assortment of berries, which could serve as a fresh complement to the main dish. Moving to the upper left corner, there is a pot that presumably contains freshly cooked sweet potato rice, indicated by its positioning and context. Alongside this, a white box is present, though its contents or purpose remain unclear. Notably, there is a packaging bag that predominantly displays mosquitoes—this could suggest a product related to pest control or possibly food storage. The overall ambiance of the kitchen is characterized by a sense of chaos, which may reflect a lively cooking environment or an ongoing meal preparation. The decor hints at a Chinese style, showcasing cultural elements that may include traditional cookware and utensils. Additionally, there are various straws, a teapot, and an item wrapped in paper, contributing to the intricate clutter of the kitchen space. Despite these observable details, the specific geographical location of the kitchen or the cultural background of its owner remains ambiguous. The mention of terms such as "gashi panas" and "onir" seems to lack clarity and does not fit directly into the context provided, leaving a veil of uncertainty over the identity of the individual associated with this culinary scene. This lack of context renders it difficult to pinpoint any definitive cultural or national ties linked to the room observed in the kitchen.
| 1,896 |
|
native
|
['1aW5VoNMmFMF', '11xXzF5PjV9g']
|
['Chinese', 'Chinese']
|
['Please do not hesitate to like, subscribe, share, and support Mirror and Diandian programs. Please do not hesitate to like, subscribe, share, and support Mirror and Diandian programs. Please do not hesitate to like, subscribe, share, and support Mirror and Diandian programs. Please do not hesitate to like, subscribe, share, and support Mirror and Diandian programs.', "In this photo, I see many people on a stage-like setting with a colorful backdrop featuring numerous light strips and some decorations. On the stage, there are several adults and quite a few children—probably more than ten. The children are dressed in performance costumes, while some adults are dressed in costumes resembling props like calculators, air conditioners, and cell phones. It feels like they are performing a children's show. This photo seems to capture a moment of their performance, and you can see that everyone is very happy, singing with smiles, raising their hands as if dancing, and enjoying the atmosphere."]
|
[False, False]
|
[nan, nan]
|
Please do not hesitate to like, subscribe, share, and support the Mirror and Diandian programs. I urge you once again to engage with our content through liking, subscribing, sharing, and offering your support for the Mirror and Diandian programs. Your involvement is greatly appreciated, and we encourage you to actively participate. In this photo, the scene captured depicts a vibrant stage setting, adorned with a colorful backdrop that features multiple light strips and various decorations. The arrangement suggests a lively performance atmosphere. On stage, a diverse group of individuals, including several adults and more than ten enthusiastic children, can be seen. The children are wearing eye-catching performance costumes that likely relate to the theme of their presentation. In contrast, some of the adults are dressed in elaborate costumes that resemble props such as calculators, air conditioners, and cell phones, indicating that they are part of an imaginative children's show designed to entertain and educate. The overall mood of the performance is joyful and spirited, with everyone appearing to be fully engaged in the moment. The performers can be seen singing with broad smiles on their faces, raising their hands in an expressive manner, as if in the midst of dancing, which adds to the lively and enjoyable atmosphere of the event. This photograph beautifully encapsulates a moment of celebration and creativity, highlighting the happiness and energy of both the performers and the audience.
| 2,636 |
|
nonnative
|
['1oK4t6YqUysy', '14MkO0U9oNwT']
|
['Chinese', 'English']
|
["In the picture, we can see a meal consisting of a base of white rice, topped with kimchi and some other salad vegetables, along with shreds of cabbage. There is also a spoon placed on top. The red salad and the cabbage shreds are mixed together over the rice. This appears to be a kind of diluted salad, with a total of two kinds of vegetables along with the white rice. It could represent a single person's meal, with the dish and bowl placed in the center of the image against a background of a table. It seems to have a Western-style appeal, as it doesn't resemble some Asian dishes or meals from other regions. The colors are predominantly muted, including white, green, and red, which look quite appealing. Perhaps the person outside is very interesting and engaging. The overall presentation is quite nice.", ' This is a picture of some food. The food is in a white circular bowl and is placed on a black background and it has a spoon inside the bowl. At the bottom part of the bowl there is some white rice. Then the second level is a curry that is of a red color and it looks like there are some yellow pieces inside the curry. Along with some green vegetables. At the top there is some raw food looking like there is some green lettuce and cilantro mix on the top of the curry. There is some food on the sides of the container of the bowl indicating that someone may have poured food inside this bowl. That means your table should stop and my item here as your rice. Whisping glass and emails Rale Wait here. So this is a picture of the days of a riot to create a rarapear by a Attunitian Timeline. You could just turn this back to an iPad to make a comment. You could turn this to the ה выйpected counter, but you could just wanna turn this back to join the ExhaleENT ritual in a big Usersasi.\\']
|
[True, True]
|
[nan, nan]
|
In the first description, we have an image showcasing a meal that comprises a base of fluffy white rice. On top of the rice, there is a mixture of kimchi, a traditional Korean side dish made from fermented vegetables, along with other salad vegetables. Specifically, the ensemble includes shreds of cabbage, which add a crunchy texture and mild flavor to the dish. The kimchi, known for its bold flavors and spicy kick, gives the meal a vibrant dimension. The arrangement appears to create a pleasing visual contrast, emphasizing the mixed colors of the salad ingredients against the plain white rice. The spoon placed on top of this dish suggests that the meal is ready to be enjoyed, and the entire presentation is organized in a bowl that sits prominently in the center of the image. This setup implies that the meal could represent a single person's serving, possibly conveying an intimate and personal dining experience. The table's background is understated, which pulls the viewer's focus towards the meal itself. Notably, the style of the dish seems to carry a Western influence, differentiating it from traditional Asian meals characterized by more varied flavors and ingredients. The colors in this dish, including muted tones of white, green, and red, appear appetizing and create a visually appealing appearance. In the second description, the image captures a bowl of food placed against a stark black background, which enhances the vibrancy of the dish while contributing to an elegant presentation. The bowl is circular and made of a white ceramic material, within which a layer of white rice forms the base of the meal. Above the rice, there is a rich red curry, which indicates a robust flavor profile. The curry is interspersed with yellow pieces, likely representing chunks of chicken or other proteins, alongside an assortment of green vegetables, adding a refreshing contrast. Atop the curry, there is a component that resembles a fresh mix of green lettuce and cilantro, which can often be used to garnish dishes, adding both flavor and a fresh crunch. The description also notes that there is food outside the bowl, likely suggesting that someone has recently added the curry to the bowl, hinting at the dynamic nature of meal preparation. The final phrase mentions the possibility of interaction with a digital device, such as an iPad, as well as a connection to a broader experience or ritual, although this part is somewhat unclear due to the fragmented nature of the statement. The overall impression of both images points to a careful balance between presentation and flavor, highlighting an appreciation for food.
| 1,786 |
|
native
|
['12wFC6Z3uiVF']
|
['Chinese']
|
["The scene depicts a live performance featuring three main performers, with a large audience in the background. The central character is dressed in a red and white costume, wearing a long oval waist drum around his middle. He is performing with his body in an '大' shape, jumping up with red silk ribbons in both hands. Behind him, there are two kneeling performers dressed in the same outfit, also playing waist drums and wearing white hats. The crowd behind is numerous and layered, with many security personnel wearing hats visible as well. This appears to be in a community-like setting, with buildings and trees in the background. In the lower right corner, the logo for Xinhua News Network's Jiangxi channel is visible, indicating that this is a photo from an online news report."]
|
[False]
|
[nan]
|
The scene captures a vibrant live performance, showcasing three primary performers who captivate a large audience in the background. At the forefront, the central performer stands out in a striking red and white costume, which combines traditional and festive elements. He wears a long, oval waist drum secured around his midsection, which is an integral part of the performance, signifying rhythm and cultural heritage. The performer showcases dynamic movement as his body forms an exaggerated '大', or 'big', shape while he leaps into the air, wielding red silk ribbons in both hands that add fluidity and color, enhancing the visual spectacle of the performance. Flanking the central performer, two additional individuals are kneeling, both adorned in similar attire, reflecting unity and collaboration in their expression of this cultural art form. They also play waist drums, which suggests a synchronized musical accompaniment, emphasizing the rhythm and energy of the event. Both performers wear white hats, which serve to complete their ensemble and may also have cultural significance, perhaps symbolizing roles within the performance or traditional practices. The audience behind the performers is extensive and layered, indicative of a well-attended event. Among the spectators, numerous security personnel can be seen, easily identifiable by their hats, ensuring safety and order during the lively performance. This gathering takes place in a community-like setting, as evidenced by the surrounding buildings and trees, highlighting the importance of such cultural events within the fabric of the local society. In the lower right corner of the image, the logo of the Xinhua News Network's Jiangxi channel is prominently displayed. This logo signifies that the scene has been documented as part of an online news report, drawing attention to the cultural activities taking place in the area and highlighting the role of media in sharing local events with a broader audience.
| 2,171 |
|
native
|
['1mQRDbQ8PLpc']
|
['Japanese']
|
['This is a photo of a set meal. First, since the table has "cafe" written in the upper left corner, I think it might be something from a cafe. In the upper left corner, there is barley tea placed first. The tabletop looks very much like old wood in the photo. As for the contents of the set meal, in the lower right corner, there is soy sauce for dipping, along with a sashimi set meal. The sashimi includes tai, chu-toro, o-toro, and tuna. Surrounding it are shiso leaves, herbs, and wasabi. It\'s a very beautiful plate. In the lower left corner, there is also takuan and a little offering, and above it to the left, there is a delicious dashimaki tamago (Japanese rolled omelette). It is served with blue rice. In the lower left corner, there is rice and pickles as well. It looks like it might be a genre-v textbook compiled by someone named Ringo, which is provided by the person who created it, and it includes a description from this year. The text seems to refer to something that has been observed, for instance, there might be a mention of a browser or something similar relating to a store, and Mr. Gilson is sitting next to me; the entire process of number two’s defense is also included. Do you understand that?']
|
[True]
|
['It is a clasic Japanese dish']
|
This image captures a visually appealing set meal presented on a rustic wooden table, which bears the word "cafe" inscribed in the upper left corner, suggesting that the meal is likely from a cozy cafe setting. The first detail that draws attention is the barley tea, prominently placed in the upper left region of the table, which is a traditional drink in Japan, often enjoyed for its refreshing qualities and health benefits. The focus of the meal is a beautifully arranged sashimi set, located in the lower right corner of the image. This sashimi selection features several high-quality fish cuts, including tai (sea bream), chu-toro (medium fatty tuna), o-toro (fatty tuna), and tuna. Accompanying the fish is a decorative arrangement of vibrant shiso leaves, fresh herbs, and a dollop of wasabi, all adding both flavor and visual appeal to the dish. The plate itself is described as exquisite, reflecting the careful artistry that goes into Japanese cuisine. In the lower left corner of the photograph, one can also see takuan, which is a type of sweet pickled daikon radish, served alongside a small offering. Above this, to the left, sits a delicious dashimaki tamago, a traditional Japanese rolled omelette that is known for its fluffy texture and subtly sweet flavor. This omelette is distinctive to Japanese cuisine and showcases the intricate technique involved in its preparation. The meal is completed with blue rice, which may signify a special preparation method or ingredient that adds a unique color to the dish. Additionally, there are rice and pickles found in the lower left corner, both staple elements of Japanese meals that complement the other dishes and enhance the overall dining experience. The context surrounding the meal hints that it may be part of a textbook compiled by someone named Ringo, with a description dated within the current year. The notes included suggest there may be observations regarding a browser or a store, perhaps providing further insights into the culinary culture or experiences specific to that location. The narrative also mentions an individual named Mr. Gilson sitting beside the speaker, implying a social element to the meal, and references an ongoing discussion about "number two’s defense," adding a layer of context that could relate to an academic or personal debate shared during this meal. This photograph beautifully encapsulates a classic Japanese culinary experience, marked by both visual artistry and cultural significance.
| 948 |
|
native
|
['12UG7WGFlcvo', '1uzGa8zRLSfR', '1kqdcfA6JkWv']
|
['Chinese', 'Chinese', 'Chinese']
|
['This image features an artistic representation of a crab shaped like the character for "crab." At the bottom, there is a regular Chinese character for crab. Above this is a black box that contains a depiction of a real crab, represented by the character for crab. Notice that the top left stroke of the character has transformed into a claw, while the top right stroke resembles an eggplant. Additionally, some elements on the right side, like the horizontal stroke of the cow radical, and the horizontal stroke below the insect, along with a dot on the right, have all turned into the legs of the crab. In the center, there are rounded shapes representing the body of the crab.', 'This image features a pattern of the character for crab, along with some text. The pattern has a black square border, and inside it is a white background with a black design. This design has evolved from the character for crab, 蟹. The character is designed to resemble a crab, with recognizable shapes for its claws and legs, resembling pictographs. Below this square, right in the center, is the character 蟹 in standard form. It is evident that the crab pattern is inspired by its written character and the appearance of the animal.', 'This image describes a Chinese character that appears to be a variant of a Chinese character or an ancient form of writing, resembling a form of pictogram. At first, I didn\'t understand what it was depicting, but later there was an explanation below it that it represents "crab" - as in the word for crab. Looking at it, the character indeed resembles a crab quite a bit. You can see that the left part, which is the "corner" radical, has transformed into one of the crab\'s legs. The upper part on the right side of the character has also turned into a leg, while the bottom part, which looks like a bug, has transformed into the crab\'s belly and gives a sense of crawling on the ground. There are three legs on the left and three legs on the right, all seemingly visualized from this Chinese character. The entire image features black characters on a white background, and stylistically, it could represent ancient pictographs or perhaps a modern abstract painting imagined based on this current form of the character.']
|
[True, True, True]
|
[nan, nan, nan]
|
This image features an artistic representation of a crab that is intricately shaped like the character for "crab" in Chinese, which is 蟹 (xiè). The bottom of the image prominently displays the standard Chinese character for crab, providing a clear reference point. Above this character, enclosed within a black box, is a detailed depiction of a real crab, which is visually linked to the character itself. Notably, the top left stroke of the character has creatively morphed into a crab’s claw, while the top right stroke bears a resemblance to an eggplant. This inventive transformation showcases the artistic flair in connecting written language with visual imagery. Additionally, various elements on the right side of the character have undergone a similar transformation; for instance, the horizontal stroke of the cow radical, as well as the horizontal stroke located beneath the insect radical, have both transitioned into the legs of the crab, which adds to the complexity of the representation. The center of the character features rounded shapes that effectively symbolize the body of the crab, thus enhancing the visual metaphor. In another part of the imagery, there is a distinct pattern that replicates the character for crab, along with accompanying text. This pattern is enclosed within a black square border, creating a striking contrast against the white background. Inside this bordered area, the design continues to evolve from the character 蟹, with elements that clearly resemble the crab's claws and legs. These aspects evoke the essence of pictographs, making them immediately identifiable. Centrally positioned below the square is the character 蟹 presented in its standard form, further emphasizing the connection between the artistic pattern and the actual written character. It is clear from both the design and the presentation that the crab pattern is inspired by the physical characteristics of the crab as well as its written representation. Furthermore, one of the images presents a unique interpretation of a variant of a Chinese character, possibly suggesting an ancient form of writing or a stylized pictogram. Initially, the depiction may not have been immediately clear in meaning, but an explanatory text reveals that it represents the word for crab. Upon closer inspection, it becomes apparent that the character is designed to closely resemble a crab. The left section of the character, representing the "corner" radical, has ingeniously transformed into one of the crab's legs. Similarly, the upper right section has morphed into another leg, and the bottom segment, which appears insect-like, has adapted to represent the crab's belly, creating a vivid sense of motion that evokes the idea of a crab crawling along the ground. The artistic visualization presents three legs on the left and three legs on the right, each articulating the crab's anatomy as imagined through the lens of this character. The overall composition consists of bold black characters set against a clean white background, and stylistically, it can be seen as either an homage to ancient pictographs or as a modern abstract interpretation inspired by the contemporary form of the character for crab.
| 391 |
|
nonnative
|
['1cJgQltBf3RT']
|
['English']
|
[" This image is of a cartoon and it is on a blue background with a big white oval that is highlighting the foreground of the picture. And the scene that is going on is of a man who is holding a gun and has an apple and a very over exaggerated wide mouth. And the apple has a worm on it and the guy is pointing the gun at the worm and also at the apple and also at himself. And on top of the gun, it looks like there is some Chinese characters and the guy's extended arm that is holding the gun has a cartoon book that has legs and arms. And this book is holding onto the arm of the man and looks frightened and is trying to stop him. And the book has some characters on it and also has eyes and a mouth and a speech bubble that is coming out with Chinese characters and an exclamation mark at the end, an exclamation. And the guy is wearing a blue long sleeve shirt and has dark hair and raised eyebrows and a circular ear."]
|
[True]
|
['The text and words in the speech bubble are Chinese characters.']
|
This image features a whimsical cartoon set against a vibrant blue background. At the forefront of the illustration is a prominent white oval that encapsulates the primary scene. The central figure is a man depicted with an exaggeratedly wide mouth, exuding a sense of dramatic expression. He is clutching a gun in one hand while holding an apple in the other. This apple, intriguing in its appearance, has a small worm on it, which adds to the exaggerated nature of the scene. The man is not just pointing the gun at the worm but also at the apple itself, and rather disturbingly, he is also aiming the weapon at himself. This interplay of elements suggests a comedic yet dark twist, typical of exaggerated cartoon humor. Resting atop the gun are some Chinese characters, which may imply a specific meaning or context that enhances the narrative of the cartoon. Additionally, the extended arm of the man, which is holding the gun, also showcases a cartoonish book. This book is anthropomorphized with legs and arms and appears to be holding onto the man's arm in a gesture of alarm or fear as it tries to intervene in the situation. The book has its own facial features, including eyes and a mouth, which convey its frightened disposition. Coming from the book's mouth is a speech bubble filled with Chinese characters, ending with an exclamation mark, further emphasizing its urgency in trying to stop the man from his reckless actions. In terms of attire, the man is dressed in a long-sleeve blue shirt and has dark hair, with his eyebrows raised in a manner that suggests surprise or intensity. His ear is circular, which is a typical characteristic of cartoon art, contributing to the overall exaggerated style of this artwork. The presence of the Chinese characters both on the gun and in the speech bubble highlights a cultural element that adds depth to the narrative, possibly indicating the influence of Chinese language or culture in this playful depiction.
| 2,214 |
|
nonnative
|
['135FBuBYffzu']
|
['English']
|
[' At first glance, this image appears to depict a map of a Chinese location. It is a 2D image that contains many streets, buildings, parks, etc., with the Chinese text and the English translation of each text appearing for each one of these streets, roads, buildings, etc. And it is difficult to estimate how many of each there are, perhaps 30 in total. The texts label the Sports Center, Department of Physics, the Drunken Moon Lake, the swimming pool, the sports field, the gymnasium, the Liberal Education Classroom Building, the Xiaofu Square, the College of Liberal Arts, and Banyan Avenue, among several others. The positions of the objects appear 2D in the relative locations on their map as they are in life. There is nothing in the background, and its style is a 2D illustration. ARCH\\']
|
[False]
|
[nan]
|
At first glance, this image presents itself as a detailed map of a specific location in China. The map is rendered in a two-dimensional format, showcasing an intricate layout filled with numerous streets, buildings, parks, and various landmarks pertinent to the area. The visual representation includes Chinese text, which labels each of these features, alongside their English translations, providing accessibility for those who may not be fluent in Chinese. While it is challenging to provide an exact count of the features depicted, there are approximately thirty distinct labels scattered throughout the map. These labels identify significant places such as the Sports Center, which likely serves as a hub for athletic activities; the Department of Physics, an academic building dedicated to the study of physics; and the Drunken Moon Lake, presumably a scenic spot possibly known for its picturesque views. Additionally, the map highlights amenities such as the swimming pool, sports field, and gymnasium, which indicate an emphasis on physical fitness and recreation within the vicinity. Educational facilities are also prominent, with labels referencing the Liberal Education Classroom Building and the College of Liberal Arts, suggesting an academic environment rich in diverse fields of study. Another notable feature mentioned is Xiaofu Square, which may serve as a communal or gathering space, while Banyan Avenue likely refers to a street lined with banyan trees, a species known for its expansive foliage and aesthetic appeal. The positioning of these elements is represented in a straightforward two-dimensional perspective, mirroring their actual geographical locations in real life. The map is devoid of any background imagery or embellishments, contributing to a clean and focused aesthetic typical of 2D illustrations. This simplistic yet informative style allows viewers to easily navigate and comprehend the relationships between different locations on the map.
| 2,498 |
|
native
|
['1cZ5asaD0GU5']
|
['Hindi']
|
['Here is a description of some snacks, possibly called "matris," that are placed on a table. The tablecloth is a light brown color with stripes of black, white, and blue, giving it an appearance as if white stripes have been woven in. On top of this, there is a pink plate holding several matris, which seem to be around eight in number. It appears that there are also some matris underneath the visible ones. These snacks are quite salty and have a resemblance to peas. Matris are typically enjoyed in the evening or during breakfast with tea. There is a specific recipe for making these snacks, using a unique flour. The matris are rolled into shape and then deep-fried in oil. They tend to last for a long time, so whenever one feels like eating, they can simply take them out and enjoy.']
|
[False]
|
['Not sure, it can be in from any other place too.']
|
A beautifully set table features a lovely light brown tablecloth adorned with stripes in black, white, and blue. The striped pattern creates a woven appearance, enhancing the aesthetic appeal of the table layout. Atop this tablecloth, a pink plate is positioned invitingly, showcasing approximately eight pieces of a snack known as "matris." Intriguingly, there appear to be additional matris hidden beneath the ones displayed on the surface of the plate, hinting at a generous serving. These snacks, recognized for their salty flavor, bear a resemblance to peas, both in taste and texture. Matris are often relished as part of an evening meal or accompanied by tea during breakfast, making them a versatile choice for various occasions. The preparation of matris follows a specific recipe that utilizes a unique type of flour, contributing to their distinct flavor and texture. To create these delectable snacks, the dough is meticulously rolled out into shape before being deep-fried in oil, resulting in a crispy exterior that is pleasing to the palate. One of the appealing aspects of matris is their long shelf life; they retain their flavor and texture over time. This means that at any moment, when one feels a craving for a snack, they can effortlessly retrieve matris from their storage to enjoy a delightful treat. The cultural significance of matris varies, but they are a cherished snack in many households, often bringing back fond memories of shared moments and gatherings.
| 838 |
|
native
|
['1iMkQWqA2X97', '1lcRkFH7SxLY', '1c2awNrRQlC3']
|
['Chinese', 'Chinese', 'Chinese']
|
['This photo shows a perspective of the Great Wall at Badaling in Beijing, China. It captures the grandeur of the wall, allowing viewers to see a long stretch of it, likely taken from a high angle. The Great Wall is very winding, and each section holds significant historical meaning. On either side of the wall, we can see square openings that were probably designed for soldiers to shoot arrows or fire cannons through in ancient times. Ahead, there is a large tower connecting the continuous walls on both sides; this tower might be a beacon tower, but it is quite large, with four sizable stone windows visible on its sides. Its height is roughly double that of the wall’s steps and adjacent walls, which are of a lower height. At the top of the tower is a spire shaped like a temple structure, and beyond this point, the Great Wall continues to stretch on. The backdrop consists of mountains of varying heights, and the season appears pleasant, with green vegetation thriving among the mountainous terrain.', "This is a magnificent view of the Great Wall, captured from an angle that extends along the wall itself. The image reveals the winding and tortuous structure of the Wall, low buildings, and distant mountains. There is a beacon tower with steps and a passageway, surrounded by mountains, while stone walls on both sides show signs of weathering. There are no obvious inscriptions, and the walls form guiding lines on both sides, enhancing the sense of perspective and drawing the viewer's focus to the beacon tower. The beacon tower is positioned at the center of the image, becoming the visual focal point. The distant mountains are well-defined, adding depth and enhancing the spatial quality of the scene. The wall's surface shows evidence of weathering, with some bricks slightly damaged, while the low buildings remain intact, and the tile structure of the roof is clear. The steps are relatively steep, indicating that this section of the Great Wall may be situated in rugged terrain. In the background, rolling mountains are visible, and the sky displays a gray-blue hue, creating a moment in history that emphasizes the grandeur and historical weight of the Great Wall.", 'From this picture, we can see that this is a building on a mountain with many steps and small houses along these steps. The steps have many levels, and in the distance, there are many green mountains. The colors of the building are partly blue and partly yellow. From this picture, we can mainly observe that this is the Great Wall of China, a magnificent Chinese structure built on continuously rolling mountains. It is very long, and in the distance, we can also see some tourists on the Great Wall.']
|
[True, False, True]
|
['The Great Wall of China.', nan, 'it looks like the Great Wall of China']
|
This photo captures a stunning perspective of the Great Wall at Badaling, located in Beijing, China. It showcases the impressive grandeur of this monumental structure, offering viewers an expansive view that emphasizes the wall's meandering form, observed from a high vantage point. The Great Wall's winding nature is evident, with each segment possessing rich historical significance. Flanking both sides of the wall are square openings, historically intended for soldiers to utilize for archery or cannon fire, a testament to the defensive purpose the Wall once served. In the foreground, a prominent large tower connects the stretches of the wall on either side. This tower likely serves as a beacon tower and stands out with its height—approximately double that of the adjoining wall segments and steps, which are noticeably shorter. On the tower’s top, there is a spire resembling the ornate architecture of a temple, which further emphasizes its importance as a lookout point. Beyond this tower, the Great Wall continues to extend, disappearing into the distance. The surrounding landscape consists of mountains of varying elevations, with a vibrant greenery suggesting a pleasant season. The second image provides a magnificent view of the Great Wall from an angle that follows along its path. This perspective highlights the undulating and torturous structure of the wall, complemented by low buildings and distant mountain ranges. The beacon tower is prominently situated within the photograph, featuring steps and a passageway, framed by the rugged mountainous backdrop. The weathering on the stone walls is visible, illustrating the passage of time and the resilience of this ancient structure. While there are no apparent inscriptions on the walls, they guide the viewer’s eye toward the beacon tower, which becomes the focal point of the image. The distant mountains are sharply delineated, adding a sense of depth and spatial dimension to the view. The weathered surface of the wall, with some bricks exhibiting slight damage, contrasts against the intact low buildings below, where the details of the tiled roof structure are clearly observable. The steepness of the steps suggests that this particular section of the wall is situated in an area of rugged terrain. In the background, rolling hills are visible, and the sky's gray-blue tone contributes to an atmosphere steeped in history, further highlighting the significance and majesty of the Great Wall. The third image presents a different angle, revealing a building perched on a mountainside, with numerous steps leading up to it and small houses scattered along these steps. The stairs exhibit multiple levels, and in the distance, a series of lush green mountains can be seen. The structure features a combination of blue and yellow hues, contributing to its vibrant appearance. This image primarily reinforces the recognition of the Great Wall of China as a monumental architectural feat built upon the undulating mountainous landscape. The wall stretches for miles, and in the distance, visitors can be spotted traversing this iconic landmark, underscoring its role as a significant destination for tourists.
| 401 |
|
nonnative
|
['19XNvnoP6xRT']
|
['English']
|
[" This is a photo of two people in what looks like a host show. There is a man on the left side. He's standing up and he's about to clap. He's wearing black pants and black shoes with a red and black checkered shirt and a vest on top, a black vest on top. He wears a black eyeglasses and also a dark and white watch. The woman on the right side is wearing golden sandals, a skirt with some leggings underneath, and a shirt or a top with red color and a fancy pattern in the front. And behind them is very colorful. You can see the term work time and what I can only see as three minutes or three hours, just a three zero zero. You can see some green, some white circles with a red background and white circles with blue background and stripes with blue and yellow. All right. So..."]
|
[False]
|
[nan]
|
This is a visually engaging photo capturing two individuals who appear to be participating in or hosting a show, possibly a game or talk show format. On the left side of the image stands a man who is poised to clap, suggesting an enthusiastic or celebratory moment. He is dressed in black pants and matching black shoes, which provide a sleek and polished appearance. His shirt features a distinctive red and black checkered pattern, adding a vibrant touch to his outfit, which is further complemented by a black vest worn over the shirt. He accessorizes with black eyeglasses, contributing to a contemporary and professional look, and sports a watch that has a dark color scheme with a white face, indicating a careful choice in timepieces. On the right side of the photo is a woman whose attire showcases a blend of elegance and comfort. She wears stylish golden sandals that enhance her outfit while providing a touch of glamour. Her lower half features a skirt paired with leggings underneath, reflecting a trend that balances fashion with practicality. The top she wears is red, adorned with a fancy pattern at the front, which adds a statement element to her ensemble, suggesting she is perhaps in a creative or artistic role. The background of the image is vibrant and eye-catching, contributing to the dynamic atmosphere of the scene. Prominently featured are the words "work time," which implies an organized or structured segment, potentially indicating the theme or focus of the show. Additionally, there are numerical elements that appear to denote time—specifically, the numbers "300," which might symbolize three minutes or three hours, adding an element of urgency or countdown associated with the event. The color scheme in the background includes green and white circles against a striking red backdrop, in addition to blue backgrounds with white circles and stripes in blue and yellow. This lively mix of colors enhances the overall visual energy of the photo, creating a festive and engaging backdrop that complements the actions and attire of the individuals in the foreground.
| 2,045 |
|
nonnative
|
['18q0lqJnuKcw', '13XhVo7qN7DI']
|
['Chinese', 'English']
|
['The first impression the image gives is a spacious and bright feeling. The entire picture showcases a room along with a view of the exterior landscape. On the right side of the image, a large focal point is the bed, flanked by two bedside tables. Above, there is a round ceiling light, and directly in front is a huge floor-to-ceiling window. Outside the window, it depicts a scene that likely represents a lake or an oceanfront view. On the left, there is a tree table and a long chair. The overall layout is very tidy, especially the long bench beside the bed, which has three clothes drying racks on it. The white square is quite neat, and in the background, the farthest point is obviously a very saturated shade of blue, while the overall color tone is leaning towards white and bright.', " This is an image of a person's bedroom. It appears to be elevated on some sort of hillside. As you can see, there is an entrance, or not an entrance, but a door leading to a terrace outside that faces a beautiful blue lakefront or sea. So there's this seaside view terrace that you can access from this bedroom. Again, it appears to be a king-sized bed, and it has that sort of framing to it where you have posts on all four corners of the bed that are elevated. And it's this sort of wooden frame. We can also make out a white table with some plants on it in the bedroom. Some benches at the foot of the bed with these blue-looking, red, with this red sort of yarn scarf or quilt resting on the bench at the foot of the bed. As well as a white chair to the side of the white tabletop. And on either side of the bed, we have these two nightstands and these two white lamps."]
|
[False, False]
|
[nan, nan]
|
The first impression conveyed by the image is one of spaciousness and brightness. The entire scene showcases a well-designed room that includes a view of the exterior landscape. On the right side of the image, the focal point is a large bed, which is flanked by two bedside tables. Above the bed, there is a round ceiling light that adds to the illumination of the space. Directly in front of the bed is a massive floor-to-ceiling window that allows natural light to flood in. Outside the window, the view features what appears to be either a lake or an oceanfront, characterized by tranquil waters and likely a picturesque scene. To the left of the bed, there is a tree table accompanied by a long chair, both contributing to the room's aesthetic. The overall layout of the room is notably tidy, particularly highlighted by a long bench situated beside the bed, which is adorned with three clothes drying racks resting on it. The presence of a white square on the floor contributes to the cleanliness of the room’s design. In the background, the farthest point of the scene reveals a deep and saturated shade of blue, suggesting the vastness of the sky or water, while the overall color scheme of the interior leans towards light, bright tones. Additionally, the image showcases what appears to be a person's bedroom situated on a hillside. The room features a door that leads to a terrace overlooking a breathtaking blue lakefront or sea, adding an element of outdoor access right from the bedroom. The bed appears to be king-sized and is framed with posts on all four corners, constructed from wood, which adds a rustic charm to the space. Within the bedroom, there is also a white table adorned with several plants, which brings a touch of nature indoors. At the foot of the bed, benches are present, covered with a quilt that showcases a design in deep blue and red hues, providing both comfort and visual interest. A white chair sits to the side of the white tabletop, completing the cozy arrangement of the space. On either side of the bed, there are two nightstands that match the overall decor, each topped with a white lamp, enhancing the bedroom's functionality and style.
| 1,901 |
|
native
|
['15pp2Wfvpij7', '11PiPetYmsHI', '1a4MGLzPmNUZ']
|
['Chinese', 'Chinese', 'Chinese']
|
["This image primarily features a Buddha's face on its right side, and this Buddha is in gold, resembling a feminine figure wearing a crown. It is a golden bronze statue with four fingers extended, but not the entire hand. In this image, only the four fingers are visible, and this statue occupies about one-quarter of the picture. On the right side, her eyes are slightly open, looking forward, and beside her, there is an impression of a roof, adorned with patterns, suggesting a cultural background to the image. It feels as if the picture is taken from below, looking up, which I think is very nice. Look at this place; it feels very remote, just like in many social settings across the world.", "At first glance, the image shows a person's face, but upon closer inspection, it's revealed to be a sculpture of a Buddha. This Buddha sculpture is located in a temple, where the Buddha is depicted in gold, with one hand slightly raised and eyes open, gazing forward. The sculpture features a traditional Buddha crown atop its head. The angle of the shot is from below, which also captures the top of the temple to the left of the Buddha. The temple's roof displays a beautiful red and blue pattern, and appears to be quite tall. It's clear that the temple has been meticulously maintained, as the paint appears very vibrant. In the center of the temple roof, there is a decorative pattern resembling a flower.", 'This photo depicts a religious figure, likely a Buddha statue, and decorations on the roof of a temple. It can be seen that this form of Buddhism may be Tibetan Buddhism from China or another sect. The inscriptions carved on the top beams are not in Chinese; they are likely in Tibetan or possibly Manchu or other minority languages. The roof features various colors, including green, red, and gold, with distinct decorations. The Buddha statue is fully gilded, making it a very representative example of a Chinese Buddha sculpture.']
|
[True, False, False]
|
[nan, nan, nan]
|
This image prominently displays a Buddha's face, which is positioned on the right side of the frame. The Buddha is rendered in a striking gold color, and the representation suggests a feminine aspect, adorned with an ornate crown. The statue is crafted from golden bronze and includes a noteworthy detail: only four fingers of one hand are extended, with the remainder of the hand not visible in this particular image. The statue occupies approximately one-quarter of the entire composition. The Buddha's eyes are portrayed as slightly open, gazing forward, thereby imparting an air of serenity and wisdom. Adjacent to the Buddha, there is an impression of a temple roof adorned with intricate patterns, hinting at a rich cultural backdrop that enhances the overall context of the image. The perspective from which the photograph is taken appears to be from a lower angle, giving a unique look upwards towards the statue, which adds to the appeal of the scene. The environment feels remote and serene, reminiscent of various tranquil social settings found around the globe. Upon closer examination, what initially appears to be a human face turns out to be a sculpture of a Buddha, residing within a temple setting. This Buddha is depicted in a luminous gold tone, with one hand elevated slightly and its eyes open, directed forward with an attentive gaze. Atop the Buddha's head rests a traditional crown, emblematic of its statue's cultural significance. The angle of the photograph, taken from below, effectively captures part of the temple structure beside the Buddha. To the left of the Buddha, the temple roof reveals a beautiful and vibrant red and blue pattern, indicating the architectural style's grandeur. The temple itself seems to be well-preserved, with the paint appearing bright and meticulously maintained. Centrally located on the temple roof is a decorative element that echoes a flower's form, enhancing the aesthetic beauty of the structure. This photograph depicts a religious icon, assumed to be a Buddha statue, alongside the decorations on the temple roof. There are indications that the represented form of Buddhism may belong to Tibetan Buddhist traditions, potentially originating from China or another sect within the region. The inscriptions visible on the upper beams of the temple are notably not written in Chinese; they appear to be in Tibetan or possibly related to Manchu or other minority languages, reflecting the diverse linguistic heritage of the area. The temple roof showcases an array of colors—green, red, and gold—complemented by distinctive decorative elements. The Buddha statue itself is fully gilded, serving as an exemplary representation of a Chinese Buddha sculpture with its vibrant, reflecting surfaces that catch the light beautifully.
| 149 |
|
native
|
['1hKV5vS3dvVc']
|
['Russian']
|
["At first glance, this is either, well, yes, a satirical drawing or one that seems to mock the Chinese, Japanese, or Koreans. It appears that the Chinese regime is depicted as a child, with a big man holding a rake who almost wants to kill these two little people. There are various elements in the scene, but the rake, the red sun, and the two small figures are prominent. I can't say what it means in another language, but there is this big man with a rake standing on a black platform, and on this black platform, there are two small men who seem to be afraid of him. There are some details, but it's hard to describe them in a language I don't understand. There's also large text with an exclamation mark. The style is very much a satirical illustration against a white background and a red sun."]
|
[False]
|
[nan]
|
At first glance, this illustration can be interpreted as either a satirical drawing or an artwork that appears to mock individuals from East Asian cultures, specifically targeting the Chinese, Japanese, or Koreans. Within the imagery, a childlike figure representing the Chinese regime is depicted alongside a large man brandishing a rake, who seems to be threatening two smaller figures. The composition prominently features several key elements: the rake, a red sun symbol, and the two diminutive characters who exhibit a visible sense of fear toward the towering figure. The large man with the rake is positioned on a stark black platform, accentuating the power dynamic in the scene. The two small men, appearing significantly smaller and more vulnerable, stand on this platform, clearly intimidated by the presence of the larger figure above them. The details of the artwork are intricate but challenging to articulate precisely without knowledge of the language in which the text may be written. Notably, there is also large text featured prominently within the illustration, which includes an exclamation mark, emphasizing the intensity of the situation or sentiment being conveyed. The overall style of the drawing leans heavily into a satirical critique, characterized by its bold contrast of colors against a stark white background, accented by the striking red sun. This choice of colors and the satirical nature of the drawing may reflect deeper social or political commentary, particularly regarding the dynamics and relationships between these nations. The visual elements combined create a powerful narrative that elicits strong emotions and thoughts about the subject matter being addressed.
| 3,034 |
|
native
|
['1lABNbx0KKKd']
|
['Spanish']
|
['This photo shows people on top of a wall taking pictures. In the middle, there is a man wearing a blue shirt and orange shorts, with a cap and sports shoes, drinking something that looks like bubble tea. There is another person laughing with a briefcase, wearing a white shirt, a black cap, sports shoes, and glasses. This all takes place against a backdrop of a city with a mountain. In the background, the city has many buildings and appears to be a corporate area. On the wall, there is also something that looks like a woman sitting. There are many plants and trees.']
|
[False]
|
[nan]
|
The image captures a lively scene on top of a wall, where several individuals are positioned, seemingly enjoying the moment as they take photographs. Central to the composition is a man dressed in a bright blue shirt paired with striking orange shorts, complementing his attire with a stylish cap and comfortable sports shoes. He is seen sipping from a cup that appears to contain bubble tea, a popular drink originating from Taiwan known for its tea base and chewy tapioca pearls. Beside him, another individual is depicted, caught in a moment of laughter. This person carries a briefcase and is attired in a crisp white shirt, with a black cap, fashionable sports shoes, and glasses, adding a touch of sophistication to the casual setting. The backdrop of this cheerful interaction includes a cityscape featuring numerous buildings, indicating a corporate environment, while a mountain looms majestically in the distance, suggesting a blend of urban and natural landscapes. On the wall itself, there is a portrayal of what looks like a woman sitting, possibly engaging in a moment of relaxation or contemplation amidst the vibrant setting. The wall is surrounded by an abundance of plants and trees, contributing to the imagery of a lively urban area that incorporates nature within its architecture. The combination of elements in this scene suggests a bustling atmosphere where community, nature, and modern living coexist harmoniously.
| 1,279 |
|
nonnative
|
['1mugcTt5s4PW']
|
['English']
|
[" In this image, I see a picture of a Chinese newspaper or article. The entire image is black and white, and the article is formatted so there are six columns of text. There is a big title at the top, and then there are subtitles when the paragraph ends. Everything is in Chinese, it looks like. There's the number 14 on the top left of the page, which might be the page number. There's also an image in black and white at the direct center of the page, although it's kind of small so it doesn't take up too much space. There's also a line at the top and bottom that separates the header and footer of this newspaper article. And all the columns are around the same size. All the columns are around the same size."]
|
[False]
|
[nan]
|
In this image, there is a black and white photograph of a Chinese newspaper or an article from a publication. The layout of the article is organized into a structured format comprising six columns of text. At the very top of the page, there is a prominent title that is likely to be the headline of the article. Following this title, subtitles appear at the conclusion of various paragraphs, guiding readers through the content. The entirety of the text is presented in Chinese characters, indicating that the publication is intended for a Chinese-speaking audience. In the top left corner of the page, the number 14 is visible, which is presumably the page number, suggesting that this article is part of a larger publication, such as a newspaper or magazine, where multiple pages would exist. At the center of the page, there is a small black and white image, though it does not occupy an extensive portion of the layout. This image seems to serve as a visual element that complements the written content. The overall structure is neatly defined by a line that runs across both the top and bottom of the page, delineating the areas designated for the header and footer of the newspaper article. Notably, the six columns of text are uniformly sized, contributing to a sense of balance and order in the article's presentation.
| 2,086 |
|
nonnative
|
['1lFAj3zJMz83', '1a9fO4XJgsQN', '1lt9ZzKM1nnX']
|
['English', 'English', 'English']
|
[" This is a picture of what seems to be like two people performing some type of cultural or religious dance. You can see it's like, on the left is some sort of, I think it's supposed to be like a deity or some sort of supernatural being because they have a red painted face. Kind of like, almost like a Japanese kabuki mask, but I'm not sure if that's the right term. And they're wearing these kind of ceremonial red and gold robes. I can see like one of the designs on the robe is like of a golden dragon or something like that. And it seems like these robes are designed to have like these kind of like poles or like flags sticking out of them. So their shoulders are like really more, way more elevated than a normal person's shoulder should be. The person on the right, they're also wearing kind of ceremonial robes as well. Um, their face is blurred out, but in their left hand, they're holding like two like poles or, um, javelins or something like that. Just like two poles. And I can't tell if they're like running away, but both of their hands are kind of like raised. And they're facing away from the sort of dancer, uh, like portraying the deity or whatever. Um, they have this really intricate like headpiece, kind of like a crown or something with a lot of like these red, um, like puffy balls surrounding it. And it also has like these two orange tassels, um, that are flowing down almost like, um, their hair as well. They also have, uh, long black hair as well that's also flowing. And yeah, their, their robes are, I can say the most predominant color is yellow with these kind of like, you know, um, stripes on them as well.", " This image looks like an opera show, a Chinese opera show, very famous, especially as entertainment in the past, maybe 30 years ago. This is something my grandma, who had watched in Malaysia, who is a Chinese Malaysian. It is two people dressed in Chinese opera costumes, and those costumes actually signify specific characters that they are playing. Some play scholars, some play the warrior, most likely on the left. They are dressed in red and gold robes, with the person on the right having some head head to the left. Both of them seem to be holding some sort of weapon, but it's not obvious. It is really very red. Yeah. I appreciate it.", " The image appears to be of two people wearing traditional East Asian clothing. The background is black, all black, so this might be in some sort of theater performance. And they are both wearing mainly red and yellow colors. The person on the right has their arm outstretched, pointing upwards, as well as holding some sort of staff or other item in their other hand in the back. And the other person has on a red mask with a very long black beard. And also some reddish, goldish robes and some maybe staffs or poles on their back. And there's no other people and there's no text and it's photorealistic. Instead you can choose to pick. It seemséric but it seems still that you have to use the red PopeточноŽs. The green Pope supremc TCG published 215 DV Rocky Clyde at the southernede trend in arriba style The white Pope ahs 4XXX14. Can't look at the yellow Sophie or the walewes. You can just check willingly by bay and delete Qi and follow. You can choose all favorites and then check exactly the color that particular color dress sits."]
|
[True, True, True]
|
['The two people appear to be doing some sort of cultural or religious performance.', nan, 'Yes, because of the clothing.']
|
This visual captures two individuals engaging in what appears to be a cultural or religious performance, potentially inspired by a form of traditional East Asian theater, specifically reminiscent of Chinese opera. The individual on the left embodies a character resembling a deity or supernatural being, as suggested by their striking red-painted face. This facial adornment evokes the image of a kabuki mask, commonly associated with Japanese theater, although the specific cultural context here seems distinctly tied to Chinese traditions. They are adorned in ceremonial robes that primarily feature bold red and gold hues, richly embellished with intricate designs, one of which resembles a golden dragon, a symbol deeply rooted in Chinese mythology and often associated with power and auspiciousness. Notably, the robes are structured in a way that elevates the wearer's shoulders significantly, creating a dramatic silhouette that is characteristic of theatrical performances. The individual on the right, though their face is not visible, also participates in this dynamic display of cultural expression. They are dressed in ceremonial robes with a prominent yellow base highlighted by stripes. In their left hand, they hold two long poles, resembling javelins or staffs, suggesting they might be embodying a warrior character, a common archetype in traditional performances. Their elaborate headpiece resembles a crown adorned with red, puffy pom-poms that encircle it, along with flowing orange tassels that mimic the look of hair. Additionally, their long black hair cascades down, adding to the overall theatricality of the presentation. The setting appears to be a performance stage, as indicated by the black backdrop which helps focus attention on the performers and their vibrant costumes. The dramatic interplay of colors, particularly the dominance of red and gold, alongside meticulous attention to detail in their attire and accessories, contribute to a visually arresting experience that encapsulates the essence of traditional East Asian performance art. The absence of other figures or text in the image further emphasizes the centrality of these two characters, enhancing the overall impact of this cultural spectacle.
| 428 |
|
nonnative
|
['14ckEg79mIhK', '12G9435cAKxv', '1dcEq4ZCxy7s']
|
['Norwegian', 'Korean', 'Chinese']
|
['The image was taken at an airport. At the top of the picture, we see a glimpse of a large plane with two jet engines on its left wing. The large plane has a blue fuselage and white wings. In the middle of the picture, we see two vehicles that are only found at airports, which appear to be able to tow or taxi a large aircraft. The ground is asphalt with many white and some red stripes. In the upper right corner of the picture, we also see some green grass. There are also many smaller carts and vehicles in the background that look very industrial and are designed to be at an airport. On the right side of the picture, we can also see a movable staircase. It appears to be overshot.', "This image depicts a scene taken near the runway of an airport, featuring an airplane alongside various airport equipment. In the foreground, parts of the airplane's wings and engine are visible, with the aircraft's wheels in a landing position. Next to it, there are airport vehicles used for transporting luggage or cargo. Notably, a large vehicle appears to be connected to the aircraft's cargo area. The main objects in the image are the airport equipment and vehicles, all situated near the runway, showcasing machines intended for transporting cargo or moving airplanes. The equipment is mostly arranged in a sequential manner, indicating efficient airport operations. In detail, the sizes and shapes of the vehicles are clearly displayed, and the wheels and mechanical components are elaborately illustrated. In the background, the runway and other airport facilities are visible, conveying a sense of active airport operations. The overall color scheme primarily consists of metallic gray, blue from the airplane, and a mix of yellow and black from the airport equipment, highlighting the industrial and functional atmosphere of the airport. This image effectively showcases the dynamic working environment of the airport.", 'This image gives a first impression of a sense of orderliness. In the center, there are two uniquely shaped vehicles. To the left, there are many trailers similar to those pulled behind trucks parked alongside. At the very top left, there is a large airplane that seems to be in a stationary position, presumably not yet ready for takeoff. Therefore, it can be inferred that this photo was taken near a taxiway at an airport. The overall color scheme is quite gray and muted. The vehicles in the image have similar paint styles, mostly featuring a grayish-white tone. The airplane at the top has a white underside, with a design that transitions from deep blue to light blue on the top, creating a stylistic effect.']
|
[False, False, False]
|
[nan, nan, nan]
|
The image was captured at an airport, showcasing a variety of aircraft and airport-related equipment. In the upper section of the photograph, a large airplane is prominently displayed, featuring two jet engines located on the left wing. This airplane is characterized by a blue fuselage complemented by white wings, creating a distinctive and visually appealing contrast. Moving to the center of the image, two specific vehicles designed uniquely for airport operations are present; these vehicles are designed to tow or taxi large aircraft, indicating the operational aspects of airport functionality. The ground surface is composed of asphalt, marked with numerous white and a few red stripes that help in guiding aircraft and vehicles around the airport efficiently. In the upper right corner of the image, there is an area of green grass, which adds a touch of nature to the predominantly industrial scene. The background is filled with an assortment of smaller industrial carts and vehicles, all of which are specifically crafted for use within an airport setting. Each vehicle appears designed for specific tasks associated with carrying out airport operations. Notably, on the right side of the picture, there is a movable staircase, typically used to facilitate boarding and deplaning passengers, which indicates the readiness of the aircraft for passenger services. The following description details another perspective captured near the runway of the airport. In this scene, parts of the airplane's wings and engine are visible in the foreground, showcasing the aircraft's wheels in a position indicative of landing. Adjacent to the airplane, various airport vehicles can be observed, particularly a large vehicle that seems to be connected to the aircraft's cargo area, which plays a crucial role in loading and unloading luggage or cargo. The arrangement of the airport equipment and vehicles suggests an organized and efficient airport operation, with the vehicles positioned sequentially for optimal functionality. The overall color palette of this image leans towards metallic gray, intertwining with the blue of the airplane and a blend of yellow and black tones present in the airport equipment. This color scheme helps to emphasize the industrial and operational atmosphere typical of airports. The image provides a vivid representation of the dynamic, bustling environment of airport operations where various vehicles and equipment work in harmony to support air travel. The composition of this next image conveys an immediate sense of order and organization. Central to the image are two uniquely designed vehicles, each serving specific operational purposes. To the left side of the frame, there is a series of trailers similar in appearance to those typically pulled by trucks, parked methodically alongside one another. In the top left corner, a large airplane is visible, seemingly stationary and likely not prepared for takeoff yet, suggesting that the scene was captured near a taxiway where aircraft await their turn for departure. The color scheme of this image is predominantly gray and subdued, providing a muted backdrop that emphasizes the airport's industrial nature. The vehicles featured in the photograph share similar paint styles, predominantly presented in shades of grayish-white, allowing them to blend seamlessly into the airport’s environment. The airplane at the top showcases a sophisticated design, featuring a white underside that transitions into a gradient effect of deep blue at the top, further enhancing its aesthetic appeal. This artistic detail not only serves a functional purpose but also contributes to the visual identity of the aircraft within the airport setting.
| 1,742 |
|
native
|
['13hKDpDrUdiO', '11k8Q4MqUWDy', '1nkOBRRPLHC5']
|
['Chinese', 'Chinese', 'Chinese']
|
['In this picture, a man is standing in the center of a stage holding a microphone, and he appears to be singing. He is wearing a dark gray suit and has draped a black long-sleeve coat over his shoulders, but his hands are not inside the sleeves. The man has very dark curly hair, and his expression shows that he is quite absorbed in his singing. He stands on a stage with several LED screens in the background that display wave patterns and some blue graphics. There are also stage lights on the ground, creating an overall ambiance of a live broadcast. On his right, there is a logo of a TV station along with the words "Live Broadcast," and on his left, it says "Hong Kong Radio." At the bottom, the subtitle reads "Drifting in Musical Notes," indicating that this is a scene from a live performance.', 'This photo is a live shot of a stage. The man on stage is likely Chen Yixun; he has a high hairline and is wearing a dark gray suit. The outer coat is black and draped over his shoulders, and the buttons of the inner suit are fastened tightly, revealing a white shirt, but there is no bow tie visible. He is holding a microphone in one hand while the other hand is in his pocket as he sings. In the middle lower part of the image, there are five characters that likely represent the lyrics he is singing. There is a white marking on the microphone with a red design. In the background of the stage, there are seven lights, three of which are purple or pink, and four are white. The overall background of the stage features a blue LED screen with white wave-like patterns. In the upper right corner of the image, there is a logo of a television station plus the words "live broadcast," indicating that this is likely a broadcast of the event. The upper left corner has a red logo on a white background.', "At first glance, it's a well-known Chinese singer, Chen Yixun, performing on stage. The items include a row of spotlight lamps behind the singer, a large blue screen, and a microphone. The text indicates a certain television station, and the lyrics discuss drifting within musical notes. The direction of the items shows the singer facing the audience. A small detail is that the LED screen in the background has blue ripples resembling waves. The overall style and colors are blue and white, and the singer is wearing a black suit. Subtitle volunteer: Yang Dongliang."]
|
[True, False, False]
|
['Chinese text', nan, nan]
|
In this image, a prominent male figure, identified as the well-known Chinese singer Chen Yixun, is at the center of a stage, fully engaged in his performance as he holds a microphone. He is dressed in a dark gray suit, complemented by a long black coat that is elegantly draped over his shoulders. Notably, his hands are not tucked into the sleeves of the coat, providing a more relaxed appearance. Chen Yixun has very dark, curly hair, and his facial expression reflects a deep immersion in the song he is delivering. The backdrop of the stage is adorned with several LED screens that showcase dynamic blue graphics and wave patterns, contributing to the aesthetic of a live broadcast environment. The overall ambiance is enhanced by stage lights located on the ground, which illuminate the scene effectively. On the right side of the image, there is a logo representing a television station, accompanied by the words "Live Broadcast," suggesting that this performance is part of a televised event. On the left side, a logo for "Hong Kong Radio" appears, further indicating the media presence at the event. Prominently displayed at the bottom of the image is a subtitle that reads "Drifting in Musical Notes," suggesting that this scene is derived from a live musical performance. The figure of Chen Yixun is shown holding the microphone confidently in one hand while his other hand rests comfortably in his pocket as he continues to sing. His attire features a white shirt beneath the dark gray suit, with the inner suit's buttons fastened, although no bow tie is present, contributing to a classic but modern look. In the lower section of the image, there are five characters that presumably represent the lyrics he is performing, artistically integrating the text into the visual elements of the stage. The microphone he holds has a distinctive white marking paired with a red design, adding a pop of color amidst the overall blue and white theme of the performance. The stage lighting includes seven spotlight lamps arranged such that three emit purple or pink hues, while the remaining four shine in white, creating a vibrant and lively atmosphere. Overall, the presentation is sleek and polished, resonating with the theme of music and performance. This live shot captures the essence of contemporary musical events in China, highlighting not only the performance itself but also the intricacies involved in broadcasting live to a wide audience. The use of blue tones alongside white wave-like patterns on the LED screens emphasizes a feeling of drifting, perfectly aligning with the subtitle's message. The contributions of numerous media outlets, including television and radio, underline the significance of this event in the realm of Chinese pop culture.
| 2,615 |
|
native
|
['11zgR3j0Q4Fu', '1j5jRCf9PbOm']
|
['Chinese', 'Chinese']
|
["At first glance, this is a wedding scene with a pair of newlyweds. Behind them is a cake that is placed on a stand, and at their feet is a red carpet. To the right, there are three light bulbs. A particular detail is that those three light bulbs might not be very visible. Their background looks like a church or a place with steps, which is also considered a detail. The overall picture is composed of red and white, along with some pink. Another detail is that in the left window's corners, there are two birds. These two birds are holding onto a string of balloons. This adds a unique touch to the scene, contributing to the excitement of the moment, especially since it's been a while since they got to celebrate together.", 'This image is a cartoon drawing in the lower right corner featuring two cartoon characters: a girl on the left and a boy on the right. Behind them is a three-tier cake topped with a heart, with the word "wedding" written on top, meaning "wedding." The background of the image has a checkered window and a white sheer curtain, with floral decorations on both sides. The two characters in the lower right are dressed for a wedding; the girl is wearing a white wedding dress with a pink bow belt, and her hair is styled elegantly, adorned with flowers and a veil. The boy on the right is also wearing a white suit, and both have light brown hair. The two characters are kissing. The overall style of the image is very warm and beautiful, creating a sweet wedding-themed photo.']
|
[False, False]
|
[nan, nan]
|
At first glance, the scene depicted appears to be a wedding celebration featuring a pair of newlyweds. The couple stands proudly in front of a cake, which is elegantly placed on a stand. At their feet lies a vibrant red carpet, adding a touch of ceremony and festivity to the moment. To the right of the couple, there are three light bulbs; although they are not prominently visible, they subtly enhance the lighting of the scene. The backdrop resembles that of a church, or potentially another grand venue adorned with steps, indicating a formal setting for the nuptials. The overall color palette of the image is made up of red and white hues, complemented by touches of pink, which evokes a romantic atmosphere characteristic of weddings. A notable detail includes two birds positioned at the corners of the left window. These birds are depicted holding onto a string of balloons, infusing a sense of joy and whimsy into the scene. This element adds a unique touch, heightening the celebratory vibe, especially in light of the fact that it has been some time since they had the opportunity to celebrate together. In another aspect of the celebration, a cartoon illustration captures the essence of this joyful occasion. The artwork is found in the lower right corner and features two cartoon characters: a girl on the left and a boy on the right. Behind them stands a magnificent three-tiered cake, adorned with a heart and the word "wedding" inscribed on top, emphasizing the theme. The background of this illustration showcases a checkered window and a white sheer curtain, flanked by decorative floral elements that enhance the celebratory atmosphere. The two characters, lovingly depicted in the act of kissing, are dressed appropriately for the occasion. The girl is wearing a lovely white wedding dress that features a pink bow belt, adding a charming touch. Her hair is styled elegantly, embellished with flowers and a flowing veil, embodying traditional wedding attire. The boy next to her is also attired in a sophisticated white suit, and both characters display light brown hair. The overall aesthetic of the cartoon is warm and delightful, perfectly aligning with the sweet, romantic theme of the wedding celebration.
| 2,818 |
|
native
|
['17PkI7JVW79n', '19Gz9yxwzCez']
|
['Japanese', 'Japanese']
|
['In the center of the photo, there is a large bowl filled with ramen. The soup has a color that suggests it might be spicy, although the details are not clearly discernible. Piled high on top are plenty of bean sprouts, with toppings like chopped garlic and fried green onions visible near the peak. Around the bowl, there are about two slices of chashu which look thick and juicy. The outside of the bowl features a red and white color scheme with small text, but only part of it is legible. The soup beneath the ramen shows a layer of oil and red particles, suggesting it might be a rich and spicy type. The table has a wood grain pattern, and in the background, there is another bowl of similar ramen. Two small glasses can also be seen, seemingly filled with cold water. There are no particularly flashy decorations around, evoking the simple atmosphere of a ramen shop with a counter or table seating. There is hardly anything extraneous in the background, emphasizing the main ramen dish. From this photo, one could infer that it was taken at a restaurant that serves hearty ramen. Given the way the bean sprouts are piled and the size of the chashu, it might be a popular spot for substantial dishes. Overall, it presents an enticing image that conveys the promise of an impressive bowl filled with plenty of noodles and toppings.', "This is a photo of ramen, isn't it? It looks like a large serving, so it might be a Jiro-style ramen. There are two bowls of ramen, so I think two people might be eating. There are also two waters. I suspect this was taken inside a restaurant. On the table, there are two bowls of ramen, and while no people are visible in the picture, the ramen appears to be of the same type, with a broth that looks slightly red and seems spicy. Each bowl contains two pieces of chashu and a large amount of bean sprouts—heap upon heap of bean sprouts—with noodles inside, and it seems like there’s some kind of spicy pickled item on top. There are two bowls like that, and to prevent spilling, there's an additional plate underneath, which suggests consideration for any spills. There’s a slight texture on the edge, and it’s possible that the restaurant's name could be there. In the background, you can also see the entrance, tiles, and a door, so I initially think this is inside a restaurant."]
|
[False, False]
|
[nan, nan]
|
In the center of the photo, there is a large bowl filled with ramen, which is a traditional Japanese noodle soup dish. The broth has a color that suggests it might be spicy, although the specific details of the soup are not clearly discernible in the image. Piled high on top of the ramen are plenty of fresh bean sprouts, a common topping that adds a crunchy texture to the dish. Nearby, there are toppings like chopped garlic and fried green onions visible near the peak of the bowl, which are often used to enhance the flavor profile of the ramen. Around the bowl, there are approximately two thick and juicy slices of chashu, which is braised pork belly known for its rich flavor and tenderness. The bowl itself features a distinctive red and white color scheme with small text printed on its exterior; however, only part of the text is legible, adding a touch of authenticity typical of many ramen restaurants. Underneath the ramen, the soup reveals a layer of oil and red particles, indicating that it might be a rich and spicy type, possibly Tonkotsu or Miso ramen. The table where the bowl is placed exhibits a wood grain pattern, suggesting a rustic and comfortable dining environment. In the background, another bowl of similar ramen is visible, implying that there might be more than one person enjoying the meal. Two small glasses of water can also be seen, presumably filled with cold water for the diners. There are no particularly flashy decorations or distractions surrounding the bowl, which evokes the simple, no-frills atmosphere of a ramen shop that typically features counter or table seating. This lack of extraneous elements in the background emphasizes the main dish, allowing the viewer to focus on the enticing ramen. From the photographic details, one could infer that this image was taken at a restaurant known for serving hearty ramen. Given the way the bean sprouts are piled high and the generous portions of chashu, it is suggestive of a popular dining spot known for its substantial and flavorful dishes. Overall, this photograph presents an enticing image that promises a satisfying bowl of ramen filled with plenty of noodles and an array of delicious toppings. In a secondary observation, another photo of ramen is noted, confirming the dish being depicted. This bowl appears to be a large serving, possibly indicative of Jiro-style ramen, which is known for its massive portions. There are two bowls of ramen shown, leading to the assumption that two individuals might be dining together. Both bowls share similar characteristics with a broth that looks slightly red, further suggesting a spicy nature. Each bowl contains two pieces of chashu and an abundant amount of bean sprouts piled high, with noodles nestled below. An additional spicy pickled item can be seen atop the ramen, adding flavor complexity. To prevent any spills from disrupting the table, there is an additional plate underneath, which reflects consideration for a tidy dining experience. The edges of the bowls may also exhibit a slight textural quality, where the restaurant's name might be inscribed. In the background, features such as the entrance, tiles, and a door can be spotted, reinforcing the notion that this setting is indeed inside a cozy ramen restaurant. Although no people are visible in the picture, the arrangement suggests a popular dining establishment where patrons enjoy hearty servings of this beloved Japanese dish.
| 949 |
|
nonnative
|
['17yfwQ4Xjmst', '1hXVZl9x6mrj', '1dnwNWURKTnL']
|
['Chinese', 'Chinese', 'English']
|
["This image features a foreground set either in someone's home or in a restaurant dining area, showcasing a large food tray. In the center of the tray, there is a depiction of a sun god, represented with a triangle to signify the sun's rays, and a red face with distinctly black fish-shaped eyes. Surrounding this large depiction, there are grassy edges. In the center, there is a wooden rectangular tray with four corners that is quite large, capable of holding five bowl-like containers that resemble tea bowls, filled with a brown liquid, possibly coffee. Additionally, there is a metal pot that likely holds more liquid; its lower half is spherical while the upper part tapers upward, featuring a spout and a handle. There is also a small device for releasing fragrance, which consists of a narrow middle and wide ends, holding some spices that are already lit, with smoke wafting from it. In the distance, there is another bowl containing white granulated items, possibly sugar or salt for seasoning. Further in the background, there is a woman dressed in a white sleeveless dress that reaches her knees, allowing her knees to be visible. She is seated and holding a bamboo basket tray lined with paper, on which sits an inverted deep blue container for food with small feet, filled with brown food items. In her right hand, she is holding chopsticks, preparing to taste the food.", "This image showcases a traditional coffee ceremony. In the center is a wooden tray with several cups of dark coffee, which feature exquisite red and white patterns, reflecting the craftsmanship involved. To the left, there is a black traditional coffee pot, possibly a jebena from Ethiopia or Eritrea, used for brewing coffee. Beside it is a burning incense burner emitting a light smoke, which is typically a part of the Ethiopian coffee ceremony, used to create an immersive and solemn atmosphere. In the background, a woman dressed in white traditional attire sits on the floor holding a bowl of food, indicating that she may be the host of the coffee ceremony. The table is adorned with brightly colored yellow and red patterns, likely handmade woven baskets or traditional decorations common in African culture. Culturally, this image likely represents the coffee ceremony of Ethiopia or Eritrea, a tradition rich in social, cultural, and spiritual significance. In these countries, coffee is not just a beverage; it is central to social activities, where people connect, celebrate, or host guests through the coffee ceremony. Overall, this image not only highlights Africa's unique coffee culture but also reflects the importance of traditional rituals, showcasing the profound impact of coffee in East African culture.", " In this picture, we see what I believe to be a coffee pot and then five cups of coffee. Those are in the middle. Coffee cups are white. The coffee pot is black. Again, I'm assuming that's a pot based on what is around it. The cups themselves are handleless. They have brown coffee inside. They're decorated with red leaves and maybe some sort of plant that's red on the bottom two thirds and green on the top. There's either an ashtray or a hookah lid sitting next to it. I'm not really sure what that is. Behind the five coffee cups, which I think I said are on a wooden dish, there's a bowl that looks like sugar with a spoon in it, sort of behind it. There's smoke on the left side of the image coming off of whatever's in the other ceramic dish. In the background, there's a woman in a white skirt or dress and looks like she's eating something possibly with chopsticks. I can't really tell exactly what she's using. That bowl is black and then she has another bowl or plate type thing under that, which looks like it could be of like woven. I'm not really sure. The far background, anything behind her is basically totally black and you can't see anything there. And that's it. You can't infer anything, no text."]
|
[False, True, False]
|
[nan, 'Yes, this image is culturally distinct because it depicts a traditional Ethiopian or Eritrean coffee ceremony, an integral part of East African culture. The Jebena (coffee pot), small ornate cups, and burning incense signify a ritualistic and communal coffee preparation process, which is deeply rooted in social bonding, hospitality, and cultural heritage in Ethiopia and Eritrea.', nan]
|
This image prominently features a scene that appears to be set in either a personal residence or within a restaurant dining space. At the forefront is a large wooden tray, rectangular in shape, notable for its four corners, which is capable of accommodating five bowl-like containers reminiscent of traditional tea bowls. These bowls are filled with a dark brown liquid, likely coffee. Central to this presentation is a striking image of a sun god, characterized by a triangular shape to symbolize the rays of the sun, with a vibrant red face adorned with distinctive black fish-shaped eyes. The sun deity depiction is bordered by grassy elements, lending an earthy aesthetic to the arrangement. In addition to the aforementioned bowls, there is a metal pot nearby, presumably containing more liquid. This pot is designed with a spherical bottom that transitions into a tapered upper portion, complete with a spout and a handle, indicative of traditional cookware used in serving coffee. Complementing this setting is a small incense burner, designed with a narrow midsection and wider ends, which holds lit spices that create fragrant smoke wafting throughout the scene. In the background, another bowl is visible, containing white granulated contents that could be sugar or salt, often utilized for seasoning. Further into the background, there is a woman seated, attired in a knee-length white sleeveless dress, which allows her knees to be seen. She is engaged in holding a bamboo basket tray, which is lined with paper. Upon this tray sits an inverted deep blue container for food, supported by small feet, and filled with brown food items. In her right hand, she delicately holds a pair of chopsticks, indicating her readiness to sample the delicacies present. In a second description, the image further encapsulates the essence of a traditional coffee ceremony, specifically identifiable as an Ethiopian or Eritrean ritual. Central to this representation is a wooden tray that showcases several cups filled with dark coffee, each adorned with exquisite red and white patterns, demonstrating remarkable craftsmanship. To the left, there is a black traditional coffee pot, known as a jebena, utilized in the brewing process of coffee. Accompanying the pot is a burning incense burner, which emits a light stream of smoke—an element integral to the Ethiopian coffee ceremony, often employed to cultivate an immersive and solemn environment conducive to the ritual. In the background of this depiction, a woman, dressed in traditional white attire, is seated on the floor and holding a bowl of food, suggesting she may be the host of the coffee ceremony. The table from which the coffee is served is decorated with vibrant colors—bright yellow and red patterns—likely derived from handmade woven baskets or traditional cultural decorations frequently observed in African societies. Culturally, the image encapsulates the significant tradition of the coffee ceremony in Ethiopia or Eritrea, which is deeply embedded with social, cultural, and spiritual importance. In these regions, coffee transcends mere consumption; it serves as a fundamental medium for social interaction, celebrations, and hospitality, exemplified through the communal setting provided by the coffee ceremony. This imagery not only emphasizes Africa's distinctive coffee culture but also portrays the vital role of traditional rituals, shedding light on the profound impact coffee has in East African societies. In another representation, the focus is again on the coffee pot and the five coffee cups, positioned centrally in the image. The coffee cups, characterized by their handleless design and adorned with decorative red leaves and green plant motifs, are filled with dark coffee. The black coffee pot suggests it serves a functional role within the ceremony. Nearby is an item, potentially an ashtray or a hookah lid, its exact purpose uncertain. Behind the coffee cups rests a bowl filled with sugar, complete with a spoon, indicating how sweetness is incorporated into the coffee experience. Smoke emanates from a ceramic dish on the left side of the image, further setting the ambiance of the scene. In the background, a woman in a white skirt or dress is observed, engaged in eating, possibly with chopsticks, although the exact instrument she is using remains ambiguous. The contrast in the background is striking, as it fades into a near-complete blackness, offering no additional details beyond her presence.
| 13 |
|
nonnative
|
['1cZo8bbedk8N', '1lqfIp2h21W7']
|
['Chinese', 'English']
|
["At first glance, this photo appears to be a street scene, and it seems there's a railway track close to the photographer. There’s a bicycle on one side and two trucks on the other. The trucks have some graffiti on them, which looks to be rather exaggerated street art. The overall layout of the image is horizontal, with a horizontal railway track in the middle. Near the foreground, there's a bicycle and a bench for resting. In the distance, there are two trucks: one on the left is red with a yellow number on it, and the one on the right is a white truck that appears to be out of service. I'm not quite sure what these trucks are used for, but since they are next to the railway track, they might be involved in transporting goods. The bicycle looks relatively new, suggesting it might belong to someone visiting the area. Overall, the scene has an American vibe to it because of the presence of English, but it's possible that it could represent more than just an English-speaking country.", " This is an issue of a train. There's a train currently going in the image and it's only part of it. And you see a train, two train cars attached to the other. There's some green graffiti on the train in the car. The car's left is red, but the cars are right. The graffiti is white, but it's very dirty. The graffiti is on the left of the train in the car. There's a bike, leaning against the railing. In front of the train, in the background there seems to be some buildings in cars. Some sort of area. There's a little dedicated and spicy review. It's very well with it. The graffiti itself is low on their written name."]
|
[False, False]
|
[nan, nan]
|
At first glance, the photograph depicts a vibrant urban street scene featuring a railway track that runs horizontally across the image, suggesting a sense of motion and transit. In the foreground, a bicycle is positioned prominently, indicating that the area is likely frequented by cyclists or visitors. Adjacent to the bicycle is a bench, offering a resting place for passersby, contributing to the scene's accessibility and community feel. On either side of the railway track, two trucks add to the image's industrial character. The truck on the left is painted in a bright red color, prominently displaying a yellow number, while the truck on the right is a white vehicle that appears to be out of service. The presence of graffiti on the trucks enhances the artistic vibe of the scene, showcasing what might be considered exaggerated street art—a cultural form often celebrated for its expression of individuality and social commentary. The graffiti itself is described as vibrant, with a mixture of colors that draw the eye, although parts appear weathered and dirty, suggesting a long-term presence in the environment. In the background of the image, beyond the railway, there are additional structures such as buildings and parked cars, indicating that this scene is set in a developed area possibly representative of a city. This urban setting contributes to the overall ambiance, mixing transportation elements with everyday life. The presence of English in the graffiti suggests an American influence or vibe, but the scene's characteristics could imply a broader representation of urban spaces that attract similar demographics in English-speaking countries or beyond. The second part of the description notes the existence of a train within the scene, although it captures only a portion of the train. It is comprised of two train cars that are connected, creating a sense of continuity and movement. The left car is noted to be red, while the right car showcases green graffiti, which may signify either artistic expression or tagging, common in urban landscapes. The graffiti has a weathered appearance, hinting at age and the frequent passage of time. Leaning against a railing near the train is another bicycle, reinforcing the theme of mobility and transportation interconnected with the train service. In the background, additional buildings are visible, along with cars, contributing to the bustling atmosphere of the area. This suggests an active urban environment where different modes of transport coexist, and activities related to commerce and daily life occur. The mention of a "dedicated and spicy review" is somewhat ambiguous but may suggest a local eatery or food stall nearby that adds flavor to the neighborhood's character. Overall, the scene provides a rich tapestry of urban life, blending elements of transportation, artistry, and community, all underpinned by a distinct cultural resonance that could be interpreted through various lenses.
| 1,885 |
|
nonnative
|
['19XYxmSiexwR']
|
['English']
|
[" This image looks to be of someone who is performing on a stage. They're giving a performance on Starz HK. HK could signify Hong Kong. And they have a mic placed close to their face. Their left hand is holding onto their suit jacket, where they look very classly, professionally dressed for this event. They look very passionate about whatever they are either saying or singing. In them, there's a background that is of a very purple and white undertone, as well as black. There's a staircase, a very large staircase that leads up maybe to the rest of the performance area, which is not visible on the screen. The floor actually is very blue and purple, and has very bright colors. Looks like crystals almost on the floor. And overall, it's a very beautiful, very picturesque setting where the person who's singing is very passionate about what they are singing."]
|
[False]
|
[nan]
|
The image depicts an individual performing on stage, likely part of a broadcast for a show on Starz HK, which likely stands for Starz Hong Kong. The performer is holding a microphone close to their mouth, suggesting they are either singing or delivering a powerful speech. Their attire is notably elegant and professional, with the left hand gripping the lapel of their suit jacket, contributing to their sophisticated appearance appropriate for such an event. The performer's passion is palpable, as they express deep emotion through their body language and facial expressions while engaged in their performance. In the background, there is an aesthetically appealing color scheme consisting of purple and white tones, contrasted with areas of black. This combination creates a vibrant, dynamic environment that enhances the visual impact of the performance. A prominent feature of the stage design is a large staircase, suggesting that there are additional tiers to the performance area that are not captured in this particular view. The flooring stands out for its dazzling blue and purple hues, resembling the sparkle of crystals, adding to the overall beauty and vibrancy of the setting. This picturesque ambiance complements the performer’s intensity and gives the audience a spectacular stage experience that is both visually striking and emotionally engaging.
| 2,776 |
|
native
|
['1izZR2lOGyx5']
|
['Russian']
|
['This photo shows a person at a show, sitting in the corner and drinking something. He is the main focus. Hooray, it’s not a facade, nothing. The background doesn’t reveal much. It’s clear he’s in a corner. There’s no text. In any text, the positioning of objects is absent; he is sitting with his hands on his knees. What details can be noticed? You can see that he has very dirty sneakers. The background is quite ordinary. The wall is transparent, or rather, just plain. That is, nothing else is drawn. Just a wall, no objects on the wall either. The picture is black and white. What can be understood? I feel like this is some kind of artist from a rock-n-roll band singing about socialist reforms or very important life matters. Something tells me he is probably Korean by nationality. One could even say he’s a bit like Viktor Tsoi... Total is right. Thank you. Subscribe to the channel. Michael Huston. Someone? What friends? Say thank you. Copyright – off-camera is that he simply joined the tree. Someone artistically in the decor. Just for something to rate... It would only throw in tourism, as for this. He should be recognized by fingers, through additional graphics, to raise clearly. Any melon we will, what needs to be done. After all, Amsterdam is known, someone gifted while searching and to clarify that she represents.']
|
[True]
|
[nan]
|
This photograph captures an individual seated at an event, positioned in the corner of the frame. The person is clearly the focal point of the image, suggesting a narrative that centers around them. Their demeanor and the environment suggest a casual yet contemplative atmosphere. The caption begins with an assertion, “Hooray, it’s not a facade, nothing,” indicating that the scene feels genuine, devoid of pretense. The background is described as quite nondescript; it offers little to no information, characterized as a simple, unadorned wall with no artwork or objects to draw attention away from the individual. The individual is depicted in a relaxed posture, with their hands resting on their knees. This positioning might imply a sense of ease, perhaps suggesting they are lost in thought or simply enjoying the moment. Notably, the person's footwear—a pair of very dirty sneakers—is mentioned, which could symbolize a casual lifestyle or perhaps a disregard for conventional appearances, aligning with a more rebellious or artistic identity. The photograph has been rendered in black and white, which adds a timeless quality and can evoke feelings of nostalgia or seriousness. In contemplating the individual’s narrative, it is proposed that they might be an artist affiliated with a rock-n-roll band, possibly someone whose music discusses significant sociopolitical themes or life experiences. There's an intuitive guess about the individual's nationality, which is suggested to be Korean. This speculation hints at a connection to figures like Viktor Tsoi, a well-known Soviet rock musician whose work has been celebrated for its impactful messages and emotional depth. The caption concludes with phrases that suggest a call to action for viewers, encouraging them to subscribe to the channel of the photographer or the narrator, identified as Michael Huston. There is a somewhat cryptic alliance to artistic endeavors and tourism, hinting that recognition should be gained through creativity and perhaps through elements that speak to cultural or geographic identity, such as Amsterdam. This indicates a blend of personal expression and a broader commentary on culture and art. Overall, the caption paints a vivid picture of both the subject and the larger context within which they exist.
| 1,182 |
|
nonnative
|
['1fWCAPRqWQUE', '1aCAgsYhTfla', '15lq4WM7Kd6h']
|
['English', 'English', 'English']
|
[" all right we got a bowl of some sort of food here maybe Indian food some sort of soup soup that's some sort of browns like beans maybe the liquor component of the soup is whitish there's a cream soup it's maybe yogurt perhaps it's being served in a metal bowl metal bowl is sitting on top of metal soup plate I believe that plate also has a metal spoon hidden by the bowl is hard to see all of this is sitting on a a decorative geometry carpet or perhaps tablecloth that tablecloth is reddish brownish and also whitish bunch of numerous types of geometric patterns patterns may be indicative of perhaps India yes South Asia maybe West Asia", " This is an image of a soup and it looks like a metal bowl that's served on a metal plate and the table or floor that it's on is very decorative. It looks like it's tiles that have different designs on them and none of the designs look the same. The soup itself looks like it's a white broth with possibly beans and peas and other vegetables in the soup. I would assume this is a cultural soup given the the bowl the type of bowl it's served in and the the design of the tiles and the soup itself. It looks doesn't look like too much soup and it's the only object in the image. There's no spoon no indication that it's in a restaurant or at home on a table or just on the floor.", " The picture is of a bowl containing an Indian dessert that many will refer to as kir. And this bowl is metal and is placed on another metal silver plate as well. And it seems to be placed on some sort of counter or floor that is tiled and is a pattern tile that is brown and cream colored. There's only one bowl. In the bowl, we can see these vermicelli noodles as well as what seems to be like peanuts. There seems to be like five peanuts and other garnishes or other ingredients to the thing. And then the liquid is made out of some sort of milk product. It seems to be specific to this Indian style of dessert. And the serving is in a metal silver bowl as well. There is not much else seen in the background. And this seems to be the main focal point of the picture. So like someone taking a picture of a new food they've tried or a food that someone else has served to them. So like someone creating a plate there is a bowl of Goal usually and any ähnlich pagan is made out of small and growing and edited. Like mmm,broughly the Unger"]
|
[True, True, True]
|
['Distinctive food and tablecloth geometric patterns', 'The setting seems cultural', 'it is of a culturally distinct food from India, that is often present at cultural events or traditions.']
|
The first transcription describes a bowl of food that appears to be an Indian dish, possibly a type of soup. This soup has a brownish color, likely containing beans, and the broth has a whitish hue, which could indicate that it contains cream or yogurt. It is served in a metal bowl that rests on top of a matching metal soup plate. There is a metal spoon hidden beneath the bowl, although it is not easily visible in the description. The bowl and plate are situated on a decorative surface, which is either a carpet or a tablecloth characterized by a reddish-brown and white color scheme, featuring a variety of geometric patterns. These designs are likely reflective of cultural influences from South Asia, possibly hinting at Indian or West Asian origins. The second transcription further elaborates on the food presentation, emphasizing that the metal bowl is placed on a stylish metal plate. The tiled surface beneath the bowl exhibits multiple intricate designs, none of which are identical to one another. The soup is described as consisting of a white broth with various components, such as beans, peas, and possibly other vegetables, indicating that it is culturally significant due to its unique serving style and the arrangement of the tiles. The soup appears to be the sole object in the image, and there are no utensils visible or any contextual clues that imply the setting is either a restaurant or a home environment. In the third transcription, the focus shifts to a different dish, identified as an Indian dessert called kheer. This dessert is presented in a metal bowl that is also set upon a silver metal plate. The backdrop is described as a patterned tile surface in shades of brown and cream. The bowl contains vermicelli noodles, which are traditional in Indian desserts, along with approximately five peanuts and various other garnishes. The liquid component is indicated to be made from a milk product, characteristic of this Indian delicacy. Again, there are minimal distractions in the background, with the dessert taking center stage, suggesting that the photograph may have been taken to document a newly discovered dish or something special served by someone. The description encapsulates the essence of Indian culinary culture, highlighting the aesthetics and tradition associated with these foods.
| 95 |
|
nonnative
|
['179x5jDgpzKV']
|
['English']
|
[" In this image, there is a man and a woman. The man is looking at the woman and the woman is kind of looking a little beyond the man. The man has his left hand on the woman's shoulder. The woman's left arm is carrying a purse, a black purse, and also a jacket that is like some toppy color. The woman is dressed in black and this whitish neutral color while the man has a black jacket which is lined with this blue color and yellow. He's wearing some chain necklace. I think I see like a cross at the end. I also see a Christmas tree in the background on the right outside the building we're in. It appears it's beyond the glass. The Christmas tree is lit up with purple lights. I also see some vehicle or light in the back shining blue light in. And I see a moon in the background, which is some white circle. Both the man and woman are Asian. And their facial expressions are pretty neutral."]
|
[False]
|
[nan]
|
In this image, we observe a man and a woman positioned in close proximity to each other. The man is gazing directly at the woman, while she directs her gaze slightly past him, suggesting a thoughtful or introspective demeanor. He has placed his left hand affectionately on her shoulder, indicating a sense of connection between them. The woman is carrying a black purse in her left arm and is also holding a jacket in a muted, earthy tone that suggests warmth and comfort. Her outfit consists of predominantly black clothing, complemented by this pale neutral-colored jacket, creating a contrast that is both stylish and understated. The man is dressed in a black jacket, which features a striking lining of blue and yellow, adding a pop of color to his attire. Around his neck, he wears a chain necklace that appears to have a cross pendant at the end, which may suggest a personal or cultural significance. In the backdrop, visible through glass, there is a beautifully decorated Christmas tree off to the right side of the image. The tree is adorned with vibrant purple lights that create a festive atmosphere, enhancing the scene's seasonal context. Additionally, there is an illuminated vehicle in the background casting a blue light, which adds a layer of urban ambiance to the setting. Above this scene, a moon is visible as a distinct white circle in the night sky, contributing to the overall nighttime aesthetic. Both the man and woman are of Asian descent, and their facial expressions convey neutrality, which may reflect a moment of contemplation or tranquility in their shared experience. This setting, with its combination of seasonal décor and urban elements, evokes a sense of the festive season while highlighting the personal connection between the individuals captured in the image.
| 2,397 |
|
nonnative
|
['142ZAjbhQeB0']
|
['English']
|
[" Another award show. We are looking at, it appears to be either some people are announcing an award or accepting an award. So going back from just the overview, it looks like it is a band. One woman who's holding the mic and speaking, followed by three men. So I'm going left to right here. So starting in the left with the woman. She appears to be Asian. She's holding the mic and speaking. She's wearing a blue dress of multiple blue colors. Shades, I guess is the right word. Going to her right is a man in black. He is looking down. He's holding a mic, but not speaking. He has, you know, some hair combed to the front. He appears to be Asian as well, wearing all black. To his right is a man holding the award. He seems to be a bit overwhelmed emotionally, perhaps out of joy or excitement. He is wearing a shiny magenta, sort of purple, sort of dark red, like a bright dark red suit jacket, black dress shirt. And then to his right is another Asian dude with a tie, dress shirt, gray suit jacket. Also holding a mic. A Yuan. remindsky double corset. Then a большinda armhole, sort of pink. So more. They are trying to make peace out. They are trying to keep the same tram. They are trying to put this. Then move the control... Mhmm. So there you can take the right side."]
|
[False]
|
[nan]
|
We find ourselves at yet another award show, where the atmosphere is filled with anticipation and excitement. The camera captures a diverse group of individuals, seemingly in the middle of either announcing an award or graciously accepting one. As we observe the scene, we notice it features a band, with a focus on a woman holding the microphone and speaking to the audience. Starting from the left side of the frame, we see the woman who appears to be of Asian descent. She commands attention as she speaks, adorned in a striking blue dress that showcases multiple shades of blue, complementing the vibrancy of the event. Moving to her right, we encounter a man dressed entirely in black, who looks slightly downcast, perhaps in contemplation. He is also of Asian heritage and is holding a microphone; however, he is not currently speaking. His hair is styled with a portion combed to the front, adding to his polished appearance. Next to this man stands another individual, who is noticeably holding an award. He exudes a sense of emotional overwhelm, which could stem from joy or perhaps excitement over the recognition. His attire is eye-catching, consisting of a suit jacket in a shiny magenta or dark red hue, layered over a classic black dress shirt, drawing attention to his joyful demeanor. To the right of this emotional figure is another man, also of Asian descent. He is dressed in a sophisticated outfit featuring a tie, a dress shirt, and a gray suit jacket, contributing to the overall elegance of the group. Like the others, he also holds a microphone, indicating a collaborative effort in addressing the audience. As the group interacts, it's clear they are striving to convey a sense of unity and solidarity. They appear to be engaged in maintaining a cohesive presentation as they prepare to address the crowd together, exemplifying teamwork amidst the celebratory atmosphere of the award show.
| 2,536 |
|
native
|
['1g0S7EThQHcu']
|
['Russian']
|
["We have here a very serious person in the main background, with no other objects present; the text is also absent. He is not looking at the camera but gazing off to one side. The object we have is from a central position, and there are essentially no other details. You can see a silk tie or scarf—however we refer to it—covered in the front pocket of his jacket. It's also noticeable that he has a scarf and a white collar. He is dressed classically and looks quite presentable. The background turns out to be a typical grayish-white because this is a low-quality photograph, and it is black and white, which suggests that it was likely taken in a photo studio using old equipment, as the quality of the photo leaves much to be desired, to say the least."]
|
[True]
|
[nan]
|
The image presents a singular figure, a serious individual positioned prominently in the background, isolated from any surrounding objects or textual elements. This person is not making direct eye contact with the camera; instead, their gaze is directed off to one side, creating an impression of contemplation or introspection. The subject occupies a central position within the frame, indicating that they are the primary focus of the image. Distinctively, the individual is adorned with a silk tie or scarf, which is visible peeking out from the front pocket of their jacket. This accessory adds a touch of elegance to the otherwise austere appearance. Additional details of the ensemble include a scarf and a well-defined white collar, suggesting a classic style that conveys professionalism and respectability. The attire is neat and presentable, further enhancing the impression of a thoughtful, serious nature. The background of the photograph is a subdued grayish-white, which, combined with the low-quality black-and-white format, implies that this image was likely captured using vintage photographic equipment in a studio setting. The overall quality of the photograph is noticeably poor, lacking clarity and detail, indicating that it may have undergone deterioration over time or was created during an era with limited technological advancements in photography.
| 1,199 |
|
native
|
['1154oW02H42x']
|
['Tamil']
|
["Vivekananda's cell has something resembling a solar setup, but I don't know why. It's somewhat like Vivekananda came here, with his output displayed. His hand appears to be raised while looking up, and it seems like he has his full form displayed below. There is a tree behind him that looks quite nice, and it's a bit grand in its appearance. He is dressed in a kind of dark outfit, with his attire having a hint of gold color. He's wearing a full-length pant, has a coat on top, and is in shoes, standing in a dignified manner for the camera. His posture is quite imposing and regal. You can see him from a distance, and it's clear he is the only person in this picture. This photo beautifully captures Vivekananda in a good light."]
|
[True]
|
['Swami Vivekananda was a Indian Hindu monk']
|
The image in question showcases a prominent figure, Swami Vivekananda, who was an influential Indian Hindu monk and a key figure in introducing Indian philosophies of Vedanta and Yoga to the Western world. In the photograph, there is an intriguing setup described as resembling a solar installation, though the purpose of this feature remains unclear. Vivekananda is depicted in a poised stance, seemingly reaching out with his right hand raised and looking upward, evoking a sense of aspiration or enlightenment. Below him, his full form is represented, suggesting a symbolic or artistic portrayal that emphasizes his spiritual significance. The background features a grand tree that enhances the overall aesthetic of the scene, symbolizing growth and wisdom often associated with nature in many cultures. He is attired in a distinguished outfit characterized by its dark hue, complemented by subtle accents of gold that add a touch of elegance. His ensemble consists of full-length trousers, complemented by a coat, and he is wearing polished shoes, which together contribute to a dignified presentation. His posture emanates a regal quality, reinforcing the sense of authority and respect associated with his persona. From a distance, the photograph effectively highlights Vivekananda as the sole subject, drawing attention to his resolute presence. The creative framing and lighting of the capture serve to illuminate his features, thereby portraying him in an inspiring and favorable manner, reflecting his legacy and impact.
| 1,365 |
|
nonnative
|
['11A9f4RhXrmA', '1mHGpKKQPwht', '1baBiZy47frb', '1cx05l23bLeg', '1gDFBohTHEfo', '1bvayMDTm15a']
|
['Chinese', 'English', 'Chinese', 'Chinese', 'English', 'English']
|
['This image showcases a traditional wrestling match where two competitors are engaged in a fierce contest. One of the wrestlers, wearing blue shorts and a red belt, is lifting his opponent high in preparation to slam him down onto the sandy arena. This style of competition and attire bears similarities to traditional Korean wrestling, known as "ssireum." Surrounding them is a large audience, including standing spectators, children, women, and older individuals, indicating that this match may be part of a cultural festival or traditional sports event. In the background, there are white tents and rooftops styled in ancient architecture, suggesting that this event may take place in Korea or the East Asian region. The overall style of the picture feels natural, with colors consisting of red, blue, yellow, and sandy tones that highlight the competitive atmosphere of the match. Wrestling is a sport that emphasizes strength, skill, and balance, and this image captures the moment of athletes giving their all in a physical confrontation, showcasing the spirit of sports. This image not only displays a competitive event but also reflects the cultural traditions of East Asia and Mongolia, as wrestling in these regions is often regarded as a time-honored sport that is intertwined with ethnic festivals and traditional celebrations. Therefore, this photograph is rich in cultural significance, embodying the heritage of local sports and the social cohesion of the community. Thank you for watching.', " This image shows people doing what looks like wrestling. There are two wrestlers. One of them is halfway through a slam down. They're both shirtless. And there's this red thing across the hip of the guy who seems like he's winning. And the wrestler who's halfway through the slam down is holding on to that red thing. There's a lot of people watching the fight. Most of them are in tents. Tents are white. And this looks like the picture was taken somewhere in Asia. Looking at the people that are in attendance. They're wrestling in sand. And there's a lot of trees in the background. Yeah.", 'The picture shows a wrestling match taking place in a sandy enclosure between two teenage boys. One of the boys has lifted the other, who is about to fall to the ground in the air. It is likely that he will hit the ground in the next second. On the right side of the picture, there is also a partial view of a referee wearing a red vest overseeing the match. The crowd watching appears to be mostly of Asian descent, with yellowish skin tones. They are gathered to watch this wrestling competition, either holding umbrellas or sitting on benches under a white canopy for shade. It seems that the temperature is quite high because everyone is wearing short sleeves, and the sun is strong, so they are trying to avoid the sunlight while enjoying the cooler area under the canopy. Despite the weather, many people have come to watch the match. The buildings in the background exhibit an ancient Chinese architectural style, with curved roofs indicative of traditional structures rather than modern designs.', 'This picture shows two strong men wrestling, with many people watching nearby. On the right side of the image, there is a man wearing red clothes, who is likely the coach. In the center of the image, the two wrestlers are both shirtless and wearing the same color shorts. This appears to be in the summer, as many people are dressed in short sleeves, and some are even holding umbrellas for shade. In the background, there are buildings resembling ancient Chinese architecture; it looks like it could be in China, but it might also be in Mongolia, as Mongolia has similar wrestling matches.', " picture of different saris, otherwise known as a traditional Indian clothing, that are hung across ropes or strings and displayed for maybe a customer to see. So there are varying symbols and colors and patterns on these saris. A lot of them seem to have like a bright background with either gold or silver embellishments on the front. Some of them seem to have circular or triangular or some sort of quadrilateral design on it. Some have really small designs that are repeated on it. Some have flowers or have a broader picture on them as well. The background of this seems to be an old white wall where we can see that some of the paint is fading on the bottom half. And there seems to be some sort of window or door on the right hand side that we can't make out because it's not really in the picture. There are around 12 of these saris hung on the front of this picture that we can tell. And they're all, each of them is of a different, unique color and unique design.", " This image depicts two men fighting. It looks like an arranged event where the men are fighting on sand, and there's a referee wearing red on the very right of the image. The men are shirtless, and they're wearing shorts, and one looks like he's picking up the other and throwing him down. They both have very short hair, buzz cut, and seem to be fit. There's a lot of people watching in the background. Some of their faces are blurred out, while others aren't. There seems to be kids, older people, younger people, and it looks like from the structure in the background, and based on the people in the image, this is some sort of Asian country. The structure in the background has a roof that's very triangular, and people are standing on their white tents. Since it looks like it's sunny out, and there's also some trees in the background as well. Over the same time, and there's a lot of meat running beneath the tone. There's a lot of people on there. There's a lot of men on there who're in it. I want more men on there to see a blind 소개whole sun in there, and this distance is perfect. When you're carryingm� 부erto in place, the circle and the line comes up. On the left is e cig Face."]
|
[True, False, True, True, False, True]
|
['Yes, this image is culturally distinct as it depicts traditional wrestling, likely Korean Ssireum or Mongolian wrestling, which are deeply rooted in their respective cultures. The attire, sand wrestling ring, and presence of a crowd in a cultural setting suggest a traditional sports event, often associated with festivals or national heritage celebrations in East Asia.', nan, 'Looks like Japan.', nan, nan, 'Asian people']
|
This image showcases a traditional wrestling match where two competitors are deeply engaged in a fierce contest. One wrestler, adorned in blue shorts and a striking red belt, is poised in a powerful stance, elevating his opponent high above the sandy arena as he prepares to execute a dramatic slam down to the ground. The wrestling depicted here closely resembles the traditional Korean style known as "ssireum," which has deep cultural significance in Korea. Surrounding the competitive scene is a large, diverse audience, comprising standing spectators, children, women, and older individuals, all of whom seem to be fully engrossed in the action. This gathering indicates that the match is most likely part of a cultural festival or traditional sports event. In the background, white tents and rooftops designed in ancient architectural styles add to the atmosphere, strongly suggesting that this event takes place in Korea or within the broader East Asian region. The overall aesthetic of the image reverberates with natural tones, featuring vibrant reds, striking blues, sunny yellows, and earthy sandy hues that together emphasize the thrilling energy of the match. Wrestling, a sport which emphasizes raw strength, technical skill, and balance, is encapsulated in this image, portraying the athletes' commitment and determination during this physical confrontation. This photograph does more than depict a mere competition; it embodies the rich cultural traditions prevalent in East Asia and Mongolia. Wrestling in these cultures is not merely a sport but is often intertwined with significant ethnic festivals and traditional celebrations, symbolizing community spirit and heritage. Therefore, the image holds substantial cultural weight, reflecting local sports practices and the collective identity of the community. Moreover, in another part of the visual landscape, we see the engagement of two teenage boys wrestling in a sandy ring. One boy has lifted his opponent into the air and appears to be in the process of executing a slam. There’s a visible referee in a red vest positioned to the side, keenly overseeing the match. The audience consists primarily of individuals of Asian descent who appear to be enjoying the competition while seeking shade under white canopies, indicative of a hot sunny day with high temperatures. People can be seen sheltering from the sun while wearing short-sleeved attire. The architectural backdrop features buildings with characteristics of ancient Chinese design, such as arched roofs, which suggest location familiarity but could also encompass Mongolian influences, given the similarities in architecture and traditional styles of wrestling in that region. This image portrays two muscular men wrestling beneath the watchful eyes of many spectators. To one side of the composition stands a man dressed in bright red attire, seemingly a coach or trainer, monitoring the event. The wrestlers, both shirtless and clad in matching color shorts, exemplify a summer setting as evidenced by the attire of the audience members who are mostly in short sleeves and holding umbrellas for sun protection. In a different part of the display, another image captivates viewers with an assortment of saris—traditional garments from India—hung elegantly across ropes. These saris exhibit a dazzling array of symbols, colors, and intricate patterns. Many showcase bright backgrounds adorned with either gold or silver embellishments. Additionally, the designs vary from circular and triangular shapes to floral patterns, adding depth and personality to each piece. The backdrop of the display features an aged white wall exhibiting fading paint, further enhancing the traditional aesthetic. Approximately twelve unique saris are visible, each distinctively colored and designed to attract potential customers. Lastly, the image captures another intense wrestling scenario with two men focused on their competition, engaged in a fight within a sandy enclosure. Their shirtless physiques and minimalist shorts accentuate the athleticism of the event, while a referee clad in red is positioned to one side, indicating the formal nature of the contest. Observing the audience reveals a crowd of various ages, including children and the elderly, all captivated by the performance. The cream-structured architectural elements and the surroundings hint at an Asian locality, as indicated by the distinctive triangular roofs and white tents. The blend of excitement, athletic endeavor, and cultural richness captured in these images portrays a vibrant snapshot of communal spirit and sporting tradition.
| 1,117 |
|
native
|
['1ktuJJBN0TFb']
|
['Russian']
|
['In this image, we see a breakfast scene, which includes pancakes with sour cream on a table covered with a tablecloth that features flowers. The bite taken out of the pancake and the smeared sour cream indicate that someone has already begun eating. There are these pancakes, and someone is either actively having breakfast or has left it in the middle of the process, or has set it aside for later. The sour cream indicates that it is 15% fat sour cream, and the eye is immediately drawn to the specific food; there are many objects present. The text suggests that the sour cream, along with the placement of the objects, makes the pancakes the main focus of the lens. The pancakes are colorful; we can see shades of blue, red, and orange, and we can infer that the person is having breakfast and it looks very tasty. The sour cream emphasizes that the person is indeed having breakfast and that it is very delicious.']
|
[True]
|
[nan]
|
In this captivating breakfast scene, we observe a well-set table adorned with a floral-patterned tablecloth that adds a touch of vibrancy and warmth to the setting. The focal point of the image is a stack of delicious pancakes, prominently displayed. One of the pancakes shows a bite taken out of it, suggesting that someone has already started their meal, highlighting an inviting, homey atmosphere that evokes the comfort associated with breakfast time. Alongside the pancakes is a generous dollop of sour cream, specifically noted to be 15% fat, which not only adds a creamy texture but also enhances the flavor profile of the dish. The placement of the sour cream is strategic, drawing the viewer's eye directly to the pancakes and making them the centerpiece of the visual narrative. The pancakes themselves are artistically presented, showcasing a palette of colors—shades of blue, red, and orange—indicating that they are not just ordinary pancakes but perhaps infused or topped with various flavorful ingredients, making them visually appealing and appetizing. The overall arrangement and the partial consumption of the pancakes imply that the individual is either currently enjoying their breakfast or has set it aside momentarily, leaving the viewer with a sense of engaging in a personal, everyday ritual. The rich and inviting details captured in this scene suggest a delightful breakfast experience that emphasizes the enjoyment of food and the simple pleasure it brings. The sour cream, in its inviting presentation, confirms that the breakfast is not just filling but also delicious, making it an enticing part of the morning routine.
| 1,210 |
|
nonnative
|
['1bOu7OS9pKG4']
|
['English']
|
[" In this image I see a lot of women. They're at some sort of formal event because most of them are wearing dresses. In the image there is one main woman at the center of it with her mouth open. She's clearly like very happy about something and she's facing another woman who's also looking directly at her. They appear to be talking about something and everyone else kind of also seems to be smiling or cheering. And a few people seem to be looking at them as well. Majorly there's a woman in red dress to the left on the image from our perspective that is reaching out to the main focus woman. She's also wearing some shimmery jewelry in her necklace and also her earring. She has one hand in her pocket and there are a few people that are clapping. I count three people. One behind whose face is out of frame. One at the bottom whose face is just in frame. And then one on the right."]
|
[False]
|
[nan]
|
In this image, a vibrant and joyous gathering of women is captured, likely at a formal event such as a celebration or a party, given the elegant attire most attendees are wearing. Central to the composition is a particularly animated woman whose mouth is open in an exuberant expression, indicating her delight or enthusiasm about a conversation or moment unfolding. She is engaging directly with another woman who is also focused on her, suggesting an intimate exchange filled with excitement or laughter. The atmosphere appears festive, as numerous attendees are smiling and exuding a cheerful disposition, clearly enjoying the gathering. Among the notable figures is a woman dressed in a striking red gown positioned to the left side of the image from our viewpoint. She reaches out towards the central woman, which creates a sense of connection and camaraderie between the two. This woman stands out not only due to her bold choice of attire but also because she adorns herself with shimmery jewelry, including a necklace and earrings that catch the light, adding an element of glamour to her appearance. Her pose is relaxed; one hand is casually tucked into her pocket, while her other hand is extended towards the main woman, possibly acknowledging her joy or encouraging her to continue speaking. Surrounding them, there are participants involved in the celebration, and among them, I count three individuals clapping—one person is positioned behind others and is too far to appear clearly in the frame, another is at the bottom where their face is partially visible, and the last clapper is situated on the right side, contributing to the lively ambiance of the event. This captures a moment of shared happiness and communal celebration that defines the essence of social gatherings.
| 2,549 |
|
nonnative
|
['14XR2JReqdgh', '1jLuCxOOSySf', '18hzHTfFIXaH', '14KR4UlwulZb', '1coQ7TTsJEcg', '18BNRNZgotZf']
|
['Chinese', 'Chinese', 'English', 'English', 'Chinese', 'English']
|
["This image features a wall with a white background, and in front of it stands a person holding a bottle of liquid, seemingly giving a demonstration. The liquid is contained in a container resembling laundry detergent, which has a handle on the right side; however, the handle is attached to the body of the bottle, made of a white plastic material. Above this container is a typical cup-like device used for laundry detergent. The white bottle has a blue label, and upon closer inspection of the text, it clearly indicates that it is laundry detergent with a capacity of three liters. It has a certain fragrance, reminiscent of apple, giving off a clean, aquatic feel. The label states that it can be used for up to fifty washes, which indicates its usage capacity. Additionally, there are some words on the label: KuduA AguaSamaLa Vita. The overall image features two components of the fragrance described as apple in the liquid, and at the bottom, there's a circle of soft lighting that creates a gentle atmosphere. In the upper left corner, there's a label that says Eleachepamachilina, which might indicate one of its ingredients, related to CuduAP.", 'The image shows a bottle of laundry detergent. It is a large white bottle, typical of this type of detergent, with a removable cap that can be twisted off. You can pour the detergent into the cap. To the right of the bottle, there is a handle, which makes it easy to carry. The white bottle features a rectangular blue label that states it is a concentrated laundry detergent and can be used for 50 washes. Below this text, there is a pattern, but I can’t quite make out what it represents. Overall, it is a label for laundry detergent. In the upper left corner of the image, there is a hand holding the cap; it is recognizable as a human hand, but not very clear, holding the cap of the laundry detergent. It looks like a human hand. Susan, could you please share this label?', " you have here a bottle of some sort of cleaning it can't really see it there's a white bottle it's closed the stoppers on looks like somebody's hand is holding it that's a label on this blue can't really make out exactly what I said does it perhaps say something I enter emergency yeah it's difficult to see it's a very blurry label very difficult to make out what is on the label but it is nevertheless a blue label with some lettering white lettering on it and it's got a white circular sub label embossed on it and it's a top left of the blue label and there's some sort of figure also maybe it's a human being and that figure difficult to make out and other sorts of statements and labels in green and white this bottle also has a handle on its right side", " This looks like an image of a man holding, well assuming it's a man judging from the the man's shape of their hand. And it looks like it's a bottle of laundry detergent. And although there is words on there, it's a bit hard to read, but I believe the term detergent isn't spelled in a regular English way. It's spelled in a European spin on it, I believe, because it seems like it says detergents. Other than that, it looks like a very regular commercial detergent bottle. It looks like there's a picture of some kind of animal on it, or maybe two animals, and some other text describing what the detergent is. But other than that, it looks like a very normal detergent bottle with no real identifiable details. There is a belief that, in which, there's two other layers that appear outside theرجs, this particular shaky voice, where normal returns to our large stehen until now the sky is fixed. So, you take them off until the sky would be", 'This is an image of a product prominently displayed in the center of the composition. It features a white plastic packaging bottle, with a handle on the right side that you can insert your hand into to grip it. The bottle has a transparent cap on top, and there is a label on the bottle that likely indicates its name and some usage instructions. From this, we can deduce that it may be laundry detergent or some commonly used cleaning product, as it has this typical shape. In the background, there is also a partial shot of a hand visible, suggesting that this close-up photo is intended to better showcase the product. Overall, it feels like an effort to enhance the presentation of this product.', " This is an image of a person holding up a bottle of what I believe is laundry detergent on top of a table or a wall. You can see the shadow of the bottle behind it, but the wall is very white, blank. There's writing on this bottle. It's a standard laundry detergent bottle shape with a jug handle. There's text on the bottle. It's written in Spanish. I believe it's Chilean. There's a symbol or a seal on the top left of the sticker on the image that says something Chilean, which gives me that sense. The writing and the background is all in different shades of blue. In the center of the image, on the label of the bottle, there are some manatees or some other sea creature diving underwater downwards. On the bottom part of the sticker, there's a white swirl going on with some words underneath it and with a tealish background there. Thank you."]
|
[False, False, False, False, False, False]
|
[nan, 'No', nan, nan, nan, nan]
|
This image prominently features a wall with a pure white background, creating a minimalist aesthetic. In front of this wall stands an individual whose identity remains ambiguous but is suggested to be a man based on the shape of his hand. He is holding a bottle of liquid that appears to serve as a demonstration item. The bottle resembles a typical container used for laundry detergent; it is characterized by a handle on the right side, which facilitates easy gripping. The body of the bottle is made from white plastic material, reflecting a common design in household cleaning products. Above the main liquid container rests a cup-like device that is typically used for dispensing laundry detergent. The white bottle is adorned with a rectangular label in a striking blue color. Upon closer examination of the label’s text, it is indicated that the bottle contains laundry detergent with a total capacity of three liters. The fragrance of the detergent is described as reminiscent of apples, imparting a fresh and clean aquatic feel. The label further asserts that this detergent can be used for an impressive fifty washes, clearly outlining its economic value. Additionally, the label features some intriguing text: “KuduA AguaSamaLa Vita.” This phrase may suggest a particular branding element or designation associated with the product, hinting at its appeal or intended market. The visual composition of the image includes two primary components, both of which underscore the apple fragrance, while at the bottom of the image, a soft circular light creates an inviting atmosphere. In the upper left corner of the image, there appears to be a label that reads “Eleachepamachilina,” which likely refers to one of the ingredients used in the detergent, though its specific meaning may be related to cultural or regional nuances within product formulation, possibly indicating a unique scent or eco-friendly component. The scene is further enriched by the complexity of the labels visible on the bottle, which, while predominantly blue, includes additional elements that may be difficult to decipher fully but contribute to the overall branding and presentation of the product. The image clearly seeks to enhance the viewer's appreciation of this typical product, which is a staple in many households globally, particularly in contexts that prioritize both cleaning effectiveness and appealing fragrances. The entire composition reflects a blend of modern consumerism with an artistic touch that invites scrutiny and interest.
| 1,287 |
|
nonnative
|
['1hM45kZhU7ns']
|
['English']
|
[" This is a pretty interesting image. What I see is a very tiny bird which is branching onto, it's eating a tree or it's biting onto a tree which is smaller than it. And then there's a smaller insect like a caterpillar or some kind of bug of some sorts that is eating the bird. This shows a reverse layering of what actually happens in the world where the tree is objectively much larger than the bird and the bird is objectively much larger than the bug. But for some reason today in this picture it seems like everything is happening backwards. There's also some text in the bottom right which says Panasonic which is a brand of camera. The top left which talks about 80 times zoom and showing a picture of a camera which possibly could mean that this is some kind of advertisement for a camera such as a Panasonic camera. Besides that the background is extremely simple. It is just plain white with some shadowing."]
|
[False]
|
[nan]
|
This image presents a fascinating and unusual perspective of nature. The focal point is a diminutive bird engaged in the act of feeding, or possibly grasping, a tree that is notably smaller than itself. This scene is further complicated by the presence of an even smaller creature, identified as either a caterpillar or some other type of insect, which appears to be feeding on the bird. This scenario effectively illustrates an inverted hierarchy of sizes, defying the natural expectations where the tree, being significantly larger, would provide a habitat for the bird, and the bird, a predator or at least a larger organism, would not typically be preyed upon by an insect. In this image, it seems as though nature's usual order has shifted for a moment, creating a sense of intrigue and prompting viewers to reconsider their understanding of predator-prey relationships. The composition is such that the viewer is drawn to the contrasts present, not only in the sizes of the creatures involved but also in their roles within this biology scenario. In addition to the visual elements, there is textual information located in the bottom right corner of the image, prominently featuring the word "Panasonic." This reference denotes a well-known brand of cameras, suggesting that this image may serve as a promotion or advertisement for Panasonic products. Accompanying this logo in the top left corner is a mention of "80 times zoom," perhaps indicating a key feature or selling point of the camera, which reinforces the idea that the image was captured using this specific technology. The overall background of the image is strikingly minimalistic, consisting of a plain white canvas that is enhanced subtly by shadowing. This simplicity helps to highlight the subjects of the photograph by eliminating distractions, allowing viewers to focus entirely on the bird, the tree, and the insect, as well as the intriguing dynamic at play among them.
| 2,460 |
|
nonnative
|
['16ZMR4P8UoEQ', '12wZhuJ5OuZc', '15DS0gxjsehN']
|
['English', 'Chinese', 'Chinese']
|
[" This appears to be some sort of remembrance area, where it looks like there's a woman in the middle going to possibly mourn a long-lost loved one. I can see crosses, candles, crucifix. There's a lot of different writing on the wall, although I can't read it because it's very small. It seems like there's memoriams posted, such as little figurines, a lot of religious statues, and little hut makings and carvings. And it seems like people come to write letters of their loved ones on this wall. The wall appears to be outside, and the woman looks like she's wearing a white shirt with shoes and a pocketbook. So maybe the weather is more like spring. And she has blonde hair. And she shows me the same Buzz Earth card. She's kolej rich and white hair. She stands masterhadples. cute and cute in January, she visits a 아무것도 in the upper first two days and карьerms, her modern women goes to white. And there's no Lori's face here with your mother's wall. So nine weeks later, she leads them to indeed anyone who is so cute and white and beautiful and cool. And I find another product. tatis is not the exact same of Lucy's hand Zug 컬러. That's pretty weird. So these are great. We go there. So this can't do роз<|tr|> really good, right? Thank you, Max.", "This photo features a wall adorned with numerous crosses, inscriptions, and small statues of the suffering Jesus, as well as a depiction of the Virgin Mary. Below her, there are many statues of Jesus being offered, along with some beautiful wishes and devout prayers framed on the wall. It's clear that time has passed, as some of the inscriptions and texts in the frames have become illegible. At the bottom of the image, there is a woman wearing a white T-shirt and gray pants, carrying a black bag, who is lighting candles and preparing to pray. This appears to be a sacred place for devoted Christians, where many come to pay homage or pray to Jesus. It’s a place likely reserved for the devout. From this wall, we can see that many visitors come to pray, leaving flowers, mementos, and statues of Jesus, along with heart-shaped and square frames containing images of Jesus and various beautiful wishes and sincere prayers.", "This picture seems to depict a beautifully decorated wall, resembling a brick wall, adorned with numerous small decorations. For instance, we can see some signboards with text, possibly quotes or addresses, along with decorations shaped like hearts. There’s also a square object resembling a bag hanging on the left side of the wall. Looking up, there is a decoration representing Jesus on the cross. Some other decorations are not very clear but look somewhat like greeting cards, which are also hanging on the wall, along with wind chimes. Looking down, we can see some flowers on a table, including a yellow flower and a mix of red, yellow, and white flowers, with some arranged in a vase. Further down, there are four small openings resembling houses or holes, which might be places one can crawl into. In the center bottom of the picture, there’s a woman with her back to us, seemingly searching for something in these little openings. She is wearing a white dress, has yellowish-brown hair, and is carrying a crossbody bag. That’s about all I can describe; there's something in black, and I see..."]
|
[False, False, True]
|
[nan, nan, 'jesus decoration']
|
This transcription captures an intimate scene at what appears to be a memorial area dedicated to honoring loved ones who have passed away. The setting is filled with various religious symbols and personal tributes. In the center of this remembrance area, a woman seems to be engaged in mourning for a long-lost loved one. Surrounding her, there are numerous crosses, candles, and a crucifix, creating a poignant atmosphere reflective of spiritual devotion and remembrance. The wall features a variety of inscriptions and writings, although they are too small to be easily legible. These writings likely serve as memorials or messages from those remembering their deceased, as numerous figurines and religious statues have been placed there by visitors. Some of these figurines may represent saints or angels, common symbols in Christian memorial practices. Additionally, there are small hut-like structures and carvings that add to the personal and heartfelt nature of the space. The woman in the scene is dressed simply in a white shirt and appears to be carrying a pocketbook, suggesting a casual visit, perhaps indicative of a pleasant spring day. She has blonde hair, which may speak to her character or cultural background; wearing light clothing could signify the warmth associated with spring. In her actions, she brings in a "Buzz Earth" card—perhaps a token of remembrance or a personal sentiment. This adds a tangible connection to the memory of the loved one. In another description of this area, the wall is richly adorned with inscriptions, crosses, and small statues depicting Jesus in suffering, alongside a representation of the Virgin Mary, indicating a strong Christian presence. Below the imagery of the Virgin Mary, numerous small statues surround an offering to Jesus, accompanied by framed wishes and devout prayers. This gives the space a sacred aura, as it is clearly utilized by many who come to pay homage, lighting candles, leaving flowers, and sharing their own prayers and wishes. The decorations also include small items that may hold personal significance for visitors, such as heart-shaped ornaments and frames that contain images of Jesus, reflecting heartfelt devotion. Some areas of the wall display more decorative elements like signboards and hanging greeting cards, enhancing the visual richness of the memorial space. In one description, there is mention of a woman dressed in white, her back turned to the observer, who is seemingly engaged in searching through small openings that resemble houses. These differences in perspective suggest that the area is not only a site for mourning but also one for personal reflection, with visitors encouraged to engage with the space in various meaningful ways. The flowers present, bright in colors of yellow, red, and white, add natural beauty to the memorial, symbolizing life and remembrance intertwined. Overall, these descriptions portray a sacred space overflowing with emotion, memorials, and a commitment to honoring the memories of those who are no longer present, encapsulating the essence of grief and remembrance within a Christian context.
| 1,281 |
|
native
|
['1cR56OlEMYlj', '1YONn1ml3UqK']
|
['Korean', 'Korean']
|
["If we take a closer look at the photo, we can see thick yet uniformly sliced pig's trotters neatly arranged in a disposable plastic container. The shiny brown skin and the tender pink flesh create layers that suggest we will experience both a soft texture and a chewy one simultaneously. In Korea, pig's trotters are typically boiled thoroughly before being seasoned and cooked again, or they are boiled with soy sauce and various herbal ingredients to add a distinctive fragrance. Once the trotters are complete, they are thinly sliced and served in bite-sized pieces on a plate, just like in the photo. Looking at the trotters in the picture, they seem to be cooked cleanly without excess grease or off odors, and the flesh appears to have a bright color rather than being overly red, which indicates they would likely have a relatively mild flavor. While the accompanying sauces or seasonings are not visible in the photo, we can imagine the ingredients commonly enjoyed alongside trotters. This dish is frequently sought after in Korea as a late-night snack or as an accompaniment to alcohol, and it is often eaten with wraps or vegetables. Overall, the photo highlights the unique sheen and color of the neatly sliced trotters, leaving an impression that evokes the taste and aroma of the dish.", "This photo shows a representative dish of Korean jokbal (pig's trotters). Jokbal is a dish made by boiling pig's feet with soy sauce, garlic, ginger, and herbal ingredients, then simmering it and cooling it before slicing it thinly for consumption. It is characterized by its chewy texture and deep umami flavor. The jokbal in the photo has a glossy brown hue and is neatly sliced to a uniform thickness, appearing to be served in a Styrofoam container. It is expected to have a moist and chewy taste due to the appropriate mixture of fat and lean meat. Typically, when eating jokbal, it is accompanied by fermented shrimp, garlic, ssamjang (a dipping sauce), and leafy vegetables, and it is particularly popular in Korea as an accompaniment to drinks or for late-night snacks. Thank you, thank you, thank you, thank you. Lastly, toda beyond the previous video Smithson."]
|
[True, True]
|
['Yes, this image is culturally distinct. It depicts 족발 (jokbal), a traditional Korean dish made from boiled and seasoned pig’s trotters. While pork dishes exist in many cuisines, the specific preparation, seasoning, and serving style (thinly sliced and often accompanied by certain condiments) are closely tied to Korean culinary tradition, making the scene uniquely representative of Korean culture.', 'It shows jokbal which is a traditional Korean dish.']
|
If we take a closer look at the photo, we can see thick yet uniformly sliced pig's trotters neatly arranged in a disposable plastic container. The shiny brown skin and the tender pink flesh create layers that suggest we will experience both a soft texture and a chewy one simultaneously. In Korea, pig's trotters, known as 족발 (jokbal), are typically boiled thoroughly before being seasoned and cooked again, or they are boiled with soy sauce and various herbal ingredients to add a distinctive fragrance. Once the trotters are complete, they are thinly sliced and served in bite-sized pieces on a plate, just like in the photo. Looking at the trotters in the picture, they seem to be cooked cleanly without excess grease or off odors, and the flesh appears to have a bright color rather than being overly red, which indicates they would likely have a relatively mild flavor. While the accompanying sauces or seasonings are not visible in the photo, we can imagine the ingredients commonly enjoyed alongside trotters. Jokbal is often sought after in Korea as a late-night snack or as an accompaniment to alcohol, and it is typically eaten with wraps or vegetables. This dish is particularly popular due to its unique combination of chewy texture and deep umami flavor, characteristic of the meticulous preparation that includes boiling the trotters in a mixture of soy sauce, garlic, ginger, and herbal elements. The photo highlights the unique sheen and color of the neatly sliced trotters, leaving an impression that evokes the taste and aroma of the dish. In addition, the jokbal depicted in the photo has a glossy brown hue and is neatly sliced to a uniform thickness, appearing to be served in a Styrofoam container. It is expected to have a moist and chewy taste due to the appropriate mixture of fat and lean meat. Typically, when eating jokbal, it is accompanied by fermented shrimp, garlic, ssamjang (a thick and spicy dipping sauce made from fermented soybeans), and leafy vegetables, enhancing the overall flavor experience. The dish is a representation of Korean culinary tradition and serves as a perfect pairing with drinks or as a satisfying late-night snack. The cultural significance of jokbal cannot be overstated, as it embodies aspects of Korean cuisine that celebrate communal eating and flavorful ingredients. Thank you for the attention to this delicious representation of Korean food culture.
| 1,056 |
|
nonnative
|
['1et5oCzRr0JN']
|
['English']
|
[" This one image has three images on it. The first one on the top is, and it depicts the same woman in all three of them, just different positions and different places on stage. The first one on the top, she is holding what looks like to be an award with her right arm. And she appears to be talking or perhaps singing with the microphone on her left, with her left hand. She has her hair tied and is wearing, she's wearing a black dress. And on the second image in the middle, it's a closer angle of her where she has her eyes closed and she appears to be singing. You can see on the left side, a top part of the award. She's wearing big triangular upside down earrings. The background is blue and lastly on the bottom, she is still, it's still a close up, but here she has her eyes open and her image is more centered. She just appears to be speaking to the microphone and you cannot see the award in the back. Here's black."]
|
[False]
|
[nan]
|
The image in question features a composite of three distinct photographs of the same woman, each showcasing her in various poses and locations on stage. In the first photograph at the top, she is depicted with her right arm raised, holding what appears to be an award, indicating a moment of recognition or triumph. Her left hand gripping a microphone suggests that she is either speaking or possibly singing, engaging with her audience. She has styled her hair in an updo, giving her a polished appearance, and is dressed in an elegant black dress, which is commonly associated with formal events, adding to the overall ambiance of sophistication. The second photograph, located in the middle, provides a more intimate perspective of her. In this shot, she has her eyes closed, which often conveys deep emotion or concentration, suggesting that she is immersed in her performance, likely singing. The top portion of the award is subtly visible on the left side of the image, affirming her accomplishment. Her choice of accessories includes large, triangular earrings that are inverted, which add a distinctive flair to her outfit. The background in this image is a vibrant blue, creating a visually striking contrast that highlights her figure and expression. In the third photograph at the bottom, she is again shown in a close-up shot, this time with her eyes open and the focus centered more directly on her face. In this moment, she appears to be speaking into the microphone, suggesting a different aspect of her performance, possibly addressing the audience or sharing a message. The award is no longer visible in this image, and the background is predominantly black, which further draws attention to her expression and the interaction she is having with the microphone, emphasizing a more personal connection with her audience. This final pose encapsulates her presence and engagement on stage.
| 2,365 |
|
nonnative
|
['19WbJtuXNXbq']
|
['English']
|
[" This image seems to be a timeline of different Olympic Games. It's very colorful and each Olympic game is represented by a year and a small image, perhaps the logo of those games. Just to point out a couple, I can see Asian Games Beijing. I can see Beijing 2008. I believe this is probably some sort of Asian Olympics. There's blue, green, yellow, purple, red colors, and it's sort of like a gradient as you go along. On the very right, there's a figure of a man skiing with poles. The years depicted are 1990, 1996, 2001, 2008, 2009, 2010, 2011, 2014, 2015. There's a lot of texts in a language other than English that I'm not able to read. One of the logos depicts a red owl, seemingly. Another one has sort of like a volcano with sort of like red fire coming at the top. And a lot of them have rings or stars of different colors."]
|
[True]
|
[nan]
|
This image serves as a vibrant and visually engaging timeline showcasing various Olympic Games throughout the years. The design is infused with a multitude of colors, incorporating a gradient effect that seamlessly transitions from blue to green, yellow, purple, and red as one progresses along the timeline. Each Olympic event is marked by a specific year accompanied by a small representation, likely the emblem or logo associated with that particular Olympic Games. Among the notable highlights, the timeline features the Asian Games hosted in Beijing. Notably, the emblem for the Beijing 2008 Olympic Games is prominently displayed, indicative of the significance of that event on the timeline. Additionally, a detailed review reveals the presence of years such as 1990, 1996, 2001, 2008, 2009, 2010, 2011, 2014, and 2015, indicating a wide span of Olympic history. On the far right side of the visual timeline, one can observe a dynamic figure of a skiing man, equipped with poles—a clear representation of winter sports. The image contains a considerable amount of text written in a language other than English, which is not legible to the observer. Among the logos included in the timeline, there is a distinctive illustration of a red owl, which may symbolize a specific event or location. Another logo features an iconic representation of a volcano, characterized by red flames erupting from its summit, possibly linking to a region known for such geographical features. Several of the logos incorporate elements like rings or stars, often used in Olympic branding, which could suggest various achievements or highlights from those games represented.
| 2,300 |
|
nonnative
|
['1eLltctXkcPJ', '1ksRikTVqipw', '1Imq6vzrZhcL']
|
['English', 'Chinese', 'Chinese']
|
[" This is an image of some sort of reptile or amphibian. It is an image clearly taken outside in a lake or pond area. It looks to be in a shallow area of water. So you can see that there is some water in the back, but you can also see that there are a lot of rocks and the rocks are very close to the surface. The water is not deep at all. The rocks themselves are clearly wet and they are a mixture of different colors, including black, brown, tan, and white. There are, it seems to be some sticks in there as well. And then in the very center of the image is a gray. Again, it's either an amphibian or a reptile, maybe some sort of lizard or tadpole creature. But it looks to be wet, maybe a little bit slimy. It is gray with some traces of brown and pink. It has four legs, two little black eyes, a long tail. And then in the bottom left, there is some yellow text that says Kim and T and the image is dated 3-3-2019.", 'This image shows a creature similar to an amphibian resting in a pond or near the land. It resembles a lizard but also has features like a salamander and is similar to the paws of a frog, with a soft, grayish body. Next to it, water is flowing, and there are rocks visible. In the lower left corner, there is an English caption reading "Kima\'s Lee 2019 March 3," indicating that this photo was likely taken by these two people on March 3, 2019, perhaps while slowly exploring the forest and encountering this salamander- or lizard-like creature. Some people are running nearby, and there’s a suggestion of a focus on nature exploration rather than capturing any specific fish.', "This picture was taken on a mountain or in a stream. In the middle of the photo, there's a rock with an animal lying on it. This animal looks like a reptile; it's currently resting on the rock and has a tail. It seems to resemble a lizard without hard skin. It’s possible that it just rained on the mountain or that the stream has low water flow. The nearby stones appear to be wet, and the animal is lying on top of the rock."]
|
[False, False, False]
|
[nan, 'no', nan]
|
This image depicts a creature that appears to be either a reptile or an amphibian, situated in a natural outdoor setting, specifically by a lake or pond. The environment is characterized by shallow water, indicated by the clear visibility of numerous rocks that are positioned almost at the surface. The water in this area is decidedly shallow, allowing for an unobstructed view of the terrain. The rocks themselves are distinctly wet and exhibit a variety of colors including black, brown, tan, and white, which provides a vivid contrast against the backdrop of the water. Additionally, several sticks are scattered among the rocks, enhancing the impression of a natural habitat. In the center of the image, there is a notable creature that is primarily gray, exhibiting some hints of brown and pink. It is ambiguous whether it is a lizard or perhaps a tadpole-like entity. The creature is depicted as being somewhat wet and appears slightly slimy, which is characteristic of many amphibians. It has four limbs, adorned with two small black eyes, and a notably long tail. This physical description suggests that it may be a salamander or a similar amphibious species that thrives in moist environments. In the lower left corner of the image, there is an inscription in yellow text that reads “Kim and T,” coupled with a date indicating March 3, 2019. This caption suggests that the individuals, possibly named Kim and T, were likely part of the excursion that led to the capture of this photograph, emphasizing the personal connection to the moment. The setting seems conducive to leisurely exploration of nature, which is further underscored by the contextual clues of nearby individuals who appear to be running in the vicinity, implying an active engagement with the outdoor environment rather than a focused attempt at fishing or capturing a specific subject. Moving on to the next image, it captures what seems to be the same or a similar creature, resting on a rock amid a mountainous backdrop or along a stream. The animal, again resembling a reptile, is comfortably positioned atop a rock, with its tail trailing behind it. The rock shows signs of moisture, suggesting that it may have recently rained, or that the stream it resides by is experiencing low water flow. The wet stones surrounding the creature reinforce the ambiance of a natural, lush environment, indicative of either a forested or mountainous area. The presence of such wildlife in these locations serves to highlight the intersection of ecosystem elements, where amphibians and reptiles often thrive in moist surroundings.
| 1,007 |
|
native
|
['18T5MqhD8MRU']
|
['Korean']
|
['The next photo is of people running. Overall, it appears that four people are running on treadmills. There are about five machines clearly visible, four of which are shown, and one is partially cut off. There are four people, all in motion. The person in the front left is wearing blue pants and shorts with white shoes, and has a slightly darker skin tone. In the middle, there is another person in long white pants and white shoes, with an orange top, and this person also has a darker skin tone. The third person is in yellow clothing with blue shorts and white shoes, and has a lighter skin tone. Finally, the person at the end is dressed in red with white pants and white shoes, appearing to have a lighter skin tone as well. The background seems to show them running in some kind of sports field.']
|
[False]
|
[nan]
|
In the next photograph, a dynamic scene unfolds featuring four individuals who are actively engaged in running on treadmills. The image captures a total of five treadmill machines, with four of them clearly visible and one machine only partially in view. The four individuals are all depicted in motion, contributing to a sense of energy and activity within the composition. The first runner, positioned in the front left of the image, is identifiable by their blue pants and shorts, combined with crisp white athletic shoes. This individual has a slightly darker skin tone, adding diversity to the group of runners. In the center of the composition, the second runner stands out in long white pants paired with white shoes and an eye-catching orange top. This person also possesses a darker skin tone, further enhancing the representation of different backgrounds among the athletes. The third individual is dressed in a vibrant yellow outfit complemented by blue shorts and white shoes. This runner exhibits a lighter skin tone, contrasting with the two individuals before them and enriching the visual variety of the scene. Finally, at the end of the line-up, the fourth person is recognized by their choice of red attire, which is paired with white pants and white shoes. Like the third runner, this individual seems to have a lighter skin tone, culminating in an engaging assembly of diverse figures participating in a fitness activity. The background of the photograph suggests an athletic environment, implied to be some sort of sports field, which adds context and enhances the overall theme of physical fitness and teamwork displayed by the runners.
| 2,996 |
|
nonnative
|
['18yZvu8Ak06C', '11V6cBQxmFSg', '16UGSmYJZKq5']
|
['Norwegian', 'Chinese', 'English']
|
['The picture is taken from a baseball game. There are three people in the image. The person on the left is wearing white clothing and is looking away from the camera. On the back of the person on the left is the name Laris with the number 19. He appears to have caught a baseball in his left arm, which is raised towards the sky with a baseball glove. He is wearing a dark cap. The person on the right seems to be from another team, wearing gray and striped clothing. He is also turned away from the camera and has the name Gomes on his back with the number 22. He is wearing a black helmet. In the background on the right, we see another person who appears to be an umpire. He is wearing a blue t-shirt with gray pants and is looking at the person named Gomes. The picture is taken in the middle of a play. The person on the right is running to the right, while the person on the left is catching a ball and looking to the left. The ground is made of reddish-brown gravel. Caption by Nicolai Winther.', 'This is a baseball game, where there is a football athlete and a baseball player who is putting on his baseball cap. Meanwhile, another opponent is thinking about starting to run, but the football athlete did not win this game. This baseball match is a very enjoyable sport; athlete number 19 caught the baseball. Meanwhile, player number 22 needs to run forward, making it a lively and dynamic baseball game. Many things in this match are quite unpredictable. The white baseball player also caught his baseball cap. This item is a mixture of white and gray, which makes the whole game very visually appealing and entertaining.', " This image is of a baseball game. They're focusing on first base. It looks like somebody's from the stands. It's like from their perspective. It looks like Larish or something like that playing first base. He's outstretched, almost in a split, trying to catch a ball. Gomez is running past first base. He just passed it. His toe is still on the bag. Larish's foot is still on the bag. The umpire is staring at it, trying to see if the ball got there first, the runner got there first, um, to see if the runner was safe. It's unclear if the ball, the ball is not in the image. It might be in Larish's glove. Um, or it might be like about to get there, but just out of the frame. It's unclear, but clearly Larish thinks that he's about to catch the ball because he's stretching out for it."]
|
[True, False, False]
|
['American', nan, nan]
|
The first image captured is from a baseball game, showcasing an action-packed moment on the field. In the picture, there are three individuals prominently featured. On the left side of the image stands a player dressed in white attire, who is looking away from the camera. Affixed to the back of this player is the name "Laris," accompanied by the number "19." In a notable display of skill, he has successfully caught a baseball, evident by his left arm being raised high towards the sky, secured in a baseball glove. Additionally, he is donning a dark-colored cap. Contrastingly, the individual on the right appears to belong to the opposing team, as indicated by his gray and striped uniform. Like Laris, he too is facing away from the camera, with the name "Gomes" emblazoned on his back, accompanied by the number "22." He is wearing a black helmet, indicative of a baseball player's cumulative safety gear while engaging in the game. In the right background of the image, there is another person who appears to be an umpire, distinguished by his blue t-shirt and gray pants; he is actively observing the player named Gomes. The scene is mid-action, portraying Gomes in a sprint towards the right side of the image, while Laris is focused on catching the ball, directing his gaze to the left. The ground beneath them is made of reddish-brown gravel, contributing to the classic look of a baseball diamond. In a separate description, the action continues to unfold in this baseball game, where a sense of competition is palpable. Here we see a baseball player who, in a moment of concentrated effort, is depicted adjusting his baseball cap, while an athlete from a different sport, presumably football, stands by. It is mentioned that, despite the football player participating in the event, he did not secure a win in the game, suggesting a blended atmosphere of camaraderie and competition. Athlete number 19, identified as Laris, once again receives recognition for catching the baseball, while player number 22, Gomes, is ready to spring into action, emphasizing the dynamic nature of this lively baseball game, which is filled with unpredictable moments. Laris is portrayed with both determination and skill as he secures his cap amidst the excitement, showcasing the aesthetic mix of white and gray within the teams' uniforms, contributing to the overall visually appealing essence of the match. The third image centers on the first base area, providing an observer's perspective as someone from the stands assesses the intense activity. The focus is on Laris, who appears to be attempting to catch a ball while almost performing a split in a dramatic stretch. Gomes is seen sprinting past first base—having just crossed it with his toe still on the base bag. Both players are keenly aware of the umpire's scrutiny, as he focuses critically on whether Laris managed to catch the ball before Gomes reached the base, thus determining if the runner is out or safe. While the actual baseball is not visible in the image, it is speculated that it may either be securely in Laris's glove or just out of the frame, adding an element of suspense as Laris extends his body in anticipation of making the catch.
| 1,530 |
|
native
|
['1iop6XRHBKxx']
|
['Hindi']
|
["The image shows a banyan tree that appears to be many years old. Surrounding this tree are threads tied, indicating that it is either in a religious place or near a temple. At the base of the tree, where the roots are going down, there is a platform where people presumably sit. The color of this platform is white and red, and the ground below has what seems to be several fallen leaves due to the weather. Behind the platform, there is something resembling a tent, and perhaps a temple is situated right behind it. Another platform can be seen behind this one, which also seems to have a similar banyan tree. This banyan tree must be very old because of the numerous roots that have grown down and its appearance suggests it has been there for a long time. There doesn't appear to be anything else around the tree, like birds or anything else."]
|
[True]
|
['It seems to be near a religious place, where people tie threads around the tree, which is sacred.']
|
The image depicts a majestic banyan tree, exhibiting signs of significant age, with its thick trunk and sprawling limbs creating an impressive display of natural beauty. Surrounding this venerable tree are numerous threads that have been intricately tied to its branches, indicating its status as a sacred site, likely associated with a local religious or spiritual tradition. This practice of tying threads, often referred to as "thread offerings" or "sacred threads," is a common ritual in many cultures, symbolizing prayers or wishes made by people seeking blessings or divine intervention. At the base of the banyan tree, there is a platform, which serves as a gathering place for visitors and worshippers who presumably sit there to reflect, meditate, or engage in prayer. The color of this platform is an eye-catching combination of white and red, colors often associated with purity and auspiciousness in various cultures, particularly in South Asia. The ground beneath the platform is strewn with several fallen leaves, likely due to seasonal changes, highlighting the natural cycle of life and the passage of time in this serene environment. In the background, there is a structure resembling a tent or canopy, suggestive of a temporary shelter or space designed for religious gatherings or ceremonies. Directly behind this canopy, it appears that a temple may be situated, adding to the spiritual ambiance of the area. Another platform is visible behind the first, also accompanied by a similarly aged banyan tree, reinforcing the significance of these trees in this particular locale, which may serve as focal points for worship and community gatherings. The banyan tree showcases a complex network of roots that extend down towards the earth, indicating its long-standing presence and profound connection to the land. Its ancient appearance and extensive root system reveal that this tree has likely endured many seasons, serving as a silent witness to the spiritual practices and traditions that have unfolded in its vicinity. Notably, there is a lack of avian activity or other wildlife around the tree, contributing to a sense of tranquil solitude, inviting visitors to reflect on its solemn beauty and the rich cultural heritage it embodies.
| 844 |
|
nonnative
|
['1oUjV5hJ63WV', '11ih439u7NMC', '1g13PHUDmrsX', '18phQKyAuE4X']
|
['Chinese', 'Chinese', 'Chinese', 'English']
|
['This image depicts a tiger, captured in a natural environment, with only one prominent animal, which is the tiger, with no other text present. The tiger is centered in the image, positioned sideways, appearing to either walk or observe its surroundings. In the background, many trees and grass can be seen, indicating that this is a natural setting, possibly a forest park or national park. The plants in the background are relatively dense, but the overall environment appears rather dry, with short and sparse grass on the ground, suggesting that the climate of this area may lean towards tropical or subtropical regions. The style of the picture is very natural, presented in a realistic manner, with the tiger displaying vibrant colors and clear black stripes, showcasing its robust physique and healthy condition. Additionally, the tiger seems relatively relaxed, not exhibiting any overtly threatening behavior, indicating that it is in a state of relaxation or freedom. From a cultural perspective, tigers hold particular symbolic significance in many Asian countries, often representing strength and courage. In some countries, such as India and Bangladesh, tigers are even considered national symbols, which makes it possible that this image was taken in these regions; however, due to the lack of specific details, we cannot determine this conclusively. Overall, this is a photograph that reflects the significance of natural ecology and animal conservation, offering us insights and associations regarding the natural living conditions of animals and the awareness of environmental protection. Thank you for watching.', 'The image features a large tiger that appears to be walking. This tiger looks to be in its prime, with its fur looking very clean and its expression quite lively. The photograph shows the tiger from the side, allowing for a clear view of its belly and tail. In addition to this, there is a tree trunk nearby, and the background consists of some low shrubs and green herbaceous plants. It could either be a wild tiger or one kept in a zoo, but there is no visible barbed wire or typical zoo fences, making it impossible to determine whether it is in a zoo. What can be discerned is that this tiger is exceptionally healthy, with very smooth fur, and it appears to be a male tiger since male animals have prominent features that can be seen from the side. Furthermore, the color of the tiger is orange with black stripes, and its belly is white, also exhibiting some black markings. Other than that, it is not possible to determine the country or location, and there are no textual clues provided.', 'The image shows a tiger, which has a notably standard size, indicating that it is likely a large species of tiger, similar to the Siberian tiger. The scene appears rather desolate, suggesting it may have been captured in autumn or just after autumn, as fallen leaves are visible and the background has a mix of green and yellow. This tiger is gazing forward, presumably indicating it has spotted prey. Additionally, this type of tiger has a relatively large belly, suggesting it might have been raised by humans. Therefore, this tiger is estimated to belong to the Siberian tiger variety, known for its larger belly.', " Here we have a picture of a tiger. The tiger is not looking at me. It's looking to the left. This is a full-grown tiger. I cannot tell its gender. You can see the tiger in its full glory. The background is an area of scrubland. So this seems to be the natural habitat of the tiger, or perhaps it's a zoo designed to replicate that natural habitat. I see a bunch of like leaves on the floor. The tiger seems to be walking to the left. It would have been walking off off the photo and give it a little more time. Anyway, so this is a photo of an adult tiger of unknown gender inside what looks like to be its natural habitat."]
|
[False, False, False, False]
|
['No', nan, 'no', nan]
|
This image captures a solitary tiger, prominently featured in its natural habitat. The tiger is positioned sideways and seems to be either walking or attentively observing its surroundings. The background includes dense vegetation, predominantly trees and grass, indicative of a natural setting, which may suggest a forest park or national park. The grass appears short and sparse, hinting at a somewhat dry climate likely characteristic of tropical or subtropical regions. The photograph itself possesses a realistic style, showcasing the tiger's vibrant orange fur and distinct black stripes, emphasizing its robust physique and excellent health. The tiger's demeanor appears relaxed, lacking any overtly aggressive behavior, which implies a state of tranquility, possibly stemming from a sense of freedom within its environment. From a cultural perspective, tigers bear significant symbolic meaning in various Asian cultures, often embodying strength and bravery. In nations such as India and Bangladesh, tigers are even regarded as national symbols, raising the possibility that this photograph could have been taken in one of those regions, though specific indicators are absent, leaving the exact location unconfirmed. Overall, this photograph serves as a poignant representation of the importance of natural ecology and the need for animal conservation. It invites viewers to contemplate the living conditions of wildlife and fosters awareness regarding environmental protection practices. In another portrayal, the image shows a large, vibrant tiger that appears to be on the move. The tiger's fur looks pristine and its expression appears lively. Captured from the side, the photograph allows for a clear view of the tiger’s belly and tail. Nearby, a tree trunk supports the scene, while the background consists of low shrubs and herbaceous plants. It is ambiguous whether this tiger is wild or in a zoo; however, the absence of barbed wire or typical zoo barriers makes it challenging to draw a conclusion. What is evident is the tiger's stunning health, characterized by its smooth fur, likely signifying it is male due to the prominent features observable from the side. The coloration of the tiger is a striking orange with black stripes and a white belly marked with black spots. Unfortunately, there are no additional textual clues or indicators to determine the specific country or location of this tiger. A different image presents a tiger of considerable size, implying it may belong to a larger species, potentially the Siberian tiger. This scene appears somewhat desolate, possibly captured in autumn or shortly thereafter, as fallen leaves are visible and the background showcases an array of green and yellow hues. The tiger's forward gaze suggests it may have spotted potential prey. Notably, this particular type of tiger has a notably large belly, possibly indicating it has been nurtured by humans, thus hinting at an affiliation with the Siberian tiger variety, known for this distinctive trait. Finally, another depiction of a tiger reveals it looking towards the left, broadening the view of this full-grown adult tiger. The gender of the tiger remains indeterminate. The surrounding landscape consists of scrubland, which could either represent the tiger's natural habitat or a zoo designed to mimic such an environment. The presence of fallen leaves on the ground adds to the natural setting. The tiger appears to be walking away from the camera, perhaps beginning to step out of the frame, highlighting its powerful build and wild essence.
| 760 |
|
nonnative
|
['13dKUOrITGbZ']
|
['English']
|
[" In this image I see an empty stadium. The stadium is, the seats are colored blue, yellow, and red, and it has an open roof. There is a grass soccer field, and around the soccer field is also a track that looks to be made of clay or some sort of brownish material. The grass soccer court is striped also, and actually I think I see someone at the middle of the soccer court. But the seating are arranged so that they're sectioned by each entrance, so each entrance has its own section. And I see in the background there are two towers on the back right, and it's pretty bright out. I also see some Chinese letters on the close side of the stadium, but they're in Chinese, I think, or some Asian language. No. And the same is in Chinese, but I just sound. Te commando is even it 있는... A Adjust Bytele with a stranger... Then with a double enteral, try well. It means something to list. Animal Court, Tensports in trע and do a tri-till madness because it's completely different here. The Simpsons over the city here in the kstands will go minus 716 hours, so those are the three at least in Monday. And. So we can't 그랬. Ooh. It's beyond that. Sure, okay. Sure, facts, but everything you've got to be in person."]
|
[True]
|
[nan]
|
In this image, there is a clear view of an empty stadium. The seating in the stadium is vibrantly colored, featuring shades of blue, yellow, and red, and it is designed with an open roof which allows for natural light to illuminate the entire area. The playing surface consists of a well-maintained grass soccer field, marked with stripes that define the playing area. Surrounding the soccer field is an athletic track, which appears to be composed of clay or a similar brownish material, suitable for running events. In the center of the soccer field, there seems to be a solitary figure, possibly a player or a coach, who is positioned at the midfield line, contributing to an atmosphere that is both calm and somewhat isolated given the stadium's emptiness. The seats are arranged in sections that correspond to each entrance of the stadium, making it easier for spectators to find their way to their designated spots. In the background of this scene, two tall structures can be seen on the back right side of the image, possibly aiming to serve as scoreboards or lighting systems for night events. The weather appears to be bright and sunny, underscoring a pleasant day for outdoor activities. Additionally, there are some Chinese characters visible on the nearer side of the stadium, indicating that the stadium may be located in a region where Chinese language is commonly used, or it could reflect sponsorship or branding relevant to the event being held. There is a complex mixture of thoughts expressed in the latter part of the transcript that suggests a stream of consciousness and possibly a translation error, making it difficult to extract a clear meaning. Words like "adjust," "list," and "madness" seem to stem from fragmented ideas. The mention of "The Simpsons" could refer to the cultural impact of the animated series, while "the kstands" and the brief mention of "three at least in Monday" are unclear and seem disjointed from the overall context. The final sentences reflect uncertainty and a spontaneous thought process, indicating a belief in the importance of experiencing events in person, which underscores a common sentiment that firsthand experiences outweigh secondhand knowledge or observations.
| 2,002 |
|
nonnative
|
['1adyJ0rKuapK']
|
['English']
|
[" In this image, I see a white piece of paper. And on the paper, I see four characters in some other language. The first character is red, the second one is orange, the next one is yellow, and the last one is blue. The paper seems to have been folded because I see creasing going horizontally. But it's been unfolded to reveal the characters. I also see some scribbles that have been looked to be erased, but you can see some leftovers. The characters are going from left to right, centered on the middle. And there's nothing much besides that. You can see the erase marks on the top and bottom. One of them is red and one of them looks to be written in pencil that was erased."]
|
[False]
|
[nan]
|
In this image, there is a white sheet of paper prominently displayed. The paper features four distinct characters representing an unidentified language. Each character is distinctly colored, with the first one being red, the second orange, the third yellow, and the last one blue. The paper appears to have been folded at some point, as evidenced by the horizontal creases running across it. However, the paper has been unfolded to clearly showcase the characters in their entirety. In addition to the colorful characters, there are several scribbles on the paper that seem to have been attempted to be erased. The remnants of these erased scribbles are still visible, indicating that they were likely written in pencil and then erased incompletely. The characters are arranged in a straight line from left to right and are centered on the page, which draws the viewer’s attention directly to them. The erase marks noted are located at both the top and bottom of the paper. One of the erase marks is red in color, likely indicating that it was made with a red writing utensil, while the other appears to be associated with the pencil scribbles that have been partially erased. Overall, these details create a fascinating tableau of written language and the traces of what came before.
| 2,425 |
|
nonnative
|
['1eH6jIKTvsZJ', '115eBfn6IIEM']
|
['English', 'Chinese']
|
[" This is a photo of a four-lane street, two that are on the left side that are going forward. So people drive on the left side and there are two on the right side. There are three double-decker buses. They're red and lining the street, which goes from the bottom of the image towards the top left of the image due to perspective. Lining the street are pedestrian sidewalks. There is a bus stop and there are buildings surrounding it. The buildings are brick and there is discernible text. There is a place for a bus stop on the left as well as a bus stop on the right, which is indicated by the words bus stop on the street. And one of the bus stops also have an ad for a movie called Boy Girl. And there is a black car with a yellow license plate in the front center of the image. And there are streetlights that are hanging over the top and there are also traffic lights located in the center of the two sides of the street. It is daytime and that means that in the background there is a very white light coming from the sky or the sun so you can't exactly see too far into the back. And this photo is taken, seems to be, from a double-decker bus due to its elevated height as well as the reflected blue on the bottom of the image. It is unclear where that blue is from, but it seems to be a window glint. So I would think, let's take a closer look at this window and see before it willрач dagarbeit. And there's an Ilers associates. And there is an Overpass list that I can access or umph Georgette. And I... light inHEN every night. It should be a bus stop and see. lights are accurate before it can come to honest, but there's anался and this connects. The person who does have... He basically should be very clearly PETER, Dasol Vladimir,elles K that the teacher works innad force toddlers, am through ES057 when these characters often go on to the right. The board that's led moments can happen to work. And there's a national hints that are actually visiting with an animal engineer. That's part of wiem I did the man builder. cał the goalkeeper and that's bringing it was really want.", 'This photo is taken on the street where we can see tall buildings on both the left and right sides, and in the middle is the road. So this is a photo taken on a street. This road is either in the UK or in Hong Kong because it has that characteristic of vehicles driving on the left side. Therefore, it is very likely to be in the UK or in a place that was formerly a British colony. On the right side, we can see a double-decker bus, which is very British—a red double-decker bus that can be seen everywhere in the UK. There are also many street lamps, and the color of the buildings resembles red and reddish-brown bricks, so it is quite likely to be in the UK. The bus on the right seems to be stopping at a bus stop nearby, which reinforces the idea that it is indeed stopping here.']
|
[False, True]
|
[nan, 'Britain']
|
This image captures a vibrant scene of a four-lane street, illustrated with two lanes advancing from the left side toward the higher left corner of the picture, while the right side features the remaining two lanes. The layout indicates that vehicles travel on the left side of the road, producing an environment consistent with either the United Kingdom or Hong Kong, as both regions are known for this driving pattern. Prominently positioned within the composition are three iconic red double-decker buses that line the street, a hallmark of British urban transport that adds a distinctive cultural element to the photograph. These buses appear to be waiting, with one bus on the right side evidently stopped at a nearby bus stop, reinforcing the interpretation of this scene taking place in the UK. The streets are bordered by well-maintained pedestrian sidewalks, and the presence of streetlights and traffic signals indicates a well-regulated urban area. In the foreground, a sleek black car with a yellow license plate is centered within the frame, contributing to the street's lively atmosphere. Surrounding the road, various buildings constructed from classic red and reddish-brown bricks rise on both sides, offering a glimpse into the architectural styles typical in British cities. These structures contain legible text but the specific content remains obscured. One of the bus stops is also notable for featuring an advertisement for a movie titled "Boy Girl," which adds a modern touch to the scene. The photograph appears to be captured from an elevated vantage point, suggestive of being taken from a double-decker bus. There is a reflective blue hue towards the bottom of the image, likely originating from a window, although its exact source is unclear. It is a bright daytime setting, illuminated by strong sunlight, which casts a wholesome white light over the landscape, somewhat limiting visibility into the background but enhancing the urban vibrancy of the setting. The overall composition of the image, with its characteristic elements of British urban life, lends itself to a lively depiction of a bustling city street.
| 1,573 |
|
native
|
['1gdwIgtDl0uY']
|
['Tamil']
|
['We have a North Indian man who seems to be quite elderly, sitting comfortably with a shawl draped over him. Behind him, there are three girls standing, and they are all dressed in beautiful North Indian sarees. One of them is wearing a traditional outfit that includes a shawl, and she looks quite mature. The house behind him appears to be quite old, made of red bricks, giving it a stylish look with nice colors; it has been painted in a blue tone. The girls have added some embellishments to their outfits and are wearing jewelry. There’s also a wedding girl among them, and it seems that one of the girls is wearing a shawl. The elder woman, who appears to be a mother, is draped in a saree and is also present. Behind them, the three girls are standing, and the house seems to be made of brick.']
|
[True]
|
['Looks like north india, sarees and turbans are common in India']
|
A North Indian man, who appears to be quite elderly, is sitting comfortably. He is draped in a shawl, which adds to his dignified presence. Behind him stand three young girls, all adorned in beautiful North Indian sarees that reflect the rich cultural heritage of the region. One of the girls particularly stands out as she wears a traditional outfit that includes a shawl, indicating a sense of maturity and elegance. The house in the background is quite old, constructed from red bricks, which imparts a classic and stylish appeal. The exterior has been painted in a blue tone, enhancing its charm. The girls have enhanced their outfits with various embellishments, and they are also adorned with jewelry, contributing to their overall festive appearance. Among them, there is a girl who can be identified as the bride, commonly referred to as a "wedding girl," denoting a special occasion. It is worth noting that one of the girls is wearing a shawl, adding layers to her ensemble. An elder woman, who seems to be a mother figure, is also present in the scene, dressed in a saree, which is a traditional garment often worn by women in India. The background emphasizes the cultural significance of sarees and turbans, which are common attire in India, particularly in North India, reflecting both tradition and regional identity. The visual elements, including the attire and the architecture of the house, work together to showcase the vibrancy and depth of North Indian culture.
| 1,442 |
|
nonnative
|
['1fUBbIkIfGgy']
|
['Chinese']
|
['The first impression of the entire picture is that it depicts a scene filled with many people and items, resembling a family or friends gathering. The overall setting features a large wooden table outdoors, with several people seated on both sides. The figures on the left and right are primarily looking towards the camera, and a few individuals are raising their cups. The wooden table is adorned with several frisbees, and there are cups containing drinks, likely beer or other beverages. Additionally, there is a blue cooler bag and a brown dog. The overall background is bright and has a natural scenery, surrounded by a wooden fence, with what looks like a park in the distance and several green trees.']
|
[True]
|
[nan]
|
The scene captured in the image presents a vibrant gathering reminiscent of a family reunion or a friendly get-together. Central to the depiction is a large wooden table set outdoors, set against a backdrop of natural beauty. It is apparent that this gathering thrives on companionship, as several individuals are positioned along both sides of the table. The expressions of the people lean towards joyful engagement, evident as many of them turn their attention towards the camera, suggesting they are aware of being photographed. A few guests are in the act of raising their cups, which adds a celebratory ambiance to the scene. On the table, a variety of items can be observed, contributing to the casual and festive nature of the event. Among these items are frisbees, which are likely intended for recreational activities, indicating a fun-filled day. The presence of multiple cups indicates that refreshments are being served; these cups likely contain beer and other assorted beverages, fitting the casual and leisurely atmosphere of an outdoor celebration. Notably, there is a blue cooler bag, which typically serves the purpose of keeping drinks chilled, reinforcing the idea that warmth and enjoyment are central to the gathering's spirit. Adding to the warmth of the scene, a brown dog is also present, which can symbolize the family-friendly environment and adds an element of liveliness and comfort. The backdrop of the gathering is bright and inviting, showcasing a picturesque natural setting. The wooden fence outlines the area, giving a rustic appeal, while the expansive view reveals a park in the distance, complemented by verdant, green trees that contribute to the serene and pleasing aesthetic of the overall scene. This combination of elements paints a picture of a joyful and relaxed outdoor event, encapsulating the essence of friendship and family bonding.
| 1,954 |
|
native
|
['14H1MGxka3sz']
|
['Chinese']
|
["The image shows a male singer performing on stage, dressed in a blue suit and holding a microphone. The background features stage lighting effects, and there is no obvious text in the image. The singer stands in the center of the frame, appearing confident, with his right hand holding the microphone close to his mouth and his left hand resting on his abdomen. Lighting equipment is positioned at the front of the stage, projecting upward to illuminate both the singer and the audience. The singer is wearing a blue suit with a white inner shirt, and his shadow is cast on the background screen. He looks focused, and his movements are natural. The laser lights at the bottom of the stage create a focused ambiance for the performance. The stage background is red, contrasting with the blue of the singer's outfit. Overall, the image captures the performance style of the stage, emphasizing the singer's presence and the effects of the lighting. The white accents in the lighting create a stark atmosphere that highlights the intensity of the stage and the singer's position as the focal point."]
|
[False]
|
[nan]
|
The image depicts a male singer passionately performing on stage, dressed sharply in a vibrant blue suit that complements a crisp white inner shirt. He is confidently positioned at the center of the frame, with his demeanor exuding charisma and energy. The singer holds a microphone securely in his right hand, bringing it close to his mouth, indicating his engagement with the audience and the music. His left hand is positioned naturally on his abdomen, further conveying his focus and comfort while performing. Surrounding the singer is a dynamic backdrop featuring elaborate stage lighting effects that enhance the atmosphere. The lighting equipment, strategically placed at the front of the stage, projects an upward glow that illuminates not only the singer but also the captivated audience before him. The interplay of colors is striking; the background is a bold red, which starkly contrasts with the blue of the singer's outfit, drawing attention to him as the focal point of the performance. Additionally, the singer's shadow is cast onto the background screen, adding depth to the visual composition of the scene. The movements of the singer appear fluid and natural, suggesting a level of comfort and professionalism on stage. The laser lights at the bottom of the stage contribute to a focused ambiance, enhancing the dramatic effect of the performance. The overall lighting includes white accents that create a bright, intense atmosphere, emphasizing not only the singer's presence but also the electrifying energy of the stage. This image effectively captures the essence of a live performance, highlighting the singer's engagement with the audience and the immersive environment created by the lighting.
| 2,319 |
|
native
|
['1fWkLL7pIQQ5']
|
['Korean']
|
['Right now, it looks like a baby wild boar? Boar? Pig? Just a pig? I’m not sure what it is, but there’s something that looks like a black pig wandering outside and sniffing around. There are a lot of stones, and next to it, there are many seeds, so it really feels like a photo taken in spring of a baby wild boar. There are also plenty of stones, and when you look at the wild boar’s snout, there are many seeds, so it’s sniffing around a lot outside. It looks very small, so it seems like it could be a photo of a baby wild boar or a baby pig, but I’m not sure if it’s a pig or a wild boar because of the color.']
|
[False]
|
[nan]
|
At present, there appears to be a young wild boar or possibly a pig wandering in the vicinity. The animal is predominantly black and is seen sniffing around, indicating a curious and exploratory behavior. The setting is filled with numerous stones scattered on the ground, and alongside these stones, there are several seeds, which adds to the impression that this image could have been captured in the springtime, a season commonly associated with new life and the emergence of young animals in the wild. The wild boar or pig is quite small in size, which leads to some uncertainty as to its exact identification; it could very well be a baby wild boar or a piglet. The color of the animal complicates the identification process, as wild boars typically have a distinctive pattern that can vary greatly based on age and environment. In this instance, the creature's dark coloration may make it resemble a domestic pig more than a typical wild boar, thereby creating ambiguity about its species. The observation of its snout, which is actively probing the ground for seeds, implies that it is foraging for food, a behavior commonly exhibited by both wild boars and pigs. The overall scene evokes a sense of nature's renewal, characteristic of the spring season, as wildlife is more active and visible during this time.
| 986 |
|
nonnative
|
['1jEBx6xMWoXH']
|
['English']
|
[" In this image, I see two images, one on the left and one on the right. The one on the left is looking at a staircase where the actual stairs are made of brick, and the railing is just some white wall. At the top, there is also some glass ceiling or glass roofing only covering partially, but this is in the outdoors. There's some white columns supporting the roof. And then also beyond that, I see some very tall trees. You cannot see the top of the tree as they're out of scope, but you see a lot of plants also in the back, and there are a couple trees where you can see the top. There's also some concrete floor with some design. It looks like some mermaid. On the right is the same scene, but from a different angle. You can see more of grass on the right. There are some flowers on the right as well, and some more trees. There is a blue sky and it's bright out, so it's during the daytime."]
|
[False]
|
[nan]
|
In this captivating image, there are two distinct but complementary scenes presented side by side, one on the left and one on the right. The scene on the left depicts a staircase that is constructed from solid brick materials. The staircase exudes a sense of rustic charm, enhanced by a railing that appears to be made from a simple white wall, contrasting with the earthy tones of the brick. Above the staircase, the area is partially covered by a glass ceiling or roofing, allowing natural light to flood the space while maintaining an outdoor feel. Supporting the roof are elegant white columns, which lend structural integrity and a touch of classical design to the surroundings. In the background, a cluster of very tall trees rises majestically, their tops obscured from view, suggesting an abundance of greenery typical of a lush natural environment. However, there are also a few trees scattered throughout the scene whose tops can be seen peeking above the lower foliage. The ground is paved with concrete, featuring intricate designs that possibly depict elements resembling mermaids, which adds a playful and artistic touch to the overall ambiance. Shifting to the right side of the image, we encounter a similar view of the staircase but captured from a different perspective. This angle provides a broader view where more of the grass can be seen, lush and vibrant, suggesting a well-maintained landscape. Among the greenery, there are colorful flowers that contribute to the lively and inviting atmosphere of the scene. Additionally, more trees are visible from this angle, enhancing the sense of being enveloped in nature. The sky above is a brilliant blue, and the brightness of the day indicates that this image was taken during daylight hours, further emphasizing the warmth and beauty of the environment. This dual representation beautifully juxtaposes the intricate architectural elements with the surrounding natural beauty, inviting viewers to appreciate both aspects equally.
| 2,837 |
|
nonnative
|
['1f3gkm4cgltX', '1mcNOJRMTVeQ']
|
['Vietnamese', 'English']
|
['The picture is taken at a table in the middle of a brown wooden table. On this wooden table, there are various types of vegetables and fruits. There are types of lettuce and red root vegetables. On the left side of the table, there is a chair with long armrests, and on the chair, there are several white plastic bags. On the right side of the table, there are some other plastic bags. The vegetables and fruits on this table are green. This image is captured from a top-down perspective.', " This is a picture of a circular table with a bunch of food on it, a bunch of vegetables. The vegetables are mostly green. On the top of the table you have all these giant heads of lettuce, or what seem to be lettuce, maybe romaine lettuce. Center of the table you have more heads of lettuce and parsnips or radishes, rather. And the radishes are attached to green stems, it looks like. There's also some green onion or some kind of green vegetable below the radishes. And to the right of the table there are a bunch of radishes without the green attached to them. And they're sitting in some sort of receptacle. And then above that you have two square bowls with some sort of peppers inside of them, probably 40 peppers in each of them. Maybe they're shishito peppers or some other sort of pepper. And below the table there is some sort of plastic which is containing something that you can't really see because the plastic is obstructing it."]
|
[False, True]
|
[nan, nan]
|
The image features a meticulously arranged table, prominently displayed in a top-down view. The table, crafted from rich brown wood, serves as a canvas for an assortment of vibrant vegetables and fruits. At first glance, one can observe a diverse selection of produce, primarily dominated by various shades of green. On the left side of the table sits a chair equipped with long armrests, adding an element of comfort to the setting. Resting atop this chair are multiple white plastic bags, possibly filled with additional ingredients or leftovers from a previous meal. To the right side of the wooden table, more plastic bags are visible, suggesting a bustling environment where fresh produce is collected and sorted. Focusing on the arrangement of vegetables, there are several large heads of lettuce, potentially romaine, prominently positioned at the center of the table. Around these heads, one can also see other root vegetables such as parsnips or radishes. The radishes are noticeable for their vivid red color, attached to lush green stems, indicating their freshness. Below the radishes, a grouping of green onions or a similar green vegetable adds to the overall vibrancy of the arrangement. On the right side of the table, a collection of radishes, now stripped of their green tops, is neatly placed within a receptacle. This enhances the organized chaos of fresh harvest on the tabletop. Adjacent to this section, there are two square bowls brimming with peppers—around forty peppers within each bowl. The exact type is not definitively identified but speculated to be shishito peppers or a similar variety, recognized for their mild and flavorful profile. Lastly, beneath the table, a layer of plastic is visible, concealing an unknown object or items beneath it due to the obstruction. This subtle detail adds an air of intrigue, leaving one to wonder about the contents hidden just out of sight.
| 1,951 |
|
native
|
['14RLTtul1eFJ', '180xRdvIUvnd', '18GddVpzlgNX']
|
['Chinese', 'Chinese', 'Chinese']
|
["This picture shows a water bird standing in the middle of a body of water. The water bird occupies a large proportion of the image; it is a white bird standing on a green lake surface. The surface of the lake shows some ripples. The bird is entirely white, but it has gray on its back, neck, and between its feathers. The bird's face is red, and its beak is black, but the shoulder area also displays red. The bird's feet are red, creating a striking contrast with the green lake surface. The bird's reflection is also visible on the surface of the water. The overall composition of the image is very simple, possibly indicating an ideal ecological environment for the water bird.", "This is a picture of a water bird. In this scene, there is a seabird that is hunting on the water's surface. It is entirely white with a bit of red on its head. It has a very sharp beak, and its feet are red. From the reflection on the water, it can be seen that it has just made a catch, but it is still searching for food. The water appears quite green, and this photo was taken during the day with very bright lighting. You can see that the feathers on its head are slightly black, while the feathers on its tail are particularly white. Thus, the image composed of red, black, and white is very aesthetically pleasing. Its sharp beak can be used for hunting as well as for some defense or attacks. This photo is a very clear bird photo, and we cannot find any cultural influences in it. Just Instagram.", 'The main subject of this image is a water bird, which is white in color, and has a red face. Its name is the "Pig-nosed" (or "Pig-ring"), and it is a famous protected animal in China, often referred to as a living fossil. Its feathers are mainly white, with a black, curved beak and a red face and beak. Its wings and tail are pink. Of course, we cannot see its feet here; they are short and red. It is praised as the "Oriental Gem" and its weight is likely around 1500 grams. It stands in a pond of bright green water. To the left, you can see a credit subtitle, possibly the name of the photographer. The tip of the Pig-nosed\'s beak is dripping with a drop of water because it is a water bird that searches for fish in the water. Additionally, there is a slight black coloration on the neck of the Pig-nosed. Each mainstream can be adjusted by the council.']
|
[False, False, True]
|
[nan, nan, 'China protected animal']
|
This image prominently features a water bird standing serenely in the middle of a calm body of water. The bird occupies a significant portion of the frame, and it is entirely white, with a few distinctive gray markings present on its back and neck among its feathers. The water surface beneath the bird is a vibrant green, adorned with gentle ripples, adding a dynamic quality to the scene. The bird has a strikingly red face, complementing its black beak, and there are splashes of red present in the shoulder area as well. Its feet, also red, create a notable visual contrast against the green water. One intriguing aspect of this image is the bird's reflection, beautifully captured on the surface of the water, which enhances the aesthetic appeal of the composition. Overall, the simplicity of the image suggests an ideal ecological habitat for this water bird. In another nuanced capture of the same water bird, described as a seabird engaged in hunting while standing on the water's surface, we observe it entirely clad in white with a hint of red on its head. The bird possesses a sharp beak, ideal for both hunting and defense. Its feet match the red hue of its face, creating an eye-catching ensemble. The reflection in the water indicates that the bird has recently caught its prey yet is still vigilant and hunting. The bright daytime lighting amplifies the vibrant colors in this photograph, revealing slightly black feathers on its head, while its tail feathers are particularly white, creating a pleasing visual palette of red, black, and white. This clear portrayal of the bird captures its essence, although it does not exhibit any explicit cultural significance, aside from being shared on social media platforms like Instagram. The primary focus of another photograph shared is a water bird, informally known as the "Pig-nosed" or "Pig-ring." This species is a well-known protected animal in China and is often regarded as a living fossil due to its unique evolutionary history. The bird's plumage is predominantly white, accented by a black, curved beak, alongside red facial and beak features. Its wings and tail sport a pinkish hue, while its feet—though not visible in the image—are short and red. The Pig-nosed bird stands in a pond characterized by bright green water. To the left of the frame, a credit subtitle is visible, likely indicating the name of the photographer behind this image. Notably, a droplet of water can be seen at the tip of the Pig-nosed's beak, indicative of its nature as a water bird that forages for fish. Additionally, there is a slight black coloration marking the neck of the Pig-nosed, further adding to its unique appearance. The weight of this species is estimated to be around 1500 grams, and it is celebrated in the region as the "Oriental Gem."
| 161 |
|
native
|
['1kmkJf3myNRP']
|
['Chinese']
|
['On the first page, there are several horizontal bars, and there are four bars tied with colorful ribbons. This picture has no text, and at the topmost horizontal bar, there are four bundles of ribbons, mostly in yellow and gold. The second bar underneath has five ribbons in different colors: pink, deep blue, black, orange, and a slightly darker shade of orange. Below that, there are many different colored ribbons; the leftmost side has two wide blue ribbons. The bottom bar has a variety of colors arranged on it. In the foreground of the photo, there are two leaves, and the background is a white wall with some pink accents, suggesting it might be a photo taken in a studio, featuring a variety of colors.']
|
[False]
|
[nan]
|
On the first page of the image, there are several horizontal bars that are visually striking, featuring an arrangement of colorful ribbons. Prominently, there are four bars that are artistically tied with an assortment of vibrant ribbons, showcasing a playful yet elegant presentation. Notably, the topmost horizontal bar is adorned with four bundles of ribbons that are primarily in shades of yellow and gold, likely symbolizing celebration, happiness, or prosperity which is commonly associated with these colors. Directly beneath this bar, there is a second horizontal bar which displays five ribbons, each in distinct hues. The colors presented here include a soft pink, a deep blue, a classic black, an orange that is bright and bold, and a slightly darker shade of orange, creating a striking contrast with one another. Below this bar, ribbons of various colors create an expansive and diverse visual impact, suggesting a festivity or event atmosphere. On the leftmost side of this arrangement, two wide ribbons in a vibrant blue are noticeable, adding depth and dimension to the overall composition. The bottom bar is filled with an eclectic mix of colors, further enhancing the cheerful and celebratory vibe of the overall image. In the foreground, there are two leaves that introduce a natural element to the composition, grounding the colorful ribbons in a more organic context. In contrast, the background features a white wall with subtle pink accents, hinting that the photo was likely taken in a carefully curated studio environment. The combination of colors and textures suggests a well-thought-out design, evoking a sense of joy and festivity.
| 2,441 |
|
nonnative
|
['1emIjpzUCW2E', '178Uy5SQAZyo', '1kCjgCoGb257', '1bjPkbsrb9nP']
|
['Chinese', 'English', 'Chinese', 'English']
|
["This looks like a lifelike figure, possibly life-sized, created by a sports star from some ball game. The background is part of a giant poster, and it seems to be in a commercial setting; there's a small platform in front of the poster. The figure is made of a certain type of solid, somewhat hard material, and its base is placed on a metallic-colored circular base that is not completely regular in shape. In front of it, there’s a small square that may contain a description of the piece. The athlete is wearing a pair of dress shoes, but I think they are actually athletic shoes; there’s a flap covering the foot that reaches up to the ankle. The socks are below the knees, with the mid-calf area being black, and he has very muscular thighs. He’s wearing black shorts tied with white strings, and his top is a green short-sleeve shirt with white trim around the neckline and sleeves. His left hand is hanging down, while his right hand holds what looks like a brown-looking ball, though I’m not certain. His expression is very determined, with the corners of his mouth turned slightly down in a serious manner. He has short black hair and his eyes are looking straight ahead.", ' The image shows a wax figure or statue of a soccer player named Obdulio Varela, according to the plaque on the ground. The statue shows this person carrying a soccer ball and wearing a blue v-neck shirt, a light blue v-neck shirt with white borders, black shorts, and knee-high socks and shin guards. And the plaque has words on it as well, but only the name can be made out. And the background of the image, like behind the statue, there is a banner of someone else, like a picture, a painting of sorts of someone else. And the statue is on a tiled reddish-brown floor.\\', "This image shows a statue resembling a player. This statue seems to be a wax sculpture of a man wearing a sports uniform, and his right hand is holding something that looks like a soccer ball or a basketball. He appears to have a sturdy build, so I estimate it might be a replica of a certain sports star's statue. Behind it, there should be the sports star's photograph on the backdrop, which suggests this is taking place in a shopping mall where shops are visible in the background, likely holding a commemorative event.", " At first glance, this is a figurine of a volleyball player, I think. He seems to be made out of wax, and he's standing in sports clothing holding a volleyball. And he has tan skin, dark hair, and his face has a furrowed brow and a slightly frowning face. He looks serious, and he looks athletic and muscular. And he's standing with a wide stance. And there's a plaque under him that says, This figurine seems to be indoors in some kind of mall.panor%!!"]
|
[False, False, False, False]
|
[nan, nan, 'no', nan]
|
This visual representation features a lifelike figure, which appears to be life-sized and seems to be the creation of a notable sports star associated with a ball game. The context is commercial, highlighted by the presence of a large poster that serves as the backdrop for the figure, with a small platform positioned in front of it. The figure itself is composed of a solid material, likely hard and durable, mounted on a metallic-colored circular base that exhibits an irregular shape, suggesting an artistic design. In front of the stature, there is a small square area that likely contains descriptive information about the piece, although further details about this are unclear from the observation. The athlete depicted is attired in what may initially appear to be dress shoes, but upon closer inspection, they resemble athletic footwear featuring a flap that wraps around the foot extending up to the ankle. The athlete's socks are knee-high, with a noticeable black mid-calf region, and he displays well-defined, muscular thighs. He is clad in black shorts, which are secured with white drawstrings, and his upper wear is a green short-sleeve shirt adorned with white trim around the neckline and sleeves. The expression on his face conveys determination; the corners of his mouth are turned slightly downwards in a serious demeanor. He has short black hair and his gaze is directed straight ahead. In another depiction, a wax figure or statue of the revered soccer player Obdulio Varela is presented. This statue features the athlete capturing a soccer ball while dressed in a blue v-neck shirt, which is light blue with white borders, alongside black shorts. His attire is completed with knee-high socks and shin guards. Notably, a plaque on the ground identifies the statue, although only the name is discernible at this time. In the background, there is a banner featuring another individual, likely a portrait or painted image of someone else. The scene is completed with the statue positioned against a tiled reddish-brown floor, enhancing its visual appeal. A separate observation reveals another statue that appears to mimic a player. Described as a wax sculpture, this figure is depicted in sports apparel, gripping what likely seems to be a soccer ball or basketball in his right hand. The robust stature of the figure suggests it may be a replica of an esteemed sports star, with a photograph of the sports star serving as the backdrop. The setting appears to be a shopping mall where various stores are visible in the background, indicating that the event is commemorative in nature. Lastly, an observation of what seems to be a figurine of a volleyball player indicates that this figure is crafted from wax and dressed in sports garments while holding a volleyball. The athlete is characterized by tan skin and dark hair, bearing a serious expression with a furrowed brow. His athletic physique is evident as he stands confidently in a wide stance, reinforcing the impression of strength and readiness. Beneath the figurine, there is a plaque, though its content is not fully clear. This particular piece appears to be located indoors, potentially within the confines of a mall.
| 1,240 |
|
native
|
['1eipOzNQzyVc', '11pOxvppOSFr']
|
['Chinese', 'Chinese']
|
['In this photo, there are two people standing: one male and one female. Behind them, there are more people, but they are not very clear. The man is wearing a light blue top, jeans, and pink shoes. The woman standing to his right is hugging his arm; she is wearing a black top and shorts, and over that, she has a red long jacket. She is also wearing black high heels. Behind them, there is a white board with some iron whips, and there are some pink words written on it. It seems like a part of the text is not in the photo, but what can be seen is centered. This photo looks like it was taken at a formal event as both individuals are smiling at the camera and are dressed quite neatly.', 'A photo of what looks like a celebrity couple is located in the middle of the image, showing a man and a woman who appear to be two stars. Beside them, there is a line of text on a backdrop that reads "Capital Center." The two people are centered in the frame, and in the background, we can see someone taking their photo. Someone is holding a camera to take their picture, suggesting that this might be at an event venue where celebrities stand in front of the backdrop while reporters or paparazzi take their photos. The overall style gives off a slightly Hong Kong vibe, with fairly ordinary colors, and the outfits of the people are quite normal, lacking anything particularly eye-catching. Thank you for watching.']
|
[False, False]
|
[nan, nan]
|
In this first photo, we see two individuals standing closely together, capturing a moment that appears to take place at a formal event. The male figure is dressed in a light blue top, paired with jeans and distinctive pink shoes that add a playful touch to his outfit. To his right stands a female companion, who is hugging his arm affectionately. She is dressed in a sleek black top and shorts, which is layered with a vibrant red long jacket that contrasts sharply with her attire. Completing her elegant look, she wears stylish black high heels, contributing to a sophisticated ensemble. Behind the couple, there is a white board featuring some iron whips, which appears to be part of the setting. The board is adorned with pink lettering, although it is indicated that part of the text is outside the frame of the image, leaving only the central portion visible. Both individuals are smiling warmly at the camera, suggesting a cheerful atmosphere at the event. The second photo depicts what seems to be a celebrity couple, positioned prominently in the middle of the image. The backdrop features a line of text that reads "Capital Center," which indicates that this photograph was likely taken at a public or promotional event where celebrities showcase their presence. The two figures are centered in the frame, exuding star quality, and their casual demeanor suggests they are accustomed to public appearances. In the background, we can observe the silhouette of another person capturing the moment with a camera, which reinforces the idea that this is a social gathering where media and fans might be present to document celebrities. The overall aesthetic of the scene gives off a subtle Hong Kong vibe. The colors in the image are described as fairly ordinary, and the attire of the couple, while stylish, does not feature any particularly striking elements that would draw extra attention. This hint of normalcy in their clothing juxtaposed with the potential star power of the individuals creates an interesting dynamic. In summary, both photographs encapsulate moments from a formal event and a celebrity appearance, respectively, showcasing the interplay between personal connections and public personas.
| 2,256 |
|
nonnative
|
['1e8BN14ExJgc', '1eBH6Y39vmhy', '1l2x04koBH3o']
|
['Chinese', 'English', 'English']
|
['The image depicts two young men dressed in white shirts and ties sitting on a green bench. One of them is using a laptop, possibly studying or working. Both individuals are in formal attire. There is one laptop, a backpack, and a bench, with a tree in the background. The laptop may have a brand logo, but it is not clearly visible. The two men are sitting on the bench, with the man on the right closer to the laptop, while the one on the left is slightly leaning towards it. They are both focused on the contents of the screen, which is positioned in the center of the bench, operated by the man on the right. The backpack is underneath the laptop, with a tree appearing in the background behind them. The two men are neatly dressed, the man on the right has a focused expression, and the one on the left is gazing at the screen. The background features a large tree, with some grass and sky visible in the distance, creating a tranquil and focused atmosphere.', " This image is of two African men on a bench, which is green, where one of them on the right is typing on a laptop, which is on top of a backpack, and the other man is looking on. They are on a green bench, and in the background there is a tree. They're in short sleeve white shirts with black ties. The man on the right has gold and red stripes down the ties, and they both have grey pants.", " In this photo, this is a very interesting photo. This makes me automatically think this is from like Africa, maybe like South Africa. I'm not too sure, but definitely that's kind of what I'm seeing. Yeah, so I see like two men, two African, potentially African men. One's on his computer. I think they could be in high school. They're looking at the computer. He's got his USB tucked into his computer. It looks like it could be, it's hard to tell what brand. It looks like a Lenovo computer over his school bag. They're sitting on a bench. They're just enjoying life, enjoying the weather. The guy on the left looks pretty relaxed. He's got his arms kind of spread out on the bench. The other guy is typing, doing some work. They're kind of tree-in-the-back background, just blocking them from the shade, from the sun."]
|
[False, False, False]
|
[nan, nan, nan]
|
The image showcases two young African men who are seated on a vibrant green bench. Both individuals are attired in crisp white short-sleeve shirts coupled with black ties, presenting a formal yet relaxed appearance. Their trousers are grey, complementing their outfits. The man on the right, who is positioned closer to a laptop, appears to be actively engaged in typing and is focused on the screen's content. This laptop is situated atop a backpack that is placed on the bench, indicating it may belong to one of the men. The man on the left is leaning slightly towards the laptop, observantly gazing at the screen, which suggests a collaborative effort or shared interest in the material being displayed. He exudes a relaxed demeanor, with his arms comfortably resting on the bench. The background features a robust tree, enhancing the tranquil atmosphere around them. This tree not only provides shade but also serves as a natural backdrop, adding a touch of greenery to the scene. The setting communicates a sense of ease and focus, as both men seem to be enjoying their time outdoors while engaging with their academic or professional tasks. Additionally, there are indications of modern technology present within the scene; for instance, one of the men has a USB stick that is connected to the laptop, suggesting they are likely using it for school or work purposes. There is an impression that the environment is conducive to studying, as the weather appears pleasant, further enriching their experience of working outside. Overall, the picture evokes a sense of youthful ambition and camaraderie, possibly reflecting a moment of study or collaboration among young scholars, with the serene natural environment providing a supportive backdrop to their endeavors.
| 1,630 |
|
native
|
['1aBIw1bFIECn']
|
['Chinese']
|
['This picture is a collage made up of eight images, each featuring a different female celebrity attending events on the red carpet. Starting from the left, the first girl has brown hair and is facing the left side of the screen. She is wearing a pink gown made of satin, which is a long dress. The second girl also has her hair down, but she is facing to the right and is in a white mermaid gown with a sandy mermaid bottom. The third girl is in a gray backless dress, facing away but turned slightly so we can see the back of her dress. The fourth girl is wearing a deep blue bodycon gown and is adorned with very elaborate sapphire jewelry. The fifth girl is in a black transparent dress with some embroidery. The sixth girl also wears a black gown, but hers is sleeveless and less transparent than the previous one. The seventh girl is facing away as well but turns her head to reveal a backless white bodycon dress. The eighth girl is striking a similar pose while wearing a long black fluffy skirt.']
|
[False]
|
[nan]
|
This visual composition is a meticulously curated collage that consists of eight distinct images, each showcasing a different female celebrity as they grace various events on the illustrious red carpet. Beginning from the leftmost image, the first female figure prominently features brown hair and is positioned in such a way that she is facing the left side of the screen. She is elegantly clad in a long satin gown that is a soft pink shade, radiating a sense of sophistication and timeless glamour. Moving to the second image, another celebrity is portrayed with her hair also worn down. She is facing to the right, displaying a stunning white mermaid gown that features a sandy mermaid bottom. This design, characterized by its fitted bodice that flares out from the knees, accentuates her figure while evoking a sense of ethereal beauty. In the third image, the focus shifts to a celebrity who is wearing a gray backless dress. She is positioned slightly away from the camera but has turned just enough to provide a glimpse of the intricate back design of her dress, which adds an element of surprise and allure. The fourth celebrity is featured in a deep blue bodycon gown that hugs her curves and showcases her elegant silhouette. She complements her attire with striking, elaborate sapphire jewelry that radiates opulence, catching the light and drawing attention to her ensemble. The fifth figure stands out in a black transparent dress that boasts delicate embroidery, presenting a blend of boldness and artistic detail. The sheer elements of her gown contribute to an air of mystery while highlighting her confident style. The sixth celebrity also opts for a black gown, yet hers is sleeveless and features less transparency compared to the previous attire. This option offers a more refined appearance while maintaining elegance. In the seventh image, another celebrity is depicted facing away but slightly turns her head toward the camera, showcasing a backless white bodycon dress. The design emphasizes her graceful posture and adds a modern twist to classic red carpet fashion. Finally, the eighth image features a celebrity striking a similar pose to the seventh, dressed in a long black fluffy skirt that creates a dramatic silhouette. This outfit adds a touch of whimsical flair to the collage, completing the narrative of diverse styles and personalities represented on the red carpet.
| 2,556 |
|
native
|
['1nDqSvwjEFcw']
|
['Korean']
|
["The soju bottle is in the center, and it feels like the photo is rotated. It's like a picture taken of a soju bottle in a restaurant, with the soju in the middle. The photo is tilted, making it a bit hard to see. Looking at the table in the background, it has a vibe typical of restaurant tables. The walls have an overall wooden feel, and besides the soju, there’s just one cup and a soju glass. Other than that, there's only a black chair in the background. The picture gives off the impression that it’s simply taken to capture the soju bottle, with nothing else in it."]
|
[True]
|
['soju, korean drinnk']
|
The image captures a scene centered around a soju bottle, a popular Korean alcoholic beverage known for its clear appearance and smooth taste. The soju bottle is prominently featured in the center of the frame, yet the photograph is apparently tilted, which may cause some difficulty in viewing the details clearly. The backdrop consists of a typical restaurant ambiance, where the table displays features commonly found in dining settings – perhaps a wooden table surface that enhances the rustic atmosphere often associated with Korean dining establishments. The walls echo this aesthetic, providing a warm, wooden texture that contributes to the overall cozy environment. Beside the soju bottle, there is a solitary cup and a traditional soju glass, which are both essential for serving the drink, indicative of the cultural practices surrounding its consumption. In the background, a singular black chair can be observed, further emphasizing the simplicity of the composition. Overall, the photograph seems to have been taken with the primary intent of showcasing the soju bottle, with minimal distractions from other elements in the image.
| 1,042 |
|
nonnative
|
['1noNZU0TPsdJ']
|
['English']
|
[" In this image, we have a man, an Asian man standing with his hand over his mouth and a fist symbol. And then on his right index finger, he has a big ring. And then he takes up the majority of the image. There's a lot of Asian characters, maybe Chinese throughout the entire picture, mainly on the bottom left and a little bit on the bottom right. There's a link that says weibo.com slash willpaned, and it says wuhua, w-a-u-h-a, and the rest of the words are all in Chinese except for on the DVD. So this man is also wearing a black suit with a white color shirt in the bottom. He has slightly golden hair, and he's looking intently at the camera. That was pretty muchADASy."]
|
[False]
|
[nan]
|
In this image, there is an Asian man who has positioned himself prominently, taking up a large portion of the frame. He is depicted standing with his hand raised to his mouth, creating a gesture that resembles a fist symbol, which could imply a range of emotions or expressions such as contemplation, surprise, or even a sense of power or triumph. On his right index finger, he is wearing a sizable ring, which may be a symbol of status or personal significance. The man is attired in a black suit, complemented by a white shirt beneath the suit jacket, which adds a classic touch to his appearance. His hair is styled in a slightly golden hue, catching the light and contributing to his polished look. He gazes intently at the camera, conveying engagement and possibly an invitation for the viewer to connect with him. The background of the image features numerous Asian characters, likely suggesting that the text is in Chinese. These characters are mostly concentrated at the bottom left and a small portion at the bottom right of the image. Among the text, there is a prominent link that directs to the website weibo.com under the handle 'willpaned.' Additionally, one word among the Chinese characters, "wuhua," is transliterated into the Latin alphabet as 'w-a-u-h-a,' indicating it might be a significant term or name relevant to the subject or context of the image. The visual composition effectively merges cultural elements with modernity, creating a dynamic portrayal of the man and the written content surrounding him, which could serve to communicate his identity or brand within the social media sphere.
| 2,714 |
|
native
|
['1nIdZYl3hdTl', '1ocSruqMTpPJ']
|
['Chinese', 'Chinese']
|
['In this photo, you can see a man in the middle with his eyes closed and mouth open. He is wearing black-framed glasses and a striped jacket, holding a microphone, looking like he is singing. At the very bottom of the image, there is a line of text that says "Fortunately, I was once so innocent," which seems to be a lyric from a song. Behind this person, there is a background made up of different colors. It looks like this photo is from a singing-related program, and the man is singing a sad song, giving him a slightly pained expression. This is likely a screenshot taken during a performance, possibly during a television broadcast. Thank you all!', 'This shows a singer who seems to be singing; it could also be someone speaking, but it looks more like a singer because the subtitles below resemble song lyrics. However, the expression he presents is one of deep sadness and suffering. It’s possible that when he reached this part, his own experiences stirred up strong emotions, leading him to appear very sad and even cry. In the background, there are some colorful elements, and there’s also a logo of a television station that looks like it might be from Hong Kong, suggesting this could be happening at a Hong Kong TV station. It’s likely that he was invited to the show to sing this song, and while performing, it triggered memories of his own sad experiences, which is why he became so emotional and cried.']
|
[False, False]
|
[nan, nan]
|
In this captivating photo, a man stands at the center, his eyes gently closed, and his mouth slightly open as he appears to be in the throes of a heartfelt performance. He is adorned with stylish black-framed glasses and a distinctive striped jacket that adds a touch of flair to his appearance. Grasping a microphone in his hand, he seems to be singing with passion, creating an image rich with emotion. At the bottom of the image, there is a poignant line of text that states, "Fortunately, I was once so innocent," which appears to be a lyric extracted from a song, hinting at the emotional depth of the performance. The background is a vibrant tapestry of colors, contributing to the overall aesthetic of the scene. This image likely captures a moment from a singing-related program, suggesting that the man is delivering a performance that conveys themes of sorrow and reflection. His expression, marked by a slight grimace, indicates the weight of the song's emotional content, which may evoke painful memories or experiences for him. Additionally, there is another perspective provided, describing the singer's performance as possibly accompanied by subtitles resembling song lyrics, reinforcing the interpretation that he is indeed performing rather than speaking. His demeanor reflects profound sadness and suffering, suggesting a connection between the song's themes and his personal life. The vibrant elements in the background further enhance this emotional atmosphere. Moreover, a logo of a television station, reminiscent of those found in Hong Kong, suggests that this performance could be taking place within a TV broadcast setting in that region. It is likely that he was invited to perform on this show, and as the performance ensued, it provoked strong emotions tied to his past, resulting in tears during this vulnerable moment. This scene captures the intersection of artistic expression and personal experience, leaving audiences to ponder the depth of the emotions being conveyed. Thank you all!
| 2,572 |
|
native
|
['1oNdBy05AGmP']
|
['Russian']
|
["In this image, we see a grandmother against the backdrop of a very beautiful garden filled with a variety of flowers. There are many objects, but we can say that the main objects are the pink flowers, red flowers, yellow flowers, garden flowers, and green grass. The grandmother is in the center of the frame, with notable items including her scarf and two buckets, though I forgot what they are called. The scene is further enhanced by a beautiful colorful landscape with lots of bright flowers, creating a very vibrant picture. I feel like the grandmother could appear in a textbook, maybe in a tale. One might say this is a garden somewhere in Russia, as it's easy to recognize the grandmother by her cheerful clothing. Everything here seems quite natural, as one might expect in Russia."]
|
[True]
|
[nan]
|
In this image, we observe a grandmother standing gracefully in a stunning garden that is brimming with a cornucopia of colorful flowers. The garden showcases a plethora of floral varieties, predominantly featuring an array of pink, red, and yellow blossoms interspersed among lush green grass. These floral elements contribute to the overall vibrancy of the scene, which is further enhanced by the lively colors of the plants, creating a picturesque and cheerful atmosphere. The grandmother occupies the central position of the frame, prominently adorned in cheerful clothing that reflects her joyful demeanor. Key notable items associated with her include a beautifully patterned scarf that adds character to her attire and two buckets, which may be commonly used for gardening tasks, although their specific name eludes me at the moment. The entire landscape is filled with bright and inviting colors, presenting a visual treat that accentuates the beauty and tranquility of nature. The abundance of flowers and the well-kept garden evoke a sense of warmth and familiarity. One can't help but feel that the grandmother could be a character straight out of a storybook or textbook, representing traditional values and cultural heritage. Given the appearance and attire of the grandmother, one might speculate that the scene is set somewhere in Russia. The distinctive elements in her clothing, along with the design of the garden, resonate with traditional Russian aesthetics, emphasizing the natural beauty one might expect in such regions. The overall composition of the scene feels harmonious, reflecting a deep connection with nature and the simplicity of rural life.
| 1,181 |
|
native
|
['1baFzhzciIsy']
|
['Hindi']
|
['In this picture, there is a plate, and on the plate, some modaks are visible. The modaks are light brown in color and look delicious. There seem to be around 10 modaks. On the right side, there is a silver-colored pot, and on the left side, there is a plate with a lamp placed on it, which has a wick that is lit. The plate and the lamp are placed on a table that has a white tablecloth. There are some leaf designs on it that reflect its beauty. Additionally, on the wall, there is a white pearl necklace. It appears that there is also a statue at the back, where only the feet and lotus are visible, possibly of a deity. Three flowers are placed at the feet of the statue, and it seems that there are also some other objects nearby that are red and green in color. Behind the statue, there is a curtain with blue, light green, and other colors as well. In front of the statue, there is also a pot. In front of this statue, there is a cardboard cut-out, which has a white garland on it and on either side, there are designs made on a piece of cardboard. According to Hindu beliefs, they represent certain letters. This picture was taken during the daytime, and there is plenty of light in it.']
|
[True]
|
['Yes']
|
In this image, the focal point is a beautifully arranged plate that holds approximately ten modaks, which are traditional Indian sweets often associated with religious festivals, especially those honoring Lord Ganesha. These modaks are distinctively light brown in color and have a tantalizing appearance, suggesting a tempting taste that might please anyone with a sweet tooth. To the right of the plate, a silver-colored pot is visible, likely traditional in design and often used for storing or serving food, while to the left, another plate is seen, adorned with a lamp that features a lit wick. This lamp serves a significant purpose in many Hindu rituals, symbolizing the illumination of knowledge and dispelling darkness. The table beneath these items boasts a white tablecloth, which is embellished with delicate leaf designs, enhancing the overall aesthetic of the scene. This design reflects elegance and adds a layer of charm to the setting. On the wall behind, there hangs a lustrous white pearl necklace, which might hold not just ornamental value but could also symbolize purity and wealth in certain contexts. Additionally, there is a statue positioned in the background, though only its feet and the base, which features a lotus flower, are perceptible. This representation is likely of a deity, significant in Hindu worship, where such statues are venerated. Nestled at the feet of this statue are three flowers, which are often used in worship as offerings, signifying respect and devotion. Nearby, there appear to be additional objects exhibiting red and green hues, colors that can hold symbolic meanings in various cultural contexts, often representing vitality and prosperity. Behind the statue, a curtain showcases a playful mix of colors, predominantly blue and light green, adding a vibrant backdrop to the entire setting. In front of the deity's statue, there is also a pot, presumably to hold offerings or to enhance the ritualistic aspects of the display. In a delightful touch, a cardboard cut-out is positioned before the statue, adorned with a white garland and flanked by artistic designs that likely represent certain auspicious letters or symbols in Hindu traditions, often used to invoke blessings and good fortune. This image captures a moment during the daytime, inundated with natural light, which further accentuates the beauty of the offerings and the overall ambiance created by the setting. Each element in the scene, from the food to the decorative aspects, contributes to a rich tapestry of cultural and spiritual significance.
| 893 |
|
native
|
['11mmwsgZefiU', '11D1UeBrwbgY', '1k9a2X8dG1QO']
|
['Chinese', 'Chinese', 'Chinese']
|
['What I saw at first glance was a woman wearing a red dress; she was the only one in the entire picture holding a microphone. The text in the image reads "Bin Gang Wei Cheng Jiao Ao Sheng Fang," and I guessed that part of the text was blocked. What remains visible is "Sales Open: Starry Glamour Gala," and the names of some real estate development companies are also partially obscured. The background features a black backdrop with golden yellow and yellow lettering. Overall, the image consists of black and red, including the woman\'s dress, which is black and red, along with her black boots and black stockings. In the upper right corner, the source of the image is noted.', 'This picture seems to be from an opening ceremony or a celebration for a real estate company or a newly developed community that has just begun selling. In the center of the image is a female singer, and the text behind her reads "Binhang Yucheng Pride Blooming Sales Open, Starlight Gala." It appears to be the opening ceremony for a residential community that has just been completed and is now starting sales. Other details include the girl standing on a red carpet that has likely just been laid out with firecrackers or some celebratory gold leaf. The overall style is relatively commercial.', 'In this picture, a lady is singing with a backdrop that is dark brown. The backdrop features the text "Bingang Yucheng Pride Bloom Sales Center and Opening Season Starlight Highlight," along with the names of the organizing companies, which are "Bai Shi Hongrun Real Estate Development Co., Ltd." The floor is covered with a red carpet, and there are some golden pear blossom material strips on it. She has long hair dyed brown, and she is holding a microphone while singing. She is wearing a red strapless short dress with black patterns, black stockings, and a pair of black ankle boots, giving the impression that she is attending a ceremony while performing. In the upper right corner of the image, there is a watermark that reads "Linda Garden, next year’s December."']
|
[False, True, False]
|
[nan, nan, nan]
|
In the first detailed observation, the scene captures the essence of a formal gathering, with a prominent focus on a woman dressed in a striking red dress; she stands out as the sole individual in the image wielding a microphone. The prominent text displayed on the image reads "Bin Gang Wei Cheng Jiao Ao Sheng Fang," however, it appears that a portion of the text is blocked from view. The visible components indicate that the event is labeled as "Sales Open: Starry Glamour Gala." Alongside this, there are names of various real estate development companies, but they too are partially obscured, adding an element of intrigue to the context of the event. The backdrop behind the speaker consists of a sleek black canvas emblazoned with golden yellow and yellow lettering, creating a sharp contrast against the darker tones. Overall, the color scheme unifies black and red throughout the image, mirrored in the woman's elegant attire which includes not only her red dress but also coordinating black boots and black stockings. Notably, in the upper right corner of the image, there is a mention of the source, offering insight into its origin. The next description hints further at the celebratory nature of the occasion, positing that this image is likely from an opening ceremony or a significant celebration tied to a real estate company or a newly developed community that has recently commenced its sales. The central figure, identified as a female singer, performs with a backdrop that proclaims the event as the "Binhang Yucheng Pride Blooming Sales Open, Starlight Gala." It strongly implies that the atmosphere of the gathering aligns with the grand unveiling of a residential community that is now ready for sale to potential buyers. The scene is enriched by details such as a red carpet that appears freshly laid out, which is often a traditional element at celebratory events, accompanied by firecrackers or decorative gold leaf to enhance the festive ambiance. The overall aesthetic leans towards a modern commercial style as it seeks to attract attention to the new development. In the final depiction, the atmosphere is consistent with the previous descriptions, center-staging a woman singing against a backdrop that has a deep brown hue. This backdrop hosts an inscription that states "Bingang Yucheng Pride Bloom Sales Center and Opening Season Starlight Highlight," which leaves room for speculation about the grandiosity of this event. The text also acknowledges the organizing entity, specifically "Bai Shi Hongrun Real Estate Development Co., Ltd.," lending credibility and a formal touch to the proceedings. The setting features a red carpet covering the floor, embellished with strips of golden pear blossom fabric, conveying elegance and celebration. The female performer is characterized by her long, brown-dyed hair, as she commands attention with a microphone in hand while engaging the audience with her performance. Her outfit—a red strapless short dress adorned with black patterns, accompanied by black stockings and stylish black ankle boots—further cements the ceremonial and performative nature of the event. Additionally, a watermark in the upper right corner of the image cryptically reads "Linda Garden, next year’s December," possibly serving as a forward-looking advertisement for upcoming developments.
| 2,254 |
|
native
|
['1gEsgEhu3gxq', '1ltJONUF9yIr']
|
['Chinese', 'Chinese']
|
['In this photo, there are two people; on the left is a man and on the right is a woman, and they are holding a large dog. Behind the two of them, there is a billboard with the words “Losers” or something similar written on it. If you are familiar with these two, you would know that they are actors, and this is likely them promoting their TV series or movie called "Losers" or something similar. You can see that the man is wearing a black leather jacket and jeans, while the woman is dressed in a gray jumpsuit. Both of them look very stylish, and it seems like the media took a special photo of them while they were promoting this TV series or movie, as it appears to be a candid shot of them at the event.', 'At first glance, this image features two people taking a photo, with a man and a woman as the main subjects, and a dog in front that may be their pet. The text includes two large characters that translate to "defeated dog," and beneath that is the English word "turn star." The positioning of objects shows that the main subjects are the two people, with the dog located below the photo. Notable details include the appearance of both the woman and the man, as well as the background, which likely suggests it may be from a TV drama or movie. The man and woman are probably the main characters of this drama, and the pet dog may also play a role in the film. The setting appears to be that of a press conference, and the overall style conveys a cheerful and relaxed vibe, primarily featuring white colors.']
|
[False, True]
|
[nan, '中国的某个电影或者电视剧的花絮图片']
|
In this visual depiction, two individuals are prominently featured; on the left side stands a man, and on the right side is a woman, both of whom are holding a large dog that may potentially belong to them. In the backdrop, there is a striking billboard that boldly displays the word “Losers” or something closely related, which suggests a promotional context. Those familiar with these individuals might recognize them as actors, indicating that this scene is likely part of a marketing effort for their television series or film, also potentially titled "Losers." The man is dressed in a stylish black leather jacket paired with jeans, exuding a modern and fashionable appearance. Meanwhile, the woman wears an elegant gray jumpsuit that complements her look. Both of them appear to be posing for the photograph, which has the quality of a candid shot taken during an event. The image captures a moment that reflects the excitement of their promotional efforts for the upcoming project. Upon further inspection, this image suggests a fun engagement, featuring a man and a woman together with a dog positioned in front of them that could be their pet. Prominently displayed in the image are two large characters that translate to "defeated dog," further indicating the playful tone of this visual. Below these characters, the English phrase “turn star” is present, adding another layer of engagement for viewers. The composition of the photograph emphasizes the two main subjects—the man and woman—while the dog is situated lower in the frame. This arrangement highlights their importance in the context, potentially alluding to their roles as main characters in a drama or film, suggesting that the pet dog might also be a significant element within the storyline. The setting exudes a press conference atmosphere, characterized by a bright and cheerful ambiance with a predominance of white colors in the background, contributing to a relaxed and inviting overall vibe. The image seems to originate from a promotional event tied to a film or television series, likely in China, highlighting the cultural aspect of the entertainment industry and how it merges with modern media representations.
| 2,384 |
|
nonnative
|
['15z7bIAXQTsy', '1nbhEVwIrP9f', '1lOrcIyY88ms']
|
['English', 'English', 'English']
|
[' Hello, and thank you for listening. At first glance, this image shows a grand structure with multiple golden-tisled roofs. The walls are painted reed, and the intricate decorative patterns beneath the eaves feature bright blues, greens, and golds. Each roof tier has carved brackets and painted designs, reflecting a classic Chinese architectural style. There is no visible text on the building, and the sky in the background looks pale or overcast. The roofs overlap one another, with each tier curving gently upward at the corners. Subtle details include the carefully painted motifs and the repetitive geometric shapes along the beams. In the lower portion, the walls have a solid red color, while the upper sections are richly adorned with colored ornamentation. The overall color scheme is dominated by reds and golds, giving the building a regal appearance. From these details, one might infer that this structure belongs to a historic or culturally significant complex, possibly a palace or temple. Huse. Huse. Still quite vivid. The photograph focuses on the architecture itself, highlighting the layered rooftops on deliberate craftsmanship.\\', ' So this is a traditional Chinese architecture. At first glance, there is a tower in the center of the image with golden roofs, which are symbols of imperial families in China, especially the architecture in Beijing. So given the structure, a person is still hard to infer this is from a specific building in Beijing because there are multiple of them. Could be the palace, could be the summer palace, could be the temples, as long as they are used by the imperial family. Most likely the main palace in Beijing because of the size and also the colors. Overall, the style is very imperial. The color is very bright thanks to the golden roof and also all the carvings below the roofs. There are pillars at the bottom, there are stone pillars as part of the square at the bottom left as well. The details are very very intricate given this is for the imperial family, for the emperors. The emperors. The emperors.\\', " So this is an image of what looks to be like a religious temple. It has these golden yellow curved roofs. The roofs itself contain like etchings slash carvings of what seem to be like mythological kind of creatures like outlining the tiling and whatnot. The building themselves have these really intricate sort of like symbols or designs painted onto them with lots of vibrant colors. So the walls of this temple are red. A lot of it is red. You can see sort of like red style pillars supporting the roofs and whatnot. And you can see like vibrant colored paintings like sort of adorning the outer edges of these walls. So in these sort of paintings, you can see a lot of stylistic designs. You can see like a lot of vibrant colors like green, gold, red, blue. There seems to be like, you know, a lot of iconography featuring like dragons and other mythological creatures. Like not only in the paintings, but in the design of the curved roofs as well. Other than that, you can see in the background that it's kind of a cloudy day. You can't really make out the sky. You can only kind of see white in the back. . . ."]
|
[False, True, True]
|
[nan, nan, 'Chinese-style Temple']
|
Hello, and thank you for taking the time to listen. At first glance, the image depicts a grand architectural structure featuring multiple roofs adorned with golden tiles. The walls of the building are painted in a deep red hue, and intricate decorative patterns can be observed beneath the eaves, showcasing vivid blues, greens, and golds. Each tier of the roof is supported by carved brackets and embellished with painted designs, exemplifying a classic Chinese architectural style that is both ornate and sophisticated. Notably, there is no visible text or signage on the building, allowing for an uninterrupted focus on its architectural elements. The sky in the background appears pale or overcast, creating a subdued backdrop that draws attention to the vibrant colors of the structure. The roofs are designed to overlap each other, with each tier gently curving upward at the corners, a hallmark of traditional Chinese design. Several subtle details contribute to the overall aesthetic, including the painstakingly painted motifs and the repetitive geometric shapes that adorn the beams. The lower sections of the walls are solid red, while the upper areas are richly decorated with colorful ornamentation, resulting in a visually striking structure. The color scheme is predominantly composed of reds and golds, imparting a regal essence to the building. From these characteristics, one might deduce that the structure is part of a historic or culturally significant complex, possibly a palace or temple, indicative of its importance in Chinese heritage. Continuing with an analysis of the architectural elements, this structure serves as a fine representation of traditional Chinese architecture, particularly notable for its golden roofs, which are symbolic of imperial families in China, especially as seen in the architectural layout of Beijing. Although it might be challenging to pinpoint this building as belonging to a specific location within Beijing due to the presence of several similar structures, it could very well be part of significant sites such as the Forbidden City or the Summer Palace, both known for their historical significance to the imperial family. The sheer size and vibrant colors suggest it is likely the main palace or a ceremonial site utilized by emperors. The intricate craftsmanship is evident in the carefully detailed designs incorporated throughout the structure, which elevates it to a work of art deserving of its royal association. There are visually prominent stone pillars at the base of the structure, contributing to the overall stability and majesty of the building while also adding an element of grandeur. In a further examination of these architectural forms, one might separate the focus onto a distinct religious temple depicted in an accompanying image. This temple showcases golden-yellow curved roofs embellished with etchings and carvings that depict mythological creatures, which play a significant role in Chinese folklore and religion. The building itself is adorned with intricate symbols and artistic designs, rendered in vibrant colors that captivate the viewer's eye. The walls of this temple, predominantly red, are supported by red pillars that add to the structural integrity and aesthetic appeal of the roofs above. The colorful paintings that adorn the outer edges reveal a tapestry of stylistic designs, capturing a diverse array of colors including vibrant greens, luminous golds, rich reds, and deep blues. Noteworthy is the iconography that often features dragons and other mythical entities, both within the painted scenes and integrated into the curved designs of the roofs. In summary, the overall theme of the images represents a culmination of traditional Chinese architectural and cultural elements, suggesting not only the aesthetic beauty of the structures but also their deep historical and spiritual significance. In the background, a cloudy sky sets a serene tone for these splendid structures, allowing the intricate details to take center stage without distraction.
| 458 |
|
native
|
['1MooyyJmppIq']
|
['Bengali']
|
['There is a statue situated in a place where light is being reflected. It is surrounded by twelve green trees and the sky is visible. The statue is adorned with a turban and has long-sleeved clothing. Below, it wears a lungi and a panjabi. The entire scene is beautifully observed, creating a serene atmosphere.']
|
[True]
|
['Ethnic wear']
|
The scene features a statue prominently placed in a well-lit area, where sunlight casts reflective glimmers. The statue is encircled by twelve lush green trees that contribute to a tranquil and picturesque setting, allowing glimpses of a clear sky overhead. This figure is dressed in traditional attire, wearing a turban atop its head, which is a common element of attire in many South Asian cultures, often symbolizing nobility and respect. The statue's long-sleeved clothing adds to its cultural authenticity. Toward the lower part of the statue, it is dressed in a lungi, a garment typically worn in South Asia that is a piece of cloth wrapped around the waist; this is complemented by a panjabi, which refers to a knee-length tunic that is also traditional in the region. The overall composition of the scene, with its careful arrangement and harmonious elements, fosters a serene and contemplative atmosphere, inviting onlookers to appreciate both the art and the surrounding nature.
| 76 |
|
nonnative
|
['1lAcVlKpXChn', '11fVFZU9FBzL']
|
['English', 'Chinese']
|
[" This is an image of a kitchen. At the foreground, there is a long white countertop. There is a door at the back that's letting in a lot of light, indicating that the sunlight is coming from that area. There is a white closet on the left side of the door and a clock hung on the wall on the top of the door. The walls are colored yellow. On the right side is the kitchen with a stovetop and an oven underneath the stovetop. There are some cabinets that are along the top, walls, and bottom parts of the kitchen. There is a countertop that is silver, and the kitchen is shaped in an L shape. There is also a sink. The countertop has a variety of items, including a paper towel holder, a knife block, and a toaster. There is also some dish soap and regular soap near the sink. There is a dog on the ground in front of the door. There is also a tray near the side of the kitchen. There is also a glass of water. There is also a folded wooden weights,", 'The image shows a photo of a kitchen with a door. On the door, there is a clock. Inside the kitchen, there is a microwave, a stove, a faucet, a sink, and several cups for holding utensils. There should not be any text information in the image. In terms of layout, there is a stone clock above the door, and next to the door, there is another door. Inside the wooden cabinet above, a microwave is embedded. Below the microwave is the stove, and to the right of the stove is the faucet and sink. On the countertop of the sink, there are some containers for setting utensils. Additionally, there is a dog underneath the bottom part of the door. The background is primarily a kitchen layout, and the overall style features simple furniture with wooden colors. There is a yellow element, and another yellow element, accompanied by some light colors. The kitchen furniture does have a minimalist aesthetic.']
|
[False, False]
|
[nan, nan]
|
The image depicts a brightly lit kitchen, characterized by an inviting and functional layout. At the forefront, there is an expansive white countertop, which serves as a central workspace. In the background, a door allows natural sunlight to flood into the room, enhancing the warmth of the space. Adjacent to this door is a white closet, complementing the overall color scheme. Above the door, a clock is mounted on the wall, serving both decorative and practical purposes by keeping time visible. The walls of the kitchen are painted a cheerful yellow, which adds to the lively atmosphere of the room. To the right side of the image, the kitchen features essential appliances, including a stovetop and an oven situated underneath it, along with various cabinets that extend along the upper and lower parts of the walls. The design of the kitchen is in the shape of an 'L', making it both space-efficient and aesthetically pleasing. The silver countertop is adorned with a range of items indicative of everyday kitchen life. These include a paper towel holder, a knife block for easy access to culinary tools, and a toaster for quick meal preparation. Near the sink, there are containers for dish soap and liquid soap, emphasizing the practicality of the kitchen environment. A dog is seen lying on the ground in front of the door, adding a sense of homeliness to the kitchen scene. Additionally, a tray is positioned near the side of the kitchen, contributing to the organized and functional ambiance. A glass of water is also present, highlighting readiness for refreshment. The second description reiterates key features of the kitchen. It mentions the presence of a microwave embedded in a wooden cabinet above the countertop, which succinctly utilizes vertical space. Below the microwave lies the stove, and immediately to the right, the faucet and sink are situated, creating a logical flow for meal preparation and cleanup. The countertop next to the sink contains holders for utensils, further enhancing the kitchen's utility. The image asserts that there should not be any textual information present in the visual representation, maintaining a focus on the kitchen's features and overall aesthetic. The style of the furnishings is primarily minimalist, incorporating wooden tones along with yellow accents, which merge smoothly with the lighter colors used throughout the space, creating a harmonious and inviting kitchen atmosphere. The presence of a dog underneath the door further emphasizes the pet-friendly essence of the home.
| 1,602 |
|
nonnative
|
['170A2d1JOREG', '1emnUOmr9sRc']
|
['Chinese', 'English']
|
['The entire image gives a sense of two people busy with food. This illustration displays a scene where two individuals are preparing lunch or dinner in the kitchen. In the lower left corner, one person is opening the oven and taking out what appears to be cooked food. In the upper right corner, the other person is watching the one in the lower left take out the food, while his right hand is attending to a small pot on a lit stove, which is likely cooking something else. To the left and behind this person, there is a large white rice cooker, and the countertop is filled with other food items or seasonings. The overall colors of the image lean towards darker tones, and while it may not be particularly clear, it evokes a warm family atmosphere.', " This image is of a kitchen. There are two people in it. It appears to be a father and a son. They are cooking. The father is reaching into the oven, probably to put some food in. There is a round container filled with some kind of meat. There is a square container with bell peppers filled with some kind of filling. The father is to the bottom left of the image. The son is to the right. The son is stirring something on a small pot on the stove. The stove also has some fruits in the center of it, off to the side. There is a metal tray in the back. There is also a rice cooker behind the son. Then to the left of the stove on the counter, there is a bowl with tongs and multiple seasonings. There is a light above the stove illuminating everything. And there are wooden cabinets above the stove and next to the stove. The overall colors are rather muted. There is a lot of white. The father and son are wearing white. The tiles in the background are white. The countertop is black. The stove itself is white. And the cupboards are all brown. It's wood. This is a brilliant crust. The financial vista of the Alex이 tworơências looks like $1030,000 polygrapical, but it is organic. Even with those without theanta You know, five, five, seven bid Has city Sutton!!!"]
|
[False, True]
|
[nan, nan]
|
The entire image provides a vivid depiction of two individuals engaged in food preparation, likely signifying a shared mealtime experience. The scene is set in a kitchen, which is a central hub for family interactions and culinary activities. In the lower left section of the illustration, one person – presumably a father – is seen opening the oven and removing what appears to be a dish that has been cooked. This action captures a moment of anticipation typical in cooking, as the aroma and visual appeal of the meal can evoke familial warmth. In the upper right corner, the second individual, likely the son, observes his father's actions. While this observation takes place, he is simultaneously focused on stirring the contents of a small pot that is situated on a lit stove. This multitasking suggests a collaborative cooking effort, a common activity in many households where family members gather to prepare meals together. To the left and slightly behind the son, there is a large white rice cooker, indicating that rice may be a staple side dish accompanying their meal. The countertop is cluttered with various food items and seasonings, hinting at a well-prepared and possibly elaborate dish meant for the meal. The overall color palette of the illustration leans towards darker, muted tones, which may evoke a sense of coziness within the kitchen environment. The lighting, emanating from above the stove, enhances the scene and casts a warm glow over the cooking area, contributing to the family-oriented atmosphere. The father and son are both attired in white clothing, which not only emphasizes cleanliness in cooking but also creates a feeling of unity and familial bonding. The kitchen tiles are also white, harmonizing well with the overall aesthetics of the space. Meanwhile, the countertop presents a striking contrast with its black surface, adding depth to the visual composition. The stove, too, is white, while the cupboard space above and adjacent to it is made of brown wood, providing a rustic feel. In addition to the cooking elements, the scene highlights other components, such as a round container filled with some type of meat and a square container containing bell peppers filled with an unknown filling. This assortment of ingredients suggests a diverse meal being prepared. Fruits placed on the stove add a further dynamic to the kitchen environment, hinting at a healthy approach to the meal being prepared. This description reflects a homely, inviting atmosphere that captures the essence of cooking as not merely a chore, but a cherished family activity, representative of love, care, and togetherness.
| 1,545 |
|
nonnative
|
['1ndmxJF75RUP']
|
['English']
|
[" This picture at first glance shows a bald Asian man in a collared shirt that has these blue, red, and white stripes. The pose that he sort of has is like he's got his arms, he's got his hands out in front of him, and he sort of like leaned. And then he also has like an earpiece in the text in this photo. There's like a watermark on the bottom right, which has foreign letter characters and like a symbol. And then it has a website on the bottom that reads www.cnhubei.com. The background of this photo is sort of blurred. Blurred, the man is the subject of the photo, but the background is just generally like yellow. In the man, right, the objects in this photo, there's like one earpiece that the man has. There's one man in the photo. He's wearing a shirt, but there isn't noticeable any other objects. Some subtle differences or sense that he has an earpiece in the background. So it has be like a billboard or large set prop on it that this picture might be of a man on a stage. And the style of the photo is just subject and it's fully colored. And theא� NPT is special. To be continued onereno and here is the Alex. I am not sure if this is interesting. So I think this is what Arnett is. I just teach the Lesson. I try to do this. I like to do this before. So I like to do this with theư or the blue shirt. As far as you can find other people, there are colors that have two colors really are. And what I do like to perhaps in the background in the background is if you didn't know what it means. It really bulbs is a light divine Site Compensation option and then we are using the Ornett Truth andateur Delshock. This may be more of a motion for Matty-danish than the final portion of it, right? Just completelyhed.. But I saw this or this made times through each other part where things happen."]
|
[False]
|
[nan]
|
The image in question, upon initial observation, presents a bald Asian man dressed in a collared shirt featuring a distinctive design comprised of blue, red, and white stripes. His posture is quite expressive; he has both hands extended in front of him, suggesting an engaging or perhaps interactive stance, coupled with a slight lean, which may indicate openness or enthusiasm in his demeanor. Notably, the man is equipped with an earpiece, hinting at a possible role in communication or performance, possibly suggesting he is delivering a speech or involved in a presentation. In the lower right corner of the image, a watermark is displayed, which showcases foreign letter characters alongside a symbol, indicating the image may be protected or owned by a specific organization. Furthermore, the watermark includes a website URL reading "www.cnhubei.com," which suggests a connection to content related to Hubei, a province in China, known for its cultural and historical significance. The backdrop of the photograph is intentionally blurred, directing the viewer's attention toward the subject—the man himself. The colors in the background appear to primarily consist of shades of yellow, which may contribute to a warm overall tone of the image. Apart from the man and his earpiece, there are no additional objects present to distract from the subject. This simplicity may also accentuate the man’s role in a setting that suggests a larger environment, possibly indicating that he is situated on a stage or in front of an audience. The overall style of the photograph is fully colored, further enhancing the visual appeal. The mention of "NPT" is somewhat ambiguous, though it may refer to a specific topic or event that is being alluded to in the surrounding context. The latter part contains some fragmented thoughts, reflecting a stream-of-consciousness style of thinking. The speaker expresses uncertainty about the relevance of the image and contemplates its context, mentioning teaching or imparting lessons, which may suggest the man’s role as an educator or speaker. There's a reference to colors being significant, possibly in relation to moods or themes within the photo, but the expression becomes disjointed, indicating a tangential train of thought. In summary, this image captures a moment that is rich with possibility, as the man’s expressive stance, along with the blurred, warm backdrop and technological elements like the earpiece, suggest he plays a pivotal role in a dynamic setting, all while being framed by specific cultural and contextual implications associated with the watermark and the provided website link.
| 2,411 |
|
nonnative
|
['1oDIquI5ZVQf', '1iibvoVJrtLA', '1bO8Q0B1Heyw']
|
['English', 'Chinese', 'Vietnamese']
|
[" This is a picture of a wall clock taken in black and white. This picture appears to be taken maybe in the older times, in previous times, in the early 1900s possibly. There's no way to really tell if it's that or just an old picture. Here, the picture has a huge wall clock. Behind the wall clock are some trees, but the trees have all their leaves falling out, so it's like a dry bare tree. There seems to be smoke in the picture behind the wall clock as well. And there's some buildings around the wall clock and in the background of the picture, but it's not very clear, so it's difficult to properly see the buildings or even see any signs around. But the entire picture just has like an old style to it.", 'This picture is of a street, with the most eye-catching element being a clock showing the time as 1:50. There are also some words written on the image, but they are not clear enough to read. The clock is towards the front of the picture, and behind it is a street with a streetlight. There are many parked cars on both sides of the street, along with some tall buildings. Notably, there is a lot of white smoke behind the clock, and there are very few people on the street. The background features a partnership building, and the image has a black bar across it, resembling an old photo. Its style leans towards something vintage.', "This is a black and white photo. In the upper right corner, there is a clock showing that the time is one forty-five. On the right side of the picture, there are street lamps and a bare tree next to a large sidewalk. On this sidewalk, there are several people walking. Around the clock post, there are many buildings, and the sky is filled with clouds. This photo was taken in the morning because the sky has a lot of sunlight. These interesting images are from a short story that unfortunately reflects our people's lives."]
|
[False, True, True]
|
['No', nan, nan]
|
This image presents a wall clock depicted in black and white, suggesting a vintage aesthetic that draws the viewer's attention, possibly evoking the charm of the early 1900s. While it's difficult to ascertain the precise era of the photograph, its aged quality gives an impression of nostalgia. The clock itself is prominently featured, behaving as a focal point of the photo. Behind this grand wall clock, one can observe bare trees, their leaves having fallen completely, which implies a season of transition, possibly autumn. In addition, the atmosphere appears somewhat foggy or smoky, creating an elusive and dreamlike background, further compounded by some indistinct buildings that are positioned in the backdrop. These structures are not easily identifiable, leaving an air of mystery surrounding the exact location the photograph captures. The overall composition gives an impression of a bygone era, infused with a unique vintage style that adds depth to the narrative being told through the imagery. In a separate image, the focus shifts to a street scene where a clock displaying the time of 1:50 draws immediate attention. This clock is vividly positioned in the forefront of the photograph, surrounded by a street scene that includes a solitary streetlight. Flanking the street on both sides are numerous parked cars, indicative of urban life, while surrounding tall buildings add to the city’s skyline. The background presents a hint of white smoke, which veils the area slightly, creating a mysterious atmosphere. The street is sparsely populated with pedestrians, conveying a sense of quietude within what is typically a bustling environment. Notably, there is a black bar across the image, lending it an impression of an older style photograph, contributing to the overall vintage feel. Yet another black and white photograph displays a clock in the upper right corner, marking the time as 1:45. Adjacent to the clock post, street lamps and a forlorn bare tree are highlighted beside a large sidewalk that accommodates several individuals who are captured in motion, presumably going about their day. Surrounding these elements are various buildings, all set against a backdrop of a sky teeming with clouds that hint at a potentially temperamental weather situation. The lighting in this photo suggests that it was taken during the morning hours, as sunlight pours through the clouds, casting a warm glow on the scene. This series of striking images appears to reflect the complexities and realities of life within a narrative context, chronicling experiences that resonate deeply with the human condition.
| 1,534 |
|
nonnative
|
['182UBwjrJjtQ']
|
['English']
|
[" Here, we could see the entrance to some sort of transportation node. In the immediate foreground, we have what appears to be text that labels a gate on top of the gate, but we are facing it from the opposite side, so we cannot read what it says. Further along, there appears to be some sort of hub with many people walking underneath the hub, on the top of the hub, it says King's Cross, which appears to be a station name, as well as a double-decker red bus labeled 63 to the right. There's also a sign that says Underground, which could signify that in addition to this being a bus stop, there is also a subway station underneath or alongside the station. In the background, there appears to be a similar hub that says something else, as well as several stores and pedestrian roads. There are many people underneath the awning, because it appears like the building is sort of on top of the people. There's also a blue sign next to the Underground sign, where the blue sign perhaps gives additional information and has a picture of a bus. call the Color to the girlfriend On the calendar, there are many people underneath the building behind, and on top of theине, as well as well as the Tower of the cave. Here's these events. Let's see."]
|
[True]
|
['Classic British station name, "underground", and double-decker red bus']
|
In this scene, we are presented with the entrance to a transportation node, likely a major transit hub in an urban setting. In the immediate foreground, there is text displayed above a gate, which labels this entry point. However, we are positioned on the opposite side of the gate, preventing us from reading the specific contents of the sign. As we move our gaze further along the scene, we observe a bustling hub area characterized by a significant number of pedestrians walking beneath an impressive structure. Above this central area, the name "King's Cross" is prominently displayed, indicating that we are indeed looking at King's Cross Station, a classic and historically significant rail terminus in London known for its ornate architecture and role in transportation. To the right of the hub, there is a classic red double-decker bus labeled “63,” which is part of the iconic public transportation system of London, further reinforcing the connection to the city's transit culture. In addition to the bus stop, there is an "Underground" sign present, suggesting that this transport node not only serves surface buses but also connects to the London Underground, commonly referred to as "the Tube." This dual-functionality is a key feature of many transport hubs in London, facilitating smooth transfers between different modes of transportation. In the background, we see another similar hub or structure with a different sign, though the contents of this sign are not discernible from our viewpoint. Surrounding the transport area, there are several stores and pedestrian pathways, creating a lively urban atmosphere. The layout indicates that the station is designed with an awning overhead, sheltering many commuters beneath it, which enhances the sense of activity and movement in this space. Also noticeable is a blue sign adjacent to the Underground indicator, potentially providing additional information to travelers, possibly including bus schedules or directions, and it features an image of a bus, aligning with the transit theme. This visual element serves as a helpful guide for those navigating this bustling transportation network. Overall, the setting is rich in urban culture, showcasing classic British elements such as the red double-decker bus and the historically rooted King's Cross Station, while also accommodating the practical needs of modern commuters in a well-trafficked area.
| 1,595 |
|
native
|
['1HJawYL5nY9A']
|
['Korean']
|
['The photo describes an image of a character from a game. On the right, there is an illustration of the game character. To the left of the character, there are texts that provide explanations related to the character. The background is red, featuring a gigantic hand drawn within it. The game character is dressed in black and red clothing, with long white hair and red eyes. The text on the left includes lines spoken by the character and describes the context of those lines. Additionally, the character is wearing red shoes and has decorations in red and white on the left leg. Thank you. Thank you.']
|
[False]
|
[nan]
|
The photo presents a detailed illustration of a character from a video game. On the right side of the image, the game character is depicted prominently, showcasing an intricate design that captures their unique attributes. To the left of the character, there are explanatory texts that elaborate on various aspects of the character, enriching the viewer's understanding of who they are and their significance within the game. The background of the image is a striking shade of red, which adds a bold contrast to the character and features a large, stylized hand drawn within it, contributing to a dynamic visual composition. The game character is dressed in a striking outfit that combines black and red elements. Their clothing is designed to be both fashionable and functional, suggesting that it is part of their identity within the game. The character's long, flowing white hair complements their intensely red eyes, creating an eye-catching and memorable visual appearance that distinguishes them from others. In addition to their outfit, the character is wearing distinctive red shoes that align with the overall color scheme. Furthermore, they have decorative accents on their left leg, specifically in red and white, which add an extra layer of detail to their design and likely carry significance in relation to the character's storyline or abilities within the game. The text on the left side of the illustration includes lines spoken by the character, directly pulling the viewer into the narrative context. These lines not only showcase the character's personality but also provide context for their motivations and experiences within the game's plot, further engaging the audience. The combination of visual artistry and textual explanation creates a rich and immersive depiction of the character that invites viewers to explore more about their role within the game. Thank you. Thank you.
| 2,999 |
|
nonnative
|
['1bPkDXFXrdLb']
|
['English']
|
[" This image appears to depict an ad for the Mercedes-Benz car company. At the bottom of the image, we see a driver with his hands on the steering wheel and with his hands covered in blood, with sleeves that appear to be very old-fashioned, perhaps indicative of a vampire as depicted in movies. At the bottom right of the image is the Mercedes-Benz logo, with the subtext beneath it that says, In the back, the man is driving on what appears to be a very bumpy dirt road, with garlic in the middle of the road blown up in size, as if the lifelike size of the man or his car. In the background, we see the dark outlines of a few trees and the moon. And the caption that says, Brakes when you wouldn't. Collision Prevention Assist Plus by Mercedes-Benz."]
|
[True]
|
['Contains subtle references to vampires and garlic - relies on these associations to sell product.']
|
This image appears to depict an advertisement for the Mercedes-Benz car company, featuring a highly imaginative and theatrical design. At the bottom of the image, we observe a driver gripping the steering wheel of a vehicle, his hands visibly stained with blood. The driver is dressed in sleeves that give off a very antiquated vibe, reminiscent of traditional vampire attire often portrayed in films, suggesting a connection to classic horror motifs. In the bottom right corner of the image, we clearly see the iconic Mercedes-Benz logo prominently displayed, which is synonymous with luxury and high-performance automobiles. Beneath this logo, there is subtext that highlights the innovative technology of the vehicle. The ad specifically mentions "Brakes when you wouldn't. Collision Prevention Assist Plus by Mercedes-Benz," indicating the advanced safety features designed to ensure the driver's and passengers' wellbeing on the road. In the background of the scene, the setting is dramatically enhanced by the portrayal of a bumpy dirt road that the man is navigating, evoking a sense of adventure and unpredictability. Adding to the thematic elements, an oversized piece of garlic is depicted in the middle of the road, potentially symbolizing a traditional remedy against vampires, thus drawing on cultural associations where garlic is reportedly used to ward off these mythical creatures. The garlic appears to be life-sized compared to the man and his vehicle, making it a striking visual element. The atmospheric background features the dark silhouettes of a few trees set against a night sky, where a full moon adds a haunting glow to the scene. This creates a mysterious ambiance that further amplifies the vampire theme present throughout the advertisement. Overall, this advertisement cleverly employs cultural references to vampires and garlic, utilizing these familiar associations in an imaginative way to promote the advanced safety features of Mercedes-Benz vehicles.
| 2,456 |
|
native
|
['1kgJeW0mTFAL']
|
['Korean']
|
["When I first saw the photo, it seemed to have unique patterns, appearing mostly like floral designs within a certain framework. There seem to be about 10 or 11 complete patterns shown, and there are even more that are cropped. The floral designs within that framework appear to be very pretty and diverse. They are all placed next to each other, and the colors are also varied. The colors include red, purple, light green, and green. Here, the flowers repeat with about 3 or 4 different patterns. The colors and patterns are not the same; rather, they seem to vary according to the lines. So, it seems that the style and colors can be explained to this extent, and it's very unique. It gives the impression of something that might be found inside a blanket. The style feels different from the Korean style, perhaps more similar to something from Southeast Asia. There are no words present. It seems like the entire experience would be integrated with the body of an artist. Naturally, it resonates from something fundamental."]
|
[False]
|
[nan]
|
When I first observed the photograph, it immediately struck me with its unique and intricate patterns that primarily resembled floral designs arranged within a specific framework. Upon closer inspection, I noticed that there appeared to be approximately 10 or 11 complete patterns prominently displayed, alongside several additional designs that were cropped out of the frame. The floral motifs within this structure were particularly striking; they are visually appealing and showcase a remarkable diversity. Each pattern is positioned adjacent to the others, creating a harmonious composition. The color palette is notably varied, featuring shades such as vibrant red, deep purple, soft light green, and lush green. Throughout the arrangement, the flowers seem to repeat themselves but in approximately three or four distinct patterns, indicating a thoughtful design process. The colors and patterns do not follow a uniform schema; instead, they differ, with variations arising from the lines and structures within the artwork. This eclectic approach to style and color adds to the unique essence of the piece, which evokes the feeling of fabric or textiles, perhaps reminiscent of materials that one might find in a cozy blanket. The stylistic elements present in this work diverge from typical Korean aesthetics, suggesting a greater similarity to artistic traditions found in Southeast Asia, where textiles often feature rich, complex patterns that celebrate cultural motifs. Importantly, the composition does not include any textual elements, allowing the visual experience to stand on its own. This choice enhances the immersion in the artwork, making it seem integral to the physical expression of the artist. Overall, the photograph resonates with a deep-rooted artistic sensibility, stemming from fundamental cultural narratives and traditions.
| 3,005 |
|
native
|
['1gcyLK1q9g31']
|
['Korean']
|
["The transcription appears to describe a photo of an Emart store. It mentions that the sign outside reads Emart24 and conveys the impression that a photo of an Emart located in a building was taken. Other than that, it's just the exterior of the building? When looking at the glass, it seems like there are many posters, but they aren't legible. It sounds like an attempt was made to capture a photo of the Emart, but there are many windows above, suggesting the photo may be of an Emart inside a certain building? Aside from that, there are no people, and it appears to be a picture of Emart taken in broad daylight?"]
|
[True]
|
['sign of korean market']
|
The transcription provides a detailed description of a photograph depicting an Emart store, specifically highlighting its exterior features. The prominent sign clearly reads "Emart24," indicating that it is one of the convenience store formats operated by Emart, a well-known South Korean retail chain. The scene conveys that the photo was taken from outside the store, positioned within a larger building structure, which can be inferred from the context of the surrounding architecture. Upon closer examination of the glass windows, it is noted that there appear to be several posters affixed to them. However, the content of these posters is not discernible in the photograph, likely due to the angle or quality of the image. This creates a sense of curiosity about what they might be advertising or promoting, which often features various products, sales, or events specific to the store or the brand. The photograph captures the Emart store during daylight, characterized by the bright and clear lighting conditions, which may give the viewer a sense of the store's inviting atmosphere. It is also observed that the area surrounding the store is devoid of any people, which could suggest it was taken during a quieter time of day or simply that the busy nature of urban life was momentarily paused for the shot. Overall, the image effectively encapsulates the essence of an Emart store as a significant element of South Korean retail culture, particularly through its modern design and accessibility. Emart has become a staple in South Korea, known for its extensive offerings, ranging from groceries to clothing and household items, which aligns with the convenience aspect emphasized by the "24" in its name, denoting that the store is open 24 hours a day.
| 1,028 |
|
native
|
['133hGfSyZ9UF']
|
['Chinese']
|
['At first glance, what I see is a group of actors, a total of six. The text in the background reads "PTHK Hong Kong Television Live," and in the top right corner, it says "HD Jade Channel." These six people are divided into two groups of three, with three standing in front and three behind. The person on the far right is facing to the right; this detail suggests that he seems to be speaking to someone. The background looks like it has some green diamond patterns, and at the center of the entire backdrop, there appears to be a larger diamond, which should be the logo of the Jade Channel. The entire image is composed of black and green.']
|
[False]
|
[nan]
|
At first glance, the scene presents a group of six actors positioned prominently in front of a visually engaging backdrop. The backdrop features text that reads "PTHK Hong Kong Television Live," signaling that this is a live broadcast or event related to Hong Kong television. In the top right corner of the backdrop, there is an inscription that specifies "HD Jade Channel," indicating the specific television channel associated with the production. The six actors are organized into two distinct groups of three. The front row consists of three individuals, while the back row also contains three individuals, creating a layered visual effect. Notably, the actor situated on the far right of the group is oriented to the right, which implies he is possibly engaged in conversation with someone off-screen, lending a dynamic quality to the composition. The backdrop is visually striking, adorned with green diamond patterns that contribute to the aesthetic appeal of the scene. Central to the backdrop is a larger diamond graphic, which is likely the logo of the Jade Channel, further emphasizing the channel's branding. The overall color scheme of the image comprises predominately black and green hues, which may be designed to convey a sense of sophistication and modernity, common in broadcast design. This setting, with its combination of visual elements and the professional arrangement of the actors, sets a formal and vibrant tone typical of a television production, particularly one that aims to engage viewers through live entertainment. The cultural significance of the Jade Channel lies in its prominent role within Hong Kong's television landscape, often associated with quality programming in Cantonese and promoting local talent.
| 2,609 |
|
nonnative
|
['1bZLgb4PWdNQ']
|
['Vietnamese']
|
['The picture depicts two young boys playing soccer. One boy, dressed in black and wearing black soccer shoes, is playing with a yellow soccer ball that has some black spots on it. The boy behind him has blonde hair, is wearing a long-sleeved blue shirt, and also has something black on. These two boys are playing soccer on green grass in the distance. There are several other children also playing on the grass. There are two men in the picture; one man is wearing a white shirt and a red hat, while the other man is dressed in a blue shirt and blue pants.']
|
[False]
|
[nan]
|
The image showcases two young boys engaged in a lively game of soccer. The first boy is dressed in a sleek black outfit and sports black soccer shoes, indicating his readiness for play. He skillfully maneuvers a vibrant yellow soccer ball, which is embellished with several black spots, adding a playful aesthetic to the scene. Positioning himself just behind his friend, the second boy has a head of blonde hair and is adorned in a long-sleeved blue shirt. He also has an accessory or piece of clothing in black, complementing his attire. The soccer match unfolds on a lush expanse of green grass, which serves as the perfect backdrop for outdoor activities. In the distance, there are several other children also enjoying the outdoors and participating in various games, contributing to the lively atmosphere of childhood play. In addition to the children, the scene is further populated by two men who are presumably supervising or enthusiastically watching the game. One of the men is dressed in a white shirt paired with a vibrant red hat, which adds a splash of color to his outfit. The other man can be seen wearing a blue shirt along with coordinated blue pants, creating a cohesive look. Together, the boys and adults create a dynamic image of community and the joy of youth sports.
| 1,505 |
|
native
|
['11sOV5gDzH4r', '189eMXXbwbvP', '1aPsFbL7b7Lj']
|
['Chinese', 'Chinese', 'Chinese']
|
['From this image, we can see that this is a door, typically found at subway entrances, airports, or the entrances to tourist attractions. Why do I say that? Because this door allows for one-way passage. It is undeniably a door; without any specific text details, we can see some green trees and greenery behind it, indicating that this is a fenced-off area. The color of the trees in the background is green, while the door in front has the color of steel. From this, we can infer that this door is located at a subway entrance or a tourist attraction, as I mentioned. This image captures a door, and there are horizontal rods across it. Furthermore, it can be described as a revolving door; if you push it in one direction, it will spin around.', 'This is a photo taken outdoors. The main subject of the photo is a metal gate, a wrought iron door. There is a card reader slightly left of the center of the door, which likely means you need to swipe a card to open it. The door has a rotating design and is made of iron. On the left side of the photo, there is a green grid that separates the space on the left from the right. On the other side of the grid, there are some trees, which overall are green, but there are also some reddish-brown dead leaves. In the background, white buildings can be seen, possibly residential apartments, and in the upper right corner, part of a red lantern is visible. This photo appears to have been taken during the day.', 'The main subject of this photo is a security door, with some iron mesh on the left side, indicating that the area on the right is likely a yard intended to prevent outsiders from entering. This door is a very complex iron gate that requires someone to push it to rotate it in order to enter. The iron gate has horizontal iron bars that need to be pushed to gain access to the yard. In the upper right corner, there is a red lantern, suggesting that this place is likely inhabited by Chinese people. Inside, the room is white, and there is a window visible. In the upper left corner, there are trees with green leaves, and the iron mesh is also green. Inside the iron mesh, there is an earthen path that appears to be made of dirt.']
|
[False, False, True]
|
[nan, nan, nan]
|
The image in the first transcription depicts a door that is typically seen at various public venues such as subway stations, airports, or attractions for tourists. This door is characterized by its design which permits one-directional passage, reinforcing its functional purpose. The door itself is clearly identifiable as a door due to its shape and structure; notable details include the presence of some horizontal rods across its surface. The tonal contrast with the surrounding environment is evident: green trees and lush greenery can be observed in the backdrop, indicating that the door separates a constructed area from a natural one. The door has a metallic, steel-like coloration that signifies its robust construction, further suggesting its placement in a setting with high foot traffic, such as a subway or a popular tourist destination. Additionally, the door is described as having a revolving mechanism; when pushed in one direction, it rotates to allow entry or exit. In the second transcription, a photograph taken in an outdoor setting showcases a metal gate, specifically identified as a wrought iron door. A significant feature of this door is a card reader positioned slightly left of center, implying that access is granted through card swiping, a modern security measure commonly used in private facilities or secure public areas. This door boasts a rotating design, adding to its unique attributes. The photograph captures additional elements of the environment, including a green grid on the left side which partitions the area into two sections. Beyond this grid, trees are visible, predominantly lush and green, though some reddish-brown dead leaves hint at seasonal changes or lack of upkeep. In the background, there are white buildings, likely residential apartments, which provide context to the urban setting. A notable cultural characteristic is the appearance of a red lantern partially visible in the upper right corner, indicating a possible connection to Chinese culture or a themed architectural style. It is clear that the image was taken during daylight, which enhances visibility and vibrancy. The primary focus of the third transcription is a security door, which features an iron mesh barrier along its left side. This design serves a dual purpose: securing the area on the right and restricting access to unauthorized individuals. The complexity of the iron gate is emphasized, as a physical push is necessary to rotate it open, signifying a blend of security and functional design. The gate features horizontal iron bars that offer a visual barrier while also facilitating access when manipulated accordingly. In the upper right corner, a red lantern is again noted, reinforcing the suggestion that this setting is inhabited by individuals of Chinese descent. Inside the structure, the space is characterized by white walls, which may signify cleanliness or modernity, complemented by a visible window that allows natural light into the room. The upper left corner is adorned with trees featuring vibrant green leaves, adding a touch of nature to the otherwise structured environment. The iron mesh is also colored green, providing a harmonious tie with the surrounding foliage. An earthen path made of dirt is noted within the confines of the iron mesh, suggesting a rustic, natural aesthetic amid the constructed elements.
| 499 |
|
native
|
['18OgSdjLYUwS', '1gipbz7sdke8', '116RDsrXbmbb']
|
['Chinese', 'Chinese', 'Chinese']
|
["In this picture, there is an animal in the town that appears to be a leopard. The leopard has black spots all over its body, and its fur has a base color of light brown. Near its abdomen, it is somewhat whitish. The leopard's paws are quite large, and it is standing on the edge of a concrete base. Behind it, there seems to be the wall of a cage. The background features many green plants, which are relatively sparse small shrubs. The leopard looks like it might be in a zoo, and this photo may have been taken by people from its usual living space. The leopard does not appear particularly alert or agitated; it is simply standing to the side with its mouth slightly open, as if it wants to say something to people.", "This is a jaguar that looks like it's in a zoo because it is in a cage. The grass around it is green, and it is standing on a wall. This little jaguar has black spots in a pattern on its body, and it looks very cute with its face showing through. The enclosure is white, probably made of wire mesh or another material. I focused on this jaguar, so I believe it must be in a zoo. Its tail is very long, but this picture does not show its entire tail.", "This is a snow leopard standing on a concrete wall, with a metal fence and green plants behind it. The snow leopard is centered in the frame, with its four limbs on the concrete wall and its tail hanging down. The fence is in the background, parallel to the wall, and plants are growing along the fence, some reaching out past it. The snow leopard's fur is thick, and its spots and rosettes are clearly visible. Its tail is long and bushy, and its mouth is slightly open, possibly observing its surroundings or making a sound. Its claws grip the wall firmly, demonstrating agile climbing ability. The wall has some metal fixed structures, likely part of the fence's support. The background is an artificial environment with the metal fence, possibly a zoo or wildlife reserve, and the plants growing along the fence add a touch of nature. It's a natural photograph, focusing on earthy tones, capturing a close-up of the snow leopard. The grayish-white fur of the snow leopard contrasts with the black spots, and the green plants in the background enhance the scene. The snow leopard may be looking for an exit or observing its environment, appearing healthy and well-cared for. This photo of a snow leopard, taken in a botanical garden or wildlife reserve, portrays its exploration and alertness towards the surroundings, showcasing the wild beauty and strong physique of the snow leopard."]
|
[False, False, False]
|
[nan, 'no', nan]
|
In this captivating picture, there is an animal that appears to be a leopard, situated in a town setting. The leopard is adorned with striking black spots scattered across its body, which boasts a base color of light brown. Notably, the area near its abdomen features a somewhat whitish hue, adding to its distinctive appearance. The leopard's paws are notably large, indicating its powerful build, and it stands on the edge of a concrete base. Behind the leopard, one can see the wall of a cage, implying that it may be housed within a zoo. Surrounding the leopard, the background displays a variety of green plants, consisting of relatively sparse small shrubs that bring a touch of nature to the setting. The leopard appears to be calm, not particularly alert or agitated; it stands off to the side with its mouth slightly open, as if trying to communicate with onlookers or perhaps taking a moment to breathe in its surroundings. In another scene, this image features a jaguar that also seems to inhabit a zoo environment, given its presence in a cage. The greenery surrounding the jaguar is lush, with grass that adds a vibrant touch to the enclosure. The little jaguar has a series of distinctly patterned black spots on its body, contributing to its endearing appearance, especially as its face peeks through the enclosure. The cage itself is constructed from white materials, likely wire mesh or a similar substance, providing a clear view of the animal. The jaguar has a notably long tail; however, the photograph does not capture the entirety of it, leaving some elements of its anatomy to the imagination. The next image presents a magnificent snow leopard, prominently positioned on a concrete wall. Directly behind it, a sturdy metal fence is visible alongside green plants that create a natural backdrop. The snow leopard is centered within the frame, gripping the concrete wall with all four limbs, its long and bushy tail hanging down gracefully. The fence, which runs parallel to the wall, indicates an enclosure, and the plants growing adjacent to it further enhance the aesthetic appeal of the scene. The snow leopard's thick fur is remarkable, with its distinct spots and rosettes easily discernible. With its mouth slightly ajar, it appears either to be observing its surroundings intently or potentially emitting a sound. The animal's claws are firmly gripping the wall, showcasing its agile climbing abilities, a trait well-known among wild leopards. The concrete wall is equipped with metal fixed structures that likely serve as part of the fence's support system. This image captures an artificial environment, possibly within a zoo or wildlife reserve, where the juxtaposition of the metal fence against the organic greenery creates a unique visual dynamic. The earthy tones of the photograph emphasize the snow leopard's grayish-white fur, which contrasts elegantly with its bold black spots. The green plants in the background significantly enhance the scene's liveliness, suggesting that the snow leopard is either searching for an exit or attentively observing its environment. The animal appears healthy and well-cared for, embodying the wild beauty and robust physique characteristic of its species. This close-up photograph, likely taken in a botanical garden or wildlife reserve, successfully portrays the snow leopard's exploratory demeanor and awareness of its surroundings.
| 323 |
|
nonnative
|
['1lUxJXQKgGPK', '1ki8uwXkQcdu', '12zv9wpbTxoU', '1iCwELp8YSRn']
|
['Chinese', 'English', 'Chinese', 'Chinese']
|
["The scene mainly shows a metal, possibly stainless steel, round plate. On top of this plate, there is a mound of rice, but the rest of the plate is empty and contains nothing else. The plate has a reflection that shows the shadow of the person taking the photo. It is placed on a rough wooden table, which appears to be not very clean or bright. Above the plate, on the table, one can see a small side dish, which is only partially visible in the photo, resembling some kind of red pickled vegetable. Next to the table, one can also see half of a chair leg, and the floor seems to have an orange and white patterned design. The plate doesn’t evoke any particular feelings; it’s unclear why the photographer chose to capture this plate. Perhaps it emphasizes the meal's lack of appealing dishes, consisting only of a mound of rice and a small dish of pickles.", " This is a very simple picture. It depicts a plate of rice. The plate itself is metal and the rice is white. It looks like there's no seasoning. It looks cooked and it looks like it's on a wooden table. Now there appears to be another plate at the top with some sort of sauce or other food dish that can be eaten with this rice. The rice only takes up a portion of the plate, but it looks like it hasn't been eaten yet or touched. So likely somebody is putting together some food where they will eventually put other food on this plate to eat with the rice. There's no utensils, nothing else on the table besides this plate with rice and the small plate above it of the sauce or other food.", "The image shows a large silver plate with a small amount of white rice occupying about a quarter of the plate's surface. The entire picture is taken from a top-down perspective, and you can vaguely see other dishes next to the plate, indicating that this is part of a table in a hotel or restaurant. The scene appears to be during the serving process, where rice has been placed on the plate first, and more food is likely to be added on top of the rice or stirred with it later.", 'This drawing depicts a portion of food placed in a very flat, stainless steel-like bowl. In the upper right of the bowl, there is a portion of rice, approximately one quarter of the way filled. The rice is white and appears to be properly steamed. In the distance, outside of this bowl, there is another dish showing about one third of its contents; this dish is reddish in color, but it’s hard to determine what type of dish it is. In the lower left corner of the image, there is something that looks like folded paper, slightly yellow and black in color, but it’s not clear what it actually is. The surface being photographed is a wooden table with a striped wood texture. The angle of the shot focuses mainly on the bowl, which is shown clearly, while next to it, in the smaller round bowl, only a bit of the reddish food is visible.']
|
[False, False, False, True]
|
[nan, nan, nan, 'it contains rice.']
|
The scene captures a metal, likely stainless steel, round plate that serves as the central focus of the image. On this plate, there is a significant mound of white rice, which occupies a portion of the surface area while leaving the remainder of the plate empty and devoid of any additional food items. The reflection visible on the plate features the shadow of the person responsible for taking the photograph, adding a human element to the imagery. The plate is situated on a rough, wooden table that appears somewhat unclean and dimly lit, creating an overall atmosphere that lacks brightness. Above the main plate, there is a small side dish, only partially visible in the frame. This dish resembles some kind of red pickled vegetable, suggesting a potential accompaniment to the mound of rice. Next to the table, the viewer can see half of a chair leg, hinting at the setting being a place where individuals might gather for a meal. The floor beneath is decorated with an orange and white patterned design, though the details of this pattern are not elaborated upon in the image. The composition of the photograph does not evoke strong feelings; instead, it raises questions regarding the photographer's intent. The focus on a single mound of rice alongside a small dish of pickles might suggest a commentary on simplicity or a lack of variety in the meal being depicted, as the plate does not feature any appealing or elaborate dishes. Another description portrays the scene as showcasing a plate of rice, emphasizing its simplicity. The metal plate holding the rice is described as bare, with the rice appearing white and seemingly unseasoned. This further reinforces the notion that it is a basic meal. There is an implication that the rice is cooked but untouched, indicating that someone is in the process of preparing their meal, potentially planning to add sauce or another food item from a second plate located above the rice. In a different perspective, the image reflects a top-down view of a large silver plate, revealing that about one quarter of the plate's surface is occupied by a mound of white rice. Other dishes, vaguely visible next to the plate, imply that this scene is set in a dining environment, such as a hotel or restaurant, and suggests that this is an initial stage in the meal preparation process. The rice has been placed on the plate first, with more food likely to be added or arranged with it later. Lastly, the imagery transitions to a flat, stainless steel-like bowl depicted in a drawing. A portion of rice fills about one-quarter of this bowl, appearing well-cooked and ready to eat. Nearby, another dish, with a reddish hue, is present but only a fraction of it is visible in the frame, leaving its specific identity ambiguous. Additionally, in the lower left corner of the drawing, there is an unfamiliar object resembling folded paper, displaying slightly yellow and black colors, yet its significance remains unclear. The surface where all these items are placed features a wooden texture, enhancing the overall rustic aesthetic of the image. The frame focuses primarily on the bowl, with the other dish serving as a secondary element in the composition.
| 93 |
|
nonnative
|
['1cHFpXhYTE6l', '1977fcZUYiAz']
|
['Chinese', 'English']
|
["The screen shows a dish of food placed in what seems to be a stainless steel container. This food is a type of grain that looks like corn, cooked and mixed with some chopped cilantro and other seasonings. The kernels, once cooked, have a slightly pale pink translucent appearance and are somewhat plump, which makes me think it is corn. Additionally, there are some other pieces of food mixed in, like chopped cilantro and a white substance that's hard to identify, but it is definitely a food item.", " So first impression of this is a very large bowl of some kind of food and it looks like some kind of food because it looks like the food that is inside has been tossed with some kind of seasonings and some cilantro is inside. But it's unclear what the actual main food item is. It's like chunks of what looks like gelatin almost. Not necessarily clear but maybe opaque. And maybe it looks like scallop but a bit more opaque than scallop. And a bunch of other small seasonings like what looks like maybe chili flakes mixed inside. So the bowl is definitely very large. So by the image it looks like it's enough to feed maybe five or more people. So maybe this is an image of something taken in a restaurant instead of at home. Other than that this is the food is being held in a metal bowl and on a metal table. Nothing particularly interesting."]
|
[False, False]
|
['No', nan]
|
The visual representation captures a dish of food elegantly displayed in a stainless steel container, which is typically used in various culinary settings due to its durability and stylish appeal. The primary component of this dish appears to be a type of grain, characterized by its resemblance to corn. The grains have been cooked and integrated with an assortment of chopped cilantro, along with various seasonings that enhance the overall flavor profile. When observing the kernels, they present a subtly pale pink, almost translucent appearance, which contributes to their plumpness, reinforcing the idea that they are indeed corn. In addition to the corn and cilantro, there are also intriguing elements within the dish that warrant further investigation. A white substance is present, but its exact identity remains ambiguous; however, it is confirmed to be another food item. The dish boasts a generous quantity of ingredients, possibly indicating that it is meant to serve multiple individuals, which leads to the speculation that this meal may have originated from a restaurant setting rather than a home kitchen. Upon closer examination, the first impression of the food conveys the appearance of large portions, suggesting a substantial serving size. The main ingredient is somewhat elusive; it has a texture that resembles gelatin, though it is noted to be less clear—perhaps more opaque in nature. Whether this component is an interpretation of scallop remains uncertain, but it certainly has a jelly-like quality. Complementing the main ingredients, the bowl's contents are peppered with various smaller seasonings, including what appears to be chili flakes, adding a touch of heat to the dish. The overall size of the bowl is notably large, capable of satisfying the appetites of five or more diners, accentuating the communal aspect of the meal. The food is held within a metallic bowl, resting upon a corresponding metal table, exemplifying a clean and modern aesthetic but lacking any particularly unique visual appeal or cultural elements.
| 862 |
|
native
|
['1kyjOok06djp']
|
['Korean']
|
['The next photo has a background of sky and clouds, and below there is some brown grass, while there is also some golden grass. It seems to be on a hill. There appear to be six horses and six people on the hill. This seems to portray the Native American people, the original inhabitants. They appear to be holding weapons and wearing their distinctive clothing. One person is wearing a hat. Among the group, four are holding weapons and two are not, making it difficult to distinguish between men and women. The horses are of various colors, and it looks like they are moving around somewhere.']
|
[True]
|
['distinct towards native americans']
|
The next photo presents a picturesque scene showcasing a vibrant blue sky adorned with soft, fluffy clouds, casting a serene backdrop. Beneath this sky lies a patch of brown grass, interspersed with areas of golden grass, suggesting the presence of sunlight illuminating the terrain. The setting appears to be on a hill, which subtly slopes upwards, creating a natural elevation that enhances the visual depth of the landscape. In this enchanting outdoor scene, there are six horses and six people positioned on the hill, seemingly engaged in a moment that evokes a sense of cultural identity and history. The individuals portrayed in the photograph appear to represent Native American people, recognized as the original inhabitants of the land. Their attire is distinctive, showcasing traditional clothing that highlights the unique heritage and cultural practices of Native American communities. Among the group, it can be observed that four individuals are holding weapons, possibly symbolic of protection or a display of cultural heritage, while two individuals do not have weapons, which adds complexity to the interpretation of gender roles within this depiction. The varying outfits and presence of a distinctly styled hat on one individual further emphasize the rich diversity and significance of Native American attire. The participants in this scene display an ambiguous gender identity, making it hard to delineate between men and women purely based on their clothing and positioning. In addition, the six horses present are of various colors, suggesting diversity in breed and perhaps a representation of strength and vitality. These horses appear to be in motion, adding dynamism to the composition and emphasizing the connection between the people and their equestrian companions, which is historically significant in many Native American cultures. The movement of the horses provides a sense of liveliness and engagement within the scene, enhancing the overall atmosphere of unity and historical significance depicted in this captivating photograph.
| 2,936 |
|
native
|
['18npFHCOZwuU']
|
['Korean']
|
['This photo captures a scene that highlights Korean elements, showcasing the enjoyment of traditional green tea culture in a modern café style. In the image, a tray from a famous Korean tea brand called Osulloc is visible, and on it, various desserts and beverages made with green tea are arranged. First, there are two cups, each containing iced matcha lattes, with one topped generously with rich green tea powder to enhance the flavor. Additionally, there is a piece of cake beside them, also displaying a deep green color, topped with a chocolate decoration that has the brand name Osulloc written on it. Osulloc is a brand based on the green tea culture of Jeju Island, South Korea, offering a modern interpretation of traditional tea culture through a variety of desserts and beverages. The green tea desserts and drinks depicted in this image can be seen as representative examples of the K-dessert culture, which is gaining popularity not only in Korea but also abroad.']
|
[True]
|
['It shows green tea based beverages and a dessert from Osulloc which is a well-known South Korean tea brand.']
|
This photo captures a culturally rich scene centered around Korean elements, specifically highlighting the enjoyment of traditional green tea culture presented in a modern café environment. Prominently featured in the image is a tray from the renowned Korean tea brand Osulloc, known for its association with the green tea culture of Jeju Island, South Korea. On this meticulously arranged tray, a variety of desserts and beverages inspired by green tea are displayed, showcasing their aesthetic appeal and culinary artistry. First, there are two elegant cups, each filled with iced matcha lattes, a refreshing beverage that has gained immense popularity both in Korea and beyond. One of the lattes is generously topped with a fine layer of rich green tea powder, adding a vibrant color and enhancing the flavor profile of the drink, catering to the taste of matcha enthusiasts. In addition to the matcha lattes, there is an exquisite piece of cake positioned beside the cups. This cake features a deep green hue that alludes to its green tea base, complemented by an artistic chocolate decoration that prominently displays the brand name "Osulloc." This particular presentation of the cake not only emphasizes the connection to the Osulloc brand but also reflects the modern interpretation of traditional tea culture that the brand represents. The green tea desserts and drinks depicted in this image serve as representative examples of K-dessert culture, a culinary trend that has been rapidly gaining popularity in Korea and is increasingly recognized and appreciated internationally. K-dessert culture encompasses a wide range of desserts and beverages that highlight unique flavors, aesthetic presentation, and the fusion of traditional and modern culinary techniques, making the offerings at establishments like Osulloc a significant part of this cultural phenomenon. The scene depicted in the photograph illustrates the way contemporary Korean tea culture is evolving while still honoring its rich historical roots.
| 1,022 |
|
native
|
['14hjo08hG2j0', '14SrfCWFtwho']
|
['Tamil', 'Tamil']
|
['In this hymn, there is a stream flowing along the road. The dance has colorful decorations, with black cloths draped above and below. Behind that, there are many bushes and trees. Further back, the road beneath the car looks clean. This auto center is on the upper side, and there are many things there. Those who have seen it say it looks very busy, but it seems like many people are just lying around and not moving.', 'The auto rickshaw in our area is a good representation of India, especially in Chennai. It seems to be moving along the road as if someone is driving it, but there’s no one talking behind, indicating that it’s a well-maintained auto. There are two headlights, and a good rear-view mirror with a black color that matches the others. The auto rickshaw has three small wheels and appears to be driving smoothly on a well-paved road. Everyone has done a great job on the roads; you can see some advertisements in the distance near a shop, but what they are about is unclear. Over there is something with a vehicle that seems to be promoting something, but again, it’s hard to tell what exactly it is from a distance. There’s a tree with a nice green setting along this road, creating a pleasant environment. In the far distance, the shop advertisements are fading, with two people standing far away as well. They seem to be looking at something from afar, possibly checking out the different vehicles that are passing by. A car is moving in the opposite direction, quite distant, but the area is well-lit as this photograph was taken in the morning. After that, there’s another advertisement nearby that is well set up.']
|
[False, True]
|
['no', 'Typical of Chennai or South India, Auto rickshaw common only in India']
|
In this hymn, a picturesque scene is described featuring a stream that flows gracefully along the roadside. The accompanying dance is vibrant and adorned with colorful decorations, including black cloths that are elegantly draped both above and below, creating a striking visual contrast. In the backdrop, a lush assortment of bushes and trees enhances the scenery, adding an element of natural beauty. As we survey the area further back, the road beneath the car appears remarkably clean, reflecting a commitment to upkeep and maintenance. This locale is identified as an auto center situated on the upper side, enriched with numerous elements that contribute to its busyness. Those who have observed the scene comment on the vibrancy of the area, yet there seems to be a paradox as many individuals are depicted as lying around, seemingly inactive in the midst of what others perceive as a bustling environment. Turning attention to the auto rickshaw, it serves as a quintessential representation of India, with a particular nod to Chennai. The rickshaw moves steadily along the road, presenting the illusion of being in command, driven smoothly forward. There is a striking absence of chatter from within, indicating that this auto rickshaw is well-maintained and operable. It is equipped with two headlights and a properly positioned rear-view mirror, which is colored black to complement the overall aesthetic of the vehicle. Distinctively designed, the auto rickshaw is characterized by three small wheels, showcasing its typical construction while navigating the well-paved road with ease. The infrastructural improvements are noticeable, and on the horizon, a variety of advertisements can be seen near a shop, although the specifics of these ads remain unclear from a distance. One particular vehicle, situated in the vicinity, appears to be serving a promotional purpose, yet again, the details are elusive as it is observed from afar. Adding to the scenic charm of the road is a tree surrounded by a lush green setting, which contributes to a pleasant atmosphere. In the distance, the fading shop advertisements are interspersed with two individuals who seem engaged in observing something beyond their immediate surroundings, possibly contemplating the array of vehicles that are passing by. A car can be made out moving in the opposite direction, positioned at a distance, yet the area is bright and welcoming, indicative of the time of day when this photograph was taken, likely during the morning. Notably, another advertisement nearby is attractively displayed, further enhancing the visual landscape of this bustling locale. The auto rickshaw, a culturally significant element, is emblematic of urban life in Chennai and throughout South India, representing a common mode of transportation that is widely recognized and utilized across India.
| 1,363 |
|
native
|
['1h3y3AsQMx5v']
|
['Hindi']
|
["Here is a picture of a spice container that contains five types of spices along with a small spoon. On the lower right side, there is red chili powder, next to it is mustard seeds, followed by cumin seeds, then turmeric, and next to that is ground coriander, which has the color of chili powder and is bright red. The mustard seeds next to it are black and are often used in cooking, along with cumin. The turmeric next to the cumin has many medicinal properties and is also used for cold and cough. It is believed that turmeric has significant benefits in fighting cancer. Similarly, coriander is also added to various dishes. All of these spices are predominantly used in Indian cuisine, contributing medicinal elements to many of the country's traditional foods."]
|
[True]
|
['This is a typical spice-pot from India.']
|
Here is a picture of a spice container that features an assortment of five distinct types of spices, accompanied by a small spoon for easy serving. Situated in the lower right corner of the container is red chili powder, known for its vibrant color and heat, which adds a fiery element to many dishes. Adjacent to the chili powder are mustard seeds, which are small, round, and black in appearance. Mustard seeds are commonly used in cooking, particularly in Indian cuisine, where they are often tempered in hot oil to release their flavor. Following the mustard seeds are cumin seeds, which have a brownish hue and a distinctive, earthy aroma. Cumin is celebrated for its culinary uses and is an essential ingredient in various spice blends. Next to the cumin is turmeric, a bright yellow spice revered not only for its flavor but also for its numerous medicinal properties, including its traditional usage for alleviating colds and coughs. Turmeric is often regarded as having significant health benefits, including potential anticancer properties. Finally, next to the turmeric is ground coriander, which shares a similar reddish-brown color with the chili powder. Coriander, both in its seed and ground form, is a staple in a wide array of dishes, adding a warm, citrusy flavor that enhances many foods. Collectively, these spices are integral to Indian cuisine, each contributing distinctive flavors and medicinal attributes that are characteristic of traditional Indian cooking practices. This spice container is representative of a typical spice pot from India, showcasing the rich culinary heritage and the importance of spices in both flavoring and health within the country's food culture.
| 840 |
|
native
|
['14aCtxq2jvcB']
|
['Chinese']
|
['In the video, it seems that a man is proposing to a woman while looking at a very beautiful view, with a blue sky and ocean in the background, and a bouquet of flowers. The woman is wearing a white wedding dress, and the man is dressed entirely in white as well: a white suit, white pants, and white shoes. He is holding a bouquet of flowers to present to the woman, who is in her wedding dress. They are standing on a platform, and behind them is a large floor-to-ceiling window showing blue skies, white clouds, and what appears to be an ocean beach. It seems to be a wedding location, and the scene is labeled in English as "Jimmy\'s Wedding." The male lead is named Jimmy, and this is his proposal day. This image beautifully represents the first day of their wedding, with sunlight shining down on the couple, creating a romantic atmosphere.']
|
[False]
|
[nan]
|
In the visually captivating video, we witness a heartfelt proposal taking place in an idyllic setting that enhances the romantic atmosphere. The scene features a man, identified as Jimmy, who is dressed in an elegant white suit complemented with white pants and white shoes, symbolizing purity and new beginnings. He holds a vibrant bouquet of flowers, which serves as an emblem of love and commitment, ready to present to his beloved. The woman, adorned in a stunning white wedding dress, embodies the essence of bridal beauty, radiant and filled with joy on this special day. The couple is positioned on a platform, where they stand against a backdrop defined by a large floor-to-ceiling window. This window frames a breathtaking view of a clear blue sky sprinkled with fluffy white clouds that reflect the tranquility of the moment. Beyond this picturesque vista lies the vast expanse of an ocean beach, adding to the serene and enchanting ambiance of the proposal. The environment suggests that this location is dedicated to weddings, heightening the significance of the moment they are sharing. The sun bathes the couple in warm, golden light, symbolizing hope and love as it casts a soft glow around them, further amplifying the romantic sentiment of the occasion. The scene has been labeled in English as "Jimmy's Wedding," clearly indicating that this is not only a proposal but also the beginning of their journey together as a married couple. The ambiance, attire, and setting all come together to create an overwhelmingly beautiful representation of love, commitment, and the joyous beginning of their shared life.
| 2,812 |
|
nonnative
|
['115b2Qyo8FQG', '1lxWYoHcvTUo', '1aFaH7r5PHzC', '1idvXr9Ow0Ls']
|
['English', 'Chinese', 'Chinese', 'English']
|
[" Here is a cricket match. We can see the wicket or otherwise in the sport, the pitch. And we can see someone with a cricket bat and a helmet wearing the Indian national uniform for the sport. And we can see another player in the background who seems to be in the yellow and green colours that are associated with Australia. The writing in this picture is on the banners on the border of the field. It says take the slowdown, pledge, and then the rest of the text is covered. But we can see a .au. So we can assume that perhaps this is happening in an Australia field. We can also see many of the audience members. On top, there is a signage that says Members Pavilion, which should help indicate the location of the stadium. And the border of the cricket field says Suzuhari Cement. So perhaps that is some sponsor with some advertising for the event itself. We can see the stumps are of a yellow colour and the field is of a light green colour while the wicket is of a beige colour. So we can see some elaboration. So let's see some paper. Speaker 1 Thanks very much. Amazing, Erin, there you should say earlier. So let's see here. начинать or superésus on better and the finding something different from the people at university for the target. So...", 'This image shows what appears to be a soccer field, but it actually looks more like a baseball field because there is a man in a blue shirt holding something similar to a cricket bat, which seems to be used for hitting balls. To his left is a player wearing blue and green, and behind him are the spectators. This soccer field seems to be divided into two levels; the upper part says "Members Pavilion," which suggests it\'s a member\'s section of the field, and below it, it appears to indicate "AU," likely referring to Australia.', 'The whole scene appears to be a moment from a cricket match. We can see an athlete wearing a blue sports uniform, equipped with a helmet, white gloves, and protective gear. In his hand, he is holding a long wooden bat, indicating it is specifically meant for playing cricket. In the background, there is another team member dressed in a green jersey and wearing a green cap and protective gear. This is taking place on a green grass field. We can also see the audience in the background watching the match, seated in the stands, which seem to have two tiers. The upper tier appears to be a more expensive seating area, as indicated by a sign stating it is for members only, suggesting that those seated there have better visibility for watching the match more clearly. This should be a moment during a break before the match has started because the athletes don’t seem very tense or ready for the game; instead, they are casually walking back and forth.', " This is an outdoor image at some sort of sports game based on what the individuals are wearing and holding. It looks like this is either a baseball game or a cricket game. There is a large green field and some sort of dirt pathway through it. Again, could either be part of a baseball field or cricket field. There is one player towards the right of the image that is wearing a mostly light blue uniform and a helmet. And then a little ways to the left, there's another player that is wearing a green and yellow uniform. And then there is a large stand. It's clearly part of a stadium towards the back with lots of different people sitting to watch the game. And there is also a sign towards the top sectioning off a certain part of the stadium. The sign says Members Pavilion. And there's also some sort of advertisement on a banner towards the bottom of the stadium. And the sign says, Take the Slowdown Pledge dot com dot au."]
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[True, False, False, False]
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['I think sports are unique to specific cultures which makes this picture distinct.', 'no', nan, nan]
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The image captures a cricket match underway on a vibrant green field, specifically designed for the sport. Prominently in the foreground, we see an athlete dressed in an Indian national uniform. He is equipped with a cricket bat, sports a helmet, and is poised, indicating that he is ready for play. This player features a blue uniform that is characteristic of the Indian cricket team, known for their distinct colors that are symbolic of national pride. Standing a little to the left is another member of the same team, dressed in a green and yellow jersey, which are the colors associated with the Australian team. This indicates a match between India and Australia, two cricketing powerhouses known for their fierce competitive spirit. Surrounding the players, the audience is visible in the background, seated in a tiered stand that helps provide an excellent view of the proceedings on the field. Above this seating area, there is a sign labeled "Members Pavilion," suggesting that this section is reserved for members with perhaps better amenities and viewing angles compared to general admission areas. The coloring of the stadium feature banners around the boundary that carries the text "Take the Slowdown Pledge," with a portion of the web address visible as ".au," hinting at the event being held in Australia. Additionally, the stumps located behind the wicket are colored yellow, and the wicket itself has a beige hue, contrasting with the rich green of the outfield. There are dirt pathways interspersed throughout the field, signifying the area where players may run or zone out between plays. The entire scene exudes an atmosphere of anticipation as it appears to be a moment captured in time with athletes casually moving around, indicating a break before the match is officially commenced. The overall composition of the image reflects not only the game itself but the cultural significance and excitement that cricket holds, particularly in Australia and India.
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